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chirpsythismorning · 1 year

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This post reminded me that Mike didn’t ask Will if he was okay at all in season 4… however:

You were rolling your eyes, you were- you were moping, you were barely talking, you basically sabotaged the whole day!

*admits subtly that he noticed based on Will’s behavior that he wasn’t okay*

I didn’t say it! / You didn’t have to.

*admits subtly that Will doesn’t need to spell stuff out (or even say anything at all) for him to understand*

At times when the audience is getting signs that Will isn't okay, Mike has been right there asking because he rightfully sensed it. Like, this has gotta be the most consistent thing about Mike's character over the course of the series, which that original post proves (though it's missing the iconic He's quiet today.! Are we forgetting anything else?!).

Despite s4 presumably stopping this trend, they're still showing us subtly that Mike is taking notice:

This shot above is unique because what it does is use framing/camerawork to hint to the audience that this is arguably Mike's perspective.

At the start of this shot, both El and Will are framed fairly equally, with Mike being the last to join the frame as the camera dollies out. This allows us to feel like we're seeing what Mike is seeing, whether we realize it or not. By framing the shot this way, they're telling us that Mike views both El AND Will as an option. El, because they have a history romantically and it's sort of an easy path for Mike to stay in for the rest of his life. Will, his best friend with whom he has very strong (romantic) feelings for, and so he ranks high up in Mike's line of focus among El, his girlfriend.

This shot above also shows us Mike staring at Will, if only for fleeting moment. But, it's there.

These tiny moments are important, because despite them existing, a vast majority of the audience didn't pick up on them, including most bylers. They're your standard blink and you'll miss it moments.

Because yeah, maybe Will does feel Mike's eyes on him, but the second Will looks to check, Mike isn't looking. Or most of the day, Mike did in fact look like he was having a jolly old time.

This is what's being presented to us blatantly, out in the open, and with Will at the center of it all..

The truth is, while we think we're getting Will's POV exclusively, most of the time, we're getting his and El's AND Mike's. It's just that they go about all of their POV's differently, but especially Mike's. His follows a formula of subtlety like 99% of the time. That small meager 1% where they let us see the truth, varies from outrageously subtle to subtle.

Here, Will is understandably confused by Mike giving him a play-by-play of his behavior throughout day. After all, from Will's perspective, aka the unreliable perspective the audience is being fed, Mike wasn't even looking at him. Again, if anything Mike seemed like he was having a good time up to this point. And so upon hearing this, Will, and arguably anyone watching this scene for the first time, was probably left thinking, 'Wait?.. What?"

I have a theory, which honestly isn't that far fetched, seeing as it works in tandem with how a lot of this season has presented POV in a multitude of ways, whether it be lighting, framing, blocking, camerawork, editing, dialogue, etc., they are definitely giving us hints.

These posts (here, here) will be helpful to understand everything that follows in terms of context, so I do recommend checking them out!

Basically this theory holds weight to me because of what is being blatantly shown to us: Mike ignoring Will/having a great day aka Will's POV vs. what is being subtly shown to us: Mike glancing at Will when Will isn't looking/telling Will that him showing signs of not being okay ruined the day aka Mike's POV.

I've also done a post on El's POV which may very well hold the truth to everything, even more so than Will and Mike's POV's , so please check that out if you want your mind blown.

Now, when I say POV, I'm being as loose as possible in my definition. We know that it's a camera, not literally the eyes of the person's perspective we're in (though that can be a technique in and of itself).

An OTS (over the shoulder) shot is the best example of how perspective tends to operate in film. And we saw how that technique in particular was used a lot in the van, monologue, and cabin scenes. Those are arguably more blatant examples in s4 of POV shots.

However, shots that are hinting at a specific POV don't start and end with OTS, nor shots using more literal POV techniques. There's other ways to hint at POV/inner feelings. It's even possible for one shot/sequence to represent multiple POV's at once. It sounds complicated, but it's really not.

Although Will's perspective is the main one we're being fed, it's not the whole truth, or it's at least missing an important detail...

It's not until we're given that crumb from Mike himself, in which he spit-fires out a list of Will's actions throughout the day, that we get any sort of context for Mike's aloof behavior. This line alone reveals to us that there is apparently a lot more to these scenes than meets the eye, when it comes to how Mike is behaving vs. how he's actually feeling.

Because if most of the audience is convinced Mike never looked at Will, just like Will is convinced, then that puts into question when exactly Mike would’ve even been looking to pick up on all of this, enough for it to ruin the day, and despite him behaving like he was happy as ever...?

And so, the answer?

Arguably, literally any time Mike was out of the frame, but especially when Mike was out of the frame while Will is in the frame, front and center (aka most of s4?), are fair game for times Mike could’ve been looking at Will. It's just that what we're being shown is not Mike actually looking and reacting each of these times. Instead, we're shown what he just literally sees, which is Will...

And that's what makes the following scenes with Angela and El extremely important, because they support this theory, heavily.

As El, Angela and her minions all skate away, we see Mike and Will stay behind in the booth. We then get a reaction shot with both of them in the frame. But the thing is, reaction shots usually require reactions.

While Will is standing up, looking visibly concerned for El, because he actually has the context for what's going on, Mike contrasts greatly in comparison.

Mike goes from looking back and forth between where Will was sitting across from him, to the direction El and Angela just rolled off to, only to look away the instant Will is fully standing and staring off in that same direction.

Mike then proceeds to give us no reaction, in what is presumably a reaction shot. It's as if Mike is not feeling any emotion at all, which is kind of a hard thing to do if you really think about it.

Especially when it comes to a character like Mike Wheeler, whose literally known for his dramatic facial expressions, meaning him not showing any emotion at all, for most of this sequence, likely required quite a bit of effort on his part...

Mike's 'reaction' is so vague that I can guarantee most of the audience wasn't even paying attention to him for this shot. And quite honestly this could apply to a lot of Mike's scenes this season, where whenever the two of them are having a heart to heart or something of that nature, the viewer's eye gravitates towards Will (also my theory for why the ga is convinced Finn is a bad actor, which is bc he is acting as a character whose also acting. Mike is leaving us in the dark about everything he is thinking and feeling, by only showing us what he literally sees, which is WILL WILL WILL).

The van scene is one good example of this, where so many fans still aren't aware of Finn's micro-expressions and what they clearly mean, all because they were too busy giving all their attention to Will's speech and his emotions (we're just like Mike fr).

And so here we have Will in the forefront showing a lot more emotion in this particular shot (he has our attention), while Mike is in the background, casually taking another sip of his milkshake.

But why is Mike busying himself with his milkshake in the first place? Why isn't he still looking at El and her friends like he just was? Or why doesn't he just look up at Will to start a conversation?

Instead, what we get is Mike distracting himself...

And it's because, just like Will's perspective of this day, Mike's context for everything up to this point is nowhere close to the truth, if anything it's even further from the truth than Will's.

Although I already linked the refresher course(s), I'm going to give a more detailed refresher, bc a lot of it was only images w/out context:

Mike thinks Angela is not only one of El's new friends in Lenora, but also the girl Will made the painting for (both of which he read about in her letter at the start of s4). Mike tests out this theory when he asks Will about the painting at the airport, only to be shot down. In Mike's eyes, this supports El's theory that the painting is likely for a girl. Still, it appears Mike hasn't totally given up on getting some answers, and so (glancing at Will) he mentions the possibility of them running into friends. This causes Will to interrupt with the comment, Friends? What friends?! To the audience, this is Will making a confused remark about the fact that El has no friends. But to Mike, Will's comment comes off as a nervous Friends? What friends?? Which friends? You mean her?? And so when El says, You know, Stacy and Angela, Will's worried response Angela? is again, a worrisome realization on Will's part that El is lying to Mike (WE the audience understand this). However, to Mike, it's Will singling out this girl's name because she is THE girl (Maybe it is for a girl! I think there is someone he likes...)! But then El is saying that they'll meet her friends another day, reassuring Mike that today is just about him and her. And Mike looks pretty smug about this reassurance, followed by kissing El's forehead dramatically as they walk out of the airport. Mike then begins to associate Will's moping for the rest of the afternoon, with him being bitter that they're not going to run into Angela like he'd probably hoped, so that he could give her the painting. Mike continues to play the part of perfect boyfriend, especially now after assuming Will is, for the very first time, pursing a girl... "I mean what did you think? Really? That we were never gonna get girlfriends.--" Oh, how the turntables.

And so now, looking back at this shot and this whole sequence, within the context of Mike thinking Angela is the girl Will made the painting for, makes Mike's behavior a whole lot easier to understand.

Also, what makes the very end of this shot, just so fucking crazy to me, is that, for a split second, we see Mike's facade start to crack. For a split second, as the camera starts to hone in on Will, with Mike slowly exiting the frame, it's at this moment that his signature annoyed scowl makes an appearance. But then poof, he's gone.

And isn't it so convenient that they're cutting us off, right before we could get to the part that would've revealed Mike's true emotions during this moment? And that it ends with us focusing on Will...?

Let’s try to understand this even more, because I feel like so much gets overlooked about these scenes at Rink-O-Mania.

Mike had spent all day trying to ignore the fact that Will was clearly not okay. What he would usually do in that situation, is just ask Will, 'Hey, you okay?'. But Mike wasn't being his true self during these moments. Argyle even prefaced Mike's behavior in this episode by calling his shirt a shitty 'knock off', just like how Mike was acting, FAKE!

If it were any other season, Mike would've asked Will if he was okay. Instead, for the first time, he's now bottling up that instinct. But why?

I think it could be a combination of things honestly, and that's probably most likely.

I think after the reunion at the airport, Mike came to the conclusion Will was showing symptoms of experiencing a crush on a girl, genuinely, for the first time. And so as this is starting to unravel, Mike's going from wanting to get to the bottom of it, only to backtrack, wanting to abort the mission entirely.

I also think a part of it could be that, Mike himself is obviously not okay. And so maybe he feels slightly unequipped to handle asking Will if he's okay, knowing deep down he's not okay himself.

I also think that, this is a TV show. And so if they're choosing to not let us see Mike's true emotions outright, specifically in relation to him picking up on Willis behavior, then there must be for a reason for that, right?

It must be because the surprise they're saving, relies on us assuming for now, just like Will, that Mike doesn't like him back. Everything taking place as of now is moving the plot forward, with a plan for this revelation to be revealed closer to the end, as opposed to now, in the beginning of the end.

Having Mike blatantly stare at Will the whole season, out in the open, would've made the revelation that Mike feels the same in s5, anti-climactic. However, having subtle evidence that Mike was staring at Will most of the season, which most viewers missed all the signs of, despite them being there, is going to make the revelation that Mike feels the same in s5, epic.

On top of everything going on, I think it's important to also acknowledge that Mike feel's indebted to El. He will never not feel like he owes her everything, and that she deserves the world. And so this whole situation isn't just about Mike's repressed feelings or insecurities or whatever. It's also about Mike trying as hard as he can to be who he thinks El deserves and therefore who she needs him to be. It's the least he can do.

Only problem is, that person is not him and it can't be him.

And so we see Mike overcompensating because he feels like El deserves these gestures and there is this expectation of what they should do because they're bf/gf (THATS BC SHES MY GF, WILL). There's the pressure of that on its own, combined with Mike grappling with Will's behavior over his crush on a girl, which just makes Mike feel even more insecure about his relationship with El.

Arguably, for a while now, Mike has probably become somewhat aware that he doesn't have as strong of romantic feelings for El as he might've thought he did at one point, or even lead her to believe. And Will presumably gifting this girl a painting... like, it's got Mike really self reflecting like, 'SHIT! I'm clearly not down that bad for El... and so, does that mean--'...

This huge insecurity for Mike, with the whole I love you thing, is just getting so big that he can't ignore it anymore, because he KNOWS what he sees as real love, ie, his feelings for Will + what he assumes to be Will's feelings for this girl, and that.. that's not what he feels for El. And so he holds himself back from taking that step in saying it, all this time, because he doesn't want to lie.

And yet, he still tries.

He tries to act interested in everything El has to say. And it's not even that he's not interested in what she has to say, it's just that this act of ignoring the fact that Will doesn't appear to be okay, while also acting like he's having the time of his life, requires a lot of focus. And even despite his performance being pretty believable, the truth behind his actions still falls through the cracks.

I saw someone post about this recently (if anyone knows who, pls comment), and it's this shot with the three of them in the booth at Rink-O-Mania, where we see El resting her hand, palm up on her lap under the table, in a way that makes it look like she's waiting for Mike to take it.

Holding hands under the table is the kind of gesture a couple does when they want to share a moment of intimacy, without making others around them uncomfortable over their PDA.

But that's the problem isn't it? Mike is overcompensating with a lot of these gestures he does with El, like bringing her flowers, putting his arm around her, kissing her forehead, holding her hand. He's not doing these things because he wants to have this kind of intimacy with El (we know that he doesn't because he literally squished his gift for her, in between them when they reunited, so that he had an excuse for them to separate), but because he wants to be who El needs him to be. He also wants to be believable in his performance that he's not shitting bricks over all of this back and forth with his best friend.

And so what even is the point, if no one can see Mike's hand holding El's under the table? If Will can't see it?

Then to top it all off, in the middle of Mike's subtextual dig about how his milkshake is 'better', suddenly Angela is rolling up to them.

And it's at this point that Mike's whole facade really starts to crumble, where he can't even fully pick up on what is happening with El and Angela, because he's too distracted by Will, followed by trying way too hard to act like Will 'longing' for Angela is not affecting him (NO BUT WHY IS MIKE LITERALLY THE 'IM FINE THIS IS FINE' SIPPING HIS COFFEE WHILE THERE ARE FLAMES SURROUNDING HIM GIF HERE???).

What I love about this shot is that it can easily be overlooked and confused with Mike genuinely not caring about Will at all. And that's what is so incredible about subtlety. Something as subtle as no emotion at all on Mike's face, a renowned facial expression enthusiast, can somehow say so much more about Mike's true feelings for Will, than an outright look.

For this whole shot, we're assuming we're in Will's perspective, which happens A LOT of the time in s4 (even in Milkvan scenes) because like I said, whenever Will is in the frame while Mike is also present, we tend to hone in on him a little more than the others (THAT'S INTENTIONAL).

Still, whenever you see Mike creeping out of the frame, we now know it's arguably fair game that Mike could be staring at Will at this very moment, while Will, and the audience, are distracted.

Which is why this happens...

We do not get any shots of Mike at this time. Until....

The second Will voices worriedly, "Oh no!" Mike is jumping out of his seat, standing next to Will, turning to face the same direction as him, like, "What?"

I'm sorry but, it's just not natural for Mike to have responded to Will instantaneously like this, within the context of what he was doing the last time we got a shot of him, especially in this case, where Will wasn't even speaking directly to Mike.

The only way it makes sense for Mike to have spawned beside Will like that, is if Mike was already looking at Will...

Him responding that quickly, meant looking at Will while he spoke, hearing what he said, and seeing where he was looking, so that Mike could jump up that fast, ready for whatever Will was reacting to.

Will is reacting to the scene of El and Angela in front of him.

Mike is reacting to Will react to the scene of El and Angela in front of him.

I want to bring up @dinitride-art's Lighting and Mike and Will and El - Full Analysis posts (specifically the ones related to Rink-O-Mania, but there are plenty of others they have in that thread, that could help everyone try to better understand a lot of s4 scenes as well). Without them, I never would've realized a lot of this.

The main points I want to touch on from their analysis', is the use of the disco ball in these scenes at Rink-O-Mania and how they often operate to tell a story, one that often has Will at the center...

Let's try to keep in mind that disco balls often act as focal points whenever they are in a space, in this case, the rink at Rink-O-Mania. Disco balls are covered in mirrors, which reflect tiny beams of light throughout a room... Are you catching my drift?...

Yes, undoubtedly, lighting plays a big part in telling the story, along with music!

@lesbianmindflayer has done a video on this, but basically the lyrics to the song You Spin Me Right Round (Right Round) are also hinting at POV and context to these scenes, like music often does in ST.

One specific example she uses of this disco ball in action (combining both lighting, framing, camera-movement and music,) is when we go from Mike's POV, with the disco ball above Will (Mike being bummed Will didn't even look at him or laugh at his sock joke) to El's POV with the disco ball above Mike (El after being called out by Will that Mike is going to be mad when he finds out she's been lying).

So, keeping all of this in mind, watching Angela drag El to the middle of the rink, directly under the disco ball, with that snarky 'stay put!" comment, only to laugh knowingly... followed by Mike finally paying attention to El properly???? And this is what it took??? A spotlight?? And not only that but Will directing Mike's focus to it like, 'Hey, dude! Maybe pay attention to your gf bc she's having problems here' (I'm sensing a pattern...).

Unfortunately, it's too little too late.

As this is all coming to a head, Mike feels horrible about being too distracted with the fact that Will wasn't okay, that he wasn't able to pick up on the fact that El wasn't okay either. And so tries his best to fix things by getting the music to stop and to go comfort El.

But then El's running away, out of the spotlight and fittingly out of Mike's focus.

While looking for El, him and Will begin bickering.

Now, Mike knows the painting must not be for Angela. He's embarrassed and he's pissed and he's upset, but he's also just even more confused. The instinct to figure out why Will was upset, is unwavering. Now that his theory has presumably been debunked, Mike slips back into this old habit.

"You were rolling your eyes, you were-- you were moping, you were barely talking, you basically sabotaged to whole day!" aka "You're clearly not okay. I thought I knew why, but I was wrong. It's been miserable".

What Mike gets by subtly calling out Will for his behavior, is the revelation that, yes Will was upset El lied to him, but he was also miserable over the fact that he felt like a third wheel all day.

More angst and miscommunication ensues.

Though all too soon, El is hitting Angela with a skate and everything is happening so fast.

In the following episode, things get even more interesting.

We start with Mike standing next to Will, away from El. We get another shot that's arguably Mike's POV (@dinitride-art did a really good analysis on this shot, please check it out for further details)... but basically it proves Mike's whole 'I've never been scared of you, EVER' part of his monologue, followed by thunder, was indeed not exactly the truth.

And what follows in the next scene is even more damning.

Because what we get for the first time this season, is a shot of Mike, front and center, looking at Will, and interestingly enough, while Will isn't looking ..

Even though they are giving this to us outright, it's still not blatant. And I say this because, again, I can guarantee you most of the audience didn't pick up on it.

This shot was arguably necessary for the context of everything that followed, with Mike saying that rude remark to El at dinner.

Because it turns out Will was right for being upset about El lying, just considering everything that's played out this evening. And on top of that, Mike's also still reeling from the fact that Will was upset because he felt like they weren't best friends anymore. This was apparently enough to be a big part of the reason Will was miserable all day, aka Mike was miserable all day because of his perceived misery of Will who himself was also moping because Mike wasn't paying attention to him. This is news to Mike, as he's been lead to believe the opposite up to this point, seeing as he's also the one whose been making most of the calls, unanswered.

TBH this scene in particular provides a really important aspect of this theory as a whole, because although it seems minor and blink and you'll miss it like all the others. Unlike the majority, it shows us something that could very well hold the truth to something we still don't quite understand. More on that at the end.

I also don't want to forget the most hilarious Mike POV evidence of all, and it's the infamous 'triple take' in the junkyard.

Some bylers noticed this pretty early on, while others probably still don't have a clue about the implications.

Allow me to explain.

Within the context of subtle Mike POV vs. unreliable Will POV, let's think about how this sequence starts with the audience looking at Will. He's hoeing (because he doesn't have a shovel). Then suddenly, after a few seconds of the camera being focused on only him, we see Will now looking up at Mike, with him stopping and staring as he does so.

Once we get a reaction shot of Mike, we see he's not shoveling, he's actually standing still with the shovel resting on the ground, staring down, almost in a daze, zoned out. But then suddenly, he's looking up at Will. And the expression he makes once his eyes reach Will, is....

Pining. It's pining, your honor.

For a split second, this is the expression of a person looking at someone with whom they assume isn't looking.

Mike goes from still and focused, to wide eyed, as he scrambles back to shoveling.

The general audience actually interpreted this scene fairly accurately, it's just that they got it wrong it terms of whose actually doing the pining.

Because arguably, if Mike could sense Will looking at him, whose to say Will couldn't sense Mike?

Whose to say it wasn't Mike who was initially staring at Will, which is why he stopped shoveling in the first place. Though at some point while he was watching Will hoeing, with the camera focusing on him, just like Mike, Mike zoned out to collect his thoughts. And so, when he looks back up, to return to staring at Will again, only to discover Will was already looking at him, he understandably went, OH SHIT MISSION ABORT.

THEY ARE USING EDITING TO SAY HEY LOOK AT WILL! SEE HOW HES GLOWING? SEE HOW HE'S IN THE CENTER OF THE FRAME? IN FOCUS? ALMOST ALL OF THE TIME? ALMOST AS IF WE CANT TAKE OUR EYES OFF OF HIM???

WAIT!?...

WHERE'S MIKE?

OH THERE HE IS!

WE ARE MIKE!!

All this time we were convinced the POV was definitively Will's, with Mike's POV missing. And so therefore, a lot of bylers at least, have made the likely claim that Will's POV cannot be reliable. But what if it is reliable, in that finding out a lot of these moments of us getting Will at the center, was also a part of Mike's POV all along... meaning it's not inherently unreliable, in that in and of itself it holds the truth...

Now, you might be thinking, why couldn't they have shown us Mike staring at Will, at least once, if this is in fact what's happening a lot of the time?

And oh honey... They did.

Isn't it almost poetic, that the moment they FINALLY decide to show us the truth, a shot, with both Will AND Mike in the frame, equally, with Mike continuing the stare at Will the second Will looks away (even if it's for just a small, albeit drawn out moment) this is what follows:

Will handing the painting over to Mike.

Everything. All of this miscommunication about a girl and the painting, essentially Mike's very own unreliable POV has been leading up to this moment.

Which brings me back to this...

WHY!?

WHY HAVE PARALLEL SHOTS OF MIKE NOT LOOKING AT EL IN THE VAN SCENE IN 4x03 VS. MIKE LOOKING AT WILL IN THE VAN SCENE IN 4x08???

WHY HAVE MIKE BE IN FOCUS AND UNBOTHERED IN HIS SHOT WITH EL, WHILE HAVING MIKE BE OUT OF FOCUS AND APPEARING.... EMOTIONLESS ALMOST (REMEMBER WHAT I SAID ABOUT PRESUMABLY EMOTIONLESS MIKE??? HMMMM) IN HIS SHOT WITH WILL?

WHY HAVE MIKE'S MOST CONSISTENT, REDEEMING TRAIT, HIS ABILITY TO SENSE WHEN WILL'S NOT OKAY, BE PRESENT EVERY SEASON, ONLY TO REMOVE IT BLATANTLY THIS SEASON, BUT LEAVE SIGNS THAT HE IS STILL INDEED PAYING ATTENTION IN THE SUBTEXT, ONLY TO HAVE IT ALL COME CRUMBLING DOWN, TO NOTHING, WITH THIS SCENE!?!?!?!?

Does this mean I'm trying to indoctrinate everyone into fully believing Mike knew Will was lying and even crying in the van scene? No, because honestly, I don't think I fully believe that myself. I also think that to say a scene is definitively this or that is naive because, for all we know the story depends on certain scenes having certain truths over certain periods of time.

Like right now, maybe they want us to believe that Mike didn't understand Will, and the story requires us to look at it that way, for now, and also going into s5?

We know that the Duffers would prefer that the average fan doesn't pick up on byler. And so arguably, there are a lot of layers of awareness happening here, regardless of this specific theory. Just in terms of all the assumed truths and the actual truths. There's what the ga assumes vs. what bylers assume, but I think there could be another hidden truth beyond that, perhaps what they knew bylers would assume based on what they said ('he just missed it, not in a bad way/while he may not fully pick up on it--' Duffer's talking about Mike in the van scene), and they were anticipating all of that, meaning despite all of our expectations, there's very likely a surprise in store for us as well.

I do want to make clear, despite me thinking this all makes a lot of sense, as a byler it's like DAMN why couldn't we get the exact moment Mike realized it and like, get to see him act on it?

I think that's the ideal situation? But even still, this theory explains a lot.

It means Mike never stopped paying attention. It also explains why he gravitated towards Will at the end of s4, after his failed love confession. It explains why he looked heartbroken after Will encouraged him to confess his love to El.

We talk about this all the time, but because there are so many tiny moments, where it seemed like Mike realized something over the seasons, we'll find posts saying this moment or that was THE moment. But what I really think it is, is the uncertainty and the hope and the denial all working against each other. Arguably, Mike has already has his realization moment plenty of times by now, in little moments. It's just that what he's been experiencing is, something along the lines of, he loves me! he loves me not. he loves me! he loves me not, and so on and so forth.

His behavior over the seasons, has been impacted by this confusing, back and forth miscommunication between him and Will.

All very remanent of the lyrics to Time After Time if you ask me...

#stranger things #byler #byler analysis #stranger things 4 #idk i think mike is scared #what if the reason that he hasn't asked will if he's okay is because he's repressing so bad lately he's not okay #and so he feels weird asking will if he's okay #when clearly he is miserable himself #which is why their roles reversed this season!!!#we went from 3 seasons of mike being the one checking on will #to the second to last season focusing on will being the one checking on mike #i can totally picture this coming to a head in the final season #with us being blindsided by will asking mike if he's okay...#like imagine the spores are getting to them #or vecna's messing with their heads #or their all just aren't getting enough sleep because of the situation #and mike has a nightmare and we think it's really happening #but then he surges forward and we realize he was sleeping #then we get will sleeping on the couch above him like #Mike? You okay?#BITCHHH!#stranger things 5 #st5 headcanon #st5 predictions #time after time gate #makes an appearance at the end

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weneedatdcharacterwho · 4 months

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There's was an idea of a contestant who befriends all of the interns already, but I have another execution

We need a td character who somehow becomes friends with one of the interns. They start spend a lot of time together outside of challenges (possibly because they share some interests and maybe struggles with communication with others) and grow closer (it may work either platonic or romantic, I enjoy both variants but gotta admit that the idea of the romance between a contestant and an intern sounds more interesting to me). The contestant doesn't have any strong connections with any other contestants (they just being the friendly yet lonely one) because of it but they manages to go far because they just do a great job during challenges and often win immunity for their team or themself after the merge, so everyone just thinks they are a good player. But the truth is that the intern was secretly helping the contestant all this time without contestant's awarness of it

Bonus points if the contestant suddenly being eliminated by Chris because of "cheating" without specific explanation so everyone thinks that the contestant was playing dirty all along. And only the intern knows the truth and feels super guilty about it but too afraid to tell this to the contestant because they think it may ruin their relationships

Bonus bonus points if the contestant finds out about this whole thing and it causes a conflict between them and the intern and they go through the arc where they learn to trust each other again (and maybe trying to become more separated and find another friends they may rely on)

(btw, sorry if I send too many suggestions, I just have a lot of thoughts)

#it is a lot longer than I usually like but I'm really invested in this concept!#like I can imagine there being a situation where a 'everyone loves him' guy gets favours from contestants and interns #like when courtney helped alejandro in the china episode #but the idea of them not even knowing it happening... it interests me #like small things like giving them a slightly better weapon in a paintball game on manipulating the shields #total drama #total drama island #eugene da potato

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puhpandas · 6 months

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Halloween Spirit

(1,770 words)

Evan learns that the spirit of Halloween comes with enjoying spending time with people you love during the season, and thats why he'd never felt anything of the sort with Michael and his father. 🍫🎃🕷

"Have you ever been to Spirit Halloween?" Gregory asks him someday when they're hanging out at his house. Evan looks up from one of Gregory's drawings he was coloring in and tilts his head.

"No." Evan replies after a moment. And hes never wanted to, either. Not only would getting there mean either his Father or Michael would have to take him, but he knows Michael gets all of the scary masks he terrifies Evan with there. Plus that there are animatronics with uncanny molds and bloody faces and long fingers and black cloaks that jump out and scream at you.

So hes never really had an urge to go. Hence why he's literally never been.

"Never?!" Gregory exclaims when he learns about it. He jumps up off of his bed, shaking his head. "Evan, going to Spirit Halloween is like... it's like a major life event. Its tradition. You go to Spirit Halloween every year during the season to get pumped for it."

"I've never heard of that." Evan replies. "I've just... never had a reason to go."

He purposefully leaves out all the reasons he never has wanted to go. He doesnt want to be a Debbie Downer.

"Well now you do." Gregory tells him. He grabs the sketchbook out of Evan's hands, setting it on his comforter and then yanking Evan off the bed with suprising strength. "I'm taking you to Spirit Halloween today. No take backs."

Evan yelps, and only narrowly avoids eating carpet. "I never even agreed in the first place." Evan points out. After he doesnt pull away, Gregory let's him go to slide his shoes on. "But... sure. I'll go with you."

"Yes!" Gregory pumps a fist, slipping a navy hoodie on. With a faint smile at Gregory's excitement, Evan stays how he is, already wearing a plenty warm wool sweater. All he has to do is pull his own converse on and they're out the door.

"How have you never been?" Gregory comments when they've set off, following the sidewalk. The trees have long since all turned reds and oranges and yellows, and they flutter in the pleasant breeze the Autumn season is producing. Pumpkins and skeletons and spiderwebs decorate every yard theyve passed, and store windows hold those jelly stick-on's. "Pretty much everyone has."

"Nobody's ever taken me." Evan replies, shrugging. "My family doesnt really decorate. Especially now that its just us."

Before, when his Mom and Elizabeth were still living with them, there would be the occasional decorating. Elizabeth would whine and push for something seasonal to celebrate and his parents would cave and buy some cheap decorations to sling up around the house. But that was years ago, when he was a much younger kid. Now, hes thirteen, and its just him, Michael, and their Father.

Evan dares to think Michael would actually like to have decorations up. It's just that he believes he's 'too cool' for things like that. He's always enjoyed Halloween, if not for access to extra scary masks then to run around town with his friends to spook other innocent children. Plus, the king size candy bars he always brings home have to mean something.

Evan's never really had a reason to like it when every time he'd dress up he'd be made fun of in some sort of way, and then actively targeted as soon as he'd step outside. Plus, everything Michael likes about Halloween, Evan dislikes.

But Evan dares to believe this year will be different. The reason being right next to him.

"God, your family is so boring." Gregory groans. "Nobody even took you like... when you were a kid years ago?"

"Nope."

"Ugh." Gregory makes a face, slinging an arm around Evan's shoulder. "Well thats why you dont like Halloween. Because your family has always sucked too bad to let you enjoy it."

Evan nods sagely, knowing its true. His family always makes Halloween what they do or dont do. And usually, Evan's never cared enough to wish for a better, more seasonal holiday. He's always been too worried about other things to be in any sort of joyful mood.

"Well, dont worry about it right now, alright?" Gregory tells him, shooting him a grin. "This year you'll get to experience real Halloween. We'll get you a costume and take you to see cool stuff, and you'll get to do stuff like carve pumpkins and bake cookies with us."

Evan's eyes widen at the influx of activities. He's only ever done maybe a couple of those throughout his whole life.

He looks at Gregory earnestly, brain already flashing with images of Evan laughing and smiling, flinging cookie batter at Gregory, costume shopping without the lingering paranoia, and digging his hands inside a pumpkins guts.

The promise of having fun with people he actually likes, who like him back is so overwhelming, he almost tears up.

He pushes it down, offering Gregory a wobbly smile. "That... that sounds fun."

"It always is!" Gregory boasts, and Evan is convinced he can see stars in his eyes. "Man, I wish Ness were here. I really want her to meet you. It would be so cool spending Halloween with both of you.

There goes another mention of the infamous older-sister-away-at-college. Evan's heard a few of those, but it's not what he focuses on in that moment.

Something about Gregory putting him on the same level as his biological sibling makes something warm and fluttery bloom in Evan's stomach.

"You'll get to introduce me someday." Is all Evan manages to get out, and he almost backtracks at the implication in his sentence that Gregory will be willing to stick by him that long. But Gregory just smiles, shakes his shoulders a bit, and goes "She'll love you."

Evan hides his smile in the collar of his sweater. If Gregory is so sure, Evan cant wait to meet her, too.

It's not long at all afterwards that they finally make it to the store. Evan thinks it looks very bare bones, compared to how Gregory was describing it, but Gregory just says not to judge a book by its cover.

Gregory was right. The inside is what counts.

Halloween decorations fill very inch, gravestones and spiderwebs and skeletons waiting to greet you. There are tons of different mini-sets around the store with animatronics, and despite how Evan stays as far away from the animatronics as possible, Gregory's excitement over them make him feel better about how creepy they are.

Evan's favorite section though has to be the costume wall.

It's just a shelf full of silly costumes stuffed in bags from floor to ceiling, and it stretches across almost the entire store.

"Ness and I used to spend hours here just making fun of the costumes." Gregory had said after bringing him to it. "Look at the model on this one."

Then he'd pointed at a dumb looking werewolf, and when Evan had burst out laughing, they'd kept going.

The daylight outside slowly fizzles out in the corner of Evan's vision, in the foreground. That gray, cloudy sky that comes with Autumn fading into a dark, deep blue. By the time its their turn to leave, Evan's cheeks hurt from smiling and his throat is dry from how much he had talked and laughed.

Before they go, Gregory insists on buying Evan a Halloween sweater, no matter how much he'd protested. It's another thing he insists is tradition.

When Gregory didnt budge, Evan caved and chose a really soft black one with and orange collar and a Jack-o-lantern in the middle. Gregory had chosen one for himself, then proceeded to get attached to one of the plastic inaccurate skeleton animals and buy it too. They'd named the little dog with bone ears and a bone nose Davey.

Evan never imagined that this is what the spirit of Halloween is like, but he feels it now more than he ever has. It reminds him of those Christmas movies he'd see on TV where the lesson would be that the true meaning of Christmas is spending time with your family.

As sad as it sounds, Evan never understood those. But he thinks he gets it now.

Because the contrast between last year and this year is so stark. It's not the fact that he went to a Halloween store. If he'd gone last year with Michael and his Father, he would have been miserable, because Michael would try to make him be. This year, he had fun looking at silly stuff with Gregory.

Its only now, when Gregory is handing cash over to the employee behind the counter, who'd just bagged their sweaters and Davey, that he realizes just how much Gregory is his best friend.

They only met in July, after all... but even that feels like a lifetime ago, despite how the school days went by so much quicker with a friend, no longer so awful.

Funny how Evan already feels closer with a boy hes known for a few months than he ever has with his brother and father.

"Can I sleep over?" Evan asks when they break through the doors of the store and the cool air of Autumn washes over his face. He breathes in the scent of fallen leaves and actually notices a difference, this time.

He's feeling bold, he realizes. Scenarios of how he could get in trouble for not asking flash in his mind, but he notices he doesnt really care in the moment.

Gregory, like how telepathic he feels sometimes, notices too. He grins, acknowledging the significance, and nods, bringing out his phone. "Let me call my Dad and we'll swing by your house to grab you a bag."

Evan nods, smiling himself. He plays with the plastic of the bag in-between his fingers, peeking at Davey through the gaps.

"When we get home, I'll make some popcorn and hot chocolate, and then you gotta watch this movie with me. I watch it every year for Halloween."

Evan nods repeatedly, smile already growing on his face. After today, hes sure itll be fun.

They sit on the curb, leaves floating through the breeze, and a light sprinkle starts just in time for Freddy to pull into the driveway.

They hop in the car and Evan watches the scenery outside, looking at people decorations and imagining how he'd carve his own pumpkin, or ice his own cookies.

He'd never cared before now. He'd never cared because he'd never been given the chance to. But now he does. And all he's thinking about is how much 'going home' with Gregory feels right.

ao3 link

bonus: this is Davey

#i imagine while evan was unhappier stuck with only people who at most tolerate him #any sort of holiday spirit he could feel he isnt.#hes so miserable and is worried about othet things so much he doesnt have it in him to care. especially when it isnt worth it to try #but this is what its all about! doing stupid stuff with ur best friend. this isnt anything flashy #just what u would actually do hanging out with ur bff.#this is earlier in their relationship #so evan isnt as comfortable just dumping why hes uncomfortable about certain things on gregory.#that worry of gregory realizing how weird and annoying and sensitive he is and turning on him is still there.#it wont be long though so. they get there #you can totally bet they had shared custody over Davey #(gregory kept him at his house because evan didnt want something to happen to him at his house)#pandas writes #oneshot #halloween #flashlight duo #flashlight duo modern au #gregory and evan #fnaf gregory #evan afton #my fics

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camellcat · 9 months

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look. either you get it, or you don't. I'm not gonna explain The Vision to you, you just have to see it.

#proceeds to explain The Vision #okay so I'm literally only pointing this out bc one of my favorite tropes is bad guy sneaking up to good guy's window #being like “hey hello let me in so I can act all threatening but it's bc I'm totally into you”#and that is how Theo and Liam work in my brain #and that is how Ichigo and Kisshu...#well #I MEAN TECHNICALLY THAT DID HAPPEN IN THE ANIME JUST NOT SO NICELY #LOOK OKAY my favorite Kishigo fics have that trope and so I will stand by it as a staple of those two #and Thiam #fuck it #you can't control me #if I wanted to look any deeper I'm absolutely positive I could make more comparisons #but rn I'm saying all of this bc I think it would be incredibly funny to stick Liam and Theo in those outfits #and I don't wanna draw it myself so I'm asking you to use your imagination #thiam #theo x liam #liam dunbar #theo raeken #teen wolf #tokyo mew mew #I'm so sorry to be shoving tokyo mew mew in your face teen wolf fans but it's late and the thought won't leave my brain

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grumpy-nyks · 11 months

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The Fernweh Saga by @lacunafiction - Davor edition

I-I think Ms. Verner doesn't like him...😳

Davor "Dove" Kovač 🐝 RO: Becca Warrick

Personality: cautious // aloof // pessimistic // flirtatious (only towards Becca ...and Reese??) Traits: head // independent // resistance // believer Past affinity: math Primary ability: extrasensory awareness Past susceptibility: forward. 'it’s better to push forward. don’t look back on the past when you have new places to be and things to achieve.' <<< his motto

🕊️ Fernweh: Davor lived a happy life there and didn't think about leaving in the future. Maybe for some trips, but he knew it would always be his place, his safe place... 'It was a mistake to come back here.' - that was his first thought when he tried to fall asleep on the first night in Fernweh. The nightmares came back as he thought they would. He wants to leave as soon as possible because he feels that it is not safe for Becca to be here.

🕊️ Gramps Dan: That was his gramps who taught Davor how to play the guitar. As a young child, Davor always admired him and believed he was the most intelligent person in the world. After the death of his parents and how his grandfather treated him, he was devastated and angry. He wanted answers soo badly but didn't get any. He lived loathing his grandfather ever since. The news of his passing stirred up a lot of negative emotions that Davor had previously managed to suppress. At the beginning of the story he couldn't care less about his grandfather, but because of his journal he started to believe him. Things that his granfather lived through made Davor even more angry at this messy town …but he's willing to forgive his gramps…

🐝 Becca Warrick: It was a ...funny story that brought both of them together and they look after each other ever since. He considers Becca as his precious (not in a negative-possessive way) treasure, he literally can't let anything bad happen to her. That was also she who came up with the nickname 'Dove'... (and she's literally the only person who calls him that, others wouldn't dare...). He had feelings for her for quite some time but didn't act on it... until now. Although he didn't express it, he felt very nervous about Becca being in the town where he grew up. He was curious (but also scared) about what she could think of this town. He felt like he was revealing more of himself to her…. and he forgot about any worries pretty fast, because the town started being weird as fu--.

🕊️ Reese Verner: Back then Davor was quite cheerful and enjoyed competing with Reese regularly. They teased each other a lot. Davor always thought that Reese had a crush on him, was it true tho? donut know, but he certainly had. ...why does he appear in his nightmares? Maybe the crush stage never disappeared...? Seeing him again was a nice experience, sure... but ignoring the circumstances, he is still unsure if it was worth it and is struggling with his thoughts… Would it be worth it to return to Fernweh just to see him... again? welp, good thing he doesn't have to think about it much, am I right?

🕊️ Sofia Dorran: The two of them maybe did not have a strong relationship, but he knew Sofia is the ideal person for engaging in intelligent conversations. He enjoyed spending time with her, solving the puzzles that gramps created for them both. Davor wasn't a fan of fantasy books, but she managed to change his mind about them. Davor knows that Sofia did take good care of his grandfather, but he still doesn't quite know if he's grateful for that or wished she spent her time more... valuably... He was tempted to ask Sofia to borrow that book she found in his grandfather's bedroom, but he thought better of it. It's better to leave Fernweh… Even so, his curiosity wasn't properly fed.

🕊️ James Corvin: Maybe not brothers by blood, but definitely brothers by choice. Davor treated him as if he was the brother he always wanted to have. Back then Davor always placed a high value on his family… until now. At the time, Davor tended to be more impulsive and James was usually the one who kept him from getting into trouble (which often involved Reese). It was really hard, for both of them, to see each other after so long. Their first interaction was pretty awkward... I would even say that most of their interactions were . James noticed how Davor changed the question is: for the better or worse? I don't even know. Everyone can sense, that things around them are different now, and they aren't as close as before. Will it change?

🕊️ Alek Corvin: …To say that Alek wasn't a fan of Davor would be an understatement. Was it because James spent most of his time focusing only on Davor trying to get him out of trouble? Did Alek observe any possessiveness from Davor towards James? Or maybe simply because of the bond between those two, which was truly something that others would envy and desire? Davor never considered it, especially when he left Fernweh permanently. :)) As you can imagine, Alek doesn't seem very happy about Davor's return… But he took an interest in his new friend, Becca, which did not go unnoticed by Davor and he isn't really happy about it.

🕊️ The Waitress: Oh boy, it seems that Davor has taken up a new hobby, which is glaring harshly at the waitress. He finds her mistrustful and he smells trouble. Had they met when he was younger, there may have been a slim chance of them getting along.

🕊️ Waffles!: So um… Davor has a little issue with dogs and because of that his relationship with Waffles isn't as wonderful as I wish it would be... However, I believe that with time and help from Becca, they will eventually become friends.

#actually about his scar i have this whole headcanon... featuring some...umm.. doggos and Becca... 👀 especially how they met #(Davor was always team cats but after that incident even more xD)#also ouch that naming scene it hurt me so much! but i get it ;; aaaa! Davor why are you being so problematic Waffles is wonderful!!!#it was really interesting for me to messing with Davor in nightmares and showing him Reese!! the feelings the emotions aaaa #also yeeaah Davor thought several times if it would be a good idea to come back to Re-- *cough* Fernweh... and then Becca happened...#generally speaking Davor has a keen interest in Slavic mythologies and culture particularly those from western and southern regions of-#-Europe. I imagine that his father has roots in these regions and he took great pride in his heritage. Often taking about it to Davor #...and since Sofia's a smart girl she lent Davor a fantasy book written by Slavic author who took a great inspiration from Slavic myths👼😊#yes it was enough to change Davor's mind about fantasy books XD he never really read one before he just assumed it's BORING!#and now I'm sure he will throw questions at Sofia about this book she found even more since he's staying at Fernweh... I can imagine how-#-they both are staying up late studying it and comparing their notes... it would remind Davor about the time they were kids-#-it seems that his Gramps gave them both the last puzzle to solve... will they succeed?#and ooohh that will be a hard time for James and Davor... that rejection at the end of book one wont help them im sure XD #about Davor's 'possesivenes' over James... Davor was needy that's true but he would never think about 'stealing' James from Alek or-#-'claiming' James belongs to him. I hope im not crossing a line here but in my headcanon Alek was TOTALLY jealous over their friendship #and Alek THOUGHT that Davor was receiving more attention from James 👀#//which obv isn't true because James would never allow it. Alek is always a number one in James' heart//#in mine too I love A!!!! 💖 they're a BABY #but i must say that Davor didn't really think about Alek's feelings back then. he wasn't aware how Alek could feel- that's not an excuse #super curious about book two and how his relationships with every single one of them will develop!!!#fernweh saga #oc: davor kovac #no i totally did NOT change his surname..

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