#i am playing stuff with SO MUCH japanese audio right now

[wariofranchisefanblog]

A new WarioWare has come out and I got enough playtime in to feel comfortable talking about it in full, so I’ll do just that.

Right off the bat I can say in short: this is a good game and a good WarioWare. Not up there with my favs, but it does a lot right. My experience did end up quite differently than anticipated and I’ll explain why soon enough.

First I want to talk about the presentation, which I think is an easy high point. Everything is vibrant and colorful, the art keeps showing the strengths of the current style and everything feels very much like it should. Microgames run that perfect mix of genuinely nice looking and deliberately cursed and the cutscenes are the best of both worlds, being smooth and lively, while returning to Gold’s full voice acting.

Speaking of cutscenes, that brings us to the story related stuff and that’s where the game shows some interesting tricks up its sleeves. In terms of structure it’s a return to the pre-Gold era, with the closest to an overarching theme being the vacation set-up.

I do think the Ware crew is in top form, likable, fun and full of life as always and two stories in particular even do something major.

Kat and Ana’s story marks the shocking return of Cractus, bringing a Wario Land character into WarioWare and Young Cricket’s story sees his Kung-Fu Ball partner finally brought into WarioWare properly. Both of those are really massive and show a willingness to more heavily utilize elements from other parts of the verse, which I find incredibly exciting.

Oddly enough, the weaker link of the story for me this time is Wario himself. Now don’t get me wrong, everything that happens here is usual Wario antics and I do like how non–english versions of the script like japanese and german, have him be actually be nice about bringing the others along. His confusion at the Crygor drawings and later ascending to godhood, with the cast roll confirming he got a happy end, are all good too, plenty of nice stuff here.

He just feels weirdly absent here. Having no presence in the Remix stages, no bonus mode in his image and even the final stage has him stuck being cursed to have his face be the avatar of an angry volcano. It doesn’t really feel like Wario and ends with him being the only one of the cast with no moment to shine during the climax, which I can’t help but find a little disappointing.

Still, it’s not a big deal, after so many games Wario taking a slight backseat isn’t a dealbreaker, it just stood out a little.

Moving away from that, there is the audio side of things. The music as usual is full of unapologetically catchy jingles and some major stand-out tracks such as MegaGame Muscles and the Form Guide theme.

We got full voice acting again and with it our first taste of Kevin Afghani as Wario. Pre-release stuff had me very on and off with how I felt about it, but having heard all of him in the game: yeah, I like him! He does have some wonky deliveries, but the overall voice still feels like Wario and has its own fun appeal. Certainly more noticeably different than Mario and Luigi, but I am optimistic Kevin will greatly grow into the role, as he gets to play him more and more.

Then we get to the big one, the gameplay and this is where I was thrown for a loop the most. With this being a direct Smooth Moves successor I thought I’d know what to expect, but was quite caught off-guard in many places.

This surprisingly ended up being the most difficult WarioWare for me by a long-shot, enough that I actually had to take advantage of the second chance mechanic, which I never had to do in Gold and GiT.

If I had to sum the game up in one word, it would be demanding, Wario commanding you to move it is not just a funny title, it’s the name of the game.

With the Wiimote, you could get away with just sorta doing the poses in a lot of cases, but Move It really demands you do the exact poses, down to holding the Joycon juuuust the right way. 

More than anything I was surprised how strict it could be in that regard, not following the form instructions is asking for trouble, but I have to say, at the same token I was amazed how well things worked once I got the hang of it.

I’ll admit, I was ill while playing the game, so maybe that caused me to be a little more daft than usual, but it took me a bit to really get into it and I had to consult the museum several times for some microgames to figure out what I even needed to do.

I do think the game is a touch more complicated than usual for WarioWare, since you have to take effectively two controllers and specific poses into account, on top of grasping what each microgame demands of you, but once it clicks everything feels well thought out and purposeful. Getting things down is immensely satisfying and shows some really stunning results of what the Joycon can do.

That said the game isn’t entirely without jank, Hand Model being a notable culprit of it. The game finds several fun applications for it, but anything regarding reading forms or how many fingers you hold up, can be really clunky in the heat of the moment. In general, the strictness of the forms also means you need to really be prepared for every microgame, since slouching with your form could lead to a bad desync

Still, even with some jank I do think stepping up to the challenge to get a feel of it and get better is very much worth it. I wasn’t sure how to feel at first, but my opinion on it only went up the more I played.

That covers it for the main stages, as for the side-content though, yeah, that is where the game shows a weaker side of itself.

Not so much in terms of what’s here though. You got your standard towers, as well as MegaGame Muscles, which no joke, may be my favorite stage in the game. It’s frantic, fun, the music slaps and the set-up of Mr. Sparkles having ascended to being a literal god of fitness, is pure WarioWare.

The new Pyoro game of the day is a fun, different take on it, much like the one in Smooth Moves was as well and Dirty Job is a cool bonus game expansion of a more stand-out microgame concept.

That is really it as far as the single player content is concerned though and it does feel a liiiittle on the meager side. No souvenirs, which Smooth Moves and GiT didn’t have either, but Smooth Moves had more bonus games and GiT had the final Pyoro stage, Penny Remix, more bonus games, unlockable art and the Wario Cup.

We do still have a decent variety of multiplayer modes to work with and I did get a friend to come on by to try them, save for the 4 player exclusive one.

I think it’s a good selection, in concept it has the best multiplayer mode offerings since Mega Party Games (though I did like GiT a lot too), but there is one issue I have with it and I think GiT was a little guilty of it too.

As I mentioned, I do think there is a learning curve on how to play this game most effectively and you feel that even more in multiplayer, where someone not as in the know, is naturally gonna accidentally grip his Joycon slightly wrong, despite doing the pose and need some extra instructions, much like the characters in GiT can take some learning.

It is something you can overcome and have a good time with, WarioWare is a very good ‘’don’t take me too seriously’’ kind of multiplayer experience, but on the whole, if they want a true party game WarioWare, I still think something simpler like Mega Party Games is in order and by all means, I wouldn’t mind them doing something like that again.

On a side note, I also find it a bit of a shame that the nice new models for the cast, updated to resemble their designs in this game, are ultimately watered down to sprites of their heads during multiplayer gameplay. With how much emphasis is being put on multiplayer to carry the game for longer, I think it would have been nice if they put in the work to fully animate GiT-style models for the multiplayer modes.

That small gripe aside, as I said, I think multiplayer is fine, but not quite the pick up and play experience for people new to the game, as I feel they wanted it to be and I do think a bit too much of the game is locked behind multiplayer.

But yeah, that’s WarioWare Move It. It’s good and if you like WarioWare, you’re getting what you wanted out of it. It’s not one of my top games in the series and feels a bit too lacking on the side content front, but on the whole, I had a good time and it gets a surprising amount out of a controller that I have an openly low opinion on.

#WarioWare #WarioWare Move It

[alpaca-clouds]

In your Digimon season ranking post, you describe Ghost Game as unusual in explicitly pushing digimon/human ships, and while you're right that it's not common, I do have to point out that going this hard on it isn't without precedent. Ruki very much did confess to Renamon on-screen. That is very much a thing that happened.

Sorry I did not get around to answering this before. Kinda a lot going on over here.

Now let me say first: I am totally fine with the ship. So please do not take this as any bashing of the shipping. I can absolutely see where people are coming from with them.

But what was the intended reading for Ruki and Renamon was actually the relationship between sisters. The Japanese text in their case "-suki" can very well be a familiar or friendship version of like.

Ruki's entire arc - though Konaka himself says he did not realize it back when he was writing it, only when he revisited the story later - kinda revolves around her finding a version of feminity she was comfortable with and, for the lack of a better term, a female role model she could identify with. Because her mother is too young (Ruki is the result of a teen pregnancy after all), while her grandmother has never quite taken over the maternal role either. And Ruki could not identify with either their versions of feminity. Hence... Renamon. There is a reason that Renamon's feminity (despite being a sexless being) is called out so often.

Fun fact: This entire story is why I really do not like all those interpretations that have adult Ruki as this ass-kicking tomboy, because it kinda negates her entire journey. And yes, this very much includes the stuff from the later audio dramas as well. Like, I know Konaka was not in a mentally good place when he wrote them. I get that. I sure hope he is doing better by now. But at times those dramas go after what he himself prior said about what the characters were about.

...

....

.....

Eh, I got distracted. Point is. Ghost Game was interesting in very outright coding the relationships between both Jellymon and Kiyoshiro - and especially Ruli and Angoramon as explicitly romantic, with them not only using romantic language, but also that romantic imagery (especially with that Agoramon and the werewolf story).

Digimon in general definitely had stories before - both played straight and for laughs - that could be read as Digimon/Human Romance... But never this explicitly.

Other monster-franchises have been more straight forward with that kinda stuff. Though none quite as far as Z/X with the entire Sieger/Ayase story. (But obviously I feel at times as if I have halucinated Z/X existing, because nobody seems to even fucking know that franchise.)

#digimon tamers #makino ruki #rika nonaka #renamon #digimon ghost game #digimon

[rigelmejo]

Language Updates! May 25, 2022

My health is still being mean but hopefully it'll turn. As expected, I'm not studying much.

But I did get the urge to study again. So I did. And it went in an odd direction (for me) so I feel like documenting it.

First the Japanese stuff - I got into playing Final Fantasy 7 again, and video games always remind me how much I want to learn Japanese, so the urge to study kicked in gear lol. As of now I'm not doing anything big, I'm too tired lately for big goals. I am playing Yakuza 0 now and having fun picking up the words I do know. And learning some words, mainly though just refreshing my memory on things I already knew like 少し,あるんだ, zenbun matte etc. Some sentences I fully understand! Most I know a couple words, some I only hear omae lol. As one would expect.

I'm also listening to Glossika Japanese again (as review so the old files I've heard already). So not much listening, at the beginning again lol, but everything is coming back fast. So that's good.

I also bought Koisenu Futari today and started reading it on Kindle. It's like 249 pages and my reading speed says I'll finish in 8 hours, which honestly is amazing to me since usually I read too slow to Ever finish a novel ToT in a foreign language (unless it's french). I read 7 pages and it's clear to me on some level I remember the grammar i learned i jusr don't explicitly remember it if it makes sense. Like I know what's a noun or verb or how the verbs conjugation affects meaning but I'm not able to say exactly whats going on. Basically it's readable, thankfully, cause my brain still remembers how to interpret the grammar. I still credit forcing myself to do 600 Clozemaster Japanese sentences last summer for all the grammar comprehension improvements tbh, it really truly helped me get used to real world sentences and the variety in them (versus textbook sentences). Anyway so far its nice! It's to my happiness an easier read (difficulty wise) with a lot of Kanji I know so I also can kind of cheat and guess the meaning on a lot (I'm mainly looking up Kanji pronunciations/confirmations of definition and hiragana words). But I will say :c kindles Japanese to English dictionary sucks So I'm glad i recognize the Kanji a bit.

Basically, I'm back into Japanese a bit. I also found some audio dramas with eng subs I'd like to listen to that I was going to months ago, maybe yest Listening Reading Method with. But tbh my attention span is short and I don't think I can focus for 1.5 hours to get through them (though Nier Replicant Audio drama AND mdzs Japanese audio drama are on youtube which are both very cool and i do eventually wanna get to ToT)

Now for the out of character portion. So ive been watching kdramas. Live Up to Your Name, Mr Sunshine, Tomorrow, My Country the New Age, etc. As you do. And it turns out... when I listen to something long enough I really want to learn something. So I looked into learning Korean a bit.

I want to preface with!!! If YOU are brand new to learning Korean, like comprehensible input/nature method learning methods, I highly recommend going to Learn Korean in Korean YouTube channel and just Devouring all the videos made by that guy. THAT is a well made course where you can genuinely learn through comprehensible input for the basics and some surface conversational stuff (possibly more). I watched 1 of his videos once knowing zero Hangul and not caring if i learned and learned how to introduce myself. His videos are GOOD.

That said... mejo is a messy person who doesn't follow their own advice, and despite me KNOWING I love that specific learning material... I'm not using it. Why? Because watching YouTube videos requires consistent focus and i just cannot reliably focus on something for several minutes right now. I can't do long periods of focused study at the moment. Even though I know if I binged his channel I'd learn a lot.

So what is mejos plan to learn korean?

Well studying Hangul is step 1, which I've done before and have done the past few days again. Now I'm practicing just kind of seeing it in practice (like in textbooks etc) to get used to properly reading it and remembering. As my motivations for wanting to learn korean are Extremely Shallow right now - I'd just like to know some lines in kdramas when I watch, maybe absolute MOST I'd like to have a convo in korean like hi how are you do you draw (and in a world I'll never live in... enough to read Korean guardian translation but let's be real its not gonna happen.. probably). I have no intense need to learn to read Hangul. I'm gonna pick it up anyway, since it's everywhere and reading it is ultimately critical. But books with romanization are my friends right now so I can compare romanization to the Hangul to test my reading of the Hangul, and to learn words with an approximate pronunciation instead of absolutely no idea if i picked a moderately close pronunciation up (if theres only Hangul and I read a,syllable wrong I'm gonna learn words wrong lol).

So I found Teach Yourself Korean (or some equivalent type book) on archive.org for free. And am reading it. It covers Hangul, and then simple surface level conversations like your typical beginner textbook (hi, how are you, my name is, i work at, I study, I want to eat x etc). It works fine for some Hangul reading practice and getting a chance to look at sentence structure. Realistically I know korean is SOV and a really Great help would be a textbook that does literal word by word translations cause my brain likes seeing that but I'm not putting tons of time into this. (Also sadly? I KNOW there's a cool korean textbook out there whixh starts with english but in korean sentence structure then adds more korean words, like comprehensible input for korean but also intuitive grammar instruction. And i DONT know the name so I canr find it ;-; if you know the name of the textbook I'm mentioning please message me).

For words, i was going to just be brutal to myself and hop right into Clozemaster Korean. That was utterly impossible lol! With very poor Hangul reading skills you are screwed in clozemaster, there's no romanization to help you sound anything out. Also you don't hear audio until after you answer, also the diffetent grammar structure is not explained even minimally in Clozemaster. So I have realized. Yes, yes you really do need to be upper beginner or above to use Clozemaster reasonably comfortably. Unless you're learning a language with similar grammar and a similar alphabet like French or Spanish then maybe you could jump right in as a complete novice if you were up for the challenge (I can read some Spanish, I could probably push through clozemaster Spanish to study and learn more vocab even though it would be brutal). I realized clozemaster is just NOT helpful as a complete beginner in korean with zero grammar knowledge. Now normally, I'd dive right in and spend 1 week to 1 month reading a grammar guide summary of the language so I have a vague idea of what I'm looking at verb noun adjective subject object particle wise etc at all times. But as I mentioned, im exhausted lately, i cant do intensive focused reading for hours which a grammar guide would require of me. Also... to be honest, I find it an interesting experiment to go into a language totally unprepared. I was prepared for all the other languages I studied to some (minimal) degree since i studied literally all of them as a teen at least a little (japanese, Spanish, French, German, mandarin). While it's not much, it does mean if there were ever 6 months of struggling with sound or writing system or what the heck does a verb look like in z language, i got a little practice prior to diving in more as an adult.

So. What to do. Well I know for me, comparing sentence structure truly helps me grasp grammar the best. It's why clozemasrer Japanese helped me SO much with grammar, it's why one of my fave japanese textbooks is Japanese Sentence Patterns, it's why Spoonfed Chinese anki deck ans audio files help me so much. Seeing and hearing a sentence in both languages helps me figure out where words go in each, how they conjugate, what phrases are different completely etc. Unfortunately anki and memrise sentence decks in korean would make me exhausted, as i can't do the hours long intensive focus I need for flashcards personally at the moment. Clozemaster has a radio mode (to help make it easier on me) but clozemaster sentences start TOO hard compared to educational made sentences which tend to start artificially simple but help clarify the sentence structures before adding complexity gradually. Well i was like... glossika Korean might work. Turns out I'd downloaded the old glossika korean audio files a year ago so I put them in a place I could listen to. And that's going to be my primary setup for study probably. I doubt I'm going to pick up much, certainly not at the slow rate I've got to study right now. But if I DO learn anything then I'm putting in a good word for comparative 2 language audio flashcard type study materials. They worked EXCELLENTLY for me for chinese listening comprehension, increasing vocabulary, grammar patterns, but i used them as an upper beginner who could read some stuff already. Korean would be my first time trying to use glossika with a language I can't already read some things in (aka comprehend basic stuff to a decent level when reading already). We will see if i pick up much. But I can already tell it's easier for me to figure out new words than clozemaster korean, so glossika is easier for a beginner to use for sure. (Personally I do Not recommend modern glossikas subscription model I hate the flashcards but tbh i canr do flashcards often, I prefer the old glossika audio lessons they used to make so that's what I use whenever i say glossika).

So yeah, my plan for korean right now is: glossika korean audio files (dual language audio of sentences starting simple then progressing), and Teach Yourself Korean book read through. Maybe some other stuff, but this is easiest.

A side note: I am sad to report the FSI korean course audio files on archive.org are Only korean. I say thus because FsiS chinese course audios read the English aloud, then rhe chinese, then the drill directions then the drill answers. So you can basically do the entire course entirely through audio (which is great if visuals are an issue for you, or so it can be done without needing to look if say you're walking or working, and the book is mainly pinyin so it's not a huge loss to just use the audio files). So I was expecting the korean FSI course audio to also have all that - which would have made it serve the "simple sentences with dual audio to compare and pick up words and grammar" function. But there's no English in the audio, so i found the korean glossika audios instead. (In a pinch FSI courses are yes dry, but very good introductions to several languages. I like their tone drills a lot for chinese.)

Another side note: sad to report that unlike Japanese and Chinese I am not aware of the really cool niche textbooks yet. Like in Japanese, I have textbooks specifically suited to me - ones that focus on sentence patterns, 2 that teach through reading and progressive difficulty, Kanji mnemonic books. Same for chinese - I have an old grammar book that writes a way I understand, 3 comprehensible input massive graded readers that increase in difficulty, some more graded readers by difficulty, a 500 most common hanzi book with a bunch of words that use them underneath, parallel texts, a wonderful hanzi mnemonics book, a wonderful chinese intro book that covers 1000 words (which isn't ideal but i appreciate the author and irs better than one textbook I found which only teaches 200 words total yikes). I learn well with comprehensible input books like graded readers/stuff that makes you learn by trying to understand, and with comparisons of sentence structure with a LOT of common words so I pick them up. Like I mentioned above... I know a korean textbook exists that writes the English in korean word order then gradually adds in more korean words too, I am very interested in finding it if anyone knows the name or has heard of it before.

#rant #may #may progress #progress #may goals #goals #korean #korean study plan #study plan #WOW YEAH im learning a little korean #not much but i would like to recognize a bit more than i do now which is like nothing #except the greeting and thank you

[hospitalterrorizer]

diary18

9/22-23/2023

listening to brainiac before bed.

i did 5 songs today but only 4 are like things i redid, i got a new short song down, exciting. have to wait a bit before i can listen to it and think about lyrics for it i think, it's fresh and i'll want to mess with the guitars too much i think.

i just spaced out listening to the guitars in 'this little piggy' i'm so fucked right now. thankfully the process of fixing everything will be over soon, hopefully, probably, and hopefully i'll fall in love with everything.

i should think about reverb a little, if the record needs it or not. i really avoid it cuz it feels cheap, not like it sounds bad, i mean i feel cheap using it cuz it used to be such a crutch for me i feel like, when i was making jungle and stuff.

thinking about cheapness, and jungle i guess, apparently people spend huge amounts of money getting synths to make "ps1 jungle" now, i didn't ever consider that. it's massively fucked up, all the music i've made i've never spent a dime on, making everything i've done super cheap, which i think is sort of cool. it's fucked up to me how people will spend huge amounts of money on equipment without ever really putting anything out with it. i just don't understand having really nice things and not really doing anything outside of putzing around with them. it's not like it would become okay if they did make anything though i guess, if someone spends 2000 dollars on a synth to imitate a sound that came from a sample pack that a japanese dude used to put a song together in a day, they are wasting their time. it's also fucked up because, at the time at least, in 2019 when i was making this stuff, it felt basically liberating to make that stuff because it let you be cheap, now it's gotten super particularized. i can't really touch breaks anymore, not because of these people who i never considered until today, but more because so much mediocre breakcore is being put out, and so many people love sewerslvt, it makes me feel dire, and i decided to just give up i guess.

i went looking for old mp3s of my jungle stuff so i might put it here or something and instead i found a bunch of other old stuff. reminded me of how much i miss having access to my cousin's audio interface for recording bass and guitar.

here's some stuff from when i was trying to do guided by voices in 2021.

these kinds of songs are so fun to make. i'd like to do it again some day. it's easy to hear how bad i am at guitar, but i really did love playing at that time. i still do, i just can't record it, i just get tabs/ ideas out and transpose them to midi, so i'm basically playing fucked up hardcore only right now. or not that fucked up. i love octave chords, and then sliding up a note so it's two notes right beside eachother. i think that's such a pretty sound.

anyways. the current state of jungle makes me sad. guitar music has always only ever made me happy, even when i was sad.

what does it mean, what does it mean.

well it's not entirely true anyways. some guitar music blows and it pisses me off like all the sewerslvt adherents. some electronic music has only ever made me happy. i love everything at the end of the day and it makes me sick i guess.

it's 6 am! i spent all this time reminiscing about my old music, but i have new music, i have to keep its heart alive too. i want to keep every heart i ever found alive. i'm an awful doctor!!

okay anyways #byebye!!

#music

[dialovers-translations]

DIABOLIK LOVERS DAYLIGHT Vol. 1 Sakamaki Ayato [Track 1]

Original title: 穏やかな日々

Source: Diabolik Lovers Daylight Vol. 1 Sakamaki Ayato

Audio: Here

Seiyuu: Midorikawa Hikaru

Translator’s note: I’m so excited to be able to deliver the latest installment of the DL Drama CD series to you guys! I honestly did not expect to be able to do it this early but I was able to get the CD for really cheap myself so here I am! I already listened to the CD once to write up a summary which honestly helped me out a lot. I still knew some of the lines and events when I got to translating it in detail, which sped up the process by a lot! uwu 

Track 1 ll Track 2 ll Track 3 ll Track 4 ll Track 5 + Epilogue

→  LIKE MY TRANSLATIONS? SUPPORT ME ON KO-FI!

Track 1: Peaceful Days

Ayato stands on top of Kaminashi tower.

“...What a nice view. Guess this old, worn-down tower isn’t too shabby to look down at the city. Hehe...”

He looks down.

“Hah. When lookin’ down at them from above, everythin’ really looks so tiny and insignificant. So pitiful, I’m almost brought to tears. Haah...All because of that stupid lil’ human, I’m thisーー ...Ugh... Pathetic. ...I need more...of her blood...Kuhーー!”

*FLASHBACK STARTS*

Ayato is sucking your blood in the living room.

*Sluuuuurp*

*Rustle*

“...Heh. Why you lookin’ at me like that? Are you that upset I attacked you in your sleep? You’ve only got yourself to blame for snoozin’ on the couch in a house full of a Vampires.”

You try and defend yourself.

“Like I give a damn! Whether you were tired or not, you’re basically beggin’ me to jump you. Prey that lets down its guard can’t complain ‘bout bein’ devoured like this. Just give up.”

He continues sucking your blood.

*Sluuuurp*

“Stop makin’ a fuss. ...Or do you want me to suck you even more, perhaps? From this throat? ...In that case, I’ll gladly grant your wish.”

*Sluuuurp*

“Hehehe...That’s a nice expression you’re making. Show me more. Mmh...”

*Sluuuurp*

“Hah...You’ve got that dreamy look in your eyes. ...Despite all those complaints, in the end you still enjoy it, huh?”

You tell him to stop.

“...Eh? You really think I’m satisfied with that much? Besides, you don’t have the right to defy me. Just behave and enjoy the ride.”

*Sluuuurp*

“ーー Hah! ...Not yet...I still haven’t had nearly enough.”

You insist that you’ll go crazy if he doesn’t stop soon.

“Hehehe...So what if you go crazy? If you think that’s gonna convince me to let you go, you’re way too naive. (1)”

You continue to protest. 

“I’m sure you know that very well, don’t you?”

*Sluuuurp*

“...Che! Geez, throwin’ in the towel already? What’s with that attitude when I’m out here givin’ you my full attention?”

*Rustle rustle*

“Heh. ...Too late to apologize now.”

You apologize again.

“Stop sayin’ sorry already! ...Actually, in that caseーー”

*Rustle rustle*

“Haah...Whatever. I’ve lost interest.”

You frown, asking why he is upset. 

“...Fuck off! I’m not upset! ...And stop pokin’ me! It tickles! Lay it off!”

*Rustle*

“Don’t try and get cute with me! ...Anyway, haven’t you been droppin’ a lot of weight as of late? Are you eatin’ properly?”

You ask if he is worried about you.

“Haah...? I’m not worried or anythin’...! I just prefer my girls to have some meat on her bones, that’s all. Right now your tits are so pathetic, it kills my appetite.”

You chuckle.

“...Oi! You laughed just now, didn’t you? Dependin’ on your reasoning, you won’t get away with it! Tell me!”

You explain.

“...Aah!? You think I’m kind!?”

You tell him he stopped sucking your blood because he must have been worried about your health. 

“I just told you I’m not worried, didn’t I!? I only stopped because the mood got ruined! Don’t assume I wouldn’t suck you till the very limit! Stop gettin’ ahead of yourself! It’s totally different! Idiotー! Ms. Misunderstanding Chichinashi! (3) Don’t you ever dare say such stuff again!”

You play off his complaints. 

“What’s with that haphazard answer!? Are you mockin’ me!?”

You giggle again.

“ーー Geez! Get off your high horse already. Hmph! ...Ah, fuck, this pisses me off. Meanwhile I’m over here strugglin’ ‘cause I’ve been more thirsty than usual as of late...Haah...”

You offer to drink some juice. 

“Don’t be fuckin’ kiddin’ me! I wouldn’t be sufferin’ this much if some juice could do the trick! ...You’ve been pokin’ fun at me this whole time, haven’t you? Your blood is the only thing which can quench this thirst. Yet you’re bein’ all stingy with it...Ugh! Geez! Isn’t there some other way!? ...Something that’ll lift my mood at once! Take your responsibility and put some serious thought into that! Things turned out this way ‘cause of you after all! If you can’t think of anything, I’ll suck your blood!”

You immediately think of something.

“Oh? What is it? Tell me.”

You offer going on a walk together.

“Ah? A walk? Listen up…Were you even listenin’ to what I said!? I told you I wanted to do somethin’ to lift my mood, remember? So how exactly will a walk lift my mood? If anything, it’s gonna fuckin’ ruin it! Don’t be kiddin’ me! ...I don’t give a damn if you recently discovered this place or not, che…Anyway,  it’s a no.”

ーー Well then…Guess it’s time for your punishment?”

You try and reason with him one more time.

“Nah, I’m not waitin’ and I’m not goin’ either. Even sleepin’ would still be better than that!”

You pout.

“…The fuck you gettin’ all depressed for?  Ahー Geez! Fine!! I just gotta go, right!? Fine, fine, guess I’ve got no other choice then. I’m a total gentleman after all!”

You thank him, smiling.

“...Hmph. Look at you gettin’ all happy over small things like a lil’ kid. Ah, but...”

Ayato looks out of the window.

“Take a look. It’s pourin’ like crazy outside. Doesn’t seem like it’ll clear up any time soon either. Havin’ to go on a walk with our umbrellas seems like way too much of a chore.”

You ask if you can go on a walk some other time. 

“Fine. Next time then, okay? ...It’s a fuckin’ pain in the ass, but whatever.”

You seem happy.

“Don’t rejoice just yet. You’re draggin’ me outside, so you’ll at least make sure I’m entertained, right? If not, I won’t have any mercy. You better be prepared to get sucked dry by me if it’s boring. Hahaha...Suddenly I’m lookin’ forward to this.”

ーー TO BE CONTINUED ーー

Translation notes

(1) 甘い or ‘amai’ usually means ‘sweet’, but it can also be used to call someone ‘weak’ or ‘naive’. 

(2) Ayato literally says something along the lines of ‘the parts which can stick out should do so’, which refers to curves (or the lack thereof) on girls. 

(3) In Japanese, he calls her 勘違いチチナシ女 or ‘kanchigai chicihinashi onna’ which literally means ‘misunderstanding titless woman’. 

#diabolik lovers #dialovers #ayato sakamaki #diabolik lovers daylight #diabolik lovers translation #diabolik lovers drama cd #drama cd

[lazzledazzler]

Lazzle's Rune Factory 5 Review

Alright so here are my thoughts and experiences with RF5! This is a big boy so buckle in earthmates...

Obviously this review will contain spoilers, read at your own risk.

Initial thoughts upon playing...

Great opening! I enjoyed the jazz music~ I did feel like it leaned a bit more towards the male player though. It definitely feels like a rune factory game. It's familiar, and controls are easy to get accustomed to for the most part. The mold is there and rf5 doesn't stray too far from its predecessors which is comforting for veterans. That being said, I'm not going to pull any punches and will critique this game harshly. Keep in mind as updates for the game are released not all things discussed in this review will be as relevant overtime!

Let's hear some thoughts on...

The story/plot. The plot is enjoyable overall. I'm not crazy about the whole Seed organization thing but it was a neat idea. They address the Sechs Territory and it is confirmed that the game takes place some decades after RF4. But by the end of it, I didn't feel like I really accomplished anything because it felt like I barely did anything really. Also they left a lot of stuff unanswered. I'm not even sure I understood the message they were sending, if they were trying to send a message at all. The main story is too short, and it doesn't involve enough of the townsfolk. You're basically doing everything yourself in secret the whole time and the townsfolk barely know what's actually going on. Out of the love interests, Lucas plays the largest part in the story, followed by Priscilla and Scarlett. The story feels targeted at male audiences--at least that's how I felt. You, the player, have a larger role in the game, much like in RF3 and I was glad to see this. As of right now there are only two arcs. Praying for DLC 3rd arc...!

Protagonists. The latest protagonists to join the crew of Earthmates are...decent. Their designs are nothing special unfortunately, though I appreciate Alice's more than Ares's. Appearance-wise they lack personality and creativity. Personality wise I am pleasantly surprised with how sociable they are. They're not exactly quick witted and sassy like Lest/Frey were in rf4, or as endearing as Micah in rf3, but they have a certain realness to them that makes their reactions to things believable. I'm certain Xseed will see to making them a bit more sarcastic in their localizing efforts, so let's all look forward to that. Overall though, while I appreciate their mannerisms, they don't really measure up to all the previous amnesiacs we've grown to love over the decades.

Characters. Overall I enjoy all the characters introduced in Rune Factory 5! I feel like there is someone for everyone in this game on some level. The voice acting was pretty good for every character. The designs are very much Rune factory. Like OG runefa, compared to rf4 ( 4 kind of strayed from their usual style) which I like. Characters still have their own signature quirks that you find endearing. Although I would have liked to see more variety? Like we've had mermaids, univir, half monsters, vampires, etc in previous titles but rf5 only gives us the usual (half) elf, dwarf, and then a succubus (physically she doesn't have unique features aside from the ears and heart eyes), and some were-people. I was hoping for something more unique to really give that classic runefa vibe.

Dungeons/Battles. I'm pretty split on this one. On the one hand, the dungeons have more depth due to the 3D aspects. They've included more contraptions that are very fun to see even if they aren't executed that well. So I'm grateful for that. On the other hand, the dungeons are insanely short imo. It doesn't take long at all to get to the boss. The puzzles are also pretty subpar and few compared to RF4. Fighting monsters is similar to the other games. You can lock on now but I only use it when I'm trying to use my Seed Circle. The lock on feature is actually counter-intuitive and makes it harder to dodge. Weapon mechanics have shifted a bit. There’s a feature that makes you invincible to damage if you time the R button dash correctly. Axes and Hammers are significantly slower than in older games? Like. I thought I was in slow motion it was so slow. Lances are also harder to use as well? I'm questioning my sanity here. I don't know if it's a bug or intentional either.

Farming. Not much has changed from previous games mechanics wise. They added new types of special crops which is neat. The camera view changes to overhead when you go near your fields though, and it can make you dizzy/uncomfortable. It actually makes it a bit difficult to see at times so I wish there was a way to adjust the angle. If you are tilling corn or dried weeds to improve the soil, you need to place them separately if you don't want to use the entire stack. Otherwise, it will till the entire stack on the land if you place them all down at once. The flower shop is unlocked late in the story. Weird thing to do considering you need flowers to make medicine. Not to mention the fact that you wont have access to the fertilizer that increases defense against typhoons? During typhoon season? Thinking emoji...

The town. I have to say Rigbarth's design is poor compared to Sharance, Selphia, etc. It's too big and it takes too long to get around. Everything is too spaced out and there aren't enough warp points to make it easier on players. I don't want to walk an entire mile up a hill to talk to one person and then walk all the way down to the beach to speak to another. It doesn’t really feel like a ‘town’.

OST/BGM. Music was good, though nothing really stood out to me where I'd go "damn this slaps" or something. I think they might've had some old soundtracks from rf2 or something because it felt really nostalgic at times.

We need an exterminator. (Bugs Bugs Bugs)

Marvelous, I don't know how to tell you this buuut...your customers are NOT your testers. When you release a game, you need to make sure it's not littered with glitches because customers don't enjoy dealing with them and will drop the game!

Here are some of the types of glitches I encountered:

Crashing. Game would randomly crash or freeze and close at any moment. Sooooo frustrating! Sometimes you get lucky with the autosave feature, but the autosave only activates every morning at 6am in your room and then when you warp to a dungeon level/floor. So when you're in the middle of your daily tasks in town and it crashes, you have to start all over. Marveloussss no one enjoys losing their progress in a game I promise you that much.

Lag. The dialogue bar is seriously slow, especially after loading your file. Crafting/Cooking screen lags. When you press the Y button to skip through dialogue it lags like hell. Pretty much after every time you load the game will lag, the audio will lag if you're in a battle, everything is just. so. slow.

Repeating dialogue. So if you close your game entirely (or if it crashes) naturally you'll reload your file to continue where you left off. There's a bug that will cause all NPCs to repeat the last dialogue that occurred from whatever plot related thing you did last. So for example, if the last thing you did in the story was unlock Ludmilla, everyone in town will naturally have some dialogue about her. But even after seeing all this dialogue and even saving, if the game is closed and reloaded you'll have to read all that dialogue again from townsfolk. It got really annoying after a while.

Monster taming. One time I tamed a monster but once I named it and hit 'ok' the monster never showed up in my barns? Just. gone. Okaaaay then...? Additionally, I expanded one of my monster barns but all of the monsters I tamed wouldn't appear in the added room. You get 4 monsters for each room but the monsters I tamed would show up in the original room. Meaning I had like 7 monsters in one room! I tried to bring them into the newly added room but they would just warp back to the other room. Sad.

Pond Glitch. I fished in the pond located in Sasayaki Forest and left the fish I caught but didn't want laying around the water's edge. If you leave fish around the pond's edge and go to sleep, the next morning you will be teleported to the pond and trigger the fairy dialogue as if you had thrown all of the fish into the pond??? So the dialogue of her telling you she wants 'X item, not this!' will trigger over and over for all of the fish you left at the water's edge. RIP.

Party member Bug. I had Martin in my party and I made him leave. Then when I went into my monster barns to get a monster pal to join me instead it showed me Martin's portrait???? Also I've encountered a bug where I can no longer ask anyone to join my party for some unknown reason. The R &L button prompt was just gone when I reloaded.

Errors. When cooking or crafting, the dialogue box shows up sometimes...

Typos. Random average typo here and there. Not a real biggie but there is one instance where the heroine will use the japanese male pronoun "boku" instead of "watashi" which really convinced me that this game was completely intended for men lol.

Let's talk about Pros

The good stuff. The stuff that makes you all warm and fuzzy inside.

Plot Advancing. Now I'm gonna put this as a pro because I'm certain the average player will enjoy this even though I do not. There are now markers on the map to show you where to go to advance the plot. This is all well and dandy, but it also made the story less appealing for me because you don't need to go around town and speak to residents for clues or assistance to advance anything in the story.

3D Graphics The 3D models are all amazing. The interior designs of the houses/buildings are also incredibly detailed and realistic.

Collecting items. Now there's a feature that will allow you to collect items into your inventory just by walking over them. This is pretty neat and welcome for the most part. Once the item is sparkling, you can walk over it and it'll go into your rucksack automatically. This also makes lumbering and mining go much faster. Yay!

The miraculous L pocket. Now you can customize the categories that appear in your L pocket by going to the rucksack tab in the menu. This is a super neat feature that makes things easier on players who want to manage their items in a format that suits them.

Weapon/Tool Toggling. You can now toggle between your equipped weapon and tool by pressing the left or right buttons on the trackpad.

Collecting lumber/material stone. Oh lord this is probably the most welcome improvement moving forward from the previous game. You can now put all of the lumber and material stone from your inventory into its storage at once. This also applies to fodder for tamed monsters. Well done Hakama.

Autosave. This feature is a welcome addition to the series. The game will save your data every morning and every time you enter a dungeon. Autosave has really saved my ass a few times when I made a huge error in judgement so I'm incredibly grateful for this feature. And it doesn't save over your actual save file--there's a separate autosave file at the very top. So if you messed up something but already saved on your main file, you can still salvage your mistake by reloading the autosave! I just wish it activated a bit more often sometimes.

Warping. Now we can warp to each level in a dungeon as well as certain places on the map in town. It's pretty convenient for the most part.

Increased party members. Now you can have up to 3 members in your party! Hooray! Party members act more intelligently than in older games. Scarlett can use the Seed circle to assist you in fights. I think she also tosses healing potions at you occasionally. So far, no one has tossed a dish at me if I haven't eaten like Kiel and Clorica did in rf4. But I have been hit by a failed dish (from reinhardt?) and a healing potion (from scarlett). Scarlett, Priscilla, and Reinhardt are the most helpful when dungeon crawling in my experience. Some of them however, (looking at you Doug) don't shut the hell up with their one line of dialogue they have and repeat it constantly.

Seed Circle. This neat feature allows you to capture monsters. By charging it and releasing you can capture monsters for the bounty system or add them to your party temporarily. If you throw it without charging it, you can stun monsters in place momentarily or grab things from far away. When stunning monsters, it can also give you the monster's drop item occasionally. Unfortunately it uses a lot of RP so it can be difficult at times.

Combo attacks. This is a neat feature that I appreciate and use often for boss fights. They do some serious damage so it's good to save them for the bosses. The actual cutscenes aren't that impressive, and feel kind of subpar when you get down to it but I think it's a start in the right direction.

Farm Dragons. I'm listing this as a pro although I really just see it as a new feature. Farm dragons have fields on their backs that you can place monster barns on and farm on. Giving them certain crystals will give your fields boosts in certain criteria, like length of growth, soil quality, you get it. I personally don't use the crystals because I couldn't give a shit lmao I have men and women to woo here. But if you're into this kinda thing then it's a pro.

Storage. When opening your storage box, fridge, etc. you can actually hit the R & L buttons to switch between ALL of your other storages. Looooove thissss. Great addition. So much faster to put items away in their respective places.

Crafting/Forging. Now we can also use the R & L buttons to alternate between the different weapon types/accessory/gear types instead of having to exit the menu and going back in each time you want to make something different.

Cooking. More recipes have been added. Yay!

Days are longer now. More time to get shit doneeeee ayyyy

Fishing. They've added many more fish to the game! Now the player will shout something when you get a bite, making it easier for you to hit B at the right moment. Nice. Also if you fail or press B too early, the fish doesn't vanish most of the time. Also nice. There is now a feature to fish with another person's assistance. Once a day you can investigate the sign near the fishing station and someone might offer to lend you a hand. Press the B button at the right moments on the slider and you can get a rare fish that can't be caught normally.

Monsters. New types of monsters! Love the designs. Even the monsters that are the same but just have different skins are really neat. They look great in the 3D format too. You can even ride with up to two people on certain monsters! Some bosses had awesome designs while others...were bad.

New Types of Furniture. The carpenter store has a wide arrange of furniture you can buy for your home. It also has wallpapers and stuff which is really neat. Though unfortunately you can't even sit on some of the furniture so that's a shame.

Events. Now there is a system where events are triggered by approaching an icon on the map. This is probably an improvement to RF4's randomized system, though personally I found it annoying because it meant that I had to see the events before I could just enter a building normally. Sometimes I just wanted to get shit done and not have to read through walls of text for someone's love event when I just want to buy something.

Voiced Lines. The protagonist seems to have more voiced lines, as do other characters. Good!

Let's talk about Cons

Not including glitches. Oh boy. So many cons. Where do I start?

Dialogue. Probably the most notable con in the entire game. The dialogue is drastically minimal in comparison to previous games, especially rf4. There is probably a quarter of the amount of dialogue compared to rf4's insane amount of content if not less. Townsfolk repeat themselves. Often. Too often. Am I playing Harvest Moon? Originally I thought it was because the dialogue is randomized, but I think it's actually because more dialogue is unlocked as you raise townspeople's FP. Despite this, there's no linear build up where you start off as acquaintances and eventually become very close like in rf4 because of how sporadic the LP/FP is. Townsfolk don't even talk to each other. One of the greatest perks about runefa is the conversations townsfolk can have with one another. Residents randomly gathering in small groups to talk about anything. Previously you could add someone to your party and sometimes a dialogue will occur if you speak to the right person at the right time with that person in your party. This is nonexistent now. The only time they do this in rf5 is during the festivals. But, it will only trigger if you have unlocked all the characters in each marriageable lineup and they can't be in your party. The residents will talk about one another but that's pretty much it outside of town events. They got rid of all the minor dialogue that occurs too. Trying to sleep in someone's bed while they're right there? They wont comment. Inspecting objects in stores while the shopkeeper is present? Wont say anything. Take a character with you to a dungeon/boss fight? Their lips are sealed. Where's my sense of community? :(

FP/LP This ties into the dialogue issue. The rate at which LP/FP increases is sporadic as hell. You can go from 1FP/LP to 4FP/LP just by giving a gift sometimes. I wouldn't even speak to people and their affinity increased by like triple for no reason. Then it increases by like 2% for the longest time. Argh!!!

Graphics. I don't consider myself very picky when it comes to graphics. I don't really mind that the foliage and scenery are at the level of a ps2 game at best. I tried playing on my television initially, but the lag and camera operability was too much so I fully switched (haha puns) to handheld. One thing that sucked is that I literally cannot tell the difference between medicinal herbs, antidote grasses, and green grasses without the captions because the graphics are so indistinguishable. So when you're trying to pick up multiples of those items by holding the A button, you're just randomly walking over anything green in the hopes that you'll get the right ones...

Lack of Sound Effects. Something I noticed is they got rid of the sound effects that will play when you complete a puzzle or add someone to your party. When you try to brush a monster there's no sound for the '♪' they make when you successfully brush them. So it was hard for me to tell if I had actually brushed them or not. I was a bit saddened by the lack of cute sounds.

Too much free range. From the very beginning of the game, you're allowed to go pretty much wherever you want when leaving town. It was too easy to stumble into high enemy level territory without knowing, so when I was like level 5 so I got KO'd immediately.

Artwork. The portraits seem to be lower in quality somehow. Runefa has always had shitty portrait art imo but this time it's even worse. Many character's eyes looked fucked up. Though the 3D models are insanely good for mostly every character except Terry. Terry's 3D model looks Terryfying and I prefer his portrait.

Festivals. They've added some new festivals. Some I enjoy. Some not so much. They changed the format of the eating contest. It's horrible. Good luck with that one.

L pocket + R button? They got rid of the feature that lets you skip to the other end of your items when opening the L pocket by pressing R button. I really liked that feature because it made it faster to reach my items so I was bummed that they got rid of it.

Gotta go fast. Now when you speak to someone, it doesn't 'stop time' as you might say it did in previous games. So people are still moving about as you speak to someone, making it harder to catch up to people! Annoying!!!

Catch and release? Not in my farming simulator! Say goodbye to being able to toss a fish you caught back into the water. In fact, say goodbye to tossing anything you don't want anymore into the water. Now you just have an army of fish flopping on the ground around you. And with the auto pick up feature, they're probably going to end up in your inventory anyways once you try to move. There are still certain ponds with fairies that you can toss stuff into, but you'll have to deal with the fairy harping at you for giving her something she doesn't want.

Shop Hours. Oh god. The shop owners don't even open their stores at the correct hours? It says open at 9am. If you speak to them they won't open their store until like 9:07??? But Priscilla and Lucy will show up to work their part-time jobs at around 8:30am and you can buy stuff through them before 9am. So the actual shop owners (for the bread shop and general store) are pointless usually. Additionally, if the store is empty (but open) you can no longer add a shopkeeper into your party and then enter their store with them to buy things from them. Why. Just why. When you want to buy something that only a specific person sells (Only Hina sells fish, only Heinz sells misc items) you have to wait for them to finally decide to work in their own store. Wonderful.

Monster Item drops. Maybe I'm crazy but the monster drops are seriously a lot harder to get than in previous games. Especially boss drops. It's almost impossible to get the rare drops now. I don't even want to try anymore. And as far as I know, the only place to buy monster items is through Heinz, but his items are actually misc. items, not specifically monster drops. So you'll be lucky to check his store (whenever tf he decides to actually work) for any monster items you might want instead of farming for the drops. Sighs.

Difficulty. This game is too easy. There is little to no challenge whatsoever. I had to increase the difficulty setting to hard mode and it was still too easy. I beat it at level 139, never once did I need to grind or level. In fact, your character levels up way too quickly for the pace of the story. I had zero trouble with any of the bosses and even the final boss was a breeze. Quite sad. Though because I am not new to the franchise, it's likely that newcomers would have some trouble in the later parts of the story.

Fishing cons. Idk how you fck up fishing but they sure did. You have to stand further back now because the pole is so long that you'll miss the fish you're aiming for. In fact, it's seriously hard to aim period. You'll end up recasting more often than not. Fish come in the various sizes but they don't seem to have the darker or faded characteristics that can indicate whether it's a rare fish or not. The graphics make it hard to tell. The pros that i've already mentioned are welcomed but it doesn't negate the fact that I do not enjoy fishing like I did in previous games.

Mining/Lumbering Cons. You can no longer strike three times consecutively when mining/lumbering. This sucks lol. Even when you upgrade your axe or hammer, powering up the tool does nothing for getting wood and material stone--it only expands the area of your strike. So it takes longer to get wood/stone from stumps and rocks now since you have to strike the full 9 times but it's not too bad. It's also harder to aim now as well so that's also unfortunate.

Seasonal Fields? Kiss them goodbye! That's right, there are no seasonal fields in rf5 because devs are insane! You instead have the farm dragons that seem to look seasonal based on the fact that they are designed after elements like earth, water, and fire. But no, these dragons are simply extra fields for you to use. Here's a spoiler: you're not going to use those fields. You're just not. They're kinda useless unless you're obsessed with farming. Now you have to grow your crops out of season like the sad farmer that you are.

Farming cons. Seeds no longer tell you how long it takes to grow the crop. Why. As of June 29th, they fixed this with an update. But I still had to play the whole game without it so fuck you marvelous. The joystick is really sensitive? So when you're trying to use a fertilizer or something on your field you're likely to place it on the wrong 4x4 tile, wasting your fertilizer. So it’s best to hold down the R button when farming. Also the crops look uglie as hell.

Sleeping and warping cutscenes. Just like in rf4 there's a cutscene when you go to sleep that can be skipped easily by pressing A. In rf5, there's a cutscene to sleep and a cutscene when waking up. It takes a bit more than a second to skip these scenes so it gets annoying after a while. Warping is this new feature that replaces our beloved escape spell. Overall I appreciate the feature but I hate it for two reasons. One: there's an annoying ass cutscene for it each time you use it that could be much shorter. And Two: townsfolk now use warp even when inside the town. In previous games, someone exiting your party in town would just manually run to wherever they need to be. So you could easily chase after them if you need to talk to them or give them something. Now, party members use warp regardless of where you are at the time. So say you have someone at 7 hearts and you want to try confessing to them. You would have them join your party, save your game, and then have them leave your party and immediately speak to them and confess before they can run off. If it doesn't work you reload until it does. In RF5 this wouldn't work anymore because they will warp. Now you would have to save, run around town trying to find this person and hope they accept the confession. Otherwise you'll have to play hide and seek again because reloading your file will randomize the resident's locations (if they are not working in a shop)!!!! I often just waited until a festival day because then they will be at the plaza for most of the day and it has a warp point there.

Crafting/Forging/Cooking. They've removed the feature where you can press Y on the ingredients in the menu to add more of that particular item. I miss this feature :'(

Lacks incentive. There is no trophy room from my knowledge. The final dungeon that is meant to be like the sharance maze/rune prana isn't that hard to beat for skilled players and is only 20 floors. After you beat the main story and this dungeon there's not much else to do really.

Request Board. Unlike in rf4, you need to make sure you have accepted requests before you complete them or else it will not count. Previously, you could complete all sorts of tasks and Eliza would still recognize your work even if you accept their request after the fact. ie, shipping goods, harvesting crops, etc. So make sure you don't harvest your special crops before accepting the request it's for!

Return of the "Loli" Dragons... Yeah you read that right. We got more dragons in children's(???) bodies with skimpy clothes. I don't know anymore????¿¿¿

Can't marry the Milfs or Dilfs. Tragic.

Still no homo. Grow up Marvelous.

Reverse Proposal? Reverse Uno card-- Laid low by the patriarchy. You now have to buy the double bed and craft an engagement ring to propose to your man if you're playing as Alice. Marvelous this isn't what we meant when we said we wanted equal rightsssssss This can be seen as a pro if you're a softhearted babey who doesn't like rejecting bachelors' proposals because you feel bad :'( But this is a con for me because I don't want to spend money and materials on a double bed dammit!!!

Misc. Still can't stack dishes or fish. There's no green elemental fairy???All the other elemental ones are there except the green one? why??? Still can't tame the giant Wooly. Some bosses that have insanely awesome designs cannot be tamed and makes me wanna eat glass.

Let's talk about Love~

Relationships. We want them. And half of us only play these games for them. I've only played as the female heroine so far but I'll be updating this review as soon as I finish with the bachelorettes as the male hero.

Confessions

As usual, we must raise the love points of our beloved to 7 hearts before we can attempt to date them. However unlike in rf4, if you fail at a confession once, you will need to raise the LP up an entire level before you can try again with any chance of success. It's imperative you save before attempting a confession now.

Love Events

Each love interest has two love events that must be seen before you can date them. They're reminiscent of older game's style but I felt they could have been a biiiit more interactive or so? Or involved the town a bit more for some of them.

Dating

Once you get your honey to be your bf/gf, you get to choose the nicknames as usual. Then you can go on dates. The first three (non-festival) dates are actually events. You need to see all three events to get married.

Marriage Event

The final event you need to clear before you can marry your sweetie. In my honest opinion, so far for the boys, these events were rather disappointing. They lacked the drama and angst that sort of 'test' the love between the two when compared to rf4. Also this is a huge con for me personally and a minor spoiler but there are no special cutscenes at the end of the marriage event like in rf4. Instead, the cutscene takes place during your actual wedding. I was saddened by this because it took away the depth from the marriage events and the actual character? As it is just a cut and paste type of thing instead of an original cutscene for each person. They lack individualism this way. Also it kinda felt like a way for devs to avoid gay relationships and cut corners :^/....sus.

First comes love, then comes marriage, then comes...

Children!!!!!! This is actually one of the coolest additions in the game. Just like in rf3, you can have up to 3 children again! Your first child will resemble you, and you will have the option to choose its gender as well as its personality. There are 6 different children, (3 boys and 3 girls), all with different hairstyles, mannerisms, and seiyuus. Your answers will determine which child you get. A year after your first child is born, you will get the option to have a second child. You'll end up with twins, both resembling your partner. You won't get to choose the genders (it will be a boy and girl) but you will get to choose the personalities once more. The children all have canon names too and each kid is incredibly cute. And of course, you're still able to take your kid with you in your party~ ...Though you can only take one kid with you at a time.

So is RF5 good?

Yeah it's a fun game! My theory is that Marvelous forced the devs to release the game earlier than they were ready for, and that's why it's so lacking. But that doesn't mean it's not worth playing! I'd rate it 3.5/5 stars hehe. Not nearly as good as RF4 (full stop 5/5), or RF3 (4/5) but enjoyable nonetheless. I wouldn't recommend it as a first game to play from the series for newcomers though, I feel it's best for vets who can overlook all the cons thanks to loyalty and nostalgia. By the time it’s released in the West, the bugs should all be dealt with too.

So! Definitely buy this game! We want the series to continue and we want RF6 to be better than this--and hopefully Marvelous will make sure of that next time. If you're not a picky person I think you'll enjoy rf5 a lot. If you're like me and have high standards then, well, still pick it up and let it run its course. Then dust off rf4sp and cleanse your gaming palette >;^)

#rune factory 5 #rf5 spoilers #rune factory #rf5 #spoilers #review #rune factory 5 spoilers

[kumoriyami-xiuzhen]

Hakuoki SSL: Tell me! Secrets Q&A

Last post of the month! so I’ll once again end by asking you to please support me if you can either on ko-fi, through paypal or patreon for access to my blog post translations or just to support me. …. also let me know if you have any hakuoki drama cds that you’d be willing to share that are on my looking for list since i either do not have audio for those cds or do not have audio that i can share...

This is the thing that i left as ???? on my March update post... and the thing that i accidentally posted the title of back in may when i was planning out my queue (oops?). 

I think I should start by saying that I translated this for amusement.... though I won't deny how this is a fascinating piece of reference for writing hahaha......

Unfortunately since this is only limited to the main six, I really wish I had some of Yamazaki’s responses to these....

Favourites by character order: Hijikata's answer to Q4, Saito's to Q5, Harada's to Q7 and Kazama's to Q7.

Only for references purposes. LMAO. 

enjoy!

Hakuoki SSL: Tell me! Secrets Q&A

From 『B's-LOG別冊 オトメイトマガジン vol.9』

Translation by KumoriYami

Q1: What is the first thing you wash when bathing [text can be interpreted as either bath or shower]?

Q2: Where would you want to go for a date?

Q3: At Hakuo Gakuen, who do you have the best relationship with?

Q4: Where do you want to go most now?

Q5: What words and actions/behaviours from a woman make you feel a rush of excitement/moves you ["feel a rush of excitement" is an idiom. can be also interpreted more literally as 'move your heart']/excite you the most?

Q6: What are your favourite school activities [roughly says: fond of school activities]?

Q7: What do you wear while sleeping?

Q8: What are your best and worst subjects?

Q9 What happened recently that made you happy?

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Hijikata Toshizou

A1: Hands should be washed first.

A2: This...... How about going to a Buddhist shine that has snow in its surroundings. We can recite poetry [either that or songs]....... No, I didn't say anything.

A3: Kondou-san.

A4: I don't know why, [but], no matter what happens, I want to see Hokkaido [says reckless/regardless of everything].

A5: Rather than saying affecting the heart, perhaps it might be better to say that [I'm] not good at dealing with a woman staring into my eyes without fear [or something like that...?].

A6: Although it might cause misunderstandings, that would naturally be writing exams [conducting exams to be written...?].

A7: I sleep in Western style pyjamas.

A8: The subject I am good at is classical literature, [and] I'm not good at chemistry.

A9: Probably when I met with that guy who listened to listened to me without getting tired.

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Okita Souji

A1: Hey, after learning about this, what do you plan on doing?

A2: Of course, it needs to be a place where you can go have fun and be happy. That's How about an amusement park, or something like that?

A3:……This question is very difficult to answer. Who knows.

A4: Now? During winter? Oh...... somewhere that isn't cold.

A5: Heheh...... you're probably just wanting to secretly watch me while thinking I haven't found anything out, and of how surprised I'll look when I do.

A6: Club activities.

A7: What will you be wearing? If you want to tell me, I'll tell you after.

A8: I'm actually not particularly good at anything, [but] I dislike classical literature the most.

A9: I saved quite a few pictures of someone recently.

----------

Saito Hajime

A1: Ah, probably the feet.

A2: Da-date!? Then...... a place to go together with a woman? For me/As far as I'm concerned, as long as we're together, it doesn't mater where we go.

A3: Well, when it concerns time spent on school activities, that would be Yamazaki.

A4: I don't know why [but] I look forward to winter, and would like to see snow as soon as possible....... I want to go to a place where I can see snow. 

[Personally, i don't get why people like summer lol. I seriously hate summer. and the heat. Snow is soooo much better than the heat. i absolutely can't stand hot weather lol]

A5: Does this question have to be answered? Really...... then, when she shows/exposes her ear...... Ah.

A6: Probably school trips. It's nice to go learn and study new things in places you wouldn't normally go to.

A7: I personally feel that tight sweatshirts are very good.

A8: I'm good at classical literature, [but] I'm not good at math.

A9: When two equal partners people share their lives...... when you hold your other half's hand, you will immediately feel that you are not alone.

----------

Toudou Heisuke

A1: If taking a bath/shower....... of course it'd be the head, the head!

A2: Obviously going to the game centre! Eh...... ah, for a date? Then, is going to karaoke OK? [ok is ENG here]

A3:  The person that I have the best relationship with, that'd be Souji since we're constantly together. However let me say beforehand, that this doesn't mean I have a good relationship with him.

A4: This period [Right now]...... it'd be nice to participate in a snow festival? I'd like to go somewhere where I can play with snow.

A5: This....... Ah....... Is it that just that I'm defenceless, or was I just relieved..... [to be able to show her my] sleeping face like that? [I think??????????????]

A6: The cultural festival!

A7: Sleeping in a skintight sweatshirt/sports jersey?

A8: Subject that I'm good at, I can fill in the blanks for modern language [i'm assuming this means a version of Japanese characters but since I don't feel like looking it up right now, I'm just going to leave that translation as is for now.] during an exam, but I'm completely unable to understand stuff in English.

A9: Er...... Well...... after being going into that room again after many years...... I found that the inside arrangement/layout had changed a lot so I was surprised. However she was really happy to let me in.

----------

Harada Sanosuke

A1: Hey. Do you know the common sense of bathing before taking before taking a shower?

A2: Date...... as long as it's the two of us together, it doesn't matter where we go. After she turns 20, there are many places that I'd like to take her to.

A3: Rather than saying that it's a good relationship, it might be accurate to call the relationship with Shinpachi and ill-fated one/ It's not so much a good relationship as a bad one between myself and Shinpachi.

A4: It's rarely winter, I want to go with a country with lots of snow. During the day I'll ski and take a sled/sleigh/bobsled, and in evenings I'll go soak in a spa/hot spring, while also enjoying other foreign culture.

A5: This....... [Seeing] the view of your back while [you're] in the cooking for me in the kitchen.

[the wording in this sentence reaaaaaaally threw me off since it kinda (more literally) reads as "in the kitchen as I cook from behind" ]

A6: All the activities conducted by the school, they're unbelievably exhausting. However, being able to watch how all the students grow and mature, is something to enjoy.

A7: Regardless of what is said...... pyjamas will ultimately become an obstruction. [ ( ͡° ͜ʖ ͡°) pfft...]

A8: This, since it's my specialty [referring to subject taught], I'm fast[? and?] good at using my body. Subsequently, I'm not good at every subject that requires lots of thinking.

A9: How can I say this, there's a line that absolutely must not be crossed when I'm together with her...... If I'm not resolute, this line would easily be crossed...... I've been thinking about this lately.

----------

Kazama Chikage

A1: Bathing......? The first thing to do, shouldn't that be immersing oneself in the bathtub?

A2:  First tell me where you want to go. I will bring you there.

A3: This way of describing the relationship is very literal [??? well something like that. either that or something along the lines of: That is a good adjective that literally describes the relationship]. It goes without saying, that would naturally be my wife.

A4: Where my wife and I get married.

A.5 Hesitating while wanting to say something with beautiful and delicate eyes while gazing at my appearance, hahaha......

A6: Of course that would be student council [activities].

[it's either that or student assemblies depending on how the words after ‘student' are interpreted, since if they are translated as verbs instead of noun/adjectives, it can mean something to the effect of 'complete gathering of students'... which is also why im kinda leaning towards 'assemblies' though.]

A7: What is meant by this question? Isn't it common sense to sleep while naked?

A8: I'm an expert at every subject. No subject exists that I am not an expert in.

A9: Fufu....... This year I will surely be able to graduate. I've been waiting for so long...... waiting for far too long!

----------

this probably felt longer to translate than it actually did lol... too many questions and answers.... also i don’t know if this was reprinted in one of the ssl books. maybe when i’m bored i’ll mtl the jp to double check some of this lol.... or not.

#hakuoki #hakuouki #hakuoki ssl #Hakuoki Other Translation #may edit later

[gamewise]

Osomatsu-kun Hachamecha Gekijou Review

(Author’s warning: the following game contains racially insensitive stereotypes. They are not present in these screencaps, and are not the effect of the game’s relatively low score. The game is a product of its time not just on a technical level, but on a cultural level. If you choose to read this review, massive spoiler alert: this is just not a good game, no matter how you slice it.)

In Japan, the Mega Drive debuted in October of 1988 with a whopping two titles available at launch; Space Harrier 2, and Super Thunder Blade. It wouldn’t take long for the humble 16-bit console to get its third title, a licensed game based on the Osomatsu-Kun manga which was about to get a new anime adaptation thanks to its popularity coming back. So you’re probably thinking this is a cheap cash-in title designed to promote the new anime, and I would like to say you’re right, but... actually, no, you’re right. Osomatsu-Kun Hachamecha Gekijou (Little Osomatsu: Nonsensical Theater) is a cheap cash-in that does more harm than good for the Mega Drive.

Before we dive into this game, let’s talk about Osomatsu-Kun itself. Osomatsu-Kun was a hugely popular manga about a group of trouble making sextuplets, who just so happen to all look the same. The manga ran for a whopping seven years back in the 60′s, receiving an anime adaptation at the peak of its popularity in 1966. In 1988, Studio Pierrot would bring forth a new anime adaptation that would see the sextuplets as side characters, with characters Iyami and Chibita, and their misadventures becoming more of the main focus. So seeing the side characters get thrust into the spotlight because they become popular is definitely nothing new, especially when the original manga did the same! So now that we have a new anime adaptation on the way, what are we getting for our video game cash in?

Well... just look at it. I know Japan is notorious for making some pretty surreal stuff, but Osomatsu-Kun Hachamecha Gekijou takes the fucking cake. You play as the oldest of the six brothers, and go on a quest to... uh, you know, I don’t think this game really has much of a story to it. You go through three different stages trying to get from point A to point B while you, armed with a slingshot, take out enemies based on other characters in Osomatsu-Kun, a lot of them being Chibita. And yes, you heard right, this game is only 3 stages long, so it should be quick and easy, right? Well... sit down, this game pads itself out in the worst possible way, and it managed to piss me off.

As you progress through a level, you may think it’s as simple as reaching the end of a stage... it’s not. Remember the infamous maze level in the Japanese Super Mario Bros. 2, or the one in Transformers Comvoy no Nazo? Well, there is a specific route you’re expected to take in this game, and it’s not clear. You’ll play this game going from point A to point B, but once you reach a certain point, the screen will just stop allowing you to move forward. You’ll see yourself before a pit, and think it’s instant death. In this game, it’s not death, it just leads you to a different part of the level. However, the path you need to take is cryptic as hell, and you’ll never know if you’re going the right way. The only way to find out is to take out the correct sub boss. When you do, you’ll see an intermission bumper like you would for anime, and you’ll ask yourself “Wait, am I just going through the first level again?” The answer is partially yes, because remember that point where the screen wouldn’t let you advance? Well, now you will see a platform show up that can take you to a new part of the level, but now you need to find a new path to get to point B. All of this is designed to pad the game’s extraordinarily short length. By short, I mean that if you know your way through all three levels, you can finish this game in about 15 minutes.

(Thank you to the person who put this shit together)

I’d be able to forgive the maze-like structure if the game was any fun to play, but as it stands, this is a painfully generic floaty platformer. By floaty I mean Osomatsu himself defies gravity by being able to float in the air for an extended period of time with his jump. It’s nice to be able to control his jump mid-air, but the weightlessness will more than likely mess up your precision platforming, or you’ll get interrupted by the mere touch of your enemies. Yes, when you take damage, you get stun-locked, and instead of just falling to the ground, you are stun locked mid-air. I could forgive it, but this game is once again, a 30 frames per second game, and almost feels like it’s been slowed-down intentionally. Another issue I take with this game is the difficulty, it’s way too easy. All enemy projectiles can be destroyed with your slingshot, and there’s enough distance between you and the enemy to have a pattern figured out easily. I guess the idea was because your slingshot has such a short range of attack, it would balance things out, but it really doesn’t. You’ll have plenty of lives and health to go up against the boss and sub boss as the game gets fairly generous with health powerups. There are also shops where you can buy some items to guide you with the ribbons you’re collecting along the way, but before you can access that you get the option of playing mini-games to gamble them away. I’d just skip these and go straight to the shop, it’s not like you need these power-ups that much anyway, you can beat this game without them.

On the visual side... this was the worst the Mega Drive had in 1988. Sure, it’s colorful, and the sprites evoke the spirit of the original manga, but this looks like a hold over from the Master System/Mark III, it just doesn’t impress me. Aesthetically, the game is fine for the most part, but eventually you’ll run into a few racial stereotypes for your enemies, and boy are they horribly insensitive. Even knowing this, I pressed on with the game, because I wanted to see if I could take something positive out of it and look past those enemy sprites, and about the only thing I find entertaining is Iyami being all the bosses. So aside from a few bad sprites, I find the graphics were more focused on aesthetics and functionality than pushing technical limitations early. Audio wise this game is just plain awful. There’s an old saying among video game music fans that only Japan could use the Mega Drive’s unique sound setup correctly, but if that’s the case, they’ve never listened to this game’s music. It’s obnoxiously loud, the sound effects are super scratchy, it feels too much like an assault on my ears compared to the sound effects on something like Curse, or even Taz-Mania. Nothing against the compositions themselves, I found two songs to be catchy, but otherwise, nothing stood out for the right reasons. Definitely not a keeper.

At the end of the day, Osomatsu-Kun Hachamecha Gekijou is shovelware of the highest honor. Even if you can endure the game’s painfully easy difficulty, and frustrating level layouts, you are left with a feeling of emptiness by the time you reach the end. This game will not so much break you, but it will leave you feeling empty and depressed as you say to yourself, “that’s it?” I certainly felt empty after playing this. Like I just lost about 20 minutes of my life, and I’ll never get it back. Is there much worse on the Mega Drive? Yes, but considering it was 1988, the console had nowhere to go from here but UP. I wouldn’t even think of recommending this today, even as a curiosity. This is one of those cases where I can say avoid at all costs

Positives

+ Aesthetics mimic the source material perfectly

+ Controls respond

+ The game’s translated subtitle “Nonsensical Theater” perfectly describes everything

Negatives

- Unnecessarily pads its length thanks to a cryptic maze structure

- Unacceptably short

- Insults your skill by being piss easy

- Racial stereotyping may be enough to turn you away

- Designed to cash in on Osomatsu-Kun’s returning popularity in the 80′s

- The game’s translated subtitle “Nonsensical theater” perfectly describes everything

- Audio will hurt your ears

- Unless you need to complete an actual Mega Drive collection... skip it.

- While taking screenshots, I somehow managed to unlock the game’s framerate, indicating that this game was deliberately programmed in assembly to play at 30 frames per second. The floaty mechanics actually handled better under 60 fps, no fucking joke. Do you believe this shit? 

Overall: 2/10

#video games #osomatsu kun #sega #retro #retro gaming

[hardnoctlife]

My Thoughts on FFVIIR

It’s been a few days since I finished FFVIIR, and I wanted to put my thoughts on the game into words, but I gotta get a few housekeeping things out of the way.

1.       These are all MY opinions. I understand and respect that others may have different opinions from me, however, that does not make this an open invitation for argument in the comments, bashing, etc. I have no problem blocking anyone who wants to be an asshole. Just be nice, please.

2.       I grew up playing FFVII and all of its spin-offs. FFVII was my first RPG, and ultimately what got me into playing video games. Nostalgia is a -huge- part of why I enjoyed FFVIIR so much, and therefore I am openly biased towards the game. I’m interested to hear the thoughts of people not familiar with the original, because they’re seeing the story with a fresh set of eyes.

3.       With that being said, I’ve already noticed drama surrounding FFVIIR fans who -have- played the original vs. those who haven’t, or those who haven’t played Crisis Core, etc. I am firmly of the belief that this is a great game for new and old fans and won’t tolerate any condescending attitudes in either direction. Video games are supposed to be fun, so let’s just all agree to enjoy the thing TOGETHER, shall we?

Alright, now that those things are out of the way, onto my thoughts. **MAJOR SPOILERS AHEAD**

I’m going to be breaking this up into sections, because there is just too much to dissect! Let’s start with the characters.

“The Good Guys”

Cloud: Still my favorite character of all time, even more so after playing the remake. And of course, he is gorgeous. I could stare into his eyes all day. I know there has been a lot of controversy over getting new voice actors for the remake, but I feel like his VA did a great job. They nailed his personality of “broody asshole with a heart of gold”, and I think the remake had reasonable and believable character development when it came to Cloud’s interactions with the other party members. His dynamic with Tifa, Aerith, and Barrett was also spot on. I think it was a good move on Squeenix’s part to keep him pretty much the same, because he’s such an iconic character for the entire Final Fantasy series, so no complaints on my part!

Jessie: Okay, so, I hated Jessie at first. She was too flirty and all over Cloud for my liking, and I felt this strange disconnect between the “I used to be an actress but now I’m fighting for the planet” part of her backstory. Yes, she was still spunky in the original, but they didn’t draw it out nearly as much (I assume because she was killed off early). I -do- appreciate that the developer’s felt the need to give her more depth and show more interactions between her and Cloud and everyone else, but I also thought it detracted from Cloud’s relationships with Tifa and Aerith to an extent, especially the whole scene where she was asking him to come back to her place with him (yikes). And, true to Squeenix form, they killed off her character, even while letting Biggs and Wedge live (they both died in the original). So, in that sense, I didn’t really care that much for her, although her final scene with Cloud was very moving and redeemed her in some ways for me. So, yay for more screen time, but c’mon Squeenix, why do you gotta use your female characters this way?!

Biggs & Wedge: I loved the updates to their character models, and like with Jessie, I appreciate they tried to give them more depth and dialogue to make their involvement more significant. It did throw me for a loop when they both ended up living instead of dying when the Sector 7 plate fell. I was delighted to discover they survived (until I found out Jessie died and they didn’t). At times, I felt like their exalted importance detracted from other characters, especially at the end in Shinra HQ where Wedge shows up to warn everyone and Avalanche comes in to try and rescue Cloud & the gang, only to imply that he dies -there- instead. To me, it felt like an unnecessary moment to add in, but hey, there are only so many characters in the remake that people get to see, so why not give the Avalanche crew a more important role? I’m interested to see if this means that they’ll be returning in the next installments as they may be ‘fated’ to survive.

Barrett: What a glow up! Barrett looked good, he sounded good, his character was solid and true to the original. I have to say my favorite thing to see was how the banter and dialogue shifted between him and Cloud as you progressed through the remake. They went from basically hating on each other to complimenting each other and being buddy-buddy, and it was truly heartwarming. I even enjoyed using Barrett in battle (more on the fighting system later), which was refreshing. It was a good move on Squeenix’s part to show his softer side by including more scenes with Marlene, and he’s an excellent foil to Cloud’s character, which I feel was consistent for both games.

Tifa: My lady, the love of my life, my HERO. Tifa was -amazing- for me. Also, her VA was probably my favorite of the bunch. The updates to her outfit were much needed, yet she still retained her sexy allure, even if it was a little awkward to hear all the male NPC’s talking about how hot she was all the time. Other than Cloud, she was my favorite party member to use in battle—what a total badass!—and the scenes with her and Cloud made me squeal with delight. I was grateful for the extra attention put into their relationship, and how it was made clear that she was just as important and strong as the male characters.

Aerith: First, the positives. They expanded Aerith’s fighting range, which was appreciated, because in the original I only used her as healer. Her personality shone through a bit more, as she was even ore outgoing than I remembered her being (and even cursed a few times!), and I loved all of her interactions with Tifa and Cloud (my favorite trio/love triangle). Her backstory was pretty well communicated regarding the Ancients and her relationship with Shinra. On the flip side of things, I found her party banter annoying as hell and her voice grating at times (it reminded me of a high school girl), and I’m not sure how I feel about her interactions with the Whispers and what that implies for future installments. There was some hinting at the end of the remake that Aerith may not die like she did in the original (at least that was my interpretation), and I’m not sure whether I like that possibility or not, mainly because Aerith’s death is one of the most memorable scenes of FFVII, and that would change the entire plot. For better or for worse, who’s to say?

Red XIII: I loved all of the scenes with Red! His voice fit him really well, and they showed a lot of character development with him and the group in a short amount of time. I was sad you couldn’t control him in your party, but I’m hoping that will change in the next installment. I’m excited to see his backstory in Cosmo Canyon when we finally get to that point in the remake.

Chadley: This kid was annoying and weird, and I wasn’t sure exactly what his deal was, but he was definitely shady AF. Not sure why he was entirely necessary if he was simply a way to upgrade your materia, but hey, I’ll take that assess materia from ya buddy if it means new stuff for me to use. 

Johnny: Johnny grew on me. Was he also annoying and weird too? Yes. But he reminded me of a Prompto-Gladio lovechild and turned out to be a sweetheart, so I say he can stay, Squeenix.

“The Bad Guys”

Shinra executives: Not much to say here for me other than great job in bringing this diabolic group to life. Yep, still hate every one of ‘em. They stayed pretty much true to their original selves, and all of them matched what I remembered of them, right down to the dialogue. I thought it was an interesting choice to see Sephiroth kill President Shinra (in the original you just find him dead at his desk, impaled on Sephiroth’s sword), but I’m not complaining. That guy was a grade A asshole.

The Turks: Love, love, love how they portrayed each of these guys, and showed how they are also unwilling participants in all of Shinra’s shit. They definitely made them more likeable from the get-go and I felt a lot of callbacks to Advent Children. Reno cursing and being sassy was probably one of my favorite things out of the entire game. He had -so- many great lines, even if they weren’t direct translations of the Japanese. I’m hoping they will include more of the Turks in future installments (like Cissnei in Crisis Core) and continue fleshing out their story arcs.

Rosche: Okay, unpopular opinion, but I did not like this guy at all. I’m not sure what the hype is about him all over my social media. Could be the mullet, which is an automatic ‘no’ for me (Gladio from FFXV being the only exception), but he seemed like an irritating and very pointless addition to the game. His sole purpose appeared to be to prepare you for escaping Shinra and fighting from Cloud’s motorcycle towards the end, but I felt like he could have been taken out of the story entirely without missing anything. I didn’t hate as many of the newer characters (like Leslie) as much as I did him, but I guess he and I just didn’t vibe. I’m assuming he’ll return later on, so maybe my opinion will change. (I sure hope so.)

Leslie: Okay, at first, I was like, “who is this knock-off Noctis wannabe?” but I really enjoyed the backstory and depth they gave this seemingly minor character. I see that Squeenix is trying to provide new things for older fans to take interest in, and in this case, I felt he was a nice touch. (Edit: I was told that Leslie, Kyrie, and some of the other new NPCs were featured in an audio book?! Which I had no idea even existed, so...the more you know!)

Don Corneo: Even slimier and creepier in HD! Honestly, hats off to Squeenix for translating what was possibly the most cringy and controversial part of the original in a ‘tasteful’ way in regard to all of Wall Market. This guy was definitely a worthy villain in the remake.

Rufus: Holy hell. I never ever in my life thought I’d be saying this, but wow, is Rufus hotter than I remember. Thank you, Squeenix for giving me another foxy bad boy to drool over. He was also, for me, the hardest and most frustrating boss battle (even more so than Sephiroth), but it was totally worth dying to watch all the cut scenes with him over again. Can’t wait to see more of him in the next installment.

Hojo: God, I hate this guy. I know you’re -supposed- to, but he is such a creep. Hearing his dialogue in the remake was even worse than reading it in the original. Gotta say, dealing with his four wards in Shinra HQ was my least favorite part of the game by far, but I know he will get his comeuppance later down the road. All the dialogue was just as shocking as I remember, so, yeah. Good job?!

Sephiroth: Alright, anyone else feel like they made Sephiroth EXTRA SEXUAL in this remake?! You too? Oh, good, good, same bro. Now, it could just be me projecting, but anytime he came on the screen…panties were dropping y’all. Of course, I’m not one to complain about Sephiroth content. On the contrary, I lap it up like I just walked through the desert and found an oasis, BUT, I will say this…you barely see Sephiroth at all at this point in the original. As a reminder, the remake only covered the first 4-6 hours of the original game, and I get you can’t really do a remake without at least SHOWING Sephiroth for the people who have been waiting to see him in HD, but with that being said, he was VERY involved. I love Sephiroth, he’s a great villain, but they are definitely changing things with him, so I guess we will have to wait and see what happens.

My one criticism? His voice was my least favorite out of the main characters. Not saying the VA didn’t do a great job, but it didn’t sound deep enough to be as intimidating. I prefer the VA who voiced him in Advent Children, but I’m sure it will grow on me in time.

Gameplay

Battle system: When the remake’s demo was released, I remember a lot of people were complaining about how ‘difficult’ the new battle system was, but I absolutely love it. It’s just the perfect balance of turn-based and real-time, with plenty of options for customization. If you want more real time, you can set your short cuts, and if you want more turn-based, you also have that option. My only real complaint was that item use is also tied to the ATB bar, but overtime I figured out when to heal myself in a timely fashion (after dying more than a handful of times). Button mashers won’t enjoy this battle system because it requires a little more strategy, but I think the point was to create an updated version of the original fighting style that would appeal to both old and new players, and it definitely delivered. Seeing the classic limit breaks used and being able to run around during battle was so much fun for me, and I about died when I saw Cloud strike his OG victory pose in Wall Market’s coliseum. Also, the transition between running through Midgar and entering battle was SO incredibly smooth and seamless that at times you didn’t notice the shift. Phenomenal.

o   Boss Battles: As much as I enjoyed the battle system of remake, some of the bosses felt unnecessarily hard and/or tedious (I’m looking at you, Hell House). Making use of the assess materia early on definitely helped me out, but I legit got bored at times, especially that damn giant robot you fight with only Barrett and Aerith when escaping Shinra HQ. This is really just a minor complaint, but there were a couple bosses where I died several times (*cough* Rufus *cough*) before I figured out the secret to defeating them, while others were super easy or just not that interesting. Meh. For context, I played on “normal” mode, but it truly felt hard in certain scenarios. (That could just have been me trying to get used to the new fighting style.)

o   Materia: speaking of materia, I did notice some new materia in the game, which was neat, and although I didn’t care for Chadley (dude, where are your parents?) it was nice to have a way to develop and earn new materia throughout. I found it somewhat strange that summon materia was just a thing you could get so early on instead of having to work for it, but I was excited to use it. Shiva and Ifrit were definitely my favorite summons (which hasn’t changed from the original for me). My one big question: where is the freaking ‘all’ materia?! I know they kinda split ‘all’ up into many different types of materia, and you do have ‘pray’ for healing your entire party, but man, that was so versatile in the original so that was a hard adjustment for me not to have use of it.

o   Weapons: I think it’s cool that they developed an upgrade system to make use of your weapons long term, giving them their own abilities, strengths, and weaknesses. Made me think of FFX where you used the spheres to upgrade your characters. Also? I loved being able to see materia in my weapons when I switched them out. That was a really neat touch. 

Music: And here I thought they couldn’t make the music of the original game any more epic, but they definitely outdid themselves in the remake. I enjoyed hearing all the remixes and ways they wove the classic themes into different parts of the games. I think my favorite was when you’re going through sector 5 with Aerith and have to control the giant robotic hands. The music in that section SLAPPED. The in-game jukebox was also a nice way to honor the old school classics. Hearing Aerith’s theme for the first time just about made me cry, and listening to One-Winged Angel fighting Sephiroth? Nothing could beat that moment musically for me.

Side quests: I’m not sure about anyone else, but I really didn’t care for the side quests. They weren’t very fun for the most part, and considering how linear the game is, they felt more like chores that needed to be completed because I had to, and not because I wanted to. The only exception was Wall Market, but all-in-all, most of them didn’t add much to the story, unlike in FFXV where I could go down a rabbit hole of sidequests for hours and hours.

Graphics: This is clearly stating the obvious, as anyone with eyes will tell you, the game is nothing short of gorgeous. I cannot tell you how many screencaps I took of just Cloud. It was definitely a world that I wanted to run around in for hours (and did) and will do so again and again just to look at all the little details. My favorite thing to do is watch comparison videos of the original and remake openings side-by-side. How crazy is it that technology has come this far!

Playtime: My biggest critique of this game is that it was too damn short. Stretching the first 4-6 hours of the original into 40 was definitely impressive, but considering I waited 20+ years for the remake, it was pretty disappointing to finish the game in less than a week. Like most people, I’m wondering just how long they plan on stretching this out, how many installments there will be, and when the second part will be released. Hopefully not another ten years, but it -is- Squeenix we’re talking about...

Storyline

Most people who played will tell you that most of the remake stayed very true to the original, even lifting some of the exact dialogue and scenes. The nostalgia hit me so hard in parts that I was literally in tears. The first time I watched the opening in the demo, I cried. That’s the power this game has over many people, including myself.

In other ways, the remake improved on parts of the story or re-imagined them. We always knew it wasn’t going to be a copy and paste of the original story, which I’m sincerely grateful for. I would seriously hope that after 20+ years they would have thought of ways to improve or polish FFVII and make it new and exciting for returning fans and people just picking it up.

My pros regarding the updates in the story:

- They fleshed out many background characters and added in new ones. Most of the core group spent more time interacting, and the party banter felt natural and progressed realistically as the game went on.

- New mini-games and side quests expanded on the slums and made the areas larger and more interactive, yet they still kept the nostalgia of iconic locales.

- Plenty of fuel to fan shipping fires with emotionally charged scenes and pretty boys abounding (Cloti and Clerith especially).

- All of Wall Market was brilliantly done. I was wondering how they’d update it for the new generation, and it was seriously the best part of the game for me (and had me laughing the entire time).

-  Hinting that Zack is alive and/or Aerith may live is something I’m listing as a pro, only because I would love to see these characters used to their full potential, however, this is also a con for me, and I’ll explain why.

My cons:

Whispers: If you played the original, you probably had the same reaction as I did when the ‘Whispers’ showed up. “Wtf are these dementor-looking things?” At first, I thought they might be something similar to what we saw in Advent Children, and that they were ‘remnants’ or parts of Sephiroth, or somehow his minions, or even souls from the Lifestream, etc. When I found out they were actually supposed to be ‘protectors of fate’ or whatever, I rolled my eyes, especially when Barret was ‘killed’ by Sephiroth and then miraculously brought back to life. It felt very ‘deus ex machina’ to me in the sense that ‘everything has to go a certain way because we said so.’ While it makes sense, I really wasn’t buying it, but I’m assuming that we will learn more about them in the second installment. 

The Ending: The whole final boss battle of the remake was surprising, because it felt almost exactly like the final boss bottle of the original game, right down to the cutscene where Cloud is thrown through space and faces off against Sephiroth one-on-one. Before you defeat the ‘harbinger of fate’ (anyone else get KH heartless vibes?) and fight Sephiroth as the final boss, Aerith goes on her long spiel about ‘fate’ and ‘destiny’ and ‘this will change us,’ and it’s laid on so thick that it’s almost like they were setting us up for an alternate timeline, which is entirely possible, but that’s all speculation at this point. Regardless, they made it clear that whatever is coming next is going to be -very- different from the original, or possibly is going to be another timeline of the story, especially since Zack was shown alive and well. One criticism I heard from someone who hadn’t played the original game was that they treated Sephiroth and Zack like people you were supposed to know, and I can agree with that. They didn’t spend -any- time explaining their significance, backstory, or why people were so afraid of Sephiroth other than showing you little flashbacks into Cloud’s deranged memories, so in that sense, the ending might have fallen flat for those who don’t know exactly what Sephiroth represents or who he is, or why he stole Jenova from Hojo’s lab, etc, etc. Plus, throwing in Zack at the end is something that anyone who played the original game or Crisis Core would get, but new fans would also not understand the significance of. Personally, I screamed when I saw Zack because I was so happy , but I can see why that ending would be very unsatisfying and/or confusing for some.

Overall: 9/10

No, it doesn’t get a 10/10 for me, even as someone who absolutely loves Final Fantasy VII, but hey, no game is perfect. It’s honestly hard to live up to the hype this game has created since it was officially announced, and all things considered, Squeenix -did- live up to it. I will still be eagerly awaiting part two, playing the shit out of this game and squeezing the most I can out of it until I get to experience more.

I’d love to hear what other people thought (so long as the discourse is respectful of course). If you read this far, thanks for listening to my ramblings!

#ffvii #ffviir #ffviir spoilers #ff7r spoilers #cloud strife #final fantasy vii #final fantasy 7 #review #thoughts #personal #opinion #final fantasy vii remake #final fantasy 7 remake

[shemakesmusic-uk]

Getting to Know...

Ruby Ryan.

You Could Move In, the debut EP from New Brunswick, NJ singer-songwriter Ruby Ryan, opens with a big beat. Before long, the rhythm track is joined by a melancholy – but gritty – electric guitar riff. In a few quick strokes, a mood is established: longing, urgent, expectant, a little lovelorn, more than a little pugnacious, forward-looking. It's stark, and unadorned, and emotionally bare; once you start listening, it's hard to stop. A full half-minute elapses before Ryan starts singing, but she makes an indelible impression when she does. Ryan has a voice with enough tensile strength to carry sadness and determination simultaneously. She doesn't have to try to be powerful; she just is.

The best place to start with Ruby Ryan might be 'Phosphenes,' an exercise in straight-ahead, doomed romantic storytelling. Everything about the track feels absolutely real: the plaintive lyrics, the missed connections with the object of the narrator's desire, the stinging six-string, and the catch in the singer's voice as she expresses her hope and her frustration. Anybody who has ever harbored unrequited affection – or who has just found themselves caught in a difficult and ambiguous relationship – will surely relate.

Ruby Ryan also understands the beauty and desolation of the suburbs. Her clip for 'Phosphenes' is suffused with the distinctive feeling of suburbia in the autumn: leaves are falling, flowers are withering on their stems, a crisp breeze is blowing, and the sands are running out. Ryan and her directorial partner Alex Tichy follow the romantic drama of a young couple whose emotions are impossible to disguise – and that's because they're both wearing enormous heads made of plaster and paint. The contrast between the quotidian suburban surroundings and the fantastic characters who inhabit these streets creates much of the clip's tension, and it's also a sly commentary. When you're young and in love, you really do feel larger than life – and utterly exposed, too.

Watch the video for 'Phosphenes' below and also read our Q&A with Ruby all about You Could Move In, her influences, creative process and more.

Hi Ruby! How have you been? What are you doing to stay sane during this pandemic?

"I am okay. I work at a grocery store full time, so I’m not even sane, I’m just getting through the pandemic. I spend time hanging out with and missing the people I love. I look at and water my plants, and listen to records, and do a lot of cooking and eating. But mostly I’m working, or sending an email."

How did you get into music? Who did you grow up being influenced by?

"My mom will tell you I’ve been making up songs and singing to myself since I was such a small child. I don’t know how she was never driven cray by me, I was always singing just making stuff up, singing my thoughts basically. She’s very musical and she and my grandmother have surrounded me with music my whole life. Whether it was putting me in piano lessons, or seeing my grandmother sing, I was always in a position to feel inspired musically, by them.

"I played in band through all of school, 5th grade through senior year. I played the bassoon, which looking back, was the best thing ever. I loved it. But I didn’t keep it up in college because I was scared of going to school to perform music with an ensemble. I thought the expectations would be really high, and feared I couldn’t learn quickly enough or be good enough to keep up. Or that I might let people down.

"Right after my freshman year of college is when I decided to try writing and playing songs with a guitar. I’d had one for a few years but then (even now, honestly) didn’t know much besides open chords and how to play some Jeff Buckley songs I learned on Youtube. That first year of college though it felt like I was shriveling up, I had no outlet for this musical creativity and it was really getting to me. I had met this friend Phil, and he and I decided to start writing music and later form a band (Old Joy) together. We continued on with that for a couple years, and I left that project last fall.

"I think my mom played only good music when I was growing up. We listened to the radio and CD’s in the car, and I can’t remember specifically which artists but I’m sure she could. I consider the influences I grew up listening to to be the people I listened to and felt really intensely when I was discovering that I wanted to write music.

"It’s a lot of stuff I latch onto lyrically, and sonically. I’m like “how’d they make me feel like that using just a little tap? or strum? or word?” and then I want to learn more or crack open how to make people feel intensely like I do. People like the Carpenters, Bon Iver, The Japanese House, Phoebe Bridgers and Jeff Buckley. Pretty much if an artist could make me wonder “how did they find words for a feeling, so specifically, and do it so elegantly before I knew what to call it?” they’re an influence of mine. I’ve cried and learned how to come home to myself while listening to each of those artists."

You've just released your debut EP You Could Move In. What's the record about and what does it mean to you?

"The record is about dealing with losing people and trying to figure out where I belong. My life feels like a revolving door of people who mean the world to me, just entering and exiting, entering and exiting. This record is written from a place in me that uses my time spent in constant motion as time to process or unravel my feelings. I kind of use driving as a coping mechanism. I’ve written most of these songs while in a car. I’ll either be writing a lyric on the back of a receipt at a stop light or making an audio recording of a blip of sound or a word I don’t want to forget, but they’re almost always while I’m driving. I’m just thinking a lot when I’m driving, trying to put words to what the heck is going on.

"This thing means everything to me, somehow. It feels so vulnerable for it to be out. It’s my first solo release, too. So I can’t hide, there’s no way these words are someone else’s. Everyone knows it’s me, and this is what I’m feeling or going through or went through. It’s a lot. I wrote these songs as a way to process and get through some really tricky stuff. Having these songs out feels like I’m willingly showing everyone home videotapes of my processing my own pain and my own struggles."

Take us through your songwriting/creative process.

"Playing with an instrument in an ensemble, a piece that’s been written and should be played with so much respect for the music and the composer, is a lot of pressure. I would get so anxious. It always meant a lot to me, like it was a high honor to know how to play it, and have the opportunity to be a part of giving life to someone else music. But it was a lot of anxiety, trying to make sure it was right all the time. And it never was, like I’d mess up and be down on myself, which I think is normal. Deciding to write music and play it by/for myself was a life changing decision. I didn’t even know it was possible to feel good like this. I can make something up, (which usually I have to because I don’t know how to play the guitar) and it can sound good. I can remember it and be good at playing it because I made it up, and I don’t have to follow anyone else standards or rules, or impress anyone, it’s just me. Of course I want to do it well and hold myself to a certain standard when I’m playing. I’m really hard on myself. But I don’t have to cry if I mess up a note or sing a wrong word, it can just be funny because it’s only me.

"My process is, I’ll be driving or falling asleep at night and come up with a line or lyric, and keep a running note or journal of them all. Literally I have to inspire myself to life my head up off the pillow and pick up the phone and write it down. I can’t tell you how many lyrics I’ve had ideas for and thought to myself “oh that’s so good, oh thats so catchy, you’ll never forget it” and then I don’t write it down, and now I’ve completely forgotten them. But I keep a running note until it’s massive. Like as long as a jump rope, and then i’ll shuffle them around and make poems, or find ways they connect and then glue them together.

"Sometimes when a melody comes to me (rare) I play the kazoo into a voice recording to remember how it goes. That can become a baseline, a guitar riff or a vocal melody, but thats the only way i can figure out instrumental’s for songs. Then I pick up a guitar or most likely go to a piano, and have to figure out what the notes are by ear, then the key and the chord progression. I don’t know chords or what notes are what on the guitar, so usually it’s just trial and error until I find on the strings or keys what I hear. I have to work backwards and learn how to play what I hear in my brain. It’s a very long and difficult process, and often discouraging. It feels so good though then its complete and written, like this big confused thing I can’t put words to, is finally allowed to exist outside my head and have its own space."

Finally, what's next for you?

"I have no idea. I work at a grocery store, I graduated undergrad straight into a global pandemic, there is no map in my hand, there’s not even a direction I’m walking in. I just hope people like my music. I’m going to keep doing this. It feels really good to make music and share it, I’d follow this feeling anywhere. Especially since I’m not on my way anywhere specific at the moment."

You Could Move In is out now.

#getting to know #ruby ryan #phosphenes

[ahiijny]

First impressions of Symphogear XDU Global

... from someone who’s never played gacha and in fact didn’t even own a phone until as of 2 months ago

Oh, the screen’s in landscape aspect ratio, okay.

“The latest game data will be downloaded (110 MB). Wi-Fi connection is recommended.” I’m on Wi-Fi, that’s fine.

Hm, my phone only has 32 GB of storage and it’s already more than half full, will I be okay?

The Japanese dialogue audio is still in this, noice.

Oh, so this basically the first episode of season 1.

“Croitzal ronzell Gungnir zizzl...” Kanade transformation :)

“Superb Song”. Personally, I’m fine with this choice of translation; I’m pretty sure it’s what the creators originally intended, too. But “Swan Song” still sounds much cooler, doesn’t it :P Also, this song. Goosebumps, every time...

“The latest game data (130 MB) will beIn the background downloaded” More downloads? Also, that “beIn” isn’t a typo, the words were weirdly mushed up against each other in the app for some reason.

Symphogear XDU OP! Noice. I’ve seen this before on YouTube, but it’s still really awesome. And it contains a few minor spoilers for GX (Carol and Elfnein and the Autoscorers), noting that for future reference.

Miku in this OP is just so cool! A scenario where Miku became a main Gear user, that would’ve been nice. Alas, canon, it was not to be...

Kanade and Serena are active Gear users in this too, noice. But there are two Gungnirs and two Airgetlams now?...

“Gjallarhorn” Oh, so this is the parallel dimensions relic I’ve heard so much about.

“Please enter player name / *Player names can be changed later / *Names can be up to 10 characters long”. Okay.

Oh nice, Ryouko’s explaining the app.

“6 kinds of quests: Main Quests, Hexa Quests, Event Quests, XD Quests, Side Quests, and SP quests” Uhhhhh that’s a lot.

“You can choose one friend who will follow you into battle.” Oh, is this like the pair system in Touhou 11?

This quest is called “Diva of the Battlefield”.

Ohhhh this is the very familiar general everyday life memoria OST (I don’t know the name) that I’ve heard on the YameteTomete site before. You know, that one.

They translate Andou’s nickname for Hibiki as “Bikky”

"Custodian”? Is... is this foreshadowing? Or just a translation quirk? Do Japanese schools even have custodians? (I thought the students do all of the cleaning)

“Imyuteus amenohabakiri tron...” (looks like they mashed it all up into one word)

Okay, battle start.

Waaaaaaait what why are Chris and Hibiki here?? This is too early in the plot!

I am plot confus

Is this just one of those things where you have to be like “it’s part of the game mechanic” and try not think too hard about it?

Huh, and the Gear users and the Noise exchange attacks automatically?

Like... I barely need to do anything?

This reminds me a bit of the game mechanic in Mega Man Battle Chip Challenge, where the battle is mostly automatic based on your arrangement of chips in your “program deck” beforehand, and the only interactivity is your ability to slot in a special attack at any point during the battle (but you can only use your L and R chip slots for this, and you can only use them once).

Yay, battle won.

“MA1-1: Diva of the Battlefield”. I like numbering schemes.

“So she’s the Valkyrie of the Special Disaster Response Team Section 2... The only one who can stand up to the Noise?” Huh, so they do use the word “Valkyrie” in these translations, interesting

“Soldier A: "Whoa, I suggest you stop right there, soldier. You saw nothing and heard nothing. Is that clear?"” Heh :) Ah right, it’s supposed to be confidential.

According to Hibiki, the day one bonuses are amazing.

This onomatopoeia just looks kinda funny for some reason :P

Bikki pls

(Also, sorry about the volume bar, I’m still not used to taking screenshots on a phone)

The little girl calls Hibiki “Missy”.

"Balwisyall nescell gungnir tron…" Hibiki’s first transformation is just not the same without Synchrogazer :/

Got Song Stone x5, owo neat. I don’t know what these are though

Looks like that’s the end of the tutorial!

Ack so many unread notifications

Oh right, there’s some Attack on Titan crossover event going on, I’ll have to check that out later

Reading some of the news posts. Dunno what limit breaking is.

Hm okay, let’s try some of these free gacha rolls.

Why is a gacha roll so fancy graphics

“AME NO HABAKIRI DATTO” Noice

Wow why so flash

Let’s try more of these

“Ayumu Takasaka” Ah, a person whose name I don’t remember. iirc she’s one of Tsubasa’s classmates.

“WARUKUNAI WA NE” Yes, thank you Maria :P

Drop rates, Song Stone log, hmmm

Reading through the FAQ

“A: You may only upload game content for non-profit purposes (including personal use as a hobby.” I wonder if this excludes monetized YouTube channels. Not really relevant to me in any case though, my channel has 4 subscribers.

“Q: I want to learn more about the Symphogear anime and merchandise.” “A: We are not able to respond to any inquiries outside the scope of the Symphogear XD Unlimited app.” wat

Okay, let’s read through some of these "Rights and Agreements” pages.

Skimming through the terms of service. Lots of this reads as generic lawyer boilerplate, not tailor-made for this app, but rather feels like it was adapted from some very standard and thoroughly vetted template. Like, there’s stuff in here talking about using a robot/spider/site search/analysis application, but doesn’t that only apply to websites? Can you robot crawl an app server?

And it talks about it being prohibited “posting photographs or the like of nudity with a high degree of exposure” but is it even possible to post photos in this app?

“a. a. Posting or sending messages for the purpose of buying, selling, or exchanging...” there are two a’s here :P

Oh here we go, more topically specific ToC stuff. “Use of in-app currency” “Song Stone” hm okay.

Heh, the music changes to the XDU OP if I open the "Credit” page.

Hm, what’s this “Rights” section?

Oh, here we go, a bunch of software licenses. Mostly Apache, some MIT as well. And some without a specific name.

Interesting...

Anyway, hopefully I don’t get too addicted to this, I have a lot of other work that I still need to be doing.

But it’s nice finally starting to have a vague inkling about what all the Japanese XDU players were talking about :P

#symphogear #symphogear xdu #ahi's ramblings #long post #they say 'global' but it doesn't include europe #:/ #fortunately I'm not in europe #but I hear there's qooapp to get around region things

[dialovers-translations]

DIABOLIK LOVERS MORE, MORE BLOOD Vol. 3 Sakamaki Shuu Stellaworth Tokuten: “Monopolizing Her”

Original title: 彼が貴女を独り占めするCD

Source: Diabolik Lovers More, More Blood Vol. 3 Sakamaki Shuu Stellaworth Tokuten CD [CD not owned by me]

Audio: Here

Seiyuu: Toriumi Kousuke

Translator’s note:  I enjoyed this CD a little more than I would like to admit, haha. Shuu teasing the MC honestly gives me life. > < It has been a while since I played any Shuu route since he almost always first and I’m close to finishing one game and about halfway through the other, so I’m glad you guys are still requesting his stuff so I can get my Shuu fix. xD

→  LIKE MY TRANSLATIONS? SUPPORT ME ON KO-FI!

You enter the room and walk up to a sleeping Shuu.

“Zzー... Nn...”

You start trying to wake him up.

*Rustle rustle*

“Mmh...Nn...”

*Rustle rustle*

You eventually give up and call his name.

“Nnー Shut up...Hm...”

You beg for him to wake up.

*Rustle rustle*

“...Nnh...You’re annoying...What do you want?”

You offer to go outside. 

“Hah...? You woke me up just to say that? My answer’s no. If you want to head out, you can do so by yourself. I’m gonna nap.”

*Rustle*

“Ugh...Stop talking to me...You really are trying everything to prevent me from sleeping, aren’t you?”

You insist.

“Who cares if you won the tickets? I’m not interested in some mucisian’s concert. If you want to go, be my guest.”

You explain the situation.

“Haah...It’s couples only, huh? Guess you can’t get in then. Too bad for you. Why not watch the broadcast on TV then?”

You keep on begging.

“Nn...You’re persistent. Didn’t I just tell you that I’m not going? That is the one thing I want to be clear about. I am not moving, no matter what happens.”

You mention that there will be a part on classical music as well.

“...! What did you say just now?”

You repeat yourself.

“Hm...There’s a classical recital as well? I changed my mind.”

You blink in confusion.

“What are you spacing out for? We’re going to this concert. Shouldn’t you get ready?”

You remind him of his earlier words. 

“I never said I wouldn’t move.”

You shake your head.

“I didn’t. Do you want to go with me? Or not? Which one is it?”

You tell Shuu you want to go.

“Then hurry up and get ready. I’m leaving you behind if you keep me waiting.”

You nod, quickly running off.

*TIMESKIP*

Upbeat music plays in the background followed by fans cheers.

“Haah...It’s so loud...I know this is supposed to be one of those lives (1), but I didn’t think the music would be this annoying. It’s crowded as well, I’m feeling fed up already. ...It’s still not over? How far are we in right now?”

You reply.

“It’s long...Only halfway? So, when exactly is the classical part? I’m starting to itch to go home.”

You tell him that the musician has to speak first.

“A speech by the artist? (2)”

You explain.

“Ah, you’re referring to him talking right now? The recital comes after this, right? In that case, I’ll listen just a little longer.”

The artist talks to the crowd.

“Haah? That guy’s telling us to hold hands or something?”

You nod.

“Ah, right. I guess the whole crowd consists of couples, huh? They’re trying to appeal to the audience like that? What a drag.”

You offer your hand.

“We don’t have to follow his orders, do we? ...Or do you want to hold my hand, perhaps? In that case, I’ll offer you one. Why not do as you please?”

You hesitate.

“Why are you hesitating? Ah. You don’t want to? In that case, I don’t mind either.”

You shake your head, begging to hold his hand. 

“Haha, you’re way too desperate. You’re such a cheap woman too, getting all happy over something like this. However, I’m well aware that those innocent reactions of yours are just for show. There’s no way something this childish would be able to satisfy you, right? So you don’t mind if I run my fingers across yours like this, do you?”

*Rustle*

You flinch.

“Does it tickle? Or did you feel it just now? You’re as sensitive as ever. You’re so lewd to feel good over something like this.”

You protest. 

“Hm? What was that? I can’t hear you over all the other noise. You’ll have to come closer to tell me. Bring your lips towards my ear.”

You repeat yourself.

“Hmm~? You want me to stop? But the artist told us to do this, so I won’t stop.”

You ask if he is mad at you.

“Haah...? I’m not upset or anything. Well, I might be a little agitated by this ruckus and ridiculous crowd. I’d love to suck your blood right now just to distract myself but...”

You flinch.

“...I’ll keep that for after we’re back home. Right now, I’ll enjoy watching you struggle instead. You can use this as an opportunity to anticipate my fangs. Your blood tastes so much richer and sweeter after you’ve been teased after all.”

You puff out your cheeks.

“...Hm? He wants us to face each other next.”

You turn to the side.

“Oi. Don’t turn your head away. What’s the point in getting embarrassed still? Look my way.”

You refuse.

“Heeh...You’re stubborn, huh? Come on, look at me, I said.”

*Rustle*

“...Don’t waste your energy resisting when you’ve looked at my face a million times already. It’s a pain to keep on having to force you to turn your head. Also scoot a little closer. Don’t move away from me.”

Shuu pulls you close.

*Rustle rustle*

“Haha...You’re restless. Are you having a hard time relaxing when I’ve got my arms looped around your waist? Don’t be playing innocent, I usually do things much more intense to you. Both your body and soul already belong to me, don’t they? If this much is enough to make you throw in the towel, you might not be able to keep up with me in the future, you know? Well, I wouldn’t mind if you were to break or go crazy though. I will stay by your side, no matter what happens to you.”

They get the next instructions from the artist.

“...Hah. Did you hear that?”

Your cheeks turn bright red.

“He wants us to kiss while looking at one another. We have to listen to him, no? So you should initiate the kiss.”

Your eyes widen in shock. 

“What? Don’t tell me you can’t?”

You tell him it’s embarrassing.

“Heeh...You find it embarrassing in front of other people, huh? I’ll let you off the hook then.”

You seem somewhat disappointed.

“What? You don’t want to, no? If you’re not up for it, I guess I have no other choice.”

You frown.

“The next song’s about to start. Guess we should turn back to the stage and find ourselves a spot.”

The music begins to play.

“...What?”

You ask for permission to kiss him.

“Haha...You should have just said so earlier. Lift your face then. ...I’ll tuck your hair behind your ear so it’s easier.”

*Rustle*

“...You’re hot. Not just your ears, your whole body feels feverish.”

Shuu steps closer.

“I’m leaning in, so you can reach, right? Wouldn’t it be better to cup both sides of my face with your hands so you can do it properly?”

You cup his cheeks.

“Hahaha...You’re actually gonna do it? Your hands are shaking though. Bring your face closer to mine. ...Exactly, just a little further. A little more...”

*Smooch*

“Heh. I was expecting this, but you actually went for my cheek after getting that flustered? Okay then. I’ll teach you. Not only it is dim in here, but there’s a flashy concert going on. I doubt anyone will take notice of us.”

He pulls you close.

*Rustle*

“I’ll use the remaining time to teach you thoroughly. Although I’m not sure if just kisses will actually be enough to satisfy you.”

You become even more flustered. 

“Didn’t I tell you? The more I tease you, the more delicious you become...I’ll give it to you plenty once we’re back. Both kisses, and my fangs...”

ーー THE END ーー

Translation notes

(1) I think he says ショー気分ライブ or ‘show-kibun live’ here, which literally means ‘a live concert with the feeling/vibes of a show’. I was not quite sure how to accurately translate this to English. xD I guess it means one of those really upbeat concerts where everyone is screaming and waving those light sticks in the air. 

(2) Te word トーク or ‘talk’, derived from English, is used in Japanese to refer to an artist talking on stage in between performing different songs. 

#diabolik lovers #dialovers #shuu sakamaki #diabolik lovers translation #diabolik lovers drama cd #drama cd

[arecomicsevengood]

Watching Movies In Self-Isolation, Part Two

L’Assassin Habite Au Rue 21 (1942), dir. Henri-Georges Clouzot. Clouzot is better known for directing The Wages Of Fear (the movie William Friedkin remade as Sorcerer) and Diabolique, but this is the first movie he directed. It’s a pretty effective comedy, as well as an Agatha Christie style murder-mystery thriller. It’s really cool to watch these things that feel like they are just “movies,” before a bunch of genre conventions got built up and put in place. This one’s also eighty minutes long, super-short. The premise of the movie is there’s a serial killer on the loose, leaving a business card on every dead body. A dude passes along to the police that he found a stash of the business cards in the attic of a boarding house, so the killer must live there. A police officer goes undercover as a priest moving into the boarding house to investigate the residents. His wife, an aspiring singer, has made a bet with him she can solve the crime first, and in doing so become a celebrity that will be hired to perform places, so she also moves into the boarding house, partly to annoy him. The stuff at the boarding house is basically the film’s second act, while the first and third act are more typical murder-mystery stuff, although the tone of comedy is maintained throughout, despite all the cold-blooded murders.

All These Women (1964), dir. Ingmar Bergman. Kind of dumb sex comedy directed by Ingmar Bergman, but with gorgeous Sven Nykvist cinematography, bright jewel-toned pastels, and sort of theatrical staging in spots seeming to foreshadow Parajanov’s The Color Of Pomegranates or eighties Greenaway stuff. About a critic who visits the palatial estate of a famous cellist to write a biography of him only to find a harem of women; the whole thing unfolding from the cellist’s funeral a few days later. The winking humor is both music-hall bawdy but in a way that feels self-aware or “meta” in the context of a sixties film.

The Touch (1971), dir. Ingmar Bergman. Bergman’s one of my favorites, many of his canonized classics resonate deeply with me, but he was also astonishingly prolific, with a bunch of movies of his blurring together in my mind, and even more that I didn’t know existed, like this English-language one, starring Elliott Gould. Gould’s another favorite of mine, being in a bunch of great movies in the sixties and seventies, but damn, he’s unlikable here. Unlikable characters “hit different” in older material because I’m not sure if you’re supposed to sympathize with them according to the sexist cultural attitudes of the day. Here he’s “the other man” Liv Ullman is cheating on Max Von Sydow (RIP) with, but he’s pretty emotionally abusive, just a shit to her, extremely demanding of her in a relationship he did nothing to earn, though it does feel like the movie is kind of treating him as a romantic lead.

The Anderson Tapes (1971), dir. Sidney Lumet. This is heist movie, starring Sean Connery as a dude fresh out of prison, planning to rob his girlfriend’s apartment building, costarring Christopher Walken in his first film role. It contains all the plot beats of a typical heist thing, all the satisfying “getting the gang together, planning things out in advance, chaotic elements interfere” stuff but also a totally superfluous bit of framing about like constant surveillance, video monitoring and audio tape. All this dystopian police-state stuff seems, implicitly, like it would make a crime impossible to execute, the criminals are monitored every step of the way, by assorted agencies. But then the punchline, after everyone’s arrested for reasons having nothing to do with that, is that all this recording is illegal and all the tapes should be erased as the high-profile nature of the case makes it likely the monitoring agencies will get caught. Sidney Lumet directs a good thriller, even though I don’t find Connery (or Dyan Cannon, who plays the girlfriend) particularly compelling.

The Testament Of Dr. Mabuse (1933), dir. Fritz Lang. I watched this years ago, after reading Matt Fraction praise it, particularly how skillful the transitions between scenes were, and I really enjoyed it, but didn’t remember much about it and was excited to rewatch it. It’s got a lot going for it: An exceedingly elaborate criminal plot whose only goal is to wreak chaos, low-level criminals caught up in something they’re morally unprepared to reckon with, a charismatic police detective interviewing a bunch of weirdos, Fritz Lang following up M by continuing to be a master of film and sound editing very early stitching it all together. The Mabuse character was previously the star of a silent film I haven’t watched, and here he’s mute, which is a clever choice I didn’t register until writing it out just now. He’s gone completely insane, but is nonetheless writing a journal filled with elaborate crime plots, and his psychologist is completely insane and following these directions, in a commentary on the rise of Nazism in Germany at the time.

House By The River (1950), dir. Fritz Lang. I watched this in the pre-Quarantine days, but it totally rules. Again, it feels sordid in part because of how old it is and my assumption you’re meant to identify on some level with the completely loathsome protagonist’s sexual desire and anger at getting turned down. It’s so creepy, he’s listening to the sound of his maid showering at one point. All the characters seem very fun to play, they’re all pretty cartoonish. This guy murder his maid, and then gets the idea that he should write a book about the murder when someone explains the idea of “writing what you know” to him, and he is then surprised when his wife reads the book and puts together that it’s a murder confession, saying something like “Really? I thought I disguised it pretty well.” The film functions as a dark comedy because every character is completely mortifying. Lang’s work becoming less ambitious and more reduced in budget during his time working in America is pretty sad but this movie feels legit deranged.

Midsommar (2019), Ari Aster. Heard good things about Hereditary, but haven’t watched it yet, having been put off by the plot summary of Aster’s preceding short film, about a kid who rapes his dad. This is like a longer version of The Wicker Man, basically, starring Florence Pugh, who I had heard was like the new actress everyone’s enamored with, but didn’t think was that compelling in this. A bunch of Americans go to a Swedish village, one of them (played by Chidi from The Good Place) has studied their anthropology extensively, but all are unprepared for the fact that their whole culture seems to revolve around human sacrifice and having sex with outsiders so they don’t become totally inbred. There’s a monstrously deformed, cognitively impaired child who’s been bred specifically so his abstract splashings of paint can be interpreted as culture-defining profound lore, which I took away as being comparable to the role Joe Biden plays within the death cult of the DNC.

Long Day’s Journey Into Night (2019), dir. Bi Gan. This got a lot of acclaim, but I am almost certain the main reason I watched it is because the director made a list of his favorite movies and included Masaaki Yuasa’s anime series Kemonozume on it. Does a sort of bisected narrative thing, where half of the movie is this sort of fragmented crime thing, a little hard to follow, and then you get the title card, and then the second half is this pretty dreamlike atmospheric piece done in a single shot, with a moving camera. I’m not the sort to jerk off over long shots, although I appreciate the large amount of technical pre-planning that goes into pulling them off. The second part is pretty compelling though, enveloping, I guess it was in 3-D at certain theatrical screenings? I’m a little unclear on how my fucked-up eyes can deal with 3-D these days and I was never that into it. The first half is easy to turn off and walk away from, the second half isn’t but I’m unsure on how much it amounts to beyond its atmosphere.

Black Sun (1964), dir. Koreyoshi Kurahara. This one’s about a Japanese Jazz fan and dirtbag squatter who meets a black American soldier who’s gone crazy and AWOL. He loves him because he loves Jazz and all Black people, but the soldier is pretty crazy and can’t understand him anyway. Jazz is, or was, huge in Japan and this is a cooler depiction of that fandom than you get in Murakami novels but it’s a fairly uncomfortable watch, I guess because the black dude seems so crazy it feels a little racist to an American audience? Maybe he wasn’t being directed that well because there would be a language barrier but it’s weird.

Honestly the thing to watch from sixties Japan on The Criterion Channel is Black Lizard (1962), dir. Umetsugu Inoue, which I watched shortly after Trump’s election in 2016, when all the Criterion stuff was still on Hulu, and it cheered me up considerably in those dark days. It feels a little like The Abominable Dr. Phibes, but with a couple musical numbers, and is about a master detective who thinks crime is super-cool and wishes there was a criminal who would challenge his intellect. Then the Black Lizard kidnaps someone. It’s a lot of fun, with a tone that feels close to camp but is so knowing and smart it feels more genuinely strange and precise. One of those things you get fairly often where the Japanese outsider’s take on American genre stuff gets what it’s about more deeply and so feels like it’s operating on a higher level. I really love this movie.

I had this larger point I wanted to make about just feeling repulsed by genre stuff that self-consciously attempts to mimic its canonical influences and that might not be all the way present in this post. Still, something that really should be implicit when talking about movies from the past is that they are not superhero movies, and how repulsed I am by that particular genre’s domination of cinema right now, and how much of cinema has a history of something far looser and more freewheeling in its ideas of how to make work that appealed to a broad audience, and how much weird formal playfulness can be understood intuitively by an audience without being offputting, and the sort of spirit of formal interrogation connects the films I like to the comics I like (as well as the books I like, and the visual art I like), this sense of doing something that can only be done within that medium even as certain other aspects translate.

[duhragonball]

Dragon Ball Z 092

Last time, Goku reailized he was losing this fight, so he risked everything on a 20x Kaio-ken Kamehameha.   If it worked, great, but if it failed, Goku would be completely exhausted and unable to continue fighting.     Above is a side-by-side comparison of Frieza before and after the attack.    

Yeah, it’s only one image because IT DIDN’T DO ANYTHING.   Goku’s toast.

I think Goku had already decided that Frieza wasn’t bluffing about his true strength, but now there’s absolutely no question.    Frieza’s been half-assing it this whole time, while Goku just went beyond his limits and came up short.    He’ll only get weaker from here.   There’s nothing more he can do.

Elsewhere, Bulma has recovered from getting blown away by Frieza’s power, and she’s caught Captain Ginyu, who got swept along with her.    You know, I’ve often wondered if civilians in Dragon Ball are a lot stronger than real-world people.   You’d assume that Bulma’s about as strong as a typical real-world woman of her height and build, because she’s not a fighter, so there’d be no reason for her to have any superhuman abilities.    But I’m pretty sure if a real person went flying uncontrollably through the air like she did last episode, she wouldn’t have survived without injury.  

I mean, this is presumably where she landed.    It’s not exactly a pile of feathers or anything.    Also, Captain Ginyu did some pretty athletic stuff while he was using her body.   And maybe Bulma works out, but I doubt she’s doing like advanced gymnastics stuff just to stay in shape.    What I’m suggesting is that if Bulma somehow traveled to our world, she could kick Brock Lesnar’s ass.   She’d just slap him and he’d get a concussion or something.

While Goku and the others are demoralized by the failure of his last-ditch attack, Frieza tells a somewhat different story.   He’s not that badly hurt.    All that Kamehameha did was singe his hand.    But it did hurt him, and that makes him upset.  

And that fires him up.   The idea that a mere Saiyan could do even that to him is infuriating, so he charges after Goku in a rage.

I’m not positive, but I think this is the first time Frieza calls a Saiyan “monkey” in the Japanese dub.    Guldo said it first, back in Episode 62, and I think Jeice might have used the term as well, but I’m pretty sure we haven’t seen Frieza say it.   I think the Funimation dub used the slur more often, which I guess fits in with how Linda Young played the character.   Ryusei Nakao has a much more chilling performance in general.    His Frieza makes polite chit-chat, then flips his shit.  Young’s Frieza isn’t so subtle.   Everything she says is tinged with an air of brutal menace, and a lot of her lines included cutting remarks and insensitive jokes at the good guys’ expense.  There was always something really emasculating about her Frieza too.  In one episode she calls Goku “big guy” in a really condescending way, and in another she mocks Ginyu for being hurt over not getting to do the dance of joy.  I’m pretty sure she used the word “monkey” in almost every episode where Frieza mentioned Saiyans.

I’m not sure what to say about Chris Ayres, since I haven’t seen as much of his work.   I feel like I saw some video about the Funimation dub of Kai, where Chris Sabat said they recast Frieza because Young couldn’t deliver the new lines at the pace they needed.   That would make sense, because it feels like Ayres’ Frieza is constantly trying to fit in as many words as he can into a limited amount of time.   Young might be fast enough to do that, but her performance always hinged on the timing, like she was soaking each word in as much contempt and spite as possible.    Ayres’ Frieza is like “Oh I see you seem to be under the mistaken impression that I will let you live as it were but let me assure you that this is hardly the case as I have decided to murder you right here.”   And it’s like I don’t think they needed that many words to get the thought across.   He’s almost like a Big Green Dub character, only with better diction. 

The point I guess I’m making is that Nakao’s Frieza developed over the course of the series.    He started out being ultra-polite and unctuous, then he got snotty and irritated as things stopped going his way, and now he’s finally revealed his naked racism against Saiyans.    Young, and perhaps Ayres, kind of did all of those things at once throughout their performances.    

Make no mistake, Goku’s got nothing left in the tank.   It would be bad enough that the 20x Kaio-ken didn’t get the job done, but on top of that, the Kaio-ken takes a heavy toll on the user.   He’s worse off now than he was two episodes ago, when Frieza was beating the crap out of him.

For Frieza, this just proves that he was right to kill all the Saiyans, since all they’re good at is fighting, and they’re too stubborn to be made to do anything else.   Goku and Vegeta insisted on fighting Frieza, even knowing how difficult it would be.   He doesn’t admire their tenacity; he just views it as self-destructive.  

Then Goku starts hearing Vegeta talking to him.    At first, he asks him to team up with him, as if he forgot that Vegeta’s already dead.   

Then he sees him in some sort of vision. 

Years ago, I found an audio recording of Vegeta’s speech in this scene, and I used to put it on playlists and listen to it on long car rides.    I’m gonna try to do the dub version from memory.    

Vegeta: Kakarot, listen to me!   Is that all the power you have?   Where’s your Saiyan pride?

Goku: But... I never was a Saiyan!

Vegeta: What are you talking about?  You can’t deny your heritage!”

Goku: Vegeta... right now it doesn’t matter what I am.   Forget about it.”

Vegeta: We both know you have Saiyan blood running through your veins!     [audio cut out for some reason]  --pain, but there is one thing you must never forget: It was Frieza who destroyed our birthplace, the Planet Vegeta.     There’s no one left except for your.

Goku: The... the pride... of my people!”

Vegeta: Think back, Kakarot.   Remember your father.... my father.”

Bardock: My... son... lives... on!

King Vegeta: Ooohhhh... (dies)

Vegeta: So while you may deny who you are, you are the very last hope for a lost race of brave warriors.    Ask yourself this: Why does Frieza want you destroyed so badly?   He’s afraid a Super Saiyan will rise up!  Fight him for the entire Saiyan race!   Destroy him, for you have the power within you!   Now go, Kakarot.  It is time!

Eh, close enough, I think.   

Anyway, Vegeta’s butt-ass nekkid the whole time he says all this.    Also he has his tail, so that’s a thing.

Now, you might be wondering what Frieza’s doing while Goku’s having this conversation.   Turns out he’s still intent on dragging this out.   I’m pretty sure Frieza is just waiting for Goku to completely shut down, the same way Vegeta did before Frieza finally killed him.  Also, I’ve begun to notice that this is Frieza’s big weakness.   Before I said it was laziness or complacency, and there’s some truth to that, but now that I’m watching him fight, I see that when you piss him off, he actually slows down more.    Frieza announced that he was going to kill Goku and end the fight like two episodes back.    Instead, Goku singed his hand.    You’d thin that would compel Frieza to hurry this along, but instead it had the opposite effect.    He’s actually giving Goku more time, because he’s convinced that Goku has no more surprises in store, and he wants to punish him even more than he did before.

Yeah, he keeps saying stuff like this, but he never follows through.

Meanwhile, on King Kai’s planet, there’s some commotion going on inside King Kai’s house.

Someone took out Bubbles and Gregory.

And it turns out to be the dead guys from the Ginyu Force.  If there was a college textbook on anime filler, this shot would probably be on the cover.   But we’ll talk about the Ginyu Force on King Kai’s Planet later.

Back on Namek, Goku has raised his hands in the air like he just doesn’t care.   Frieza is bewildered.   He figures Goku must be up to something, but he has no idea what, since he’s so weak right now.

But Krillin calls it right away.    It’s the Spirit Bomb, the same technique King Kai taught Goku to use against the Saiyans.    Of course, Piccolo wasn’t around for that, so Krillin has to explain it to him.   This irks Piccolo, because he just came from King Kai’s place, and King Kai never even mentioned a technique like this.  To be fair, Piccolo was only there for less than a week, and he wasn’t exactly cooperative.

Now you might be wondering why Goku didn’t try something like this a long time ago.   Well there’s a number of drawbacks to the Spirit Bomb:

1) It takes a long time to prepare, and Goku’s defenseless the whole time.

2) If Frieza notices what he’s up to, he’ll just dodge it, or kill Goku before he can deploy it.  

3) The Spirit Bomb is pretty dangerous.   King Kai warned Goku not to use it in broad daylight, because the energy from the sun would make it too powerful.   Namek has three suns, and Goku doesn’t think that’ll be enough, so he’s gotta borrow energy from other planets in the vicinity.   In other words, Goku might end up making an attack so powerful that he ends up destroying the planet along with Frieza.

These aren’t hypothetical issues either.   The first time Goku used the Spirit Bomb in combat, it was against Vegeta in his great ape form.    Vegeta attacked him before he was ready, then he attacked him before he could launch it.    Then he had to turn the residual power over to Krillin, and Vegeta dodged it.    Then Gohan bounced it back at Vegeta, and it didn’t work.    Vegeta took the Spirit Bomb and survived.   You know what finally did kill Vegeta?   Frieza.

I can’t stress this point enough.   The Spirit Bomb is an incredibly terrible idea in this situation.    I’m pretty sure the main reason Goku trained at 100 times gravity on the way here was so that he would never need to rely on the Spirit Bomb ever again.   Enemies like Vegeta were just too fast and powerful to take the time to make one of these things.      It’s easy for us to think “well, he can just make a bigger one!” but it only amplifies the weaknesses in the technique.   A bigger Spirit Bomb just takes that much longer to build, and it becomes that much harder to control.  

But Goku’s doing this anyway, because it’s literally all he has left.   His own power has failed him, and the one great advantage of the Spirit Bomb is that Goku can borrow energy from other sources.   Even i he does destroy Namek, it’ll be worth it to rid the universe of Frieza.

As for Frieza, he’s just standing there watching this.   I never understood why he waited so patiently here, but I finally realized that it’s his curiosity getting the better of him.    He genuinely wants to know what Goku’s trying to do, and he figures Goku’s already beaten, so he can afford to wait.    From a sadistic standpoint, I’m sure he wants to wait for Goku to execute his plan, just so that Frieza can prevail one more time and humiliate Goku further.  

Ironically, if Frieza could just sense ki energy like the Z-Fighters, he’d know exactly what Goku was up to.   Krillin spots the bomb almost immediately.   I’m not sure why it’s so high in the air like this.  Before, Goku would absorb the energy into his own body and form the bomb from his hand.    This time, he’s using energy from multiple stars and planets, so maybe it’s easier to converge it all above him.     Or maybe he’s purposely doing it this way to hide the bomb from Frieza.  He’d have to look straight up to see the thing, and he has no idea that he’d even need to.

Here’s a couple of shots from the other planets Goku is drawing energy from.    I really enjoy these for some reason.    These alien creatures seem to have Namekian style antennae, which I think is a nice touch, assuming these are worlds in the Namek solar system.  

#dragon ball #2019dbliveblog #frieza saga #goku #frieza #vegeta #king vegeta #bardock #piccolo #gohan #krillin #bulma #captain ginyu #recoome #burter #jeice #guldo #king kai #yamcha #chiaotzu #tien