I've always wanted to ask how you can draw an oc that you know has a bad end/dies in their story. You are stronger than me and I'd love to know what motivates you
I know I'm in a minority on this and most OC creators don't think about their characters' deaths, but it's never bothered me much honestly. The way I see it, if I know how their life starts and how it ends, it's much easier to figure out what happens in the middle.
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"He’s frozen stiff, threatening claws now hovering down to the side—his eyes look huge in the darkness, that faint white glow giving just the slightest of his expression away.
He still doesn’t strike."
- all because of you (i do right) by puppyblue on ao3, Chapter 1. @puppyblueao3 here on tumblr i think!
(does this count as a fic rec or fanart. both, probably. rambles under the cut.)
SO uh—i'm really picky about fanfiction. like. really really picky.
i dunno why exactly, but i kinda have a hard time reading them right away bc a) i'm not really a shipper and that's most fanfiction i've seen and b) i like when i can really imagine the characters saying and doing whatever it is they're doing.
y'know the whole "he would not fucking say that" meme? lmao that's me, but with fanfics and only to myself. (i know everyone has their niche and i'm not here to police anybody's fun, just curate my own.)
anyway all that to say that i really, really liked this one. a lot. it's canon divergent off of into the spiderverse, and if you can believe it the comic is literally not a spoiler bc it's in the summary of the fic. but if you liked uncle aaron or even just are a sucker for redemption (? ish?) arcs, i think you'd like it! with all the angst and chaos from atsv it's a nice change of pace.
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ive been having a lot of fun incorporating embroidery onto paper drawings in school recently (inspired by a printmaking teacher i had once who sometimes stitched her prints, it looked really cool!) but one thing that has kind of been bugging me is how my instructors have been talking about the gendered aspect of it. i know using any form of textile practice in contemporary art is gonna get some kind of thoughts about the historical concept of "women's work" and i dont mind that thats chill thats like normal. its not what, i, the artist, is focusing on personally, but death of the author and all that, as an interpretation its an interesting thing to think about and equally as valid as my intention. also a good topic for essays and such
BUT today my instructor tried to convince me that i can embroider directly on printer paper instead of the thicker papers ive been using and i was like ABSOLUTELY NOT maybe YOU can but I have BIG CLUMSY SWEATY HOT MITTEN HANDS and i Destroy printer paper by looking at it funny. the second a photocopy reaches my skin its already wrinkled. gloves dont help my sweat is too powerful. im CLAMMY leave me ALONE hfkjrwefhjegrfe
and there is an unconcious bias ive been noticing of a lot of very progressively minded artists assuming that i can do this shit delicately. listen. embroidery can be a very delicate and masterful skill that people hone over decades. but not everyone who does it is that skilled master. some of us just like to clumsily sew string through stuff so they can feel the texture. and some of us are really sweaty.
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sometimes I think the ghost hanging around, peering over your shoulder while you go about day to day isn't always bad. sometimes they're not a malevolent thing, or even an annoying one. but maybe you shouldn't just shrug n let them hang around; even if they aren't bad, if you let 'em loom too much for too long they might get too big, n then their shadow will eat yours, n then they'll eat you too. even if they didn't want to, didn't mean to
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dad for one but with rei...
Could you like, imagine if Rei was his daughter he didn't know what to do with, she's strong and cold but doesn't particularly want to be a villain, and he doesn't much want her to be one either, not in any way that threatens his stuff or her life at least. But then he hears Endeavor's been looking around for a match and he thinks "oh, there's no way he's gonna fall for an ice match right, he knows that would end awful right" but uh he fell for the match and the fake family in need and Rei's beautiful but aloof air, so,,, why not stick with it and see where it goes? it'll be good blackmail material, right? and its not like his daughter has a life of her own, or anything. he can bring her back to the base after and no one is any wiser, and she'll hate heroes even more and- kid?? and a second kid so soon? does she just want to get it over with? well seems like it's working, his underling tells him Touya is having problems with his quirk, but now instead of divorce and setting himself up for blackmail, Endeavor just keeps trying?? now four grandkids?? and Rei, showing her nerves on the phonecall with him for the first time in years, tells him that Touya tried to kill his baby brother and this one actually had the quirk Endeavor wanted and AfO thought impossible?? AfO decides nows the time to collect his family back and gets Touya before he can completely burn up, but Rei realizes she'd rather have her kids stuck with Enji than AfO, so she chooses to burn Shoto's face so Enji keeps him close and sends her away and??? i dunno she just hopes everyone forgets about Fuyumi and Natsuo because they're safer ignored and neglected than anything else???
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a hot take i like... have about BG3's progression is the same problem i ahve w/ a lot of RPG games where like... in order for your character's stats to scale properly, you basically must pick only ASIs. basically, all horizontal progression is blocked off if you want to keep your characters dealing and taking damage on par with the enemies. i dont think this is as noticeable on the standard difficulty (and basically this problem doesnt exist in the lowest difficulty, which, as it should) but on tactian and honour it is NOTICEABLE noticeable
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