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#i also should just stop think about this
captainjonnitkessler · 5 months
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Sometimes I wish we would start calling out the performative radicalism on this site for the poser bullshit it is. "Remember, it's always morally correct to kill a cop!" "Don't forget to firebomb your local government office!" "Wow, it sure would be a shame if these instructions on how to make a molotov cocktail got spread around!"
Okay. But you're not killing cops or firebombing government offices. You are posting on a dying microblogging website to a carefully-curated echo chamber that has radicalized itself into thinking that taking the absolute most extreme position on any subject is praxis but that anyone discussing the most practical way to effect actual change is your sworn enemy. You do not have the street cred OR the activist cred to be talking about killing cops, babe.
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inkskinned · 7 months
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the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.
three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.
two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.
their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.
one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.
i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.
i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.
and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?
you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.
a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.
someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.
#writeblr#warm up#this is longer than i wanted i really considered removing that part about myself and what i went thru#but i think it really fucking bothers me that EVERY time i talk about being an artist#ppl assume i just like. had the skill and ability to drop everything and pay for grad school.#like sir i grew up poor. my house wasn't a safe space. i gave up a FREE RIDE TO LAW SCHOOL. for THIS. bc i chose it.#was it fucking hard? was i choosing the hard thing?? yes.#but we need to stop seeing artists as lazy layabouts that can ''afford'' to just ''sit around and create''#when MANY - if not MOST - of us are NOT like that. we have to work our fucking ASSES off. hard work. long and hard work#part of valuing artists is recognizing the amount we sacrifice to make our art. bc it doesn't just#like HAPPEN to us. also btw it rarely has anything to do with true talent.#speaking as someone with a chronic condition i hate when ppl are like u have it easy. like actively as i'm writing this my hands r#ACTIVELY hurting me. i haven't been posting bc my left hand was curled in a claw for the last week#this isn't fucking luck. after a certain point it's not even TALENT. it's dedication & sacrifice.#''u get to flounce around and do nothing with ur life'' is a narrative that is a direct result of capitalism#imagine if we said that about literally any other profession.#''oh so u give up 10 yrs of ur life to be a doctor? u sacrifice having a social life and u get SUPER in debt?#u need to work countless hours and it will often be thankless? well i wish i was that lucky''#we should be applying that logic to landlords ONLY#''oh ur mom and dad gave u the money to buy a house? and all u did was paint it white and rent it? huh.''
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thatpunnyperson · 10 months
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According to NBC here in the US, the missing titanic sub has been found. As debris. Off the bow of the Titanic wreckage.
And it looks like the sub suffered what we all suspected, and what was undoubtedly the more merciful of the two options: a catastrophic implosion from the pressure.
Also, more info has come to light about the fishing trawler with the hundreds of migrants that sank cataclysmically off the coast of Greece, indicating that the greek coast guard knew about the vessel AND how much trouble the vessel was in, and were towing it at a speed that made it capsize, at which point they unhooked the tow line and watched the trawler sink without helping the passengers to safety. Despite a bunch of other ships trying to help as well throughout the whole ordeal.
So a lot of people are dead, all because of regulations (and the lack thereof) regarding sea-faring vessels and rescue protocols. People shouldnt be allowed to make a business charging a ton of money for a ride on an uncertified, unsafe, un-seaworthy ship going deep into the ocean with no distress beacon or tether to the mothership. People also shouldnt be allowed to enact laws that criminalize the ferrying of refugees, which then force the refugees to hitch rides on fishing trawlers, and which also prevent people from helping those fishing trawlers full of refugees due to fear of legal consequences.
Hopefully BOTH of these events spark changes on an international scale in terms of what is legally allowed to be sailed, who is legally allowed to be the passengers, and what the rescue protocols are in the event of disaster for any seafaring vessel, illegal or not. It shouldnt be just the global 1% who get 24/7 search parties and remote-operated submersibles helping rescue them.
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redysetdare · 26 days
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All this aroace character shipcourse has proven to me that a majority of people that interact in fandom cannot actually interact with characters and media outside of shipping and genuinely I believe you need to learn how to interact with media outside of shipping.
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wasyago · 11 months
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the brainrot won
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moeblob · 1 month
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I went to the eye doctor's yesterday and I, an adopted person, always feel like "oh no I'm failing the interaction" for some reason by not being able to relate. HOWEVER, I got praised for having common sense so it works out.
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waitineedaname · 4 months
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not romantic or platonic but a secret third thing (bonded pair)
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floating--goblin · 1 month
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you know what hill i'll die on? terzo is not the sluttiest emeritus
I mean sure, he's the most dramatic and the most outspoken about sex, and he gave us Mummy Dust which is its own discussion-- but I sincerely don't see him, in his private life, being so promiscuous. Like out of all of them, I'm the most certain Terzo would be either monogamous or have a few regular partners at most, but I don't think he'd be big on casual flings. Frankly I don't even see him having sex that much at this point, he seems more attached to it as a concept than an actual activity he regularly engages in.
You know who's the inverse of that, though? The one Tobias himself calls a pervert? Secondo. There's your whore. I know he looks big and mean and authoritary but let's be honest, half of Infestissumam is about ritual sex and he's out in Vegas on the regular with more women than he can reliably satisfy. He says it himself that he became Papa because "he likes a sexy beat". THERE'S THE EMERITUS WHORE, AND I'M CERTAIN OF IT
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expelliarmus · 5 months
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hauntedpearl · 7 months
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imagine if castiel (godstiel?) single-handedly created the omegaverse in real life because he's sick of dean's weird hangups about his sexuality. cas just omega-fies himself and is like. well. see. this way you are still heterosexual.
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twottie-m8 · 2 years
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buggachat · 1 year
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not to say that ml is uncritcizable/perfect media or anything like that, but i think it's worth acknowledging that romantic media targeting a female audience as a genre is always waayyy disproportionately mocked. I'm just saying that if you've never even seen a single episode of the show and you confidently say that the show is "objectively bad", maybe you should ask yourself why you so confidently think that. and if your answer is the genre itself (mostly-episodic romance) or the target audience (young girls), then maybe. i dunno. take a step back and ask yourself why that's so inherently terrible to you
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jestroer · 2 months
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Anyways the Docbeef game on the ZITS olympics was insane
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jade-len · 3 months
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i adore how mxtx sorta flipped the idea on the whole top/bottom thing with svsss, and just BL relationships in general.
making bingqiu very open to switching, not making the "bottom" super feminine and actually leaning more to the handsome side compared to the "top", how luo binghe is manipulative sensitive and cries easily, etc. one of the main themes in svsss is literally about sexuality (and possibly even about gender roles).
as a queer asian man myself, i absolutely despise the "yaoi archetype" and it was one of the reasons why i avoided consuming BL media. hell, years ago when i first saw heavens official blessing, i mentally groaned and went, "ugh, let me guess, the bottom is super feminine and innocent, while the top is masculine and experienced." of course, that's not the case now, but it's disappointing how that thought was there purely because of the god awful way fetish-y media portrays homosexual people and couples. because, believe it or not, we are not assigned male/female typical gender roles just because one likes to top/bottom (and even then, it's not even like that! some people have preferences, sure, but it's not so strictly "i'm top/bottom")
so, while i absolutely LOVE the english novel designs (especially luo binghe's cute curly hair, gongyi xiao, etc, and personally believe a lot of the takes from the western artist on the designs are an improvement), i am greatly saddened by people subconsciously assigning shen qingqiu as someone more delicate and feminine and luo binghe as someone super masculine and muscly. like, if you're going to have luo binghe depicted as the western design (i believe this stems from binghe being applied to more western ideals for men, and, admittedly, i actually really love his design), at least don't make shen qingqiu feminine and delicate? don't have his appearance play into the stupid yaoi thing?
i get that people have different takes on svsss, especially how the western version depicts it. but, people just... seem to very over exaggerate the top/bottom roles when it comes to bingqiu (again, these two are, canonically, VERY open to switching).
it's weird, it's uncomfortable, and it comes across as, "so, who wears the pants in the relationship?"
so, can we please have more canonically handsome shen qingqiu? canonically beautiful and pretty boy luo binghe (they literallly state that binghe looks EXACTLY like his mom, su xiyan! while a more handsome woman, is still very beautiful!! plus it is stated several times that binghe is slim, and that shang qinghua made him that way!) or at the very least, a BL couple who actually look like normal people (ok thats a little hard considering binghe is literally supposed to be perfect) and not just a stupid fetishized version of themselves.
and no, i'm not saying that queer men shouldn't be feminine or men who are feminine shouldn't be in a relationship with guys who are masculine, etc.
TLDR: please stop twinkifying shen qingqiu and going against what mxtx defied for us queer men (the stupid yaoi roles). and for the love of whoever you believe in, do NOT think that i hate the english design or people's personal interpretation of characters, i just hate the subconscious assigning of gender roles to bingqiu and how media portrays and fetishizes LGBTQ+ relationships in general.
edit: also i love teardrew's (check them out on twitter!) interpretation of shang qinghua. while i do really like the the eng novel design's tiny scared hamster vibes, teardrew's version just radiates "up to no good, paranoid but suspicious looking bitch" rat man and i love it so so so much. i'm not gonna repost their art bc i don't know how they feel about that but perhaps you can search up "svsss designs" on here, you'll see it pop up eventually lol.
edit 2 (1/16): i just saw someone reblog a post (that im pretty sure was referring to this one because, well, if you saw it i think it'd be a little clear kahxj) that was about how bingqiu switching and completely eschewing traditional top/bottom dynamics was a fandom idea or smth? so now i'm wondering, since i swear i remember that they were open to switching, but it's just that sqq preferred to bottom and/or was just a little too lazy to top. plus, sqq is a pretty unreliable narrator who says he doesn't want something one moment and then he does. how could he say no to bingbing? esp if he seems to wanna try bottoming too. perhaps i'm mixing things up though, idk? so if anyone can find that passage that says he only and strictly wants to bottom or whatever please show me! but i think the point of this post still stands haha (i wanted to ask about it, actually, but when i clicked on the og post's user it turned out that they blocked me ? so that was a little surprising oops. hey if ur somehow reading this, im... sorry for making you want to block me bc of this post? akdhxjj)
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thelassoway · 7 months
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Jason Sudeikis as Ted Lasso Seasons 1-3 » T-shirts
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r0semultiverse · 24 days
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