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#husband dots
mellaithwen · 2 years
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buck's hair being all curly 'cause he only thought to grab a handful of things before crashing at eddie's and on that first morning when he's complaining when he realises he didn't grab any gel, eddie just casually mentions that he likes it curly and buck's brain short-circuits for a second while eddie innocently hands him a cup of coffee over breakfast :)
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weaver-z · 9 months
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Hey, Aziraphale turned the Bentley yellow, right? All yellow. Bright yellow. Do you think yellow's his favorite color? Why do you think yellow is his favorite color :)
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aduckwithears · 1 month
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We’re really all just living here forever, huh?
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houseswife · 3 months
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house: this has absolutely nothing to do with wilson
also house: [brings up wilson unprompted] [spends 95% of the session either talking about wilson or deliberately avoiding talking about wilson] [literally admits it’s about wilson]
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As a Fandom we have spent a long time debating whether or not Crowley actually eats. We have completely forgotten that he literally admits it.
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So either the food in heaven was so bad he never ate lunch again OR Aziraphale really is that slow and Crowley has already finished desert by the time Aziraphale has ordered a starter.
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saryasy · 8 months
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wait wait wait. so when they meet right before the flood, Crowley calls Aziraphale by his name. but in the Job minisode he's all over calling him Angel. and Aziraphale said
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the point is. THE point is, it's safe to assume this is the first time Crowley calls him angel. and Aziraphale barely acknowledges it. I wonder what happened between then and now in Crowley's world for this to happen. and what went inside Aziraphale's mind when he first heard it
in conclusion
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actual-changeling · 8 months
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if god did not want me to over-analyse a two second video clip she would not have given me video editing software, so welcome back to alex's unhinged meta corner with me, alex, as your host.
we're going off the deep end with this one.
let's have a look at a. well, you cannot really call it a scene at this point. more of a collection of frames - aziraphale's face right after crowley leaves but before the bell above the door rings. this has been on my list of metas to write anyway, but someone kindly pointed it out which gave me incentive to make this post.
now, my leading theory is that much like his mouth movement before saying "i forgive you", which looked and sounded a lot like the beginning of "i love you", aziraphale is mouthing a silent "don't". presumably, the complete sentence would have been "don't leave".
first things first, why do i think he would say it? well, if you look back at their breakup in the park in season one, aziraphale calls him back when he says he will leave.
"you can't leave, crowley, there isn't anywhere to go".
then, after the fucking mess that is "nothing lasts forever", aziraphale also calls out. "come back". it is also perfectly in line with his previous behaviour to try and keep crowley from leaving again. especially because he almost tells the metatron he will stay just a few minutes later.
some other important things to keep in mind: aziraphale is shaking and about to cry, and also probably still in shock. so his face is doing a number of things and any words he may or may not mouth are slightly skewed due to that.
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the first few frames are him taking a breath, so far so good.
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this is the part where it looks like he is about to say something and silently begins to mouth don't. if you pay very close attention to his lips, you can see that they get pushed forward just a little bit as one does when saying "do".
you can try it yourself to confirm, i certainly did several times while rewatching the same two seconds like an absolutely sane person.
the last few frames are him closing his mouth again and breaking off whatever he was going to say, but in my opinion, you can still see the ending of that "don't".
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alex, you might ask, how do you know that's what he was trying to say? i don't, although i hope once the strike ends someone will ask michael sheen some much needed questions. however, i wouldn't be a scientist if i didn't have evidence to present nevertheless.
i compared two of the frames from above, one from the "do" part and one from the "nt" part with another instance of michael/aziraphale saying "don't" - "i don't think you understand what i'm offering you".
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the mouth shape and the movement of his facial muscles looks very similar even taking the whole sobbing and crying business into account.
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interestingly enough, once the bell does ring, signaling that crowley has left the store, he not only closes his mouth but also physically steps back even more. he almost says "don't leave", restrains himself by physically pulling back, and then inches even farther from the door.
that is also when his face shifts from completely openly heartbroken to angry/spiteful and heartbroken.
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the camera angle changes a little bit but not enough to explain the discrepancy, so yes, he steps backward before turning away and touching his lips. that pillar is honestly a very helpful point of reference. also completely unrelated but the face he makes at the end cracks me up it is LITERALLY >:(
to summarize: someone get michael sheen on the fucking phone before i lose my mind. also you can pry this meta from my dead, cold hands, he almost said "don't leave" and i will die on this hill.
lastly, said two second clip at half speed if you want to have a look for yourself.
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Good Omens: Lockdown, Aziraphale’s SAD-ASS desk, and how they get to 'Our bookshop' in S2
Welcome to part 2 of me reading reeaally far into the Good Omens: Lockdown video! (part 1 from Crowley's POV here) This post assumes the item choices in the Lockdown visuals are intentional. What follows is going to be my headcanon regardless, but if you're into the Word of God, Lockdown is canon 'If you want it to be.' and I want it to be, sooo checkmate! >;D
Also this is something of a long boi (~13 minute read without following the links >.>), so if you're into unhinged analysis of details and literary references that indicate Aziraphale is in his longing era and want to learn more about author and fave-of-Gaiman, G.K. Chesterton, either get comfy or mark this to read later when you have time!
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C: What? A: *somehow surprised even though HE CALLED* A-ah, hello. It's me! C: I know it's you, Aziraphale. A: *regaining composure* Yes, well, just calling to see how you were doing in lockdown.
The video starts with shots of Aziraphale and Crowley's da Vinci sketches (and some sushi remnants)... Babygirl is flipping through the time-goes-too-fast-for-me version of a facebook album, thinking about his crush. vERY chill of him. (also the paper looks new and he's eating on top of them, suggesting these are prints and he has multiple copies of them... sooo normal)
If we look closer at the still of Crowley's portrait, we can see part of the spine of a book that reads Kei- Chesterto-. This is, of course, author Gilbert Keith Chesterton, to whom Neil and Terry (and Crowley) dedicated Good Omens:
The authors would like to join the demon Crowley in dedicating this book to the memory of G. K. Chesterton A man who knew what was going on.
In this post by @azfellandco about Chesterton, you can see a photo of the dedication page and also read the book excerpt where Crowley describes Chesterton as 'the only poet in the twentieth century to even come close to the Truth'.
C: I'm bored. I'm so very very bored - transcendentally bored. There's nothing to do here!
As Crowley is explaining his nap contingency plan, we get a shot of Aziraphale picking up his mug of hot chocolate, then the image below of the 2/3rds gone bottle of Courvoisier cognac (i mean maybe he is baking with it let's not jump to conclusions), and then the stack of books beside a framed woodcut print of witches dancing with devils...
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...that I used reverse image search to trace back to page 17 of a book from 1720 called The history of witches and wizards: giving a true account of all their tryals in England, Scotland, Swedeland, France, and New England; with their confession and condemnation.
Interestingly, the text above and below the picture reads:
At their Meeting they have usually Wine, or good Beer, Cakes, Meat, or the like; they Eat and Drink really: When they meet in their Bodies, Dance also, and have Musick...
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Beside the framed print of Aziraphale's idea of a really great night out is a stack of books that includes (going from top to bottom):
Homer's The Iliad, Book 2
Orthodoxy by G.K. Chesterton
Forbidden Rites: A Necromancer's Manual of the Fifteenth Century by Richard Kieckhefer
a book by Hilaire Belloc with no visible title
The Club of Queer Trades by G.K. Chesterton
The Iliad (according to sparknotes) has the following major themes:
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....Interesting, ok. Book 2 in particular starts with a god (Zeus) messing with someone (Agamemnon) via a dream that says he will be successful in taking Troy if he launches a full assault, balls to the (city) wall. Agamemnon, who is supposed to be leading the Achaean army to conquer Troy, believes the dream but then in a weird twist decides to test his army and be like 'jk actually I'm giving up and going home' and then is mad when the soldiers are like 'sick, to the boats!' Then Odysseus, who sparknotes tells me is the most eloquent of the Achaeans, gives an impressive speech to inspire the troops and reminds them that they vowed 'that they would not abandon their struggle until the city fell.' ...No way that could worsen Aziraphale's internal conflict about being a bad Angel who thwarted the Great Plan. >.>; Orthodoxy we'll get to in a second.
Then there's Forbidden Rites which is a medieval necromancy guide translated from Latin with added commentary - Aziraphale is perhaps studying occult topics in an attempt to understand Crowley better? And then there's the Hilaire Belloc book on top of the second Chesterton book, a collection of related stories/episodes?, The Club of Queer Trades. The book's Wikipedia page says:
Each story in the collection is centered on a person who is making his living by some novel and extraordinary means. To gain admittance [to the Club of Queer Trades] one must have invented a unique means of earning a living and the subsequent trade being the main source of income.
Aziraphale and Crowley have rather novel/extraordinary jobs and they're both peculiar-queer and gay-queer. Neat. The narrator in the book is named Charlie "Cherub" Swinburne - also neat. >.> He goes on an adventure with his friend, a retired judge and president of the Club of Queer Trades, Basil Grant, (who Oct 2021 GoodReads reviewer Cecily said is "described as mad, mystical, and a poet, with almost no friends, but who “would talk to any one anywhere”) and Basil's younger brother, a private detective named Inspector Constable Rupert Grant. The last line of the book is:
Thus our epic ended where it had begun, like a true cycle. (something something "It starts, as it will end, with a garden.")
Anyway, the Belloc book and The Club of Queer Trades are placed back to back in such a way that they almost look like they could be one book with two different aesthetics, or... two halves of a pantomime beast?! (stay with me I needed a segue)
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Belloc and Chesterton have what is essentially a ship name:
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It was coined by George Bernard Shaw (if you are like me and didn't know why you've heard of him: he wrote, among other things, Pygmalion, which was adapted into My Fair Lady). Shaw apparently liked to gossip about Belloc and Chesterton with H.G. Wells (again if you're uncultured like me: he wrote, among other science fiction-y things, The War of the Worlds).
In the Feb 15, 1908 issue of The New Age newspaper, Shaw said:
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He continued:
"Chesterton and Belloc are so unlike that they get frightfully into one another’s way. ... They are unlike in everything except the specific literary genius and delight in play-acting that is common to them, and that threw them into one another’s arms.”
Shaw says Belloc is 'a bit of a rowdy', and 'cannot bear isolation'. Hmm. Then he says Chesterton is 'friendly, easy-going, unaffected, gentle, magnanimous, and genuinely democratic'. HMM.
“They share one failing—almost the only specific trait they have in common except their literary talent. That failing is, I grieve to say, addiction to the pleasures of the table.”
Ok ok I think we can see where this is going.
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(^ from Staged S3E6)
Now, someone did ask Neil Gaiman about this similarity, and he said the Lockdown video was filmed by Rob Wilkins in Terry Pratchett's library, and that he suspects 'Belloc is there because he was on Terry's shelves beside Chesterton.' And it MAY VERY WELL BE that NONE (0) of the book titles are meant in any way other than 'these are books from Sir Pratchett's library that looked nice on camera and ofc we wanted some Chesterton refs and maybe some demon-y stuff for Crowley' but that is WAY less fun so I am choosing to take them as intentional: these are books Aziraphale is actually reading (along with the sushi and many cakes he is actually eating). Let's put ourselves in Aziraphale's shoes and try to imagine how it would be to read this stuff during lockdown while you pine for a demon with slinky hips after you got in big trouble at work for Armageddoff (and work happens to have defined your worldview and general purpose in life).
C: welll... ngk then people might follow my bad example and get ill. Or even die—
As Crowley acknowledges that he ought to be out making peoples' lives worse, we see Orthodoxy by Chesterton open on the desk.
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Orthodoxy is described as a ‘spiritual autobiography’ and is considered a classic of Christian apologetics, i.e. the religious discipline of defending religious doctrines (in this case, Catholic) through systematic argumentation and discourse. Wikipedia also says Chesterton's The Everlasting Man contributed to C.S. Lewis' conversion to Christianity, so overall it sounds like he must've been fairly convincing. (and so maybe reading it also poked at that work-related-but-religious-trauma-adjacent stuff Aziraphale has going on?)
You can read Orthodoxy (and probably any of the books I mention bc theyre all old) on project gutenberg but I will include this part of what is shown on the righthand page bc it just reminds me (and so probably Azirapalala as well) of a certain angel squeaking happily at a nebula:
"I felt economical about the stars as if they were sapphires (they are called so in Milton's Eden): I hoarded the hills. For the universe is a single jewel, and while it is a natural cant to talk of a jewel as peerless and priceless, of this jewel it is literally true. This cosmos is indeed without peer and without price: for there cannot be another one."
Ok great, so Aziraphale is diving into the works of one of Crowley's favorite authors bc he misses him, that's cute. What else? Oh he already wrote him a letter right before calling - THE WICK ON THE WAX STICK FOR THE SEAL IS STILL SMOKING. sO CASUAL asdashgfjds
something something 'either call on the phone and talk, or appear mysteriously; don't do both'
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When Aziraphale gets to 'I've never had so few customers, not in two hundred years!' We get a close up of this glass of cognac with droplets still on the side — I take back what I said about baking, Aziraphale is drinking it~
He's not drinking a wine, eg Châteauneuf-du-pape, which would be ~14% alcohol by volume (ABV), or a sherry (15-20% ABV); he is drinking Courvoisier cognac, a hard liquor (40% ABV). Crowley's Talisker whisky is 48.5% while we are on the topic. This is stronger than what Aziraphale usually drinks which means... he could be a bit tipsy.
As Aziraphale starts talking about the would-be cash-box burglary, we get this wide shot of the desk:
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In the top left hand corner, we see two stacks of books, most (all?) of which appear to be Chesterton when I zoom in. Some of them have Chesterton's name visible on them, others have the publisher name 'Darwen Finlayson' on them, which according to my googling is a house that published several of Chesterton's works. If Chesterton was truly 'a man who knew what was going on', then perhaps this is Aziraphale seeking not just to feel closer to Crowley, but also to make sense of the warring ideas in his mind. Interestingly, Chesterton has also been described as 'The Eccentric Prince of Paradox'.
C: *clearly amused* Did you smite them with your wroth?
The screen then shows two occult-y books and a flickering candle (lower left image). Then Aziraphale explains about his cake~, and as Crowley cuts him off because he's about to nervously ask to come over bc he is so so lonely & down bad for a certain angelic bookworm, we see a map of Oxfordshire on top of Pilgrim's Progress (lower right image).
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The two books beside the candle are Satanism and Witchcraft (presumably the 1862 book by Jules Michelet that comes up when I search the title), and another called Magic: An Occult Primer.
Satanism and Witchcraft is described on Wikipedia as 'notable for being one of the first sympathetic histories of witchcraft' and says 'Michelet was one of the first few people to attempt to show the sociological explanation of the Witch Trials.’ Sympathy for people who like to eat/drink/dance with demons, if you will?
Magic: An Occult Primer is a 1972 book by David Conway, a Welsh (CACHU HWCH!) magus and is described as 'a seminal work that brought magical training to the every-magician'. It also includes an appendix called The Occult Who's Who, which is somewhat reminiscent of Hastur's Furfur's book about angels. In Chapter 11: A Word About Demons, it says in regard to summoning them:
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"Assuming that the form has turned up in the right place, it will soon begin to act and talk in a very friendly manner; do not forget, however, that its winning ways conceal a sinister intention-- namely, to get the adept out of the circle, and into its clutches.”
...okay?? Aziraphale's desk has a flickering candle on it throughout the video, and we get a close up of the flame when Crowley offers to slither over:
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and just like that, Aziraphale has summoned a demon~~
Naturally, he freaks out:
A: *panicking*Oh I— I— I— I— I'm afraid that would be Breaking All The Rules! *nervous breathing* Out of the question! I'll see you… when this is over.
But why? Isn't this what he wanted? Let's go back to the Pilgrim's Progress shot from right before the successful demon summoning and zoom in:
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In a similar vein to Orthodoxy, Pilgrim's Progress, by John Bunyan, is an allegorical Puritan conversion narrative. Christian is the main character / stand in for anyone who wants to be in the allegory and Hopeful is well, hopeful, from what I gather. A slightly larger continuous excerpt is here for the curious, but here are some bits I thought were especially interesting in the part of the book shown above:
Christian: Why, what was it that brought your sins to mind again? Hopeful: Many things; as, If I did but meet a good man in the streets; or, If I have heard any read in the Bible; or, If mine head did begin to ache; or, If I were told that some of my neighbors were sick; or, If I heard the bell toll for some that were dead; or, If I thought of dying myself; or, If I heard that sudden death happened to others; But especially when I thought of myself that I must quickly come to judgment.
Perhaps the pandemic is bringing Aziraphale's "sins" to mind again, on top of the whole choosing faces thing to avoid 'quickly coming to judgment'. And then:
Hopeful: I thought I must endeavor to mend my life; for else, thought I, I am sure to be lost forever. Christian: And did you endeavor to mend? Hopeful: Yes, and fled from not only my sins, but sinful company too, and betook me to religious duties, as praying, reading, weeping for sin, speaking truth to my neighbors, etc.
UM??? While I can't say about the praying or weeping for sin, he has definitely been reading and the whole 'giving a good talking to' the burglars could be 'speaking truth to [the] neighbors'...?
Anyway to recap:
Aziraphale has been poring over books about dark magic and demons as well as a ton of books by an author that Crowley loves and who formed a partnership w a very different person in a sort of yin-yang, pantomime beast situation
He has been looking at pictures that remind him of their fun times w Leo in Florence and eating sushi and cake cake cake (and forgiving sinners) and drinking hot chocolate and cognac trying to fill a void but now he's tipsy so he wrote Crowley a letter, stamped it with a wax seal and then thought 'I should call her' BUT
His recent brush with attempted death penalties, the death toll of the pandemic, and some of the religious books he was reading have also filled him with guilt/fear over disobeying Heaven, who he knows could still be watching him and Crowley, so he feels much more conflicted than usual AND
He probably has some inkling that he wants to go ape shit on that ox rib if it comes over to hang out (lol editing to add bc i remembered ox rib discourse: ape shit in an emotional way! whether you hc them as ace or not I just think he really likes him and I’m using ox ribs as a stand in for general forbidden joy/love, not specifically sexy stuff)
So he has to say no.
Anything else might cause him to spontaneously discorporate into a plume of pining and cognitively dissonant gay smoke, which may be all well and good if you only think there's a God, but if you KNOW it and the angels are absolutely recording you and Heaven just tried to kill you and your wife colleague, it's... kind of a big deal.
C: Right. gnnehh. I'm setting the alarm clock for July. Good night, angel. *dial tone*
We don't get to hear Aziraphale's response, but besties you and I both know he is not feeling tickety-boo. He spent like a month putting off calling Crowley (UK lockdowns started end of March, the call is at the beginning of May), finally got drunk and said what the Hell, it'll just be a fun flirty chat in between his temptations, and then it turned out Crowley was depressed and not going anywhere and Aziraphale made him even sadder. And then it got worse because it wasn't all over in July, or in October, even.
I think Aziraphale ends up with a lot of time and brain space in which to think about how Orthodoxy and Pilgrim's Progress were only written to guide *mortals* and how it really wouldn't be so bad if he spent more time with Crowley, would it? Heaven hasn't reached out in actual years again, things feel safer. Crowley is essentially Good and spending time with him would be sort of ministering to the downtrodden and afflicted, and Aziraphale does miss reporting his good deeds (lol you know, whatever rationalizations you need to get you there).
More than anything, he thinks about how hollow everything feels without Crowley; how no mouthful of food or drink tastes as satisfying in his absence because it wasn't ever just about the 'gross matter'...
So when lockdowns end, Aziraphale begins to summon his demon again, but this time with much less inner struggling. It all comes so naturally, when you let it. By the beginning of Season 2 in 2023, they seem delightfully comfortable with their shared routines and places (see also this lovely post by @nightgoodomens). Our car. Our bookshop.
Aziraphale might take longer to catch up, but he does get there.
(SHHH DON'T THINK ABOUT EPISODE 6! STOP! I'M HANGING UP!)
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“The way to love anything is to realize that it may be lost.” ― G.K. Chesterton
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goldleaf-art · 1 year
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One day i’ll draw the tatooine part of the tatooine codywan au i have rotisserie chickening in my head but it is not this day :)
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bruciemilf · 1 year
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@sseasia gifted me the CUTEST fanart and it'd be a sin to keep it to myself!!
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walkingintheamm · 2 months
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so I haven't read the manhwa or anything but I'm starting to think both jiwon and jihyuk got a second chance in life because they both saved this cat's life... jiwon by feeding it and jihyuk by jumping in front of a car to save it and then keeping him... and it all happened just a few months after jiwon's father's death, and now seeing the cat covered in cherry blossom petals which were also the trees jiwon drove by in the taxi with her dad right before she died
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wee-snek · 3 months
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“I forgive you” parallels
Ok. Listen up, my little sweet potatoes. I figured something out.
I previously posted about how I thought the Final Fifteen “I forgive you” might be code.
And then today I went for like a 6 hour aimless drive to clear my head, and, yeah, I have audio recordings of a few of my favourite GO scenes, which I listen to on repeat sometimes as an auditory stim. And I noticed a few interesting parallels, and I think I’ve cracked it.
We, as the audience, have seen a few things only once before.
Season 1, after the Bandstand Breakup, outside the bookshop, Crowley is back and saying ‘let’s run away together’. In this conversation, we see the only on-screen instance (before the Final Fifteen) of Crowley calling Aziraphale stupid, and the only previous time Aziraphale has used the specific phrase “I forgive you”. If we take this and the bandstand together, we also have very likely the only previous time Crowley has been bold enough to say ‘let’s go off together’.
So what happens in Season 1?
1. Armageddon Part I is imminent.
2. Crowley suggests they run away together.
3. Aziraphale says ‘no, I’m going to stay and work with heaven to fix things’.
4. Crowley calls Aziraphale “stupid” for taking sides and believing heaven cares about good.
5. Aziraphale says ‘I forgive you’.
6. Crowley leaves.
7. Aziraphale talks to the Metatron and gets transported to heaven against his will, and is expected to fight for their cause.
8. Crowley waits for him.
9. Aziraphale comes back to Crowley.
10. They work together and things turn out okay.
Does any of that sound familiar?!?
Let’s look at how the Final Fifteen plays out:
1. Armageddon Part II is imminent
2. Crowley suggests they run away together.
3. Aziraphale says ‘no, I’m going to stay and work with heaven to fix things’.
4. Crowley calls Aziraphale an “idiot” for taking sides and believing heaven cares about good. (Also: you’re an idiot for choosing heaven over me).
5. Aziraphale says ‘I forgive you’.
6. Crowley leaves.
7. Aziraphale talks to the Metatron and gets transported to heaven (against his will?), and is expected to fight for their cause.
8. Crowley waits for him.
I mean….
Is there any chance at all that either of them doesn’t remember the first time they had this conversation? That they’re not also seeing the parallels?
That Aziraphale isn’t getting flashbacks to Armageddon, that he isn’t aware that something could go terribly wrong here, but that he has to try and, please, Crowley, be here when I get back?
Listen, when I say “I forgive you” I know we’re only halfway through this dance? Wait for me. I’ll come back to you.
(I wasn’t going to add this, but the only time Aziraphale has used to the word ‘idiot’ is when he said “I’m not an idiot, Crowley” when he thought Crowley was going to use the holy water on himself and that’s some foreshadowing I don’t really want to explore).
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Shout-out to this TattleCrime article I wrote as part of the fic I wrote for my creative writing class.
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This may be one of the funniest things I've written for the fandom.
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dottyace · 8 months
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Between Aziraphale and Crowley when they do eventually make up, hopefully. I want them to embrace, like full on embrace, clutching, clinging. Bringing each other into the tightest of hugs letting everything wash away, Heaven, Hell, it doesn't matter anymore to them. They are now what matters, their relationship. Their tender touches that were left alone between the spans of lifetimes, all the things left unsaid spurring out as grasps tighten. I want them to clutch like they haven't seen each other in 6000 years, the span of how long they've known one another. Letting themselves be finally vulnerable between one another, breaking down into their arms, and letting it linger. Showing that they both love, and forgive one another and that they will now be always on the same team. They now could never let go.
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kapankyo · 8 months
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i couldn't utter my love when it counted
and i couldn't whisper when you needed it shouted
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raggedy-spaceman · 10 months
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Corporate needs you to find the difference between these two pictures
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