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#however little it may be
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birthday !!!!!!
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ba1laur · 1 year
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last saturday that will be spent staring 20 minutes at a screen watching this guy go thru incomprehensible horrors. cant wait to have normal weekends from now on
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thunderboltfire · 2 months
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I have a lot of complicated feelings when it comes to what Neflix has done with the Witcher, but my probably least favourite is the line of argumentation that originated during shitstorms related to the first and second season that I was unlucky to witness.
It boils down to "Netflix's reinterpretation and vision is valid, because the Witcher books are not written to be slavic. The overwhelming Slavic aestetic is CDPR's interpretation, and the setting in the original books is universally European, as there are references to Arthurian mythos and celtic languages" And I'm not sure where this argument originated and whether it's parroting Sapkowski's own words or a common stance of people who haven't considered the underlying themes of the books series. Because while it's true that there are a lot of western european influences in the Witcher, it's still Central/Eastern European to the bone, and at its core, the lack of understanding of this topic is what makes the Netflix series inauthentic in my eyes.
The slavicness of the Witcher goes deeper than the aestetics, mannerisms, vodka and sour cucumbers. Deeper than Zoltan wrapping his sword with leopard pelt, like he was a hussar. Deeper than the Redanian queen Hedvig and her white eagle on the red field.
What Witcher is actually about? It's a story about destiny, sure. It's a sword-and-sorcery style, antiheroic deconstruction of a fairy tale, too, and it's a weird mix of many culture's influences.
But it's also a story about mundane evil and mundane good. If You think about most dark, gritty problems the world of Witcher faces, it's xenophobia and discrimination, insularism and superstition. Deep-seated fear of the unknown, the powerlessness of common people in the face of danger, war, poverty and hunger. It's what makes people spit over their left shoulder when they see a witcher, it's what makes them distrust their neighbor, clinging to anything they deem safe and known. It's their misfortune and pent-up anger that make them seek scapegoats and be mindlessly, mundanely cruel to the ones weaker than themselves.
There are of course evil wizards, complicated conspiracies and crowned heads, yes. But much of the destruction and depravity is rooted in everyday mundane cycle of violence and misery. The worst monsters in the series are not those killed with a silver sword, but with steel. it's hard to explain but it's the same sort of motiveless, mundane evil that still persist in our poorer regions, born out of generations-long poverty and misery. The behaviour of peasants in Witcher, and the distrust towards authority including kings and monarchs didn't come from nowhere.
On the other hand, among those same, desperately poor people, there is always someone who will share their meal with a traveller, who will risk their safety pulling a wounded stranger off the road into safety. Inconditional kindness among inconditional hate. Most of Geralt's friends try to be decent people in the horrible world. This sort of contrasting mentalities in the recently war-ridden world is intimately familiar to Eastern and Cetral Europe.
But it doesn't end here. Nilfgaard is also a uniquely Central/Eastern European threat. It's a combination of the Third Reich in its aestetics and its sense of superiority and the Stalinist USSR with its personality cult, vast territory and huge army, and as such it's instantly recognisable by anybody whose country was unlucky enough to be caught in-between those two forces. Nilfgaard implements total war and looks upon the northerners with contempt, conscripts the conquered people forcibly, denying them the right of their own identity. It may seem familiar and relevant to many opressed people, but it's in its essence the processing of the trauma of the WW2 and subsequent occupation.
My favourite case are the nonhumans, because their treatment is in a sense a reminder of our worst traits and the worst sins in our history - the regional antisemitism and/or xenophobia, violence, local pogroms. But at the very same time, the dilemma of Scoia'Tael, their impossible choice between maintaining their identity, a small semblance of freedom and their survival, them hiding in the forests, even the fact that they are generally deemed bandits, it all touches the very traumatic parts of specifically Polish history, such as January Uprising, Warsaw Uprising, Ghetto Uprising, the underground resistance in WW2 and the subsequent complicated problem of the Cursed Soldiers all at once. They are the 'other' to the general population, but their underlying struggle is also intimately known to us.
The slavic monsters are an aestetic choice, yes, but I think they are also a reflection of our local, private sins. These are our own, insular boogeymen, fears made flesh. They reproduce due to horrors of the war or they are an unprovoked misfortune that descends from nowhere and whose appearance amplifies the local injustices.
I'm not talking about many, many tiny references that exist in the books, these are just the most blatant examples that come to mind. Anyway, the thing is, whether Sapkowski has intended it or not, Witcher is slavic and it's Polish because it contains social commentary. Many aspects of its worldbuilding reflect our traumas and our national sins. It's not exclusively Polish in its influences and philosophical motifs of course, but it's obvious it doesn't exist in a vacuum.
And it seems to me that the inherently Eastern European aspects of Witcher are what was immediately rewritten in the series. It seems to me that the subtler underlying conflicts were reshaped to be centered around servitude, class and gender disparity, and Nilfgaard is more of a fanatic terrorist state than an imposing, totalitarian empire. A lot of complexity seems to be abandoned in lieu of usual high-fantasy wordbuilding. It's especially weird to me because it was completely unnecessary. The Witcher books didn't need to be adjusted to speak about relevant problems - they already did it! The problem of acceptance and discrimination is a very prevalent theme throughout the story! They are many strong female characters too, and they are well written. Honestly I don't know if I should find it insulting towards their viewers that they thought it won't be understood as it was and has to be somehow reshaped to fit the american perpective, because the current problems are very much discussed in there and Sapkowski is not subtle in showing that genocide and discrimination is evil. Heck, anyone who has read the ending knows how tragic it makes the whole story.
It also seems quite disrespectful, because they've basically taken a well-established piece of our domestic literature and popular culture and decided that the social commentary in it is not relevant. It is as if all it referenced was just not important enough and they decided to use it as an opportunity to talk about the problems they consider important. And don't get me wrong, I'm not forcing anyone to write about Central European problems and traumas, I'm just confused that they've taken the piece of art already containing such a perspective on the popular and relevant problem and they just... disregarded it, because it wasn't their exact perspective on said problem.
And I think this homogenisation, maybe even from a certain point of view you could say it's worldview sanitisation is a problem, because it's really ironic, isn't it? To talk about inclusivity in a story which among other problems is about being different, and in the same time to get rid of motifs, themes and references because they are foreign? Because if something presents a different perspective it suddenly is less desirable?
There was a lot of talking about the showrunners travelling to Poland to understand the Witcher's slavic spirit and how to convey it. I don't think they really meant it beyond the most superficial, paper-thin facade.
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wouldntbehim · 5 months
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@rwrbmovie & @rwrbsource’s rwrbweek: Day 2 | Song
fanmix for day 2. link [here]
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tenspontaneite · 7 months
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Still figuring out how I want to draw slugcats, but I'm definitely going for Weird Mustelid vibes now. Have some Survivor 🙏
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kicktwine · 19 hours
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squenix is like lalala little treat for the kh likers a little mobile game for funsies the kh fans will enjoy this little chocolate chip I’m giving them while they wait for kh4 it’s a small deal at best and everyone in the very small room that is khux enjoyers is foaming at the mouth ready to lord of the flies squenix headquarters about it and they have no idea
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longclawshilt · 8 months
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Yeah it’s cool and all that Lyanna Mormont and Wylla Manderly are such vocal Stark loyalists. But it’s actually quite important that they share names with two of the most important women in Jon Snow’s life: Lyanna Stark - his mother, and Wylla - his wetnurse and rumored mother in universe. Such stunning loyalty from these two girls who are named after women so important to Jon just tickles all the key parts of my brain. These are the women who gave him life. And it’s even more poignant when we realize that by ADWD, when the girls are declaring their loyalty, Jon is the KiTN who bears the name STARK per Robb’s decree.
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cthulhusstepmom · 9 months
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Fae!Soap Superstitious Bastard! Ghost: Gifts
(Just a heads up this got way more intense than I meant it to but that’s kind of the Fae for you.)
TW: mentions of torture, human remains
Soap is a collector, though not of any one thing that Ghost can discern. He’s seen the man pick up anything from an abandoned rolex to a nondescript piece of broken glass. It doesn’t seem to be about size, it’s not shape and definitely not value; Ghost had thought he’d pinned it down as things that caught the light a certain way but was swiftly proven wrong when Soap went on a spree of collecting pebbles and sticks. He’d glared sullenly at the first jagged gray rock when Soap had picked it up before swiftly changing the subject when he was noticed. There was no apparent rhyme or reason to any of it… well not quite. There was one singular pattern that stood out in his mind, a single thread that held firm no matter how much he rearranged or plucked at it.
 Anything that Ghost gave him, Johnny kept. 
The first had been a bit of pretty blue ribbon that was a close enough approximation to Soap’s eyes. It’d snagged on a bramble bordering the clearing where Ghost had set up for overwatch. Without even thinking he’d snagged it on his way to RV down the hill, offering it to Johnny in the armored car taking them back to base. Soap hadn’t said a thing. It was then that Ghost realized maybe giving your subordinate a piece of trash you’d found in a bush perhaps wasn’t the most well adjusted way to express affection. He’d been about to play it off with a quip, beginning to retract his fingers ever so slightly, when Johnny snatched it lightning quick from the palm of his hand, holding it close to his chest for a moment before stuffing it into his chest pocket next to his journal. Soap had given him a small strangled “Thank you” as they sat the rest of the ride in an awkward but warm silence. Johnny disappeared almost immediately after they got back to base but Ghost could see light in the space under his door so he wasn’t too worried that he’d done permanent damage to their relationship.
After that his eyes just seemed to catch on things that he assumed Johnny would like. He couldn’t help it. Little glass marbles, a river stone with an interesting marking, a large brown feather; Somehow it all made its way into the hands of his Sergeant. Usually with a gruff “Here”, barely waiting for Johnny to hold out his hands before he dropped his small offering into his gloved palms. Soap has also gotten over whatever his episode of silence had been, responding with a blinding smile and enthusiastic gratitude and a happy quip. (“Thanks Lt!” a piece of antler, Montana “Y’ shouldn’t have!” an old toy car, Finland “Find this on sale?” a scrap of pink fabric, Brazil “Ghost you’re spoiling me.” green river stone, India etc.(no he didn’t catalog all of them that would be creepy. He only wrote down his favorites.))
The next time Ghost thinks he’s permanently damaged their relationship and scared Soap off for good comes after an operation sweeping out an AQ base in Afghanistan. 
It’s stuffy and dark, the blistering heat of the day beginning to fade into the bitter chill of the night. The compound has long since been abandoned by all but the stubbornest of rats, slowly being reclaimed by the wild desert it carved its blackness into. They roll into the courtyard through the open front gate, the outer walls have seen multiple breacher charges and calling them walls at this point is more out of respect than any dedication to accuracy. The whole place has already been swept by drone and Laswell has had satellite eyes on it for months confirming just how fucking dead it is. They’re here for information, the drone identified documents left behind as well as at least two hard drives. 
The 141 has split off, each clearing their own section and radioing in at even intervals, they’ve learned the hard way that it’s better to be safe than sorry. Beyond extra caution, the whole place has an eerie, black aura that drags forth memories of scorpion stings and dull knives biting at his flesh. Assisting in his nightmarish stroll down memory lane, Ghost is assigned the lower levels of the compound. Each room is another scene from a past he tries to forget, filled with rusted over implements of pain and brown stains no one cared to clean. 
Something in the last room makes him pause. 
A small barred window allows light from a waning moon to pool into the room, catching on something on the table. Small, most no bigger than his fingernail, a collection of about five objects sits in a tray on the corner of the table. Brilliant white patches shine in stark opposition to the bed of rust brown they lay on. 
Teeth. Human teeth.
His mind is acting on autopilot when grabs them and stuffs them in a pocket, so similar but so different to his first experience with the ribbon months ago. He finishes his sweep of the room, conveying his findings back on comms (“Seems like we’re late for the party.” “If only you didn’t take so long to get ready.”-Soap “Shut the fuck up the both of you I just saw a rat the size of a terrier.”-Gaz “I’ve got the hard drives if any of you fuckers remember why we’re here.”-Price), and turns back to rendezvous, his mind now firmly on finding his comrades and getting the hell out.
As they start readying themselves to duck into the humvees they arrived in, Ghost’s muscle memory kicks in to complete his self assigned mission objective. He turns to where Soap stands almost expectantly at his side. It’s not every mission that he has something he’s decided is a worthy offering but it has become more often than not. Mind already halfway back to base, a gloved hand chases down each tooth where they’ve burrowed themselves in the pocket of his tac vest, collecting them and dropping them in Soap’s proffered hand with a grunt. His brain turns back on when the bloody bones hit his Sergeant’s glove, panicking because what the fuck did he just do? What kind of fucking sociopath gives his friend(more?) human fucking teeth as a souvenir. Much less human fucking teeth that were pulled forcibly out of some poor bastard’s skull during a bygone torture session. 
His hand is trembling. 
Ghost forces himself to look down and meet Soap’s assuredly outraged and disgusted gaze. 
Only he doesn’t.
Johnny is staring down at the teeth in his palm with a look of fucking reverence. His pupils are dilated beyond just the darkness surrounding them and Ghost’s detail oriented eyes catch the slight flare of his nostrils on every inhale. Soap slowly tilts his head up to meet Ghost’s eyes and a gasp lives and dies in his throat.
“Oh Simon, you treat me so well.” His voice is gravelly and thrumming with an emotion that Ghost doesn’t know the name of. But, god if this is the look he gets after bringing Johnny desiccated human remains?
He’ll rip the teeth out of some unworthy son of a bitch himself.
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unopenablebox · 11 months
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anyway, look, now the beads are IN the knitting
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saltpepperbeard · 10 months
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✨Gif Coloring✨
Hello everyone! After having a conversation with the lovely @bizarrelittlemew​, and being inspired by her immaculate Gif-Coloring Post, I decided to follow suit with some examples of my own. I make this post to stand in solidarity with her, as well as all our fellow gif-makers, and to show that gif-making is in fact a very time-consuming process! It’s not as simple as feeding frames into a program and *poof*, you’re done. There are in fact numerous, numerous, numerous steps that go into beautifying footage for your viewing pleasure!
The “raw” footage is on the left (in quotations because it is still trimmed down, and the frame rate has been edited, but the original lighting/coloring remains), and my edited versions are on the right.
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As you can see, quite a bit different lol! My process usually involves picking the scene, shortening said scene in my video editing program to the desired amount of frames, removing frame interpolation, cropping it down to the proper size, removing any fun little frame artifacts, playing around with the desired frame rate, before beginning to manipulate the lighting, levels, contrast, and colors. Then, I will often have to sharpen and blur to my liking, which is a whole process on its own, before fist-fighting Photoshop’s memory issues l m a o.
And even all of that does not account for what others may do, such as overlaying gifs within gifs, creating word art, working with geometric shapes, etc etc!
It’s a process, and it’s a form of art. And just as you wouldn’t re-post someone’s fanfic, someone’s video, or someone’s music, please don’t re-post gifs without credit! Reblog from the source, use the add gif function, or include the artist’s @ if needed be! It’s quick, it’s easy, and it’s appreciated more than you know.
Support your artists, and we’ll be so happy to continue creating for you! <3
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wataeicentric · 8 months
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I feel as though people (mostly people who aren't insanely wataeipilled, or involved with shipping in general) are misunderstanding what we're upset about. It's not the simple assumption that we want wataei to be "canon" and that we're upset that that can't happen because of Eichi getting married, it's that HappyEle have been on a character assassination spree recently (Izumi in Mad Party & Kohaku in Last Mission) and we're worried that's going to happen to Wataru and/or Eichi. Regardless of shipping, Eichi never told Wataru, who's supposed to be his "best friend" that he's essentially been engaged to Tori's sister for the best part of a year. If Wataru isn't upset about this, then they've done it once again, because Wataru trusts Eichi to take his mask off around him; whilst the mask is "him", the "mask's purpose" (the title of his card in EP:Link) is to hide oneself. Wataru took it off for EICHI and Eichi ALONE. He put himself on display, allowed his facade to begin to fade around him and be his authentic "self" and opened himself up to possibly even be hurt (which he was immediately, by the way, and CRIED over it. HIBIKI WATARU. CRIED. Because Eichi was indifferent to his confession of love) because he trusts Eichi, and Eichi's told Wataru before (Tempest) that he also trusts him. So, is it or is it not blatant character assassination, and possibly even going back on their more recent development of becoming more honest with each other, if Wataru is not upset with this development?
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absenthearted · 1 year
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LITTLE RED RIDING HOOD || HACKEARNEY + ALTERNATE UNIVERSES [1/?]
A girl walks into the woods, and a wolf walks out.
The village has a tradition: a girl is chosen as a sacrifice to the Wolf. The Huntsman leads the Chosen into the woods and keeps vigil at the entrance. 
The girl does not come back. The Wolf stays away.
This is how it has always been—until now.
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puppyeared · 1 month
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Atla live action 😐
#thats my honest reaction 😐#to be fair ive only seen 20 minutes of the s1 finale bc my parents are watching it but. mmmmm kinda mid#like. the casting is definitely an improvement since the last time they tried a live action but it feels like the writing falls flat#or maybe im being harsh bc ive only heard negative criticism on it beforehand. but fr anytime u bring up the original its already#good and not just because its the original. so much fucking detail went into it to the point of someone noticing azula wielding mai's knive#to how well thought out irohs character is used as a way of uniting the cast especially as zukos foil#i heard that sokkas sexism was toned down and i have to agree that feels like a cheap move. like i get WHY they think it would be better#but its not about how that reflects on real world its about how it affects the story. sokka starts out as a misogynistic asshole because#it makes it that much more impactful when he changes. toning that down makes it flatter and makes his character development weak#and someone pointed out they didnt even make him wear the kyoshi warrior uniform and i know it feels like such a small detail but#come on man. they did that in the original because not only does it help him really walk in their shoes - wearing 'feminine' clothing and#makeup and having suki explain its significance but it also ties in with the shows theme of harmony and intersectionality#i was also disappointed when they had the fire sages explain how the water tribe draws power from the moon because in the original it was#IROH who explained it to aang and everyone else BECAUSE we as the audience is under the impression hes with the 'bad guys'#and it builds up to how he learned from the other nations which reconciles his past as a war general and his character overall#AND its an excellent starting point for the cast and audience to understand how the nations arent as closed off as you would think#plus you would think its only fire nation doing propaganda but they expanded on that with earth kingdom censorship and it WORKS#a lot of things in the live action also feel arbitrary like. they gave momo a near death experience for 5 minutes for no reason#im firmly on the stance of bringing back filler moments instead of putting major events right after each other so that u give your#audience a sense of time passing and to really absorb the story. but i think thats more like shock value than filler and yeah its a small#thing to gripe about but those things build up and its really annoying. the thing abt avatar filler moments is that however small#its at least meaningful. hell even the beach episode emphasizes how isolated zuko and his friends are as child soldiers#i also swore to never watch the first live action since it was that bad but i really liked the stylized tattoos they used for aang#anyway. those arejust my thoughts. im not gonna watch the rest because im a ride or die for the original aftr growing up and#rewatching it at least 20 times as a kid. but theres definitely room for improvement and i wish ppl wouldnt take it as 'better' just cuz#netflix is adapting it. i wouldve killed for them to just reanimate the entire avatar series and touch NOTHING ELSE no redub#no changes to the story. just reanimate the thing and leave the rest alone and youd make easy money just the same#ALSO its very jarring not hearing jack desena and dante basco voicing sokka and zuko cause their voices were the most recognizable to me#i get that its because its live action but im allowed to feel a little sad abt that. and uncle irohs accent was really soothing#yapping
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t4tdanvis · 4 months
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i would say "putting on a skirt would fix him" but itd be wrong to assume anything could fix gene
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nostalgia-tblr · 17 days
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having a vague "why am i writing this horrible story?" crisis about the anglo-saxon au fic that has taken over my mind since *checks* about two days ago. i have approx 2000 words of it written so it is going fairly well in that sense but i have gone a bit niche with my fics recently and am starting to think "nobody wants to read this, people will be annoyed at you if you post this" a bit more often, even though they probably won't because it's a free cake and it's rude to complain about free cake.
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cosmicrhetoric · 2 years
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ive said this before but giving your gay machiavellian parody figure a little crusty eyed doggie who looks like shit and is pushing a million in dog years and is also named wuffles is honestly the best character design move a person couldve made for vetinari
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