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#human!tamatoa
drawntolouie · 1 year
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Whwhwhwhwhwh Tamatoa content, a Human tamatoa and a lil guy, good stuff good stuff.
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tamatoatalks · 2 months
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Made a comic and was like "You know what? I'mma put the audio"
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parroset · 1 month
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Incredibly self indulgent but here's Aaravos with a (fitting) Moana quote:
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Based on the theory that his heart was taken from him during his fall.
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sketch-pencilpoint · 6 months
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Cringetober day 29 hot villain
(It's another gijinka but shhh he's more hot to me this way)
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sheppa · 7 months
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I got tired of waiting for my sister to humanize Tamatoa from Moana and did it myself.🙄🦀
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faelapis · 7 months
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despite some concerns raised by the trailer/marketing, i am still excited for the wish movie. a lot of that has to do with king magnifico.
that being said, i approach it from a different direction than a lot of other people excited for a “classic disney villain.”
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first of all, yes. i, too, love the camp and melodrama of classic disney villains. i love that they express their wishes through big bombastic musical numbers, and said musical numbers are often the best in their movies. i like how queer-coded and fun they often are. i like the sass, the drama, the energy.
where i disagree with a lot of people is with this notion that disney movies “don’t have villains” anymore. i don’t think the likes of hans (frozen) and tamatoa (moana) are less evil than "classic" villains - they’re plenty willing to kill with a smile on their face.
i think what people ACTUALLY miss is the big performance around it all. the aesthetic. someone who does these things while being a major character (so not tamatoa) and deliciously, obviously evil while having fun with it the whole time (so not hans). i think it’s that specific combination people are missing. we still have villains, they’re just either not as “fun” or not as “important.”
of course, that take is less punchy than saying disney doesn’t have villains because "steven cringeyverse destroyed western animation and now companies are too scared to make real villains >:( !1!!!"
yeah i never understood where that came from. if anything, redeeming villains is more controversial than killing them. especially in america, being punitive is the norm. forgiveness is cringe. yet so many act as if there was some big consumer and/or corporate pushback against the idea of villains…? at some point?? i guess????
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someone must've forgotten to tell that to disney tv animation, where you’ll find everything from bill cipher to belos in the modern era. (also, other companies exist? dreamworks is not some indie studio, they’re fully willing to have big, campy villains.)
but yknow, people like to feel like underdogs. they like to feel like they're somehow oppressed because some animated media don't have classic villains anymore... despite there still being plenty around. you can’t just like villains, you have to make it everyone else’s problem. like disney is obliged to do the same character tropes in every movie. or villains are "dead."
what actually happened is just… some writers at disney decided they wanted to do different things. that’s it. so you now have a handful of movies where the villain is either a minor character, or nonexistent.
it’s not a conspiracy, it’s not a concerted effort to destroy villains. it’s, at most, a trend. because some writers wanted to push against the previous status quo. and now other writers who grew up with that want to have more classic villains, because that’s what they see as exciting and new. it’s just a cycle of trends and countertrends.
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anyway. long tangent aside, i’m actually very excited for king magnifico. in part for a classic villain performance (he gets a song!!) - but also, it sounds like he might scratch a particular itch of mine.
which is to have a big, dramatic, irredeemable villain… who is still a human and has an understandable pov.
yes, you can combine these things. it’s not common for disney, but a lot of what we consider “great movie villains” throughout history have been this exact combination. they have to be defeated, they refuse redemption, they are 100% committed to their goals and will not budge - but they also GENUINELY BELIEVE in those goals.
what i’m really asking for here is a sincerely motivated character. someone who is a villain, but doesn’t SEE himself as a villain. someone who isn’t lying when they try to endear themselves to the hero or promise to make the world better if they join forces. it’s just that they are completely misguided about what would be good for the world, and nothing will persuade them.
whether someone is a villain, a hero, or anywhere in between, i think asking a character’s motivation - and playing those motivations straight, rather than just as a mask for plain selfishness - is key.
as i’m saying this, you might notice that it’s not actually too far off from what i like in other characters. jasper in SU is basically this in her "main arc” in season three. she refuses help, she’s a huge dick to everyone… but she also 100% believes in homeworld as an institution and is actually, genuinely selfless. even if it means her own corruption, she refuses help, because that would betray her cause. which she values above her own life. and by rebecca sugar’s own words, jasper doesn’t even believe she deserves help.
the common thread here is really tragedy. someone you can root for and against at the same time.
so how does this relate to king magnifico? well, jennifer lee (writer for this movie & also the frozen movies) just had an interview where she talked a lot about wish, and in specific, having a classic disney villain in magnifico.
she illustrates a lot of what i’ve been talking about - that there is no grand conspiracy at disney against villains. they just had different stories they wanted to tell. there was no mandate either for or against villains, not in this movie or any other. they just did what they wanted to do with those stories. (btw, that’s not me saying there isn’t pressure at disney to tell certain stories and not others. it’s just that the concept of a villain isn’t as important to the corporate side as, say, not making elsa gay.)
anyway. what makes the king magnifico portion interesting is how lee talks about exactly what i’ve been saying. they knew they wanted a classic disney villain, but it sounds like they still want him to be different from other such characters. namely, they wanted to find the benevolent side of him, how he genuinely believes what he believes and DOES want what he thinks is best for the city of rosas.
and the plot totally checks out - basically, he decides whose wishes come true. and that’s really interesting, because a wish can be anything, good or bad. it sounds like he really wants to prevent what he sees as bad wishes from coming true, and is too conservative in what he allows or not. and his way of being kind about rejection is to remove those wishes from people’s hearts if he cannot fulfill them.
that’s SUCH a great concept for a villain. it speaks to issues of control, of agency, of being in the paternalistic position of deciding what is “best” for everyone else. it gives me a little bit the wizard of oz (as in the wizard himself, who is a charlatan trying to maintain a pleasant status quo, even if it’s a lie), and a little bit white diamond (controlling the lives of others, but genuinely believing you are being selfless and heroic about it / steering people on the “right” path).
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reading that interview, my excitement for this movie went from like a 2/10 to a 8/10. jennifer lee seems to have a real interest in creating characters, not just stock tropes. elsa is one of the best disney princesses (fight me) for exactly the same reason.
another great concept talked about here (which you also see in lee’s frozen, with anna and elsa as opposites) is that of duality. there’s a lot of talk about magnifico and asha being two sides of the same coin, both initially believing in this system and wanting what’s best for the city. and from there, they divert to their opposite paths in what specifically they think is right. the interview talks about them as if they were this thesis and antithesis about what’s right for the city, needing to reach a synthesis. in talking about this concept, they included this illustration:
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notice the similar poses. both have their hands behind their back (commonly used to convey a character is hiding something), their feet pointed out, and give the world a pleasant smile. asha has a darker color palette in a world of light, magnifico is a ray of light in a dark space. it's interesting for its duality.
so yeah. all in all, i’m still excited for wish. i want to take alan tudyk goat out back and shoot it for a quick, humane death… but failing that, i’ll just pray his role was hammed up for the trailer. please tell me it’s not that insufferable. please.
because i do really like everything else i’ve heard about this movie!! i like that asha is described as this idealist with “dumb courage”, like maybe she’ll actually have some character flaws and need to learn?? (maybe? hopefully?) i like everything i just said about king magnifico. i like that we have this blend of 2d and 3d animation, that’s such a clever concept for a “100 years of disney” celebration.
so yeah. i will be watching. never have i ever prayed for chris pine to save a movie, but today might just be the day!
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twistedtummies2 · 6 months
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This is a very, VERY old sketch that @belliesandburps made, featuring a first meeting between my TW OC, Nakoda Spivak (based on Kaa), and @hooter-n-company's OC, Taoka Latronis (based on Tamatoa). Taoka's known for being flirtatious and domineering, always trying to play the "apex predator" angle around humans...but put him up against someone like Nakoda - a REAL apex predator, who is at least TWICE as thirsty and flirtatious - and I think it's fair to say the crab boi is swiftly outmatched. Careful, Taoka. I can assure you, Nakoda LOVES crab cakes for dinner. Bua ha ha.
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… Okay, okay, I see what's happening here It seems I messed up again, and thats fair
I think I know pretty well how you feel
It's troubling
Well, it's still nice to see that humans never change
… Open your eyes, let me make it up, to you
Yes, it's really me, Maui, apologizing to you
Breathe it in
I know it's a lot The sad face, the slouch
When you're staring at a guilty demi-god
… What can I say except, "Im sorry"
For the theft, murder and crime
I know its not okay, okay ?
Im sorry !
I still am just an ordinary demi-guy !
… Hey What has two thumbs and stole the heart
When you were waddling yea high?
This guy
Then the fruits gone bad and cold
Who was the cause of it all ?
You're lookin' at him, yo
Oh, also I ripped out tamatoas claw
Im sorry !
I just really taught him killing people was a major flaw !
Also I almost got you eaten and greesed
Im sorry !
To use you as bait was bad to say the least
… So what can I say except Im sorry
For the Monsters I made really angry
There's no need to get mad, okay ? Im sorry
Ha, I guess it's just my way of being me (awkward)
Im sorry
Im sorry
… Well, come to think of it
Kid, honestly I could go on and on
I could explain every disastrous phenomenon
The Huricane, the tornado, and the quaking ground
Oh, that was Maui just messing around
I killed an eel
I buried its guts
Its pretty messed up, even though you got coconuts
What's the lesson?
What is the take-away?
Maui should really controll himself when he's on a break-away
And the tapestry here on my skin
Is a map of the messups I did
Look where I've been I make everything happen
Look at that mean mini-Maui just tickety-tappin' (awkward)
(Ha ha ha ha ha ha, hey) (also awkward)
… Well, anyway let me say, "Im sorry !" (Hes sorry !)
For the messes in the world you know
Hey, it's okay, it's okay, Im sorry (Hes sorry !)
Well, come to think of it, I gotta go (hey)
… Hey, it's my day to say, "Im sorry" (Hes sorry !)
'Cause I'm gonna fix my shit
I'm flying away, away, Im sorry (Hes sorry !)
'Lets hope Maui can fix stuff better than steal boats !
… Im sorry ! (Hes sorry)
Im sorry !
And see you !
IM so sorry I sent you the original song first and now the edited version !
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Wow, you did it! You actually made a "Sorry" Maui parody! I knew someone out there would be creative enough to do it! XD
@brightideathepunny @adizoron What can I say except, "you're welcome!"
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aquaburst3 · 8 months
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Since I'm bored and want to do a writing exercise for my own fic series, here are how I would sort other Disney villains into Twst dorms/houses. (As a side note, this will be only based on the character's personalities, not what fantasy species they are. This will exclude Marvel, Star Wars and The Muppets.)
Heartslabyul
Captain Hook
Smee
Cass (from Tangled the Series)
Roz (Monsters:Inc)
Lord Cutler Beckett (Pirates of the Caribbean)
Savanaclaw
John Clayton (from Tarzan)
Sabor (the leopard from Tarzan)
Sab Than (from John Carter/Princess of Mars)
Shan Yu (from Mulan)
Percival C. McLeach (from The Rescuers Down Under)
Janja (from The Lion Guard)
Mor'du (from Brave)
Helga Sinclair (Atlantis: The Lost Empire)
Stabbington Brothers
Prince John (Robin Hood)
Sir Hiss (Robin Hood)
Octanivelle
Ernesto
Stitch (he'd be a human in this instance)
Tamatoa (from Moana)
Nathaniel (from Enchanted)
Pleakley (he'll be human)
Madam Medusa (The Rescuers)
Henry J. Waternoose III (Monsters: Inc)
Oogie Boogie (The Nightmare Before Christmas)
Bill Sykes (Oliver and Company)
Lyle Tiberius Rourke (Atlantis: The Lost Empire)
Davy Jones (Pirates of the Caribbean)
Scarabia
Bellweather (that sheep from Zootopia)
Si & Am (the cats from Lady & the Tramp)
Shere Khan
Ka
Akela (wolf leader from The Jungle Book)
Namaari (from Raya & the Last Dragon)
Matai Shang (from John Carter/ Princess of Mars)
Mozenrath (from Aladdin the Animated Series)
Ushari (from The Lion Guard)
Professor Ratigan (The Great Mouse Detective)
Robin Hood
Nick Wilde
Victor and Carla (Elena of Avalor)
Pomefiore
Mother Gothel
Narissa (from Enchanted)
Hans
Edgar (from the Aristocats, but more so his original counterpart who resembles Pro-Hans)
Esteban (Elena of Avalor)
Ignihyde
Syndrome (from The Incredibles)
Hamsterville (from Lilo & Stitch the Series)
Jumba (he'd be human)
Artemis Fowl (if he was written like his book counterpart)
Yokai (from Big Hero Six)
Randall (from Monsters Inc)
Varian (from Tangled the Series)
Zerg (from Toy Story)
Diasomnia
Madame Mim (from The Sword & the Stone)
Horned King (from The Black Cauldron)
The Dark Dragon (American Dragon: Jack Long)
The White Witch (The Chronicles of Narnia)
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Shiny from Moana is so Neptune coded actually, ESPECIALLY in timelines where he's ascended to their Lord in Black form, Starry (or, A'stertunus, if you want to be extra formal). And, interestingly, I think this particular song would be very interesting if it's centered around Starry singing to Hannah.
Now, the first verse seems to be mainly Starry singing about "hey look how cool and pretty I am, I'm a fucking immortal cat god and you're just mortal you fucking loser," and of course the "did your granny say listen to your heart / be who you are on the inside / I need three words to tear her argument apart / your granny LIED" is Starry mocking the things Webby might've told Hannah growing up. Y'know, classic "Webby is a stupid bitch" stuff. But, what these lines really are is the start of the Neptune/Starry and Hannah parallels, yippee!
While most of the song goes about as you'd expect, with Starry singing a cool and awesome song while bragging about how cool and awesome hy is, as Hannah just... Tries to survive, where it REALLY gets juicy is the "Far from the ones who abandoned you" bit where in the original song it's Tamatoa making fun of Maui's backstory and how weak that makes him, here that same part is recontextualized as Starry seeing a reflection of himself in Hannah and HATING IT.
Here's a lyric by lyric breakdown of the parallels so it can fully understand how GENIUS they are.
"Far from the ones who abandoned you / chasing the love of these humans who made you feel wanted."
At first glance, these lines are simply Starry mocking Hannah for their fraught relationship with both their parents, with an absent father and a neglectful, abusive mother, and how that drove them to follow Webby. However, if you know anything about Neptune's backstory, this is strikingly similar to THEIR reason for worshipping Pokey, becoming his adopted son, and in timelines where hy's ascended to his Lord in Black form as Starry, EVEN BECAME A GOD AT ALL. Neptune had a similarly fraught relationship with both his parents, where they were borderline neglectful to them, only caring enough to keep hymn fed, watered, and sheltered, leaving him constantly starved for some form of attention, affection, or a scrap of parental approval. And, just like Hannah, this drove Neptune into the waiting arms of an eldritch god, though instead of the benevolent Queen in White, Webby, it was the most uncompromising of her brothers, Pokotho, the Singular Voice himself.
"You tried to be tough / but your armor's just not hard enough."
This line, in this case, gives away Neptune/Starry's underlying feelings towards Hannah. Again, they realize how similar they are, how they were taken in by eldritch paternal figures for similar reasons, and hy HATES it. In his mind, this just means they have to work to prove hy's BETTER than Hannah somehow, that he's stronger, tougher, and they didn't get where hy was just by being Pokey's son. Acknowledging their similarities would mean acknowledging all his deep rooted issues with their parents, hymns need for approval, and shockingly low self worth, and he doesn't want to do that because that would mean (to Starry, at least), acknowledging hy's weak. So, his goading and mocking of Hannah and how they're supposedly weaker than them is, in reality, hymn grasping at straws, trying to find something that sets him apart from Hannah, makes them better and still worthwhile.
It's honestly kind of depressing, if you think of it. What with all their similarities, Neptune and Hannah might have had an opportunity to become friends once upon a time if Neptune just got a bit of therapy, but because of hymns inferiority complex and fear of not being "good enough" for Pokey, for ANYONE, it's these same similarities that drive them further apart.
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bimonkee · 1 year
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My newest oc who is a dramatic little sh-t and who is also my Disney descendants oc, he’s the adopted son of Tamatoa. His name is Aitonui
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The neon markings on the body and mask is just for appearance and believes it helps with his performant and dramatic flare.
He does his Dramatic Flare he uses his flexibility to his advantage to up his performance. Or when he basically have his second pair of arms appear he just dramatically has his torso pull a 360 to make them appear instead of just having them pop out of his sides.
When he’s hungry he’s almost impossible to escape, he’s chasing you down till he gets you so he can eat, seeing as all the monsters Moana encounters in lalotai tried to eat her it’s understandable that Aitonui would eat humans also. But if he’s not really hungry, he’ll just give you a chase for his own entertainment and ask you how his performance was before you escape.
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He also Speaks in Tahitian(one of the Polynesian languages.) and will occasionally switch between English and Tahiti. He usually speaks in it when teasing, when he’s angry or frustrated at someone or something, scared or stressed.
Haere mai e ha’uti = Come and Play
He enjoys playing tag when he’s hungry where he is “IT” and the main rule of being the runner is Never get caught, you get caught he wins…and it’s game over for you. Or a game of cat and mouse where you just have to survive or escape, this is when Aitonui isn’t really hungry.
But be relieved when you find a way to escape as Aitonui is afraid and not really one to leave a place he grew up in for his entire life.
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musicaltheaternerd142 · 8 months
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Cartoon characters I enjoy
The type of cartoon characters I enjoy usually fit this checklist
•are male villains
•are from a cartoon
•are voiced by celebrities
•sing at least once
•not human
So here are some cartoon characters that I like, and at least fill some of the boxes.
1. Baron Draxum (voiced by John Cena in season 1, then by Roger Craig Smith in season 2)
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Bro is my favorite character in the whole damn series! Don’t get me started on the face reveal and redemption arc in season 2. I legit died when I found out that he was voiced by John Cena. Bro had a killer musical number in season 1 ngl. I don’t ship him with Splinter btw, personally I see them more as like people who just tolerate each other since they raise the turtles together.
2. Joe (voiced by Alan Rickman)
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I fucking LAUGHED at his death scene, man. He just drowned on-screen. That awkward silence during that scene got me wheezing, man! His musical number slaps, even though it gives off “knock-off be prepared” vibes. Him being voiced by Snape is just the cherry on top. Joe may be a villain, but he absolutely carried the movie, I don’t think I would’ve liked Help I’m a Fish if he wasn’t in the movie. Personally, I would’ve preferred a redemption arc instead of him dying at the end.
3. Fizzarolli and Asmodeus (voiced by Alex Brightman and James Monroe Iglehart)
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(I couldnt find a gif with Asmodeus in it:/)
So, one thing to know about me is that I like musicals. Another thing is that I like cartoons. So of course I would like Helluva Boss and Hazbin Hotel. My pfp is currently Fizzarolli rn. Fizzaroli is legit voiced by the guy who was Beetlejuice in Beetlejuice the musical. And Asmodeus is voiced by the guy who was the genie in the Aladdin musical. The musical number they sang slapped! And I can’t wait for the next episode!
4. Striker (voiced by Norman Reedus in season 1, episode 5, then was voiced by Edward Bosco in season 2, episode 4)
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He’s not my favorite character in the show, he’s alright imo. I never saw the walking dead, but Norman Reedus is cool. The song he sings in the episode is cool. After the most recent episode he was in (season 2, episode 4) I just think he’s ok.
5. Tamatoa (voiced by Jeanine Clement)
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Bro, I legit had a crush on this guy when he first appeared on the screen when I watched it in theatres. Like, in my child mind, he was SO fine!😂 His musical number is hella catchy! Yes, I watch Schaffrillas productions on YouTube. I honestly don’t think they’ll add him in the live action remake.
6. Bowser (voiced by Jack Black)
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GIVE THIS MAN AN EMMY!!! The song “Peaches” freakin’ slaps. It goes on the same level as “I’m just Ken” from the new Barbie movie. I saw the Mario movie with my family, and it was good. Jack Black was the best part of this movie ngl.
Honorable Mentions:
• Krad (voiced by Ed Asner)
• Strike (voiced by Micheal Dorn)
• Bill Cipher (voiced by Alex Hirsch)
• King Andrias (voiced by Keith David)
I could name more, but those were most of them off the top of my head.
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iyamifucker · 10 months
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ok I just have to say like. Big salute for embracing your taste in men and actually being able to talk about it etc. i have some more “unconventional” looking f/os (not quite like. iyami levels but still not conventionally attractive by any means) and I feel like I can’t talk about them bc of that and bc it feels like no one else likes them as much as I do so. Very awesome that you can !!!!!
!!! Thank you so much! I’m not going to like, go “oh you have nothing to be embarrassed about” because like, I think we all have little things we’re kind of shy about and that’s fine! It’s up to ourselves to work on them at our own pace. But! If you DO want to work on being less ashamed of your “weirder” F/Os right now, I think there are two things that you could try keeping in mind:
Thing number one is… you’re not alone! A LOT of people have “weird” F/Os. Sure, more conventionally attractive characters might seem to be the norm but if you go looking you’ll see that people have crushes in characters from all shapes and sizes, more obscure, less obscure, young, old, human, nonhuman… and this doesn’t only applies to people who self-ship, either! Just look at how popular certain unusual-looking characters are, such as Spamton, Bill Cipher, Sans, Tamatoa, Junkrat…
And thing number two is what I call the “if you’re already inside the monkey’s cage, you might as well help yourself to a banana” principle. What this means, basically is… self-shipping by itself is already a very self-indulgent activity! A lot of people are too self-conscious to attempt it even if they really want to (which is pretty obvious when you look at how many characters people change entirely from their canon depiction just to be shipped with another character). You’re already in the community, which means you’ve gone much further than a lot of people do due to feeling ashamed about it. Why not go all the way through and allow yourself to talk about your less conventional F/Os?
In the end, though! This is all for fun and you’re the one who should decide whether to talk publicly about certain F/Os or not. But if you decide to, I’m sure you’ll find a lot of likeminded people! Good luck!
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imsparky2002 · 1 year
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Class of Villainy - Jean
Jean - Tamatoa
They're a crab-human hybrid with a love for all things shiny. They steal and plunder anything that catches his eyes.
He is incredibly flamboyant, acting like they're always killing it on a stage. He is also shallow, vain, and grandiose about everything.
Ate their own grandma, thought she was delicious. Constantly fights with Mylene, who hates how he always tries eating her minions.
Adorns his body with jewels and other treasures, showing off all the shiny things they stole.
Loves working with Ismael, even if he can hardly stand to be around them.
They’re not just some drab little crab, he’s shiny! Apologies for not getting Mireille’s pronouns right, I’ll be editing them later. Shoutout to @artzychic27 for showing me how awesome Jean could’ve been in the show!
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scary-wizard-tower · 4 months
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characters: makoa
sfw
special kinks: soft vore, implied digestion
length: 1.1k
minors dni
Makoa was just about as feared as Tamatoa was when it came to unfortunate casino patrons. It was widely known among the regular gamblers that cheaters never prospered, and instead were subject to whatever beck and whim Tamatoa and Makoa had.
This time was no exception.
A man, who was dressed in rather nice clothing, stood in front of Makoa, almost a sort of confusion in his face. He hadn't learned to be afraid yet, Makoa mused. It would only make the whole endeavor that much better.
“What's your name?” Makoa asked, folding his arms across his chest. The two of them stood alone in one of the dark back rooms of the casino, the muffled sound of the gambling floor still permeating the walls. The scent of cigarette smoke wasn't so offensive, either.
“My friends call me Palm.” the man answered. “It's…a long story.”
Makoa raised an eyebrow, looking Palm over with his good eye.
“Well, Palm.” he said. “Do you know why you are here?”
“I have a feeling you're going to tell me.”
“We have a set of rules here, friend.” Makoa began. “They are few and far between, of course. We do not like to limit the imaginations of our attendees, as I am sure you are aware. But our fine establishment has no tolerance for…cheating.”
Palm swallowed hard.
“W-well, most casinos don't.”
Makoa watched the man squirm under his gaze. A smile lifted the corners of his mouth.
“We give our patrons so much. Drinks. Food. Entertainment. And yet…I am disappointed when people ask for more. Of course, you can have as much food or sex as you want. But trying to cheat us out of our money, well, that isn't very fair, now, is it?” Makoa stepped toward Palm, his massive frame towering over him. “But unfortunately, we have such patrons come in from time to time. On the bright side, we do have ways of…taking care of these people."
“Y-yeah?” Palm asked, stepping backward away from him. “I-I’d imagine. This place has been around for ages.”
Palm soon reached the wall, unable to back away anymore. Makoa stopped inches away from him.
His stomach growled.
“How much money did you think you could swindle from us, Palm?” Makoa asked. “Did you truly think you would get away with it? I mean, come on. Tampering with the slot machine? You couldn't possibly have thought that would have worked.”
Palm’s mouth was dry. He didn't know what else to say.
Makoa sighed.
“Oh, well. Your actions have consequences, friend. Surely you knew trying to cheat us was wrong. Nobody that's tried hasn't gotten caught.” He took a step back and untucked his shirt, beginning to unbutton it.
“Y-you’re not gonna–”
“Fuck you? No. I considered it, but…it would be a waste of time. I just don't want my favorite shirt to be ruined.” Makoa answered. Palm heard Makoa's soft, fuzzy stomach growl again. “All this talk’s just worked up my appetite.”
“What?”
Makoa laughed.
“Cheaters never prosper.”
Before Palm could try dashing away, Makoa pinned him against the wall with his strong arms, his claws almost digging into the other man’s shoulders.
“Let go of me!” Palm protested. Makoa just laughed.
“Come now. We can move past this soon enough.”
Makoa's jaws parted, and Palm could see his huge mouth lined with sharp teeth, glittering with saliva in the dim light. His hot, humid breath hit Palm’s face, prompting him to try squirming away. Makoa leaned forward and ran his wide, slimy tongue over Palm’s skin, tasting the tender human skin the poor man had.
Makoa chuckled.
“You human-types are always so delicious.”
Before Palm could try screaming for help, Makoa pushed his head into his mouth, his tongue once again exploring his face. Slowly, Makoa opened his jaws further and pushed Palm's head toward the back of his throat, the heat from inside his body almost too much to bear. His impatient stomach growled again. He was going to enjoy this.
Makoa's grip on Palm didn't waver. Palm’s head finally reached Makoa's throat, which was slick with saliva and compressed him from all sides. Makoa's tongue ran over Palm's neck and shoulders, and he groaned with the sensation of Palm’s continued struggling.
Makoa's throat bulged outward with the mass he was taking in, and he gave a mighty swallow as Palm’s chest began entering his body. Palm tried to scream, but was muffled by Makoa's body. All that showed of his head from the outside was a vague shape beneath Makoa's skin.
Makoa lifted Palm off the ground, swallowing once more as he pushed more of the man deeper inside. The powerful muscles of the esophagus were hard at work drawing Palm closer toward his impending doom, and soon enough, his head reached Makoa's hungry, empty stomach.
Makoa had Palm in up to his stomach, his arms pinned to his sides by the walls of Makoa's nigh invincible throat. Palm kicked his legs, still not giving up the fight, but Makoa just took it in stride. This wasn't the first meal of its kind, and it certainly wouldn't be the last.
Palm’s head and shoulders began to fill Makoa's stomach, the bulge in his throat beginning to give way to a paunch in his stomach. Makoa tilted his head back, reaching Palm’s waist, until only his futile kicking legs remained outside.
Makoa's flesh pressed down on him from all sides, hot and slimy, with hardly enough room to even wiggle around. Each time he moved and tried to thrash about, it only aided his descent into Makoa's stomach.
Makoa finally let go of him and swallowed again, drawing his legs into his throat, holding his stomach with his hands. Then, finally, Palm fully disappeared inside Makoa's gullet, and the outside world was no more.
Makoa closed his mouth and took a breath, feeling Palm continue his struggling all the way down, trying to fight against the powerful muscle inside Makoa's body, until he finally came to relative rest curled up in the dragon’s distended stomach.
Makoa laughed, running a hand over the soft fur on his belly.
“I haven't been able to get a good meal in a long time.” he said. “Tamatoa usually snaps all of you up before I get a chance.”
Makoa then walked over to the pile of cushions he and Tamatoa normally shared, opting to wait until the massive beast returned from the casino floor.
He watched the rippling of the struggling man in his stomach, resting his head back and sighing contentedly. The man would be nothing but liquid soon enough.
Cheaters never prosper.
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