the one thing i feel pretty certain about for this episode is that america will not decide the election. a decision will be made, a president will be elected, but america will not be the deciding factor.
succession can’t mimic 2016 or 2020 point blank, that would be boring and have nothing to say. it can’t try to outdo trump because it’ll go too whacky and fall flat like veep’s last season (sorry conheads, no way he’s winning). but what it CAN do is illustrate the immensely corrupt, often arbitrary, and hugely influential nature of news media and conglomerations on political processes. i think probably jimenez will be in the lead, then atn/waystar does something to, i don’t know, discount votes or cast suspicion on jimenez or call the election for mencken early, and the tide will shift, even though the votes are already in. the votes don’t actually matter. the actual result doesn’t actually matter. that’s the power logan (and as an extension, billionaires and CEOs in general) hold. shiv says it herself to logan in s4e2: “just cause you say it’s true doesn’t make it true. everyone just fucking agrees with you and believes you, so it becomes true and then you can turn around and say like, 'oh, you see? see? i was right.'” but it doesn’t matter that logan’s “a human fucking gaslight,” everything he says comes true anyways. not because he was right, but because that’s how it works. he says things and then they happen, regardless of what the truth is or what should actually come to pass. that’s been one of the key throughlines since the very first episode of the entire show when, in response to kendall calling logan out of touch because times are changing and logan isn't changing with them, logan hisses that everyone always says you’re wrong until you do it and prove you were right: “you make your own reality.” you can't miss the bus if you're the one driving it. the election, the votes, the political process? none of that matters. it was always going to come down to the roys and their ilk (allies or enemies, just the top 1%) — that was the whole point of “what it takes” (the mencken episode) last season, after all.
i’ve seen lots of theories about what america will choose and how the candidates will respond and all that and i just don’t think that’s the show’s focus; i think the whole point is to demonstrate the lack of agency, the illusion of democracy. because, i mean, we’ve already seen the fall of democracy via fascist election and fascist election-denial, both in real life and in the countless (usually mid) satires created afterwards. it would be disappointing to see succession use the election to reiterate that same point of 'ohhh alt-right ahhhhh!!!' i don’t think it’ll be about ‘fascism’ at all — at least, not ‘trump-y’ fascism. it’ll be about fascism in the broader sense, the kind that doesn't sport a KKK hood (even when it keeps one tucked away in the attic). it's the fascism that every single roy (very much including shiv and kendall) aid and abet -- the fascism that so many succession fans don't seem to regard as fascism, despite it quite literally being the definition of fascism. trump wasn’t the entrance of fascism into our political process. he wasn’t the lone sign of the failing of american democracy. democracy in america has long been illusory, trump just made it more blatantly evident with his particular brand of hate-speech-ridden masculinist in-your-face fascism.
so i think that’s what this episode will hopefully focus on — america will not decide. corporations, news media, and the roys will. thus, the president will most likely become president not because the country supports his policies the most, but because he’s likely to agree to help block a business deal for a major media empire, and the other candidate is unlikely to. and this will likely come to pass due to said major media empire's interference and influence: they create their own reality. they say it, and everyone agrees with them and believes them, so it becomes true.
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I miss my Tall Jock Amity... actually just Amity being a scary protective force but also just soft with her friends
Where's my Amity gently carrying Luz and smiling softly while Luz talks about her current favorite show?
My baby Amity working out with Willow as they bond like old times
My darling Amity talking with Gus about the human realm while glaring at some of his bullies as Gus talks to get unaware
My dear Amity spending time with her siblings as they groom one another and talk about the dumbest things
My beautiful Amity acting doubtful of Hunter but soon getting to know him and treats him like the annoying younger brother she never wanted but now adores and now they're inseparable with the dumbass things they do and say
I miss my Tall Jock Sweet Amity...
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VEGASPETE APOLOGY ANALYSIS
I’m still not over the apology scene we got. In the novel, Vegas tries to visit the main house to see Pete but overhears him talking to Arm, Pol and Porsche about the trauma he experienced. Seeing how carefree and happy he looked with his friends and how much the time with Vegas has damaged him, he decides to leave him alone and not stand in the way of that happiness anymore. Pete never sees him. The next time they see each other is at the minor family attack.
But the show gave us this scene and as many things, it’s just so much better than the novel, I can’t even fathom it. Bible and Build both absolutely kill. But especially Bible, because the way he stalks towards Pete is so incredibly Vegas. He keeps his body so tense, does all the little ticks we know from Vegas, when he is pissed, like the scrunching up of the nose or the trembling in his face, but there’s an air of desperation to it this time. He’s pissed that Pete wants him out of his life because for a moment he believes it. So he shouts at Pete to shoot him, but Pete can’t and that’s when Vegas realises his mistake. Pete didn’t leave him, because he wanted nothing to do with Vegas, he left because Vegas was treating him like a prisoner. He didn’t leave Vegas, because he hated him, he left because he hated himself for not hating Vegas.
And Bible just absolutely delivers, because when Pete isn’t able to shoot him, his face scrunches up in confusion, then realisation and we get the “I don’t think you can.” It’s spoken with a faint air of wonder, with surprise. And then he adds the “And you know why.” and he looks bitter. Because Pete does love him, but Pete also hates it. And when he sees Pete crumble again, cry again, he almost cries, too. He hugs him and apologizes again, quietly and softly. Maybe for the way he treated Pete, maybe for the damage he’s caused, but maybe for pulling Pete into the mess that is Vegas’ own life.
Because similarly to the novel, I don’t think that Vegas believes he can make Pete happy. I think Vegas thinks that he will only bring Pete suffering. So he apologizes. And he decides to stop being selfish. When the door opens and they are interrupted, he leaves. And I don’t think, he planned on ever seeing Pete again.
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I have been blocked but got to peek at the response:
Shocking that child characters with high-pitched voices and smaller proportions in relation to other characters look like children? Okay.
Sure they rip on everyone but they go hard after trans people. They had what? One episode ragging on Scientology? One episode ragging on Mormonism?
Let's look at how many gender critical episodes they made:
Mr. Garrison's Fancy New Vagina
D-Yikes
Go God Go
Go God Go XII
Eek, A Penis!
The Cissy
Board Girls
South Park: Post Covid
And those are just the ones I can list off the top of my head. These guys have been gender critical since at least 2005, way before the trans narrative took off. By all means keep defending them though because they are male creators and only men are allowed to be gender critical.
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DAMN IT ! ….damn it all to hell!! ….This show is gonna drag me back in just because i'm a sucker for dragons …..smh sadly while looking at dragon gifs from House of the Dragon....
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