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#i actually love this show the way i watched a whole season in one day i-
inkedbybarnes · 28 days
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his baby
bucky barnes x fem!reader
summary: bucky won't call you by your name.
word count: 400+
warnings: 18+ minors dni. established relationship. tooth rotting fluff, or worse... allusions to smut. a whole lot of usage of petnames mainly being baby, bucky being obsessed with the reader (that's a warning, i say), lowercase writing.
i have no idea what this is (okay, maybe i do) but it happened. really cheesy, but i guess i'm into that sometimes. hope you like this one!
dividers by @cafekitsune!
comments, reblogs, and likes are highly appreciated. thank you! ♡
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“where's my baby?”
those three words kept echoing all throughout the compound this morning. most of the team were up and awake to welcome bucky, steve, and sam who just arrived home from their week long mission.
but his baby was missing.
“oh, god. here he goes again.” sam shook his head, fatigue written all over his face, but a bit of amusement from bucky's behaviour still shining through. he couldn't deny how admirable bucky's adoration for you was.
“calm down, punk." steve pat his shoulder reassuringly. “i'm sure she's here somewhere.”
“yeah, but where?” bucky asks again. “i haven't seen her for a week. i miss her.”
“you think he remembers her name?" clint jokingly asked.
“she has multiple names, remember?” tony answered. “baby, sweetheart, love, sweets, and.. what's the other one? i swear, there's another, or maybe two?”
before one of them could find the answer, bucky popped right in front of them to ask another question.
“is my baby okay?” his brows were all scrunched up, genuinely worried about you. “did you tell her i was coming home? i told her before we took off. why isn't she here? she's always—”
“okay, lover boy. your baby is alright, she's still sleeping in your room, i think.” tony answered him, finally calming him down. “and can you call her by her name when it's just us around? we're starting to think that you forgot what her actual name is."
“what? she's my only baby, it's not that hard to figure it out." bucky shrugged, causing at least three of the avengers to run their hands through their face at his answer. “and why is she still asleep? is she sick?"
natasha raised her hand, a guilty smile on her face. “i'm the reason for that. i made her stay up late with me last night to watch five seasons of a show we discovered accidentally,” she explained, a proud smile now replacing her guilty one. “she might be a little cranky from the lack of sleep, so you better have something for her when she wakes up.”
“oh, i do.” bucky grinned like he already knew what to give her and was prepared for it. “all of you might want to leave the tower for the entire day if you don't want to hear me giving it to her.”
what used to be the shouts of bucky looking for you were now replaced with the grunts and complaints of the team because of bucky's answer.
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if you have any requests for bucky, send them my way! 💌
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analyzing some images (for fun)
so i found this pair of promotion images for good omens season 1 on the good omens reference library server and it’s hooked me so so bad im having feelings about it. we’re analyzing them now. not really for meta purposes just fun to see the parallels and differences :)
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everything under the cut !
unique traits
aziraphale:
1) his plank background. its older, its crisp, it smells like wood from the screen. mmmm
2) the pencil shavings at the bottom. he does a lot of writing honestly, so i like this. also adds a messy and cozy vibe he always seems to have in that shop…. i like that blessed shop fr
3) his SUSHI. little soy sauce drops near it too—just the right amount of deliberate mess. our first formal introduction to aziraphale in the present day and beginning the Tomfoolery just happens to have sushi... i watch that scene and i go “yeah, that sums up aziraphale i suppose” very nicely. (they dont have sushi Up There) (im literally never gonna forget that)
4) the ray of light shining on the scene. tiny thing, but a bit of the heaven is peeking through..it also sort of blurs the whole image but i think thats just me.
5) and we’ve saved the best for last: the big whopper. the nice and accurate prophecies of agnes nutter, witch. I LOVE THAT BOOK!!!!!!! i cant remember if that ring stain was there but if it isnt in the show on the actual book i’d assume thats to add that ‘thy cocoa doth grow cold’ thing. ALSO. you know what’s being used as a bookmark in the pages?? a check for the ritz. he bookmarked their one chance for living . with a ritz check . MMMMMM. my GOD. that means so much to me even if i cant convey it in words. he KEEPS THE CHECKS 😭😭😭😭😭😭
crowley:
1) let me get my favorite out of the way. crowley’s glasses have fire in their reflection. we’ll talk about the glasses themselves later but the REFLECTION IN THEM. fucking FIRE, BOOKSHOP fire, PAIN, SRIVING THROUGH THE M-25, HELL, I DONT KNOWIM HAVING FEELINGS!!! i do believe this is a bookshop fire reference though, the flames feel too Familiar. the lengths people will go to to attack others 🤧
2) the leather seat background!!!!!!! probably meant to look similar to the bentley’s seats but i cant recall their texture, exactly. maybe just meant to convey modernness—unsure. still, its there <3
3) the tiny little crisp plant </3 its trying his damned best to stay perfect. it might a specific plant that means something, but i cant tell at thsi angle, so i’ll assume its a mini version of the ficus he keeps in the flat. its so SMALL and sitting in ANOTHER POT i CANT
4) the snake slithering!! black and red (in this image it looks orange lol) bellied scales!!!! slithering there, chilling, being crowley, showing hints. love it
5) QUEEN RECORD!!!!! TRYING TO OVERRIDE IT WITH TCHAIKOVSKY!!!!!! the tape over it does a reminisence to crowley’s handwriting, but in a clean ‘this made made to be a font’ way. not exactly just yet. ive become a fan of tchaikovsky recently. amazing darling wonderful crowley, trying to push the rock up the hill for eternity 😞
6) HIS LITTLE DEMON KEY THING. HOLDING A TINY LITTLE BENTLEY CAR KEY OHHH. thats how he doesnt lose the tiny key despite probably not needing one of those. and he CHOSE that intentionally probably. little wings and red circle….URGHHHHHHH
similarities
mmmmm now here’s the good shit. similarities! i’ll bullet point most of them but ohhhhh. ohhhh these. i’ll go from top to bottom as best i can….
1) one of their shoes, obviously. crowley has them iconic snakeskin shoes while aziraphale has his old loafers like the old loafer he is /pos
2) chateauneuf de pape wine bottle labels! (crowley’s is under his glasses, aziraphale’s is next to his shoe). oh my fucking god theyre MATCHING. the labels are old, battered, of course labeling the drink’s age, but mmmmm its these tiny details that get me going….
3) their respective drinks in their mugs—crowley’s a black mug coffee (or what looks to be coffee) and aziraphale’s angel mug tea (or what looks to be tea). i think about that mug sometimes. where did he get that from?? mystery for the ages….
4) their glasses, of course. crowley’s iconic sunglasses and aziraphale’s reading spectacles. i cant really tell the reflections in this pair, but if its supposed to be fucking fire, im done with this. im giving up forever
5) their own watches! aziraphale’s is visibily older while crowley’s is visibly modern, but they function just the same. also, crowley’s is set to 2:56:59 (presumably PM), which is around the time we see when crowley starts checking his watch at warlock’s birthday party. its almost time for disaster to strike!! 😃
6) and finally….their ties!! they have their own ties!!! or more accurately, neck accessories, but i digress. i mesn i assume its crowley’s neck tie, because the fabric looks… different. either way, crowley’s neck thingie is very whispy and aziraphale has his funky little bowtie i love so much,,,
okay thats it. there’s no canonical implications, any fantheories, none of the sort. just saw a pair of images and my mind went GOD DAMN!!!!!! theyre very important to me. i need to look at more promo material 😔
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scarrletmoon · 7 months
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okay i know the Discourse™️ has been going on for way too long at this point, but
i think some people outside of the OFMD fandom don’t actually get why we’re particularly annoying about this show
OFMD is not the first queer show to ever exist. if anything, it's a late entry in decades of queer media. over a year and a half since the first few episodes aired, everyone knows that OFMD is queer. that doesn't make it particularly special
but back in March? this is the trailer that dropped in February of 2022, 2 weeks before the premier. if you're used to seeing queer chemistry in shows that aren't intended to be queer, you might see the hints between Ed and Stede here. but to most people? it's just a silly little pirate comedy. just guys being dudes. the trailer doesn't even hint at the other 2 canonical queer relationships in the show -- the closest it gets suggesting romance is the music and the pink in the poster
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so when people watched this show in March 2022, they went into it expecting subtext and nothing else. to them, it was like watching Sherlock or Supernatural or Merlin in the 2010s. if you were in any of those fandoms -- especially Sherlock and Supernatural -- you know what it was like; constant jokes at our expense, being mocked for creating explicit fanwork, made fun of by the creators and within the show itself. if we saw queer subtext, that was our problem. this was a time when you pretended NOT to be in fandom, for fear of ridicule. we kept our fanwork to ourselves, we DID NOT share it with the cast, and we accepted that our favourite ships would probably never be canon. maybe one day, if we were lucky, we'd have a show where the subtext wasn't mockery as much as deliberate foreshadowing -- but that had to be YEARS away
right?
OFMD was never billed as a queer show, not in the beginning. there was no LGBTQ+ tag on (HBO) Max, it wasn't on anyone's list of upcoming queer shows in 2022, it flew under the radar through most of its first season. this was a show about pirates, and sure, some of them were queer. but not the LEADS. if you think they're romantically involved, that's must be fandom brain poisoning
except the 9th episode aired, and they kissed. and the show said "you're not crazy for thinking they have chemistry because they really do. it's been a romance this whole time". and in the 10th episode, Stede realizes that he's in love
(not mandating you watch this clip if you don't care for the show, but there's something that feels particularly earth shattering about no one saying the word gay but knowing that Stede's realizing he is, that it's completely unambiguous and explicit in a way that only straight romances are usually allowed to be)
this is why people freaked out about this show. no one knew. even the creator, David Jenkins, was surprised when WE were surprised that it was gay for real -- he set out to write a love story, using all the tried and true beats of a rom com. he'd never even heard of the term queerbaiting. he looked at historical Blackbeard and Stede Bonnet and thought "oh, there's something here" and just...wrote that, with very little fanfare, like it was inevitable. like it was obvious. of course Jim and Pam end up together. of course Buttercup and Westley end up together. what kind of disappointing ending would it be if You've Got Mail ended with the main characters just going their separate ways?
so of course Ed and Stede are in love
look, i get it. we're annoying and won't shut the fuck up about this show that seems mediocre at best. i watched the whole thing back in march, thought "huh, that was cool" and was sure that i'd forget about it in a few days
an hour after looking at fanart on twitter, i was lost in the fucking sauce
there's just so much to unpack from a mere 10 episodes. it covers racism, toxic masculinity, gender expression, sexuality, trauma and abuse. and i don't think we should overlook the fact that the non-white characters in this show get to be fully human in a way i haven't seen in my favourite shows in recent memory
additionally, most OFMD are 25 or older. we're not people who've been spoiled by queer rep, who don't get how hard it used to be, how you'd have to grovel for scraps, how shipping and fanfiction was a way to find queer rep where we thought there never would be. we've been here. we're annoying about this show because for a lot of us, it's the first time we've been treated like our queerness isn't an anomaly that needs to be relegated to its own section, that needs to be praised for the bare minimum of acknowledging that we exist. it's not pulling punches to avoid scaring away a straight audience. it just is.
OFMD for me is like when i watched Black Panther for the first time and realized that this is what white people felt all the time. have there been other black superhero movies? of course! does Disney fucking suck? BOY does it. but that was the first time i got to sit in a movie theater and watch a mainstream film that looked at Africa and said "look at how beautiful you are, exactly as you are"
and idk. i think that's really cool
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verstappen-cult · 1 month
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# WHAT WOULD YOU DO IF I WENT TO TOUCH YOU NOW? | CL16
Or. . . 5 times you and Charles reach for the other and are oblivious about it + 1 time you aren’t.
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Pairings: Charles Leclerc x Fem!Reader.
Content Warnings: Smut, fingering, unprotected sex. Just two oblivious in love. This one is long, so, prepare yourself, go grab a cup of coffee and a snack. I haven’t written smut in a very long time so don’t expect anything fancy and please be nice. Enjoy! xx
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You and Charles can’t keep your hands to yourselves. Everyone can see that. Everyone but you two.
Charles is always reaching for you. He’s the first one leaning in to kiss your cheek as a greeting when you see each other, lingering for a couple of seconds with his cheek against yours, feeling your soft skin, with his hand squeezing your waist ever so slightly. When you are out with your friends he’s always trying to sit by your side, waiting for the right moment to put his arm in the back of your chair, fingers brushing your shoulder and keeping up with the conversation as if nothing is happening. Charles tries to be smooth about it, he really tries.
And you are always reaching for Charles. Well, as his Press Officer it’s your job to be by his side. When you need him to pay attention to you as you’re explaining the plan for the day, you make sure to grab him by his biceps, not letting him go until you are finished, and even then you take a couple of seconds to pull away. Every time you pass each other around the paddock, you always find a way to catch his arm, his shoulder or his waist. Even when he’s too busy and late to something and you don’t actually need him for anything, he makes time for you.
But it wasn’t always like that.
There was a time when you would not even dare to think about touching him, too shy and wanting to be professional. It was a little hard when you had to be by his side almost all day, every day. You would try to not look directly at him – impossible to do given that you needed to do your job – but then Charles started to make a few jokes to break the ice and make some conversation, started to ask about your day, he started to care. And, well, the rest is history.
#1
New Year’s isn’t your favorite holiday, so, you spent it at home watching romcoms and went to sleep even before the clock hit midnight. Your friends weren’t happy but you promised to make it up to them. That is why you could not say no when your friends invited you to spend a few days with them on a Ski resort in Italy. Winter break was about to be over, after all. So, you showed up at the train station with all your bags and a little sleep deprived.
“I was about to call the police. I thought you were bailing on us.” Your friend says as a greeting, helping you with your bags. “You look like shit.”
“Oh, thank you, how sweet of you.” You roll your eyes but let her kiss your cheek. “I’ve been a little busy with the new season starting in a couple of weeks.”
“Let’s not talk about work,” You get on the train after her, looking for your seats and the rest of the group. “we actually told the same thing to Charles.”
You’re about to ask her what does she mean by that when you see the brown hair of Charles Leclerc. The next thing you see is his smile, dimples on display.
Since you started working with Charles as Media — then when you were promoted to PR Officer — there has not been a day you two haven't been together or communicating one way or another. So, anyone can say that becoming friends was bound to happen.
You make your way to him without a second thought.
"Hey, Charlie." Charles moves to the side, leaving the spot beside him free for you to sit. Which you immediately do.
"Are you excited?" He asks, turning his whole attention to you.
You have to look away, his green eyes looking at you so intensely that you feel he can see right through you into your soul.
"I've never skied before." You admit, cheeks flushed.
Charles' eyebrows shot up, his eyes flashing with enthusiasm. "Oh, you're gonna have so much fun."
The train starts moving, making you both look outside. You weren't planning on sitting with Charles, but you're not gonna stand up and leave him. Not that you actually want that.
You're about to ask him about the place you're going to spend the next days in when a yawn messes up everything.
Charles smiles softly at you, his hand patting your knee. He leaves it there for one, two, three, four seconds before removing it.
"It's not that far, really. But you could—" He clears his throat, eyes darting around. "I've been told my shoulder is the best spot to take a nap. It’s like very comfortable." Charles has a teasing but shy smile on his face, gaze finally landing on you.
You feel your face burning. You don't even need to look at yourself in a mirror to know how red your face is, probably the same color as his racing suit.
You look between his shoulder and his eyes, pretending to think about it when, in reality, you've made up your mind the second he stopped talking.
"I don't wa—"
Charles shakes his head, moving a little closer until your left side is touching his right one, not a breeze could pass between you.
You sigh, fidgeting with your fingers as you let your head rest on his shoulder. His scent hits you immediately, is calming, warm, earthy. And it reminds you of the cabin in the woods you and your family used to spend winters in when you were a kid. Surrounded by tall, green trees and a still lake.
The last thing you feel before falling asleep is Charles resting his head on top of yours.
*
"I can't do it. No, nope." You say, trying to move away, but the skis don't let you go that far.
"Yes, you can." Charles says from behind, startling you. You weren't expecting him to stay behind with you and your Ski instructor. "Just— let me." He tells the instructor, urging him to move out of the way.
“What are you doing?”
“I’m teaching you the basics,” He explains casually, as if you don’t have a certified instructor waiting a few meters away.
You smile when he positions himself by your side, too busy trying to make you stand correctly to notice how fondly you're looking at him.
"So, you need to bend your knees a little," You don't know if he notices, but his hands finding your waist to help you move just like he wants you to, send a shiver down your body. You can feel his warmth even through the layers of clothes. "Just like that, yes. You're doing great." Can he shut up? If he's going to praise you every time you do something right, you're not going to survive.
You look over your shoulder when you hear your friend's voices. You catch the exact moment they see you two and stop walking to turn around and go back to where they were before.
"Now, lean forward." Charles instructs you and you follow. Trying to regulate your breathing but with Charles so close to you is an impossible task. "Amazing!" You just leaned. It’s not that hard. "I need to— um... excuse me." He whispers, lowering one of his hand to your thigh and spreading your legs a little. When Charles looks up, his cheeks are tinted with a pretty pink color. You know you're blushing too.
Charles keeps on teaching you the basics. You even move a few meters with him by your side, his hands on your waist at all times.
"You're ready." The Monégasque says, smiling. "You are a fast learner, is she not?" From the first time in what feels like a lifetime, he asks the instructor, who is immediately moving closer.
"Of course," The man says, a polite smile directed at you. "Now we can slide down the mountain. And I'm going to be by your side at all times, so, you don’t need to worry."
You nod, excited to start skiing. Finally.
"You can go, Mr. Leclerc." The Italian man says. But Charles doesn’t move, he just keeps on looking at you, hands still on your waist. At this point you feel like they belong there. “Uh, Mr. Leclerc?” He insists. This time Charles looks at him, shaking his head to rearrange his thoughts. “If you want to go, I’ll take care of her.”
“Oh, yes! Sure, yeah.” Charles pulls away, leaving the ghost of his touch behind. “You’re gonna be alright?”
“I’m sure I’ll survive, Charlie.” He makes you chuckle. “I had a pretty good instructor and I have another one ready to catch me if I fall.”
It looks like Charles wants to say something else but chooses not to and, instead, looks at you one final time before sliding down the mountain.
“So, let’s go?” Your instructor positions himself by your side in the same spot Charles was before.
He doesn’t touch you like Charles did. And you don’t feel as safe as you felt with Charles by your side.
#2
It’s Ferrari SF-24 Launch day. Winter's break is over and Charles is back in Maranello.
Charles hasn’t seen you since yesterday evening, after spotting you having dinner with members of the PR team and, without thinking so much about it, walked into the restaurant. Someone invited him and he didn't hesitate to grab a chair and sit by your side.
It was a very pleasant dinner. And Charles didn't let anyone pay for it.
You said your goodbyes after that and you made sure to remind him that he needed to be before 8:00 AM for the launch, and to have time to go over all the details of what Charles needed to do that day.
That’s most definitely the only explanation as to why Charles is getting out of his car at 7:15 in the morning. Not because he wants to see you, of course not. It’s just because he has a lot of things to do. It’s an important day, after all.
“Good morning.” Charles greets some people of the team that are passing by, rushing to get everything ready for the launch in less than an hour.
He’s in a good mood. He just knows it’s going to be a great day. Charles also knows it’s gonna be his year.
"You're early."
Charles turns around at the sound of your voice. He finds you checking the time on your watch, a teasing smile adorning those plump, pink lips of yours.
"You said before eight."
You laugh, walking down the hallway. "Yeah, but not so early." He follows you, trying to catch up with you. "However, I'm glad you decided to show up on time, we have a lot to do."
"I wanna go back to sleep." He complains, pouting like a child.
He makes you laugh, again. Charles thinks your laugh is his favorite sound in the world. Beside the sound of the SF-24.
Charles really likes to make you laugh.
"Wait, are you laughing at me?" He pretends to be offended, and you mimic the sound of his voice, bringing your hand to your chest.
"Me? Never!"
"You sure?" He stops walking, stopping right in front of you. "Because you know what I'm gonna do if you're actually laughing at me?"
You look at him suspiciously, fighting the smile that wants to make its way into your face.
Charles takes a step towards you, making you take a step back.
"Charles, whatever you're thinking—don't."
"What? I'm not doing anything!" He sounds innocent, even raising his hands in surrender. But he's still walking towards you, shortening the distance until he's so close you can count the freckles on his face.
Before you notice what's happening, he's tickling you.
It makes you throw all the things you had on your hands to the floor. You try to pull away and make him stop, but he just keeps going.
Your laugh fills the hallway you're currently in.
But you can't take it anymore, your stomach hurting for laughing so much. It’s also only a matter of time before someone comes to see what's happenig, so, you do the only thing your brain can conjure up to make him stop: hit him. Even if it's just a little push.
You raise your arms, ready to push him and defend yourself. But Charles reflexes are good and so fast, because before you can do anything, he's grabbing your wrists stopping you.
Your laugh dies in your throat.
Charles amusement is clear on his face, eyes shining with mirth.
"You are," You take a deep breath, trying to regulate your rapid breathing. "a very bad man."
He laughs, throwing his head backwards. "I'm just defending my honor, boss."
You shake your head, throwing daggers at him with your eyes. But Charles doesn’t react at all, he just caresses the inside of your wrists with his thumb.
“I promise to behave if you don’t laugh at me again.” He pouts, and your heart does a black flip inside your chest, skipping several beats.
Hesitantly, you reach out to rest a hand on his chest, giving him a little playful push. You’re not sure if you imagine the shiver you feel under your hand or if it really happens.
You chuckle, looking straight into his eyes. “I can’t make that promise.”
Charles lets go of your wrists against his will. He bends over to pick up the things you were carrying, but doesn’t give them back to you.
“If we end up getting scolded, I’m blaming you.”
Charles looks at you for what feels like hours, taking you in. He really thinks he could just watch you all day and he’d find a new freckle on your face, or a glint in your eyes he hadn’t seen before.
He leans in, so, so close, that feels your breath hitch. Charles thinks you’re gonna pull away for a second but you don’t make a move, you just keep looking at him with a indescribable expression.
“You can do whatever you want. I’ll take it.” He says in your ear, kissing your cheek before pulling away.
You stop breathing, all you can do is blink at him while your mind echoes his words.
“Shall we?”
Charles doesn’t wait for you, he resumes his walking anyway. It takes you a long time to snap out of it and follow him.
You can’t even remember what you are supposed to be doing today.
#3
It’s day two of pre-season testing in Bahrain.
You’re in the middle of talking with a reporter about the questions he can ask Charles when you are interrupted by a hand being placed on your lower back. You immediately recognize the perfume.
"Hey, I was looking for you." Charles says, fingers caressing the spot between your shirt and your trousers. His calloused hand drawing patters on your lower back shouldn't make you feel as flustered as you feel. It's not the first time he does it, so why can't you just act normal?
"Hey, Charles." The reporter says, drawing the Monégasque's attention. "Can I ask you just a few questions about second day of testing?" He doesn't need to ask him, you already agreed about it.
Charles look at you, silently asking if it's okay.
"Just testing, okay?" You tell the reporter, who nods in understanding, already moving in front of Charles alongside his camera man.
Charles squeezes your waist before giving two pats on your lower back, so low that he's almost touching your ass. You eyes widen and you take a sharp intake of breath. You really try to play it cool. But you can tell Charles noticed your reaction when you see the smirk on his beautiful, stupid face.
The reporter begins with the first question, Charles' eyes only snapping to him when the man draws his attention.
You don't listen to one single question, which is, you know, an idiotic mistake because being alert of what a reporter's asking is basically your job. But you find yourself looking at Charles' lips more than one time during the six minutes the interview lasts.
You can't do nothing more than to stand there frozen in place.
The reporter thanks Charles, that much you hear, but you still can't seem to snap back to the present. What is Charles doing? He's being extra touchy lately, not that it bothers you, but you can't seem to focus in anything when he has a hand on any part of your body. Then, add that intense gaze that, apparently, has reserved for you only.
Charles is definitely going to be the death of you.
"You seem to have your head in the clouds." Charles' accented voice is what draws you back to reality.
"What?"
What he does next is definitely something you were not expecting, not now, not even in a million years.
Charles cups your chin with his right hand, thumb brushing your bottom lip. If you weren't hyper aware of every little movement, you wouldn't have felt it.
Your gaze drops to his lips and Charles has the nerve to stick his tongue out to lick his lips. They look so wet and inviting, all you need to do is move an inch closer and lean in to—
"See something you like?"
You feel your heartbeat in your ears, so loud you're pretty sure everyone in Bahrain can hear it. Charles waits for your answer as you panic, replaying his words over, and over again for minutes or hours — you don't even know.
You take Charles' hand and guide it away from your face. It takes all the willpower inside of you to let go of his hand and run away from him.
#4
It wasn't a great start of the season. Everyone agrees on that. Even the boy stepping out of the Ferrari, who started the first race of the season in front row and had such a hard time trying to drive and secure a spot on the podium.
You are glad at least one Ferrari got there in the end. But you're not as happy as you'd be if Charles was the one standing there.
Charles takes his helmet and balaclava off, his messy hair standing in every direction while sweat runs down his face. You force yourself to look away.
He makes his way to you, given that you have his cap and rings. Charles really tries to smile at you, but it doesn’t reach his eyes.
You know how disappointed he is. With himself and his team. Mostly with himself.
“Just a few questions and then you’ll be on your way to the hotel, okay?” Charles just nods, busy putting all his rings and bracelets on.
Charles feels like shit. All he wants to do is go back to the hotel and sleep, he doesn't even want to know what happened or how they can fix it for next week. He wants to sleep.
"Hey," You stand a little closer, not thinking about anything but trying to make him talk, say anything to pull him out of his head. "It's just the first race of the season. There are a lot more to go." You rub the back of his neck, feeling the hairs there stand up.
Charles closes his eyes and lets his head fall forward. So, you take it as a good sing to keep rubbing and massaging.
Charles groans when you rub between his neck and shoulder, a very sensitive spot for him. He slowly opens his eyes again, looking at you from beneath his eyelashes.
"Come on, let's finish with this and get you to bed." You tentatively slide your hand over his shoulder and left side of his body, stopping at his waist to wrap an arm around it.
For the first time since the race finished, you see a smile forming on his lips. When you make eye contact, you know he has the perfect answer for it and, for the looks of it, it's definitely going to leave you flustered.
"If you wanted me in your bed that badly, all you had to do was ask."
It definitely makes you flush furiously, but you decide not to say anything. Mostly because you don't know what to say. Charles has been saying all these things for a very long time now and you don't know what it means, what he's playing at.
You let go of Charles when you reach the reporter, moving a little to the side to give them some space. The reporter knows what to ask but you still are on high alert, she's known for asking rude and out of place questions.
At first everything goes alright, so, you use that time to answer some messages and check out some emails. Until what the woman says next, makes your heart drop.
"You say you are capable, but it is your fault alm—" You don't let her finish, you interrupt the interview immediately by standing in front of Charles, like trying to shield him from the hurtful words of an unprofessional reporter.
"I'll make sure you receive a fine for that." It's all you say before blindly reaching for Charles.
You take his hand, dragging him out of there. You don't stop for nothing, not when a reporter asks for an interview, not when fans approach Charles to ask for pictures.
You keep walking and walking until you are in front of Charles' driver room. Your heart is hammering inside your chest, adrenaline coursing through your veins.
"I'm going to talk to—"
Charles grabs your shoulders, turning you around so you're looking at him. "Don't worry about it. You know I don't care about what they say."
His words make you angry.
"But I care!" You exclaim, immediately regretting it. The corners of Charles' mouth go downwards, and he steps closer. "She deserves that fine."
"I know she deserves it and she will get it," His hands trail over your arms, stopping at your wrists for a second before holding your hands. "but right now I need a hug."
You blink up at him.
"Would you hug me?"
He doesn't need to ask twice. You are moving before you actually process his words, probably because you've been thinking about hugging him since the first time he announced over the radio how the brakes where not responding to him.
Sliding your hand around his shoulders comes like a second nature to you, like is something you've done your whole life. You don't care that he's drenched in sweat, you hide your face in the crook of his neck anyways. And it's then that you learn how much you like the mixture of his scent with the sweat of racing for over two hours.
Charles wraps his arms around your waist, hugging you tightly against his body. It's then that he learns how well you fit against his body. Like you belong there. He knows you belong in his arms.
#5
Charles finished third.
It's his first podium of the season.
You wait by the side but he doesn't see you. He has the most pretty and bright smile on his face as he removes the balaclava from his head. He has the most pretty and bright smile when he greets and congratulates Max and Checo.
And you really think that his smiles widens when he finally looks to the side, right where you are alongside his Ferrari team.
Charles makes his way to his team. Everyone is so happy cheering for him and congratulating him for his first podium. Everyone is happy.
But no one can't he as happy as you are.
Not when he sees you for the first time and rushes to hug you. It's quick, not enough, but they're pulling him away for the post-race interview. He needs to go up on that podium and make everyone proud.
*
You’re pretty sure you took like a dozen pictures of Charles on the podium. The ones where he's looking down at his team are your favorites because it looks like he's looking at you.
Post-race Charles is your favorite kind of Charles. But post-race Charles on the podium... that has to be what being in heaven feels like.
You laugh as you see him approaching hospitality with his trophy and champagne, and a broad smile spread over his face.
He's surrounded by people in a matter of seconds, as wells as Ollie by his side who can't seem to stop smiling. You're very proud of them.
When you see a few reporters approaching, you take into action.
The second Charles sees you, he's forgetting about anything and everyone around him. All he wants is to hug you and tell you how well and right it felt, but there are so many people that he has to settle with you grabbing the hem of his race suit to make him walk into hospitality, away from everyone.
"Go take a shower. Your team wants to celebrate, even Carlos wants to go." You smile up at him.
You don't know how to describe the expression on his face, so, you simply don't.
He snaps out of a his trance and makes his way to his driver room, but when you call his name he stops, turning around so fast that his neck starts to hurt.
"I'm so proud of you, Charlie."
Charles doesn't care if the trophy or the champagne bottle breaks, he just let them fall to the floor and runs to you, lifting you in his arms.
You giggle, feeling light as a feather. Like you're actually on cloud nine.
"Charlie!" Andrea's voice startles the both of you.
You are forced to pull away, but Charles leaves his hand on your waist, not letting you go completely.
"Come on, hurry up! We want to celebrate."
Andrea doesn't bat an eye, he doesn't care that he found you and Charles in a compromising position — kind of? well, it definitely is unprofessional — and that you still are very close to each other.
Charles groans and lets you go. You miss his touch already.
"Don't drink too much, okay?"
"As if I would let him." Andrea says, rolling his eyes.
"I'm a grown man!" Charles screams before shutting the door of his room.
+1
You're watching a movie in bed — wrapped in a hotel bathrobe, freshly out of the shower, with a delicious lotion on your body and feeling like a pampered baby — when there's a knock on your door.
When you open the door, you find a disheveled and out of breathe Charles standing there, leaning against the opposite wall.
"Charles?" You ask, confused.
You look to both sides of the hallway but nobody else is there.
"What are you doing here? I thought you were out celebrating."
"I was—" He says, breathing heavily. "I was but then I just — I realized that I didn't want to be there."
"Okay?" You're not getting any of what he's saying, more confused than ever. "Are you drunk?"
"No! I barely drank anything. It was just a glass."
"Then," You shrug, looking behind you into the room. "I was watching a movie. Do you... want to come in?"
You still don't know why he knocked on your door, but you are not letting him out in the hallway.
Charles accepts the invitation. Just not in the way you would've thought.
It takes you a second to notice a pair soft lips against your own. But when you finally register that you are being kissed, Charles is pulling away from you, a shy smile on his face.
"What are you doing?" You ask, trying to find some coherent words in your fuzzy brain.
Charles' face falls, shoulder slumping slightly. "Oh, shit. I'm so sorry." He starts rambling, moving his hands in the air. "I'm sorry, I wasn't thinking properly. I thought—we had, I mean... You and—"
You couldn't take it anymore. You needed to take him out of his misery. That's definitely the only reason why you crashed your lips with his, pressing yourself against his body.
Charles moves quickly, walking you backwards into the room and closing the door with his foot.
You sigh into the kiss. A sigh that says finally.
"I think," You whisper against his lips, gasping for air. But Charles keeps on assaulting your lips. "we should talk ab—"
Charles groans pulling away, just enough to talk, lips brushing against yours with every breath. "We could. Or I could show you all the things I've been dreaming on doing to you, and we can talk later."
Your heart starts thumping so fast that your breath hitches in your throat. Charles takes your silence, and your body's reaction, as a yes.
This time, Charles takes his time. He cups your cheek with one hand, thumb caressing your cheekbone so softly — as if you’re made of glass and could break at any moment — and sliding lower, the pad of his finger brushing against your bottom lip.
"You're so beautiful." He whispers, gaze fixed on your plump lips.
“I’ve wanted to kiss you since…” You try try to think about it, to remember the very first time you thought about Charles being more than a friend. But it seems like it has always been that way.
“Forever.” Charles finishes for you.
Yes! Your insides scream.
“Would you let me show you?”
You frown, titling your hear to the side. “What?”
“How much I want you.”
There’s no need to verbally say yes, you find that is so much better if you show him. So, you kiss him.
Kissing Charles feels like walking in a soft, pillowy cloud, like everything is falling back into place, like things are how they always should have been.
There is warmth blossoming in your chest, fireworks exploding all around you as Charles leans in closer, lips exploring each other for the first time. You hold onto Charles' shoulder as if you're gonna fall and wake up, realize that this was just a dream. You don't want it to be a dream.
You let him guide you to the bed as his hands rest on your hips, wrinkling the bathrobe with his hands.
His lips are soft yet the kiss is demanding. Your lips part slightly, allowing Charles' tongue to slip inside and explore your mouth.
When the back of your knees hit the mattress, he pulls away. His pupils are dilated and his breathing erratic. "You don't—" He sighs, closing his eyes as if trying and ground himself. Charles takes your hand, silently asking for permission and, when you nod, guides it to his crotch, making you feel how hard he is. "You don't even know the effect you have on me."
Charles doesn't give you time to answer, not even to think about anything but how much you want to kiss him, and feel him, and be his.
"Can I unfasten this?" He asks, lips trailing kisses down your neck. You nod your approval, but Charles shakes his head. "I need words, baby."
"Yes," You don't recognize your own voice, it's feels strange to your ears. "Yes, you can."
Charles smiles, grazing his teeth along your neck, nipping and sucking along the way. You moan when he sucks right above your pulse point.
He takes his time unfastening your bathrobe, letting it fall slowly the floor. In seconds, you're completely bare in front of him. You should feel ashamed, a part of you actually feels embarrassed to be naked in front on a man — in front of Charles. But right now, desire and longing are coursing through your veins, clouding your mind. Your body screams for Charles.
Charles hands are soft on your skin, he splays them on your chest, feeling the thumping of your heart; it makes him smile.
"Would you lay down for me?" He purrs. And who are you to say no?
With shaky legs you climb onto the bed, lying down against the pillows. You can still hear the movie playing in the background, but you couldn't care less, not right now.
You can only watch as Charles removes every piece of clothing from his body. You knew Charles was well toned, you have seen Charles without a shirt, but seeing him here in your room, in a whole different context, makes you close your legs and lift your hips from the bed, searching for something, anything that only Charles can give you.
He rubs his hands up your legs, rubbing your thighs, as he climbs on top of you. His lips find yours one more time, your breath quivering.
"So pretty." Charles grunts, basking in your beauty. It lasts only a couple of seconds because you hide behind your hands. "No need to hide, baby." He pulls your hands away, sliding them over your collarbone, stopping on your chest and grabbing your breasts.
You arch your back against his touch, moans spilling from your mouth and filling the room.
"So good, so, so good." You blurt out, getting lost in the pleasure his hands are giving you, pinching and squeezing your breasts. One of his hands is replaced for his mouth, and you have to force yourself to open your eyes to see the view of Charles on top of you, making you come undone with his mouth.
His left hand leaves your breast as his mouth keeps the assault on your breast, he slowly lowers it to part your legs, making you squirm.
You've never been this wet before, and Charles notices the moment his fingers make contact with your cunt. Charles begins to rub circles on your throbbing clit, a desperate whine escaping your lips.
"Please," You beg, the only word leaving your lips over and over again.
Charles takes pity on you, knowing exactly what you need. So, he gives it to you; one of his fingers slips in, causing you to buck your hips involuntarily.
"So good for me." Charles croons, taking your lips with his own, swallowing all your moans. "You think you can take my cock, pretty girl?" He asks, slipping in another finger, pressing them upward. Your brain feels fuzzy, but in such a good way. You don't need to be asked twice, a yes leaves you lips immediately as you grind your hips desperately into his hand.
"I can, Charles—please I can take it." You moan, making Charles slow his movements.
Charles pulls out his fingers, and you whine desperately at the loss. "I got you, baby." But then a thought crosses his mind and he curses under his breath, closing his eyes for a second. "I don't—shit I don't have a condom."
You make grabby hands, making him lean forward so you can touch him. You cup his face with your hands, eyes finding his green ones. There's sweat on his forehead, his face flushed, and you think that post-race Charles and bedroom Charles are definitely battling to win first place.
"We're both clean, I know." You graze your fingers over his pecs, making him shudder. "Just—please, Charlie. I need you."
Who is he to say no to you?
The mere thought of fucking you bare is enough to send his mind reeling.
Charles aligns himself between your legs, the tip of his cock gathering your wetness and making you both moan at the feeling.
You dig your nails in his shoulder as he slowly starts to bury himself inside of you. Charles leans to kiss you, and is messy and wet, tongues and spit mix together as you tangle your fingers in his hair, pulling ever so slightly, which makes him moan against your mouth. So you do it again.
Charles kisses you with so much desperation, desire consuming you both. He bottoms out and you can't reciprocate the kiss anymore, not when he stars slamming his hips, setting an agonizing pace.
Charles fucks you into the bed wincing as he feels you bite his shoulder, a poor attempt of trying not to scream and let the whole hotel floor know what you are doing.
"How does it feel? Is that what you wanted, uh?" He groans, brushing a strand of hair out of your sweaty face.
"Yeah, feels so good, Char. So good." Your whole body is burning, you feel so deliciously filled.
Charles bends your legs, pushing them against your chest as he finds a new angle to keep on fucking you. He starts thrusting faster, holding onto your legs so hard you know there will be bruises tomorrow.
It's too much. You don't even have time nor words to warn him before you are coming, clenching around Charles' cock.
"So tight. So. Fucking. Tight." Charles whispers, pace faltering as he feels his own climax approaching. He keeps thrusting into you, chasing his own orgasm.
You are a moaning, whimpering mess, and you let Charles use you as much as he likes, you let it know that over and over again.
"That's it, baby. 'm gonna come now," Those are Charles' final words as he pulls out, pumping himself a few more times until he's painting your chest with his cum.
Charles plops down on the bed next to you, both panting and completely exhausted.
"Are you okay?" He asks in a hoarse voice.
You turn to look at him, fingers playing with his cum on your chest. The only thing you can do is nod, too exhausted to even to talk.
"What? Did I fuck your brains out?" Charles teases, leaning in to leave a chaste kiss to your lips. It's so innocent and soft, the total opposite of what you did just moments ago.
"Shut up!" You breathe out, giggling. There is still a buzzing in your ears and a tingling sensation in your cunt. But you feel good.
"Come on," He says, standing up and reaching for your hands.
You frown, standing on shaky legs. He teases you some more and you end up pushing him away.
"What are we doing?"
"Taking a bath," He explains, tugging at your hand. "We need to clean you up."
"I just took a shower, this is all your fault." You complain, his green eyes boring into you.
"You liked it." It's not a question.
He tugs at your hand again and you follow, you really would follow Charles to the end of the world. Charles can't hide the big, stupid smile on his face. "You said you were watching a movie, so, we are going to watch a movie."
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© verstappen-cult, 2024 — do not repost, translate or claim any of my works as your own.
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matrixbearer2024 · 2 months
Note
I really love you "Get off my screen" series! And I just and couldn't stop thinking about Reader just texting out of nowhere saying "Bruh I'm fucking dying"
And Vox is just going haywire(See what I did there?) Worried about you and ask what they mean and Reader be like "I'm dying because of BOARdom(Get it?)
You're Just Being Mean!
A/N: Omg I am absolutely writing this AHAHAHAHA- Vox is always the one screwing with dear Reader so I think it's about time to return the favor. Thank you @crazylzp143 for the inbox idea! I love how much this story is expanding and the ideas y'all have for it. As always, I hope you all enjoy this filler interlude and please keep the ideas coming! Happy reading!
You cheered, flopping backwards on your bed in a cheerful mood.
On your computer monitor was an empty assignment box.
You'd successfully accomplished all your required tasks before the semester's end which left you with a whole lot of free time to burn.
And did you absolutely just unwind and relax.
Playing games, watching movies, bingeing shows-
You practically spedran the chill pill treatment.
To the point where you managed to bore yourself before the day was even over.
You stared up at the ceiling with an annoyed look-
Wasn't there really anything else you could do?
And why did time pass by so slowly?
God you were bored.
In the middle of your TV show binge, your phone buzzed to life.
Considering you'd quickly found the plot line to be quite a drag, you just let the drama play while you no longer paid attention to it.
The white noise the show provided helped make it feel like you were actually doing something.
Even when you knew you weren't doing anything productive at all-
Looking over at your phone, you smiled upon opening the familiar chatbox that you saw almost daily.
"Heya Voxxy, what's up?"
"Well aren't you in a good mood today! Anything special?"
You playfully rolled your eyes, Vox really thought he was being cheeky this time wasn't he?
"Managed to complete all my work for the semester, so now I can just chillax until exams come around!"
"Wait what? Holy shit! You've got a whole two weeks of nothing then!"
"IKR! I can just laze around and do what I want after class hours!"
It wasn't surprising that Vox quickly got used to your schedule, you'd also grown slightly accustomed to his.
He knew the basic rundown of your schedule, like when your classes started and ended-
Just as much as you knew when he had to leave for his daily broadcast and when he would come back.
You could only guess him knowing when exam season happens was from looking at the calendars and schedules you had meticulously prepared in your computer.
There were times he would even remind you of things due on a day, like quizzes or projects to which you would grow embarrassed that it slipped your mind.
You were the one who made the calendar, how could you forget it???
Though it was probably helpful on his end that he quite literally had a digital reference to look back on.
You still wondered sometimes how he managed to end up with a TV for a head but didn't look into it much.
"Guess that means you'll be spending more time with me?"
"Dude, I already spend so much time with you! Any more and I'd have to call you my boyfriend!"
That message really shouldn't have caused Vox to bluescreen but it did.
He was just so flustered that his system crashed in it's entirety because of what you said.
Not that you noticed when all you got in reply was some keysmash and middle finger emojis.
Vox could only imagine you were laughing at his expense, and even then he couldn't bring himself to be annoyed with you.
It was only recently that he'd become hyper aware with how much you meant to him so jokes and comments like that easily sent his mental careening.
Not that he quite understood why he felt this way yet, a part of him still blamed some unknown untraceable malware that your devices shoved into his system.
Though he highly doubted that a stupid virus would make his stomach do flips whenever he saw your silly smile.
Oh whatever, he'll just have to run another malware check later or something.
You just continued to tease Vox for a good while before he had to excuse himself and leave for a meeting.
He was slightly glad that he had just a little respite from your teasing onslaught.
Any more of it and there was a high risk he would've accidentally caused another citywide blackout.
You tossed your phone onto an adjacent cushion and just laughed.
No wonder Vox liked to embarrass you so much.
It was downright hilarious and entertaining.
You couldn't help but feel slightly flattered with his reactions though, was your friendship that important to him?
So he really did care after all, what a dork.
The funny high you were running on, much to Vox's chagrin, didn't last long.
So you decided to go back to fucking with your TV headed companion since he usually did the same to you.
"Dudeeeee I'm fucking dyingggg-"
Vox made the mistake of checking his phone in the middle of the meeting and nearly gave himself a stroke upon reading your message.
What in Lucifer's name even happened?!
Last he checked you were completely fine???
He hadn't even left you for-
Taking a look at his internal clock, Vox glitched from sheer panic.
It hadn't even been an hour!
Was this supposed to be a joke??
Were you just fibbing with him?
Or god forbid you were actually hurt and needed help-
He was about to just bolt out of that meeting before another messaged snapped him out of it.
"I'm dying- dying of BOARDom! HAHA see what I did there?"
Vox felt the last of his patience leave him as rings appeared on his other eye.
The absolute nerve of you-!
"Oh fuck off (Y/N)."
With that, he angrily pocketed his phone and once again paid attention to the meeting.
The poor presenter in the front nearly shat himself from how irritated Vox looked, they didn't know that frustration was because of you though.
You just couldn't stop laughing at his reply, not realizing how badly your overlord friend took the joke until some noticeable time passed and there wasn't a single message or notification from him.
Now that started to concern you.
You'd be lucky to get through an hour with less than a hundred notifications at a time-
It's been two and there was still absolutely nothing.
Did something happen?
Was he upset or dealing with something?
Perchance... did you do something to upset him?
"Vox...? Hey, you good dude?"
You grew more concerned as the minutes ticked on.
Whatever it was- Vox was probably genuinely upset.
And you had a gut feeling it had something to do with you.
"I'm not talking to you."
You almost wanted to roll your eyes at his message, was he being childish?
So your hunch was right, you did manage to upset him- somehow.
"Ehhhh??? Why? What did I do?"
"You know what you fucking did (Y/N)."
Not really- that's why you asked.
Your hands dropped onto your lap tiredly as you looked up towards the ceiling.
What... what did you do wrong?
Scrolling up to read your chats, it didn't take long before you realized where it went wayside.
Oh.
"Right, you don't really like it when I joke about dying huh."
"No."
"You never really told me why, and you never cared this much before. You would just laugh it off when I delivered the punchline."
"You're still young (Y/N). You have your whole life ahead of you. Dying puts you at risk of ending up here in hell with me."
"You know that doesn't sound as horrible as you paint it right?"
"Pardon?"
"I'll end up where you are, that can't seriously be that bad."
Vox genuinely wondered if you had a screw loose or something this time.
He continued to try hammering it into you that it was hell he was talking about.
Eternal damnation, the never-ending inferno, etc.
Ya know, where all the sinners went to suffer??
But again and again you would just keep repeating-
"But I'll be where you are, it won't be that bad- it can't be that bad."
Until he finally understood what you were insinuating.
It wouldn't be so bad, because he was there.
He would be there with you.
At that point the state of hell or where you were wasn't important.
Vox could only chuckle at his own foolishness.
Not to mention just how oblivious you were to your own words.
"I guess. Just don't do that again."
"I'll try not to. Besides, if I croak and end up at the heaven gates- I'll put in a good word for you."
"You? In heaven? Nice joke dollface."
"Oh fuck you too Vox, I was being optimistic."
The tech overlord just rolled his eyes, there was a real risk that he could lose you soley because heaven would take you away but he didn't dwell on it.
You were still here texting him, cracking jokes and being your obnoxiously cute self.
You were still on the other side of the screen furiously typing up a comeback of why you would be able to get into the pearly gates.
Vox just chuckled, as long as you were with him in the here and now-
He found he wouldn't care even if hell froze over.
A/N: Our Voxxy is starting to catch feels, well- slightly- he's just in the stages of caring a bit too much but not realizing it's romance yet. Writing this stuff is hilariously entertaining, plus the slow burn is just yummy hahahahah I'll be putting out some more interludes tomorrow but the direct continuation is finished! I just need to post these things chronologically XD
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fuckyeahgoodomens · 4 months
Text
Ooh! A wonderful interview with Rich Keeble who played Mr. Arnold (the one with the Doctor Who Annual :)) in S2! :)❤
Q: In Good Omens 2 you play Mr. Arnold, who runs the music shop on Whickber Street. Were you a fan of Good Omens before joining the cast, and is it challenging to take on such an iconic story which is already loved by a huge fanbase?
A: “There’s always pressure if you’re working on something with an existing fanbase and people might have an idea already as to how you should be approaching something. To be honest I was aware of the show but I hadn’t actually seen it before I was asked to get involved. I knew it was something special though! I remember talking to Tim Downie [Mr. Brown] about how when you tape for certain things you know if something’s a “good one”. Of course by the time I was on set I’d watched Season 1 and read the book. 
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I had an interesting route into the show actually: I was asked at the last minute to read the stage directions at the tableread on Zoom, and Douglas [Mackinnon] the director called me up to discuss pronunciations of the character names etc. To prepare further I quickly watched the first episode on Prime Video, and I was very quickly drawn into it. A couple of hours later I was on a Zoom call with David [Tennant], Michael [Sheen] (with his bleached hair), Neil [Gaiman], Douglas and the whole team, including Suzanne [Smith] and Glenda [Mariani] in casting. After that readthrough I asked my agent to try and see if she could shoehorn me in and she came back with a tape for Mr. Arnold saying “you play the piano don’t you…?” They wanted me to demonstrate my musical playing ability, so I rented a rehearsal studio room in Brixton for an hour and filmed myself playing piano (and drums just in case), then I did my scenes a couple of different ways and I guess it wasn’t too terrible!”
Q: During episode five you mimed to music written by series composer David Arnold alongside a real string quartet – this must have been very immersive! How did it feel to work with David, and bring the ball to life?
A: “I actually didn’t meet David Arnold sadly, but I did work with Catherine Grimes, the music supervisor who is lovely. David was at the London screening but I missed an opportunity to go and say hello to him which I kicked myself about. 
I remember before I was in Scotland there was a bit of uncertainty as to whether I would need to play anything for real or not, so I practised every day playing loads of Bach and other music I thought was era-appropriate just in case they asked me to do anything on the fly. So yes, it was very immersive as you say! They sent me three pieces of music to learn which I practised in my Edinburgh apartment on a portable folding keyboard thing I bought. They introduced me to the string quartet (John, Sarah, Alison and Stephanie) and I tried to hang out with them when I could. On the day we all had earpieces to mime to. I had to mime while listening out for a cue from Nina [Sosanya] from across the room, then deliver my dialogue and carry on playing, which was tricky! The quartet and I helped each other out actually: Douglas would say something like “let’s go from a minute into the second piece of music”, I’d look at the sheet music and whisper “where the hell is that?” and one of the quartet would say “we think that’s bar 90” or something. Here’s a little bit of trivia: the shooting overran and the string quartet couldn’t make the last day, so they found some incredible lookalikes to replace them for the scene when we get lead out of the bookshop through all the demons, although I think they also kept them deliberately off camera.” 
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Q: What did you think of your music shop when you first saw the set? Did you have a favourite poster or prop?
A: “I thought it was incredible! It could’ve been an actual music shop with all the instruments hanging up with the “Arnold’s” price tags on. The attention to detail was incredible, well IS incredible as I understand it’s all still there. It’s hard to pick a favourite to be honest. I did a little video walkaround on my phone at the time so maybe I’ll post that if I won’t get in trouble. Interestingly the shop interior itself was elsewhere on the set to the shop entrance you see from the street. You walk out of Aziraphale’s shop, over the road, through the door of the music shop and… there’s nothing.” 
Q: Mr. Arnold is tempted into the ball by a Doctor Who Annual and is playing the theme in the music shop scene – are you a fan of Doctor Who in real life? And what was it like making those jokes and references in front of the Tenth Doctor David Tennant?
A: “I’ve always dipped in and out of Doctor Who over the years since Sylvestor McCoy, who was doing it when I first became aware of it when I was growing up. Even if you’re not a fan it’s one of those shows you can’t really get away from, so doing that particular scene in front of David was really fun, and of course Douglas had directed Doctor Who as well. Apart from the amusing situation of two supposed Doctor Who fans talking about Doctor Who without realising they’re in the company of a Doctor Who, I also seem to remember Michael being the one to suggest that he would deliver his “due to problems at the BBC” line directly to David.
Oh, and I think it was actually my idea to grab the annual off the harpsichord before joining the queue behind Crowley at the end of the ballroom scene (which we’d shot weeks earlier at this point). When we were blocking it out and rehearsing I knew I had to leave my position and get to the front for my “surrender the angle” line, and then later it just felt like I wouldn’t leave without the annual so I ran back through everyone to grab it. Nobody seemed to have a problem with me doing that so I just carried on doing it when we shot it! I do remember it being a fun set with Douglas and the team being very open to suggestions.”
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Q: How did you balance filming both Good Omens and BBC Ghosts at the same time?
A: “Luckily both shows were a joy to work on, and everyone seems to know about both of them. We were shooting them in early 2022 and I also had a little part in an ITV drama called ‘Stonehouse’, starring Matthew Macfadyen. I usually never know when I’m working next so to have three great TV jobs at once was very unusual. There was all this date juggling and I actually almost had to turn down Ghosts due to clashes. Luckily both shows had to move some dates so it worked out. But yes, I spent two weeks up in Scotland shooting all that Good Omens ballroom stuff, then I came back down to London to do Ghosts, knowing I’d be back up to shoot my scenes in the music shop in a couple of weeks. Now, when I found out who was playing my wife in Ghosts I couldn’t believe it: Caroline Sheen – Michael Sheen’s cousin! She was amazing and that was another great set in general. I say “set”, but it’s all filmed in that house which surprised me. I’d worked with Kiell [Smith-Bynoe] and Jim [Howick] before, and Charlotte [Ritchie] was in the Good Omens radio play a few years ago and a big fan of the book. Charlotte’s very musical of course and we got talking about my folding keyboard I had for practising my Good Omens stuff, and she ended up setting it up in the house for us to have a play on!
Now, when we’d shot all our internal scenes there was this big storm forecast, and our external scenes were scheduled for the day of the storm, so that had to be moved into the next week. It meant I ended up shooting those scenes outside the house, then going straight back up to Scotland to shoot the Good Omens music shop scene the next day! When I mentioned to Michael I’d just worked with Caroline he said “ooh she’s in Ghosts is she!” and revealed that she’d texted him about me which was rather surreal. Then later after the Ghosts wrap party Kiell gave me a part in his Channel 4 Blap, so at the time I felt like I was killing it career wise, but the industry quietened a bit after that and my workload eased off over the year so I was in my overdraft by November.”
Q: What are your plans for the future – can we expect to see you in something else soon?
A: “This year, after a bit of a quiet start, I was very fortunate to work on a Disney+ show called Rivals which stars… David Tennant! I think I’m allowed to say my character is called Brian, and I shot five episodes so that was another really amazing job, and great to work with David again (I told him he must be my good luck charm, although I hope he’s not sick of me). That should be out at some point in late 2024. Other than that I’ve filmed a few other bits I presume will be out next year, one of which is called Truelove on Channel 4 which actually looks really good. That starts early January. Of course now Season 3 of Good Omens has been greenlit, I would love Neil and the gang to have me back on that… but I can only keep my fingers crossed!”
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artist-issues · 5 months
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“At least it's not ferociously attacking God quite as directly as Steven Universe did…”
Not that I’m surprised by this statement, but can you elaborate on this? Kinda intrigued by your thoughts on Steven Universe.
Okie dokie, you’re not the only one who has asked me about this, so I suppose I’ll poke the hornet’s nest. 😅 I haven’t talked about this before because I assumed that everyone who wanted to hear my kinds of opinions on stories wasn’t watching or interested in Steven Universe.
It’s like asking vegetarian if they enjoyed a turkey dinner. The turkey dinner was so obviously not made for vegetarians to enjoy, so why would the vegetarian even bother analyzing the turkey?
But I think if some people are asking me why I think Steven Universe is anti-God (of the Bible) its because maybe they don’t know what the turkey is. Not completely. (Maybe not you, because like you said, you’re not surprised by my comment.) So I’ll explain my thoughts on Steven Universe.
If you’re just following me because you liked some stuff I posted, but didn’t realize that I’m a Bible-believing Christian and don’t want to hear about it, unfollow me now. Because I’m going to talk about some hot button issues here and the trolls will come out.
Steven Universe is really well-done. The jokes are funny, the writing is believable, the characters have great chemistry, great design, the concept is fascinating, the slow build-up and reveal of the plot elements is great. But when you watch the throne room scene in the last episode of Season 5 “Change Your Mind,” it’s alarmingly clear how much the whole show is not just settling for defending and championing the LGBTQ+ worldview—it goes all the way to attacking what Christians believe, on the other side.
Anything that’s pro-LGBTQ+ is doing that by default, but this show goes out of its way to do that.
You have to understand: God created and designed us. Deeper than that; He created and designed romantic relationships, and invented marriage. He didn’t just create love—He is love. So when humans come along and do what we’ve always done since the fall, and say, “I’d rather define what Your thing is and how it works for myself, God,” it’s not only an incredible slap in the face, it’s an attack on God’s actual identity—and it’s destructive for us and the people around us. Like a fish insisting it can breathe oxygen.
But Steven Universe goes beyond that. It knows that the Christian worldview is it’s biggest opposition. It digs right down to the heart of the worldview-battle. LGBTQ+ worldview says, “I should get to love what I want and be who I am, because I’m me. Love is love. (By which I mean, any action or relationship I choose to call love is love, because I’m the one calling it that.)”
Biblical worldview says “No, wait, you shouldn’t base your decisions on you alone; what you want changes day to day, and you’re broken, so you can’t ever be satisfied based on what you want—the Bible says God made you for something, and you rejected that, and it broke you. You’re not how you’re meant to be: even what you want and what you think love is is twisted up and can hurt you and others. But if you submit to God He’ll help you, He’ll fix what’s broken and give you new life by making you how you were supposed to be: He’ll live in you and through you.”
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Are we beginning to get the picture?
See, the whole thing with the opposing views between LGBTQ+ and Christian people is as old as time. It’s not a new debate. It’s Satan and Eve in the garden. She says, “This is not how God said things should be,” and Satan says, “Are you sure that’s what He said? He knows if you do this thing, you’ll be like Him. You’ll be god: you’ll get to decide ‘how things should be’ for yourself.”
He lied and said that disobedience would satisfy her. That she knew what her own heart needed better than the God that made it did. That the very act of being imperfect would make her godlike.
And then Steven Universe comes along and says “if every pork chop were perfect, we wouldn’t have hotdogs.”
And has a cast of created being characters who’s imperfections (Garnet’s forbidden “love,” Pearl’s obsession, Amethyst’s insecurity) are supposedly “the best thing about them; what makes them who they are.”
And has a main character who used to be a part of the god-like creator relationship, but used her power to come down to earth and completely change who she is into a fully different person.
And has a godlike Creator character who claims she “doesn’t need” her created beings (just like the God of the Bible) but they all have a little part of their creator in them so she has to repress their imperfections; she holds them all to a standard that’s impossible to reach called “perfection” and punishes them when they don’t meet it even though it hurts them to try; she expects them all to do what they were created by her for; she fixes them when they can’t meet her standard by shining her light through them and making them extensions of their Creator.
And has a main character who argues, fights back, tries to stop her, and is answered with lines that sound surprisingly like what LGBTQ+ people hear when Christians argue with them: “you’re only making things worse; you’re just deceiving yourself; even while you resist it your actual light can’t help shining through,” etc.
White Diamond just wants everything to be perfect. Like her. She just wants her created beings to “be themselves.” But what she means is, be how she created them to be.
And she’s the bad guy. She’s playing God in this show, and Rebecca Sugar is saying, “If God is telling us that can only be happy by being perfect, as He is perfect, and doing what He created us to do, then He’s wrong. Our imperfections are what make us special—unique—individuals—free—and there is nobody who has the right to take that freedom away from us, not even out creator!”
And you know what?
If God were like White Diamond, like Rebecca Sugar believes Him to be, Steven Universe would be right.
But He is NOT.
God is not a dictator who forces us to conform to a standard of perfection and then smashes us when we don’t meet it. He is a King who made us perfect to begin with, and we rejected him, because He allowed us to do that. He knew that true love was love that had to be chosen, and He wanted us to love Him by choice, so he gave us the option. But Rebecca Sugar doesn’t understand—there was never “Choose God or Choose Yourself.” There was only, “Choose God or Choose Nothing.” There was nothing except God. Then He created everything. There is no version of reality where you have something better than God, or even slightly less good but different, to pick. You’re not jumping from one ship into a smaller one, but at least it’s yours—you’re jumping from one ship into a void, and then complaining that there’s no other ship. That’s humans. That’s not God. / White Diamond didn’t make her creations perfect (Amethyst) and she didn’t make them for love. She made them for power. That’s not the God of the Bible.
Even when we did choose to try and love ourselves instead of God, and therefore warped our ability to perfectly love at all, He didn’t smash us. True, everything fell and was cursed, which is exactly what He warned us would happen if we chose it, but it was a natural consequence of breaking ourselves. And then He didn’t leave us that way. He didn’t give up on us. And He certainly didn’t just zap us, snap His fingers, quick-fix it and turn us all into robots who are extensions of Him, who say they love Him but only because it’s His voice puppeting us to say it.
No. He came to us, chose to give up His life at the exact point on the timeline when Romans, masters in the art of slow, humiliating, torturous death, would be the ones to carry out His crucifixion, and saved us Himself. Through the sacrifice of His own life. And even then, we still have a choice. We get to choose to accept that incredible self-sacrifice when we don’t deserve it, and be given new life and a relationship with the Creator who knows us and loves us better than we can love ourselves or receive love from others—OR we can just keep stubbornly insisting that our slavery to the opposite of what God wants is somehow freedom, and our twisted versions of love are genuine, and we’re not broken, and die like that. Die broken creatures who lived their whole lives stomping their feet and screaming “I’m not a creature, I’m a god!”
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White Diamond sacrifices nothing, because Rebecca Sugar doesn’t know the God of the Bible. She just knows her idea of Him. She’s never actually gotten to know Him. If she had, she’d learn how silly and twisted her idea is.
Because you know what, yeah, if every pork chop were perfect, we wouldn’t have hot dogs. But people aren’t pork chops. And hot dogs have flavor (not better than pork chops) but they are awful for you.
Christians aren’t perfect cuts of meat with no individuality or flavor. Just because we all know and love the same God doesn’t mean we have no personalities. It just means we don’t think so freaking much about what we are, or who we get to be, or what we like and want. Jeez, what a self-centered, narcissistic, self-obsessed way to live. She plays Steven like he’s this wonder-child, innocent and full of heart, who encourages his friends to love and keep trying. But honestly?
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This is very pretty animation but it’s not real. Steven looks happy hugging Steven but self-love doesn’t ultimately get you that.
That’s all based on the premise that what he’s encouraging them to do is actually good, and will make them happy, and will help them love better. And it just won’t. Not in real life. That’s not how any of this works. Self-love is just self-obsession. And that is a sure-fire way to hurt you, and everyone around you.
You’ll never be free by choosing to run to a worse master. You’ll never be satisfied with your crappy attempts at loving yourself, because you were made to be loved flawlessly and forever by someone who is Love Himself.
And choosing to identify with your imperfections doesn’t make you uniquely you. It just makes you exactly like every other human being marching in the same line since the Fall.
White Diamond’s not relational. She’s up high and distant. That’s not God. He made you to be in relationship with Him. He loves you, totally and perfectly, and He proved it by sacrificing for You.
So yeah. That’s the problem with Steven Universe. Come get me, SU fans.
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noneorother · 5 months
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The secret timeline inside of Good Omens season 2 revealed, *part1*
Part 1 l Part 2
If you’ve ever watched a ballet or an opera, you know how the rhythm in the music is used throughout to determine not only the movements of the dancers, but also when lines are sung or spoken. This is almost unheard of in television, but what if I told you it was hidden in season 2 of Good Omens? If one were to, say, meticulously cut together only the scenes set in the present day into one big timeline, you would get one long video that is exactly 2 hours 22 minutes 00 seconds and 00 frames long. An ineffable cut that is so perfect it defies all logic. (I’ve burnt a timecode into this ineffable edit to help pick up the rhythm.)
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Even though there are large swathes of the second season with no music, there is a constant tempo weaving its way through the show: What if the seconds ticking by in the runtime itself was the music? Here’s an example of what I found. Behold a supercut of every single time Shax shows up, or Hell is mentioned in series 2 in the ineffable edit. They always arrive on a 6 in the time stamp (ex: 00:XX:X6).
(SOUND ON is an absolute must here, otherwise you won't hear any of the triggers)
Shax rings Crowley on a XX:X6. Shax miracles herself into the car on a XX:X6. Shax knocks on windows on a XX:X6. Shax’s big scary moment at the bookshop happens at 66 minutes exactly (lol). Crowley calls out for Shax on a XX:X6. Beelzebub starts spewing flies on a 6. People mention hell and it’s always on XX:X6 etc. etc…(Bonus: I also left in Maggie flipping the damned the double-bird on a XX:X6) I’ve also left in the only appearance of Shax or hell at all in the whole series that isn’t tied to a six: the park bench scene with Crowley. Shax seems to be off by one line, showing up on a XX:10, then back to XX:X6 on her second reply: “Bills, mostly”. I can only theorise that this scene, while technically in season 2, is not supposed to *be* in season 2 (even just judging by the trees, sun and the overcoats, it’s not summer like in the rest of the season). And it’s not only sixes! Every time I go through I find more and more little beats that line up exactly with ineffable timings. I can only do one video per post, so I’ll have to cut it up into sections, but Gabriel, doors, car horns, bird calls, Aziraphale, food, drinks, Angels, dialogue, Maggie, Nina, jokes, clocks, bells… The list goes on and on. 
Neil called this season “The bridge”
Because we all know how much Neil loves double meanings and wordplay, I just have to ponder the idea that when Neil said this season was “the bridge” between seasons 1 and 3, he meant it double-literally. First, as in the bridge Aziraphale and Crowley have to cross in order to get them into position for the second coming. We even see the physical manifestation of this bridge leading everyone in the background of the opening credits. But this season is also a bridge in the sense that it’s a musical section that introduces new ideas or material in the middle of a song. This whole season is the music that deviates from the familiar, and re-contextualizes the chorus and the verses so we can appreciate them in a new way. 
Let’s not forget that 2:22 is also exactly the same timing as this (and only this) track from the good omens s2 album (read all about the soundtrack here):
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Why is this so bonkers? I think GOS2 might be the first ever “Total” series of television.
Having everything in the series timed and choreographed would actually make it a very faithful adaptation of the Powell & Pressburger film The Tales of Hoffmann (read about the movie and it’s effect on all of s2 here). If you watch the tales of Hoffman, you will realize that the entire film is actually done more like animation, with the music and vocals all performed in a studio, mixed and edited first, and then the actors came back to act out their choreographed and lip-synched parts for the cameras afterwards. The result is "Total film": a movie that feels more like a ballet, with every movement, action, and line happening in time with the music. As far as I can tell, very few films have ever attempted this, with The Tales of Hoffmann and Playtime being the only two “complete” films I could find in this style. (The Red shoes has one section, and An American In Paris has a few)
“Why would ambitious filmmakers simply film an opera? Many admirers of the work of Michael Powell and Emeric Pressburger have assumed that their decision to make The Tales of Hoffmann (…) was in some way an admission(…) that they couldn’t go on making their edgy, over-the-top melodramas after the rejection and interference they’d suffered, (but) there’s a case for considering The Tales of Hoffmann as one of the finest and boldest works that Powell and Pressburger produced, so far ahead of its time as a wholly “composed” film... Late in his life, Powell himself said that he thought it was one of the best films that he and Pressburger had made.” - Criterion review, Tales of Hoffmann
Here’s a simple example from An American in Paris
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If season 2 *is* scripted and choreographed to line up with specific timings, I’m pretty sure that would make this the first ever “total” or “composed” season of television ever attempted. Not only does this take an ASTOUNDING amount of planning, scripting and editing finesse, not to mention a completely controlled set, it takes a real understanding of how to perform as an actor using rhythm and metre, which would go a long way to explain why all of the main actors coming back for season 2, with the exception of John Hamm, are well regarded theatre performers, (especially of Shakespeare).
I’ll leave you with one last surprise I found in the discovery of the ineffable edit: remember Aziraphale’s smile at the very end if the credits? It happens on 02:23:03, as the first step off the bridge, and into season 3.
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I will have much more in the next ineffable timeline post. Stay tuned…
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Thanks for reading all the way to the end. It’s taken me a solid month to get this perfect. There are so many hidden cuts and jumps to take into account, and I had a frame rate issue that kept exporting to 29fps instead of 25fps, but I’ve finally nailed the ineffable timeline enough that I am confident sharing in it.
Credits to @thebluestgreen and @embracing-the-ineffable for all the support and help with editing and just general good vibes. 
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cultrise · 6 months
Text
ABS RIDING. GOJO SATORU
𖦹 CONTENTS NSFW, crushing on gojo, semi-public sex i guess ??, praise, idiots in love, suguru is the mvp fr, fingering, riding gojo's abs ᵎᵎ wc 2.1k
ᵎᵎ check the mlist for kinktober here !
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you were sure you were fucked when you and your two best friends, satoru and suguru, were assigned a mission in okinawa.
you had finished the mission early and decided to spend the last day at the beach, on a little one day vacation. you didn’t think much of it, it was just a cute little outing with your friends.. well, if only you didn’t have the biggest crush on satoru, that is.
the second you arrived at the beach, satoru stretched up, ready to take a dip into the cold waters of the ocean. and that, of course, implied him taking off the beach shirt he was wearing, which was something you hadn’t really thought of before. you could practically hear the heat trickle up your whole body as satoru remained dressed only in his swimsuit and jumped in the water, filled with excitement. and worse? suguru had noticed.
a chuckle hit your ears as your eyebrows furrowed “what’s so funny?” you knew what was funny. suguru knew about your not-so-tiny crush on gojo, you had drunkenly confessed to it one night and begged for him not to tell the next morning. not that he had to hear it from your mouth, of course. it was pretty obvious.
suguru smiles, lounging back into his beach chair “you might burn into satoru’s skin, with the way you’re staring” he muses as you gasp. your palms start to sweat as you glance back at the white haired that was diving on his own, looking for sea life.
“is it that obvious?” you whisper as suguru chuckles in approval “stop laughing!”
“why? it’s hilarious” suguru turns to you before taking a sip from his cocktail “you really should tell him, it’s so annoying seeing you dance around each other like wild animals during mating season” you scowl at the analogy.
“if you tell him i’m breaking your neck, suguru” you threaten, gritting your teeth as your hands ball up into fists. suguru stares at you, unshaken by your threats.
“oh no… whatever shall i do?” he gets up, grabbing his wallet “you need to tell him” he groans as he stretches his hands.
“show-off” you scoff at his subtle display of power. after all, suguru was the second best sorcerer after his best friend, you both knew you had no chance of actually doing any damage to him “i’m too scared to..” you trail off as you nervously play with your fingers.
“trust me” suguru places a caring hand on your shoulder before walking away “here’s your chance”
“wait, where are you going?” you panic as he turns with a smile.
“to get some snacks. will take a while. have fun!” he winks as your mouth hangs as low as your knees go. as soon as you turn around, you're met with the tall, lanky figure of gojo satoru, emerging from the water as droplets race over his neck, chest and abs. he brushes his wet bangs backwards, looking at you with a confused expression.
"where's suguru?" you try to find your words, gulping as he approaches. you find it impossible to not glance at his torso "uh.. went to the store.. i guess..." satoru follows your watchful eyes and grins once he realises your pupils moved alongside the water droplets trickling down his hot skin.
"oh yeah? guess it's just us then, huh?" he continues to smile, his words making you snap out of your daze "guess so.." gojo leans to the side, grabbing a towel as he dries himself up. you forcedly turn your head away, not trusting yourself enough to not stare him down.
"y'kay?" gojo asks, a hint of amusement in his voice. you nod, pretending to check your phone as you dig your teeth into your lip. he was doing it on purpose, he had to be. you started to sweat as you thought back on the conversation you and geto had.. he couldn't.. he wouldn't possibly...
"are ya looking away 'cause you're scared i might notice the way you're staring at me?" satoru pouts, cocking his head to the side innocently as your face goes white. "s..sorry?!" the oxygen has completely disappeared from your lungs. how could he say it so casually? how did he know? were you really, truly that oblivious to your own obvious behaviour?
satoru's lips twist into a wicked grin as he bends down to your eye-level, face a few centimeters away "y'heard me" you breath hitches as he gets even closer, lips almost pressed against the shell of your ear "question is, what will you do about it?" and before you get to reply he's strutting his way into the men's changing room, making sure you saw which stall he entered.
you stood there for a few good minutes, completely frozen. was that an invitation? what did he mean by that? was gojo actually interested in you? he couldn't be. maybe he just wanted to get into your pants. but.. would that really be so bad? it was gojo satoru after all.. and even though he was a cocky bastard who's ego reached beyond the moon, you knew for a fact that he fucked good. and you were determined to find out too.
"oh? what took you so long?" gojo snickers as he watches you, eyes full of intent. the changing room was small, barely fitting the two of you and was so dimly lit you could barely make out his features. but you already knew satoru, you knew exactly the expression he was wearing right now... you were also quite thankful he couldn't see yours - or that he pretended he couldn't.
in a fit of impulsiveness you march over to his spot, tip-toeing to reach his face "can you shut up and kiss me?" you hope he doesn't hear the subtone of desperation in your demand. he only chuckles, big hands sliding along your waist as he pulls you into a kiss. you take note of the soft kisses he applies to your lips, as his own shake. his thumbs caress the sides of his face, body melting against his before he pulls away.
"wanted to do that for a while..." his whole demeanour is crushed, the vulnerability and uncertainty that weighed his mind now rising to surface. gojo satoru was, in fact, probably more nervous about this than you were.
"yeah?" your eyes start adjusting to the dark and you take note of the man in front of you, reduced to nothing but a lovesick schoolboy. your finger pads trace the outline of his lips "why now?" his fingers dig into the hot skin of your bare back before he replies, smile reappearing on his visage.
"might've asked suguru to leave so i can have you all to myself.." you smile back, rolling his eyes. of course he did. your hands slide down his neck and rest on his buff shoulders.
"and what did you expect to do once you had me all to yourself?" you whisper. satoru is suddenly reminded by the painful boner in his pants. after all, he had also noticed the way the two-piece swimsuit hung on your figure, how it complimented your curves, how the colors on it matches the ones in your eyes... his only advantage to get away with staring at you so shamelessly were his glasses.
everything after that sentence is a blur. you remember satoru saying something, you don't remember what. you remember how the second kiss comes in differently, messier, hungrier, sloppier. you also recall getting spun around harshly as gojo presses his clothed bulge to your ass and starts rubbing your clit through your panties. he was saying some praises to you.. you don't remember what.
needless to say, your mind clouded the second the whole ordeal began and now, gojo had, funnily enough, wrapped you around his fingers. no, literally.
"fuck, look at how she clenches around 'em" satoru's now hoarse voice signals as he watches the way your pussy sucks his two fingers in, completely ignoring how hard you were attempting to keep quiet. "you want me this much, huh? don't ya, princess?"
"s..shiiiit.... don't call me that, satoru!.." the sentence comes out in a whine, making him chuckle as he lowers himself to his knees for a better view. his lips find their way to your thighs as he sucks, bites and kisses on them, eyes still glued to your cunt.
"look at how she's begging for me... hear that?" god, he was foul. he knew he was getting you annoyed with his comments but.. you had to admit, the sounds your pussy made were absolutely lewd, downright filthy. you just wished he'd shut up and split you open with his cock already.
and as he pulls his fingers out, your eyes trail to the band of his swimsuit boxers, waiting, expecting... he surely wasn't going not fuck you after pulling his fingers out of you right before you came.. right?
you yelp as satoru picks you up, sitting down on the chair in the corner of the dressing room and places you on top of him. his hands pull his boxers down, only slightly. your eyes look for his in the dark as satoru rests his palms on your thighs.
"say, if you love my abs so much, why don't ya get off on them?" you're in disbelief. so he wasn't going to fuck you. great, just great. however, the idea wasn't exactly uninviting.... especially considering how good your pussy felt when satoru pressed his toned torso against you with a small smirk.
"come on, pretty... let me see you take care of yourself.. let me see how much my good girl wants me" and the second you heard 'my good girl' your mind went haywire again, ready to accept and fulfil any demand or request.
satoru groans as he feels you start to drag your pussy against his stomach, palms clasped around his neck. with every movement, you could feel the ridges of his toned abs which only made him tense up so he could hear you whine under your breath about how good he felt.
"thaaaat's it.... good girl.. fuck, such a needy pussy.." satoru praises as his hands travel along your body, one hand helping you out by guiding your hips along his body. your nails dig crescent marks into his pale skin, hot breaths fanning on his face as you move faster, eyes shut tightly "feel good?"
"ahh... yes, please!" you half-yell, still trying to restrain yourself, just in case someone was near. satoru hides his face in the crook of your neck so he can suck marks into your skin while also hiding the way his lips part in arousal, cock throbbing and begging to be let out of his boxers.
"please what, baby?" satoru purrs before licking a long stripe against your neck, just below your jaw. you let out a huge breath as you grind your hips so far back that your puffy clit meets his happy trail, coating it in slick.
"need you... 'toru" you mewl as satoru let's out a quiet 'fuck' against your ear, pressing down on your hips so you gain more friction. hearing you slur his name made him lose his mind as he begged you, in his head, to cum already, just so he can fuck you stupid after so long.
thankfully for him, it doesn't take long until his request is fulfilled and, biting into his shoulder, you cum all over his stomach, body trembling before going limp on top of his. his left-hand travels all the way up to your head, caressing it gently as he kisses your temple and mutters about how good you were for him.
"satoru... i really like you" you confess suddenly, overtaken by adrenaline as you played with the necklace he had around his neck. gojo smiles as he helps you pull your swimsuit back on.
"so do i, princess" and he grabs you by your jaw, placing another swift kiss to your mouth. "can i show you how much?" he whispers. you nod in response, letting yourself get picked up and carried out to the car and then up the hotel stairs until you reached the room. right before closing the bedroom door, satoru is quick enough to send a text.
satoru ٩(^ᗜ^ )و ´- : do me a favour and don't come back to the hotel for two hours. thanks suguru!!!!
suguru (¬_¬") : you're both so disgusting.
suguru (¬_¬") : congrats.
suguru (¬_¬") : you owe me lots of beers after this.
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© cultrise | don’t steal, copy or translate my works.
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starlight-bread-blog · 7 months
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Why Stolas is a Terrible Person/Character
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Oh this will be long. In this post I will cover why Stolas is a character that fundamentally fails at everything it tries to accomplish. I probably have to say that you can love Stolas. That's just why I hate him.
Trigger warnings for: Racism, casteism, power dynamics, sexual assault, sa apologism, abuse, and neglectful parenting. A lot, I know, but that's Stolas.
His Actions in S1
Despite the title, there will be two examples from season 2.
Racism/Casteist
Stolas is from the upper caste, a royal. He seem to often fetishize imps, or the fact that he's sleeping with someone who's less than him. I even saw fans pointing this out. He have empathized Blitzø being an imp in a sexual context.
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(Notice the use of words: "little", "plaything", to me this is blatant racism and fetishism).
He also showed a certain lack of empathy for his imp butler.
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Stolas isn't particularly violent, he doesn't choke people left and right. He's just angry, at Stella, so he decides to.. choke the imp.
Stolas has been dehumanizimg imps. Fetishizing an imp for being an imp, calling him an "impish little plaything", and he has been willing to choke an imp just because he was angry at something unrelated. He's racist and casteist.
Treatment of Blitzø
"Treatment" is putting it lightly. In the first episode, Stolas does something inexcusable that will taint their dynamic for all of season 1. First, he sees Blitzø in a vulnerable position, where he cannot think or negotiate. Thus, stripping him of what little choice he has on what he's about to offer.
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What Stolas is saying is, "Fuck me or I'll shut down your business". This deal he makes is just a threat with extra steps. Which, is a real life abuse tactic called Quid Pro Quo:
"Quid pro quo harassment occurs when someone in a position of authority over another directly or indirectly demands sexual favors in exchange for some benefit, or to avoid some detriment in the workplace".
One element I haven't brought up yet, is the political power imbalance. Stolas is royalty, one with a lot of power, influence, credibility, etc. Blitzø has non of that. Other characters have commented on that the fact that Blitzø even has a business is a miracle.
There are so many layers of imbalance and how Blitzø has no choice or agency. A royal is """offering""" the powerless a Quid Pro Quo while he's in a life threatening situation.
And their dynamic looks exactly like you'd imagen. Stolas is consistently sexualizing him against his consent. (As it's been established, Stolas's racism feeds into this). And refuses to do the surface level courtesy, not even calling him his real name (x).
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Stolas treats Blitzø as a lesser being, violates his boundries, forces himself on him, and strips him of all autonomy.
Faliure as a Father
Stolas's role as a father is directly tackled in Loo Loo Land and Seeing Stars. At the beginning, both episodes show Stolas being a good father to Octavia, but does this still hold true in the currect day? Well, no.
In Loo Loo Land, Stolas wants to take Octavia to a theme park. Octavia is 17, and Stolas ignores her when she says she doesn't want to go. (In retrospect, Stolas coud be oblivious because he's projecting onto Via his experience meeting Blitzø).
But that's just the start. Stolas then invites Blitzø to the trip and harasses with him all throughout. Essentially, Stolas is forcing his daughter to watch as he harasses "the homewrecker", all the while he's supposed to be with her, on a trip she didn't even want to go to.
After a whole day of this, as expected, Octavia runs away. Stolas chases her. (And of course, he's still thinking of Blitzø on his way to find Via). There's an apology scene that looks deep, but when you dissect it, it's rather empty.
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Stolas never actually provided an explanation as to why he just did what he did, nor of the "drama" with Stella. There is nothing here. Octavia only makes up with him because he said he isn't gonna leave her. Which is bare minimum.
After he realizes that his affair hurts his daughter to the point where she feared he's gonna leave her, what does he do? What practical actions does he take to improve? Divorce Stella? Cut off his deal with Blitzø? Explained the situation?
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Nothing. And now we see he's willing to stand up on a stage and let people know.
In Seeing Stars, Stolas bashes Via's mother to her. Which, does she know about their situation? Does she not? She isn't shown to hate or.. anything Stella. Is he hiding the situation (which I'll cover), while also trashing her mother? That's impulsive and negligent.
But that's nothing. She later runs away, Stolas is stressed as he should be, but the second they arravie on earth he's all calm and everything's normal.
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When his daughter is missing. When he is shown to be stressed, it's for the sake of plot. But he's willing to just chill, watching Blitzø's show.
Stolas is, dare I say it, neglectful. He might care about his daughter, but he's proven that she's not enough of a priority to focus on her when it matters.
Cheating
Yes, I know what ended up being revealed, I'll cover that. In season 1, the relationship is presented to not be perfect before Stolas cheated.
But there were instances that showed that what Stolas did changed their relationship for the worse. (Some additional rebuttals).
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It could have been a loveless marrige, they could hae fallen out of love, they could have been arranged. But their relationship was manageable. Love or no love, it's a committed relationship. and Stella didn't deserve to get cheated on.
Who was Stolas?
Stolas's behavior is common among royals. Stella has no problem throwing said butler at Stolas (S1 E2), and the Goetias are shown to be casteist. They're untouchable privileged assholes.
Stolas was born that wealth, never having to suffer the consequences of his actions. Always putting himself first, hurting others. He doesn't mean to, he wants for everyone to be happy, he does care.
However, when it actually matters, he acts on his worst tendecises with no self control. He never had to learn self control. That is, until Ozzie's.
Before Ozzie, Blitzø and Stolas are at obligation. Stolas's actions had tainted them. There was one redeemable moment: He saved Blitzø's life. Stolas did something for him. But this one act of goodness doesn't magically fix anything.
Stolas's family life have been escalating. Stella hated Stolas for cheating and his daughter just had to take it. In Loo Loo Land, he learns the full weight of the damage he caused. And in the next episode we see him, he proceeds to take no steps to improve the situation. In the end of that same episode, we learn that Stella hired an assasin after him. Because he did nothing.
The season 1 finale, Ozzie's, is aware of all of this and absolutly delivers.
The episode starts with seeing Stolas alone, in his big house, miserable. It appears that Stella finally left the house. (Also he later says "Octavia is with her mother this weekend"). He's eating a bowl of cereal, pitying himself, wallowing in his despair. You feel bad for him, he looks so torn down.
And then Blitzø calls. The one he loves, asks him on a serious date. It's hope, it's honest, and it's exactly what he wanted. It's almost as if the universe handed him is fairytale scenario.
Almost. Reality smacks him right in the face on that date. Asmodeus calls him out on losing everything he had. He had a family, a happy daughter, but gave it all up for an affair.
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Blitzø calls him out on treating him like a pet, not earning any of that emotional connection he wants or even communicating it, just violating him, they have nothing.
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The show held him accountable and called him out. While it's not perfect, Stolas is a morally grey character. Now, a character arc was set up where he learns to treat people better. Stolas is exactly the character I want to see from a show like Helluva Boss. He's a horrible person, but nuanced, who does care.
Season 2
Yeah... all of that is thrown out the window. Because apparently, Stolas is just imperfect. He simply made a lot of mistakes. He misread a lot of situations, really it's all just an accident. He's an oblivious victim. So, let's get into the woobification of Stolas.
Surrounded by Evil
In The Circus we're given Stolas's ✨️backstory✨️. And we find out he had such a terrible life.
Stella is, and always was, an abusive evil bitch. From the day she was born. Pure evil.
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So you see, Stolas did nothing wrong. Let me be clear, you are not obligated to stay loyal to your abuser. We can erase "cheater" off the list. But that's the only reason why it's done. So we can erase that off the list, and that we could feel oh-so-sad for him.
Because Stella isn't written to be an abuser. She's a cartoonishly evil. We see a picture of her as a kid where she's the same person. Spongebob villians have more depth than her, you know, the abuser in the adult show.
Helluva Boss reversed an established dynamic where Stella is the victim and Stolas is at fault, except without any of the depth or nuance.
But that's not all. Stolas's dad (Paimon) is also neglectful. By "neglectful" I mean, of course, a Saturday-morning cartoon villain.
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He doesn't remember his name. This is such bullshit. I can buy Stolas having a horrible father. It's also not bad to show Stolas's trauma. What is bad is that the subject matter is handled with less seriousness as the fish fight in Spring Broken. And Helluva Boss did write Crimson as a serious abuser, the episode did have comedy, but not Paimon.
The reason why all of this is happening, is so we could feel bad for Stolas. They do zero of the work to earn a good story about abuse, but still go "Do you see how sad he is? Look at how they're treating this poor baby!!"
"Recontextualization"
In said ✨️backstory✨️, we also learn that Stolas and Blitzø are childhood friends. But also not really, they just hung out for one day. Where did this come from? How does that enrich the characters? I would tell you, but I don't know. However, what I'm sure of, is that it's done to make Stolas look less problematic.
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DO YOU SEE HOW CUT THIS IS? He isn't just horny for that imp, he is special, it's absoultly pure! Don't worry, totally safe.
Later in the flashback, we see how Blitzø and Stolas reconnected after over 20 years. Apparently... Blitzø was the one who sexually manipulated Stolas, selling him that he wants him.
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All Stolas did was just buying into Blitzø's narrative he was imposed on. It's a role he leaned into, because he thought Blitzø liked it. I.. WHAT???
If this horseshit is true, why did he make this weird r*pe deal with Blitzø? If Blitzø was the one who acted like he's interested at first, and he was sexually exploiting him, why did he lash out at Stolas in Ozzie's? Did it just hold no weight for Stolas? It went from "Don't pretend to have something when you've been harassing me this whole time" to "You misunderstood".
The Stolitz backstory makes no sense, it's cheap, and fixes nothing. No matter what the story is trying to sell, in season 1 Stolas knew what's happening enough to try to force it. And maybe Stolas wanted Blitzø because of a connection, he still harassed, dehumanized and violated him.
Note: Stolas realizing "he imagened the relationship" is completely ignored one episode later in Seeing Stars. This is a huge deal, didn't he learn? Just further evidence that he's willing to violate the guy. (x)
Before this backstory, we had a story of a selfish man hurting the person he loves while explointing the broken system and the power that he has over him for his own selfish desires that he's forcing on him. Now, we have the same thing, but with fanfic tropes – and the story refuses to confront that.
Casteism is Brushed Off
Helluva Boss pretends that Stolas isn't racist, because he didn't want Blitzø for being an imp, but for being his fanfic trope childhood friend. Which fails to adress the disgusting fetishism of Blitzø for being an imp, and he also continued to dehumanize his imp butler in Seeing Stars. He's still racist.
Imperfect Father
In The Circus, Stolas devivers this line: "The only reason I have endured your constant insults and cruelty, was for that girl to have a normal life".
Sounds impressive, he stayed all these years just for his daughter. But that's the thing – it sounds impressive. Every time their relationship is the focus, Stolas is being the scum of the earth. What I see here, is a person. A person who despite being willing to stay passive, acts on his his selfish wants, forgetting to look around him. Mind you, this fact is also being revealed one episode after Ozzie's.
But no, one episode later, in Seeing Stars – that was covered as a prime example of everything I just descriped – Loona says this:
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Yeah. He's just a good father "trying" his "best" and makes some.. "mistakes". The Circus did present Stolas as this, but Seeing Stars really solidified how his parenting will be handled moving forward. And I think it's comlete and utter dogshit.
Damsel in Distress
The title is a bit misleading. This section is mainly about Stolas's power being toned down. Both magical and in presentation.
In season 1, he was energetic and enthusiastic, while being able to set his foot down and intimidate when needed. He's still all of those things, but in some instances his characterization made my raise an eyebrow.
In Seeing Stars, he's being weirdly gentle with people kidnapping Blitzø and are later beatting him.
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In Oops, he's excited to start negotiating with literal kidnappers. I have no idea why he's so nice.
(He did harass Blitzø again in Seeing Stars and bashed Striker, all of which isn't soft, but it's also the two moments where he should have shut up).
Further more, both of these conflict rely on Stolas not using his powers for some reason or another. Why didn't he just do whatever he did in Truth Seekers to track Fizz/Via?
About Via, I'm gonna have to call bullshit on the "My powers are limited on earth" nonsense because, for starters, kid Stolas is shown to remember the contents of his books and now he's been studying them for years. And two,
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There is no excuse for Stolas to not use his powers and whenever the show says otherwise it's bullshitting its way out of it.
Even in Western Energy, before Stolas gets captured he was just aimlessly going in and out of his demon form. Why didn't he turn him into stone like he did in Loo Loo Land?
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Stolas has been presented as weaker than he is. He's made to look more vulnerable, less "above it all". He was untouchable, and when he wasn't, it had a harder impact and made sense. Now, I almost forgot he's a powerful demon.
And his characterization is at the core of this issue. At times he's just so kind and gentle with people who should get smacked in their heads.
What about Ozzie's
The big clash, the one that called Stolas out on everything, the one that set him on a genuine path to grow, what about it? How is it adressed while the show tries to pretend he's a good person?
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No, not the message Stolas is looking at, the ones in the background he just scrolled through.
I'm not breaking this down. I refuse. The only reason I put it here is to show how fast it goes. I'm not touching that.
Who is Stolas
Stolas is a moral scapegoat – "a character that is bad, but the book/movie/show portrays them as good". It's characterized by the story twisting itself to make one character look good.
Stolas didn't start out as one, but became one over one season premire and it just kept escalating from there.
Helluva Boss takes place in Hell. A horrible place filled with horrible people, the root of all evil. Stolas fits right in there. He was already problematic, awful, fed into Helll's broken system. Why trying to cover up his faults? It's Hell, and it was great. But now, we're supposed to pretend he's just flawed.
With the show actively ignoring everything he did, what's left for him? What does he have to learn? How will he grow as a person? How will he improve? What's his character arc? It's nothing. Because everything that happens to him isn't his fault, and at times could just be solved with one conversation.
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teeny-tiny-revenge · 28 days
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Came across this in a fic again and I have to vent for a moment here: Ed's hair isn't unclean or not taken care of. Ever. Even at his lowest, in the first two episodes of season two, his hair is light and blows with the wind, it's got perfect waves, there is zero grime in it. Impossible Birds Ed hair has clearly been fairly recently washed, combed out and conditioned. Ed canonically loves soap, and you don't get that hair without owning a comb or brush and frequently working oil into it. He's at sea! The air is salty! It'll dry out your hair, but Ed's hair doesn't ever look dried out. The day he decides to commit suicide he puts his hair up into a lovely bun, with whispy stands framing his face. I have no idea what some people are watching, because Ed taking meticulous care (and most likely also putting pride and love) into his hair is clear, on-screen canon.
Like, if you want to write about how he was neglecting himself in his depression Kraken era? There's plenty there for you on screen as well! He sobs all night, probably sleeps on the floor if he sleeps at all. He doesn't wear his knee brace. He drinks and does drugs (and admits to that being poison to Frenchie!). He's pushing everyone away, he's pushing himself hard into a role that made him passively suicidal even before the breakup depression. He doesn't watch his back during raids At All. There's so much self harm there to address. If you want to, it would probably be plausible to add him not bothering to properly care for any wounds he might obtain during a raid. But he clearly doesn't neglect bathing and hair care. They're probably the only elements of self-care he actually still does during this dark time!
Even rock bottom Ed doesn't neglect his hair. And that says things about him! It's also something I'd love to see actually addressed in fic (will probably write it myself one of these days...): Taking good care of his hair, putting on jewelry, doing his makeup, these are things that seem to bring Ed joy or relief in his darkest moments. Where's my fic about these quiet moments of self-care being a straw he clutches to when everything else is terrible?
I love a good bathing together/doing each other's hair fic. It's intimate and loving! And Stede and Ed are prime material to write a mutual caretaking and bonding over it couple! Ed canonically loves soap and taking care of his hair! And Stede brought an entire fucking bathtub on a ship, the wonderful madman. S1 Stede's hair is always carefully curled, and we know that's not its natural state (it's wavy but not in this manner) from seeing him in S2, away from his certainly plentiful bath and grooming equipment. Stede probably has an hour of daily hair routine! We know he has nice smelling, probably expensive soaps. Where's the fic where they share in this?
There's so much potential! They can show each other their favourite care products! Sometimes they'll work on each other and sometimes not at all! Ed's rich hair oils will make Stede's hair all sticky and weird! Ed will think it's hilarious and adorable, he'll try to ruffle his hair and make it stick up worse and Stede will pout! 🥺 He'll look like this, just with weird spiky hair! One ill-advised day they try putting Stede's curlers in Ed's hair and then they almost can't get them back out because Ed's hair is so long and has lots of natural wave and it'll cling to the curlers and it's awful (they laugh about it afterwards, once Ed has very carefully brushed his hair out again and it no longer pulls at his scalp).
Makeup was a thing done by men and women at the time, especially for aristocrats (as seen in Episode 5), so Stede will know his way around hoity toity makeup, meaning rouges and whites (contained lots of lead, yuck!). Meanwhile Ed does pirate costume makeup for Blackbeard endeavours, that's a whole different thing. And both of these are makeups they don't actually enjoy doing (Stede avoids heavy makeup for the party, and Ed's Kraken makeup is part of his whole Everything Is Awful And I'm Making Myself Feel That look). But we see Ed do nice makeup that seems to be him! On his supposed to be final day on Earth, he cleans away all the Kraken coal, he cleans up his cabin, he gets rid of drugs, booze, Izzy (everything that was harming him), he does up his hair really nice and in a style that's very much Not Blackbeard, and he puts on a gorgeous bit of eyeliner that really brings out his eyes. And now that they're safe and happy together, when Ed decides he wants to look pretty today, not only can Stede lose his marbles over the look, Ed can also show him how to make his own eyes pop like that. They can stand in front of their mirror together, giggling and trying not to poke anyone in the eye.
Like. This is a fancy bathroom items for fancy bathroom items couple. They will bond over their love of bubble baths and nice smelling soaps and soft oils for hair and skin! They will learn each other's routines and how to do them just right for them. Let Stede learn that Ed loves his baths scalding hot (Stede has to wait a while for it to cool before he joins him in the tub because he'll get all pink and lightheaded). Let Ed learn how to put in Stede's curlers for him if Stede wants his hair to look extra fluffy the next day. Let Ed learn to massage Stede's back and Stede learn to massage Ed's knee. There's so much potential for loving caretaking with this ship. The trope doesn't at all require Ed to not know or not want to take care of his hair and hygiene. Fuck's sake.
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coccinelle-et-chaton · 2 months
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OK OK I FINISHED BINGING THE ENTIRETY OF NATLA AND I GOTTA SAY IT WAS A GREAT ADAPTATION!!!
Here are my thoughts so far:
The parts where I still had my reservations for the first half were definitely addressed in the second. There were more Kataang beats, especially in the last three episodes.
Please that whole part before the zutara showdown where Aang goes like "go easy, enough ppl have suffered" and zuko is more or less like "lol it's cute u think i'd hold back" and then aang has this proud little smirk like "oh i wasn’t talking to you"😏 Also his proud little smirk when Katara is fighting Pakku PLEASE HE IS GOING TO BE THE PROUDEST BF
They covered the most important points and had a decent few scenes of fan service, loved that.
However, the adaptation is not perfect and there are definitely parts that were lacking, at least to me. Primarily, I think they did our girl Katara a little dirty not emphasizing as much on her arc as opposed to Sokka's, for example, and also the way her ascension to master was pretty telly instead of showy
There was definitely something to love in every episode, but I think the weakest ones have to be Omashu and Spirited Away.
My ABSOULUTE FAVORITE episodes were Into the Dark and Masks. Dallas, Paul, and Gordon did SUCH a great job in them. I cannot WAIT for the proper leaves from the vine scene and also to have more of zuko interacting with aang.
ZUKO IS BABY BOY AND DOES NOT KNOW ANYTHING NOT EVEN ABCs 🥺🥺🥺
My favorite was Zuko by far, yes. I think the performance and the was he was written struck the best balance of that goofiness and tragedy atla is originally known for. That’s not to say the other kids didn't do a good job, but Dallas' Zuko was by far the best imo
I understand now what the showrunners meant by making the show more mature and serious. I cannot say I didn't like it, but I can see it being an acquired taste especially for the part of the fandom that is more purist/demanding. I like that the focus emphasized more on the consequences of war and that it reflected on the cycles of violence and hurt, what they do to a person and how the wounds pass down generationally. I think this emphasis on war, compassion, kindness, all those things are definitely an important message in this time and day. However, it is a little too serious for my taste, PRECISELY because of the times we are living in. Back when the OG came about the world was in a time of relative peace. But now we get pictures of carnage and genocide mixed in with videos of cute puppies, so it's definitely a different place. It was much easier to understand the gravity of the genocidal/bombing scenes imo, almost to a point that they seemed watered down/kid friendly compared to the real thing that we see on our phones everyday. Because of that, I think erring more on the comedy, the balance between what it ACTUALLY means to be hopeful and not just talking about it, is the one thing the show could improve upon for next seasons.
All in all I am VERY pleased with the adaptation. There were moments where I definitely bawled my eyes out, shouted, and laughed the same way I did the first time I watched the show. All I can say is, for those still on the fence about watching it, so long as you go in with an open mind and with the explicit objective of enjoying yourself, it will be a fun watch.
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tomsvouge · 4 months
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Call it what you want
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Summary- You and Joe attend his Heisman ceremony. What you don’t know is that Joe has something up his sleeve for after the ceremony. Warnings: Fluff, References of sex
Being friends with Joe was a reward in itself, but seeing him achieve a goal of a lifetime is worth more than any award there is.
Getting ready in the hotel room in New York City was not on your bucket list for 2019 but hey I was not complaining. Joe was up for the heisman trophy and you could not be more proud of him. Knowing what he has endured up to this moment would make anyone have nothing but respect for him.
Joe and I have been friends since middle school. All I remember is a shy kid hesitant to find a seat somewhere. Calling him over to sit next to me was the best decision I have ever made. Although what I didn't know was I was going to be falling for him as the years went on. each day that went by I always noticed something new about him, like the way he gets all giggly when talking about things he loves, or when he gets tuned vision when he is really really focused on something.
Having these feelings for Joe meant that every little thing made me jealous. Like when girls fond over him or when girls literally come up to him and flirt with him. Before my thoughts took over me I got pulled out by Joe calling my name.
"Y/n!"-Joe
"yea what's up"- you say sitting down the makeup brush.
"Which tie should I pick?"- Joe says holding up two purple ties that look almost identical
"Go with the one without the gold it kinda washes you out"- You say taking the tie from him to put it on him while he laughs at your remark.
"Can't even catch a break on my day huh?"- Joe says shaking his head laughing.
"Hey just because your winning an award doesn't change the fact that your still easy to make fun of."- You say while fixing him up so he looks put together.
"There you go. Nice and proper."- you walking back to finish your makeup
"Thanks and I haven't won anything yet, I'm just a nominee."-Joe says following you and sitting down on the bed next to the vanity watching you apply the finishing touches.
"Oh c'mon, Joe we all know you have this award in the bag. You have had heck of a season and most of all you deserve it more than anyone."- you say turning to him and grabbing his hands.
"Everyone believes in you Joe not just your family. You pretty much have the whole state of Louisiana supporting you tonight as you are their adopted son apparently."-you say as Joe looks up and laughs at the adoption joke.
"Thank you y/n. You always know how to bring my confidence back up."- Joe says looking at you with a little glimmer in his eyes.
"Oh! also can you help me zip up my dress?"-you ask standing up and turning around so my back faces him.
"Yea sure."-Joe says slowly zipping the dress up.
"There. And thank you for always being there, it means a lot."-Joe says while you turn around to look at him.
When turning around you had no idea how close you actually were to Joe, so close that your chest was literal centimeters away from his.
Looking into Joe's eyes gave you a wash of euphoria. Something hat only his can do, and he felt the same way about yours. Every stolen glance he takes at you when you aren't looking and every little gesture he does to show that he cares.
As you guys stared into each others eyes, it was cut short by Robin and Jimmy clearing their throats.
"Time to go guys!"- Robin says as she looks at us smirking.
"Yea okay."- we both say at the same time while they leave the room.
"Wait! Joe before we go gets take a picture."-You say opening the camera app and taking the picture,
"okay lets go y/n, this could turn into a whole photoshoot with you."-joe says laughing and guiding me to the door.
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Walking into the ceremony felt unreal. Before it started we talked to a couple of joes coaches and other nominees.
A few minutes into small taking we were told the ceremony would be broadcasting in a ew minutes and we had to take our seats. before I went to my seat I decided to give Joe some more words of encouragement.
"Hey Joe just remember what I told you in the hotel room, you have all the support in the world right now, win or lose we're so so proud of you."-you say as he was staring u at you with admiration in his eyes.
"Thank you y/n."- He says with a tight lipped smile.
I could tell he was nervous. Joe only smiled like that when he was nervous or when he wanted out of a situation and didn't want to make it awkward.
As I'm walking back to my seat I couldn't help but over hear one of the nominees say that Joe had a good one. Before I could hear joes response people were starting to scramble to their seats for it to start.
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He did it. He won the Heisman for LSU.
As walks up to his family section he hugs each of us. When he gets to me he says something unexpected.
"I love you.."- Joe says as he hugs you and moves on to his dad.
He just told me he loves me. We have said this to each other before but something about this time felt different.
As Joe walks up to give his speech all I could do is tear up. This boy has been through so much and has been knocked down so many times and the is finally proving all those people wrong who ever doubted him in his life.
But one thing that I did not expect to see was Joe cry. I have only seen Joe cry a few times, so little that I could count on one hand. This had really meant a lot to him and you couldn't be any prouder of him.
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After the ceremony and the walk in Times Square, Joe and I decided to head back to our room to celebrate the win by watching movies and drinking some champagne.
The second the door closed I tackled Joe in a hug to the point where he fell back on the bed. Laughing he quickly turned us over on the be. As quickly as he turned us over he jumped off of me.
"Sorry I don't know what I was thinking doing that"- Joe said as he starts to take off his shoes.
"Its fine, You did nothing wrong."- you said
"Im gonna go take a shower right quick, okay?"- you said walking over to the bathroom.
"Okay I'm going to my parents room to do the same."
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Sitting in the bed with Joe you had laughs and mini tickle fights. But as the night went on you had not idea what was about to happen.
"Okay so now that this movie is over I would like to show you a very important video."-joe says grabbing his computer.
"It's not a sex tape is it?"- you say with semi seriousness.
"No no not even close!"-Joe says laughing at you.
"Oh okay."- you say getting comfortable to see what his is about to show you.
"okay, watch"- Joe says starting the video.
The video consisted of memories of me and Joe from when we first met to literally a few hours ago.
"Joe that was so sweet, but why?"-you say looking at him.
"Y/n, you have been in my life since I can remember. Not a single bad memory with you, if anything you make the bad memories seen not so bad. You have been there for me through the really highs but you have also been there for me when I've hit rock bottom. You make me a better person and I'm grateful to have you as a best friend. And I know this might sound weird but I really don't want to be friends with you anymore. I want to be more than friends. So, with that Will you be my girlfriend?"- Joe says as you have tears in your eyes.
Joe... You don't know how long I've been waiting for you to say that sentence to me."-I say hugging him like my like depended on it.
"So I'll take that as a yes?"- Joe says
"Yes Joe i'll be your girlfriend."- I say leaning in to kiss his lips.
Right as our lips are about to touch Joe pulls away leaving me confused.
"What's wrong?"- You ask looking at him.
"Nothing, but before I forget I have to give you something."- Joe says reaching into the nightstand.
"Here."- he hands me the box
"Joe you didn't have to get me anything."
"Just open the box baby"
I open the box and see a pendant necklace with a "J" on it.
"joey... Its beautiful."
"Just like you. I wanted you to have it even when we are not physically with each other. Look inside."
I look inside and see a photo of me and Joe on the day we met and and an empty side. "What's this side for?"- I say referring to the empty side.
"It's for you to fill, I want you to fill it with your favorite memory of us. I doesn't have to be right now. You don't even have to tell me. just do it when you're ready."- Joe says as I nod.
"Can you put it on me?"-You say turning round.
"Ofc."- He says putting the necklace on me.
"oh and Joe?"
"Yea?"
"I love you too."- I say smiling.
Little did Joe know you filled that empty spot years later with the photo of you him and your baby boy the day you gave birth.
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The first pic of the new year!!! Also the start of the Taylor imagines. If you have any recommendations let me know. <3
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icallhimjoey · 10 days
Text
Reinvent Love
♥ ♥          Joseph Quinn x Fem!Reader 
Summary: You and Joe are treading new waters. You’re no longer flatmates, but still close. More than friends, but nothing defined. Nothing labeled. Determined to not lose what you have, though. But, can you?
CW / disclaimer: rpf, fem!reader, language, adult themes, jealousy, accusations, soft fluff, season 3 of my flatmate!joe
Author’s note: the first cracks; they're here - and, again, you don’t need to have read define close or explain us, but it’ll obviously give you backstory, which might help!
Wordcount: 3.6K
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part one - part two - part three - part four - part five
It was silly. Joe was being silly.
He knew it, and felt so stupid for it. Like, in hindsight, the worrying felt so dumb. The constant milling shit over didn’t change anything, there was no real point to it. Although, maybe you being on his mind in this... new manner was what summoned you last night.
You just showed up, talking about a crazy day, no sad pouts, no needy touches. Just jittery movements and a lot to tell him.
Joe kind of sat back on his sofa, spread out and leaning into his left elbow and watched you pace around his lounge. Something about something a colleague had said that then turned out to be lies and you found out something by overhearing a phone call you weren’t meant to overhear – Joe was barely following along. Didn’t really try his best to, if he was honest.
He was moreso paying attention to what you were actually doing – were you even aware that you had started grabbing random things he had left lying around on his coffee table, on the kitchen island, on the counters, and one by one, put everything away where it was meant to go?  
Joe pursed a smile as he realised you knew exactly where everything went. Why did that make his chest ache in the best of ways?
This new casual form of intimacy seemed so small, but Joe felt how it smothered that little grain of doubt that resided in his chest. That little grain that had convinced him that you were probably going to fall into a new routine with your new flatmate after he moved in and, then you would probably grow close to him and Joe knew how you... no.
No.
He couldn’t think that.
It wasn’t fair on you. He caught himself trying to finish the thought a lot, but he knew it wasn’t fair. Wasn’t true. He didn’t even fully believe it. It was this thing. Still, he also couldn’t help how it simultaneously made him grow a little more possessive and made him want to prepare for the worst.
But, she was here, he had to remind himself.
She’s here.
And she was wandering around his space, letting her train of thought flow freely from her brain into his living room and he used to witness this all the time when you lived together still. Joe realised he’d actually missed it a lot, and wasn’t that the whole point? That he got to miss you now?
God, Joe missed you a lot and you were right there and he could just burst at the seams at how fucking lucky he felt.
He was a just normal guy in a normal flat with a normal relationship– well, normalish relationship, anyway. Not that you had talked about anything yet. Of course you hadn’t. But it was pretty fucking obvious what this was. So he had started shrugging whenever someone would ask if you were actually together, which felt a lot better than the forever, “No, we’re flatmates, what are you talking about?” he used to throw at people, practically gaslighting them out of whatever they thought they’d witnessed between him and the girl that he used to live with.
It was working. The plan he had made, this vague idea of normalcy; it was working out the way he had wanted it to.
And yea, sure, you were getting a new flatmate and Joe had a difficult time not feeling some type of way about that, but, he had made the decision to move out and, look at you now.
“Do you think I can get a raise out of this? Or at least get a weird bonus, mid-term?”
Joe had a hard time not laughing at your question as he saw you had already mentally moved onto something else. You were stood in the middle of the room, both hands on your hips, eyes scanning the room. Everything tidy and organised.
“Joe, when did you last clean?”
Joe followed your gaze up into one of the corners of the ceiling.
“I cleaned today.” Joe said, knowing you’d likely not take it as an honest answer. You had lived together, remember? No fucking way was Joe ever going to feel the urge to maybe sometimes swipe a feather duster across the upper corners of his living room.
You shuddered at the thought of what resided behind his curtains there.
You sighed and tutted and turned back to Joe’s kitchen like you were going to start cleaning his fucking ceilings at half past ten at night.
“Hey, no. No, no. Stop. Will you come sit down a second? My god.” Joe huffed, feigning annoyance. When you turned on your heel and giggled as you scurried over, Joe let a laugh escape his throat just before you let yourself fall into the cushions next to him.
He hooked an arm around your neck to pull you in so he could press his nose into your cheek a second. You gladly let him, and when he held you close like that for longer than you initially thought he would, you suddenly realised you’d just been talking about yourself for twenty minutes straight.
Just barged in with unimportant thoughts on your mind that you just verbally vomited right into Joe’s space. You knew it was mostly nervous energy that was only there because your new flatmate picked up his keys earlier, which now meant there was every opportunity for someone to just... walk into your flat at any given time. That had unexpectedly brought on way more anxiety than you previously thought it would do.
Hence why you decided to just... escape it, and went over to Joe’s to spend the night there.
Joe was pressing his nose into your cheek and held you in place for a bit before he moved his head down, hiding into your neck a second.
“You okay?” you asked softly, head tilting down a bit.
“Mm, yea, fine.” Joe inhaled deeply, before pressing a few small kisses to the crook there and moving back to look at you the in eye. He unhooked his elbow from around your neck and placed two cupped hands on either side of your face, swiping bits of hair back in the process.
Joe was leant all the way back into the sofa, head squished in between two of the back cushions and you took a moment to look at each other. Joe studied your face and rubbed his thumbs across the apples of your cheeks until you grew shy.
“You look tired,” you softly said before Joe sat up a little and leant closer. It had you close your eyes just before scrunching up your nose as he kissed the very tip of it.
“I am tired.” He mused, copying your nose scrunch when you blinked your eyes open again, and Joe looked so soft. Sort of pleased with life, happy to be where he was and like he’d just had a really good productive day. He blinked slowly, eyes only half open, and looked sleepy enough to slip right into dreams the second his head would hit his pillow.
You loved him like this. His hands on you, all soft touches. Comfy and cosy and calm. Just you and him. No one else. No threat of someone randomly walking in.
This was perfect.
“Mmm, me too.” You smiled and let Joe grab one of your elbows to pull an arm across his stomach as he sat back again.
“I’m not surprised. You’ve just done a 5K as you tidied this room, I think.”
You huffed a laugh as you sank into Joe’s side, and then you sat like that in silence for a moment. No TV on. No phones in sight for some easy distraction. Just you and Joe and the view of his living room.
“Are you okay?” Joe suddenly asked, emphasis on the you, and you tried hiding the small, hitched intake of breath by quickly nodding and casually going, “Yea. Fine.”
You could feel how Joe tucked in his chin to look at you.
He waited. Wasn’t going to tell you, “No, be honest...”, but also wasn’t going to accept it and move on. It was still like that. He knew you were lying, and you knew he knew, no words shared at all.
So you sighed and took a second, and then said, “Josh picked up his key today.”
And you didn’t want to explain what that meant.
Didn’t want to tell Joe that, for a while, this existing-in-two-flats thing had just felt like a bit of a joke. Just the two of you playing and being silly about whatever you really were. You still sort of thought of him as a flatmate because he still came over all the time, and you went over to his all the time too. You existed in the same space almost just as much as before, sort of.
But now a new flatmate was actually moving in, and suddenly, it felt like reality had slapped you right across the cheek like it had done that day that Joe moved out.
You’d gotten to hide away for a lot of that.
And there was no real hiding this time around.
You couldn’t go home and pretend Joe was going to move back in eventually, because now Josh’s things were going to be all over the flat. Which was fine. Josh signed a lease. His things were allowed to be all over the place.
It was just... things were getting real now.
Shit was real.
“Which reminds me,” you suddenly piped up, pushing uncomfortable thoughts down, tucking those away for another time and place. “This is going to save you some money!”
You saw how Joe’s mouth slowly stretched into a smile as he watched how his own feet rubbed against yours. Then he caught himself and quickly furrowed his brow, saying, “No, I don’t think it works like that.”
You copied his expression, but were more confused than anything else.
“Of course it does. Josh signed the papers, he’s going to start paying rent now, you–”
“I said that I had taken care of things, didn’t I?” Joe interrupted you, fingers playing with the folds in your sleeve of the arm that rested over his stomach. “Can’t just not keep a promise like that.”
You blinked at him a second, then moved to sit up to stare at him harder. If both Joe and Josh paid rent, that basically meant that you... got to live for free for a while? That math wasn’t mathing. One plus one wasn’t equalling two here. You looked around Joe’s flat and tried to think of his own expenses, and... what the fuck was he doing?!
“Joe,”
“You’re not going to be able to talk me out of this.”
“Joe.”
Joe ignored you and faked a yawn, sped it up along with stretched out arms above his head and quickly said, “So tired. Bed?” before getting up and leaving you on his sofa as he left the room.
“You’re insane if you think I’m just going to accept that!” you called after him and heard him laugh from down the hall.
“Did you not just say you were after a weird mid-term bonus?”
And you hated how that made you smile. Made you punch one of the cushions and sink your teeth into your bottom lip begrudgingly as you forgot to breathe a second.
Joe smiled to himself too as he turned on the lights in his bathroom. It felt like he was winning a contest - there was no contest, no one to fight, not really, but, he was definitely winning.
“You coming?”
Breathe.
Calm down.
You could pretend to fight him on this once more in the morning.
Crawling into bed with Joe had its own little routine which was different from the one at yours. Different order of things, because the lay out of the flat was different.
Bathroom first. You brushed teeth together, always had to stop Joe when he washed his face too aggressively and then used your own moisturiser on him. “Just for your dry patches,” you’d always say, but would end up swiping delicate fingertips all over anyway. There’d be a snarky comment, of you using too much, of him feeling too greasy, of how he was going to stick to his pillow all night now, and then you’d always kiss him to shut him up before moving on to do your own skincare routine.
When you’d get into bed, Joe would already be in there, giving his phone a last once-over before he’d scoot down and get comfortable.
This time, however, when you walked into his bedroom, the lights were already off, and it looked like Joe was already falling asleep.
This soft man.
So sleepy.
He was all messy curls and bare arms, duvet tucked under them, curled up right in the middle of his bed. You slid in and cuddled up right behind him, hips against his bum, chest to his back.
You were right.
Joe was already falling asleep.
You pushed a leg in between his for warmth and snuck an arm around his front.
“You’re crazy,” you whispered into the skin of his shoulder which prompted Joe to grab hold of your hand and pull it into his chest so you were hugging him properly. The big spoon to his small one. Then he just hummed as you pressed a small kiss to his warm skin there.
“So crazy.” you nuzzled into his pillow, your nose rubbing his back as you did, and you felt how he ducked his head down to press a small kiss to your fingers.
You fell asleep warm, comfortable, and smiling.
You woke up in the same way.
Just on your stomach now, and with Joe’s heavy limbs slung over your body. When you turned over, it woke Joe up, and for five blissful early morning minutes, you tried crawling into each other’s skin as best you could. Breathed each other’s breath and tasted each other’s skin. Stroked hands underneath clothes and had fingers crawling into underwear, just to touch and to hold.
When you quietly asked if Joe wanted coffee, he groaned and told you to shut up. He was able to feel you giggle to that, and he could cry with how happy he felt in that moment. Why would you have to go and ruin it by getting up to go and make coffee?
“Five more minutes.”
“Mmm... it’s never just five.”
Joe sighed, “Just five.” speech slurring with early morning drowsiness and then burrowed himself into you even more.
And fine.
Joe could have five more minutes.
But then they easily turned into twenty, because they always did, and you had to eventually bribe Joe with breakfast for him to let you go so you could sit up.
“If you take a slow shower, I’ll have it ready when you finish.” You looked over your shoulder where Joe, still with his eyes closed, smiled widely. His nose was slightly red from pressing it into your skin, and his bedhead made you have to suppress a giggle that you hid by leaning down to press a kiss to his forehead before you got out.
Joe barely even felt that little grain of bad in his chest when he thought of how much he loved you.
Because he did.
Joe fucking loved you.
There was going to be a moment soon where he was just going to have to say it. It was going to spill out of him in some other way if he wouldn’t simply use the words, he just knew it.
Joe loved you as he watched through squinty eyes how you reached for a pair of white socks of his to borrow.
Loved you as he watched you pull one of his old sweaters over your head before you walked out, bare legs still on show.
Loved you when he stepped into his living room after his shower to the smell of burnt toast and scrambled eggs and coffee.
Loved you as he watched you step onto a chair in the corner of his room, wet dishcloth in hand to remove the strings of dust you had scolded him over the night before.
Loved you as he felt what the sight of your stretched body, your bare tighs, and the little peep of your bum did to him inside of his boxers.
Loved you as he groaned and let his head fall onto the counter, having to breathe through it, because you were just cleaning his living room, and not giving him a sensual striptease act or whatever.
Loved you as you looked back over your shoulder, raising your eyebrows in surprised confusion before accusingly asking, “Really, Joe? Cleaning?”
Loved you as he stutteringly defended the blood rush down south by saying, “You have no idea what you look like right now.” into his elbow where he had to hide his face for a second.
Loved you, loved you.
He was hardly able to deny any of it.
And he didn’t feel that he had to, either.
Because, you were there. In his flat. In his clothes. Cleaning his dusty ceiling corners. And wasn’t that just something he wanted to tell the whole fucking world about?
That small little green grain of doubt and worry and negativity dried out and got no sunshine to really grow into anything. Thank fuck.
He got to ignore it for a while.
Forgot about it entirely, and pretended it wasn’t even there for a bit.
It was easy.
Joe loved you.
He knew he did.
Would tell you soon.
Didn’t know how.
Or where.
But he was going to say it.
He was going to use his words because he was just a normal guy who loved a normal girl and you weren’t being weirdly secretive about what you got up to in private. At least, not how you used to be, anyway.
Joe loved you.
You brought Joe flowers and cleaned his ceiling and wore his clothes and cooked his breakfast.
Joe loved you, even though your new flatmate Josh turned out to be impossibly good-looking in addition to being incredibly kind as well, so Joe didn’t even get to have a real reason to dislike him at all, which seemed unfair, but, all right.
Joe loved you, even when suddenly two shiny black acoustic guitars appeared on your living room wall, because Josh worked in music, and wasn’t that just so cool?
Joe loved you, even though his very first thought after that was, well I know how to play guitar too, don’t I?! which you had never even mentioned before.
Joe loved you, even when he walked into your flat one evening and interrupted a dinner you were having with Josh and one of your friends and, look, Josh cooked for us, and for the first time ever, he felt uninvited and intruding.
Joe loved you, even when your friend jokingly said, “You’re over here at lot for someone that moved out.” right to his face, to which you then heartily laughed, because she was only joking, Joe, and then you didn’t say anything about how you were together, but, you were together... weren’t you?
Joe loved you, even when he stuck to the bit and handed you his flat key like he always did, expecting to find it in his coat pocket later, but then ended up finding both his pockets empty when he went home the next morning, which, yea actually, that made sense, because Josh lived there now, and it was a little weird to have a key still, wasn’t it?
Joe loved you, even when you had told him to come over on Friday evening because you’d had a shit day at work, and for the first time ever, he had to ring the doorbell to get inside.
Joe loved you, even when Josh was the one that answered the door, and Josh almost didn’t let him in, telling him, “Oh, she’s fallen asleep on the sofa, mate.” to which Joe just smiled as he stepped around him, because what the fuck did Josh even know about falling asleep on the sofa in this flat?
Joe loved you, even when he found you asleep on the sofa, curled up under a blanket he’d never seen before, with an empty pizza box bar some crusts still on the coffee table, and you never ate a whole pizza yourself, so that was obviously shared with someone else.
Joe loved you.
He knew he did.
But there was a playstation besides the TV now, and a cool record player on the side, pile of vinyl next to it, and, God.
Joe fucking hated this.
Whatever was inside of Joe’s chest, that thing he didn’t even want in there, was growing.
Was getting fed without Joe even fully realising he was feeding it.
He hated those guitars. He hated that he no longer had a key. He hated that stupid blanket. And he hated that empty pizza box.
Still, he sat down beside you and placed your socked feet onto his lap. Watched the last scenes of whatever film you’d put on as he slowly kneaded a foot and let you sleep, and he tried his best to not get bitten. To not let it sink its teeth in. To not let it hurt.
It was silly.
Joe was being silly.
Rational thought saved him.
Rational thought told him he still loved you.
And he hoped rational thought was going to be enough.
---
The Taglisted
@ali-in-w0nderland, @alwayslindie, @babybluebex, @capricornrisingsstuff, @chaoticgood-munson,
@choke-me-eddie, @demonsanddemogorgons, @did-it-work, @dirtyeddietini, @djoseph-quinn,
@dolcevit4, @eddies-puppet, @emma-munson, @emotionaldreamer, @everythinghasafacee,
@figmentofquinn, @ghost-proofbaby, @ghostinthebackofyourhead, @hanahkatexo, @harringtonfan4,
@hazelenys, @jewellethief, @joesquinns, @keikoraven, @kennedy-brooke,
@lovelyblueness, @manda-panda-monium, @mandyjo8719, @mexicanfolklore, @munsonluvrr,
@munson-mjstan, @nadixq, @nglharry, @notverywise, @pepperstories,
@phyllosilicate-s, @royale1803, @sherrylyn628, @sidthedollface2, @solzi1420,
@songforeddiemunson, @sweetberry47, @take-everything-you-can, @thebellenouvelle, @tlclick73,
@werepartnersnow, @winterwakesthewolf, @witchwolflea, @yelyahcardella, @yunirgo
taglist currently full, sorry
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daddyricsdoll · 19 days
Note
“Oh that dress looks great on you, but it would look even better on the floor.” with Fernando Alonso
˚ ༘ ೀ⋆。˚
Being with Fernando throughout the whole season was usually always interesting. Except for the days where he was busy with team meetings and testing, leaving me alone. But the difference between Fernando and any other man was that he planned the perfect day for me. Trying his best to research the city and pinpoint any place that would peak my interest.
And like always I’d fall in love with him a million more times, in advance of feeling guilty for all the money he intended to spend on me. Making me sometimes refuse his gifts, but always letting him know I do it because I love him.
But this time he didn’t let me refuse it. Handing me his card and telling me to spend it on myself. Showing me photos and screenshots of dresses he was certain I’d like, and if I bought them, I wouldn’t be the only one with a smile on my face.
“How was it?” Fernando asks as I walk through the door, a grin on his already glowing face.
“It was actually really good. Thank you, and… I got you something. WIth my own money of course.” I say, searching through one of the bags that I just placed on the floor.
“No, show me what you got yourself. Put it on for me.” Fernando says so smoothly, a proud smirk dawning his lips.
“For you… always.” I smile at Fernando, grabbing a couple of bags and walking toward him to plant a devoting kiss on his lips before eventually making my way to the bathroom.
Pulling my favourite dress out of the bag, I hold it against my body. Looking at myself in the mirror and smiling before actually putting it on. Taking off nearly all my clothes and debating whether I keep my panties on because of underwear lines. Making my decision of being bare beneath the dress, not only for looks, but I needed some fun. Even though I knew it would come, I just begged for it to be closer.
Ultimately sliding the dress on and gliding my hands down my body. Being in content with my curves and the way the fabric holds them perfectly. How the dress itself is gorgeous but doesn’t distract you from the person wearing it.
“Princesa? You ok?” Fernando calls out, his voice not far from the door, helping me remember what I’m supposed to be doing. And instead of answering, I grab the door handle. Pulling it open and watching the way awe fills his eyes. Somehow still astonished at the same thing he’s been seeing for many months.
“Oh princesa,” He steps closer to me, holding his arms out and letting me walk into them. “You look great, so beautiful in that dress… but right now, it would look even better on the floor.” You would assume this has happened millions of times by the way I can hear the smirk on his lips as he speaks into my ear. Fernando's hands that were recently on my hips now skim up my back to drag the zipper down. Doing it so delicately, sure to not ruin the dress, but instead, me.
Managing to slip it down my body and reveal how fully exposed I am to him. “Fuck. You really couldn’t wait huh?” Not giving me time to answer as he pulls my face into his. Lips wrapping around the others like a default. The only difference being the hunger and desire that ran through us both. Nearly eating at each other.
“I need a taste.” Fernando breathes out against my skin. Grabbing the backs of my thighs and lifting me up to take me to the bed. Not holding me for long as he lowered me onto the soft duvet. Making sure my legs hang off the end of the bed and his head can fit between my legs.
I try to keep my hands on Fernando, my fingers threading through his hair while he kneels in front of me. Pulling my body to the very end of the bed and becoming eye level with my dripping pussy.
Gradually being less stable as his breath hits my uncovered folds. Attempting to tease me but even the smallest touch from him is enough to make me explode. Still, I can never get enough.
“I thought you wanted a taste?”
“No princesa, I need it.”
A/N: (Sorry, just had to tease you again)
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vidavalor · 5 months
Note
Why do you think Crowley didn't just get another apartment?
Hi! Thanks for the ask. I have French buttercream chocolate cake tonight. I know, right? It's amazing. *cuts you a slice*
To answer your question, I think we have to look at the whole thing with where Crowley parks The Bentley and when (in both seasons) and, also, the scenes that emphasize Crowley and Aziraphale avoiding being seen together anywhere in the mornings and what all this has to do with what he says is his living situation in S2.
Meta on Crowley "living in his car" in S2 under the cut.
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For Crowley and Aziraphale, what has always been what *absolutely cannot happen* is Heaven/Hell figuring out that Crowley will stay in the bookshop until very, very late into the evening, as that is the one thing they'd have trouble justifying. If Crowley parked The Bentley in front of the bookshop in the afternoon/evening and it was still there at 7am the next morning, it would send a message to anyone watching that their relationship isn't just intelligence business, it's not just friendship...and it's not even really just sex. If Heaven/Hell saw The Bentley outside the bookshop all night often enough, they would assume that Crowley and Aziraphale are in a romantic relationship and this is the one thing that Crowley and Aziraphale do not want them to figure out. They can hatch a wild plan if they get caught to justify any of the rest of it and maybe get away with it but there's no way out if they get caught out being in love when they're supposed to be sworn enemies... so, if they want to spend time alone together in the privacy of the bookshop, how do they work around the problem of potentially being noticed? The show actually showed us subtly in S1 before a little more overtly in S2.
When Crowley is going to come over for awhile-- and especially when it's going to mean that he's there into the evening-- he doesn't park The Bentley in front of the bookshop. He parks it in the vicinity but not too close-- around where it was when Aziraphale called him in 2.01. Two or so minutes' drive out, on a side street. (A two minute drive is a 15 or so minute walk so not that far but a bit away.) If he's coming to the shop alone, he'll probably use the side entrance to the bookshop but if he's been out with Aziraphale-- like he was in their 'fuck everything, the world is ending' lunch at The Ritz in 2008-- they'll walk back to the bookshop. If anyone notices Crowley entering it, it'll be during the day, right? While not ideal, it's innocuous enough. Aziraphale's bookshop is theoretically a business and is also an angelic embassy and Aziraphale could say that he's trying to turn Crowley to the light and make him into an informant if they were caught. Conversely, it couldn't hurt Crowley-- whose job, like Aziraphale's, is to spy on his counterpart-- to seem like he's gaming the corruptible angel and getting intel to further the demonic goals of Hell so he could say he's luring the angel to trusting him. Being in the bookshop during the day, during what are (for normal businesses lol) business hours, when the business is also an embassy, is one thing. It's the evening that's the problem for them. At that time of day, the bookshop is nothing but Aziraphale's residence and Crowley's presence during those hours becomes much riskier. So, how to get around that?
Here's them walking back to the bookshop from wherever Crowley's parked The Bentley on a side street after lunch in 2008/Eleven Years Ago in S1:
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During lunch in 2008, they already planned for Crowley to come back to the bookshop with Aziraphale and since there's no plan for him to leave in any hurry, Crowley is already not parked in front of the bookshop so no one can recognize his car there late at night. This is practiced between them; they've been doing it for awhile by this point. They still are in S2, when we have several scenes of Crowley in The Bentley parked on a side street near the bookshop.
Since Crowley can't be seen then leaving the bookshop once the sun is up or it'd defeat the purpose of the car not being parked in front of it, whenever he comes over, he leaves the bookshop through the side door at some ungodly pre-dawn hour, walks to his car a few streets over (apparating into it would be suspicious to anyone who might have found it so he usually walks, looking like he was just out late causing demonic trouble), and then, in the past, would drive back to his apartment in Mayfair. That way, when the sun came up, anyone who might be watching his place would see The Bentley parked in front of it. Didn't see Crowley leave the bookshop from the afternoon? You must have missed him in a crowd on the sidewalk somewhere because there's his gorgeous, old, very recognizable car, parked in front of his place in Mayfair, gleaming in that early morning sun.
No one was ever the wiser to the fact that on some of these nights, Crowley was not home in his apartment or out raising hell all night but was actually in the bookshop nearly until dawn.
Is it kind of miserable for Crowley to have to leave every time in the middle of the night and for him and Aziraphale to never really know what it's like to wake up together? To never get to have breakfast and mornings together? Of course. But it keeps them safe so they deal with it. As a result, though, they have a thing about mornings.
In 1.01, when Crowley calls Aziraphale in the middle of the night and they both have separately learned of Armageddon, he tells Aziraphale that they "need to talk" and then they both, without further discussion, are at their bench in St. James' Park the next day. During their talk, they decide to go to lunch and go directly there, which means that they met up sometime around 11am-12pm. So even Crowley calling in the middle of the night and setting up the meeting in the park with their code phrase means that the time of the meeting is always predetermined to be at least 11am, no matter what they need to discuss. Even after learning of Armageddon beginning, they waited until almost lunch the next day to meet up and talk about it because they never want to be seen in public together in the earlier mornings. They're afraid of someone seeing them going for a walk or getting a coffee together before midday and thinking they spent the previous night together. Crowley is always gone from the bookshop before the sun starts to come up and they never meet before 11am in an effort to keep anyone from figuring out that they are often in the bookshop-- and Aziraphale's bed-- together through the early morning hours.
Which tends to make this, their first time getting breakfast even if Crowley knew it wasn't really that because Aziraphale's "problem voice" was on, even more hilarious...
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Crowley's like I left you blissed out and half-asleep in your bed *four hours ago*, angel... how on Earth is there a 'naked man friend' in your bookshop right now? He knows that Shax told him there's something going on and that Aziraphale called with a problem but this is the only time of day they usually spend apart and they always do so if Aziraphale is going to cheat on him-- which he's not lol-- this is when he would and based on the fact that Aziraphale panics at Crowley thinking there's another guy in the bookshop and based on Crowley's wtf? face at hearing there is, these two aren't sleeping with anyone else anymore and have a monogamous thing, even if they probably sort of forgot to have a discussion about it. Crowley can tell from Aziraphale's reaction that there's some misunderstanding here and then just gets bemused about it but also about ready to kill whatever guy, naked or not, is causing Aziraphale problems, only to find out that it's, well, the guy who tried to kill them.
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In 2.01, when Gabriel makes his rather noticeable arrival on Aziraphale's doorstep, it is the mid-part of the morning-- probably somewhere around 9am as Maggie was just getting ready to open her store for the day, Nina was still busy but her more immediate pre-work coffee rush seemed to be winding down, and Aziraphale was having his breakfast tea on yet another day that his shop was not opening lol. The most major character to miss Gabriel's arrival is, of course, Crowley. Crowley's meeting with Shax is just before/happening in tandem with Aziraphale at Maggie's shop and then Gabriel's arrival and actually opens the storyline in the present in S2. The point is that Crowley misses Gabriel's arrival because he is not in the bookshop in the early mornings, which is then something that is heavily emphasized through Crowley and Aziraphale's first scene of the season via Nina to not just be about this particular early morning but all mornings.
When Aziraphale calls Crowley and has him meet him in Give Me Coffee, Nina has never met Crowley before. Give Me Coffee is fifteen steps across the street from the bookshop and sells coffee, tea and baked goods and Nina doesn't know Crowley. Nina has been there running it since post-S1. She knows Aziraphale though and, until the morning of 2.01, she thought the old bookseller a confirmed bachelor. In the span of 20 minutes, he gets a naked man possible deliveroo strippergram on his doorstep in front of the whole neighborhood and then then this other hot-- and surprisingly clothed-- Ginger Goth guy shows up to meet him for coffee. Nina's best guess for why the bookseller and his Crowley have never come across the street to her shop before and seem like they've literally never gotten breakfast together while they also "go way back" and have chemistry and affection for one another for days is that they're having an affair. Nina correctly guesses that their relationship is a secret and applies the most logical presumption that a human without knowledge of Heaven/Hell could-- that it's infidelity, not that they could be murdered if they were found out-- because these two live in London Soho in the year 2023 but are still afraid of being found out.
So, all of this shows how there's no Crowley in the bookshop in the morning. Neither of them have ever slipped across the street to bring back coffee and croissants for two at 7am or gone over to Nina's together. Aziraphale has been to Give Me Coffee alone before. Crowley and The Bentley are always nowhere to be found near the bookshop at this hour, which is how Crowley missed Gabriel's arrival.
So what does this all have to do with why Crowley doesn't just get a new apartment ahead of S2?
When Hell showed up in the form of Shax to reclaim the place in Mayfair in which Crowley was living, it really left Crowley with two choices. He wasn't about to tell Aziraphale because Aziraphale would feel like he had to ask him to move in with him for real and it was too dangerous. They can't have that so why bring it up and hurt them more? The two choices Crowley felt he had were to either get a new apartment or to just keep on as he's been living because the truth is... he hadn't been home to Mayfair that much lately anyway.
Before, Crowley and Aziraphale would try to go some amount of time between seeing each other but after S1, maybe with some exceptions around the Covid lockdowns but definitely not since they were lifted, they just stopped bothering that much. They were already together on borrowed time with no idea how much time they had until Armageddon: Round Two would start and they just wanted to be together so they kept up their whole routine of Crowley out before dawn and no mornings but Crowley had been more or less living in the bookshop for awhile ahead of S2.
As Aziraphale says here:
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Meaning: they live together. Crowley's there all the time. Aziraphale does not mind. It's been months of Crowley in the bookshop every night. Aziraphale loves it. He hates him having to leave in the middle of the night as he always does but they've settled into a little domestic thing the best they can with the situation they have. The line is also laden with innuendo, suggesting they're not always just up talking and listening to old records until 4am but are regularly, ya know, setting off some alarm bells in Heaven together. (Couple Aziraphale's innuendo in the "plenty of use" scene with why Crowley says Muriel needs to leave the bookshop when he says he wants to take Aziraphale to breakfast at The Ritz. "We need a little 'us time'" meant all amnesiac angels and assorted representatives of Heaven and Hell need to get the Someplace out of this bookshop right now so I can finally watch that angel eat some pancakes and then take him to bed in our bed without worrying about someone needing a hot chocolate in the middle of the night.)
Their level of domesticity is actually shown to be pretty cute with this bit:
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This is the most living together thing ever because it's saying that Crowley is just frequently in the bookshop while Aziraphale is out now. He's not even just there to see him but he spends time there alone while Aziraphale goes to the bank for change for the four books he sells a month and to his appointment with his barber and all his other little errands. You know Crowley likes waiting inside because he likes having a little time alone in a place where he's safe and won't be disturbed but also really the whole little domestic bliss of Aziraphale coming back and being all "Crowley? There you are" and showing him what he got at the shops and such. It's the most normal married thing imaginable and feels like they really live together and Crowley loves every minute of it.
So Hell taking his place in Mayfair back leaves Crowley with two options because it's still too risky for him and Aziraphale to just full on live together entirely: he can get a new apartment or he can basically just keep living with Aziraphale for most of the day and then spend the mornings in The Bentley/out.
If he gets a new apartment, he'd have to actually go there sometimes. He'd have to be seen moving his stuff into it and he'd have to get a new bed and he'd have to spend nights there sometimes to prove he's living there. It couldn't be suspiciously close to Aziraphale's place, so now he's got to drive more in the early morning hours. He's been spending so much time with Aziraphale, the thought of sleeping alone and spending the evenings alone again, even for a few nights now and then, is depressing. It was miserable before and now he can't to back to it again and he doesn't think Aziraphale would want to, either. He also doesn't exactly know how to tell him he'd have to be away some nights again without hurting him. They've both been alone more often than not for most of their existences and Crowley can't do it anymore. There's also, though, that getting another apartment also doesn't do much to help keep Heaven & Hell from thinking he and Aziraphale are involved... but pretending he's living in his car just might.
The only being of Heaven or Hell still talking to either him or Aziraphale is Shax and Crowley has to keep meeting up with her to get information on what's going on there and try to get a sense of how much time he and Aziraphale might have before Round Two. If he tells Shax that he's living in his car, then it makes him look less close to Aziraphale. Everyone knows Aziraphale has a private residence upstairs in the bookshop and that, if he and Crowley were really close, he'd have offered for Crowley to stay with him if he lost his apartment... so what if Crowley can make Heaven & Hell think they aren't that close, they just teamed up to stop Armageddon? He's even homeless now and the angel won't give him a place to stay. He tells Shax to tell Hell's Finance Office to send his bills to his car and Shax actually bought it and said she tried. Shax has been reporting back to Hell that Crowley is living in his car, which is what Crowley wanted her to think was the case.
Let Hell think they've won over him and taken his place and left him living in his car on a side street, let Shax keep meeting him in the early morning hours in his car on that side street... so that none of them figure out that he's actually living in the bookshop with Aziraphale.
In the meantime, no new apartment means no more nights away from Aziraphale. No commute back to it after picking up The Bentley on the side street means more time he can be with Aziraphale before he has to slip away in the early morning. He can just keep going from the bookshop to his car a few streets away each morning like he has been and that's the funniest part of it to him. Hell thinks they left him homeless and abandoned him and, really, they just made it easier for him to hide from them the fact that he's living with the angel he loves. All he has to do is bullshit them and he's good at that.
Crowley talking about living in his car is basically this in attitude, on steroids:
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His pre-S2 conversations with Shax were like... Fuck, Shax, the crick in my neck from *sleeping in my car*... if Hell's Finance Office wants to find me, they can send the bills *to my car*... Bastard angel owns half of Soho, probably why I can't find a place... tell Lord Beezlebub if they're looking for me, they can go fuck themselves but if they absolutely have to contact me, they can find me *in my car*...
...and three hours or so earlier from every one of those conversations, Crowley was actually curled up in bed with Aziraphale in the bookshop.
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