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lajadelmira · 9 months

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✨Lancel✨the Mothman ✨

Lancel is a gentle and serene mothman, known for his unwavering calmness and positive demeanor. His nights are spent strolling through the peaceful forest, basking in the tranquility it provides. Lancel is incredibly kind and considerate towards all creatures, always offering a helping hand and showing impeccable manners.

However, beneath his harmonious appearance lies a slight tendency to be a control freak, always aiming to maintain order and organization in his life. He adheres strictly to his routines, finding comfort in the familiar and predictable. Despite this, Lancel's kindness shines through, and he remains a dependable friend to those who seek his guidance.

#my art #character design #oc #artists on tumblr #sketch #humanoid #original character #my oc #terato #monster fucker #Humanoid #Humanoide #monster lovers #creature design #mythical creatures #demon #art #mothman #cryptids

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faeriekit · 10 months

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Health and Hybrids 👽👻💚

[I can't remember the original prompt posters for the life of me but here's a mashup between a cryptid!Danny, presumed-alien!Danny, dp x dc, and whatever prompt made the one body horror meat grinder fic.]

[Here's part one or whatever. If I feel like making more I'll make more and/or post it to ao333333.]

💚👻👽👻💚

The world is on fire, and Danny is burning.

The GAV is in shreds; wherever he’s crashed, there’s no way to determine up or down. He’s entombed in wreckage. Everything is on fire and everything burns, and it takes Danny all his strength to peel himself from where he’s contorted around the driver’s seat chair, to drag himself through the twisted metal and shards of glass with nothing but his hands and his tears.

He hurts.

It hurts so badly.

He crawls, because he can’t tell if he has legs or a tail right now, and is too afraid to find out he can’t walk by injuring one of his legs permanently. It’s hard to see through the smoke and the tears. He can’t breathe. He couldn’t breathe even if he wanted to.

There are instincts unique to being dead. Danny can’t tell up or down, and he can’t tell where he is or remember how he got here, but his core tugs him towards somewhere dark. Somewhere cool. Somewhere enclosed, even—even better, so Danny can curl up and sob in peace.

Danny wedges himself into a dark corner, curls himself up as much as he can, and lets himself drop into his core.

*

Something is touching him somethingistouchinghimsomethingistouchinghim—

Danny pops out of his core with a scream. No words. No coherency. Everything hurts, and all he can do is scream.

Someone is touching him. The thing touching him is body-shaped. Human-shaped. Danny screams higher, louder—some part of his hindbrain knows that if he screams for real then there won’t be a human but there will be guts and gore and blood, but Danny’s too tired to scream for real, and too weak. His scream is only enough to send the human sprawling back instead.

More humans take the place of the first. Danny keens, fights back a sob—when another tries to rouse him from his hiding spot with an exposed hand, Danny flashes his teeth.

The human flinches, but doesn’t go away.

Danny feigns a fanged bite. The figure jumps back. Good.

He’s too weak to run. He’s too weak to walk through the walls of his hiding spot and dart away. His visibility flickers—probably how a human found him in the first place. He’s so tired. Everything hurts. But if he looks dangerous and acts dangerous, maybe they’ll leave him alone. They have to leave him alone.

Please, please leave him alone.

They don’t.

There’s something in his face. Danny doesn’t recognize the shape immediately, but eventually something clicks: a loop on a stick is a catchpole. The strangers are trying to capture him.

He’s so afraid of something else around his neck. His whole body racks with shivers. He can’t run. He can’t bite. Please, please, please—

It doesn’t latch to his hand. It latches to his wrist.

Danny is only peripherally aware of being dragged onto his knees, of being dragged into a container. By the time the doors shut in around him, his mind is empty of anything that isn’t fear and pain, pain, pain.

He drops into his core.

*

Danny wakes up in a container.

It’s not the same container. But all containers are the same.

Danny screams. The soundwaves vibrate the glass until it shakes, slamming against the floor until cracks form in the concrete beneath him.

Still, no cracks form in the container. When he wails a second time, there’s no strength behind it. He just sobs.

He’s alone. He’s alone and he’s contained and no one is coming to get him. His transportation is in pieces. He’s injured and he’s scared. He’s so scared. Everything hurts. He wants to hide in his core and he wants to run away and he wants to slither through the wall and he doesn’t have the energy into any of it.

Danny curls up in a corner, hopes he’s left alone—or better, released—and hides.

He doesn’t know how much time passes before he hears a click.

…But he hears a click. Danny peeks open an eye.

There’s…food. He thinks it’s food, anyway. Oatmeal? It’s in a bowl and it’s beige and it’s on a tray on the ground.

Danny sniffs. …The last captors hadn’t offered him food. They hadn’t thought he’d had needs, or that they ought to feed him.

It’s a miserable, aching feeling when he thinks this is a step up.

There’s a flimsy plastic spoon on the tray. When Danny jumps on the bowl, devouring the contents as quickly as his body will let him, the spoon goes down the hatch with the gruel.

Danny falls back asleep in the far corner of the container miserable, cold, in pain, and injured. But he falls asleep full.

It’s a luxury to not be hungry.

*

There’s a click.

Danny ignores it. He’s not hungry. He’s sleepy. His body is trying to conserve calories and metabolize new ones. He doesn’t want to wake up.

The oatmeal goes uneaten.

*

There’s a click. Danny’s eyes crack open.

Apparently he’s been asleep for a while, because there are three bowls of uneaten oatmeal on the ground, waiting for him. All are in varying stages of crusting over.

Whatever. Free food. Danny wolfs it down anyway, and tucks himself back into his corner. He’s almost him-shaped again. His human traits are slowly returning, cell by cell, piece by piece. He can almost feel the fractures he knows he’ll have in his legs!

…Wait. Wasn’t his container opaque?

It’s…not anymore. The walls are clear. Danny can see—or, well, until he gets his eyes back, can sort of feel—the room around him, and the trace presences of the beings who occupy it.

It’s a lab. Danny knew it would be, but his core still drops down, down down. He had been praying he’d never see a live specimen lab ever again. He certainly hadn’t wanted to see yet another one from inside the cage.

Humans come and go from the lab. Most are in white coats and pants, but they’re not GIW. Or, well, they’re probably not GIW, anyway, considering that they’ve been feeding him. The guys in white never think of his needs, since they don’t care if he Ends or not. There are monitors that fuzz and warp in his not-vision with details he can’t make out on screen, but knows instinctively that the monitors pertain to him.

And to his capture.

There are some visitors in odd colored suits. They talk. The colorful ones don’t approach him, but they…watch.

No one approaches. Good. Danny will bite them if they do.

With the see-through window, Danny can see the bright-suited blob shove a tray of food through a slot in his container.

It doesn’t fall to the floor, though. There’s a little mechanical thing that brings the oatmeal and flimsy spoon to a safe rest on the steel floor.

…Alright. Bone appetite. Danny’s hungry, and food is food. He pours most of the bowl straight into his stretched mouth and scrapes the rest in with a spoon.

More of his wounds are sealing. Healing. His core doesn’t throb so horribly with pain. The cracks in his soul are smoothing out. With consistent food and rest, Danny will be able to actually mount an escape.

Good. Danny licks the flecks of meal from the edges of his mouth. Good.

When he naps, this time, it’s on purpose.

Soon he’ll be healed enough to leave.

*

The clear window doesn’t go away. Danny’s poor sight doesn’t improve, but he can see people come and go. Danny’s never truly left alone. There is always at least one brightly-colored human around (or one dark, silent human), and an assortment of white-coated scientists milling about.

The clear window lets them see him, presumably. If Danny wants to escape, he’ll have to be careful not to be seen.

Quietly, so quietly. Danny slo-o-o-owly amps up the resonance of his core.

There are cameras. There must be. There are always cameras. Disrupting the electrical flow in and around his container is essential to getting himself out of sight.

The lights flicker. The human milling about all flock to monitors, silent voices coming muffled through the see-though walls of the container. Danny reels in his resonance just a touch—whoops.

But no one is looking.

Something twinges in Danny. Well…no one is looking.

Very, very quietly, Danny peels a relatively safe amount of ectoplasm away from his core. A Danny-shaped shadow forms, and, yeesh, does he really look that bad?

Whatever. There’s no time.

Danny turns himself invisible. He slips through the walls of his container, and leaves the lab to explore the base.

#the JL: uh. what the hell is this #the JL: I guess we can...it looks vaguely humanoid? Should we assume it's sentient? Let's get it to medbay— AH IT'S GONNA BITE ME #JL: Feral Baby Jail. STAT.#another Everyone in DP Is Dead Or Otherwise Inaccessible AU™#dp x dc #dpxdc #danny phantom #dcu #dcu crossover #cryptid!au #tw injury #tw medical #I guess #There are VERY enthusiastic doctors on hand at all time WAITING to slap a bandaid on him as soon as they figure out communication #in the meantime #allergen friendly nutrient gruel it is baby!

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yoga-onion · 18 days

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Legends of the humanoids

Reptilian humanoids (12)

Toyotama-hime – Wani (Dragon) Goddess disguised as a human

Wani was a dragon or sea monster in Japanese mythology. Wani is discribed as "crocodile", or sometimes "shark".

Toyotamahime (See) is a goddess in Japanese mythology. Daughter of the sea god Watatsumi, she was said to reside in a dragon palace. Their palace was as if made from fish scales and supposedly lies undersea. Her true form was “Yahiro no Owani (meaning giant crocodile, approx. 24 m long)”, and she was the wife of Hoori (See2), is known as the epitome of human–animal marriage tales. She was the mother of Ugayafukiaezu-no-Mikoto (See3), father of Emperor Jinmu (the first Emperor: See4), and sister of Tamayori-hime (See5), the Emperor's mother.

Toyotamahime makes a fateful meeting with the demigod prince, Yamasachi, also known as Hoori ("Fire-Subside"). They married and lived happily in the dragon palace. 3 years later, she and her husband Hoori, who missed home, went ashore to give birth.

She then warned her husband, "All people from other parts of the world give birth in the form of their native country when giving birth. So I will give birth to a child in my true form”, and requested Hoori not watch how she gives birth. Hoori, however, was pazzled and peered in on his wife as she was giving birth, and saw her crawling around as a giant crocodile of about 24 metres (79 ft) long. He then startled in shock and retreated. Toyatama-hime learnt that being witnessed her true form by her husband, "I have always intended to pass through the path of the sea," she said, "but I am ashamed that you should have observed my true form.” She blocked the sea path, leaving the child behind and left.

伝説のヒューマノイドたち

ヒト型爬虫類 (12)

トヨタマヒメ〜人間に変身する和邇 (龍) の女神

和邇は、日本神話に登場する龍または海の怪物のことである。和邇は「ワニ」、ときには「サメ」と表現されることもある。

トヨタマヒメ（参照）は、日本神話の女神である。海神ワタツミの娘で、竜宮城に住んでいると言われている。その宮殿は魚の鱗でできたようなもので、海中にあるとされる。その正体は「八尋の大和邇（やひろのおおわに: 体長約24mの巨大な鰐の意）」で、ホオリ（参照2）の妻であったことから、異類婚姻譚の典型として知られる。神武天皇（初代天皇: 参照4）の父である鵜葺草葺不合尊（うがやふきあえずのみこと: 参照3）の母であり、天皇の母である玉依姫（たまよりひめ: 参照5）の姉である。

トヨタマヒメは、半神の王子ヤマサチ、通称ホオリと運命的な出会いを果たす。二人は結婚し、竜宮城で幸せに暮らしたが、3年後、故郷が恋しくなった夫のホオリとともに出産のために陸に上がった。

その時、トヨタマヒメは夫に「すべて他国の者は子を産む時になれば、その本国の形になつて産むのです。それでわたくしももとの身になつて産もうと思いますが、わたくしを御覽遊ばしますな」と忠告した。ところが夫のホオリはその言葉を不思議に思い、妻が今盛んに出産している最中に覗いてみると、八丈 (約24m) もある長い鰐になって這いずり回っていた。そしてホオリは畏れ驚き退いた。しかるにトヨタマヒメは夫が窺見した事を知り、御子を産み置いて去った。「わたくしは常に海の道を通つて通おうと思っておりましたが、わたくしの形を覗いて御覽になつたのは恥かしいことです」と言い、海の道をふさいで帰ってしまった。

#toyotama-hime #Japanese mythology #dragon #humanoids #legendary creatures #hybrids #hybrid beasts #cryptids #therianthropy #legend #mythology #folklore #nature #art #sea monster

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junesejar · 1 year

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infected archer

#humanoid #monster #cryptid #creature design #my art #art #funguary #sorta??#adopt #sold design

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isawjamfirst · 10 months

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more uncanny vash !!

#i want more of him #did someone say uncanny vash #UNCANNY VASH #boi is a literal cryptid #trigun #trigun stampede #vash the stampede #humanoid typhoon #screenshot redraw #trigun 98 #isawjamesfirst #digital art #fanart

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vermilllionsands · 3 months

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Original Mothman eyewitness sketches by Roger Scarberry, late 1960s

#mothman #paranormal #cryptozoology #cryptids #monster #humanoid #flying humanoid #alien #roger scarberry #the mothman prophecies #john keel #1960s #high strangeness

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puppetmaster13u · 8 months

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What if Bruharvey but Batman is the eldritch half-human child of Gotham who gave up his humanity and has technically been missing for the last 10 or so years haha....

Don't have all the AU planned out but it literally came into being just because I want to write a scene of Harvey finding out this being who has lost everything was not only human, but his best friend. His best friend who gave up everything to Gotham, who is so far removed from human now they can barely mimic a humanoid shape.

I do think Bruce still lives in the Cave, but it's more like the whole tunnel system under Gotham, not just the one under the Manor. He's Gotham's Knight still, just with a more Gotham curse-approved form and a few blurry memories due to his mind no longer running like a human's.

Probably takes in the Robins still too, just differently. How that is I currently don't know and am up for ideas lol. Actually I am open to pretty much any ideas you guys have. Gimme anything you got lol

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leo-bandito · 1 year

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some personal designs/line ups 4 fun hehe..

#they r transgener....#also in love. btw.#miiight put some hcs. after the tags #trigun #trigun 1998 #trigun maximum #trigun stampede #vash the stampede #nicholas d. wolfwood #vash #wolfwood #wolfwood trigun #vash trigun #the humanoid typhoon #i found the weapons blueprints on Pinterest idk if they're like. Official or anything 💀#also ignore family guy death pose vash I couldnt bring myself to delete him...... 🥺#personally I thiiink. Vash is nonebinary. IDK. He's not human ✌#he/they/it or somethin. Fuckin cryptid #theyre both transgender & they hold hands 💛

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puzzleddonkey · 7 months

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Main sona ref being worked on bit by bit.

#my art #main sona #sona #oc #original character #creature #creature design #monster #monster design #cryptid #humanoid #horror #horror art

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thecryptidart1st · 5 months

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Important question

Are like commissions of FNAF characters illegal?

(I'm trying to get coms set up for myself and idk what I'm not allowed to do)

Listen, as someone who witnessed like 70% of an animation industry expo’s artist alley sell art related to various fandoms and as someone who’s been posting art online for a good decade now, there’s very little rules in what fandoms aren’t allowed in online art commissions (it’s more about being aware what’s sociably and culturally acceptable of the type of content in the commission)

But the general rules of thumb for doing commissions is:

-Draw What Makes You Happy (so if you wanna draw nothing but Balloon Boy commissions or whatever go for it; if you like it, you do you and people who like the same thing will pay for it)

-Let People Know Your Boundaries (because if you’re not comfortable drawing certain subject materials, you should not give into people asking for it because they’re paying you)

-Be Honest In Your Art ( ie tracing/copying/stealing from other artists and presenting it as your own art will make you very unlikable)

#self doodle #answering asks #cryptidart1st’s cryptid advice #i have no online commission experience but i do have experience being online #and i have seen some big name artists in the industry post NOTHING but fandom art #i think its this stigmata that art has to be original content only for it to be worth something #but if we are geniune about something we’re passionate about is the fanart we make not art?#speaking as someone who started drawing humanoid fnaf characters and now is drawing a whole family drama about the afton and emily families

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wrongfourtytwo · 1 year

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Bit obsessive now aren’t we

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samrut · 8 months

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The Hetalians are definitely microchipped. I bet some of them have to take daily medication to lessen their 'super abilities' too.

#thinking up hc about how the Hetalians are controled by their overseers is always interesting #they are dangerous humanoid cryptid military pawns -#they mainly do celebrity type work these days - public appearances - events and such #gotta deal with lots of protesters and antigroups that see them as monsters/dangerous creatures that have taken a plethora of humans #juicy drama #hetalia #hetalia hc

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linkerbell · 1 year

Photo

I’m making myself post more :0

this was a warmup doodle of a dream I had about falling down an endless rabbit hole. i distinctly remember wearing this super billowy, white shirt/dress and thinking “god im so glad i have a bra on under this”

#my art #rabbit hole #artists on tumblr #dream art #sometimes the hole would open up to reveal a layered worlds id see as i fell past #and sometimes id snag onto a railing or something but some cryptid humanoid tried lunging at my hands so i let go and continued falling #i should draw that part but l a z y

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yoga-onion · 2 months

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Legends of the humanoids

Reptilian humanoids (5)

Wuxing – the connections between the Five Dragon Kings (Ref) and the Five Elements philosophy

To better understand the origins of the Five Dragon Kings and the ancient Chinese legend, it is worth mentioning the wuxing of natural philosophy, which states that all things are composed of five elements: fire, water, wood, metal and earth.

The underlying idea is that the five elements 'influence each other, and that through their birth and death, heaven and earth change and circulate'.

The five elements are described as followed:

Wood/Spring: a period of growth, which generates abundant vitality, movement and wind.

Fire/Summer: a period of swelling, flowering, expanding with heat.

Earth is associated with ripening of grains in the yellow fields of late summer.

Metal/Autumn: a period of harvesting, collecting and dryness.

Water/Winter: a period of retreat, stillness, contracting and coolness.

The wuxing system, in use since the Han dynasty (2nd century BCE), appears in many seemingly disparate fields of early Chinese thought, including music, feng shui, alchemy, astrology, martial arts, military strategy, I Ching divination, and traditional medicine, serving as a metaphysics based on cosmic analogy.

The wuxing originally referred to the five major planets (Jupiter, Saturn, Mercury, Mars and Venus), which were thought of as the five forces that create life on earth. Wu Xing litterally means moving star and describes the five types of Qi (all the vital substances) cycles through various stages of transformation. As yin and yang continuously adjust to one another and transform into one another in a never-ending dance of harmony, they tend to do so in a predictable pattern.

The lists of correlations for the five elements are diverse, but there are two cycles explaining the major interaction. The yin-yang interaction, which by increasing or decreasing the qualities and functions associated with a particular phase, it may either nourish a phase that is in deficiency or drain a phase that is in excess or restrain a phase that is exerting too much influence (see below):

The Creation Cycle (Yang)

Wood feeds Fire

Fire creates Earth (ash)

Earth bears Metal

Metal collects Water

Water nourishes Wood

The Destruction Cycle (Yin)

Wood parts Earth

Earth dams (or absorbs) Water

Water extinguishes Fire

Fire melts Metal

Metal chops Wood

The Huainanzi (2nd BCE) describes the five colored dragons (azure/green, red, white, black, yellow) and their associations (Chapter 4: Terrestrial Forms), as well as the placement of sacred beasts in the five directions (the Four Symbols beasts, dragon, tiger, bird, tortoise in the four cardinal directions and the yellow dragon.