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#i can acknowledge all the atrocities that men
cardentist · 4 months
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this is all gonna be very disorganized and rambly, but
"the male loneliness epidemic" as a concept is like.
does anybody remember when it was common knowledge in feminist spaces that part of the Point of feminism was recognizing that All groups of people were negatively impacted by sexism?
I Remember the ridiculous "mens rights activist" era. I REMEMBER feminist talking points at the time pointing out that it was Toxic Masculinity that contributed to things like men not being able to be vulnerable with the people who care about them, or men (or Boys) not being taken seriously as rape victims.
and the point of this Wasn't to blame men for their own pain, to blame men for the system that they were negatively impacted by. but to point out how Feminism Was Meant To Help Them. how it was Sexism that needed to be dismantled to address the things that these very ridiculous men were angry at feminism about.
and now it's just like.
not only have people not learned this lesson, it's becoming increasingly Extinct as a concept even within feminist and activist spaces.
I Do find "male loneliness epidemic" silly as a term. it's particularly strange to me that there have been several articles ran about it.
But Ultimately This Would Not Be Necessary If The Climate Was Different.
like. the term is silly, I'm sure the articles are silly. but it is just Objectively True that men are statistically more likely to kill themselves. the exact number fluctuates depending on the study and the years they were conducted, but this has been Consistent for literally decades.
and it just ! feels abjectly cruel to watch people act like acknowledging something Like This is stupid. to watch people lump in men together As A Class and more or less victim blame them.
why should We care about Men when it's Men who are sexist? if Men care so much about being Lonely then then why [screenshot of 4channer]
a conversation on sexism creating a system where men are emotionally isolated, are discouraged from vulnerability, from relying on the people around them emotionally, are discouraged from affection, Is Good Actually.
like ! I really do wish that people didn't take a nose dive into gender essentialism and decide that men and women are just categorically and fundamentally different from each other. that if one suffers then the other must only be the one that inflicts suffering. that to recognize the pain of one is to deny the pain of the other. when that is Literally Not How It Works.
it's not about why Women should care about Men. it's about recognizing a facet of sexism that is negatively impacting PEOPLE and discussing it in the hopes of starting a long term conversation about it. to potentially encourage change and reach the people that need to hear it.
because All People are victims of sexism, All People can enforce sexism, and All People benefit from recognizing these facts and working together to undo the effects of sexism on a wide scale.
and I Dunno. I think it's really telling that some people actively choose Not to show basic human decency and compassion towards people if they can get out of it. if social convention in their circles say that X group of people don't Deserve It.
we live in a time where compassion fatigue is a real issue. where we have to process more atrocities on a daily basis than the human mind was ever meant to handle. but I still feel like human suffering should just like. Matter As A Baseline. it shouldn't be anyone's job to Convince You that it's worth caring about, you should just care about people.
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paperlunamoth · 6 months
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Just watched a youtube video where a bubbly young woman discussed an indescribably fucked up hentai manga about a teenage girl getting forced into prostitution and raped by her father, and otherwise tortured and violated in ways I will not describe here, as though it was just some run of the mill piece of media, and treated it like it had some kind of profound literary value because sometimes real girls go through those kinds of experiences, while completely ignoring the fact that it was hentai created specifically for sick men to jerk off to and written by one such sick man. And most of the comments also failed to acknowledge the nature of this work, and were just things along the lines of, "yep, life sure can be unfortunate for some people that is true." I just. What is happening to these girls? Like I truly don't understand how you can get to a place mentally where all you have to say about something like this is that it's "dark" and the characters are "bad people" like girl what you read should be illegal it is literally underage torture porn with a plot that serves the sole function of providing context that makes the porn parts as depraved as possible, and you think it was an enjoyable read that had important things to say about the female experience?? The author was not trying to earnestly depict the horrors of girlhood in order to get people to contemplate the significance of such atrocities and compel them to do something to help prevent them, he was trying to get himself and men like him off to the rape and misery of a teenager! This is a level of pornbrained internalized misogyny combined with poor media literacy that I previously did not think possible. My heart weeps for this girl and for other young women like her who are so numb to this kind of visceral depravity that they don't even register it as anything other than a sad story.
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bakugoushotwife · 6 months
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kinktober day twenty-seven: car sex
>>> no one will read these anyway based off of the reception for nobara, but i wanted to give the ladies some love this time around <3
>>> starring: maki zen'in x curvy!f!reader >>> cw: jealousy, homophobia w the zen'ins, making my own cannon, oral and fingering, car sex, semi-exhibitionism? i don't think so but just in case >>> wc: 1.8k >>> event masterlist:
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formal events were the bane of her existence. she hated all the ritualistic steps of looking presentable for a clan celebration, of all things. maki has never been celebrated amongst her clan and she knows they won’t start anytime soon—so why did she have to show up and celebrate them? even worse, why did she have to drag her girlfriend to such an event? she knows half the elders will spend their time whispering about either her supposed powerlessness or her lesbianism, and the other half would be thinking about it all night long. she hated having to subject you to such nonsense, but her mother insisted–and she knew she’d never hear the end of it from her if she didn’t just suck it up and go. 
so here the two of you are, shoved into the zen’in family banquet hall in a tight fit. maki was absolutely uncomfortable, forced to mingle with people she can’t stand while trying to keep a possessive hold on you. despite the controversial relationship, she wouldn’t let it be lost on anyone. you weren’t here as a plus one or just a friend, you were here as maki’s partner and she wasn’t shy about it. they hate her already, she couldn’t give less of a fuck. her anger will make her the perfect protector too, she won’t allow them to say anything offbeat to you or their reckoning may come early. 
she also hated formal wear. it was impractical and stuffy, and she didn’t like being painted up to the nines, either. at least you looked amazing. you might be enough to make her rethink all her earlier opinions. seeing you tucked into a gorgeous kimono was definitely a lifeline to get her through the night—naobito’s birthday celebrations could perhaps pass harmlessly by with nothing more than the memories of how good you look. the silk highlights your body for days, tight around your chest and flowing down your legs. whereas maki feels completely out of place with rouge and lipstick on he skin, somehow it makes you look even more elegant and graceful. you’re flawless, evidence that maki is indeed good enough to deserve happiness. she keeps your hand in hers for the better part of the evening, fake smiling to some clan members while she keeps her scowl for others, you couldn’t quite find a rhyme or reason to her reactions. it isn’t until she’s pulled away by her sister that you’re able to understand. 
of course you were familiar with the atrocities of the zen’in, and it made you more than just a little uncomfortable to be surrounded by them, but with maki by your side, you knew that no harm would possibly come to you. but with her gone, well. now you’re left wide open. 
they don’t waste any time, a wall of zen’in has formed around you with various men bidding for your attention by offering you drinks and compliments, swearing that a zen’in man could give you a much better time than any woman—but especially one as weak and powerless as maki. their sentiment makes you snarl, but you don’t know how far maki is—meaning you don’t know how crude you can be with all these disgustingly vile creatures. 
“weak? naobito’s birthday or no—we can test that theory.” her sharp voice cuts through the cacophony of others. the men are quieted instantly, and you feel yourself smirk. they start rattling off excuses as to why there should be no fighting here tonight—but you hear the real reason: they’re afraid. 
maki has always been far more powerful than they deign to acknowledge. she’s a talented fighter, and you knew most of these old fuckers would be dead to rights if she really wanted to cause a scene. her presence is scary enough, brows set with a menacing look in her eye. she stares above their heads, making eye contact with you. 
“come. i think it’s time we left, dear.” she extends her hand for you to take, holding the stare of the disgusting old men that came to hit on her girlfriend the moment she stepped away. you skip forward to take her hand, almost giddy at her demeanor as she squeezes your palm in hers. you knew that she was pissed. she was mad when she woke up this morning and remembered this stupid fucking party was today, but now she’s irate. everything she thought would happen, did, and she didn’t feel like subjecting you to any more ogling eyes. she starts to drag you both towards the door, hoping that the hour and a half she had managed to occupy the same space as her family would please her mother enough. not that she quite cared anyway, hearing your little giggles of excitement told her that you knew exactly how she would remedy her bad mood. 
maki has a track record of jealousy, and you knew this time was no exception. this time may be the worst of them all, your girlfriend’s grip on your hand tightening as the driver brings the car around. her mind was racing with the harassments from the crowd, different cousins and uncles offering to show her girlfriend a good time after the party. tch, she didn’t have to wait. she would have you now, the windows of the car are tinted anyway. she opens the backseat of the spacious suv, jutting her chin out to the backseat. 
your feel your face heat up as you obey her, crawling into the back on your hands and knees. maki turns to give the chauffeur a tip, patting his knowing shoulder. she doesn’t much care if people know what she’s about to do to you in this car. in fact, she hopes rumors spread about it. the windows being tinted was all she cared about—no one would get to see her pretty little girlfriend’s faces of pleasure but her. she steps into the car after you and pulls the door closed behind her. she’s thankful for the air conditioning and radio humming lowly in the background, your noses pressed together for a brief moment as she adjusts your seat, pushing you back and ensuring she has enough space in the floorboard. 
you giggle a little, parting your thighs to give her room to sit between. she slinks between them easily, resting her hands on your knees as she peers over her lenses. you lick your lips in anticipation, seeing that anger in her eyes. 
“worked up, babe?” you tease just a little, resting your hand on her head. she raises a brow at you, quietly warning you to watch your attitude. you grin a little, knowing you could push her to her limits after the night that you’ve had—but you’d be the one to reap the consequences. so you lean back against the seat a bit, easing your cunt closer. she looks down at your middle at the movement, but she nods. 
“yeah. i’m a bit worked up.” she groans, bunching your silken skirt up by your thighs. her mouth salivates the closer she leans to the apex of your thighs. she catches your scent, grinning at the arousal already leaking down your legs. “they’re all just dying for a chance at you, hm?” 
you roll your eyes with a satisfied little grin, shaking your head at her. you pull your skirt up some more for her, but you know not to worry about anything further or you’ll further irritate your already ticked off and overzealous girlfriend. “just too scared of you to come around.” you decide to stroke her ego instead. 
she scoffs a little, amusement sparkling in the vast darkness of her emerald eyes. her fingers stroke over the center of your panties, and she hums approvingly at the dampness she can feel beneath. her lips tilt into a smirk, “and you like that?” 
“i love that.” you purr, scratching her scalp a little bit. she smiles softly and pushes the flimsy fabric keeping your cunt from her to the side. she gives you a breathy chuckle, watching the strings of your arousal stick to your panties as she peels them away, she’s enamored. 
“and i love that sloppy pussy, pretty girl.” she whispers, letting her fingers spread your lips apart. you take your lip in between your teeth in anticipation. she lets her slender thumb drag figure eights along your clit, face focused on your hardening tits and shifting face. you’ve always been so sensitive, it’s one of maki’s favorite things about you—how you jerk into her hand as she’s barely touched you, little moans coming from your pursed lips as the sounds of tires squealing outside overtake the music in the car. maki grins—you’re holding up the line, leaving the other zen’in’s no choice but to pull around maki’s signature suv. she chuckles a bit as she leans in, attaching her pink lips to yours, letting her fingers work their magic over your bundle. 
your body drowns in warmth, looking down at your sexy and strong girlfriend giving you head never got old. she always knew how to get you going, possessively shoving you in the back of her car was on the list. you grip at her hair as the pressure from her fingers intensifies, tongue slipping past your lips and straight into the hole—and she moans at the taste of you. your head rolls against the rest behind you, hands weaved into green locks in an effort to grind yourself down on her tongue inside you without moving her fingers. one of her hands pushes your thigh away, keeping you from breaking yet another pair of her glasses. 
she works in perfect time, knowing exactly how to send you over the edge without much work at all. she knows no man could tend to you so easily—making you cum like it was chewing gum or breathing. that’s why only she gets to wear the remnants on her face. you buck into her mouth, whines going high pitched. she taps your thigh, giving you express permission to cum on her face. 
you whimper, the affection in her eyes was enough to send you toppling over the edge. your hips shake, the dam breaking in your gut—your release covers your girlfriend’s tongue as she curls it inside, gathering all the taste of you that she could with a few animalistic moans as she sucks you clean. 
she pants a little as she pulls away from your cunt, tucking your panties back over the mess with a little smile of arrogance. “did that make you feel better, sweetheart?” she asks, pulling your skirt back down as she leans up toward your face. you bend down to meet her, she was still on her knees after all. 
you chuckle, giving her a soft kiss. “i meant to ask you that.” 
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leverage-ot3 · 2 months
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not going to give the blog any attention or time of day but this is your reminder that the leverage crew would never be zionists or support israel whatsoever
I wasn't going to engage with it because I value my mental health but yeah. absolutely fucking NOT
y'all really think that this group of people that actively go out of their way to go against the rich and powerful, who make it their goal to help people that are oppressed, devalued by society and taken advantage by those more powerful would at all EVER align themselves with israel? bffrrn
I'm going to go off for a few paragraphs about why this is such a horrendously ridiculous and delusional idea, but I'm not going to clog up your dash so it's going under the cut. I want to respect people who already participate in activism and need fandom space for lighter things
tw for discussion of the atrocities and war crimes happening in palestine
over 25 THOUSAND innocent people have died as a result of israeli terror the last few months alone. over 10 thousand children. entire family lines have been erased from the world forever- grandparents, parents, children, grandchildren all martyred, often together as they are sheltering from bombs and bullets until they are murdered by soldiers that laugh as they shoot and detonate bombs.
you really think that eliot 'I adopt every child I see' spencer would support a regime that let a child stay trapped in a car where her family members were martyred, not let paramedics in for days and then when they finally let the paramedics approach they kill both her AND the EMS? you think he would stand with the government that arrests children as young as 6 years old for *checks hand* being terrorists (because what fucking 6 year old is a terrorist let alone any kind of national threat. they're fucking SIX). that snipes children for throwing rocks at tanks and their apartheid walls
he and all of them would weep at the picture released the other day of the little girl handing from rubble with her legs blown off.
all of them would be horrified of the bombardment that has murdered tens of thousands of innocent civilians, women, children, men, elderly alike with no fucking care. that shoots people with their hands up waving white flags. that bulldozes graveyards and digs up bodies and probably steals organs from they dying and deceased. that bombs hospitals, governmental and archival buildings, mosques, churches, holy sites, schools and universities. whose soldiers have a trend where they go through women's underwear drawers and make lewd comments about their lingerie and how kinky they must be. who make tiktoks of them playing in decimated playgrounds and signing their children's names on bombs. who force parents to collect pieces of their children in plastic bags because they have been blown apart by relentless bombing. who shoot a grandmother holding a child's hand. who murdered a woman that dared say that she was older than the 'state' of israel.
the fact that you're posting this as israel relentlessly bombs rafa, the place they were told would be the only safe place to be, where 1.6 million people are living in tents living off animal feed because no sufficient humanitarian aid (if any) has been let through
these people that advocate for comeuppance and exposing wrongs would not support a regime that actively targets and murders journalists and their entire families.
you really think any of them would actively support a genocidal sociopathic government? fucking delusional
to a certain extent, I know that people want to keep fandom and advocacy spaces separate and I acknowledge and relate to that- when we are logged on every moment of the day we sometimes need to take breaks and engage with something else for our mental health. I need that too. and there is a very thin line when you try to apply fandom to current events because in all honesty, making headcanons about how your faves would react to X horrendous event can come off as extremely tone-deaf. I get you love your blorbos (I do too!), but actual people are suffering and it can come off as disingenuous to a lot of folks when you try to talk about your characters instead of the very real harm that is going on. HOWEVER, the other account posted in the leverage tag that the crew would be zionists and started that discourse and since it was already out there in our space I wanted to make sure that people know that this blog does not support that whatsoever.
and before this gets misconstrued: antizionism is not antisemitism. I have a lot of love for my jewish friends and followers, but saying that we can't be critical of war crimes and incessant aggression because it is a jewish state is fucking ridiculous. we should be able to hold any and all governments accountable when they do bad things (this absolutely also means I think we should hold the US accountable for enabling them and I live here. every country that is complicit needs to face consequences). saying that israel is exempt from criticism because jewish people deserve a right to a homeland isn't a great take. I completely understand fear of antisemitism and discrimination, but at some point we have to think critically and acknowledge that people are dying by the thousands and standing up for that and calling out atrocities takes precedence. jewish voices for peace has some really good content about this topic
anyways there's a random blog out there posting about how your faves are zionists splattering their rancid sponge and I want to make sure my stance on this subject is very clear: fuck israel, free palestine, and no one is free until everyone is free
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kataraslove · 6 months
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i remember a week ago in which i reblogged a post shedding light on the palestinian genocide and tagged it as “free palestine,” to which someone sent me an ask: “wdym free palestine?”
i deleted the ask because i didn’t want to deal with any trolls at the time on a topic that is highly sensitive. i thought my reblogs spoke for themselves. but then i realized that that was a cowardly thing to do on my part, all because i didn’t want to deal with any online semantics. people are literally undergoing genocide right now. it’s the least i can do.
so let me make my stance abundantly clear: free palestine from the apartheid settler-colonial state of israel, who is committing all kinds of atrocities against the civilian population, 50% of whom are children. the israeli government is cutting off food, water, electricity, and humanitarian aid for the palestinians. they are bombing hospitals, which violates all kinds of human rights laws. they are using white phosphorus on hospitals, which burns to the bone. a child is killed in gaza every 15 minutes. all across twitter, i am seeing the most horrendous, graphic pictures; of dead bodies, of mothers grieving over their dead children; infants who are buried in rubble; men, women, and children who are dismembered. israel dropped over 6000 bombs on gaza in the course of 6 days. six fucking days. then the zionist regime turns around and denies that a genocide is happening.
let me also be clear: the israeli government isn’t the only evil acting force here - all of this is possible by the support and funding it receives from the american and other western governments, who gleefully jumped at the chance to spill blood. all of the hollywood celebrities and organizations who are extending their support to israel and refusing to acknowledge the genocide that Israel is committing, has been committing for 70+ years to occupied palestine. the media that is operating on and fuelling the propaganda that palestinians deserve this form of carnage. all of these heads of states, these governmental bodies, institutions - all of these systems have blood on their hands. no amount of their backtracking now - especially now that they’ve realized that the people’s voices and support are not on their side and it will cost them future elections - can ever make us forget how quickly these racist, white supremacist systems, politicians, and figureheads jumped at the chance of contributing to genocide but a mere a week ago. let us never lose sight that their public words paint a very different picture from what is going on privately; they are still actively funding this genocide with no interest in cease fire.
the media continues to paint this as some type of war against terrorism, a conflict with geopolitics way too complicated to understand, in order to prevent you from doing your own research into it. this is not war. this is not conflict. this is genocide. this is apartheid.
outside of online efforts to raise awareness, i am also planning on joining in on pro-palestine protests that are occurring in my city. from the river to the sea, palestine will be free.
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prasiddhibirb · 1 year
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Greetings! Can I request a Fyodor x Reader, being upset with him due to a misunderstanding? As example, the jealousy washing over them after they heard a conversation Fyodor had with a female Police officer to escape the law.
Fyodor x Jealous Reader
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Author’s note(s): sorry that this was short! I had to wip something up and I had some trouble imagining what atrocities he’d do 😰 anyways, hope you enjoy!
Would totally turn a blind eye to it (at first)
I mean, it’s just something that you’ve got to get used to being Fyodor’s lover, right?
Flirting with a highly ranked female police officer surely isn’t that much different to what he usually does to seduce you and all other women that have come before you
But when he realizes that you keep on trying to get closer with him, istg he’ll have one of the most wicked smirk plastered on his face
Him realizing that he has you wrapped around his finger is one of the easiest and most reliable way to manipulate you
he’ll deprive you of most things that you love (ex. Kisses, sitting on his lap, restrictions on your card, if you make it a bigger fuss, he’ll not even acknowledge your existence, etc…) until you cone crawling back to him
even thought you are an innocent girl to Fyodor, you aren’t that stupid to continuously fall into his traps
when you confront him about it, he completely denies doing such things and even tells you that you are the one getting all touchy with other men
but when that backfires on him, he’ll simply tell you that you are overreacting about this ‘situation’ and reassures you are definitely his one and only
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david-talks-sw · 2 years
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What do you think is the intended meaning of the moment when Vader sees a version of himself as a kid with his mask as his face when he enters Padme’s ship in the Fortress Vader comic arc?
Hmm, if I had to guess, it'd be that Vader - at this stage in his life - sees himself as "a bad apple from the start".
The thing to keep in mind is that there's layers to Darth Vader.
The first layer is one of rationalization. The lie, the thing he keeps telling himself.
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"I'm the Chosen One. I have brought peace, freedom, justice and security to my new Empire. The Jedi turned against me, they're traitors to the Republic, I caught Windu trying to assassinate the Chancellor, they're evil! I am what Obi-Wan made me and he turned Padmé against me. I'm not Anakin Skywalker, he was weak and I destroyed him. I am what remains. I sacrificed so much in my quest for power and here I am: a Sith Lord. And one day, I'll be the master and everything will be mine."
But deep down... in a place Vader doesn't like to acknowledge even exists... Vader knows the truth. It's a layer of guilt.
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"I'm a traitor. I slaughtered my brothers and sisters. Friggin' kids. I'm a monster. I once dreamed of freeing the slaves, now people are being enslaved by the very system I helped build. I committed countless atrocities. I am not Obi-Wan's failure, I did this to myself. I killed Padmé. She'd be ashamed of me. I'm all alone. And I deserve it, I deserve all the pain the universe has to offer."
And even deeper... there's this glimmer of good...
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... but the guilt and the rationalization layers keep suppressing it, be it because Vader doesn't deserve the chance to be good, or because being good is being weak.
So we get to the vision of Anakin with Vader's mask as a face, in Darth Vader: Dark Lord of the Sith #21.
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So first off, I think there's clearly some Momin mask-induced Force hallucination/mind games afoot. Vader isn't wearing it, but we know that mask is somewhat "haunted".
That said, I think this particular hallucination draws from that guilt layer mentioned above.
Vader seeing the child with his face is that guilty side of him saying: "you were this monster from the get-go, from the very start you were twisted and evil, if only they'd known maybe they'd be alive."
And one hand... sure. That fear, that anger, that possessiveness was definitely there as early as TPM.
On the other hand... who doesn't feel fear, or anger? Who doesn't get attached to loved ones? Vader's subconscious makes a valid points but ultimately reaches the wrong conclusion.
George Lucas was very clear about this: Anakin started out as a sweet, kind boy. Not a demon child.
"[In the original trilogy the issues is] 'How do we get [Vader] back to that little boy that he was in the first movie, that good person who loved and was generous and kind? Who had a good heart.'" - TIME magazine, Cinema: Of Myth And Men, 1999
"[A lot of people said Anakin] should’ve been this little demon kid. But the story is not about a guy who was born a monster – it’s about a good boy who was loving and had exceptional powers, but how that eventually corrupted him and how he confused possessive love with compassionate love." - Rolling Stones, 2005
" He was a sweet kid, helpful, just like most people imagine themselves to be. Most people said, "This guy must have been a horrible little brat -- a demon child." But the point is, he wasn't born that way -- he became that way and thought he was doing the right thing. He eventually realizes he's going down the dark path, but he thinks it's justifiable." - Wired, 2005
"The thing about Anakin is, Anakin started out as a nice kid. He was kind, and sweet, and lovely, and he was then trained as a Jedi. But the Jedi can’t be selfish. They can love but they can’t love people to the point of possession. You can’t really possess somebody, because people are free. It’s possession that causes a lot of trouble, and that causes people to kill people, and causes people to be bad. Ultimately it has to do with being unwilling to give things up." - An Oral History of Star Wars: Episode I, 2019
Fact is, though, that the fear, the anger, the attachments... they were left unchecked. So they festered, partially thanks to Palpatine's enabling, and eventually when the time came... they consumed him. As explained by Lucas multiple times.
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The problem wasn't being afraid or being angry. It's that he never let any of it go.
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lemonhemlock · 9 months
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Hello! What are your thoughts on how Criston Cole died in the Butcher's Ball? Do you think Garibald Grey, Dustin, and Pate Longleaf's tactics were treacherous and cowardly? I do not understand why Cole's death is seen as satisfying when he was trying to surrender and save his men in a battle they knew they could not win. And Garibald even acknowledged that it was not a fair battle and it was a massacre.
Well, Sahtine, there's really no other way to put this. The white flag has been used even in Roman times, it's been used in the medieval period, it's been used across continents. It's been an integral part of international law ever since we can ascertain that something resembling this concept exists. It's in the Hague Conventions of 1899 and 1907, it's in Hugo Grotius' 1625 De jure belli ac pacis. People across space and time know what it means and have somehow agreed to respect it so often that the practice became quasi-universal. Killing someone that comes under a peace banner is breaking the laws of war, plain and simple. Many military manuals pertaining to countries all around the world consider firing intentionally upon a parlementaire carrying a flag of truce to be a literal war crime: https://ihl-databases.icrc.org/fr/customary-ihl/v2/rule67
They could have just refused Criston's offer of trial by combat, sent him back and met his army on the battlefield. But that was the whole point, wasn't it, to deny him an "honourable" death. Had Criston's army surrendered first and were butchered regardless, it still would have been considered a war crime. It still should be, because the men laid down their shields and fled.
With Ser Criston dead upon the ground, the men who had followed him from Harrenhal lost heart. They broke and fled, casting aside their shields as they ran. Their foes came after, cutting them down by the hundreds. Afterward Ser Garibald was heard to say, “Today was butchery, not battle.”
The United Nations defines "no quarter given" as a war crime. Killing members of the armed forces who have laid down their arms is also considered a war crime: https://www.un.org/en/genocideprevention/war-crimes.shtml. Sure, the UN is a contemporary organization, but these principles are not new, they've just been more recently enshrined on paper.
So, yes. IDK who thinks of it as "satisfying". It's really there in the text to highlight how Rhaenyra's side committed atrocities, too.
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dearweirdme · 1 month
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https://www.tumblr.com/dearweirdme/744229316524638208/httpswwwtumblrcomdearweirdme7441242442675322?source=share
I know you're a relatively new fan, Rain so this isn't aimed at you or anyone who wasn't here then or took a different stance than the one I'm calling out (including OP if it applies) but I wonder where all these voices where when we were calling for a boycott when Bang decided he was going to piss all over BTS work with the UN and take BTS to Saudi Arabia to help participate in the whitewashing of crimes there, especially those towards Yemeni people who BTS were campaigning for one minute and dancing for the benefit of princes and politicians committing atrocities against them the next.
Where have y'all been since then? What's keeping y'all from talking about and calling out that, even now?
If we're going to do this then can we at least expand the moral outrage to everywhere that it applies? Because the decision over Saudi would have been the prime time to cut the monsters head off before it got too greedy and gained too much power but it was near impossible to have our voices heard back then without facing vitriol, doxxing and abuse.
I really hope this boycott works, I do, although I fear it's too little too late at this point because this fandom in general already sent Bang PD a big fat message that anything goes when they shut down protest over Saudi Arabia.
HYBE doesn't give a flying fuck about our opinion because they know they don't have to. I don't judge anyone who feels like the machine is too big at this point or that protests and boycotts won't land where they should and hurt the people they should because its ARMY who have already long laid the foundation for that kind of perspective and not only built the sandpit for men like Bang PD but guarded the gates for him to play in it. Now I see a lot of blame shifting towards newer fans who came into this shit already jaded and knowing what kind of company they were dealing with and at a time when that company has already grown way out of control because fans who had a better chance of forcing a difference before HYBE got to big for their boots didn't want to act.
So if you're a fan reading this or responding to these asks who was in the fandom back then and weren't calling for the same response or are STILL not acknowledging what it meant for BTS to perform in Saudi Arabia then you're a hypocrite and you are in no place to be throwing stones at glass houses now about how people do or don't act. Not until you accept your own responsibility, at least.
And I know y'all hypocrites exist because I've seen some very familiar names on socials calling for action now who were very active in telling the rest of us to shut up and stop complaining then.
And if you were here for the Saudi controversy but are surprised now then I fail to see how because the writing has been clear on the wall since then that Bighit, HYBE and everyone behind the BTS machine were never willing to put their money where their mouth is and the charity work was performative, from the company perspective at least.
If you really got shocked and swerved over Palestine and HYBE getting into bed with the likes of Sc**ter B*aun then you haven't been paying attention to exactly who you've been giving your money to all these years since.
You've already been helping to expand HYBE's greed and influence and whitewash genocide in Saudia Arabia with every album or bit of merch you've bought since. Sc**ter didn't infect HYBE with some sort of 'not giving a shit' disease...birds of a feather flock together. That's how the entertainment industry works in general. If you're looking for clean hands or wholesome billionaires then you're looking in the wrong place. You might as well boycott everything you own and consume that isnt produced by a small or independent business. If you thought that's what you were getting with HYBE even before Sc**ter then...lol.
If y'all want to criticise, try accepting your own complicity and inaction in letting it get this far in the first place.
I personally haven't been buying BTS content for a while now because I don't agree with HYBE's corporate model but if you are one of those people reading this and seething on your Apple Iphone, writing a response from your Apple Mac Computer while sipping a Pepsi and wearing your fave sweatshop sweatshirt that you bought from Amazon who were telling us to sit down and shut up when it came to Saudi Arabia then I hope you are feeling pretty shitty right now because what HYBE has been allowed to grow into and is beating people with an even bigger stick is partly your own fault so who TF are you to criticise anyone from your perch when you had a much clearer perspective of their long game?
Hi anon!
Thanks for this contribution. Army has its own history aside from BTS, and it’s way harder to grasp that in its entirety because it’s not documented clearly (as opposed to BTS).
On this note I’ll leave this discussion for now.
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ofsappho · 2 months
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OFFICIAL AUTHOR'S STATEMENT ON PALESTINE
As both a human being and a writer, a creator of art that is inherently political, I feel that it is my moral and political duty to acknowledge the atrocities that Israel and the United States have committed against Palestine for the past 70+ years. I condemn the ongoing genocide of the Palestinian people and the destruction and erasure of Palestinian land, culture, history, and identity that Israel is perpetrating with American funding, weaponry, and encouragement. I condemn the ethnofascist, white supremacist, Islamophobic, militant settler colonial project that is Zionism and the state of Israel. Israel has turned Gaza into nothing short of a concentration camp for countless innocent men, women, and children. I pray for the souls of every martyr, I pray for six year old Hind, I pray for the family of Wael Al-Dahdouh, I pray for three year old Reem, the soul of our souls, I pray for the unnamed premature babies left to die by Israel in al-Nasr Hospital. I pray for the heroes Aaron Bushnell and Rachel Corrie and the unknown hero who self-immolated in Atlanta in December of 2023 for Palestine.
I pray that they are all avenged, and I pray that we see a liberated Palestine in our lifetime. Free Palestine.
Please, if you can, donate to UNRWA and the Palestinian Red Crescent Society and individual GoFundMe’s to help Palestinians directly. Please pressure your local politicians and representatives to call for an immediate, permanent ceasefire. Please check out the boycott/divest/sanctions movement - even if you can’t donate, you can directly support the people of Palestine by boycotting even just a few of the mega corporations who benefit off of this genocide. Additionally, if you’re in Europe, please boycott Eurovision this year. Not only Israel still being allowed to participate, but their song is titled “October Rain”, clearly a proud reference to their ongoing genocide.
Thank you
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True Detective episode 1.08 "Form and Void"
I love anthologies. I love the endless potential, and the early seasons of American Horror Story really prove the extent of that potential. It’s also so much cleaner than having a bunch of spinoffs (tell me why American Horror Stories is a thing? Anthologies by definition don’t need a spinoff. Just do it next year). But the later seasons of AHS also embody the downfall of anthologies: if they do too good a job, it can be hard to get excited about the next season because you know that everything you liked about it will be different next time around.
I’ve only seen season one of True Detective, and I’m really trying to talk myself into pressing on, not because I didn’t like it, but because I liked it so much. The people behind this show built themselves some massive shoes to fill, and I’m skeptical that it can be done. Everything about this first season was incredibly deliberate; it was gripping and compelling at every turn, and it all served a larger theme. It even managed to come around to an uplifting final message, which I was pleasantly surprised by as this was one of the darkest things I’ve ever watched.
I tend to cover finales, and that’s because endings are so important to me. It absolutely makes or breaks my entire impression of a show (I reminisce sometimes with “remember when I liked Ozark?”), and True Detective’s season one finale drew a powerful underscore on everything I’ve loved throughout this entire journey. This is a story with purpose, that knew exactly what it was about. As a whole, it had the power of its own Rust Cohle who said things like “I know who I am. After all these years, there’s a victory in that.” and “Given how long it’s taken me to reconcile my nature, I don’t think I’ll forego it on your account”.
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Matthew McConaughey in "Form and Void". Image courtesy of IMDb.
“Form and Void” finds Rust and Marty on a boat, holding Steve Geraci at gunpoint, a former sheriff who holds key insight into the Marie Fontenot case. Cohle forces Geraci to handle the tape he stole from Tuttle and watch it, eyes glued to the TV. Geraci watches, screaming as he does, reacting even more strongly than Marty. Some people seem to find it cheesy that rather than showing us the tape, they show us these ‘hard, seasoned men’ struggling to watch it, but I think that’s exactly the point.
A crucial thing this show is about is the difference between bad and evil. Marty’s a pretty bad guy I’d say- lies, cheats, beats people up, calls his daughter and wife whores- but he’s also a human being with emotions and limits and can function in our society. The crimes of this case are on the fringes of humanity. This show does a great job displaying the depths of these atrocities without forcing us to look at something unspeakable. Making the characters do it for us not only shows us the nature of the crimes, but the nature of the people. Errol Williams Childress, the man with the face like spaghetti, the undocumented Louisiana man who committed these crimes, is as evil as a person can be while still being a human being (“he’s worse than anybody”). And fighting him with such force makes Marty a ‘good’ man in the biblical sense, despite being so flawed that he’s hard for regular folks like you and me to really get behind.
Marty struggles a lot with his conscience over the course of this story, and Maggie ultimately acknowledges that he “didn’t know who he was, so he didn’t know what to want”. Rust, who, of course, knows exactly who he is, doesn’t have patience for Marty’s hemming and hawing. When Marty asks if Rust ever wonders if he’s a bad man, Rust doesn’t hesitate to say that “the world needs bad men. We keep the other bad men from the door”. The idea that bad men can do good- by protecting the world from worse men- is a major takeaway, and one that I really like.
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Woody Harrelson in "Form and Void". Image courtesy of IMDb.
And Rust may have been stewing in a storage unit obsessing over this for years, but it’s ultimately Marty who finds the key clue that brings everything to a head. He recognizes a fresh coat of green paint on a house in Erath, drawing the connection to the green ears in the description of their subject. Adrenaline pumping from the new discovery, Marty and Rust head out to find out who painted the house.
An interview with the old woman who lived in the house in ’95 confirmed that she had her house painted by men who worked for her parish- the Tuttle church community. Rust and Marty were able to track her husband’s payment for the job to Childress and Son Maintenance, which yielded an address to the Childress property. They head over. This is it. This is the place. Rust can tell by the taste of the air.
“That taste. Aluminum, ash. I’ve tasted it before”. Marty, used to his partner saying weird shit, but ever the human being who’s realizing they’re walking into a life-threatening situation, simply says, “you still see things ever?”. Rust replies, “It never stops, not really. What happened to my head, it’s not something that gets better”. Not a reassuring answer to Marty, but Rust’s proximity to insanity is the very thing that keeps him safe amongst actual psychopaths. Similarly, Marty’s ability to read people is a skill the show makes sure we’re aware of despite his gruff, bumbling personality.
That skill is what made Marty feel comfortable calling Papania, one of the two interrogating officers when they arrived on the scene. But alas, there’s no service. That’s typically a frustrating and unnecessary roadblock in suspense stories, but it just feels realistic out here in bumfuck Louisiana. So, Marty forces his way into the home in search of a landline while Rust secures the perimeter. Marty overpowers Childress’s girlfriend (wife?), but not before she can say some truly haunting shit about the man they’re here for.
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Ann Dowd and Glenn Fleshler in "Form and Void". Image courtesy of IMDb.
Rust, meanwhile, has encountered him face to face. He has his gun pointed squarely at Childress and tells him to get on his knees, but Childress simply says “no” and runs off. Why Rust didn’t just shoot him, like Marty did to LeDeux’s crony 17 years ago, is a valid question. I think at this point in time, Rust has a lot less stamina for bureaucratic coverups, paperwork, and debriefs and a much greater willingness to die. Not to mention, they don’t really have any legal standing to be here in the first place this time around. He’s going to see it through, all the way through, in the beating heart of this operation.
Which turns out to be an absolutely terrifying maze of tunnels lined with stick-work much like those found at the crime scenes. Rust winds his way through, but every corner he rounds with his gun drawn just makes the dire situation all the more evident. He is at every disadvantage, no idea where he’s going, while Childress clearly has eyes on him. His voice carries through the maze, somehow coming from somewhere, taunting Rust, guiding him right where he wants him. “Come on inside, little priest. To your right, little priest. This is Carcosa. You know what they did to me? What I will do to all the sons and daughters of man? I am not ashamed. Come die with me, little priest.”
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Woody Harrelson in "Form and Void". Image courtesy of IMDb.
I’m obsessed with Childress calling Rust little priest. In addition to the obvious irony of this being a church-based cult- and Rust looking down at organized religion altogether- he is super preachy in his way. He says some stuff throughout this whole season that really grinds you to a halt. My favorite is one of his earliest revelations of his personality, one that stuns Marty into regretting having asked him anything at all: “I think human consciousness is a tragic misstep in evolution. We became too self-aware. Nature created an aspect of nature separate from itself. We are creatures that should not exist by natural law. We are things that labor under the illusion of having a self, an accretion of sensory experience and feeling, programmed with total assurance that we are each somebody, when in fact everybody is nobody. Maybe the honorable thing for our species to do is to deny our programming, stop reproducing, and walk hand in hand into extinction. One last midnight, brothers and sisters opting out of a raw deal.”
It may not be Jesus, but it’s a hell of a response to the simple question of “are you a Christian?”. And when it comes down to it, isn’t sharing your opinion on humanity and what we should do with it all that preaching really is?
Anyway, Rust enters the offshoot of the tunnels that Childress directs him to. It turns out Marty was right to be worried about those hallucinations of Rust’s. He looks up at the sky, visible several feet up into the air, and a spiraling galaxy fills his field of vision. Rust is distracted by it when Childress charges him with a knife. If that hadn’t happened, I think Rust would’ve gotten him in one. But Childress stabs him deep in the stomach and twists, holding him up in the air by the blade.
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Matthew McConaughey in "Form and Void". Image courtesy of IMDb.
Marty bursts in behind them, prompting Childress to drop the deeply wounded Rust to the ground. Marty doesn’t hesitate to fire three shots into Childress that hit him in the shoulders and chest, seemingly to no effect. Childress charges Marty, hurling an axe head-over-handle until it buries itself in Marty’s chest. Marty dislodges the axe and uses it and all his strength to hold Childress at bay.
When it comes to scary things, I’m usually most affected by the occult. Things like demons, ghosts, possession etc. are terrifying to me. Things you can always see, that die for good in ways we can measure and understand typically don’t bother me as much. But Childress is so fucking scary. The ideology and staging of the killings was eerie every step of the way, but this final confrontation is so well executed. Childress is as powerful and able to withstand as much as I can reasonably believe possible in a human being, and Marty and Rust suffer the most serious of injuries that they can plausibly walk away from. Rust’s managing to get to his gun and shoot Childress in the skull is, in a way, scary in and of itself because it confirms that this really was an actual person who walked among us.
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Matthew McConaughey and Glenn Fleshler in "Form and Void". Image courtesy of IMDb.
Marty and Rust have had a bond all along, but their recovery together in the hospital is a wholesome confirmation of that. Despite everything that happened between them and the rage Marty felt towards him when they parted ways years ago, Marty and Maggie both refused to entertain the idea that Rust had done something evil. In fact, they took offense to the thought, putting an abrupt end to any conversation that started to go that way.
After Childress is dead, Marty crawls to Rust and puts pressure to his stab wound while they wait for help to arrive. Recounting it later, Marty says he sat there “with his friend’s head in my lap”. Once both of them are lucid in the hospital, Marty, less seriously injured, wheels himself to Rust’s hospital room. Rust is himself, that is to say, not warm and cuddly, instead preoccupied with the fact that he had come across Childress in their original investigation and failed to put the pieces together. But Marty takes him in stride, telling him not to ever change, and he’ll “be back tomorrow, buddy”. They send each other off with a flip of the middle finger.
Marty proves himself the most at the very end. I was impressed with him for understanding his faults and truly giving Maggie the space to move on. And I was impressed with him for staying by Rust’s side even as he continued to heal faster than him. Despite Rust’s resistance to the idea, Marty insists on seeing to Rust having a place to stay when he’s released- that things are “already arranged��.
In the rawest- and most optimistic moment of the whole show- Marty wheels Rust out under the stars for a non-sanctioned smoke break. Rust breaks down, in itself a true sign of his bond with Marty, and opens up through his tears: “There was a moment… I know when I was under in the dark, that something… whatever I’d been reduced to, you know, not even consciousness… it was a vague awareness in the dark, and I could… I could feel my definitions fading. And beneath that darkness, there was another kind. It was deeper, it was warm, you know? Like a substance. I could feel, man, and I knew, I knew my daughter waited for me there. It was so clear. I could feel her. I could feel… I could feel a piece of my pop too. It was like I was a part of everything I ever loved, and we were all… the three of us… just fadin’ out. All I had to do was let go. And I did. I said ‘darkness, yeah, yeah’. And I disappeared. But I could… I could still feel her love there, even more than before. There was nothing but that love. Then I woke up.”
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Still from "Form and Void". Image courtesy of IMDb.
We’ve heard from Marty, from the Tuttle parish, and various believers along the way, that there is more beyond. More after. But hearing Rust say it makes me believe it. He was wrong about there being nothing and us being no one. It’s a beautiful moment. But there’s more.
Rust breaks down after this, and Marty shows a soft side of his own. He tries to bring Rust back by asking him about something he’d mentioned years ago- that he used to make up stories about the stars when he lived in Alaska. Either Rust humors him or the invitation to talk about that really does anchor him, at least enough to ponder some more; either way, he finishes Marty’s prompt.
RUST: I tell you, Marty, I’ve been up in that room looking out those windows every night here and just thinking… It’s just one story. The oldest. Light versus dark.
MARTY: Well, I know we ain’t in Alaska, but… appears to me the dark has a lot more territory.
RUST: Yeah. You’re right about that.
They ponder the night sky a little longer. Rust asks Marty to take him to the car. He’s had enough of hospitals. Marty knows Rust well enough to look out for him, but not to argue with him. He obliges. As they’re about to part ways:
RUST: You know you’re lookin’ at it all wrong. The sky thing.
MARTY: How’s that?
RUST: Well, once, there was only dark. If you ask me, the light’s winning.
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Matthew McConaughey and Woody Harrelson in "Form and Void". Image courtesy of IMDb.
On that honestly beautiful note, we fade out. It’s an incredibly more positive answer to Marty’s question long ago of why Rust hasn’t just killed himself if he sees humanity in this awful way. His answer at the time was that it must just be his programming. But he’s always seen the potential in the light. Never delusional about how much darkness there was, hence his perpetual melancholy, but always aware of the possibility of the good. That’s the real reason he’s kept fighting. Someone like Rust Cohle seeing that potential makes me believe it’s really there.
So, here’s the biggest question: should I watch season two? Will it hold up to the real beauty I found here? Drop me your thoughts on Marty, Rust, and all things True Detective.
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tonechkag · 20 days
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Are you indiginous Russian, or etnic Russian? I'm asking this because I'm confused. If the former, then I understand. It's a shame Russians killed a lot of those tribes (a lot went extinct). But if the later, then I don't understand. You are now not part of a group, culture, and country that doas not view women as people, is about only vailenc in every form of it (phisical, mental, emotional, sexual, ect).
I mean Russians view wife beating as a form of love to the point that women who abendond it, and got together with non Russian men, were questioning if they partners loved them dou to them not beating them. Just look at Russia's domastic vailenc statistics, or how they say "It's a family value" about it. Or how there are up and running websites there, where they dox people who live there and part of the Lgbtq community, in hopes that they will get killed for it. Or what are they doing in Ukraine, and in the countries they went to. In Georgia Russians are openly fetishes the locals, whaile taking resorces away from them. Ask people from Ukraine, Poland, Finland, Estonia, Latvia, Lithuania, Hungary, Romania, or from any country that Russia has a history with. They will tell you the truth, and that really nothing good, or usefull, or worthy come out of that country, that culture, and those people seince the Russian revolution.
Sorry if I sound rude, but I just don't get it, why someone would be proud of it, and call themself that.
I'm both. My mother is Russian & my father is Chuvash. I have never been ashamed of my Russian family & I never will be. Being ashamed of it & pretending it doesn't exist won't magically make the bad parts dissappear. I simultaneously have a deep love for Russia's rich culture & history while not ignoring the suffering & wrong that's happened along the way (& is still happening). Holding both truths at the same time is possible regardless if people believe it or not. In my humble opinion, holding both truths & acknowledging the ugly parts of one's history is necessary for genuine healing, progression & a complete sense of self. But of course, that doesn't mean we endorse those horrible things. We should use them as a blueprint to do better in the present & future. That's all any of us can do.
These days it seems like so many people can't see outside of this Black vs. White polarizing way of thinking. It honestly drives me insane.
There's not a single country that hasn't committed atrocities in it's past. There's not a single person alive who's ancestors haven't done some fucked up shit. Are you sending these types of messages to Japanese people? They were committing some pretty horrific war crimes back during ww2 like The Rape Of Nanjing. What about Germans? They were genociding Jews, Slavs & Romani. What about the Dutch? They killed a fuck ton of the Lenape people when founding New Amsterdam (now known as New York City). Wait what about the various tribes in Africa that have been at war with each other since time immemorial? Ever heard of the Volhynia Massacre where Ukrainians slaughtered & raped Poles? What about Turks? Mongolians? Chinese? Indians? Need I go on? Are all people everywhere supposed to hate themselves? Or is it just Russians who are expected to perform this masochistic self-flagellation to appease random people on the internet?
Take a long hard look at your own history before pointing fingers at others. You're bound to find a skeleton or 2 in your own closet that you're not proud of.
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richardsthirdnipple · 10 months
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Again, with me being controversial, I don't like Daemon as an individual. He's a weird weird man, and I don't like him when he's around my girls. But he is around all my girls and is responsible for creating two. He's an interesting character, unfortunately, tied to every woman in the dance
I do see that he's George's favorite, just in the masterful way his character is written. That doesn't make him mine, though.
That being said, because his last days are spent with my baby girl Nettles, I've spent a lot of time just experiencing his character through my love for all these women and I'll say it, I think Daemon finds a peace with Nettles.
Not in like the Taylor Swift song way more so Like a Tattoo by Sade.
He's lived a long life and has aided in many atrocities, done really bad things and has lost a lot.
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The entire premise for the song is a war vet confiding in someone after holding on to it for years. I think that's a really cool way to interpret them.
There is a comfort to be found in each other at this time and they find it.
They were both grieving big losses and sent away with only each other as company and reinforcements, anticipating each day as the day they'd find and fight Aemond.
Daemon is 50 years old, and that's a really long time to be alive with that constant idea becoming your everyday life, especially at the time.
For better or for worse, he gets really close to this young lady, who is going through the things he's gone through a hundred times already for the first time.
He does what he can to make her life better, and in true Daemon fashion, it becomes sexual or extremely sensual. (If someone washed my hair and back, naked with me , I'd be convinced I was in a Whitney Huston video)
I think when he sees the letter, he's realized that he's put another person he cares about in danger that can cost them their life. And with his best decision, he sends her away at the cost of everyone but her, including himself.
When he goes to fight Vhagar, it's constantly acknowledged that it's a death wish he's signing and he does it anyway.
I think the idea that he does it for Rhaenyra is misguided, the idea he does it for Nettles as well. His decision is entirely selfish and guided by the fact that he's lived too long in his own words.
The idea that his last decision is a pledge of his undying love for someone is regressive and not the type of man he's shown to be.
He's tired, old, and at peace and takes the last pillar from before the conquest with him ending an era for Targaryens.
So all this to say shout out to Mr. Solitary Creature and Little Miss Men adore me wherever I go.
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For the choose violence ask game: 3,4, and 7 for The Sandman
Thanks nonny! I see how hard people lit up for the Choose Violence ask game and I'm like...you know what I gotta give the people the salt we've all clearly been craving 🤣
3 and 4 (worst take you've ever seen on tumblr/what was the last strae that made you block someone) I'm combining into one cause I fortunately haven't dealt with anyone actually harassing me on here, over fandom drama specifically anyway (yet). OKAY so you all are going to hear about the cold take I saw that lives in my brain rent free that made me unfollow and block a mutual in a fit of rage and bafflement.
Picture being me, a month or two ago. I'd recently followed someone on the spot cause they'd had such a good meta about queer!Rose headcanons. They followed me back. Cool. Everything's Gucci. And then I realize how much of their blog is Dreamling. Okay, I can tag filter or unfollow if it bothers me.
And then I saw them dead ass go into the part of the comics where Ishtar is talking to Dream in Brief Lives, and she says "You really don't like women, do you?"
(Which, ouch, but given his previous behavior, not at all an unfair comment.)
And this person's takeaway was, I shitteth you not, a rambling diatribe about how maybe the reason all Dream's relationships keep failing meanwhile he's friends with Hob Gadling, is that maybe...he's not that Into Women!!
Yeah. Seriously. Definitely not the emotional problems, lack of consistent communication and ability to maintain a relationship long term for various reasons, Definitely not the pride and anger problem that got him to send Nada to hell, which literally the entire arc of Season of Mists involved him trying to fix, no, all this can be waved away with what might as well have been a longer-winded version of that corny ass 2000s era meme "Sometimes a man...hurts a woman...because his soulmate is a man!!" And before you ask - no, this person didn't appear to be joking. I seriously wanted to believe it was satire but NOPE. So now you all have to suffer the knowledge that some people (because it was being just reblogged uncritically to praise) seriously think like this. I swear I lost braincells that day.
7. What character did you begin to hate not because of canon but the way the fandom acts about them? Well...oh you know. Hobert Gadling. Easy.
Look, I was never His Biggest Fan for. Obvious reasons stated below, but he's interesting when you look at him as a direct parallel and contrast to Dream - both of these men/man-shaped beings are immortal and have done absolutely horrendous, unforgivable things to others in their long lives, between Dream's sending a woman he supposedly loved to Hell for breaking it off with him, and Hob's participation in the slave trade. And now, the question is...what do they do with this? How do you live with yourselves, having done things you can never make up for? DO you choose to go on living? Then again the critical difference between them among others - Hob has the ability to choose to maintain his immortality, or not. Dream doesn't - or doesn't feel he can safely choose to abandon the role he was born into.
But the sheer SCALE to which the fandom has constantly, utterly erased the worst of this man's atrocities, like flat out refuses to acknowledge they even exist in both show and comics (it would be one thing entirely if they cut that bit out of the show I'd understand people going feral over show Hob then, but. They did not so where's people's excuse) so they can push him and Morpheus into the mold of their ship is...honestly kind of amazing (derogatory) and has driven me to wanting to grind my teeth every time I saw the ship and eventually, him, until I recently finally wised up and filtered tags. And what also irks me - that they've taken OVER the fandom to the point where it's getting genuinely hard to impossible to go into the tags of any other characters including Rose and Lucienne especially without MOST OF IT being about them being sidelined as cheerleaders in some way for this ship. And if you tag filter and block then that just means their tags are suddenly vastly diminished or full of "this post has filtered tags" "this post has filtered tags" "this post-" ughhhhhh.
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Zone of Interest
The Zone of Interest, a new film written and directed by Jonathan Glazer, envisions the Hösses’ everyday lives, rarely venturing beyond the villa’s borders to acknowledge the atrocities unfolding next door. By emphasizing the mundane, the acclaimed British filmmaker hoped to expose Rudolf (played by Christian Friedel) and his wife, Hedwig (Sandra Hüller), as undeniably human. “I wanted to dismantle the idea of them as anomalies, as almost supernatural,” Glazer tells the New York Times. “You know, the idea that they came from the skies and ran amok, but thank God that’s not us and it’s never going to happen again. I wanted to show that these were crimes committed by Mr. and Mrs. Smith at No. 26.” Unlike Schindler’s List, The Pianist and other staples of Holocaust cinema, The Zone of Interest never explicitly depicts the horrors of life and death inflicted by the Nazis. Instead, the film relies on the power of suggestion, alluding to mass murder through brief glimpses of crematoria chimneys and an ambient soundtrack punctuated by gunshots and screams. The story is less about the Nazis than the broader question of human nature, “the thing in us that drives it all, the capacity for violence that we all have,” Glazer tells the Guardian. “For me, this is not a film about the past. It’s trying to be about now, and about us and our similarity to the perpetrators, not our similarity to the victims.” A central conflict in the film is Hedwig’s objection to her husband’s pending promotion, which will take him to Berlin and her away from her beloved home outside the camp. (According to the Times, this argument is based on testimony recently found in the archives of the Auschwitz-Birkenau State Museum, which consulted on The Zone of Interest and makes an appearance in its closing moments.) At his wife’s request, Rudolf convinces his superiors to let the rest of the family stay behind while he relocates. The Hösses are only reunited when Rudolf is put in charge of an enormous undertaking: the deportation and murder of more than 400,000 Hungarian Jews, all in the span of less than two months in 1944. The question of what the Höss family knows—and to what extent they can be held responsible—looms over The Zone of Interest. Hedwig and her children aren’t directly involved in Auschwitz’s administration. But the movie suggests complicity in one way or another. At one point, Hedwig tries on a luxurious fur coat stolen from a murdered woman. In another scene, the couple’s oldest son, Klaus, uses a flashlight to examine false teeth pried from the mouths of Jews killed in the gas chambers. When Rudolf and his children go swimming in a river, the commandant stumbles onto a human jawbone—a macabre find that prompts him to hurry home for a bath.
We don’t see the camp, but the sounds of it are all-encompassing, blaring just beneath the everyday sounds in the rest of the movie. They’re like a thick fog that permeates the family’s weightless domestic concerns, making the evil they’re complicit in inescapable. Death and its noises are ever-present but never acknowledged, shrouding the nearly meaningless events on the screen.
Between 1934 and 1940, Rudolf worked at the Dachau and Sachsenhausen concentration camps, which at the time housed mainly political prisoners. He impressed his superiors so much that they appointed him commandant of the newly created Auschwitz. In this role, he transformed the camp into the Nazis’ chief killing center, settling on Zyklon B as the most efficient method of gassing. As he later said, gassing was preferable to shooting because the latter “would have placed too heavy a burden on the SS men who had to carry it out, especially because of the women and children among the victims.” Rudolf approached the prospect of mass murder with systematic, detached precision. As historian Laurence Rees wrote for History Extra in 2020, “Höss was no mere robot, blindly following orders, but an innovator in the way he organized the killing.” At the camp’s peak, Auschwitz’s gas chambers were capable of murdering 2,000 people an hour.
It was about people ignoring terrible things right where they live. A film to make us unsafe in the cinema. As we should be. We should ask: is this also us? Do we do this, too? Do we do this every single day?
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carbkaiju · 11 months
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Didn't expect to see any kind of LISA news, but here we are. I love the games, but it sucks I can never revisit them or really engage with the fandom. Personal babble below
(cw; suicide, abuse, self-harm, etc.)
LISA is a special but incredibly tender piece of art for me. It's a true and unguarded representation of abuse, the closest thing I have to fully illustrate the horrors I've lived through. (see also: Hereditary) To a curious friend who may want to understand what it's like, what kind of headspace I live in, I can point to LISA and say, "There it is, really soak it all in." And I absolutely cannot experience it again, which is unfortunate, because it's a masterpiece.  From its music, to its characters, to its insane juxtaposition between peak comedy and human atrocities, it is everything. Shows everything.
The characters are where it all comes together and how it tears me apart. I see myself in every one of them. Brad, Buddy, Dustin, Buzzo, Lisa, Terry, Marty, the mutants - all of them. I see the ripples of abuse and desperation, inadequacy and failure, all fractured out from one horrible father to the next - and it's an ugly, honest mirror. I still don't know how I would respond to Brad, yet I ask myself that question to this day. "Did I do the right thing?"
With that level of emotional charge, I can't reasonably engage with any part of the fandom, as much as I may want to. The fanart is so poignant and beautiful at times, a part of me feels comforted that I may be understood just as thoroughly some day. Appreciated just as much, ugly flaws and all. Thank you fanartists.
But Im also aware of a weird subsect of the fans, ones which gravitated towards the games in late 2016, and rallied around it with their neo-nazi bullshit, seeing the games as some reflection of what society should be. But Dingaling denounced them so hard that he had to leave twitter for a few years, and Im glad he told those people to fuck off.
But there's another branch of the fandom, perhaps there's some overlap, that are very vocal about Lisa and Buddy being villains. How they are awful, horrible people who passed their traumas onto the men in their lives...
And the fandom reminds me that as an afab person, I have no right to be upset. What was done to me was horrible, but I have no right to brandish my weapons. I have to be the bigger person, wiser, and in control of myself. And a reminder that even if I chose to take my own life, my pain wouldn't be my own, my pain wouldn't be acknowledged. It would only be seen for how it affected those around me.
What a tragic thing it is, that a piece of media wholly and vividly presenting abuse has a fanbase so disconnected from what that actually means. How horrific it is to carry on, and make the wrong choices, because there was nothing else you could do.
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