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#i can tolerate it but i don't like it
i-ate-the-rats · 8 months
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hehehehe oh shit indefinite sad dark shadow (⊙ˍ⊙).
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deadmomjokes · 2 years
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PSA: tomatoes are not spicy. Tomatoes and tomato products should not be spicy. Pizza sauce isn't inherently spicy. Tomato-based pasta sauce is not spicy. Ketchup is NOT spicy.
If tomatoes are spicy, you have an allergy to tomatoes.
This announcement brought to you by my almost 29-year-old husband learning for the first time in his 2.8 decades of putting food products into his mouth that spaghetti and saucy pizza aren't spicy foods
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sergle · 6 months
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The unspoken part of that too, being called "soft squishy marshmallow mom shaped uwu" and then going, hm, no thanks. That's weird and uncomfortable. Is that people get SO TAKEN ABACK. And almost immediately switch straight into anger, because the idea of a fat person turning down a "compliment" is absolutely unthinkable.
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lordzuuko · 9 months
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Gojou Satoru taking a photo with his kouhai he so totally do not have a crush on, he swears! Print | Ko-fi
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isjasz · 1 year
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[🕘🕛🕒] ideas I want to do for my designs :D
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drawbauchery · 9 months
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thank you so much!!!<3 SHIPS!! here's some ships.......
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moonlightsapphic · 10 months
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Yeah and so the movie was 75% finished before it was completely shut down. What a loss to the community, and I can't imagine how heartbreaking it must've been for Nate and all the people working on it. Nimona (2023), later picked up and adapted by Netflix, is a phoenix risen from the ashes and it had to fight to be here despite the book's (and She-ra's!) prior success.
Fuck Disney.
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moongothic · 5 months
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I know people often speculate about Crocodile and if that is his "real name", either implying he has a deadname or his name is another one of those Hidden Ds (much like Roger and Law)
And like. This is just me but personally I would prefer it if he didn't have a deadname at all. It already grinds my gears when people use Sanji's "real name" when he himself hates it and doesn't want to be called by it, and so god knows if Crocodile is trans then the fandom misgendering is going to be obnoxious enough, you don't need to add a """real name""" into that mix
So. Personally, I would prefer it if Crocodile really was his birthname. It would just help us avoid some toxicity, ya feel me? Like people can't deadname him if he has no deadname to begin with?
That said.
I do find it interesting how Crocodile never actually introduces himself during the story to like. Anyone. Like we never see him go "yes hello you may call me Sir Crocodile" or anything
In fact, like, very specifically, when we finally get Crocodile's face reveal in Chapter 155, he explicitly says
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"Call me what you will"
Of course, the citizens of Nanohana had just been calling him a 'hero', 'desert king' and 'the Guardian Deity of Alabasta' in the previous page, so his comment is mostly just in reference to the various titles people were shouting out rather than his actual name
And to be fair, the dude is Extremely Famous, he doesn't have to introduce himself because everybody already knows who he is
But it's still an interesting detail, isn't it?
(Also tangentially related, but Crocodile never seems to object to people calling him by cutesy nicknames either? Like to be fair, he probably couldn't object to Ivankov calling him "Crocoboy" to begin with, but he never seemed to mind Bon-chan calling him "Zero-chan" repeatedly either, nor did he object to Buggy's "Cro-chan" 🤔)
If nothing else though, considdering even his former bounty was associated with the name we know him by, it's possible that even if he had a deadname, "Crocodile" could be his "pirate nickname" that he chose to roll with. Kind of like "Strawhat" or "Blackbeard" or "Hawkeyes" etc, a title people use so often you kind of forget the person's actual name
Or he might have that Hidden D. Which, if he did, I'd be more inclined to believe would be more like with Law (where he might've been told as a child to keep it a secret). Instead of the whole "names being merged into one to hide the D" like with Roger, since that one was a specific, intentional move from the World Government
The only thing about the Hidden D is that. I just. I think it'd be a little silly. Like. Crocodile doesn't have to be a part of the D clan in my mind. Like I don't need that twist. But to be fair, there is an argument to be made for Crocodile being a D. Like if his goal is to destroy the WG and the World Nobles (that being the reason he wanted military force and Pluton to begin with) then ARGUABLY it would be fitting for him to be a D, since the D clan are the "Natural Enemies of the Gods". Also, there's the whole trend of D clan members always dying with a smile on their face. Like sure Crocodile hasn't died (yet) but he definitely went to Impel Down (hell) with a big ol' smirk on his mugshot (chapter 413 cover), which is close enough. So there is an argument to be made for Crocodile having a fullname with a D that's been kept a secret
I dunno, these details are interesting to me
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grabyourpillow · 2 years
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H– hear me out. Found family.
but it's Rose and Jed and the Corinthian is the cool uncle who pops by and takes Jed to eat ice-cream and amusement parks and just accidentally leaves the thing that Rose happens to be needing that week around. Oh, a sandwich and... candy? Oh, nice the hole in the wall is repaired. Oh a new fridge. Why is there a jar of eyes–
And then discussions happen "yea kid gotta do what it takes to survive. I know how it is when parents ain't around."
Rose stresses out for her law school exams so the Corinthian asks her questions on the material. He thinks it's all bullshit because
"No problem that can't be solved with murder or sex."
It actually really puts things in perspective for Rose. Just maybe there are worse things in the universe than potentially failing law exams (she won't).
"You're so perfect all the time kiddo, gotta unwind a little." And The Corinthian just takes her and Jed to the places he's been to he thinks are the coolest.
He shows Jed his collection of portraits of people who have the most perfect teeth.
"Do you have to brush yours? Eye-teeth I mean? Cause I hate brushing my teeth couldn't imagine doing it three times."
"Jed–" Rose tries to interrupt. But Jed has questions.
"Do you have three oesophagi ? I learned the word oesophagus in biology today."
Increasingly bothered Corinthian rakes hand through his hair. "Uh–"
What was he thinking.
"Can you laugh with them? Are they connected or can you use them like independent one from the other. How can you even ACTUALLY SEE"
"I DON'T KNOW AIGHT– ask Morpheus."
Rose is not a vortex anymore but these kids attract trouble, petty criminals, flaming sofas on wheels, and malevolent entities like the Corinthian has never seen.
Rose doesn't know of course.
The Corinthian always gets to them first.
Once Dream visits and Rose almost calls him granddad.
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altruistic-meme · 1 year
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once again thinking about how the fandom treats Kristina like she’s the devil incarnate and often refuses to see the same amount of depth in her as they do the other characters
once again thinking about how there are less than 25 fanfics on ao3 currently tagged “Good Parent Kristina” and over 100 tagged “Bad Parent Kristina”
once again thinking about how i can hardly ever find a fic, even that isn’t under the bad parent tag, that doesn’t have Kristina acting like a horrible terrible villain
once again thinking about how just because the way that Kristina behaves isn’t “Perfect Ideal Mother” this means that she must not love her children at all and will actively never choose their happiness or ever consider their feelings 
once again thinking about how Linda’s problems parenting are constantly ignored just because we do see her show affection to her kids, and apparently that’s the only thing that’s needed to make a good parent and any absence of this makes you a terrible parent and person
once again thinking about how Ludvig shows little interest in understanding Wilhelm, actively ignores what he says at the table, never speaks up for him, and yet the fandom would constantly rather make him a perfect and loving parent over Kristina, who we see doing what she thinks is best to protect her son, implying that she fought with the royal court to make sure Wilhelm would stay heir (something that, despite his outbursts, Wilhelm has said he wanted, if only to honor Erik), and specifically stating that she loves him and has no problem with his queerness, or with him liking Simon, aside from the scandal of the video.
once again thinking about how people will give August the benefit of the doubt, talk about how his character is deep and complex and how much they love that about his character, but absolutely refuse to see any deeper meaning or possible feelings in what Kristina does because clearly she’s just a horrible person and there is no depth to her at all 
once again thinking about how much of my own mother i see in Kristina and how much it pains me to see people saying that Kristina is an irredeemable villain who only exists to bring pain to her son because i know my mother loves me even when she makes mistakes and says things that hurt sometimes, because i know my mother is also human and thus not perfect. 
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solradguy · 9 months
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It's fun dressing cartoonishly masculine. I need to put a steel chain on my leather jacket that matches the spikes and compliments the cyborg demon skull painted on the back
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esleep · 3 months
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the whole "cats choose their owners" thing is really funny to me because ivy very much did NOT choose me. she was a slightly dim-witted and very rambunctious feral kitten, and that combination led to her getting herself stuck inside an old chipmunk nest halfway down the steep bank of the creek by my parents' house. from there she proceeded to scream her head off until both my mom and i came out to see what on earth was making all that racket, then we excavated her out of that hole like a sad little potato. she was grateful for the rescue, but definitely NOT grateful for the ensuing flea baths and conversion to indoor cat life at my apartment, which she reminds me of regularly. ivy i'm sorry for saving you from an early death due to predation/disease/cars, but can you stop biting me every day of my life please
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Can't send asks from my sideblog, but this is @chewing-the-drywall
I feel like much of s2 fell into Frenchie's "we put it in the box and then lock it and don't open it again" in the sense that it set up A LOT that I was intrigued about how they would address it, but it either never was mentioned again or was handled poorly.
Examples range from light, like how I wish we saw more of the crew interacting with each other in ways that built on their characters from S1, where in S2 they didn't feel any more developed, or even regressed. (Example, Fang used the word Fingies 2-3 times through S2, and it felt like they were using it almost as a shorthand for his character, rather than making him feel more real and multidimensional as a character.)
100% @chewing-the-drywall. When I first heard that line I had I was so excited for the story to prove Frenchie wrong. Or show how important it can be to put aside problems to stay alive in the moment. But in the end, this one line summarized how the season handled everyone, besides Stede and Ed. Below, is an in depth discussion on where this season decided to spend it's limited amount of time. Instead of focusing on the characters and plotlines they'd already established.
This season had so MANY ideas it wanted to touch on.
Izzy trying to deal with his unrequited love and opening up to a new way of living. The traumatized 'Revenge' crew trying to adapt to a softer way of life again. The abandoned crew learning how to help their traumatized friends. Introducing new characters like Zheng, Auntie, and Archie into our main group. Setting up a conflict to resolve in season three. Along the way, referencing Pirates of history like Ned Low, Mary Reed, and Anne Bonny.
Notice, I've said all this and we're not even at our romantic leads.
Which is fine. Stories are fluid things. As long as the story knows how to flow from our leads to our side characters. Which leads us to how I feel this show took a lot of time away from establishing our central crew-
[Warning- this will be a controversial opinion- I want to know what y'all think about this] Zheng/Oluwande. This seasons habit of retreading old plotlines and referencing scenes from S1.
What S1 did so well was paralleling the side stories with what was going on with Ed/Stede. Usually, highlighting how well Stede/Ed worked by showing how much Ed/Izzy DIDN'T work. Or general hijinks that tied into the plot (Oluwande and Frenchie on the French ship).
Season 2 chose to parallel our main story with what was going on between Zheng/Oluwande as a budding romance and Izzy's slow recovery. The reason Zheng/Oluwande scenes felt like a waste for me in that the story was JUST a retelling the story we watched from S1.
A frustrated first mate(Auntie), and a legendary captain(Zheng) fighting over the captain falling in love with an idiot(Olu). In season 2, much like every callback for me, it felt like it slowed down the plot by pulling us out of the story. Like...yeah, you did the thing again, do you want me to applaud you for it?
I LIKE Zheng and Oluwande as a couple! I like that Oluwande was debating leaving Stede and taking Jim and Archie with him. But at the same time, I didn't care about Zheng until episode 7 when she beat up Stede, showing that yes. She's not just some all powerful woman taken down by a mix of love(the crew in ep3) and thinking that she was above it all (ep 7). She's fast on her feet, smart, and willing to stab someone who gets in her way. She's her own person. But.
Every other scene that established her was about her romance, felt like we could have put Rhys and Taika in there. It didn't feel...unique. It's as if the show only knows 1 way to write a romance between a badass and a bumbling idiot. Again. Oluwande in season 1 wasn't dumb in the same way everyone else was. He was protective of Jim, a bit nervous overall, but he was the person the crew chose to lead them. The season just dumbed everyone down a bit and called it a day.
This comes to the larger issue. When we only have eight episodes I don't want to rewatch the exact same plot beats with different characters. Time spent here ends up taking away from other stories we could have told about trauma and growing as a family and other forms of growing as a family. We didn't need another romance plot line. Imagine taking this time instead to show Lucius reaching out to Pete AND the crew for help. Or Frenchie finally feeling safe enough to play his lute. Or Roach helping Fang get over his thing with cakes-you get my point.
The fact we took all the found family stuff from season one, and pushed it onto only Izzy in S2 means when he dies, all the found family shit falls away. His death makes us realize we've been ignoring the central family we were supposed to care about. Because in so many words, their trauma was ignored.
[I even theorize if Izzy was alive and sailed away with them. Showing how he was taken in and loved by his crew, the ending wouldn't feel so hollow. This crew doesn't feel like a caring family. The person who protected them for months died, wasn't mourned, and then they threw a wedding the same day. Not even a full day to mourn. The 'New Revenge' feels like a heartless crew of characters we barely recognize because they aren't a family like they were at the end of S1. More like coworkers who sometimes fall in love with eachother.]
Trauma, Timelines, and Tonal issues when jumping from Episodes 1-3 to Episodes 4-5.
When the crews meet up, the story chooses to focus on the fun plot. Ed and Stede recovering their relationship, only dipping back into that serious tone when Izzy or Lucius come on screen to 'make things sad' again. I don't think the transition from 'serious' to 'comedy' was handled well.
I don't have an official timeline of the events of season two. But from what I remember, everything happens within 2 weeks.
In episode 4, Stede ignored the vote of his crew- to let the man who was torturing half his 'FAMILY' for at least 80 days- back aboard. This rubbed me the wrong way, as it showed Stede being a selfish prick in a way that could seriously harm his crew. That's when I started to see how not adding a *single* time-skip mid-season would hurt S2.
Imagine if we had a one-week off-screen time skip between episodes 4 and 5.
Maybe it's implied that they stay in that town for a bit. Izzy would a bit more time to learn to move on his new leg and start to open up to those he already trusts. Include a scene of Izzy WITH the crew, maybe laughing about something with the old traumatized crew, even if it's just a 30-second opener. Imply that the traumatized crew would have more time to settle in with the family they miss. Show that yeah, the traumatized crew needs more time to heal. Imply at the start of the 'Ed apology' that Ed and Stede have had more time to talk their issues out.
THEN have Ed apologize. You can even keep the bullshit corporate to show that Ed still has to work for this.
Healing takes time. Setting a series over the span of two weeks after half your cast was tortured by your lead love interest? After five of your main crew thought they would sail off into a storm and die after months of stress and life threatening battles? Why did that shit get shoved to the side so quickly?
Framing episode 5 as the START of Ed making amends with the crew, only to drop the plot by episode 7? Not a smart move. Because let's be honest, 'poison into positivity' in episode 6, referring to the fact that they sold all of Ed's loot to pay for the party, ignores the sacrifices the crew made to live that long. (The death of Ivan, and intense trauma they all need to work through). In a way, Ed throwing this party was him asking the crew to start putting everything away in that imaginary box.
It's Ed retroactively letting himself say 'hey, that time I spent torturing my captives was worth it because we got something good out of it' while still ignoring his own guilt. Ed needed to take accountability for his actions. No more 'I took 'a' mans leg' bullshit. The reason his arc feels so unsatisfying is that the plot easily forgives him. Fuck. I hate what they did for Ed's arc, but that's not the point.
Overall.
My issue with this season is not that it chose to do these topics, it's that it didn't think about the implications of what they were bringing up. It didn't dare to think 'maybe it's fucked if we quickly brush off a trauma like this'. Again. I know we have to blame MAX for cutting off two episodes. But I don't think 2 additional episodes would fix a tone problem seen going from episodes 3-4.
Fucking hell. Each member of the revenge had the potential for their own arc, so it's baffling to see them all reduced to 'well meaning idiot' when they all felt so fleshed out in S1.
When izzy gives his speech about belonging, there's a reason the only image in the show of the crew all together was from S1.
At the end of the day, Season 2 didn't let our surviving side characters grow. This is a mean spirited bit on how I feel the writers see the their own characters.
Stede and Ed are our leads. They won't die, not in this genera. Their shitty actions will be forgiven because it's a comedy, and as long as it's joked about, it holds no weight. They won't die. They won't get fatally hurt. Their trauma will be taken seriously, but it's a 50/50 on if they'll talk about it before breaking up again. They will eventually get a happy ending, their trauma looked at head on, because duh.
Jim, Olu, Lucius, Pete? Characters who used to have defined personalities in S1, but haven't been defined much beyond their relationships with their partners? Whose trauma might be mentioned, but will quickly be 'resolved' in one scene? Shame. Seems like they're only useful as set dressing, But we might make you useful as interchangeable side characters to riff against. Oh, and you're in love! Isn't that cool!
Izzy? I'll just quote Jenkins here. "To have him become a father figure to Blackbeard, and on some level to the rest of the crew, and to see him become the heart of why we’re giving pirates the chance to stand for being able to live how you choose. In reality, they’re thieves and criminals, but what our pirates stand for is a life of belonging to something larger than they are in the face of a crushing, slightly fascist normalcy." So...Is Izzy a pirate and accepted into the Revenge family? Or is he still an outsider? Jenkins gave us a romcom but still defines Izzy's character as that of one stuck in a drama/tragedy. Point and laugh, because tonally these two things clash HARD and will make an audience lose trust in it's writers unless well established. Leading us to the entire issue we've pointed out of not letting your characters actions hold in dramatic weight in your story.
Frenchie, Wee John, Roach, and Fang- Ah. No love interests again...shit. Well. Background actors it is... for now. We'll see. But we need 2 more scenes of the couple breaking up, so MAYBE you'll get some backstory hinted at in dialogue. You all have 1 thing your good at, so that's easy enough to put you where you belong.
Buttons and Swede? Well. They're still alive!! Don't be sad, fans :) The actors just couldn't show up anymore. We don't want our silly happy queer pirate rom com to not end on a happy ending! (Closes the lid of the trash can where they're keep Con O'Neill a bit tighter, thanking God Con was silenced by a strike this entire season from social media)
Do you agree, or disagree? Leave any lingering thoughts down below!
I'd love to chat down below.
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anotherrosesthatfell · 2 months
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Your least favorite ship child?
Palette
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softquietsteadylove · 2 months
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Hello! 🫣
I had this idea: thenamesh academic rivals?
Gil is a top student, mostly getting a mark of 100. but whenever Thena asks her rival what he got he always says a lower point (for example he says 97 and she got a 98) , hiding his exam behind his back 🫣
Thena glared at the chair next to hers as it was taken.
"Uh," Gilgamesh attempted - yet again - to strike up a casual conversation, "hey."
Thena tapped her papers on her desk, waiting for the professor to come in, as well as tell them how they would be conducting the labs with their students for the day. "I trust you've already looked up what your score for the mid-term was."
"What was yours?"
Thena clenched her teeth in her jaw. It didn't matter what she got, he would get just the same, if not better. She had worked her whole life to become a historical scholar, as was expected of her. And this guy always managed to stand shoulder to shoulder with her, seemingly without so much as blinking. "I achieved 98. I believe the two point demerit was due to my oversight in the essay section."
Gilgamesh merely nodded, offering a nervous kind of smile. "Ah, well, the essay parts are always the toughest."
She slid her eyes over to him. She didn't truly wish to know, but she also couldn't resist knowing. "And you?"
"Ninety..." he trailed off, as he always did when they were discussing their academic performance. She glared at him to finish, "seven?"
Thena smiled, although she did her best not to appear smug and unbecoming. "An admirable mark."
"Thanks," he laughed off, like it was nothing. Professor Stoss was a famously tough professor despite his young age, and getting any good mark from him was already a feat.
Thena did somewhat believe that the affability Gilgamesh possessed made people go easier on him. And even then, she had to concede that he was intelligent and competent in their field of study. It infuriated her.
She had the weight of the world on her in the expectation to perform. She was even a teaching assistant entirely to advance her studies and career. Otherwise, the interaction with other students was far too much for her own preference.
But Gilgamesh said he was good in historical studies merely because his mother had possessed a fondness for them. Thena devoted hours to studying and research and Gilgamesh worked part time at a diner close to the university. And yet he used to consistently beat her in every assignment and quiz and test.
Only in recent months did he seem to be coming just a single point under her, and even that was not enough. Thena had already heard from her own family how outstanding this no-name student was and how those in their field of work were asking about him.
"Did you...do anything this weekend?"
Thena looked over, somewhat astonished that he was still trying to make conversation with her.
He shrugged, tapping his fingers anxiously on the cover of his textbook. "I heard there was a fancy party for the TAs, I mean. I assumed you went."
Thena frowned. There was indeed an event for the faculty and their chosen assistants--those who showed promise enough to earn extra credits in teaching. She hadn't attended because she felt no need (nor did Phastos, in her defense). "I assumed you had gone."
"Oh, no," Gilgamesh smiled down at the desk. "I take the late shifts on weekends. They're long, but we don't get many people, so I can get studying or work done, y'know?"
Thena swallowed her words. She had all this envy for his natural skill, but his work was just as legitimate as hers. And he worked to pay his rent, living off campus, while she lived in a dorm for female academic leaders. Gilgamesh stole his time studying as opposed to building his entire life around it.
"You deserve to enjoy yourself a little."
She looked at him again, still frowning. "I beg your pardon?"
"S-Sorry." He went back to staring down at the tattered edges of his textbook. But she kept looking at him, waiting for him to elaborate. The silence worked, dragging his words out of him. "I just mean...you work really hard, right? You're always top of the class. You should be allowed to have some fun, sometimes."
She did work hard. She devoted every waking moment of her life to her studies, and the one person who continuously thwarted her attempts at perfection was the one to point it out?
It would be easier to be angry with him if he were dislikeable in any way. As it stood now, all she had to go on was that he always beat her in academic achievement, and so effortlessly at that. But even with that, she had to concede that he worked just as hard, if not harder than her for it! And it was infuriating!
"Sorry," he repeated, looking away from her glowering at him.
She sighed. "No, I'm sorry. It was an innocent question."
He looked at her, completely astonished. She would like to snap at him for thinking she couldn't even just apologise for being overly adversarial with him. But that would defeat the point. "Well, I know you don't really like small talk."
It was that she wasn't good at it. She angled herself in her chair, destroying her perfect posture to face him somewhat more properly. "Should you not have also...enjoyed yourself? When do you have time to socialise if you are either studying or working?"
"Well, I have friends I can see in my other classes," he shrugged.
Oh. Yes, of course. Thena felt her hackles raise again at the idea that she was so unfamiliar with the idea of having friends in any of their classes. But she was trying to be nicer to him.
"But," he offered another sheepish smile, bending closer to whisper like children trading a secret in grade school. "This class is my favourite."
Thena just stared at him. She supposed that made sense. He always said he had the same like of history and classics that his mother had. But the idea that she was included in the categorisation of his favourite anything; a warm feeling spread in her chest.
"The lovebirds are here already."
Students began filtering into the small lecture hall, facing them seated at the front of the room. The one who made the comment plunked down close to the door. Another one looked in their direction, "don't you two ever sleep in?"
They got jokes and insinuations that they were together all the time. Apparently, everyone could see some kind of brewing, invisible tension between the two of them. Thena always found it ridiculous.
"We don't-!"
The student startled, as did the rest of the room slowly taking their seats. The declaration was sharp, and loud--far louder than was needed for a room this size.
Thena felt warmth rush to her cheeks, first for the outburst, then the realisation that it seemed overeager to deny something that wasn't even said. She cleared her throat, turning towards the board (since she had shot to her feet in her denial). "Sit down and start copying."
The student body present groaned but obeyed. Gil was the far preferred teaching assistant because he didn't scare anyone, and even if they under-performed, he had kind encouragements as opposed to scathing condemnations.
"Guys, come on, you heard her."
Thena barely glanced over her shoulder. There was nothing new about their students complaining about her teaching methods. But Gil usually didn't take quite so stern a tone with them. Even in her defense.
He peeked at her with a smile, perhaps hoping to show that he was indeed her ally and not her enemy.
Thena whipped her head forward again. So long as they were pitted against each other in any setting, he was no friend of hers. No matter how winsome his smile was.
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