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#hurrem
spellfuls · 4 months
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Meryem Uzerli as Hürrem Sultan Magnificent Century / Muhteşem Yüzyıl (2011–2014)
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userhurrem · 2 months
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Meryem Uzerli as Hürrem Sultan Magnificent Century / Muhteşem Yüzyıl (2011–2014)
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zefile · 4 months
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Magnificent Century: Hürrem
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dyingroses · 1 year
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(MC’s) Haseki Hürrem Sultan + text posts and stuff
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alicentsultana · 7 months
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When I used to be in uni, my psychology professor talked about identification, love and hate-
And I wonder, what does it mean to always be in the wrong team-
I always like the wrong and evil character, the anti-hero, always, like a plague, I don't care about the protagonist, they tend to be too much, naive, glorified, blind, coward - but not it's bad counterpart, no, this sad bad meow meow person is 10x better and complex, the good and bad, as every person is.
When we like them, it only means that we see and recognize the injustice they suffer, and more than that, we also know and accept their flaws, we accept and recognize their growth and loss of innocence.
I mean, Alicent? Little girl being hated because she is what women in her time are suppose to be? Obedient to her father's wishes, submissive, passive... but no, vilified as the friend who wanted (I'm cackling who would want to marry him, she wouldn't want to marry no dragon in fact, she clearly is terrified of them) to marry an old and sick man, the father of her best friend, forced to birth child after child as was expected of her because of course she wants to strip her once best friend from her title of heir, yes, it is written on her face. This girl wasn't having a day of peace ever - two children when she was seventeen*, four when she wasn't even near her thirties. A girl, sold, raped, judged and denied justice.
But her good counterpart? Oh, how glorious and modern of her to lie, throw tantrums and rage around, hide behind her weak father's judgements and run away from facing her problems and faults.
Don't even get me started on others... Like Hurrem.
A girl, enslaved, probably saw her family and people die before her eyes, sold from one palace to another, denied to practice her religious beliefs, denied her own language, letters, freedom. Condemn to serve.
But you see, look how pretty she became. Let's gift her to the sultan
Who knows the things they threatened her with, she was, before being a concubine, a slave, property of the sultan, not a woman, a thing.
The inferno she had to endure before having a son, before getting her freedom and a legal marriage.
But yes, she is evil, she wants to kill a child, the child of the woman she hates, a child that won't hesitate to kill her sons.
Because it is the fraticide law. Even her own children would kill each other the moment their father died.
Even to this day, Hurrem isn't remembered as a girl - who suffered and raise up to have the best life she could fight for - she is remembered as the evil mother, playing her children to be against their brother, the wolf among sheep.
Both of them, done dirty by the narrative. Two women called monsters, when they are but two humans, two women who suffered and had to reinvent themselves in order to survive and continue. I doubt it was completely for their own selves, but for those who depended on them.
I could go on and on about so many others, but I'll just talk about this two blorbos.
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chaos-of-the-abyss · 8 months
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everyone and their mother trying to avenge ibrahim by taking down hürrem and meanwhile this is one of the few incidents where she had almost no direct influence lmao
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kosemsultan1606 · 3 months
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Hurrem costume 10/???
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lady-corrine · 5 months
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In one of his poetic letters to her, [Suleiman] wrote:
My very own queen, my everything,
my beloved, my bright moon;
My intimate companion, my one and all,
sovereign of all beauties, my sultan.
My life, the gift I own, my be-all,
my elixir of Paradise, my Eden,
My spring, my joy, my glittering day,
my exquisite one who smiles on and on.
[ … ]
My Istanbul, my Karaman, and all the
Anatolian lands that are mine;
My Bedakhshan and my Kipchak territories,
my Baghdad and my Khorasan.
Roxolana in European Literature, History and Culture — edited by Galina I. Yermolenko
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hurremmylove · 1 year
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Mihrimah: Nurbanu's eyes are hazel?
Selim: They're a honey hazel, more brown than green.
Mihrimah: When was the last time she smiled?
Selim: This morning, we were talking about cows
Mihrimah: When's my birthday?
Selim:
Mihrimah: When's my birthday, Selim?
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elizabeth-halime · 1 year
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nesiacha · 2 months
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The problem of Magnificent Century: The screenwriters diabolize too much Hurrem, Mahidevran, Nurbanu. In fact they take up the cliché that the “evil woman” caused the fall of an empire or a country. For the empire of Rome it is the fault of Cleopatra (false), for the fall of Granada it is either the fault of Isabel de Solis or Aicha el Horra (equally false). And now for the Ottoman Empire it is firstly the fault of Hurrem (since the series almost entirely blames Hurrem or even Mahidevran, the sisters of Suleiman for the death of Mustafa even if fortunately Suleiman is not spared), Mahidevran for having killed Mehmed (another times false historically it is sure that she was relieved just as Hurrem was relieved of the death of Mustafa due to the fratricidal law but no proof for either of them of intrigues to kill the son of each other), Nurbanu is blamed for the death of Bayezid (once again historically false, Bayezid himself signed his death warrant). All this for not blame the real cause of the falls of Empires, for the Roman Empire I would abstain from the real reason because I do not really master the subject but it is 100% certain that Cleopatra had nothing to do with it , for the Ottoman Empire the main reason is that the jannissaries wanted to meddle too much in the affairs of the Empire and when the military meddles in the affairs of the country it is never a good sign and it can precipitate a country towards its fall ( for example you only have to look at Bonaparte's government, in the end the Bourbons returned to power and France lost practically all of its territory while during the revolutionary period from 1794 this country had managed to repel all its enemies that whether outside or inside even if there were excesses of the Terror it remained a democratic country and not a sort of military dictatorship for me or at least an extremely powerful authoritarian regime) , the fact that Suleiman made too many useless conquests and from the wrong side unlike his father (even if some historians think that the beginning of the fall was under Murad III especially after the death of his mother), etc… So no connection between theses womans and the fall of Empire Ottoman. It's frustrating to see this writing from Magnificent Century because there was the potential to make so many excellent, complex and very intelligent female characters (we see Hurrem's intelligence in MC but only for the plots and even if we see her charity, the screenwritters didn't show her diplomatic skills , her correspondence with Poland, her good political advice, the same for Mahidevran who was historically a very strong and intelligent woman, we could have seen something else from Suleiman's sisters if the screenwriters had respected their historical facets instead of playing the role of the "bad" step sisters even if I really like Hatice and Shah Hubban) I would have liked a historical series that didn't whitewash male leaders by wrongly blaming this country's problems on women. When will there be a series without sexism and which does not glorify aggressive military conquests (and I am talking about a series produced by its own country which would unreservedly denounce its own conquests)? I'm exaggerating and there are certainly works that do that like GRR Martin but I find it very little especially since it is inspired by many historical events.
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hurreminkizi · 7 months
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ksennieposts · 2 months
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Happy smile of Hurrem ❤️‍🔥
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zefile · 1 year
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dyingroses · 10 months
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Magnificent Century + text posts and stuff
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chaos-of-the-abyss · 8 months
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everybody talking so fondly of ibrahim and praising him as an honored statesman who contributed a lot to the empire when the sultan was the one who decided to have him executed is hilarious
but then again these people believe with all their heart and soul that suleiman is just a brainless puppet being helplessly dangled on his strings by mind-controlling sorcerer hürrem so yk. maybe it makes sense after all
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