and the winner for most fucking DECIMATING burn in the entire history of magnus pod goes to alice
[Start ID: Three panel comic from The Magnus Protocol. First panel is in full color, the rest in black and white. First panel: Alice sits with a hand on her chin, smirking and says "Whiny little toad". She is a half black woman with curly, dark orange hair down to her shoulders, brown eyes, freckles, and a gap tooth. She has red/purple eyeshadow and thick eyeliner on, as well as a gold nose ring. She wears a dark green collared shirt with stripes and golden star and moon designs on the collar and center of the shirt. Second panel: Martin looks up in absolute offended shock, his mouth hung open. He is a fat mixed Polish/Korean man with short hair, browline glasses and a beauty mark under his lip. He wears a simple sweater. Jon stands behind him with his arms crossed and does a terrible job to hide a snort of laughter. He is a thin Persian man with long curly hair pulled back into a half knot, a beard and mustache, and wears a simple cardigan with a turtleneck. Third panel: Martin shoots Jon an utterly fuming, rageful glare for laughing at the comment. Jon is turned away with one hand leaned up against an imaginary wall and the other on his hip, and starts whistling nonchalantly like he did no such thing. End ID.]
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PERCEVAL THE UNHAPPY, THE MISERABLE, THE UNFORTUNATE, THE FISHER KING!
Perceval, de Troyes (trans. Burton Raffel)
ALRIGHT alright. so previously I did an illustration that explained the premise of all this, that it's inspired by the narrative choices that Bresson made in his film Lancelot du Lac etc
to dive in more into it (because this is something like derivative fiction. I'm putting concepts into a blender and seeing what comes out of it): the setting is haunted by the previously existing narratives that started cannibalizing each other until it regurgitates itself into the more well known narrative beats, and something else about the invasive rot of christianity and empire mythmaking into settings. it's an intertextual haunting, if you will! and this scene takes place during the grail quest narrative, but the temptation of Perceval plays out differently.
in both Chretien (and Wolfram's) Perceval narratives, what 'wakes' Perceval up (in more ways than one. desire and self actualization in one go!) is seeing knights, something his mother tried hard to keep him from. so instead of the temptation of lust & etc in the Morte narrative taking the form of a lady, it takes the form of a knight. the temptation to renounce one's faith to serve something else remains.
so Perceval still stabs himself, but instead of continuing on the grail quest in the shadow of Galahad, he becomes the narrative's Fisher King because his earlier state of being as a the grail quest hero is creeping back into his marrow. it was waiting for an opening, and stabbing yourself in the thigh is one hell of a parallel!!!
that wound isn't going to heal buddy, and the state of the setting will now be reflected on your body. sure hope that Arthur hasn't like. corrupted the justice of the land or anything. that sure would suck for your overall health.
all the red in this sequence is because in de Troyes' Perceval, Perceval takes the armor of the Red Knight and becomes known as the Knight in Red.
and now for the citations, which I will try to order in a way that makes sense!
Seeing Knights For The First Time
Perceval, de Troyes (trans. Burton Raffel)
The Temptation of Perceval
Le Morte Darthur, Mallory (modernized by Baines)
The Fisher King, and Perceval The Unfortunate
Perceval, de Troyes (trans. Burton Raffel)
On Perceval and Gender, etc.
Clothes Make The Man: Parzival Dressed and Undressed, Michael D. Amey
On Wounds
Wounded Masculinity: Injury and Gender in Sir Thomas Malory's Le Morte Darthur, Kenneth Hodges
The Red Knight
Perceval, de Troyes (trans. Burton Raffel)
On Arthur and the Corruption of Justice
The Failure of Justice, the Failure of Arthur, L.K. Bedwell
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