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#how.... did i write this much.
woke up and someone spilled vanilla extract all over my dash, so as punishment you strange little beasties are getting all the VANILLA FACTS i know:
vanilla is the 2nd most expensive spice in the world (2nd to saffron)
which is why more than 99% of what we call "vanilla extract" is actually vanillin (vanilla's dominant flavor compound) and is not extracted from real vanilla.
luckily, even professionals struggle to tell the difference when it comes to things like baked goods. but there is a distinct difference in non-heat treated products like vanilla ice cream. real vanilla has a more complex, individualized flavor profile.
why is vanilla so expensive? because it is a ridiculously delicate & demanding crop. complete primadonna.
vanilla beans come from vanilla orchids. these crazy flowers bloom for A SINGLE DAY and have to be HAND-POLLINATED in a process that is exhausting, delicate, and requires specialist knowledge passed down over generations.
then, if you're lucky, you get vanilla beans.
which then require months of further specialized treatment.
the entire process takes about a year and can go wrong at any stage
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vanilla has been cultivated for over 800 years (possibly much longer). the first known cultivators are the Totonac, an indigenous people of Mexico.
the Aztecs used it as a sweetener to balance out the bitter taste of cocoa. it was popular in a drink called xocolatl--the precursor to modern hot chocolate!
it is only pollinated by a very specific orchid bee!!!
which is why no fruit could be grown outside of Mexico until the 1800s
Edmond Albius, born into slavery, invented the pollination method we still use today--launching a global industry when he was just 12 years old.
today, the majority of the world's vanilla is grown in Madagascar
if you want real vanilla, read the labels carefully--it's harder to find than you think!
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in conclusion, those tiny black specks you see in fancy vanilla ice cream? those are vanilla bean seeds! itty bitty orchid seeds!!! they are delicious and also a PRISSY BITCH!
(src)
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soranker · 17 days
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my girlfriend
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astearisms · 8 months
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fionna and cake drawings before and after watching the episodes so far. it’s nostalgic and somehow cathartic and poignant and relatable and—it just started
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nibbelraz · 4 months
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A writer and His number one fan hater
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thedreadvampy · 1 year
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Losing my shit about this article in which a transphobic Tory was so busy panicking about existing in the vicinity of a Trans that she almost certainly misheard "jeans" as "penis" and decided that not only was this a problem with the other woman, but also that the world must be informed of this pressing danger.
"a trans woman! I had to stand directly behind her....I thought, 'this is going well', I'm handling The Situation fine'..."
translated: I saw a tall woman with broad shoulders. How would I get out of this alive? I thought. she has a PENIS. PENIS PENIS PENIS. through some force of PENIS I mean will I managed to PENIS behave normally towards her. My hands were PENIS PENIS PENIS shaking as I tried to dry them. summoning up all my PENIS courage I said 'dryer's crap innit'. she turned to me and said " yeah I'm just goiPENIS PENIS PENIS"
It's been a week and I'm still shaking. This proves trans women are the problem and I'm not weird. I'm fine. It's fine. If you think about it I'm the hero hePENIS!!!!!
very this
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#red said#it's just. I'm obsessed.#everyone on Twitter is saying 'never happened' and i think they're wrong#this absolutely did happen and she's been obsessing over how vindicated it made her feel enough to WRITE AN ARTICLE ABOUT IT#because she MISHEARD SOMEONE IN A CASUAL CONVERSATION#i lay out my reasoning thusly: if you were INVENTING a scary trans woman in bathroom story out of nothing. why would it be this?#why would you go with 'we had a banal conversation until she said a sentence that makes no sense and that no human has ever uttered#but which does coincidentally sounds almost exactly like a mishearing of a very NORMAL thing to say in the circumstances#then she left and nothing else occurred'#if you were going to INVENT a story you would probably make it MAKE SENSE or SOUND THREATENING#i truly believe this is a very authentically told account of what she thinks happened#because who would. by means other than mishearing. think 'I'm going to wipe my hands on my penis' makes any sense at all.#a) 'I'm going to dry my hands on my genitals' says the presumably fully clothed woman#b) who then proceeds to leave without doing anything threatening#c) WHO SAYS PENIS THREATENINGLY? sorry it's writing out 'penis' repeatedly that made this jump out to me but like. who says that?#you might hear someone talk casually about their dick or cock but i stg it's only doctors and TERFs who casually use the word penis much#it's so. clinically descriptive. it's a weird use of language. but it IS. something you could plausibly mishear from 'pants' or 'trousers'
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obsessedwithstarwars · 10 months
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Bruce: How was your class trip Damian?
Damian: It was quiet and productive Father.
Bruce: I’m glad to hear it. What was your favorite part?
Damian: I learned how to escape an Iron Maiden.
Bruce: …
Damian: …
Bruce: Explain please.
Damian: A boy Drake’s age taught me how to escape an Iron Maiden.
Bruce: How did he have that knowledge?
Damian: He claims his family has a dungeon full of medieval torture devices. I believe he may require further investigation.
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otaku553 · 9 months
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Haha
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positivelyadhd · 29 days
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i have been reading through the diary I kept from ages 14-17 and realising how helpful it can be to keep a record of how you're feeling at different moments.
not only is it helpful to write down and process how your feeling and give yourself time to truly think about it, it's nice to have something to look back on. to not just remember how you felt about a certain situation but to actually have yourself from that time tell you.
and also, from an adhd perspective, it's really lovely to have reminders of things I'd almost entirely forgotten. it's easy to think that your life right now isn't interesting, but in 5 years time? to know what songs you were listening to or book you were reading or even that Thing that you were so worried about but now you can't even remember the details. it's nice to have a physical reminder that time passes and things really can get better.
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It’s a running joke in the manor that Tim’s kid was like a cat
And he would never admit that he could kind of see it himself.
The climbing, the ability to go from zero to a hundred in energy, and unfortunate ability to be too cute to actually get mad at him for anything he does.
Finding said son running out and about when there was breakout was pushing through.
“Hi Dad!!”
“Danny! What are you doing out here?!it’s still lockdown chickadee!”
Danny looked down at the ground and scuffed one of his shoe against the pavement.
“I know… but you’ve been gone so long and I’ve been worried!”
Tim sighed and tapped his comm,
“Oracle, please keep lookout for the next couple minutes.”
And crouched down in front of his son,
“You haven’t been home in a while and I missed you..”
Tim sighed as he wiped a tear from Danny’s face.
It was almost unfortunate how much the kid took after him.
“Kiddo I’m sorry, that’s my fault, I know we haven’t been able to hang out for the past week-“
Danny stomped a foot in frustration,
“No you don’t understand! You forget to sleep when you don’t come home ‘n’ great grandpa Alffie said we got to sleep because it’s good for you ‘n’ that when you don’t you are more likely to get hurt! I don’t want you hurt!”
Tim wanted to argue, and say that he was fine. He’s been taking cat naps between searching and the fights. If it was anyone else in his family he would’ve done so.
But this was his son, his little chickadee who loves so much and worries about himself so little.
He needs to set an precedent before bad habits emerge.
Picking Danny up, Tim set him down onto his hip and stuck his chin on his head.
“You’re right, I guess I haven’t been being nice to myself like I’m supposed to. How about we go back home and I’ll lay down with you for a couple hours?”
Danny peered up with glassy eyes,
“Can you stay for breakfast?”
And didn’t that just hurt to hear? Faded memories of asking that same question only to be given this almost pitying look danced in the back his mind.
“Sorry kiddo, but we just don’t have enough time before our flight but don’t worry when we get back we’ll have a family day, just the three of us!”
Clearing his throat Tim met his son’s eyes.
“Sure champ, and when we finally get joker back in Arkham we can ask everyone to have a family day, how does that sound?”
Stars almost seemed to take over Danny’s eyes as he let out a little gasp.
“Really?!”
“I promise.”
~~~~~~~~~~~~~~~
Yes, many of Danny’s mannerisms were reminiscent of a cat, but this was new.
Tim pinched his eyebrow in exasperation as he looked at his siblings.
He wished he never got up this morning.
“And how exactly did Danny somehow get a crowbar?”
The kid in question just happily swung his legs as he sat on the bench unaware that he himself was going to be getting a far longer conversation as soon as they got back to the manor.
“To be honest.. in hindsight, not my brightest moment.”
“WHY IN GODS NAME A CROWBAR?!”
“He said he needed something to help take care of the trash! I thought he would use it like a knapsack or something!”
Jason Thew his hands in the air, and Dick let out a snort while he nudged the mess of a clown next to him.
“Well he very much did use it for something.”
“Nightwing! I’m just as mad at you for somehow loosing the kid this badly to begin with!! You. Are. Not. Helping.”
“I know but I’m just saying, he gets his dramaticism from you.”
~~~~~~~~~~~~~~~~~~~~~~
At the end of the day, Joker ended up paralyzed from the neck down.
Jason and Dick were both no longer allowed to babysit Danny alone.
And one little munchkin was, though very much grounded, hailed a hero by all of Gotham for the actions that were live-streamed by onlookers.
And once he was no longer grounded, he did get his family day.
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riceballoon · 9 months
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quick doodle, congratulations to ogata for his reincarnation from a war to a sports team! hope this guy's just as funny as his war criminal counterpart
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turtleblogatlast · 26 days
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[ cw: nightmares / trauma / ]
Post-invasion, Mikey sneaks into Leo’s room and when asked by Leo what the problem was, Mikey just smiles and says since he’s awake and knew Leo would be too, he didn’t want either of them alone. Leo laughs and lets Mikey stick around, both of them clumped together on Leo’s bed, watching grainy compilations of old Lou Jitsu commercials on Leo’s phone.
Technically, Mikey didn’t lie. He just didn’t explain everything that led him to Leo’s room. He didn’t explain the nightmare of his arms burning up too bright, too fast, destroyed before Raph and Donnie have a chance to help. He didn’t explain how he woke up with a wail caught in his throat, phantom pain in his arms and chest alike chasing away any semblance of exhaustion. He didn’t explain how his mind made sure he knew, vividly, that if one thing went wrong with his portal, then he would have never seen Leo again.
He didn’t explain, and he didn’t have to. Leo knows his brothers better than he knows himself, and Mikey has always been easy to read. So it’s no trouble to let Mikey know that he’s still with them, that Leo is here and alive with everyone else. And when Mikey finally regains his exhaustion and falls asleep leaning against Leo, Leo simply maneuvers him into a more comfortable position and stays by his side.
He doesn’t move, doesn’t go to sleep - not that he could, anyway. He just mindlessly scrolls on his phone, the soft snores of his little brother filling the room. He stays in place, awake, because he wants to be sure that when Mikey wakes up again it’s to the immediate sight that Leo is alive and well and home.
And, if Leo’s bring honest, that’s a reminder not just for Mikey’s sake.
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antiqua-lugar · 4 months
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aside from everything else about durgewyll I am loving how it highlights wyll and gortash as narrative foils. both their upbringings lead them to interact with demoniac entities, both can only become archdukes and join baldurian high society through uldred, both are swaying the dark urge from simply following bhaal (and arguably the dark urge sways them from simply pursuing an ideal and the dark urge can recognise both as their equal)
and by playing your card right in act 3 wyll just...gets everything gortash was trying to get? wyll really is a hero saving baldur's gate from the legion of the absolute. wyll influences gortash's favourite assassin into becoming someone they can defeat the netehrbrain together. they can even become archdukes together! ...or they can turn it down and then they can go to he hells to sneak around and have adventures (like gortash and durge used to) and save karlach's life (the same life that is at risk because gortash mindlessly threw it away).
like. it's a lot, wyll and durge can even murder raphael.
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thedemises · 27 days
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. . . SAVE A HORSE, GO ON A RIDE WITH THE COWBOY! featuring boothill!
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notes! . . . y'know the phrase, “save a horse, ride the cowboy”? well, I decided to-do something about it with boothill... except it's sfw and more like “save a horse, ride with the cowboy” cuz i dont do nsfw here >:/. god give me acceptance for how boothill is so ooc here- 😭😭 idnk how to write his character properly, and does he even have a horse?? I don't remember seeing a horse when his character and banner got leaked, so let's just pretend he does have one for the sake of K'hailreigh for this plot. 💀
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imagine returning the horse boothill had been searching for all day after it got the chance to escape through the tall fences the moment they were opened, his eyes widen at the sight of his companion with you guiding alongside it. normally, his horse wouldn't follow after someone else's orders other than him... and it behaves pretty feisty and rough with people who isn't him.
boothill is relieved to see that his trusty horse hadn't been injured, briefly thanking you as he goes over to fuss over his stallion. you can't help your gaze wandering and examining his figure, in awe of the metallic and cyborg parts of the cowboy in front of you. sure you might've seen people having artificial and metal parts attached to them, but this man right here just plainly looks like a robot if it weren't for his humanly head.
boothill notices you eyeing every inch of him, glancing from the lasso that hangs at his hips to the pistols to his arms and to his legs. he glares a wolfishly smile at you, baring the shark-like teeth that you gaze in short surprise at, and asks in a teasingly tone, “like what you see, darlin'?”, observing how you blink owlishly at him. but then, he's becomes sort of surprised when you nod your head and confirm that—yes, you like his appearance and how the color scheme matches altogether, while indirectly  commenting how he's a good-looking cowboy.
boothill, after his turn of blinking at you, grins and narrows his eyes with an intrigued look in them; amused by you and how you don't seem in the slightest.. nervous or terrified in his presence. you perked the cyborg's interest.
finishing the small talk with the man, you mention that you'll be needing to go somewhere for an errand and boothill takes the opportunity to offer a ride there on his horse—as a thanks for retrieving his horse, taking in your surprised expression with a grin as he ends the sentence with a “darlin'”. he insists, even if you refuse, so you decide that it'll be quicker to go in a horse ride with the cowboy than rather walking by foot as you were given no other choice.
with boothill's assistance, you were boosted onto the horse and instructed by him to hold on as he looks back at you, flashing a toothy grin and a finger tilting his hat just slightly for a short moment before you and him rode off towards where you were needed to be at with his horse. startled by the increasing speed his horse was going, you instinctively grasp onto the cyborg cowboy's built body in order to not fall off during the ride accidentally—boothill grins at your expression, his laughter going with the wind, “better hol' on tight for now, sweetheart. this'll be a rough ride! i'll get ya to where yer headin' in no time!”
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© thedemises 2024. all rights reserved. please do not repost, copy, or claim as your own. ━━  word count: 508.
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jq37 · 5 months
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Who Is Allison Moore?: A Disney's Wish Mystery
OK, this is a little off the rails and random but this has been driving me crazy since I looked into it last night.
So, Disney's 100th Anniversary movie Wish is coming out soon and people have had a lot of hot takes about it so I wanted to do some digging. As part of that, I looked at the writers and two people have a "Screenplay by" credit: Jennifer Lee and Allison Moore.
Jennifer Lee, of course, wrote Frozen--their biggest princess hit in the modern era so that makes total sense to me. If you're coming out with a new princess movie for the big centennial of course you'd tap her. But I'd never heard of Allison, and when you look at her name on Wikipedia:
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No blue link. So I headed to IMDB to check out her credits, figuring maybe she was some hot new talent recently promoted from within who did storyboards on some recent projects like Moana or something. But when I went to her IMDB page, this is what I found (after a brief mix-up with a Dexter's Lab actress):
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Her Producer credits come up first and...huh. That's a lot of adult live action TV projects. Well, maybe her Writing credits are where this starts to make sense:
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What? That can't be right, can it? The only vaguely Disney-esque thing on that credit list is Beauty and the Beast and, to be clear, that is a CW reboot of a 1987 procedural with the logline, "A beautiful detective falls in love with an ex-soldier who goes into hiding from the secret government organization that turned him into a mechanically charged beast." And she wrote two episodes on it.
And look at Disney's official page about Wish!
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Everyone else on this page has credits that make sense--Frozen, Frozen 2, Raya, Encanto. And the two credits they list for Allison?
Night Sky and Manhunt.
Night Sky, an Amazon Prime show that she wrote one episode for and was cancelled after one season. And Manhunt--and show about hunting the UNABOMBER--that ran for two seasons and that she wrote two episodes for. Those are her two credits that they put up there next to Frozen and Encanto.
I have been scouring the internet trying to figure out who this woman is and how she got this job and I have come up *empty*. This is the big 100th anniversary movie! Why would they have one of the two screenplay writers be someone who seemingly has never done something like this before??? Like, I understand that not having done something before doesn't mean you can't do a good job, but it usually means you don't get the keys to the biggest most anticipated projects in the company's history!
They presumably could have gotten anyone they wanted for this and they picked this person and I have zero clue why and it's driving me crazy. If anyone has ANY information that could illuminate this at ALL--an interview, a social media post, gossip from your cousin who's a gofer at Disney--please let me know because I feel like I'm going full Pepe Silvia over this.
12/26 Edit: A SMALL UPDATE IS HERE!
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wingedcat13 · 5 days
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Siren Call: 3
[We’ve had past and present Minerva, but what about future?]
One day, Minerva will be familiar with the island’s crags and shelves. She’ll know the way the shore slope becomes a drop off and where the sandbars are, the color and density of all the coral, the migratory patterns of the species who pass by.
Today, she knows enough to avoid triggering the sensors. Even pauses to adjust one that’s started sagging out of place.
Minerva chooses not to walk up the beach, not wanting to track sand into the - house? Facility? Building? - not wanting to get sand caked to her feet and legs. Jumping straight up to the roof in a waterspout is also unnecessarily dramatic when there isn’t a fight to get to. So she just gathers herself, waits for a wave, and urges it a little higher, placing herself at its apex.
It gets her high enough that she can reach the railing of the overlooking balcony, with enough momentum to curl and tuck her body, cartwheeling over the rail partially just for the joy of motion. Even the smooth tiles feel rough compared to the water, strangely unyielding, and she wobbles just a little as she catches her bearings. Belatedly, she realizes she almost kicked the crap out of one of the balcony’s chairs. The little swerve she does is automatic. At least there wasn’t an audience-
“Minerva.” Says Synovus, sitting on the table because they’re deranged. There’s a surprised tilt to the end of her name, like half a question answering itself. They’re wearing civilian clothes again, and some part of Minerva’s mind can’t help noting that their arms are bare. “Welcome - back.”
One day, Minerva won’t scowl at them on reflex.
Today, she demands immediately, “Were you waiting for me?”
“Y-es?” Synovus hedges, not moving. “But also no? I was - I thought you’d be coming up from the shore.”
They sound almost abashed. But that’s too close to ‘embarrassed’ and Minerva is well aware that Synovus has no shame. She may have genuinely surprised them - they’re perched on the edge of the table, and had leaned away slightly. Synovus wanting to be a problem would have chosen a much more… blatant posture. Or at least to sit further back in the shadows. The absence of either a gaudy attention grabber or deliberate stealth indicated this middle ground was not an act. Or perhaps that’s what she’s meant to think.
One day, Minerva will not have to consciously pick aside the paranoia to see what is in front of her.
Today, it takes effort - but she does it.
With a sigh, she closes her eyes, and focuses on each part of her body, bringing herself down from the mild surge of adrenaline. One hand draws back the wet strands of her hair. The other removes the mask that was a gift. She leaves her eyes closed while she rubs the red marks out of her skin.
With her eyes closed, it’s easier to skip past the defensive retort, and say instead, “You could’ve at least had a coffee waiting for me.”
“I don’t actually know your preferences in that regard.” Synovus admits, and for a heartbeat Minerva is worried this will turn into a far too blunt conversation about homecomings, but - “Do you take it black? Iced? Green?”
Minerva scoffs, but it might have just been a laugh. Even she’s not sure. “White chocolate mocha.” She answers. “One shot espresso, oat milk.”
“Ah,” Synovus says, as Minerva opens her eyes. They seem to have had a revelation. “So that’s why Alexandria likes those Unicorn frappes so much. Hm. And here I usually go for the cider.”
A smile tugs at one corner of her mouth at the thought - Synovus, dread assassin, going to a coffee shop and ordering hot apple juice with whipped cream.
Minerva sets her mask on the table. “Stand up a minute.” She tells Synovus quietly, her voice nearly lost in the sound of the waves below.
“I don’t take direction well.” Synovus replies, even as they slide off the table and to their feet, turning to face her. There’s a caution to their movements, but also curiosity, written far more liberally across the unobscured face Minerva once never thought to see.
If Minerva meets their eyes too long, she’ll lose her nerve, so she winds up staring somewhere around Synovus’s collarbone instead. There’s a scar there, hidden for now by a high-necked top, and Minerva knows that because she put it there. It had been a targeted move: Synovus had broken her collarbone the fight before.
She wants to be better at giving back things other than pain.
“Just - give me a moment. Don’t move, please.” She’s pretty sure it’s the ‘please’ that gets them. Synovus goes so statue-still that Minerva’s not sure they’re blinking. But they don’t protest. And they certainly don’t move as Minerva steps forward.
And in one of the most awkward movements of her life, slides her arms around Synovus’s ribcage, setting her chin gently on their shoulder.
This is instantly easier when she no longer has to look at Synovus’s face. Well. When she can’t look. Can’t fixate on finding and parsing the smallest of expressions, assigning meaning to the specific tilt of a chin or speed of a blink. She’s still bad at it - hugging - because she usually just lets other people hug her, and initiating it is weird, but she can’t imagine Synovus is particularly good at it either.
After all, they’re still standing stock-still, and if Minerva wasn’t currently very aware of their breathing, she might even think they were panicking.
“Not a trap.” She mutters, and feels as much as hears Synovus’s responding huff. But their arms slowly, cautiously, hesitantly come up to return the embrace, hands resting lightly on her back. The side of Synovus’s head tips gently into hers.
One day, Minerva might not feel awkward about body contact and physical affection. One day, she may find herself as familiar with Synovus’s scars as she is her own. And she just might reach a point, eventually, where one of them could make a joke about this just being an excuse to get Synovus wet and not immediately both perish from the agony of an accidental allusion to arousal.
For today, this awkward embrace is enough.
———————————————————
Minerva probably won’t ever see a crowd as something other than a threat to be monitored.
Large groups have always made her tense, and that instinct had only gotten worse over the years. Most villains respect the ad hoc agreement about making an entrance, but there are a distinct few who would kill from a crowd. And there are those who are not villains in the distinct, identity sense, but would wreak havoc nonetheless.
So she scans the mall’s sheltered internal colonnade from behind her sunglasses, and listens to her daughter tell her about her day.
“- I just told him that I’d come from further South, and he didn’t ask me any more questions after that, but then freaking Brad asked me if I was an ‘illegal’ and I know what you mean now, about temptation to cram people into lockers. He’s lucky he’s so tall; I couldn’t fold him up to fit without taking some limbs off.”
Alexandria huffs, taking an aggressive pull from her milkshake. The stress of her life is getting to her - no teenager should have worry lines, or bags under their eyes that deep - but she insists this is what she wants. Even if Minerva sometimes wonders whether Alexandria sees herself as a member of the school’s attendees, or just a spectator who sometimes catches a stray ball.
“Did you tell Brad that?” Minerva asks mildly, mostly curious.
Alexandria sighs again, “No.” She says sullenly, shoulders slumping. “I asked him if he thought the government should determine who gets to live where, and then when he started to argue with me I told him I hoped his yacht sank with him on it.”
“Alexandria.” Minerva was still learning to find the right tone. The right amount of reproach, without exasperation or accusation. She must’ve gotten close, because Alexandria just lifts one hand in a ‘not me’ gesture.
“Specifically so he’d wash up in Mexico or Hawaii and get to be illegal himself.” She clarifies. “I don’t think that convinced anyone I wasn’t an immigrant, though. Til Seanna pointed out my grades in Spanish would probably be better.”
Minerva’s sigh is more restrained, but she points out, “There are other languages in South America. Brazilian Portuguese, for example.”
She’s not sure why she’s entertaining this, really.
“That’s true.” Alexandria ponders that for a moment, drinking more of her milkshake. “I mostly just meant to imply I was from one of the towns that got fu- uhhhh, screwed up by the power grabs.”
Minerva briefly leaves the conversation, remembering that shell of a place. The layouts, the dressings of a town, not quite abandoned yet but with nothing else to bleed.
Judging by the nudge she receives under the table, Alexandria isn’t totally oblivious to her distraction. She’s also changed the subject.
“So.” Alexandria is saying, drawing one syllable into three, “How are you and my godparent getting along?”
‘Godparent’ has become Alexandria’s favored way of referring to Synovus in public. It’s a joke on multiple levels, some of which Synovus seems to appreciate. But Minerva thinks it also makes them slightly uncomfortable, in a way they refuse to express to Alexandria.
“It’s fine.” Minerva replies, on rote. Her eyes flick to Alexandria, then back to the crowds. “What is it?”
“What do you mean, ‘what is it,’?”
“You wouldn’t have asked if you didn’t want something in particular.”
Alexandria’s mouth twists down, “Can I just get an answer without fishing for it, for once?”
Startled, Minerva looks at her again. Takes a better assessment of her daughter’s body language, the tension there. She knows she’s also gone tense.
Anger creeps into Alexandria’s voice, replacing the annoyance. “I’m not going to lose control. I’m not-“
She cuts herself off, abruptly looking away. Her fingers relax around the plastic cup, deliberately demonstrating that her strength won’t get away from her.
Minerva has a suspicion of how that sentence might have ended. I’m not like you and dad.
Reaching out physically feels like the wrong move here. So does stiffening up further and refusing to talk about it. Be better, she thinks to herself desperately, her mind flicking back to an image of a person with one foot in the water, one on dry land.
“We still… disagree, on some things. Some major things.” Minerva makes herself say. She still doesn’t like that Synovus kills people. She doesn’t like that Synovus has ostensibly killed for her, or for Alexandria. But she also feels relief that Synovus did, and a sense of gratitude she can’t quite smother. It makes her feel dirty, oily, and she hasn’t found it’s root.
Taking a breath, Minerva continues, “But… I don’t think they mean either of us harm.”
Alexandria has relaxed a little, absorbed by what Minerva’s saying. And probably having to pick through it for what she isn’t saying either.
“Would you say that you, I don’t know, maybe, trust them?” Alexandria prompts.
Minerva’s grimace is answer enough.
Alexandria sighs, “Mom.”
“It’s complicated, Alexandria.” She says, but it’s not the abrupt conversation-closer it would have once been. More… beseeching.
“Do you trust anyone?” Alexandria asks, “And like, I don’t even really mean me, here, but like. Anyone?”
Minerva remains silent.
“Do you trust yourself?” Alexandria asks, sounding a little alarmed.
Minerva hesitates - but she can’t really answer that one either.
They sit in silence for a few minutes, just the background roar of the mall’s crowds between them. Minerva hates this. She hates feeling like she can’t actually control herself, can’t master the emotional impulses she’s forcibly crammed into a box for years. She hates that Alexandria is having to pick up the conversation, make the overtures, do the work.
But any time she tries to think of a way to do it herself, her mind shies away from it. The words wilt and die in her throat. Because what if she gets it wrong?
What if she has more to lose?
Eventually, Alexandria looks at the melted remnants of her milkshake, and asks, “Can we stop at the Hot Topic before we leave.”
One day.
———————————
A week later, Rosie pokes her head into the common room Minerva’s reading in. “Minerva?”
She’d finally been asked point blank by one of them what she wanted to be called, because Athena no longer seemed accurate. Committing to Naiad hadn’t felt right either, so she’d given up her civilian name. Synovus already knew it, what was the point?
(It had occurred to her, later, that the small thrill she felt at being addressed by it was possibly what Alexandria felt at being addressed by her chosen name.)
(Also, it would’ve made Albion furious.)
“What is it?” Minerva asks now, letting one finger hold her place in the book as she sits up.
“There’s a fight drifting our way - Zephyr and a few others against the Eye. He’s made another floating platform again.” Rosie rolled her eyes, providing her professional opinion.
Minerva tilted her head, hesitating. Zephyr was a hero she’d worked with before, though they had never gotten along. He’d offered to take her flying, she’d taken that as flirting and shut it down, they’d never really overcome the resulting awkwardness. She had no idea who he’d be working with.
Eye, in contrast, was Eye in the Sky - a villain obsessed mostly with surveillance, and not being observed himself. He was a center point of several conspiracy theories involving the NRA, CIA, and a number of international organizations. She’d never fought him before, just heard the stories.
“What’s the protocol?” Minerva asks, rather than offer any of that information. She was certain this group of people knew far more about everyone involved anyway.
Rosie smiles, “Not much of one, just a lower alert status. Doll and I will make the rounds and check on everyone, Synovus is going to suit up just in case, but we won’t get involved unless territory agreements are breached.” She added, “Alexandria’s still on the mainland, we’ve made sure she knows to be suited if she makes her own way home.”
Minerva taps at the cover of her book, thinking. She feels adrift, still. This isn’t an actual fight, unless she wants to go and be Athena, and the idea of that is physically uncomfortable. It would also invite too many questions. Naiad would-
Hm. “Does Synovus want me in uniform?” She asks, sardonic.
“I didn’t ask and don’t plan to.” Rosie replies flippantly. “If they want you to do something, I imagine you’ll hear about it directly.”
Somehow, that isn’t the response she wants. “I don’t-“
“They also haven’t given any orders that you’re to be stopped.” Rosie points out, cutting her off. “The rest of us will be either in the operations room or up on the roof to watch. Klaxon if there’s trouble.”
She gave Minerva another smile, twiddled her fingers, and withdrew. Minerva shifted, and opened her book again.
She made it through two more paragraphs, then left it unceremoniously on the floor.
———————————-
On the roof, Synovus was pacing.
In a way, that’s reassuring, because even Minerva knew by now that if there was imminent danger, Synovus would be stock-still. The sun glints off the dark helmet, and threw the matte black of the rest of the suit into stark relief against the sandy-colored rooftop. Wind off the sea ripples through the cape, keeping it blown back, perpendicular to the path Synovus is walking.
The sun is kinder to Minerva’s costume, and there is no cape to blow. The dark mask helps keep her from being blinded by the sun. Athena wouldn’t be of much use here; Naiad might be.
Doll - the larger, Russian man who Minerva thought of as Synovus’s second in command - stood up here too, a viewfinder raised to cover his face. He’s looking into the direction of the wind, angled out and up, and Minerva follows that direction.
There it is - flashes of distant, shimmering silver in a cloud bank that’s thinning. Some masking device, most likely, now disabled. There’s tiny flashes of what must be powers or weaponry at use, but she can’t make out more than that.
“How bad is it?” She asks anyway, brisk and businesslike.
“The wind isn’t in our favor.” Doll comments. He’s always answered her as if she’s a coworker, and she appreciates that. “I can’t tell how much of it is powered and how much of it drifts. If there’s been damage to it -“ He lowers the viewfinder to make a hand gesture. “It might not be able to control its direction anymore.”
“Sloppy.” The comment is out of Minerva’s mouth before she can stop it. It draws Doll’s attention, if not Synovus’s. At the slightly raised eyebrow, she sighs and continues, “Disabling propulsion or navigation creates unnecessary risk to everyone involved. The only time it becomes necessary is when there’s weaponry that absolutely must be disabled, and you don’t have either the training or the time to sort out different power systems.”
Doll nods, offering her the viewfinder. “It could be self-inflicted,” he points out.
“Possible, but suicidal. That would require an exit strategy. Do you think Eye has one?”
“He’ll have three, only two of them will work, and none of them will be enough to keep him from getting captured.” Synovus breaks into the conversation abruptly, annoyed. Or perhaps professionally offended. “They’ll be personal craft.”
Meaning the rest of the platform’s crew would be left to die. Incentive for the heroes to try and rescue them rather than pursue, but what a waste.
The viewfinder lets Minerva get a better sense of the platform’s size, and also an estimate of its height and distance. She can make out a glimpse of a gray-shaded costume, diving through the clouds: Zephyr.
“If you interfere,” She asks, while her view is disconnected from her surroundings, “What would that look like?”
There’s a hesitation. A gust of wind snaps at Synovus’s cape. The distant battle continues.
“If they cross the boundaries, there must be consequences.” Synovus says reluctantly. “I will destroy the platform. Survivors will become my prisoners. If the heroes protest, I’ll fight them.”
Minerva lowers the viewfinder, and returns it to Doll. Synovus has stopped pacing. “You don’t have the facilities for a mass casualty event.”
“No.” Synovus agrees. “I don’t.”
————————————
Rosie has come out to join them on the roof by the time there’s significant change. The wind has died down some - likely a marker of Zephyr changing it, finally reaching their shores. The air feels thick and dead without it.
They’ve mostly stood in silence, watching. It feels longer than it has been, and Minerva knows it’ll be worse for those actually fighting. She’s surprised she hasn’t felt more of an urge to intervene.
Though she has been keeping watch for anyone falling to the water below.
It’s hard to say which of them notices first - their attention is collectively on the sky platform, and not each other. But there’s a decided tilt to the mostly-exposed metal monstrosity now, and in very short order, it begins to fall.
“Catch it.” Minerva finds herself murmuring. “Catch it. At least slow it-“
But no one does.
The platform hits the water at the full speed gained from a several thousand foot drop, slamming into the ocean. Those watching know that the metal will crumple on impact, water at that height and velocity worse than slamming into concrete. The surface area only makes it worse; tilted in at a slight angle, it displaces the water in a specific direction.
Towards the island.
Minerva had studied the ocean as much as she could. She knows this phenomena, and can cite times in the past it’s occurred. Not caused by the shifting of the ocean floor or tectonic plates, but by a sudden mass displacement.
They call it a super-tsunami.
Synovus is a statue beside her from the moment the platform starts to fall. Doll catches on once the surface of the water rises - and then doesn’t fall again.
“Three minutes.” Minerva calculates, based on distance and the probable speed of the wave. As many miles to cross. Much taller. “Evacuation?”
“The Jet is under repair, we can’t get it into the air in time.” Rosie answers, grim.
“Seals on the inner portions of the facility might hold, but we don’t know how long we’d be underwater.” Doll says, hitting the klaxon anyway. “The fridges?”
“Only as good as long as the power lasts.” Rosie replies. “Alexandria?”
“Still on the mainland.” Doll growls, running a hand through his hair. “Even if she could reach us in time, we’d have to get everyone onto the plane-“
Synovus has, so far, said nothing. Minerva is the only one close enough to catch when they choke out a strangled, “-fucking submarine -“
Minerva had expected Synovus to have a plan. A power, a strength, a defense mechanism. The realization that they don’t is like a fire’s been lit at the base of her spine.
She doesn’t remember grabbing Synovus’s collar, or dragging them to face her. She does remember saying, “I can stop it.”
Synovus doesn’t hesitate. “What do you need?”
There is no questioning of if she’s sure, or recommendation that she go into the waves to ride it out. No suggestion of running.
“Get me in front of it.”
Immediately, Synovus has one arm under her knees, the other around her shoulders, and they’re running. Off the edge of the roof, not quite flying, flickers of shadow beneath their feet. Minerva doesn’t have time to question it, because her attention is on the big damn wave.
When she had said she could stop it, she had spoken with a bone-deep certainty. But she’d never actually tried to divert a tsunami before, let alone one of this size. The largest amount of water she’s worked with has always been as much as she needs to accomplish her goal, and nothing more. Diverting some rain-induced flooding is nothing compared to the power of the tides.
But she can feel the ocean beneath them, as Synovus clears the island’s coast. She can sense the oncoming wave, so fast to them, but to the ocean like a flinch in slow motion. The ocean doesn’t know how to control a fall.
But Minerva does.
The trick is in grasping the majority of the wave without over extending. She doesn’t need every droplet, every molecule, but she does need the vast majority of them.
It’s like trying to get a grip on something flat with only the pads of her fingers. It’s like misjudging a stair and finding herself both plummeting and ramming into an outside force. It’s like taking the first breath of rain-rich air in the early morning, and feeling life enter her lungs again.
Minerva twists the top back over itself, breaking the wave in the wrong direction. She cuts it down the middle, diverting it off to the sides. She forbids it to go forward, as though it’s met a cliff. And as the water falls, the wave collapsing, so does she.
It takes a brief second to put together that the body that had been holding her aloft is now limp, twisted slightly as though to put itself between her and the wave. Synovus is unresponsive, the shadows gone, only the cape whipping around them as they fall. Minerva is able to catch them, now, grabbing on before they can drift away.
She reaches for the water below them, calling it up to catch them with less than bone-breaking force. It’s easier, somehow, but also harder, and she’s having trouble fixing a direction in her mind for where the wave was and where the shore should be. Hot air, harsh wind, cool water and the dimming depths as they’re both drawn down.
And she remembers, finally, that Synovus can’t swim.
—————
The disorientation has mostly worn off by the time Synovus wakes up.
Minerva had managed to follow the upset currents, but hadn’t wanted to risk trying to shape and change them. Or to fight them overmuch, with her cargo. So they’d wound up washed not to shore, but to a small opening into one of the partial lava tubes at the island’s base.
Outside, saltwater rain is still falling, though it will stop soon. The ocean’s roar sounds, to her ears, slightly confused. The sun is still shining, and the wind has picked up again. ‘Calm’ is a subjective definition, but they’re approaching it.
Minerva had been relieved to find that Synovus’s helmet was intact, even with the impact to the water. She’d managed to find its clasps, and to remove it, making sure the seals had also held and that Synovus wasn’t drowning in their own personal fishbowl. They’re propped up against her legs, which are folded beneath her, and she’s prepared for a violent awakening.
But Synovus’s eyes blink open, and Minerva is able to watch their facial muscles work as they come to terms with their surroundings.
“You fainted.” Minerva informs them.
Synovus squints at her, but doesn’t immediately protest. They also don’t try to move much, other than a slight squirm that Minerva recognizes as a full body check. Do I still have my appendages? Do my fingers and toes all work?
“Yeah.” Synovus concedes. Their voice is raspy with saltwater, even though they didn’t get much of a chance to drown. This time.
Minerva should probably start somewhere else - like making certain they’re okay, or assuring them about the conditions outside, that the wave had been averted. Instead, she all but demands, “If you’re so terrified of water, why in the hells did you build on an island?”
She can see the balk in Synovus’s expression: a furrowing of their brow, a twitch of the nose. Synovus lifts a hand to consider covering their face, eyes the sand on their glove, and lowers it again.
“I already know you can’t swim.” Minerva says flatly.
“I can swim.” Synovus shoots back, annoyed. “I cannot swim well, there’s a difference.”
They sigh, and move to sit up. Minerva doesn’t stop them. She doesn’t expect an answer, at least not without further prompting, but Synovus continues:
“It’s… easier. The isolation. Clearly defined borders. This is mine, everyone else fuck off. And it…” Synovus shakes their head. “It serves its purpose.”
Once, Minerva would’ve accused them of grandstanding. Of the island being a show of wealth and status. She knows better now - knows that while that is true, there’s other reasons, layered beneath.
And she thinks about everything Synovus has ever told her about self control.
“It contains you.”
Synovus hesitates, partially grimacing, but nods. “Serves its purpose.” They repeat quietly.
The two of them sit in silence, in the dark shadow of the cave. They listen to the water, and the waves as they return to normal.
“Thank you.” Synovus says, into the silence.
“I don’t require thanks.”
“But I feel you deserve it, and it’s mine to give.”
“And if I don’t want it?”
“Refuse it. I will survive the disappointment.”
Minerva has the uncomfortable feeling that they are not discussing only gratitude. Rather than address that, or continue the discussion, she says instead: “I don’t know what I believe anymore.”
Synovus doesn’t reply. They tilt their head, studying her in the dark. Minerva’s dragged them into a cave and confronted them with truths after they passed out from fear doing something on her word, she should give them a break. She doesn’t.
“I should be out there looking for survivors, or recovering the dead. I don’t want to. I should’ve involved myself in the fight, reminded them to be careful of the platform’s vulnerabilities. I didn’t. I don’t feel guilt. I feel… annoyed. Angry. Because they should’ve known better.”
Synovus just turns a bit, to rest their back against a rock. “And that in turn makes you feel..?”
“Foolish. Arrogant. A bad hero, and a worse teacher. I should be patient. Forgiving.”
“They nearly killed you.” Synovus points out dryly. “You’re allowed to be angry about that.”
“And more would’ve died if the wave had reached the coast.” Minerva grits her teeth. “But that anger should be - I can’t control them. I cannot fix them. But I didn’t even try to intervene until it was almost too late.”
“But you did intervene.”
Minerva gestures, attempts to pinpoint the logic fruitless and frustrated. “Am I a hero or not?” She demands. “Do I act for others or only my own skin? I’ve spent years - decades - so sure of the answer but now -“
She raises her hands, half-fisting them in her hair. The sensation provides a little bit of grounding, enough of a distraction she doesn’t think about the words before she says them. “- now you make sense to me, and the things I thought I believed in enough to die for are - are hollow or gone or dead. And I let you kill them. I let you kill him.”
Abruptly, she draws her knees up, burying her face in them. “I let - I made - my child - our child -“
Minerva can’t tell if she’s crying or not. Her breath is coming in gasps, and her face feels hot, and this was always the part of weeping that she hated the most; the lack of control, the inability to communicate. Her eyes burn. So does the center of her chest, her stomach.
And Synovus is here, as her witness. Why not? They’ve seen every other ugly part of her, every other failure. She’s spent a good portion of her adult life fighting this person, exchanging scars, only for them to pick up the pieces and try to protect her. She’s finally had the upper hand, proven that she does have power, that Synovus now owes her in the brutal calculus of lives, and instead of reassuring her it’s broken her.
Because Synovus doesn’t trust themself either.
But Synovus trusts her.
“Do you wish I wouldn’t have killed Albion?” Synovus asks quietly.
The answer is as simple and certain as the water. “No.” She says honestly. “No I - I don’t.”
There’s a pause. Then, “Do you wish I would’ve killed you too?”
That answer isn’t as clear to find. “I - some days.” She says hoarsely. “I committed the same crimes.”
Synovus exhales, across from her, and it isn’t quite a sigh. “Alexandria feels differently.”
Minerva stops breathing.
Of all the answers Synovus could’ve given, that’s the one she can’t counter. She can’t afford to do this. To wallow in self recrimination. Her daughter is out there. And while maybe - maybe her morals are falling to pieces, and she doesn’t know who she is, but she knows that whoever she is loves Alexandria.
“Is it pathetic?” She asks Synovus, in the dark she can’t see through and Synovus can. “To need someone else to determine who I am. What I believe.”
She can hear the twist in Synovus’s expression as they reply, “That’s… inherently not a question I can answer. But, Minerva?” Synovus doesn’t hesitate, so much as pick their way across uncertain footing, “I don’t think you would’ve been able to turn back that wave if you weren’t… as much as you are.”
It’s clumsily phrased. Wavering and uncertain. But Minerva, whether because she’s reading what she wants to from it, or because it’s actually Synovus’s intention, understands.
She takes a deep breath. Then another. Then she stands, and offers a hand in Synovus’s general direction. Her voice is much more certain, calm, when she says, “I need to go organize a search party.”
——————
Minerva may not ever come to terms with her role in her ex-husband’s death, or the harm she caused her daughter. She might not ever find the rock-solid beliefs that she once thought she had.
But she might - just might - come to terms with that uncertainty. The ocean doesn’t have roots either.
She’ll have good days and bad days. She’ll need to make decisions about who she wants to become, and how she feels about who she is. But as both Naiad, and Minerva, she has that freedom.
She’ll never touch the Athena costume again.
And one day, while she’s working on a laptop in one of the common rooms, Synovus on one of the other couches and Alexandria sprawled on the floor, Minerva will say, “I have an idea. Something I’d like to do about the Pacific garbage patch.”
And Alexandria will roll over to look at her, and Synovus will glance up. And Minerva will add, “It’s not precisely legal.”
And Synovus will say, “I’m listening.”
——————————
[And so ends Siren Call! This took much longer than it’s other pieces, and there were things I debated including and things I wanted to cut, but in the end, this was the flow the story took. I’m not saying I’m *done* with Synovus and co, but I will say that I’m glad to have this chapter closed and tied off.]
[As per usual, a copy of this will go up on Ao3 soon, and I’ll find out how long it is, because I’ve once again written directly into tumblr drafts. It’s where the Synovus muse lives, apparently.]
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I know this is just a silly bad quality random screencap of a screencap that I found on facebook lol, BUT it's a succinct enough image to easily describe the concept in a quick/accessible way hopefully :
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(and of course, feel free to elaborate in tags, etc.! (especially elaborating about other senses as well.. can you "hear" in your mind just as well as you can "see"? taste? etc.) It's an interesting topic to me, as someone who's like a 4.5 at MOST lol. I'm curious what option will be the most common :0c )
#tumblr polls#hrmm... a little poll perhaps.. about a subject I find interesting.. since this image came across my facebook today#still really not feeling that well. no longer shaking violently and such but I still feel weird and weak much more than usual#They did say my markers for like infection or inflammation were elevated but that they werent sure of the cause so hopefully#it's nothing too serious. they did also say a lot of different things can cause that thing to be higher than normal but didn't go into spec#fics of what. maybe some of them are relatively benign or something. I still havent felt much back to normal since#I got really sick that one time though. I feel fine on and off but then little bouts of feeling weird and sick happen. hrmmm#ANYWAY.. looking for small ways to be productive. such as little doodles on evil ipad or editing game videos#or posting polls or cat pictures or some other like not very labor intensive things#I WISH I COULD FOCUS on writing HHRGGhh... I need to finish my game.. it would be so freeing.. a project that's been looming#over my head for like 5 years even though througouht that 5yrs I've probably spent a total of 3 months working on it lo.. ANYWAY#I still partially really cannot beleive that people CAN see stuff in their heads. There's always part of me that's thinking like. well mayb#e everyone DOES see the same exact thing but we just describe/conceptualize it so differently that we think we're talking about#different things when we're really not. But I have been assured by people I've talked to about it that they can GENUINELY really see#stuff in their heads like as vivid as an actual picture in real life or something. And the other senses are neat too. Like for exmaple I#can hear in my head much better than I can see imagery. I still CANNOT hear vividly like as if I were listening to actual music out loud..#but I think it's developed more than my sight. AND interesting how this varies the creative process. a friend I was talking to on the phone#said they write by literally just watching stuff play before them like a movie. where my process is COMPLETELY different. AND that affects#the content/what details we focus on as well as our individual styles of writing have differences that can be traced back to that.. hrmm
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