#how to fix slow website

[hostitsmartcanada]

Has your website gone slow? But what’s the reason and how can you fix it to elevate user experience of your site? Let’s start fixing your slow website!

#how to fix a slow website #ways to fix a slow website #how to fix slow website loading #how to fix slow website

[kafus]

beginner’s guide to the indie web

“i miss the old internet” “we’ll never have websites like the ones from the 90s and early 2000s ever again” “i’m tired of social media but there’s nowhere to go”

HOLD ON!

personal websites and indie web development still very much exist! it may be out of the way to access and may not be the default internet experience anymore, but if you want to look and read through someone’s personally crafted site, or even make your own, you can still do it! here’s how:

use NEOCITIES! neocities has a built in search and browse tools to let you discover websites, and most importantly, lets you build your own website from scratch for free! (there are other ways to host websites for free, but neocities is a really good hub for beginners!)

need help getting started with coding your website? sadgrl online has a section on her website dedicated to providing resources for newbie webmasters!

HTML (HyperText Markup Language) and CSS (Cascading Style Sheets) are the core of what all websites are built on. many websites also use JS (JavaScript) to add interactive elements to their pages. w3schools is a useful directory of quick reference for pretty much every HTML/CSS/JS topic you can think of.

there is also this well written and lengthy guide on dragonfly cave that will put you step by step through the basics of HTML/CSS (what webpages are made from), if that’s your sort of thing!

stack overflow is every programmer’s hub for asking questions and getting help, so if you’re struggling with getting something to look how you want or can’t fix a bug, you may be able to get your answer here! you can even ask if no one’s asked the same question before.

websites like codepen and jsfiddle let you test HTML/CSS/JS in your browser as you tinker with small edits and bugfixing.

want to find indie websites outside the scope of neocities? use the search engine marginalia to find results you actually want that google won’t show you!

you can also use directory sites like yesterweb’s link section to find websites in all sorts of places.

if you are going to browse the indie web or make your own website, i also have some more personal tips as a webmaster myself (i am not an expert and i am just a small hobbyist, so take me with a grain of salt!)

if you are making your own site:

get expressive! truly make whatever you want! customize your corner of the internet to your heart’s content! you have left the constrains of social media where every page looks the same. you have no character limit, image limit, or design limit. want to make an entire page or even a whole website dedicated to your one niche interest that no one seems to be into but you? go for it! want to keep a public journal where you can express your thoughts without worry? do it! want to keep an art gallery that looks exactly how you want? heck yeah! you are free now! you will enjoy the indie web so much more if you actually use it for the things you can’t do on websites like twitter, instead of just using it as a carrd bio alternative or a place to dump nostalgic geocities gifs.

don’t overwhelm yourself! if you’ve never worked with HTML/CSS or JS before, it may look really intimidating. start slow, use some guides, and don’t bite off more than you can chew. even if your site doesn’t look how you want quite yet, be proud of your work! you’re learning a skill that most people don’t have or care to have, and that’s pretty cool.

keep a personal copy of your website downloaded to your computer and don’t just edit it on neocities (or your host of choice) and call it a day. if for some reason your host were to ever go down, you would lose all your hard work! and besides, by editing locally and offline, you can use editors like vscode (very robust) or notepad++ (on the simpler side), which have more features and is more intuitive than editing a site in-browser.

you can use ctrl+shift+i on most browsers to inspect the HTML/CSS and other components of the website you’re currently viewing. it’ll even notify you of errors! this is useful for bugfixing your own site if you have a problem, as well as looking at the code of sites you like and learning from it. don’t use this to steal other people’s code! it would be like art theft to just copy/paste an entire website layout. learn, don’t steal.

don’t hotlink images from other sites, unless the resource you’re taking from says it’s okay! it’s common courtesy to download images and host them on your own site instead of linking to someone else’s site to display them. by hotlinking, every time someone views your site, you’re taking up someone else’s bandwidth.

if you want to make your website easily editable in the future (or even for it to have multiple themes), you will find it useful to not use inline CSS (putting CSS in your HTML document, which holds your website’s content) and instead put it in a separate CSS file. this way, you can also use the same theme for multiple pages on your site by simply linking the CSS file to it. if this sounds overwhelming or foreign to you, don’t sweat it, but if you are interested in the difference between inline CSS and using separate stylesheets, w3schools has a useful, quick guide on the subject.

visit other people’s sites sometimes! you may gain new ideas or find links to more cool websites or resources just by browsing.

if you are browsing sites:

if the page you’re viewing has a guestbook or cbox and you enjoyed looking at the site, leave a comment! there is nothing better as a webmaster than for someone to take the time to even just say “love your site” in their guestbook.

that being said, if there’s something on a website you don’t like, simply move on to something else and don’t leave hate comments. this should be self explanatory, but it is really not the norm to start discourse in indie web spaces, and you will likely not even be responded to. it’s not worth it when you could be spending your time on stuff you love somewhere else.

take your time! indie web doesn’t prioritize fast content consumption the way social media does. you’ll get a lot more out of indie websites if you really read what’s in front of you, or take a little while to notice the details in someone’s art gallery instead of just moving on to the next thing. the person who put labor into presenting this information to you would also love to know that someone is truly looking and listening.

explore! by clicking links on a website, it’s easy to go down rabbitholes of more and more websites that you can get lost in for hours.

seeking out fansites or pages for the stuff you love is great and fulfilling, but reading someone’s site about a topic you’ve never even heard of before can be fun, too. i encourage you to branch out and really look for all the indie web has to offer.

i hope this post helps you get started with using and browsing the indie web! feel free to shoot me an ask if you have any questions or want any advice. <3

#webcore #old web #nostalgia #geocities #neocities #internet nostalgia #indie web #90s #early 2000s #y2k #guide #masterpost #html #css #javascript #internetcore #hope all these tags are appropriate for outreach! #wasn't quite sure #ayano was here #long post #i didn't want to advertise in this guide but if you're reading this my website is classicpokemonguide by the way!

[wingedtyger]

How to Buy a Computer for Cheaper

Buy refurbished. And I'm going to show you how, and, in general, how to buy a better computer than you currently have. I'm fairly tech-knowledgeable, but not an expert. But this is how I've bought my last three computers for personal use and business (graphics). I'm writing this for people who barely know computers. If you have a techie friend or family member, having them help can do a lot for the stress of buying a new computer.

There are three numbers you want to know from your current computer: hard drive size, RAM, and processor speed (slightly less important, unless you're doing gaming or 3d rendering or something else like that)

We're going to assume you use Windows, because if you use Apple I can't help, sorry.

First is hard drive. This is how much space you have to put files. This is in bytes. These days all hard drives are in gigabytes or terabytes (1000 gigabytes = 1 terabyte). To get your hard drive size, open Windows Explorer, go to This PC (or My Computer if you have a really old OS).

To get more details, you can right-click on the drive. and open Properties. But now you know your hard drive size, 237 GB in this case. (this is rather small, but that's okay for this laptop). If you're planning on storing a lot of videos, big photos, have a lot of applications, etc, you want MINIMUM 500 GB. You can always have external drives as well.

While you've got this open, right-click on This PC (or My Computer). This'll give you a lot of information that can be useful if you're trying to get tech support.

I've underlined in red the two key things. Processor: it can help to know the whole bit (or at least the Intel i# bit) just so you don't buy one that's a bunch older, but processor models are confusing and beyond me. The absolutely important bit is the speed, in gigahertz (GHz). Bigger is faster. The processor speed is how fast your computer can run. In this case the processor is 2.60 GHz, which is just fine for most things.

The other bit is RAM. This is "random-access memory" aka memory, which is easy to confuse for, like how much space you have. No. RAM is basically how fast your computer can open stuff. This laptop has 16 GB RAM. Make sure you note that this is the RAM, because it and the hard drive use the same units.

If you're mostly writing, use spreadsheets, watching streaming, or doing light graphics work 16 GB is fine. If you have a lot of things open at a time or gaming or doing 3d modeling or digital art, get at least 32 GB or it's gonna lag a lot.

In general, if you find your current laptop slow, you want a new one with more RAM and a processor that's at least slightly faster. If you're getting a new computer to use new software, look at the system requirements and exceed them.

I'll show you an example of that. Let's say I wanted to start doing digital art on this computer, using ClipStudio Paint. Generally the easiest way to find the requirements is to search for 'program name system' in your search engine of choice. You can click around their website if you want, but just searching is a lot faster.

That gives me this page

(Clip Studio does not have very heavy requirements).

Under Computer Specs it tells you the processor types and your RAM requirements. You're basically going to be good for the processor, no matter what. That 2 GB minimum of memory is, again, the RAM.

Storage space is how much space on your hard drive it needs.

Actually for comparison, let's look at the current Photoshop requirements.

Photoshop wants LOTS of speed and space, greedy bastard that it is. (The Graphics card bit is somewhat beyond my expertise, sorry)

But now you have your three numbers: hard drive space, RAM (memory) and processor (CPU). Now we're going to find a computer that's better and cheaper than buying new!

We're going to buy ~refurbished~

A refurbished computer is one that was used and then returned and fixed up to sell again. It may have wear on the keyboard or case, but everything inside (aside from the battery) should be like new. (The battery may hold less charge.) A good dealer will note condition. And refurbished means any flaws in the hardware will be fixed. They have gone through individual quality control that new products don't usually.

I've bought four computers refurbished and only had one dud (Windows kept crashing during set-up). The dud has been returned and we're waiting for the new one.

You can buy refurbished computers from the manufacturers (Lenovo, Dell, Apple, etc) or from online computer stores (Best Buy and my favorite Newegg). You want to buy from a reputable store because they'll have warranties offered and a good return policy.

I'm going to show you how to find a refurbished computer on Newegg.

You're going to go to Newegg.com, you're gonna go to computer systems in their menu, and you're gonna find refurbished

Then, down the side there's a ton of checkboxes where you can select your specifications. If there's a brand you prefer, select that (I like Lenovos A LOT - they last a long time and have very few problems, in my experience. Yes, this is a recommendation).

Put in your memory (RAM), put in your hard drive, put in your CPU speed (processor), and any other preferences like monitor size or which version of Windows you want (I don't want Windows 11 any time soon). I generally just do RAM and hard drive and manually check the CPU, but that's a personal preference. Then hit apply and it'll filter down.

I'm going to say right now, if you are getting a laptop and you can afford to get a SSD, do it. SSD is a solid-state drive, vs a normal hard drive (HDD, hard disk-drive). They're less prone to breaking down and they're faster. But they're also more expensive.

Anyway, we have our filtered list of possible laptops. Now what?

Well, now comes the annoying part. Every model of computer can be different - it can have a better or worse display, it can have a crappy keyboard, or whatever. So you find a computer that looks okay, and you then look for reviews.

Here's our first row of results

Let's take a look at the Lenovo, because I like Lenovos and I loathe Dells (they're... fine...). That Thinkpad T460S is the part to Google (search for 'Lenovo Thinkpad T460s reviews'). Good websites that I trust include PCMag, LaptopMag.com, and Notebookcheck.com (which is VERY techie about displays). But every reviewer will probably be getting one with different specs than the thing you're looking at.

Here are key things that will be the same across all of them: keyboard (is it comfortable, etc), battery life, how good is the trackpad/nub mouse (nub mice are immensely superior to trackpads imho), weight, how many and what kind of ports does it have (for USB, an external monitor, etc). Monitors can vary depending on the specs, so you'll have to compare those. Mostly you're making sure it doesn't completely suck.

Let's go back to Newegg and look at the specs of that Lenovo. Newegg makes it easy, with tabs for whatever the seller wants to say, the specs, reviews, and Q&A (which is usually empty).

This is the start of the specs. This is actually a lesser model than the laptop we were getting the specs for. It's okay. What I don't like is that the seller gives very little other info, for example on condition. Here's a Dell with much better information - condition and warranty info.

One thing you'll want to do on Newegg is check the seller's reviews. Like on eBay or Etsy, you have to use some judgement. If you worry about that, going to the manufacturer's online outlet in a safer bet, but you won't quite get as good of deals. But they're still pretty damn good as this random computer on Lenovo's outlet shows.

Okay, so I think I've covered everything. I do recommend having a techie friend either help or double check things if you're not especially techie. But this can save you hundreds of dollars or allow you to get a better computer than you were thinking.

#computers #buying computers #laptops

[emotionsandphenomena]

young adult, new adult, and fantasy fiction: the audience of a book is who reads it

title clumsily based on the purpose of a system is what it does.

before we begin, I want to focus a bit on defining our terms. young adult, new adult, adult, science fiction/fantasy, speculative fiction, contemporary romance - all of the terms I will use in this post are created by marketing companies and readers, and all of them have fuzzy and subjective applicability to any given book. there is no objectivity in cataloging, which is the lens through which I approach knowledge organization projects like this. there is no definitive answer to what any given book or genre "is", because these categories are not fixed values. instead, their values are expanded and developed by what gets placed in which category, by whom, and what criteria they base that decision on. that's what I want to discuss.

to provide some context: debates over age categories and who is reading what books for which age ranges currently dominate discussions among publishers, authors, librarians, and readers. ages of characters in YA are skewing up, sales are slowing down. young adult as a category has existed for 50+ years, but it is currently undergoing some growing pains. here's one more article for good measure. new adult is a term created by the publishing industry in 2009, which developed in fits and starts despite multiple bestselling authors publishing under the category. oh well. in 2015, sarah j mass published her new book, a court of thorns and roses, which is widely regarded as a turning point for the popularity of new adult (more on the classification of ACOTAR itself in a moment). NA stalled out for many years, but has recently very quickly grown in popularity, especially for romance readers on booktok. some of the most popular books listed under new adult on goodreads are colleen hoover's it ends with us and it starts with us, ali hazelwood's check & mate, and rebecca yarros' fourth wing.

I want to look at two of these currently very popular authors as case studies to really dig into what new adult has come to mean.

in this 2014 interview, SJM discusses her currently running throne of glass series and the upcoming release of ACOTAR in 2015. she notes that the book is intended for "a slightly older YA crowd (aka steamy times ahead!)". earlier in the interview, she dodges a question about whether throne of glass will be YA or NA by saying she appreciates her teen and adult readers - if I had to guess, the label was still too new and publishers didn't want to alienate anyone. in 2023, I can't find anything on her website or bookseller sites that specifically identify the series (or any of her series) as YA, NA, or adult. however, Goodreads (which relies on user generated tags and is, to put it lightly, a mess wrt information organization) firmly classes ACOTAR as YA - almost 9k tags in young-adult and ya (lack of authority control is just one aspect of the mess), as opposed to about 3.5k new-adult. the thing is, though, ACOTAR comes up in essentially every blog post and article I read on the definition of new adult. it is a flashpoint in the discussion: it either did or didn't restart the term, it is or isn't too sexually explicit to be classed for teens, the writing is filled with young adult tropes and this does or does not matter. the answers to these questions aren't particularly important to me, but it's very interesting to see how people are attempting to draw those boundaries. I took a quick census of how SJM's series are classed in my library system. her throne of glass series is uniformly shelved in YA; ACOTAR is mostly YA with a few copies in adult, and her newer crescent city series is mostly adult with a few copies in YA. I do think that any discussion of ACOTAR is partially colored by this divisive relationship to the new adult category itself, so I'd also like to bring in a much newer book facing similar conversation.

if you follow this blog you might already know that I have an entirely non-neutral relationship to ali hazelwood; I love her books both as books and as cultural objects deserving of study. previously, she published three adult romance novels and a set of adult romance novellas, which all fall firmly and inarguably into those defined categories, based on age range and content (I have an argument for the love hypothesis being a horror story, but that's a different conversation). last year, she published her newest book, check & mate, as a young adult romance. it was widely marketed as such by the young readers imprint at putnam. however, on reading it, I (and many goodreads commenters) were surprised to find that it aligned more with some hallmarks of new adult. the characters are out of high school, and the challenges and growth moments are more focused on evolution, rather than coming of age. one blog post I read made the argument that YA is about high school firsts and NA is about adulthood firsts. this is amorphous, partially because there is no real one life path into adulthood by which to judge this, so let's switch focus to something more concrete: sex. in each of Ali's adult novels, there are a few explicit sex scenes. they're not as explicit as other romance novels, but they're definitely not fade-to-black. in check & mate, characters have sex, but it happens entirely off-screen and any discussion is fairly chaste or, at most, relying heavily on implied content. this is a real disconnect to me. much of NA lit (ACOTAR included) is quite sexually explicit. among those most popular NA books on goodreads, there are many books that get marketed specifically for their sexual content (spicy🌶️ to the tiktokers, smut to everyone else). to me, this cements check & mate as a YA novel - if she was going to write a book with explicit sex, like her others, she could've. she's mentioned in interviews that her chess novel concept originally featured older characters, and she aged them down once she realized what kind of story she wanted to tell. to me, it is telling that moving from adult to YA creates more clumsy caution around the handling of sex, as opposed to SJM, whose books "aged" upwards over time.

another interesting example I've noticed in the emerging NA space is how the age category intersects with genre. YA as a category has a pretty expansive genre playing field - we've all read YA fantasy, contemporary romance, historical fiction, action/adventure, issue novels, etc. NA so far seems pretty exclusively limited to romance as a main focus, especially in the most popular offerings as discussed above.

I've seen many a tiktok alleging that despite the drawn out fight scenes, extensive lore, and huge interconnected web of characters, the ACOTAR books are not "real fantasy." even more so for the fourth wing books. I've seen these books compared to Tolkien, as if to say, well, if you didn't invent a language, you're not really on the same level. that's entirely unfair, imo - plenty of fantasy doesn't engage at that level. but there is a wide array of contemporary fantasy I do think we can contrast with ACOTAR and other popular NA series.

we've discussed some of the hallmarks of YA and NA as categories: the age range of characters, coming of age, explicit sex for NA. i'd add fast-paced, immersive writing, especially in first person or close third, because so much of the appeal described on booktok is a book sucking you in completely. now, i want to bring up a few books that, on the surface, might check several of these boxes: dune by frank herbert has an 18yo protagonist, and the first book is very much a coming of age story. eragon (christopher paolini) and the name of the wind (patrick rothfuss) focus on a young person coming into their magical abilities through school/mentorship, a similar setting to many YA series. mistborn (brandon sanderson) and game of thrones (george r.r. martin) both have prominent protagonists that are 18 or younger when the story starts. of all these series, only eragon has young-adult as its most popular age-related tag on goodreads, and eragon was, at the time of release, very specifically marketed to and shelved in young adult in bookstores and libraries. some of these books have explicit or non-explicit sexual content, but only GOT has even close to as much as your average NA novel (to my knowledge).

i am not alleging that any of these books should be classed as YA, necessarily. but the glaring difference in their marketing and readership does point to one thing: these books are largely about men, and they are all written by men. i am not the first person to point out this gender gap in fantasy writing, and i don't have anything particularly new to say about it, except to bring it back around to my original point. none of these novels "are" adult fiction, and plenty (plenty!) of teenagers read them, in an interesting reversal of the trends in YA. who is making the decisions about where these books go, and why? what can we draw out about the books and their marketing? how is the future of "adult fantasy" shaped when these are the benchmarks by which we measure new entries?

i did also look into a few of my own favorite sci-fi series by women to see how they ranked by similar parameters. parable of the sower by octavia butler, featuring an 18yo protagonist and sexual content, has no age category at all in the top 20 most popular goodreads tags. it's in adult fiction in every library in my system that owns a copy. ive seen gideon the ninth (18yo protag, and yeah lets go ahead and say explicit sexual content) on YA shelves in bookstores, but its adult tag on goodreads is more popular, and almost every library in my system has it in adult. in my opinion, these books are important in rejecting the "women write YA, men write adult" narrative around speculative fiction, but they're not necessarily an exception to a different trend. it is not difficult for me to think of more adult scifi/fantasy books by women, because i actively seek them out. however, almost every single one of them has a protagonist under 25, as is the case with so much of the adult fantasy written by men listed above. last year, i read the adventures of amina al-sirafi, by s.a. chakrabotry, which was (i believe) the first non-contemporary/realistic fiction book ive ever read with a middle aged mother as the main protagonist. the book club at my library branch, mainly composed of middle aged and older women, read it, and expressed such genuine joy and excitement over a fantastic, adventurous book featuring a woman they saw themselves in. representation really does matter, and it matters to everyone, not just young people. but that's a different soapbox.

young readers are extremely picky. i've watched many a teenager (or younger) browse the YA section and turn up their noses at books with a cringey cover, an overly dramatic blurb, or just because. marketing books to teens is hard. booktok is an incredibly powerful marketing tool and divisive social force. it skyrockets an author one day and by the next week, other accounts are tearing that same author to shreds. in this environment, its no surprise that the sensationalized books - extremely good or extremely bad, blatantly sexual, shocking, consumable - become flashpoints of discussion. who should be reading ya? who is it for? what is inappropriate for young teenagers to read? what is inappropriate for adults to read? i think about these topics a lot, especially as what the publishing industry terms a "gatekeeper" - i'm a children's librarian; i control the access teenagers in my community have to these books. i take that role seriously, and i want to be thinking deeply about the books i put in my YA section and who will read them. our decisions, about where we class books, how we label and present them, how we discuss them: that is part of what dictates what genre and age classification a book "is", in addition to marketing.

#okay.... been working on this on and off for months but im finally fucking finishing and posting an essaY!!!! #2k words on genre classification lfggggg #please let me know what you think.... very open to thoughts esp from people who read these areas !!!! #ok to reblog btw :> #frames

[mjjune]

How To Have a Good Beta Reading Experience (or: what I've learned from 3 years of beta reading)

So lately I've been having a lot of discussions about beta reading with my discord groups so I thought I would write it out here and also share some resources I've used over the years.

This is mostly by and for writers, however readers can learn from this post as well!

DISCLAIMER: I'm by no means a writing expert, but I have been either beta reading others' books, or having my own stories beta read consistently since 2020. THIS IS ALL PERSONAL EXPERIENCE/OPINION. Others may agree or disagree ❤️

Here are the main points I'm going to talk about in this post, and I'll do it under the cut to save your dash space:

Understanding Alpha vs. Beta Readers

Choosing Readers

Being Clear About Feedback

Swapping / Compensation

The Importance of Writing Community/Groups

Websites/Resources for Finding Beta Readers

1. Understanding Alphas vs. Betas

So this is extremely important and for me, this may be the difference between me finishing your book or not. Many times, especially from new writers who had never had anyone read their work before, had extremely rough drafts that were barely coherent and were NOT beta ready, but asked me to beta read. I am not a person who can look past extensive grammar errors, nor am I the kind of person who will sit and fix all your grammar line-by-line for you.

Alpha Readers - for first/second drafts

Beta Readers - for polished drafts

It is ok for alpha reads to be unpolished and have grammar issues, and it's even ok if they have plot issues, continuity errors, etc. Because alpha readers are there for that purpose: to be the first eyes on your story and help you find and fix those issues.

The issue I have had over and over, though, is people asking for a beta reader when what they really needed was an alpha. I went in expecting a polished draft and got someone's Draft 0. In some cases, I got 100k drafts where the writer obviously had no idea how to format dialogue grammar and every single dialogue was wrong. Obviously this made me slow and in many cases, unable to finish.

Alpha readers will go in expecting it to be unpolished, and will be prepared to look past grammar/stylistic errors in order to focus on the big picture issues (plot holes, character consistency, pacing/engagement issues, etc). A Beta may be too frustrated by an unpolished draft to finish it or provide the feedback you're looking for. If you have been experiencing a lot of betas backing out and not finishing your work, you might consider this as a possible reason why.

I would also recommend, if you have never had anyone read your work before, even if you have had multiple drafts, it might be safest to ask for alphas rather than betas.

A quick way to see if your work is beta ready (again, personal experience): Pick up a published book from the shelf in your genre. Does your book read similarly? Does your formatting & grammar look the same? Bonus: read it out loud! If reading the published book out loud is significantly easier than reading yours out loud, you're probably in the alpha stage.

TL;DR: Understand your draft and which level of reader your draft is ready for. Know the difference between polished and unpolished, and be upfront about it.

2. Choosing Alphas/Betas

You may not like it but: Just because someone is your friend, real life or online, does not mean they will make a good reader for you.

#1 MOST IMPORTANT: GET READERS WHO LIKE & REGULARLY READ YOUR GENRE!

I cannot stress this enough. As someone who writes vampire content, I cannot begin to express to you the amount of useless comments I got from readers who had clearly never read a vampire book in their life.

You need someone who is familiar with your genre and you likes your synopsis/blurb.

Caveat: that said, I did find a few great betas who had never read vampire content before and gave awesome feedback. However, these readers knew and admitted they knew nothing about the paranormal genre, and because of that did not make any comments on worldbuilding, instead sticking to plot and character development only. Some readers can't make this separation.

Another thing I would recommend, especially if you are swapping or the beta reader is also a writer/on writeblr, I would recommend reading their writing before having them beta read. If you read their excerpts and see that it's really unpolished or a style that's vastly different than yours, that might change whether you want them to read for you.

In my most recent beta round, I used a google form to do a quick survey to see who was interested in beta reading. This worked really well for me and I would recommend it! You can also use this to make all potential readers agree to not share/distribute/plagiarize your work, so you have it in writing just in case someone were to try something.

This was also a great way to see which genres they usually read and how many times they have beta read in the past!

TL;DR: Get readers who LIKE your genre. Read their writing and see how they write. Use an online signup form to narrow down.

3. Be Clear About The Type of Feedback You Want

This is perhaps the second most important thing when you get readers. Many readers will shy away from reading your work if you have nothing in mind for them to look out for. Also, being clear about this shows that you 1) know it isn't perfect and needs work and 2) you have insight into what the issues already are.

For Alphas, these traits are what I have found to be the most helpful:

Immediate inline reactions - particularly emotional engagement and pointing out lines that resonated with them

NO grammar/stylistic comments (unless incomprehensible)

Questioning of worldbuilding, character decisions, and character development - particularly if confusing or unclear

Comments on action sequences & their readability

Comments on believability of the plot points/progression

For Betas, these are what have been most helpful to me:

Comments on grammar, especially if repetitive

Stylistic comments, particularly for over-used words or noticeably repetitive sentence structures

Comments on pacing

Comments on plot initiation point and buildup/execution of the climax

Not questioning my worldbuilding/plot and trusting that what I have written is intentional. Only pointing out areas that have on-page evidence of inconsistencies.

Everything above is simply personal preference. You might find other comments to be better for alphas/betas. However, being upfront about which comments you want or don't want can drastically change which people want to read for you!

Some readers are obsessed with in-depth inline grammar/style comments, some aren't at all. Some writers LOVE these in-depth grammar comments, and some don't. Being clear about what you want is the best way to make sure you and your readers are compatible for the stage of editing you're at.

4. Swapping / Compensation

So this one I might have a bit of an unpopular opinion, but I wanted to cover it because so many people talk about it on here and other sites.

Again, based on my personal experience, swapping and compensation does not mean you're going to get better feedback or have a better experience or relationship with readers.

For the record, for everyone who beta reads for me—and finishes—I always offer to read theirs, even if it's a genre I don't like.

Personally, I have never tried compensation (re: money) for beta readers. However, there are a few issues I've come across with swapping:

Mine was beta ready and theirs was unpolished first draft

Our types of feedback didn't align

Our genre preferences didn't align

Their feedback was nowhere near as high quality or constructive as mine

In these cases, one or both of us burnt out on reading the others' work, and then we'd both bail. Especially with #4, it was very disheartening for me to spend hours finding their plot holes, helping them come up with ways to fix them, for them to then write 1 paragraph about what they thought of my story that was extremely surface level. To me, that wasn't even a swap, and was practically worthless. There was even one who got sensitive about the feedback I was providing (which was a queer sensitivity read) and then left almost identical comments on my story, which weren't even relevant. It was like revenge-commenting.

All this to say: I have had positive experiences with swaps. My alpha for twtr was a swap and I really enjoy her work and she enjoys mine, and we will probably continue to swap forever.

This goes back to #2 above: be picky & choose your readers well. Your story is your baby, and it deserves to be critiqued by people who value you and your story, and want to help you make it the best possible version of itself.

To summarize, I have had two good swapping experiences. I have had 10+ good uncompensated betas—with an offer for me to read their stuff when it's ready. Do with that what you will.

5. Writing Community / Groups

On to a more positive note! I have had the best experience here on writeblr, and this is coming from someone who has tried multiple other communities (which I discuss in the last section below). Having my own discord server from tumblr, joining a few other writers' discord servers, has completely changed the game regarding finding consistent betas, more resources, and just having an overall much more positive time writing and editing.

Writeblr keeps me grounded, keeps me hopeful, and even if I share something that doesn't get tons of notes, it's so nice to have interaction. It's so nice to give and get back, consistently.

I do want to emphasize the importance of giving to get back. If no one is liking/interacting with your excerpts, tag/ask games, etc. then that's probably because you're not interacting with them! It's very important to show interest in other people's work!!

I'm not saying you need to jump onto everyone's taglists for all their wips, but join the ones that genuinely interest you the most. Play in ask/tag games consistently. Follow writers back who follow you (if they post things you're interested in, ofc).

I have the same amount of followers as the people I follow right now, and I think that goes to show that people reciprocate here on writeblr! It's a lovely community and don't be afraid to reach out ❤️

I have found almost ALL my recent betas from my tumblr and discord groups. They have been lovely so far and I would highly recommend building up community here if you are interested in finding betas.

6. Websites/Resources for Finding Betas

Alright, last section. Thanks for bearing with me. I'm going to go through the sites I have used, and why I still use them, or why I dropped them.

Scribophile

So, for starters, this is one I don't use anymore. This was the site I first used when I had a polished draft in 2020 and had no idea how to get feedback. Essentially, they have a point-system. The more comments you make, the more points you get, and then when you have 3 points, you can post a chapter. It continues in a cycle.

Pros: Personally, I think the site helped me a lot in realizing what a bad critique looks like (which is helpful!) and also helped me learn which comments/feedback types work for me, and which don't. I don't regret my time there by any means, and I found one life-long friend and beta reader there I wouldn't trade for the world. It also allows you to post/remove your story and the readers don't have direct access to it—meaning if they want to download/steal/plagiarize, they'd have to copy and paste or screenshot chapter by chapter. It's a little safety precaution.

Cons: It's not the best place to get constructive feedback. The issue with their system is it encourages quantity over quality in critiques. Because of that, you'll get strangers rewriting your entire chapter in their own style so they get 2-3 points for one critique, but... was any of it actually helpful to you? Maybe, maybe not. It's also random, so you can't control who comments on your stuff, and they might just comment to get points even if they hate your genre. I also don't think it's fair to have to do 3-5 chapter critiques in order to save up enough points to post ONE chapter of your own. And if you want to post your story for full beta reads and control who reads it and who doesn't, you have to subscribe monthly.

So I keep an eye on it occasionally to look through their forums on writing, agents, publishing, etc. But most of the forums gets nasty, because there are a lot of really pretentious writers who think they know all the rules. If you join small groups (e.g. sub-groups based on diversity, etc) they tend to have better and more meaningful discussions.

Personally, I would never use it for beta/alpha/feedback ever again. This is the site where most of my bad swaps came from. But you might find it useful! So I thought I would share it.

Nanowrimo Forums

This is another one I don't use anymore, but might consider reusing in the future. The biggest issue I have with nanowrimo is that a lot, and I mean A LOT, of these participants are first-time writers and have no concept of what polished vs. unpolished even means. I did find two really good swaps there (actually the only two good full swaps I've had) but those were very hard to find.

There is also the issue that a good chunk of them only write during November, not year round. So for finding consistent, year-long partners, this is not the best option. I'm a member of 2 discords that have all fallen silent as soon as Nano actually ended.

Also, in my experience, asking questions about anything related to "controversial" topics (especially trans and minority ethnic groups) becomes toxic very quick, which is unfortunate. There are even a few moderators who seem to be contributing to the toxic/immature discussions rather than fixing them/shutting them down, which is the main reason I stopped using it.

However, it's a GREAT place to get free, simple covers! Their artisan section is fantastic and there are a lot of people there willing to make basic covers/banners for you for free.

BetaBooks

I've only been using this one about a month so far, but I'm really liking it. It's set up that you can invite betas to your story specifically, or you can look through a beta reader library, read their profiles, and invite them to see if they're interested.

This is essentially an alternative to Scribophile. It allows you to post your story online and find betas and become a beta.

Why I like it better than Scribophile: it's not a point-based system, meaning it's uncompensated so the readers have nothing to gain other than enjoying/helping your story. There's no hard feelings if someone bails. It allows you to see all comments in one place (which Scrib can't do). (And with discount codes found through google, it's cheaper, too. Message me if you need help with this 👀)

It also is all online, easily removable, so readers would have to copy/paste or screenshot chapter-by-chapter to steal it. So again, just a little safety net that makes me feel better.

Writeblr

Yep, that's right. Right here. Actually right here on tumblr has been where I have found the most beta readers and in the shortest time. I talked about this in the section before so I won't regurgitate. But there's a reason why this community is so long-lasting. It really is the best one out there I've found.

TL;DR / IN CONCLUSION:

Know where your book is in terms of reader-readiness. Know the difference between alphas/betas and polished/unpolished. Know the types of feedback that work for you and specifically request it when recruiting betas.

Interact with a community. Give interaction in order to receive, and don't expect people to reblog/like your content if you don't reach out first. Join small, niche writing community discords. Find like-minded writers.

Decide to swap or not, but this won't make or break you.

There are many writing communities out there designed to help you not only find betas, to provide beta-reading feedback forms and commentary. Try them out and see what works best for you.

And above all, thank Writeblr for being such a lovely community ❤️

#writeblr #writblr #writers on tumblr #writeblr community #writerblr #writer community #writing community #novel writing #beta readers #fantasy writing #writers of tumblr #amwriting #writing #wtwcommunity #mj posts #mj mumbles #mj talks about beta reading #100 #500

[ms--lobotomy]

“As soon as you get off the flagship, I’m going to do the thing you told me not to and you can’t stop me.”

-🪿

This prompt screams Leman Russ, so don't mind me. There is a critical lack of this stupid wolf man on this website. Enjoy!

---

summary: you leave your 10 foot tall himbo boyfriend alone for a few hours. let's see what happens!

word count: 1031

content warnings: general 40kness, slight "things happening to animals"ness

---

“As soon as you get off the flagship, I’m going to do the thing you told me not to and you can’t stop me.” Leman's voice was full yet playful. His eyes were aglow with a mischievous light, reflections of the dual suns of this system dancing on them. His toothy smile lit up his hairy face, accentuated by protruding, wolflike fangs, and some of his blonde hair was done up in loose braids.

"The thing I told you not to?" you replied incredulously. As you struggled to keep up with his gait, you hurriedly adjusted your skirts, cascading over each other like the waterfalls of the planet you were to land on. "Do you have any idea how slightly that narrows it down?"

"Nope!" he grinned. His airy demeanor contrasted your hurried behavior, as you broke into a small jog to keep up with him.

You craned your neck to look up at him. "Can you at least slow down?" you asked as you hiked your skirts. The dainty, black leather shoes you were wearing weren't the most conducive to running across a flagship, after all.

Leman barely stopped to pick you up and put you under his arm. The leather and the armor brushed against your skin, cold like the planet Leman hailed from. You tried to smooth your skirts back, but it was too awkward to reach around him and fix them.

"Leman!" you gasped. "I just wanted you to slow down a little bit!"

Leman stopped in his tracks. "Oh..." he said, putting you on the ground. He was far more gentle with you now, your feet hit the ground as if you had floated down from his arms. He stood still for a second, looking into your eyes. He reached a hand out to your face, gently brushing it. He chuckled. "Well, at any rate, I'm still going to do the thing."

"What thing?!?" you asked again.

"You'll know when you get back," Leman replied. That devious grin still crossed his face.

A voice interrupted the two of you, a loud rasp. "The Wolf Mother is needed on the ground," a Space Wolf said.

You and Leman looked at each other, and Leman dropped to his knees. He took your hand in his and kissed it. You felt his whiskers brush against it, coarse and rough. You quirked an eyebrow at him.

"I will be back," you said as he let go of your hand.

"I will do the thing," he replied, and got up. He may have been of average size among his brothers, but he towered over his sons. You weren't even up to half of his height. He put a hand to your shoulder. It was heavy, and its grip was strong and hard. He gave you a little shake before he turned away, his heavy footsteps growing slightly quieter as he walked away. You put a hand to your chest as Leman's sons--your sons?--escorted you down towards the shipyard.

---

You wasted no time once you got back on the ship. You once again hiked up your skirts, your thin leather shoes rhythmically plopping against the floor. You got quite a few stares from the ship's passengers, no matter how high of a life they led. The Legion Mother was often the voice of reason for Leman, but she was not always this... frazzled.

You saw a crowd gathering in a large atrium around a large man. A man that was too large to be a space marine. This was the man that had taken you as his lover, Leman Russ himself.

"What are you doing?!?" you shouted over the clamor of the crowd. Your voice was lost in the noise of the crowd. As you stood still, people walked past you, brushing against your shoulder before a sorry was muttered. You grit your teeth. You were going to have to elbow your way through the crowd.

And elbow your way you did. "Oh! So sorry!" you exclaimed, accidentally jutting your way into a guardsman. You could barely see over the crowd, most of which were taller than you. "Excuse me!" you said again, as someone stepped on your toe. You winced. Hopefully your shoes were going to be okay.

After what seemed like forever, you got to the front of the crowd. They were circled around two geese, butter knives in their mouths. And Leman was looming above them, giving directions to some space marines holding slimy green strands in their hands.

"Alright, so Lukas, when he hits the other goose, give him the seaweed," Leman instructed before his eyes turned to you. He exclaimed your name as if he hadn't seen you in years. "You're just in time to watch me train these geese to swordfight!"

"You actually trained them to hold butter knives," you said, dumbfounded. Your mouth was slightly agape as the other space marine made a maneuver with his seaweed. The goose followed, and received its reward.

"This is just the beginning!" Leman exclaimed. "Soon they're going to be able to swordfight!"

"I forgot I told you not to do this," you laughed. You tiptoed around the side of the little "arena" Leman had built out of bushels of wheat. "How long was I on that planet? 3 days, maybe?" you asked, counting the time on your fingers before remembering that these were not the days of Terra that you had grown up with. "I'm not even mad. I'm just impressed you did it this fast."

Leman put his arm around you, bringing him against his large and sturdy form. Your face went warm as you realized how many people were around you.

Leman knelt down. "They're more focused on the geese," he whispered in your ear. You relaxed. He was probably right. You put yourself in the crowd's shoes for a second. Would you be focused on the trainers or the geese? The trainers didn't have butter knives in their mouths.

You felt the hairs on the back of your neck stand up as Leman all but mashed his face into the side of yours. "So how's telling me not to do things going?" he whispered.

#primarch x reader #warhammer 40k x reader #leman russ x reader #reader insert #leman russ #warhammer lobotomy #this man has one braincell and he uses it to train geese to swordfight. hes my type

[jellazticious]

“You can’t rush art”

I think everybody can recall the quote from Toy Story 2. From the most satisfying part of the movie where we see a montage of Woody getting restored by a toy maker. It’s one of my favourites too, I absolutely loved looking at the different procedures used to fix a single toy. The toymaker’s precision and care were found mesmerizing by everyone. As a multi-hatted artist, one that can draw, sculpt, animate, and write, I can say that it’s spot on that there’s so much to do for a single piece of work. HOOO boy, you should see how me and Beefy are organizing Cursed to Charm, there’s so much.

For the upcoming webcomic, we design characters, give each and every one of them their stand-alone story, design different clothes, create the map, draw renders and posters, polish scripts for the episodes, plan to program the comic’s own website, make the backgrounds eventually, etc. To people who aren’t artists or take art for granted, to them, art is stroking a paper using a pen and BAM instant masterpiece. No no, it’s more than that.

Another thing I’d like to say about the comic is that the progress is very slow yet very fruitful because of the time taken. Me and my co-author came up with the idea at late November, which makes the comic four months old now. However, with all that time passed, we have already finalized the list of nine episodes of season one. We have also written seven out of nine summaries from that season before actually writing the dialogue in detail. We have a rough four seasons worth of story progression in the span of four months. Nyeh, excuse the little ramble about CtC, I’m just giving insight of how much should be done for the production of anything which leads us to the next point.

Art production in general.

Movies, animation, shows, video games, books, comics etc etc

All of these are part of art, some people would deny because it isn’t sophisticated like they’re lead to believe art is supposed to be. Art is literally just creation man, can’t get any simpler than that 😩 if you made something, then you made something woohoo! Congratulations you made art, cooking included. It came free with your fucking humanity.

Anyway, just like the webcomic, every single one of these listed also have a set of different procedures that will piece together the final output.

Let’s take Disney movies as a specific example, I want to talk about something real quick.

So one time, I was watching Tarzan with my parents and we stuck around for the end credits. My mom pointed out the animators are divided into sections and there’s so much names on them. There are different teams of animators for each character and these teams are divided in two for the storyboarders and the clean up artists. When the credits rolled a bit more, it showed that the background artists and colorists also have their own sections too. There’s so much people working on different body parts of a movie. I got the habit of reading end credits of every movie I watch, animated or live action, then I would compare the credits of old and new movies. Boy, let me tell you that the work space on old movies are FILLED compared to newer movies. One thing I noticed about Disney movies although, is that the old movies have more sections compared to new ones. The major difference of old Disney and new Disney are the length of the credits and the time gap of the movies. I’m really not trusting the way new movies have way shorter end credits while the publish time of new movies are getting narrower and narrower. Before the 2000s, movies usually come out twice a year and sometimes there’s a two-year hiatus before the next batch of movies are published. Now there’s at least two or three movies that publish yearly while also releasing a bunch of shows in the middle of it. I really don’t understand business talk with the way it sacrifices quality over quantity. Like I get having money is great and all but what’s the use of hoarding it? Especially when there’s so much news of people about to be in poverty and mass layoffs. Why should companies earn money if they’re not going to redistribute it back to the economy at all? This is a little off topic but I want to point it out that people in the 80s used to buy whole houses by being a janitor but nowadays people could barely afford a one room apartment even with three jobs. The Simpsons is an example of this because it was set in the 90s and the family is constantly reminded of how “poor” they are. They even created an episode that talks about the same job that supported people’s fathers will no longer support you nowadays (Poorhouse Rock ep22 s33). It’s fishy and I’m salty about it especially because I hear so much people complaining about how they’re not being given a chance to work. Anywho! Let’s go back to art.

I’m just spitballing my thoughts here but somehow they’re connecting either way. All I’m trying to say is that for the people who care so much about the quality of art, it’s noticeable that they get downgraded, not just by the look but by the way they’re written.

Example.

Clone High.

Jesus Christ, the new show is a nightmare and an insult to the original Clone High. The difference is clear with this one. The original Clone High was heavy satire of every single high school trope used in shows and movies. Every single character was meant to have one personality and that personality is the butt of the joke. The original did not care about making the characters appealing because the appeal is found in the way they interact, they clash so much and a lot of them are idiots. The writing is funny because the dialogue flows so easily unlike the renewal. The renewed Clone High takes itself too seriously and it tries too hard to be relevant. It’s funny to me that fans can draw the original’s art style more accurately than the animators hired. What’s even more frustrating is that concept art was released from the art head and the concept art looked way better than what they decided on the final designs. Other than the art style that tries to be marketable, the writing is insufferable with the way they try to be “relatable” without understanding why the original jokes were funny to begin with.

Now we’re all familiar with this cheap tactic of using the title of successful franchises to grab clicks and views. It’s every live action Disney film, it happened to Scooby Doo, Marvel shows, FNAF, some Cartoon Network shows, Megamind, and now even Kung Fu Panda. Basically MILKING. It would have been better if the productions TRIED to understand the original’s intentions which they forgot about. They ended up being disappointing at best and soulless at worst. I won’t be explaining much cuz I’ve already reached the minimum word count lmao. I’m just rambling here, I better not see anyone interrogate me in asks or replies. ANYWAY, I’m gonna get to the point real quick.

Back to the quote at the start of the post, people tend to forget that. Art is a skill, not a button people press and it gives you pretty pictures or videos. Art is a job and an effort. While art is subjective and it differs from person to person, one thing for certain is that art that is made ingenuinely will never be better than art that is made because the artist loves art. This is why the Tom & Jerry reboots with the lineless art style even if they had a storyboard artist who understood the cartoon wackiness (which were discarded for a “cleaner” and faster style). This is why it’s so frustrating to see concept art of movies which have more appeal than the final 3d models. This is why FNAF Security Breach was nearly unplayable.

Because they all rushed art.

They rushed in favour of what is marketable, no matter how unappealing it is. Everything could have been better, some final products are good, but all of them could have been better. As good as what were released pre 2010s when production had a passion. You can’t spell heart without art.

I’m just really passionate about art in any form since it’s everything that created me too. I will not be here at this point in time if it weren’t for me learning that there’s so much beauty in the world if you could just squint and appreciate why that’s so. I’m defined by my works and it only hurts and infuriates me that people who have the ability and accessibility to create better art than I do waste it for their personal gain or selfish intentions. Everyone could be a better person because of art just as it did to me. Again, it came to us the moment we’re born, art isn’t just a pretty picture, it’s everything we create out of love, passion, time, and effort.

But really, to the wise words of Chef Saltbaker, “like any good bake, heart and soul is the secret ingredient”

You can’t rush art.

#Jell tells wisdom #<-keeping it PG #I wrote this

[reimenaashelyee]

Creator's Guide to Comics Devices: November 2023 Update

The first newsletter since launch came out a few days ago! It summarises all the updates I've made in November, which includes 2 (!) new devices, a sub-device, and other site changes.

Subscribe to the newsletter to get these updates direct to your email.

New Devices:

Aside

A short comment that sits outside of a balloon or character that is not perceived by anyone except the comment maker and the reader. An aside may come from the author, usually placed outside of the panel or near the edges. (Page with examples)

Topper

A secondary row of panels or single panel that goes 'on top' of the main comic. They are typically removable and non-essential, and usually contain the comic's title. (Page with examples)

Sub-device

Markers in Code Switch

Languages are assigned flags, pictographs or other iconographic symbols. (Page with examples)

News from the Curator and Site Changelog

I'm delighted over how well-received the library has been -- thank you to everyone who has shared, commented and provided feedback! I really appreciate the enthusiasm and generosity. <3 As a comics creator taking my first formal steps into the arena of comics studies, there is still a lot to do and to read for the library. Even with 63 devices catalogued, it's only still the beginning! 

From the Interwebs

‘The Creator’s Guide to Comics Devices’ Is the First of Its Kind, an Incredible Resource for Comics Creators & Readers Alike (The Mary Sue, Joan Zahra Dark) Lovely roundup from my fellow Cartoonist Cooperative co-founder Joan setting the historical context for Comics Devices and why an accessible resource is like this is due.  

Kibbles n Bits (Comics Beat, Heidi MacDonald) An enthusiastic feature of the library in Heidi's roundup.

Shout Outs

Thank you to Ritesh, Tan Juan Gee, Samantha Philipps, Blue Dellinquanti, Ted Anderson and Hannah Pallister for their contributions. (I really need to get that credits/curator's notes page set up. That's this month's to-do) Once again, thank you to the Sequential Artists Workshop Teaching Fellowship for supporting the development of the library this month.

Updates to the Site (Nov 2023)

Added the Store page and dedicated a subsection for it on the homepage, if only to direct people to the already-existing zine that’s currently distributed by Sequential Artists Workshop and myself. I might use that page to hold things like signing up for workshops and panels if they ever happen. Added the Newsletter page so it’s easier to link to across the site and elsewhere. Opened up the page that displays all the devices on one page. Added ‘Contribution’ ‘Newsletter’ ‘All Devices’ to the sidebar. Fixed the 404 page. It suggests the Site Map for advice. Finally opened the Links page! Check out all the resources in there! Thank you to folks who have submitted feedback/contribution! I have added new example pages for Harmonious Juxtaposition/Time & Space/Pictorial Lettering/Colour Coding and a longer definition for Map Panel. Added two new devices – Aside and Topper. Added ‘Markers’ and ‘Balloon Styles’ as a subdevice to Code Switch. Finally set up the Gallery page: this is where comics pages featuring the relevant device will be catalogued. Now for the slow work of filling up the galleries…..

New in Store: The Comics Devices Quick Reference Zine Before the website launched, I produced this zine as a promotional thing + quick reference. This is a 12-page zine showcasing the devices in this library as of 2023 (not including the Topper and Aside). Perfect for students, teachers and anyone who needs a quick, in-person reference if there's no wi-fi available. Sequential Artists Workshop is selling copies for North Americans in their online store. Folks in Australia, New Zealand and Malaysia can directly contact me to get a copy. An ebook version is on the way. I will announce it via newsletter.

#comics devices #comics

[television-overload]

Reading through fics on the ancient fanfiction websites is like looking though America's founding documents and primary source material 😂

Like, oh *that's* where X comes from. That's why we do X.

Also it's just lovely to see how little fandom has changed in 30 years. We've always been like this, even without knowing there are footsteps we're following in.

Song lyrics at the start of chapters. Having friends beta your work before posting. Apologizing for slow updates. Asking for feedback.

Taking canon and throwing it in the trash can where it belongs and fixing it yourself.

Lovely to see 🥹

#fandom #fanfiction #fandom history #txf #one thing about me is i was a history major so i WILL take the opportunity to ruminate on the passage of time #and how things stay the same

[hostitsmartcanada]

well in this article we will be describing about what is page speed and what all the measure are taken to improve your slow loading website problem.

#how to speed up web page loading time #Simple Ways to Fix a Slow Loading Website #ways to fix a slow-loading website #How To Fix Slow Loading Websites #How to fix: Pages have Slow Load Speed

[emilybeemartin]

Inktober Days 22-24

Day 22: "Scratchy"

Saguaro, cholla, prickly pear, pincushion, hedgehog, barrel cactus—how magical are these amazing plants? Iconic, unique, perfectly tuned to their environment. The pleats on a saguaro help it bulge and shrink to accommodate water availability, and the inhospitable trunks provide shelter for desert birds. 

Saguaro NP produces some of my favorite educational videos in the system, thanks in part to Feature Fridays with Ranger Freddy Gutiérrez Fernández-Ramírez. Just to add to the scritchy-scratchy theme of this prompt, some of the more unusual videos featuring Ranger Freddy show how to remove jumping cholla barbs from your skin and clothes. Rangers in Saguaro carry hair combs in their first aid kits—and it’s not to fix flat-hat hair!

Day 23: "Celestial"

In recent decades, park managers have come to recognize natural soundscapes and pristine night skies as tangible resources, just like clean air, land, and water. As I was entering the NPS field, a big effort was kicking off to designate certain units as Dark Sky parks, and Big Bend is the king of them all. It has the lowest levels of light pollution of any park in the lower 48 and is famous across the NPS for its breathtaking starscapes.

Protecting natural darkness opens up amazing new opportunities for visitors and rangers. I love assisting with night sky programs, because I remember how I felt when I first traveled away from the greater I-85 corridor and saw my first pristine night sky. It’s a primordial type of magic to see stars unveiled from urban lights and humid haze. And the good news is, unlike other endangered resources, dark skies are salvageable. When towns and cities take steps to reduce their light and air pollution, there’s no slow, agonizing recovery—the stars come right back. They’re just up there, waiting to peek at us again.

Day 24: "Shallow"

I have to confess—I used to look down on Congaree, despite it being the only national park in my home state of South Carolina. I thought of it as muggy, buggy, and a bit boring. But when I was researching wetland habitat for A Field Guide to Mermaids, I was stunned to realize just how special this landscape is. Our country used to be covered in immense floodplain forests along river corridors, but the natural flood cycles that made these lowlands so fertile also meant the land was prized for agriculture. Rivers were straightened, forests were cut down, and the rich soil was planted with crops. Because of this, Congaree protects the largest swathe of bottomland floodplain forest left in the United States.

And it’s a gorgeous park, as well. There’s something evocative and eerie about walking the elevated boardwalks over tea-colored water. Spooky cypress knees reach up through the water like outstretched arms, and several massive national and state champion trees loom up out of the thick forest.

This park may not have the accolades some of the grander, more storied parks have, but I’m proud that it’s my home state’s park and glad that it protects one of the last intact forests of its kind.

------

Another big thank you to the folks who have preordered Thirty-One Days of National Parks: The Artbook! The Big Bend page features a little guide to starhopping from the Big Dipper out to other stars!

#inktober #31 days of national parks #saguaro #big bend #congaree #national parks

[dinsdjrn]

gone, from austin | j. miller | part two

brothers best friend!pre-outbreak!joel x f!reader

summary: Joel Miller: the one that got away; right person, wrong time. Now you’re back in Austin and it hurts just as bad, as if you’d never left five years ago. [w.c. 2.4k]

warnings: 18+ Minors DNI, no use of y/n, light angst, Sarah is alive and well, f!reader, smoking, depression, brief mentions of a mental breakdown, implied cheating (not joel), ex-lovers to lovers, eventual smut, slow burn, lmk if i missed anything &lt;3

💌 a/n: FINALLY a part two? who am i?? anyways not sure how i feel about this story... but i know how i want it to end so ill keep going for that. lmk your thoughts &lt;3

previous part | next part | masterlist

Part two | May 2002

You were a work of art, that’s the hardest part.

It had been three weeks since you had gotten home. You had become more than a bit of a hermit, looking and applying for jobs. You made yourself sparse in the house, you understood everything your brother did was an open invitation to you, but it was easier to disappear. It also gave you time to process, when you left Toronto it was a whirlwind, but now it was a dulling ache. Friends had reached out, wondering where you went, if you were okay. You gave them enough information so they wouldn’t worry, but not enough to come looking for you.

It was Friday morning, just like any other morning, you were searching through medical journals and websites looking for job postings. Search, apply, wait, and wait some more. It wasn’t very thrilling, but it was something to do to keep your head above water.

The alarm on your phone had begun ringing, 10 am, you reached into your desk drawer and took your meds. They filled a hole in your head you hadn’t known was there until you had a small breakdown two years ago. It was something only a few people in your life knew about, it wasn’t something you ever really wanted out there. There was almost a shamefulness to it, no one in Austin knew, and then one person in Toronto who knew about it was no longer welcome in your life. So you move on, continue as you have and hope that your ticket out comes sooner rather than later. 

A soft knock came at your door. 

“Come in!” You said, closing the desk drawer quickly. 

“Hey! Someone is at the door for you,” Kelsey popped her head in and smiled. 

You looked down at your Dell Med School t-shirt and Roots sweatpants and laughed lightly. 

“Is it anyone important?” You asked embarrassed gesturing to your pajama centered clothing choices. 

“I am sure they won’t even notice.”

You sighed and stood up, you lightly stretched and made your way downstairs. Just as the entryway came into view there was Sarah and Joel, Sarah with her backpack on and Joel shifting uncomfortably looking at the floor. 

“Hey guys,” you said, smiling at them. 

“Hey!” Sarah smiled. 

“What’s up? Shouldn’t you be at school already?” You questioned. 

“I had a dentist appointment this morning. We just came back to the house to grab my bag, but I wanted to see if you were around tonight,” She swayed, clearly hoping you’d say yes.

“I’m uh-, not sure,” You looked at Joel for guidance but he wasn’t paying any attention to you his sole focus was on Sarah. 

“I just really wanted to have that sleepover you promised! My dad is going out tonight and suggested it would be a good time for us to hang out and -“

“But only if you are available and want to,” Joel interrupted.

“Oh, yeah! That sounds like it could be fun. Why don’t I come over around 5ish and we can order some pizza?” You smiled at her. 

It would be much more comfortable without Joel there, you had felt like you were walking on eggshells when he would pop over to have a beer with Jake or help Kelsey fix things around the house. 

Joel nodded. 

“Alright baby girl, time to get you to school,” he began shuffling Sarah out the door. 

“See you tonight!” Sarah called over her shoulder. 

You waved at her in response and when the door clicked closed you pinched the bridge of your nose. 

“You know, she really did miss having you around,” Kels leaned against the doorway behind you. 

“I know,” You sighed, “I just don’t know what I’m getting myself into.”

“What do you mean? You’ve known her since she was just a little kid. You’re not getting yourself into anything except maybe forgiving yourself for hurting her.” Kelsey said, like it was the most obvious thing in the world. 

“You don’t fucking get it! This isn’t a permanent solution. I can’t stay, I don’t belong here anymore! I don’t want to get her hopes up that I might by hanging out with her and letting things go back to the way they were. That will just hurt her again.” You snapped, a pang of annoyance in your chest.

“You being here and ignoring her, it hurts them both. You can talk a big game about how you don’t belong here, but this is your home, your family. I don’t know what happened between you and Joel, but it is clear he still cares about you. Is staying really the worst thing? At least thinking about it?” 

“They are not my family, you and Jake absolutely are. And you’re right, maybe this was home once, but it’s not anymore. All that’s left is a permanent scar of what could have been. Now, if you’ll excuse me,” You turned to walk up the stairs. 

Kelsey came and put her hand over yours on the railing. 

“Look I’m sorry if I overstepped. I only want to see you happy,” Her voice was soft and apologetic. 

You just nodded in response and made your way back up the stairs, once in your room you made your way to the bed and cried into your pillow. You knew the love for Austin was there, it had always been there, but so was the hurt. The pain would always be there too, it painted your soul in blues and grays. That’s the hardest part, how beautifully life painted your anguish here. 

The day came and went quickly, and you felt unprepared for your sleepover with Sarah. You knew it would be nice to hang out, do face masks and watch a few movies, but your anxiety was palpable. You were worried it would feel like grasping at a life you could’ve had, but were strictly denied. 

You made your way next door around five and before you could even knock the door had swung open and Sarah was pulling you inside. 

“You’re here! Finally, I’ve been thinking about what we could do tonight all day. Dad said he would call a few pizzas in, we went to CVS after school too! I got nail polish, face masks, and some weird snacks,” Sarah spoke excitedly. 

It gave you a bit of whiplash, barely able to even get in a few “Alrights” or “Sounds Fun”’s in. 

“Woah, woah, Sarah slow down,” Joel said as you made your way into their living room. 

He was sitting on the couch in a black t-shirt and Levis, his hair was wet and the messy ways were pushed off his forehead. He was still so devilishly handsome, he never tried too hard with his looks, but that didn’t mean he didn’t look good; it arguably made him more attractive. 

“A’right, I’m going to get outta here,” He put his hands on his lap and made his way to stand, “Tommy is gonna be here any second.” 

“Dad, did you remember to order pizza?” Sarah asked with a hint of annoyance. 

“Oh shit,” he felt his pockets pulling out his phone, “I’ll call on the way over to the bar.”

“Don’t worry about it, Joel. I’ll get it,” You smiled softly at him, pulling out your own phone. 

“Y’sure?” He asked. 

“Yes, yes, she’s sure, now, go have fun. We have a very important girls night to get started on.” Sarah shooed her father toward the door.

Joel just laughed and rolled his eyes, you shrugged in response. 

As soon as you heard the door shut Sarah came rushing back to the living room. 

“Sorry, he’s a mess,” Sarah laughed.

“I can see that nothing has changed,” You laughed with her. 

You both fell into a comfortable conversation, it was nice to see Sarah so happy. She was completely different then when you had left, yet somehow exactly the same. 

The night was spent watching cheesy rom-coms, doing face masks and nails, and eventually Sarah had fallen asleep in her pajamas on the couch. It was nearly one in the morning, you placed a blanket over her small frame and began quietly tidying the living room. 

The night had warmed your heart in a way you weren’t sure you’d be able to feel again. Sarah was such a light in your life for so long, and now she was turning into this beautiful and kind teenager. You had talked all about her school, Joel and Tommy’s shenanigans, and what’s been happening around Austin. She didn’t push you though, you had talked about Toronto and being away from home without delving into any fresh wounds.

 It was nice, it felt good to know when you left it wasn’t your last memory of Sarah. You worried for years it had been and you’d have to watch her grow through the lens of your brother, but here she was in the flesh. 

You sighed, putting the leftover pizza in the fridge and pouring any extra soda from your glasses down the drain. You went and checked on Sarah after you had finished cleaning up to make sure she was still sleeping. She hadn’t even stirred, so you took this as the best opportunity to step outside and have a smoke. 

It wasn’t something you were proud of, but was something that you would normally only do after particularly stressful days. Today would classify as one, you didn’t like fighting with Kels. That, plus the anxiety of coming to the Miller’s and not knowing what to expect, warranted a need to de-stress. 

You made your way into the backyard, only closing the screen door in case Sarah woke up, and placed a cigarette between your lips. Just as you were searching through your bag for a light a voice startled you. 

“Hey, I didn’t know you smoked?” Joel. 

Fuck, you knew he probably wouldn’t have been much later, but it felt pathetic to be sneaking a cigarette on his back porch. 

“Not often, but you’d be surprised how common it is in healthcare.” You said finding the lighter and lighting the end. 

He looked at you for a moment, and you realized maybe he didn’t want you smoking on his back porch. 

“Oh, shit sorry, you okay if I-“ 

“Oh, yeah, I don’t really care,” he hurried before you could finish your question.

“Cool,” you said. 

The silence grew uncomfortable between you two. 

“I, uh, didn’t mean to startle y’a there,” Joel said. 

“Oh,” 

“I just saw the light on and wondered if you were out here.” 

“And here I was…”

“Here you were,” He shifted, “You always loved it back here. Sitting looking up at the stars after Sarah went to bed.”

“Yeah, I think I missed the stars the most while I was in Toronto,” you sighed. 

“I always thought they’d’ve had more stars up there,” he looked up at the sky. 

You had finished about half of the cigarette and put it out, it wasn’t doing anything for you at the moment except make you want to shower. 

“Not in the city, it was like a shitty, colder, New York,” You laughed. 

Joel chuckled at your comment. He came closer to you and leaned on the railing of the deck with you. It felt almost suffocating, he was so close to you and it felt so intimate. 

“Y’know, we’re really happy you’re here,” He said quietly. 

“Joel, don’t…” you warned. 

“I mean it, Sarah never stopped asking about you. She missed you, this girl's night made her whole year.” 

“Joel, please,” you whispered, tears welling in your eyes. You already carried so much guilt for leaving Sarah with nothing but a goodbye. You knew he was trying to comfort you but he was crushing your soul with guilt instead. 

“I’m sorry darlin’ I just… always asked myself what if things were different. Where we would be, how would Sarah be different if you had stayed,” 

His words ignited a fire within you, one that burned in anger and resentment. Who was he to ask what if, when he gave no choice in whether or not you had a chance at finding out. 

“We could talk about maybes and what ifs until we’re blue in the face, it doesn’t turn back time. Doesn’t change anything between us. You made a choice, Joel, and so you don’t get the what if’s,” You snapped. 

He sighed and ran his hands through his hair. 

“I’m allowed to wonder,” He retorted. “You weren’t the only one hurt, y’know?”

“Well guess what, I wasn’t the one that wanted out when things got a little bit complicated.”

“Wanted out? You think I wanted out?! Fucking Christ, I didn’t want to hold you back. I have no choice but to stay in Austin, letting you go meant that you wouldn’t be tied down here!” His voice was quiet, but he was clearly irritated.

“I didn’t need you to let me go, I’m very capable of making my own choices. And if I had chosen to stay I needed you to tell me everything would be okay.” 

You weren’t speaking in a hushed tone like he was. You were frustrated, angry, he had completely backtracked on your breakup. Tears stung your eyes, you were frustrated and confused. 

“I’m done talking about this, Joel,” You said, wiping the tears away from your eyes. “You said your piece five years ago, and nothing is going to change that.”

You turned to head back inside, now that he was here you’d be able to walk back over to Jake’s and go to sleep. Make an attempt at forgetting this conversation ever happened and pretend your night ended with you and Sarah asleep on the couch. 

Joel grabbed your wrist before you got too far. 

“Please, just let me explain.” He pleaded. 

You pulled your wrist from his grip and left as promptly as you came. 

Your chest was tight and it was as if you could feel your heart shattering all over again into a million little pieces. The ghost of his love haunted you for years. He was still the same man you fell in love with, that much was certain. In that, it also meant, he was still the same man who broke your heart. 

And that was a risk you were not willing to take. 

To spiral out, to try and float, to see a friend, to see a ghost.

tags: @thetriumphantpanda @fruit-frogs @wand-erer5 @missgurrl @casa-boiardi @harriedandharassed @undrthelights @wishyoudaskme @reader-without-a-story @morning-star-joy @tightjeansjavi & once again sorry if i missed anyone or lmk if youd like to be on the taglist xo.

#joel tlou #joel miller fanfiction #joel miller fic #joel miller au #joel miller x you #joel miller x f!reader #joel miller angst #joel x reader #joel miller series #joel miller self insert #joel miller story #joel miller smut #pre outbreak!joel

[the-final-sif]

One of the things I think people as a whole don't understand about the internet today is that so much of what's wrong/dangerous/flawed about the internet exists because so much of the internet started as one person's hobby they built in their spare time or as a specific task for a specific function that was just useful/functional enough that literally everyone started using it. There's tons of biases built into the modern internet and some of that is carelessness but a lot of it is... just like. This was invented by a group of grad students fucking around for a few weeks. How the fuck were they supposed to know it'd be become the global standard and that nobody would bother to address or change these things?

Like, the whole reason that the US government gets the ".gov" domain name is because this entire system was invented in the US primarily for use in universities. Under the original system, you had to phone in to talk to the center who owned the list, tell them what name you wanted and then a person would type your name/ip onto the list attached to a nickname much like a phonebook. Then people slowly figured out domains and maintaining domain registries. And then the system became useful enough that more of the US started using it, and then people realized "oh shit, other countries want to use this too, guess we need to figure that out".

The "world wide web" or the thing we all know as the internet (and the reason that every website you visit has www in front), was invented originally by one dude trying to make his own job easier (Tim Berners-Lee). He thought it was pretty cool and shared it, and he was one guy who only spoke English and was just doing what he thought was going to work.

Like, this is a very lighthearted article talking about him, but I think it illustrates the point really well,

Sir Tim Berners-Lee, the creator of the World Wide Web, has confessed that the // in a web address were actually "unnecessary". He told the Times newspaper that he could easily have designed URLs not to have the forward slashes. "There you go, it seemed like a good idea at the time," he said. He admitted that when he devised the web, almost 20 years ago, he had no idea that the forward slashes in every web address would cause "so much hassle". His light-hearted apology even had a green angle as he accepted that having to add // to every address had wasted time, printing and paper.

via "sorry for the slashs"

We have an entire internet and infrastructure built rather haphazardly but also in such a way that going back and trying to change or fix things either requires an insane amount of work or could render vast swaths of the prior internet inaccessible.

Like, I think everyone here remembers Flash getting shut down and how much of childhood games got wiped off the generally accessible internet and relegated to projects like Flashpoint. It was really hard to see, but Flash was also a project started in 1996 (or 1993 if you count the OG version that turned into flash) that was supposed to be for a limited set of use cases, and not the medium on which major parts of the internet would run. By the time Adobe shut it down, Flash was incredibly dangerous with the constant risks of malware, it was buggy, slow, and there were a million better programs. It had to be killed to make way for better things, but because of how the internet was built, that death came at a pretty high cost.

So if you're ever wondering why it feels like the web is a bunch of dominoes ready to fall down at any time, it's because it is. And it does. And so many people spend so much of their time combating all the problems created by using systems that were never intended to handle everything they are currently handling because the alternative is a task of monstrous undertaking that would almost certainly turn decades of history to dust.

#sif speaks #internet culture #internet security #idk I just like #see people talking about the internet in such a way that shows they do not understand it #like I'm pretty sure the vast majority of people these days could not describe the difference between the internet and #www #and like #that says a lot

[astraltrickster]

The thing is - okay, let's humor Matt and say, fine, your story is 100% true. There was a popular user who got banned after being mass-reported and upon review of their (which I use in this intro paragraph because we're pretending for the sake of argument that it could have been anyone and gender played no role in this whatsoever) account, it was found that - oops, the post that got attacked was totally innocuous, BUT they ALSO did do some other stuff that was very much a bannable offense.

The actions and statement I would make in that situation are probably along the lines of:

"Thank you for reaching out with your concerns. We reviewed the case, and unfortunately, it's a fairly complicated one.

We've verified her [because I would, you know, fucking check what pronouns everyone uses] claims of harassment, and have taken action against the parties involved, including penalizing the blogs that were involved in the false reporting campaign and restoring the content that was taken down erroneously.

Unfortunately, upon review of the account, we did find multiple abusive messages to and about other users that were in violation of our terms of service. Because of this, we cannot in good conscience restore the account. The user has been made aware of the specifics of these violations, and if she would like to sign up again without engaging in this behavior, she is free to do so.

We are aware that this case was a very frustrating and difficult one for many people, and we apologize for the stress it has caused our community. We are constantly working to solve the open problem of content moderation systems being abused in the way we have witnessed here, and appreciate your feedback when something goes wrong, not least of all because we recognize the severity and the discriminatory nature of targeted harassment campaigns such as the ones faced by this user. If you see something similar happening, please don't be afraid to reach out, nor to use our reporting system for its proper purpose.

Thank you for using [WEBSITE]."

I would NOT-

Insist on keeping the fully SFW photos down because well the user DID have SOMETHING to get banned over so that's BASICALLY the same thing

Change my justification from "well she posted NSFW" - "I mean she THREATENED me LOOK!" [Looney Toons imagine spot] - "I mean she threatened and harassed me AND other users, really, I swear I have it right this time!"

Threaten to call the fucking FBI on someone over cartoon violence imagine spots posted for justified frustration with my website's moderation speed

Misgender/degender the user in question over multiple iterations until "well I'm just not SURE what that user goes by despite everyone and their grandma telling me in no uncertain terms 🥺" runs out of plausible deniability

DM the user's friends to insist that they just don't know the full story and really she was an awful person you gotta believe me

Go completely scorched earth on the user, past, present, and future

Continue to go on a days-long tirade about how no one UNDERSTANDS and no one has the full picture and refuse to provide even the slightest additional detail, expecting that if I just keep talking I'll find a way to please everyone

Admit that I believed there was no war in Ba Sing Se problem with arbitrary to bigoted harassment and the moderation system being too slow and overburdened to mitigate it at best and used to assist with it at worst until I was personally inconvenienced by the matter, despite the entirety of my marginalized userbase saying there was a problem since before I even took over the site and my predecessors having been under a legally binding agreement to fix it to the best of their ability which I then inherited

Choose THAT moment to say that yes there was at one point a rogue mod who got fired (partially because I or someone else representing the site would probably have made a statement about that AT THE TIME)

Threaten to delete the entire site over it

FOLLOW THE USER TO OTHER WEBSITES TO CONTINUE HARASSING HER

Otherwise shave years off my lawyers' lives

And okay. Sure. I'm no professional. In fact, someone who is a professional could probably draft a better version of that statement. If I were a professional, maybe I, too, would struggle to get it even this close to right under the stresses of trying to manage a website with more than maybe 200 users-

But that's WHY I don't manage a site at this scale. Because I know that I'm personally not cut out for that. Which is a level of self-awareness that more people in the online communications platform business sorely fucking need.

#tumblr wank

[themonsterthing]

Millenial Art Musing

Gather round, younglings, I’m about to tell a story about ye olde days. *rocker creaks*

My first and most beloved art form, the art that made me who I am, that made me as good as I am at what I do, is dead, is gone, is unreachable.

That might sound dramatic, but I mean that literally. My art form does not, can not, exist anymore. And that's a good thing, because of what it says about accessibility.

I was listening to one of my favourite ever albums when I had this realization today, Johnny Hollow’s 2003 self titled symphonic goth masterpiece. How I found this album was because they had an amazing website. No, really. Amazing. It was a flash masterpiece, where bugs crawled across the screen, different sound clips echoed over different sections, and you unlocked hidden tracks if you answered riddles. It was an artistic triumph. I do believe it won awards.

To modern internet users, that sounds absurd. But I was a web designer back in the days of hard coding, of fixed resolution design, of the surety that everyone was looking at your work from a very similar setup. I got out of web design when it become about scalability, when content management systems were becoming the new norm. Flash hasn’t existed in years, as a design form.

HTML is still the bones of the internet, but it has grown wings and learned to fly. This is good. My art form was not about making things as useable as possible - it was about individual design. Oh what, you have trouble reading 8px Courier in low-contrast color tones? Oh well! It’s art.

The internet should be for everyone, and what I was designing was not that. Yes, it was beautiful, but it was definitely art, not for conveying useful information or accessing tools. Would it be cool if I could make that kind of art again? As pure art? Yes. But there would be no way to make that happen, unless you did something scalable but artistic for the eight million ways people access the internet now. Which is not possible, so maybe if you could control every aspect of the way it was consumed. Which is not possible. Maybe I could do it as an art exhibit, where people came and sat on computers and clicked through incredibly slow pages on 56k to the humming of the computer fan. Ah, the old days.

I am who I am because of my first art. I became a programmer to make Sailor Moon websites, back in the days of Geocities and Angelfire. I learned whole other languages, could speak them fluently, still know common hex codes. (People ask my favorite colour, and I always say French Grey. But really it’s #E6E6E6.)

It is a bizarre and beautiful world to have come from. I miss the camaraderie of the my fellow web designers, those of us trading CSS hacks and joking about the best font style. One person with a credit card who owned a domain and hosted all their buddies, the joy of ridiculous subdomain names.

I am delighted by what the internet has become. But oh, the olden days.

</ramble>

#web design #millenial culture #early days #internet #thoughts and such #blog #personal

[kokushibouthings]

Perfectly normal...

Content: Public, Sexual themes, Smut, Fingering, AFAB reader, Readers basically a loser and a female incel or whatever, Tomuras a stalker and readers into it ig, flat reader cause I can.

Pairing: Tomura Shigaraki x reader

----------------------------------------------------

On that one specific night, he was just tailing some random girl to see her go home like how a creepy ass stalker would...

Till he noticed you exiting your house, taking some laundry back inside.

"Hm..."

.

.

.

"Ughh... It feels like I'm being watched oftenly these days." Whispering to yourself, with the text concerned directly written on your face so obviously...

You head to your desk, opening a website...

Lifting your shirt up, (yes you're wearing an oversized shirt with literally just panties on.) awkwardly knowing someone could be watching you doing this...

But it made you feel kinda aroused.

You slide your fingers down against your heat, looking at your screen before fingering yourself slip out quiet moans from your hand on your lips..

"Nngh...a ...—ahmm..."

Proceeding on with your masturbating for a bit until...

– !!

You hear a noise, outside thinking it was from near your window. Immediately closing the tab and lifting your panties right back up to go check ...— even though your wet asf.

You see no one but see some wet stains on the grass for some... Odd reason.

Even though its just an assumption you immediately knew what it was, licking your bottom lip in arousement...

Having someone watch you is creepy indeed, but you kind of found as if they were complimenting you some how...

.

.

.

After a few days, seeing no more sign of whoever watched you. shrugging it off accepting they probably lost interest in you..and walked inside the train. And god there was alot of people..

You didn't like the idea of standing since you were wearing a skirt and for some reason you're very uncomfortable with the thought of accidentally grindi- wait no why would you even think that..??

You shake your head, noticing theres an empty seat but a male has their hand on it, and legs spread.. You chose to ignore it and ask them.

You notice his eyes widen a little bit, but turned his head away ignoring you completely.

Your stubborn ass refusing to accept the silent treatment, squeezed in there and sat right on his hand... — You sat there awkwardly noticing how it gets more awkward by the second feeling 4 of his fingers right on your ass..

After a few minutes, He turns to look at you, also wiggling his hands a little... You lift yourself up a little bit assuming he finally decided to reluctantly give up and give you space.

.. till his palm placed on your ass again, sliding 2 fingers through your panties right on your crotch almost making you slip out a moan.

You try to ignore it thinking it mightve been a mistake trying to tug on his arm. "U... —uhmm do you mind moving your hand a little."

He looks at you, moving closer to your ear...

"Why? You want it don't you? I saw you masturbating like a slut that day." As it so awkwardly happens he was the person watching you.. "Anyway, I'm tomura. What about you?" He pulls away from your ear, asking perfectly normal as if his hand literally isn't on your crotch.

His fingers suddenly slide inside of you.. Making you let out a quiet gasp. Making you feel pathetic as you squirm under his touch.

"...Y —Y/N." "cute name." He responded as the people beside you leave for their stop..

He thrusts his fingers in, and out painfully slow.

Your head looks downwards, hands on your mouth trying to not let out any odd noise..

You felt pathetic and awkward, being fingered by some stranger in the middle of a train.

But you couldn't help but enjoy his touch eventually cumming..

He pulled his hand away, raising his hand to his mouth. Turning his head away seeing him clearly licking it up before just wiping it on his jacket... You hear the train announce the place you go to school at, immediately standing up shakily also trying to fix your panties placement through your tugging on your skirt while heading to the doors that are about to open.

...

And after that instance it became a routine every 6:20 am Friday and Thursday ..

#shigaraki smut #tomura smut #female reader #bnha shigaraki #tomura shiragaki #tomura x reader #tomura shigaraki smut #shigaraki x reader #tomura shigaraki x reader