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#i checked the manga because i wanted to know more

oatmealaddiction · 11 days

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Okay but the weirdest thing about the whole "Brotherhood is better you should skip 03" discourse that's become commonplace now, it sort of forgets the world Brotherhood came out in and why you should watch the original Fullmetal Alchemist. When Brotherhood came out, the original Fullmetal Alchemist was one of the most beloved and most watched animes of all time. Brotherhood assumes you the audience have already seen it because of course you have, everyone has seen it, so it skips important information and speeds the story up because it doesn't want to bore you with things you already know. Have you ever wondered "hey why does the first episode of Brotherhood kind of suck, and why am I being introduced to like 50 new characters, and why are they acting like I know what the hell an alchemist is?" It's because Brotherhood thinks you've seen 03.

The first 7 or so episodes of Brotherhood constitute dozens of chapters in the manga, and the first 25 or so episodes of the original Fullmetal Alchemist. The Nina Tucker episode in Brotherhood, in FMA 03 takes up nearly three episodes. Yoki gets a backstory in 03 and it's genuinely one of the best episodes and taken directly from the manga and Brotherhood glosses over it because: duh, you've already seen it. And so if you skip the original you miss out on dozens of really great character building episodes like Ed and Al meeting Hughes for the first time and getting to spend a whole episode helping him free a train from terrorists, or Ed and Roy having a duel that expands on the relationship they have, or episodes where the brothers just help out random people in towns before the major story gets going.

The original also paces itself quite a bit better than Brotherhood and is more in line with the mangas storytelling. In the manga we don't find out about The Gate until nearly two dozen chapters in, and the same goes for the original anime. Like, that's a twist reveal in those stories, and it's weird that the most watched series is the one where they tell you all about The Gate in the first two episodes because they assume you've already seen the original show.

What's more, people don't know that Hiromu Arakawa helped write for the anime while she was still in the middle of writing the manga, and as a result was inspired to write scenes in Brotherhood that the anime did first. That scene of Edward getting impaled by a falling beam? Directly inspired by a similar scene in the original anime. There's a lot of little instances of that and they're great when you can recognize parallels and things in Brotherhood that are direct references to the original anime, but people don't notice any of that anymore. Because the original anime is just an automatic skip these days, and it's a bummer because people don't realize what a giant it was back before Brotherhood was released. They treat it as *bad,* not realizing it was one of the most beloved anime of its time and the problems people take issue with have a lot more to do with personal taste than any kind of actual flaw in the writing. Brotherhood was never meant to dethrone it, and the original anime was always supposed to be part of the viewing experience which is why those first few episodes of Brotherhood are so fast paced. So like, please stop telling people Fullmetal Alchemist 2003 is a skip, or it's bad, or you don't need it because Brotherhood is better. Regardless if you think Brotherhood is better or not, the original wrote Brotherhood's check. It was huge, it was beloved, and Brotherhood is *banking* on the knowledge you've seen all of it and loved it. And trust me when I say there is so much to love about the original series. It's still my favorite branch of the FMA franchise, and it's worth your time, I promise you.

#Fma 03 #FMA #fullmetal alchemist #Fma:b #fullmetal alchimist brotherhood #fma brotherhood #Legitimately though the original is so fucking good #The music alone makes it worth the watch #Also the art direction is better fight me #mild spoilers

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beaulesbian · 7 months

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it was so interesting how the mihawk vs zoro fight was different in the manga than in the show.

i feel it was much more sudden, no planning the duel for next day, just when zoro saw mihawk he already knew he has to try and fight him.

luffy doesn't say anything against if even if they had just seen mihawk split that ship with just his sword. he accepts it (because he already understands he can't stand in the way of zoro's dream), and stands close by without saying anythign almost the whole fight. watching it closely.

and when zoro is having troubles, luffy still holds johnny and yosuku back so they don't interfere with the duel .

only after zoro is defeated and drops in the water, luffy loses it, and goes after mihawk with so much anger.

it was a nice and interesting moment that mihawk saw luffy holding the others away from the fight.

lets luffy know that he didn't kill zoro.

and then this whole thing sksajds

"luffy, can you hear me?"

"i hear you."

the way they showed it in the show was great - with how close luffy was by zoro's side, immediately checking up on him and hearing what zoro wanted to say to him directly.

but the way it's in the manga, it's almost heartbreaking because they're some distance away and luffy has to ask usopp if zoro is ok, and zoro isn't even sure if luffy is around, but he needs him to know!

that we won't ever fail!

"got a problem with that, king of the pirates?"

and same as in the show, luffy in different words say zoro could never fail him! he's so happy zoro survived that

#the show managed to portray this so well and yet it's different from the manga so it's like i'm reading it from another angle or smth.#but both so good #how am i supposed to be normal about them ;-;#zolu #one piece #monkey d. luffy #roronoa zoro #one piece chapters 50-52 #mine #gif:zolu #gif:op manga #long post

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seulszn · 2 months

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Listen I love TLOU and the fandom very much but a lot of people (not calling anybody out) need a reality check and need to grow up. I wanna say my two cents on things that bother me in this fandom.

1. Boycotting for Palestine

I have seen multiple times on multiple occasions where people would sit on their phone and complain about why writers are “flooding the tags with this boycotting bullshit” and honestly all I have to say is your super childish you can’t take a hour or a week out of your day to raise awareness on a important topic that is affecting millions of people? Your so horny so down bad for pixelated characters that you don’t care about the innocent children, women and men that are dying in Palestine? The boycotting isn’t gonna stop just because you want your needs filled, the boycotting isn’t going to stop because you think it needs to, it’s not gonna stop until Palestine is free. And if you wanna read things that bad then read nobody is stoping you but a take into ignition that if a writer is spreading awareness then don’t be ignorant and say stupid shit

2. Less Sex and more angst or other genres.

Listen I love Abby and Ellie just like everyone else and I read a lot of smut about them but does that all y’all see when y’all look at them? As sex objects? Like I’m not saying that you should stop writing smut for those characters but write other things to that don’t involve smut, like angst I see a lot of people under that tag say how they wish writers would as write other things that isn’t just smut and majority of the time when they say that they get hated for it. It lowkey gets boring reading fanfics where the whole plot is smut, smut, smut. And again I’m not saying to stop writing smut but please for the love of whatever you believe in write other genres.

3. Black inclusivity

As a black writer and a black person TLOU tag isn’t inclusive enough. I know you must be thinking “Why are we speaking about this again?” Because I’m honestly so tired of how uninclusive the fandom is like I said before Ellie dates WOC if you don’t know what WOC is it’s Women Of Color all of Ellie’s girlfriends where WOC now I’m not saying you can’t write for Ellie as a white person and I’m not saying that never did all I am saying is once again all of Ellie’s girlfriend where POC

Riley was a Black African American who Dated Ellie

Cat the girl who wasn’t mentioned alot but is in the game is Asian American who also dated Ellie

Dina is a Jewish (Mexican, Middle Eastern ) American who dated Ellie

Also yes we know when the reader is white coded so don’t try a put that you don’t mention when race mentioned cause you do and we can tell when you do “She’s Petite and cute with her long blonde hair” or whatever you bitches be saying we know when you guys aren’t inclusive the whole point of fanfiction writing is to be inclusive is to make sure that readers can see themself in your xreader so if your putting all these “white things and then labeling your story as “the readers race is not mentioned” or that OC stuff that y’all do then just label the story as a white reader or a OC reader

4. Futa, trans and masc

Now here I’m gonna discuss two or three things starting off with Futa and Trans. Now I don’t know when “Futa” or “Trans” Ellie and Abby came from but a lot of you readers need to understand and learn the difference between the two because they are both very different things.

Futanari: is the Japanese word for hermaphroditism, which is also used in a broader sense for androgyny. Beyond Japan, the term has come to be used to describe a commonly pornographic genre of eroge, manga, and anime, which includes characters that show primary sexual characteristics from both females and males. In today's language, it refers almost exclusively to characters who have an overall feminine body, but have both female and male primary genitalia (although a scrotum is not always present, while breasts, a penis, and a vulva are). The term is also often abbreviated as futa(s), which is also used as a generalized term for the works themselves.

Transgender (often shortened to trans) is someone whose gender identity differs from that typically associated with the sex they were assigned at birth. Some transgender people who desire medical assistance to transition from one sex to another identify as transsexual. Transgender is also an umbrella term; in addition to including people whose gender identity is the opposite of their assigned sex (trans men and trans women), it may also include people who are non-binary or genderqueer. Other definitions of transgender also include people who belong to a third gender, or else conceptualize transgender people as a third gender. The term may also include cross-dressers or drag kings and drag queens in some contexts. The term transgender does not have a universally accepted definition, including among researchers.

Mind you I am not transgender I am nonbinary but I see a lot of transgender people speak up about how offensive it is to write a character as Transgender but it’s not really transgender but a Futanari remember a Futa is a character who is assigned a gender at birth but just has extra sexual parts like a penis.

Now another thing that bothers me is how y’all Masculinize Masc Lesbians as if they still aren’t women themselves like every time I read a fanfic with Ellie or Abby or even Vi and Sevika from Arcane you guys like to ignore they fact that they are also women themselves like it’s not gonna kill you to give those characters feminine compliments there shouldn’t be a reason why your calling these women “handsome” or other Masculine compliments and also a lot of Masculine women where makeup it’s not just a feminine woman thing. Masc Lesbians are women they aren’t men so stop treating them as if they are men and ignoring the fact that they are women

5. the Innocent childish reader gotta stop.

They title says enough I don’t think I need to say too much but a lot of y’all get innocent and corruption mixed up but a corruption kink is When you find the idea of "corrupting" someone, mostly in a sexual way, like taking virginities or introducing people to stuff like bdsm etc. It's the idea of having someone "pure" do "bad" things under your influence. And innocent is not corrupted or tainted with evil or unpleasant emotion; sinless; pure. not guilty of a particular crime; blameless. (From the dictionary)

Y’all need to understand yes not everyone knows what sex is but everyone knows what a vagina is what a penis is, what a orgasm is and what sex is but they may not knows what happens when you have sex so making the reader what y’all call innocent isn’t innocent it’s honestly to me perverted cause the only one who would say something like “my cunny feels weird 🥺” or that “what is sex 🥺” is a child. Children don’t know what sex is children don’t know what pleasure or orgasms is and when y’all say “the reader is a Bimbo” is also funny cause Bimbos know what sex is as well yes they may be stupid but they aren��t slow so before you make a innocent reader please think “am I making my reader act like a child or am I gonna make her really innocent like how regular grown ass adults act?” so don't get not knowing and "innocent" mixed up

6. The stories where they have sex inside a church also gotta stop

Now I’m not a Christian but these stories are honestly really bad and are Blasphemy a lot of people have come out and said that they don’t like the fact that people are writing stories about church in a sexual way like their shouldn’t be any reason why your characters are fucking inside a church, that’s like stomping on someone’s dead grave. You guys do shit like this and then wonder why Christian’s don’t like us. Religion isn’t something to be sexualized it’s not something to be playing with either this idc how much you hate Christianity you can be a Atheist, or Catholic or Jewish but please for the love of whatever you believe in don’t sexualize people’s religion.

That’s all I can think of at the moment if I think of more I’ll of course make a part two to this but don’t take anything I said here to heart it’s just my blunt honest opinion on things in this fandom and if I get hate for this 🤷🏾‍♀️

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s4lv4tions · 7 months

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numerology; nsfw

pairing; gojo satoru x reader / gojo satoru x geto suguru (past) / geto suguru x reader (past) summary; numerology — the belief in an occult, divine or mystical relationship between a number and one or more coinciding events. or: trying to move on. wc; 13.4k cw; death, angst, requited unrequited love, violence, smut (at the very end, but mentions throughout), canon divergence, spoilers for manga an; if you think you've read this before, you probably have! i posted this on my old tumblr a year or so ago, and it's still available on my ao3. this version is slightly updated and edited, but still diverges from canon as it was created at the start of the culling games arc :)

The first time you bathe with Satoru, he cries.

You don't notice at first; he's quiet — abnormally so —, and his face remains pristine, unchanged. The only hint you get is a small, barely audible sniffle that stops as quickly as it starts — and you think he wants it that way. You don't think he's ever cried in front of anyone.

That's why you don't say anything. Just continue washing the suds from his hair, and pretend that the tears rolling down his cheeks are beads of water dripping from his hair — but you take extra care to massage the conditioner in, and peck his cheek as you finger-comb through silky, cloud-white strands.

It occurs to you afterwards — as he lounges on your bed, scrolling through channels with a wayward hand planted on his stomach — that perhaps, it's the first time somebody has taken care of him. The first time ever, or just the first time since… since…

Geto Suguru's face smiles up at you from your vanity — a tiny polaroid, his face no bigger than the nail of your thumb. Beside him, Satoru grins, cheeky and bright-eyed — you don't think he's ever been any different —, and in the corner, the smudge of your thumb covers the lens. You don’t have to lift the photo and check the back to know what’s written there, in your scratchy, looping scrawl; the strongest, 2006.

"Lord of the Rings?" Satoru calls, carefree as ever. A yawn catches in his throat, and his fingers slip underneath his shirt to scratch absentmindedly at his chest. "Ooh, haven't seen this one yet…"

"Uh, yeah. Sure."

It was a better time. Less pain. Less responsibility. Less death — or maybe the same amount, just shielded by the blinding cover of childhood inexperience. Suguru was still alive and burning bright, Satoru was happy (happier. He didn't cry in the bath, at least). Shoko didn’t self-medicate as intensively as she does now. The days were spent in childish ignorance and stupid indulgence, and even when things seemed their darkest, you never lost hope.

(It probably says a lot about you that, if given the chance, you wouldn't return. Whether that's because of what you know is bound to happen, and the pain is too much to experience again, or because you're so utterly pathetic that you'll take sadness and grief and a tiny shred of affection over… whatever it is you were back then, you don't know. A smudge in the corner of a picture of the jujutsu world's greatest.)

Suguru's eyes seem to burn into you. You turn the picture over, and rejoin Satoru on your bed.

"It's been two years."

Satoru doesn't like to talk after sex. Not in any way that's really meaningful, you mean, nothing that lets you in. He loves jokes, empty small talk, work politics. Chatter that's deep enough to show he cares a little without bearing any part of himself — your injury healed up? When was the last time you had a break? There's a new teppanyaki place in Shinjuku, I'll treat you. Don't work yourself too hard, you'll put me out of business!

If you're being honest, you didn't go into this expecting anything more than a person to scratch an itch with.

You're already friends — though, you're not sure friends totally encapsulates what Satoru is to you, romantic or platonic. You've been friends since you were 12. Satoru, Suguru, you — and then Shoko, when you all met in your first year at Jujutsu Tech. That's how it's always been.

You swear sometimes you know him better than yourself. You swear sometimes it's his voice you think with. Is that what "friends" encompasses? Somehow, it doesn't seem enough.

Whatever. The point is that your relationship with Satoru is already strong; foundations tall and proud and unshakeable. You didn't start fucking Satoru in the hopes of forming a relationship — one was already there.

It's just... Satoru is young, yes, and he enjoys flirting, but (contrary to common belief) he's not all that keen to sleep with the first person who's willing. You don’t say this with the belief that you’re special. It’s just that with work, and especially with — y'know, his… romantic history, Satoru hasn’t found the time or will to just sleep around. At least, according to him.

Sheer willpower isn't enough to make those urges go away, though, and… well, you had them too, and you were willing, and he trusts you. And you'll take anything he'll give you, really, even if it's just scraps. Even if sometimes it makes you feel worse.

Today's one of those days.

You feel sick, after. Not because of him — because of yourself. Your polaroid of Getou and any other photo he's in has been turned over, anything that could remind you of him tucked away, but — but he's everywhere today, everywhere, and you'd fucked Satoru despite it. And Satoru is covered in memories of Getou, of course. Every freckle, every shifting of muscle, every jut of bone — did Getou touch him here? Caress every bit of him he could get his hands on? Tangle his hands in his snow-white hair, breathe against his collarbone?

When you came, you cried. Pretended it was just because it was so intense, but behind your eyelids, dark, cat-like eyes stared back.

"Hm?" Satoru hums as if he didn't hear you, eyes fixed on the TV. Dumb doesn't suit him — it's honestly a bit of an insult for him to even try it. Like you didn't sense the stiffness of his limbs the second he'd stepped inside, or the crumbling edge of his smile, or the way he'd forced you to love him harder — pull his hair harder, scratch his back deeper, his Infinity turned off and his skin yours for the marking.

Satoru's mannerisms are scribed into your brain. You catch yourself emulating them, sometimes; hands waving, head tilting, grin wide and posture open. You wear it like an oversized coat, an ill-fitting costume, and sometimes you wish you could stop taking on pieces of him. The more you take, the more you must throw away — and it's Suguru that your memory discards. You find yourself forgetting how he hummed when he woke up from a nap, or filled his cheeks with food like a hamster; how he scrunched his face up when he laughed, pretty all the while…

The point is that even with his incredible knowledge, his awesome strength, the sheer holiness of his existence — you know Satoru. And the fact that he came to you today isn't mere coincidence.

You decide to come out with it. You've tiptoed around it for 24 months, give or take, had a shockingly brief mourning period before the jujutsu world forced you along, and… even with what he did, Suguru deserves better. "Suguru died today."

A beat of silence. Then:

"Mm, I guess he did."

You'd spent the day staring out at the grey sky, the miserable sight of soaked pavement. Grey, grey, grey. Concrete jungle. Heavy rain clouds and an ocean of multicoloured umbrellas, bobbing and rolling to destinations unknown. You hadn't said it aloud; hadn't even thought of it, specifically. The knowledge of it had just sat over your head like a thick, sweltering fog — and if you know Satoru at all, you know that he'd done the same. Maybe he hid it better.

You don't have to look now to know that his lips are pressed thin. You find the sudden thought of looking him in the eyes daunting, anyways, so you turn onto your side, back facing him, and pick mindlessly at the sheets. You don't want to see what his reaction will be when you say—

"Did you know that I loved him — back then?"

You don't want to see the shock, or the confusion — and you'd rather not see a lack of them, either. What's worse, you wonder — him knowing and loving Suguru too, or not knowing and loving him?

"...Yes."

You screw your eyes shut and try to will away the sudden surge of cold, like a sharpened dagger to your chest.

(It turns out that knowing is much more painful.)

Suguru Geto had been the apple of your eye ever since you'd met. 11 and gangly and stupid in a way that all children were always stupid, Suguru had been a bit kinder than his white-haired counterpart. Satoru, being Satoru Gojo, had grown up with no fear of authority, no mindfulness for his less-powerful peers as anything more than people who existed around him. You and Suguru were allowed the title of friends, but very few were. Anyway — he grew out of that mindset, of course, but your fondness for Suguru stayed.

(Though they'd always seemed to be on another level than you — not even just in terms of power, but… just caught up in each other, always. Suguru had only ever wanted Satoru. And vice versa.)

And then Suguru changed. Right under your nose, he changed, and his sudden quietness made sense. His fatigue. The way his hands would always shake when swallowing an exorcised curse, always had since you were kids, and then suddenly they were ingested with a scary calm. Nobody understands the taste of curses. Not even you, not even when he’d explained it in sickening detail.

You sigh, then. Tired and lethargic and not from physically straining yourself for an hour. This is bone-deep, soul-weary. It's been held in for 730 days, or maybe more. Maybe you've carried it with you since birth. "I never apologised."

"For what?" Satoru asks — and he laughs, jolly, and the sound fits awkwardly in his throat. A clear attempt at feigning indifference, but he's a bad liar. He always has been, because he's never needed to lie. Perks of being the strongest, you guess. You can just come out and say shit — and if you can't, not saying anything technically isn’t lying.

"I hated you, after," you confess. You dig your thumbnail hard intoyour pinky finger, taking momentary refuge in the sharp shock of pain. "I couldn't stand to look at you. When I did, I saw… I saw what you did. What you had, and what you had thrown away. I blamed you for Suguru. I blamed everyone except Suguru."

Another snicker, a bit too humourless. "You can't stand to look at me now."

"I…" You don't know what to say to that.

Truth is, you don't want to see his face. Contorted in pity, or disgust, or sadness for you. You've gotten used to living in his shadow — most everyone has — but that doesn’t ease the ever-present blanket of insecurity that you carry around your shoulders. It doesn’t dull the ache of inferiority you’ve been housing in your chest from the moment you were saddled with your technique. As you aged, you got better at hiding it, and you generally prefer your self-pity to go unnoticed, but Satoru—

He could always read you like a book. And you hated it. You hated being pitied by someone who was as powerful as him — someone as close to God as one could get. It was demeaning. Patronising. It makes you feel like a child again, bowing your head as your mother makes excuses for you.

You shift over — onto your back, and then onto your other side — and you look at him. You force yourself. Blankets pooled around his waist, his skin so pale it could be translucent, eyes icy blue and framed with fluffy white.

"You were forced to do it," you murmur. Your eyes remain trained on his chin — his are much too bright, much too all-seeing for comfort. "If you hadn't, he would've gotten worse. He never would have stopped. You knew that, you always did. It… took me a while to come to terms with it."

Satoru sighs. Then, he slumps down so that — like you — his head rests flat on the pillow, and his body arcs towards yours. He's forced himself into your sights again, in a way that’s gentle, but not so much that you wouldn't be able to figure out what he's doing: forcing you to face him.

"Would it have made you feel better," Satoru begins, reaching forward to brush his fingers against your chin, "if you were there when I did it?"

Would it have?

Would it have given you closure? Would you no longer spend your nights wondering what he'd looked like, what his last words were, his last thoughts? If he had spittled and roared in anger, if he had wept in fear, if he had attempted a smile, a joke? If he thought of you, or if you were just another insignificant blip in his radar?

In your mind, Suguru exists as his 17 year old self — smiling and mischievous, polite yet humorous. He puts extra broccoli on your plate and gently berates you to eat more. He tells you that you're a precious part of the team, that none of them would be who they are without you. He calls you crybaby because you always wear your heart on your sleeve, and tells you not to worry about things you cannot change.

Change what you can. Forget the rest and leave it to me, crybaby.

The bubbling hatred that had festered inside him has no place in your head. You want him to stay as he is, your Suguru that was never yours, shining like gold in your mind.

"No. He hated me at the end, I think," you say quietly. For a second, you dare to meet his eyes — bright and pointed in how they stare at you. You know he can see the tears that have begun to burn in your waterline, the way you ball your fists so hard you dig half-moon into your skin. He doesn’t need to be blessed with the Six Eyes to see.

"I wasn't interested in changing the world like he was, even with my Technique. That made him despise me, I think."

Satoru stares for a few more seconds. You wonder what he's thinking about. A second in your time is a lifetime in Satoru's; he must be thinking hard.

But he blinks, at last; sighs so deeply that his chest caves in with it, before he winds an arm around your waist and pulls you close, bare chest to bare chest, only atomic space between you.

There's nothing sexual about it. You're nothing but bones and skin and blood, here. He moulds your head to his shoulder with one large hand and cocoons you in his embrace, warm. Protected. You're not sure who the action is meant to comfort.

And just when you think the conversation is over — just when minutes have passed with nothing but the sound of the TV between you both — he speaks.

"Suguru could never hate you. Trust me."

You don't want to know what that means. You're only beginning to get over it, two years later.

Satoru is holding three onigiri in one hand, and two Starbucks' cups in the other — extra sugar, extra cream, extra ice, extra unicorn-marketing, just the way you both like it.

"There she is!" Is the first thing he says as he meets you just outside the metro, grinning.

It's sweltering hot today — the sun had risen early and would surely set late, and Satoru seems to be taking advantage of it. Gone is his Jujutsu Tech uniform and thick blindfold, but he's stuck with the all-black theme like he usually does — black jeans, black linen shirt, black socks and shoes. Even the frames of his sunglasses are black.

(Handsome. He's handsome. He's always been handsome — years later, you'd think you'd stop feeling the effects of it.)

Lucky for him. You're not, y'know, the strongest sorcerer in the last century, so there's no leeway for you — and even in your summer uniform, the skirt and short-sleeved blouse, you're sweating. Your only respite is that the combined force of you and Satoru will mean this mission is going to be a breeze.

Satoru tsks. "Took your time. I almost ate your onigiri."

A man nearby jogs past, clearly in a rush, and Satoru has to step closer to you to avoid him. He could've stayed still. He wouldn't have touched him, anyway, with his Limitless.

"And you would've had to buy another, genius."

A pout. "You only love me for my bank account, don't you?"

(He's joking. It's a joke.

But your hand shakes — a miniscule tremor — as you reach out to take one of the cups, and you know he sees it because he's Satoru and he sees everything. You turn away as quickly as you can, setting off in the direction of whatever place it is you're here for, and pretend that the fact that he can say it so casually doesn't kinda fucking hurt.

(He could never say it like that with Suguru — so bluntly, so crassly. Not without softened eyes and softened smiles and a gentle tilt of his head — those are mannerisms reserved only for him, never to be seen again. Instead, you get snickers and digs in the arm and teasing pulls of your hair. Of course it’s a joke. That’s all you are.

Perhaps you should just be grateful for what you get. Perhaps you should try to stop comparing yourself to a man you once loved. Perhaps you should try to stop comparing yourself to a dead man. Perhaps, in the end, you just love the pain of it all.))

"Yeah," you reply, taking a large, sugary sip. "And don't you forget it, either."

Satoru catches up to you quickly, effortlessly; his arm flops around your shoulder as he tugs you in the opposite direction, chastising you for going the wrong way — but it stays there long after it needs to.

Itadori Yuuji — Sukuna's dead-but-not-really vessel — thinks your cursed technique is powerful. He thinks it’s amazing that you can use reverse cursed technique — you must be really powerful, right? Gojo-sensei says you’re special grade. He also thinks you're very pretty. He tells you this over his fourth grilled pork belly wrap — this one bursting at the seams with kimchi, garlic, and roasted sesame seeds.

He doesn't say it in a flirtatious way — it's just an observation to him, simple and blunt, and you figure he has about as much of a filter as Satoru does.

"O-oh," you say, metal tongs frozen over the sizzling meat. "Thank you, Yuuji."

You had briefly met him for the first time before his death — Nobara, too. Megumi, the third piece of the golden trio, has been something of a little brother ever since Satoru had taken him in, and you know him well enough to know that Yuuji's death (or lack thereof) is weighing on him terribly.

(There are too many parallels you could make. Suguru and Satoru. Haibara and Nanami.)

Hiding it does make you feel guilty. To experience that grief, that loss — even if it will soon go away when Yuuji rejoins jujutsu society — isn’t something to take lightly. But Yuuji needs a guide that isn’t completely off the rails. Satoru and you balance each other out, and balance seems to be something Yuuji needs.

He reminds you terribly of Satoru when he was younger. Maybe that's why you have such a fond spot for him — he's too goofy and well-meaning and genuine to dislike.

"Why are you acting surprised?" Gripes Satoru, chewing with his mouth open. "I tell you that all the time."

Your eyes narrow. You place a perfectly cooked slice of marinated beef on his plate. "You're you."

"What's that supposed to mean?" He whines. "We're best friends, crybaby!"

"You don't say I'm powerful. You say I'm helpful. There's a difference. And don’t call me that."

"Is there?" Satoru asks, turning to Yuuji for guidance. The teen boy shrugs, preoccupied by assembling his newest monstrosity. "I call you pretty, too."

"Yeah, when—"

When you're eight inches deep in me, face buried in my neck, trying to get yourself off. Your cheeks flush with warmth at the thought, and you shut your mouth. Yuuji doesn't notice your slip up, busy as he is; Satoru does completely, and fixes you with a grin so sharp that you vow to not give him any more meat until Yuuji is completely full.

"It's not the same," you say, voice final. It's a lighthearted lunch. You don't want to ruin it by getting touchy over semantics, and that's exactly what'll happen if you keep going. "You say it to reward me. Like tossing a dog a bone."

You reach for the scissors to snip the meat into little pieces — and in doing so, you miss the brief frown that presses against Satoru's brow.

Neither of you say anything more on the matter.

Satoru has known you for five years when he realises that he resents you. Not completely, and not for one particular or solid reason, either. He prefers not to think about it, in any case, because you're one of his closest friends — and even at 17, he knows that that's hard to come by. Especially as the Strongest.

Satoru stares up at his ceiling; stares at the miniature striations only he can see, the starburst-shaped gyrations of clay used to finish it off.

Tonight, he's thinking about it. And many other things.

He hates that you're so hesitant about everything — he hates that you believe yourself so weak that you have to tiptoe. You, with your reverse cursed technique — which is a feat in and of itself — that could transcend time and space, just like he could. A technique passed down for hundreds and hundreds of years, accumulating power all the while…

(Your technique has lots of rules and regulations, of course. A handicap, and he understands it frustrates you, but his own frustration eclipses his understanding. Why should someone so strong feel anything but their own strength?)

He hates that you curl in on yourself when you're sad, or lonely, or angry. He hates that you wear your heart on your sleeve — he's never allowed himself to, not fully. He can't, never fully, because there are people who are watching him, people who hate him, people who want him dead. He can joke. He can make his political desires clear — but he can’t love like he wants to, and God forbid he cries.

He hates that you close your eyes and bask when it's sunny, like a cat in a sunspot; hates that you remember that he doesn't like chicken wings and prefers thighs; he especially hates that you watch over Suguru like it's your job, when Suguru doesn't need it.

And some part of Satoru hates Suguru, too. It was strange for him to come to terms with it, fond of him as he is, but as he grows Satoru realises that there's no love of his that isn't closely affiliated with hate. It makes the love all the more strong.

Satoru, for one, dislikes how polite Suguru is, even when he doesn't need to be. He hates that Suguru becomes a straight-faced, unfeeling thing when he's upset, and tries to hide it — the emptiness in his eyes unsettles him like nothing else.

Most of all, above all, Satoru hates that Suguru loves you, crybaby, and is too pussy to do shit about it. Satoru doesn't understand why, anyways, because he'd made it clear that if he wanted, Suguru could have you both and Satoru wouldn't care. Usually, the thought would offend him. How can you love someone when you already love me? When you've already sworn yourself to me? You already have the strongest, who else do you need?

But… he doesn't know. He kinda understands. You're precious to him, too, after all, sunflower soaking up the sun.

Like he said: there's no love of his that isn’t closely affiliated with hate.

Six and a half hours after the hours-long meeting that followed the ruined School Goodwill Event, you find yourselves in a diner somewhere in Harajuku. It’s one of those weird fusion places, loaning ornamentation and tokens from classic American diners, serving omurice with fries, sushi with mashed potatoes, with a cute little mascot that looks like Elvis. It’s loud enough and bright enough to make you feel timeless. It's a sensation you can appreciate.

Something’s been telling you that time’s ticking, and you’re not quite sure what it is. Trauma, probably. Anxiety. The fact that curses have been banding together, learning spoken language, amassing power — planning an attack on Jujutsu Tech, gaining intelligence, gaining anger.

Satoru doesn’t say it — doesn’t want to say it — but you think it’s unnerved him, too. The last time outsiders entered school grounds was… two years ago, wasn’t it? It’s crazy. Everything always seems to lead back to Suguru.

The attack has fueled something in both of you, anyways; something that makes you both stay up instead of knocking out like you usually do; something that makes you both hungry and restless and liable to travel across Tokyo past midnight. By public transport, no less. No warping or high-speed flying for you, tonight.

But you appreciate it. And you think that Satoru is taking things slow for the same reasons you want to — to take things in, to appreciate what you never think to appreciate. To admire the mundane, even for a little while. Satoru’s less emotionally attached to the jujutsu-less aspects of life than you are — bullet trains and waiting in line and standing on the train platform, escalators and traffic — but he enjoys them all the same when he has time to. And it’s not often The Strongest gets to experience pure, genuine normality, too, so maybe sitting in this gaudy diner and watching the world pass you by is a luxury he rarely affords himself.

He orders the most complicated drink they have — a sakura-caramel milkshake topped with whipped cream, glacé cherries, and an entire slice of cheesecake. He’s down to the last dregs of melting cream within 10 minutes, swiping fries from your plate between sips, ignoring your chides of rotten teeth and high blood sugar.

Blindfold swapped for glasses. Strands of hair drifting down against his forehead.

You’re always reminded at the worst times of how handsome he is. It’s not like it’s a secret, or he’s unaware of it — and he takes pride in his looks, if his extensive skincare shelf and general attitude is anything to go by — but he puts much more stock in his strength, in his usefulness to others, his intelligence. The things he can provide for others. Not many people realise that.

Maybe you shouldn’t act so high and mighty. It’s not like you don’t appreciate his appearance as much as the next person — hell, half the time you’re trying to stop it from distracting you — but maybe you get a pass. Y’know, as a person who actually has reason to marvel over the stretch of his neck and the flush of his cheeks and how his lips go the prettiest pink when you kiss him. Or the cords of muscle along his arms; the slender-yet-thick bands of muscle of his chest and legs. The large, veiny expanse of hand — slim, delicate fingers wrapped around a paper straw…

"Are you gonna eat those?" Says Satoru, slurping obnoxiously. “Haven't eaten since dinner."

You push the basket across the table, uncharacteristically void of argument. "Go crazy."

Satoru sets his empty glass aside, but the straw remains in one hand. The other he uses to pluck up fries, 4 or 5 at a time, his gaze suddenly fixed on you as he chews nonchalantly.

"Y'know," he says, licking salt from his fingertips, jabbing the straw in your direction, "I can always tell when you're horny."

"Excuse me?"

"You squirm," Satoru continues — matter-of-fact, casual, as if he's talking about the weather. "And you get quiet.”

“I’m a quiet person,” you snap, nails pressing against your palms under the table. “Sorry I know when to shut the fuck up—”

“And then you get flustered. And when you’re flustered, or embarrassed, you get angry.” He raises his hand — signals the cute waitress for another basket of fries, and leans back with his arms splayed along the back of the booth. “Don’t look so surprised! How long have we known each other?”

If you were a better person, you’d probably admit that yes, he’s right. You do get quiet when you’re horny, and you do get angry when you’re flustered — if you were a worse person, though, you’d remark on how you're the first person he crawls to when he’s sad, or overwhelmed. How getting you into bed and losing yourselves in each other is a sort of therapy for him. How he always tries to distract you with cheeky grins and sly, flirty comments, but then afterwards he cries in the bath as you clean him up.

You don't say that, obviously. Seems like a pretty shitty thing to bring up today of all days. He'd probably deny it anyways, but you don't think it's a coincidence that the attack has left him restless and he obviously wants to take you home.

The new fries are delivered to the table, but he looks right past them. He bows his head slightly, glasses slipping a little further down his nose so that his white-framed eyes peek over the top of them.

"Let's warp home," Satoru says — and oh. There's that voice. That drop in tone, that lack of boisterous humour he always employs. It's soft enough to have goosebumps rising on the back of your arms, smooth enough to have you squirming — yes, squirming, you admit it — in your seat. "Alright?"

"Yes." And it's embarrassingly breathless, and embarrassingly quick, but Satoru doesn't tease you. Just smiles, raises a hand for the bill, and watches you all the while.

You count seven stitches in the forehead of Geto Suguru.

Count, because it's all you can do. Everything else is lost to you.

Breathing.

Standing.

It feels like even your heart has stalled. Because—

Because—

Because Geto Suguru is dead. Dead, in the ground, no longer breathing, no longer living. Satoru had killed him. Satoru had demolished him.

The lips of the Geto in front of you twist — a sickening, stomach-turning imitation of the smile you once adored. On his face it's a sneer, a mockery. Your Suguru did not smile like this when you knew him.

"Hello," he greets pleasantly. His arms are hidden within the sleeves of his yukata. Hair down. Suguru always tended to wear his hair up, unless he was fresh out of the shower. Unless he was upset. It was too much hassle to take care of. You know when he took over the Time Vessel Association and donned the gojo-kesa he began wearing it down. "_____ _____, yes?"

You can't answer. Your ears are ringing. Your stomach gives a worrying lurch that winds up your throat — you think you're going to be sick.

How? Why? Who — who is this in front of you? Because it's not Geto, not Suguru — and you don't say that because of longing or a pathetic desire for ignorance. This thing feels wrong. Inherently, blasphemously wrong. Looking at him for too long makes your cursed energy prickle. Seeing Suguru's image painted in such slimy, rancid energy has you gasping for breath.

Satoru, your mind whispers. Satoru needs to know.

He should. He needs to. But this pseudo-Geto does not look friendly in the slightest, and you are isolated.

Looking back, it had seemed fine to go alone to exorcise curses in the belly of Tokyo's metro. Taking old service tunnels and eventually entering abandoned tracks hadn't felt scary. You're a semi-special grade sorcerer with years of experience under your belt and a powerful cursed technique that could get you out of most, if not all, pinches, restrictions and regulations be damned.

"I'm sure you're very confused. I apologise, really…"

The reality of the situation hits you. Maybe hit is the wrong word — it doesn’t come as a bloody, stinging smack in the face. It’s a trickle of ice-cold water down the nape of your neck, drawing dread from your head all the way into the pit of your stomach. You don't think this is a pinch you'll come out of — at least not battered half to death, especially when a silver-haired curse decorated with stitches steps out from behind pseudo-Geto. The curse Kento had fought. The one that he said to look out for. Patchwork.

Immediately, you know fighting isn't an option. But what else is there to do, in the face of pseudo-Geto and his silver-haired, sentient curse? Your technique may not be limitless in your possession, but in theirs? If they did to you what they did to so many others — transfiguring you past the point of recognition, stealing your body and technique, desecrating your corpse with cursed energy…

"I can feel it from here," titters the curse excitedly. "So warm… I have to have it! Her soul, I have to have it!"

Fuck.

You could try to escape, but you wouldn't have enough time to run past them and through the winding corridors of the underground, even while distracting them with your cursed technique. They'd catch you within seconds. You’re sure they have curses lurking around waiting to thwart you, too.

You could burst directly into the layers of concrete and metal above — use your technique to revert them back millions and millions and years to their very first forms, atoms and subatomic particles, and then rebuild them up as an ascending platform — but that would take too much time, and you'd be completely defenceless while you did. Not to mention the toll it'd take on you.

(Not to mention the fact that you'd be bursting into the public eye from a giant crater in the ground.)

"I'm sure you know what I'm going to do," continues pseudo-Geto, amiable. "I would ask you to join us, but I know that is impossible. Therefore, there is only one course of action."

Can't fight. Can't escape. Can't get answers. Can't stay clueless. How contradictory.

You're not dying, that's all you know. And if you have to do the one thing you never wanted to do, then so be it. Anything is better than death. Death is not an escape, in this scenario — it’s a guarantee of imprisonment.

"It's a shame," pseudo-Geto sighs, bloodlust swelling. "Such a waste of a good technique."

You make a Binding Vow with yourself within seconds.

Using a magnitude of cursed energy usually out of your reach, your entire body will be reduced to atoms — intangible, untrappable, unkillable — for as long as it takes to retreat to safety. In return, you will be unable to think, unable to move according to your own will, only a mere pawn to entropy as the rest of the galaxy is — high risk, high reward.

There are many things that could go wrong.

In reducing yourself to essentially nothing, in splitting your cursed energy into billions of particles, you could reach a state of such low cursed energy concentration that you are, for all terms and purposes, considered dead. In doing so, your Binding Vow could break, and you would be unable to return to living.

Or you could float for days, weeks, years — safety is subjective, subjective is dangerous when it comes to contracts, and you can only hope that your own understanding of it sets the standard.

It's either this, this fleeting, terrifying chance, or death. With one, you can return to your school, your students, your Satoru — you can tell them what happened. You can bring justice to whoever has disturbed Suguru from his slumber. With the other — nothing. Just plain, utter nothingness forever and ever.

(You know which you'd rather.)

The last thing you recall, in spotty haziness, is the heart-stopping sight of Suguru surging towards you, eyes bloodthirsty, face contorted in malice.

The last thing you hope is that Satoru isn't too upset about the risk you've taken.

Eight days after your solo mission, you resurface — a discombobulated, stumbling mess on the outskirts of Shibuya, eyes glazed and mouth stuttering over syllables. A nearby Window calls the college within seconds, and Gojo is there just as soon — hands shaking when he grasps your arm and turns you to face him, fingers trembling when he cups your cheeks and brushes them under your eyes.

It’s you. It’s you, it’s you, it’s you, and he can breathe, he can fucking breathe, his chest is lighter than it’s been for those entire 8 days — all the while, he burns with an anger so intense it hurts. And Satoru is no stranger to anger, of course — knows it as intimately as he knows himself — but he's not sure if he can remember the last time it had rendered him breathless, trembling. Bloodthirsty.

It's not the time to think about it. Not when you're shaking in his arms, so frail and weak everywhere except your hands — no, your hands remain strong, fingers digging into his clothes and skin. He turns off his Infinity. The sting of your touch grounds him.

Shoko is already waiting in the clinic for him — she’d been preparing ever since the call first came in. The students (the ones on campus, at least) crowd together at a distance, buzzing anxiously as Satoru disappears swiftly into the depths of the infirmary with you in his arms.

Bad things happen often. Too often. Satoru isn’t sure whether it’s a good thing or a bad thing that they haven’t gotten used to it yet.

“Gibberish,” Satoru answers when Shoko asks if you’ve said anything competent since he picked you up. “Just gibberish.”

Shoko is poking and prodding you with the usual doctor's shit — stethoscopes and thermometers and that blood pressure band that goes around your arm — and you just lay there and take it. Head rocking side to side, limbs trembling, mouth lolling open, and Satoru's trying not to lose his head because what good is taking your temperature? Do you look like you have a fucking cold? Is the way your eyes focus and unfocus normal? The way you can’t string together two syllables that make fucking sense?

But even with how he can see your cells malfunctioning all over your body, Shoko knows more about this shit than him. So he sits pretty on her swivelling chair, twisting back and forth, body the image of boredom but mind anything but. Time and time again, he’s reminded of how unprejudiced tragedy is — how it leaves no hint, no mark of itself, no time to prepare for the toll of it all.

Satoru had greeted you briefly before you’d left. Said something about getting lunch together, that you better be careful because you were treating him — the same shit he said time and time again, his real plea hidden within the folds and twists of his jokes and quips. Be careful. Don’t die. I can’t lose you. You’re precious to me.

You’ll be okay. You have to be — he won’t allow anything otherwise. But if he’d known last week that you’d end up like this, would he have said those things out loud? He doesn’t think so. He’s cowardly in that way.

A few moments later, Shoko straightens up. Immediately reaches into the pocket of her lab coat and pulls out a cigarette and a rusting lighter, and is puffing out clouds of bitter air just seconds later.

Shit. That’s not a good sign.

Shoko sighs. Rubs at her dark undereye circles and only makes them worse, taps her cigarette so that the ash falls to the floor. “I know what it is.”

Well fucking tell him instead of keeping it in!

“Oh?” Satoru says instead, leaning forward onto his knees. “What is it, then?”

“She used her technique on herself.”

“She does that all the time to heal."

“She didn’t heal herself,” Shoko snaps — and Satoru remembers that he’s not the only person you’re important to. That while he and Suguru had gotten ahead of themselves being the strongest, they’d left you and Shoko to stroll humbly along your own paths. The only girls in their year. The only person Shoko could fully confide in, really — at least in Tokyo —, the only person who had bothered to check up on her when she drank too much, smoked too much. Even if Shoko hated it.

Shoko is upset. Satoru doesn't what to do with it.

(Alcohol — she likes alcohol. Satoru reminds himself to pick up the most expensive bottle of the stuff the next time he's out.)

(No. She’s trying not to drink so much, isn’t she?)

(Whatever. Life is short.)

“She dissipated herself.”

Satoru knows about your technique intimately enough that it immediately gives him pause — but he runs over the details in his head, just in case, as if it isn’t already imprinted on the flesh of his skull.

Your cursed technique allows you to disassemble items down to their most basic units — subatomic particles — while your reverse cursed technique allows you to reassemble them. Items can be reassembled into their previous form, or to another related form, but you cannot exceed the item’s natural entropy threshold. If you do, the item cannot be reverted back to a physical state, and you will bear the brunt of the resulting shift in energy.

It's a finicky technique. Finicky and fickle and the risks tend to outweigh the rewards — but you'd always used it so elegantly, so gracefully. Even when you doubted yourself, you had a handle on it. Satoru admired that about you.

("You don't say I'm powerful. You say I'm helpful. There's a difference."

You'd said that to him once, when he brought you and Yuuji to lunch. You'd acted like it didn't bother you but he could tell it did — he didn't need his Six Eyes to notice how your nose twitched and your eyes narrowed, displeased.

But Satoru believes in two types of helpfulness.

The kind he is — powerful, needed, a force to be reckoned with. Someone that keeps things afloat, that acts as a beacon in the dark.

Then there's the other kind. The usefulness of pawns, of bait. Necessary, but not fundamental. Desired, sure, but rarely crucial.

You've always been the first. Always. You and him and Suguru and Shoko, always. Even he could admit that.)

You disassembled yourself into atoms. Into nothingness. You lost your mind, your body, your energy, everything—

Satoru sighs. He's been doing that a lot today.

“I didn’t know she could do that,” Satoru says. His throat is covered in a layer of sawdust. He can’t remember the last time he had to actually focus on not throwing up. “Why would she do that?”

“She talked about it, before,” Shoko says. She leans against the bed you’re laying on, gazing over her shoulder — and the way she looks at you turns his stomach, the upturn of her brows, the sad downturn of her mouth. It’s as if you’re already dead. As if she’s looking at a living corpse. “Just… as a theory. A last resort to help her get away, if needed, but—”

“But what?”

“She knew she didn’t have the power for it,” Shoko mutters. Breathes another puff of cigarette smoke. “If she tried, she'd end up just… fading away. In breaking herself up, she'd negate the cursed energy that gives her the power to put herself together.

"And the side effects would be… well, you can see that for yourself. Stupid, so fucking stupid…”

“Well, obviously she has the power for it,” Satoru murmurs. “Or made the power for it.”

“A binding vow?”

Satoru shrugs. Clenches his jaw, watching as you scratch at the faux-leather underneath you. “It'd make sense. Explains how she put herself back together."

(But for what? What could have driven you to such lengths?

A curse like Jogo wouldn't be all too difficult for you to defeat.

So who…?)

Shoko hums. She stares into space for a moment, eyes unfocused, and for a moment Satoru sees her younger self — the one who just started smoking, just started drinking, who carried the weight of all the people she healed (and those she'd failed to) tucked in her pocket. The Shoko that would make sarcastic quips and humble them when they needed humbling, but humour them when she knew the outcome would be funny.

A time when they had very little responsibility. Even him, shackled with it since birth. Comparing his duty from then to now is like comparing a boulder to the weight of the world.

He feels very old, suddenly, at 28.

"There's nothing I can do for her," Shoko says, softly. Regretfully. "If she did make a binding vow, I can only assume she made a condition about returning to normal. If so…"

Satoru can’t do anything about it, basically, she explains. Your condition is one that will only heal with time, patience, and the odd boost from Shoko’s technique. Maybe, she says — she's still unsure about that last bit.

It sickens him. It festers as a deep, curdling annoyance in his bones, his uselessness. It’s a sensation he had only felt once before, standing before the slumped-over body of Geto Suguru. Nothing he could do for him except put him out of his misery, and even then that felt like a cop-out.

So… he can't go directly after the thing that had forced your hand, because they had left no trace. He can't heal you, either. He can't take care of you while your body repairs itself, while your supposed binding vow returns you to your rightful state — that duty will fall to Shoko, or one of her interns.

He can do nothing. And Satoru is nothing if he cannot be of use.

Nine months after the events of the culling games, Satoru enters your room to see you sitting up — eyes wide, eyes seeing, and it only takes you fixing him with a single look to know that you're okay.

(Subjectively. Relatively.)

Suguru Getou — Kenjaku — is finally dead — exorcised. He’s not sure which is the right word to use. All of his allies, killed or exorcised too. Nanami, murdered. Nobara, comatose. Yaga, dead. Inumaki, Maki, Okkotsu, maimed; the great houses of sorcery destroyed and rebuilt in the image of Satoru’s will.

Itadori Yuuji — dead. Sukuna Ryomen — exorcised.

Adding up the gains, subtracting the losses, carrying the ones… Both sides seem to have lost pretty evenly. And he should be happy about it, too; things could have turned out much worse. And they would have, too, if he hadn’t pushed himself out of his pouting and escaped the prison realm — a feat that was half out of spite and half concern for the outside world, and maybe a little curiosity. Rage. Longing to see the bastard who’d stolen Suguru’s face and body, who dared to reanimate him and rouse him from peace — longing to slaughter the thing that had rendered you bedridden and half-mad for months.

He had been the one to kill Kenjaku. It only felt right to be the one to do so — he’d killed Suguru, after all; had been the one to leave him defenceless and open to manipulation. If Suguru hadn’t been dead, Kenjaku wouldn’t have been able to steal his body.

Of course, Satoru ignored the fact that the very last rotten, desperate dregs of Suguru would have enjoyed Kenjaku’s plan — it was the only way he was able to keep his eyes open when he blasted his brain to bits. It was hard enough the first time.

All of these things sit on his tongue, bitter and souring and curdling — every detail of the battle, of the culling games, the colleagues and peers and students he’d held in his arms, the ones he’d comforted as they slipped away, the ones he’d reassured and promised.

(Pink, blood-covered hair; a smile that never dimmed, a nervous murmur (“It’s okay, Gojo-sensei. I know what I got into.”). The shaky laugh that had followed.)

Satoru’s hands tremble at his sides.

Your eyes are wet with tears when you look at him.

“How long has it been?” You croak — voice dry and cracked with disuse, whining in some parts, low and wheezing in others. Bone-deep, the fear in your voice, and for good reason — things had already been at a boiling point when you’d been taken down. Everything had moved past you. “Satoru—?”

Another selfish decision on his part: he doesn’t tell you. At least, not now, when the words threaten to vomit out of his mouth, when the pain is suddenly too fresh and too raw.

(For one strange, too-long second, he’s reminded of his mother — weak, presence-less, powerless as she was. Empty-eyed and unhappy. She was hardly even a mother with the amount of governesses he had.

Somehow, though, every problem would seem worse when her eyes were upon him; every cut and bruise was more painful; every slight against him a grave insult; every mistake a cause for self-pity and temper tantrums — and none of it mattered, as long as she took him into her arms.

A rarity, yes, but… maybe one of the only fond memories he has of his childhood in the Gojo household.

Satoru feels like a kid again — suddenly sniffling from a bruise he swore didn’t hurt, his mother ready to pat his head and baby him and coo his name. Satoru. Not Gojo-sama.)

He crosses the room and plants himself upon your bed and takes you into his arms for the first time in months, and—

And for the first time since Yuuji’s death, since Nanami’s, since Suguru’s, since your injuries—

He cries. Openly. Heaving, chest-wrecking sobs; red, wet nose and ugly whimpers. It’s overwhelming. It’s cathartic. It makes the pain worse, for a second, before it begins to taper out in a bruising wave; with it, he remembers his darling underclassmen who died, his colleagues that he’d wanted to live at least a few more years; he remembers that despite years of being told so, he’s not God — he couldn’t stop Yuuji’s death, or Suguru’s, or Toge losing his arms, or—

“Thirteen months,” he manages to get out. “Thirteen months — you couldn’t talk, or move properly, or—”

Satoru grabs handfuls of you — hair, waist, belly, it doesn’t matter. He can feel you beneath his skin. Rushing, pounding blood, cells, micromolecules — and he doesn’t need to, but he engages his Six Eyes for a moment — actually engages them, doesn’t let them run unconsciously in the background. It’s a comfort to let himself see each receptor interact with each signal on each plasma membrane, to let himself see the tissues that formed organs that formed organ systems forming you, breathing, living, sentient—

He kisses you — or you kiss him, he’s not sure — but it’s far more intimate, far more tender than any touch he’d delivered unto you; hands clutching the sides of your face, your fingers digging into his wrists. You’re crying, salt on his tongue — and he only knows they’re not his own tears because you give a great, shuddering sob when you part, trembling like a leaf in the wind.

“I had to,” you gasp, and he wants to tell you that he knows, he knows, he doesn’t blame you, sweet girl — did what you had to do to live, to survive— “I had to—”

“Only go where I can follow, okay?" His eyes are burning again, voice cracking with the promise, regardless of the fact that he’d rather you do it 100 times over than die. But it's the only way he can tell you he loves you without telling you he loves you, and he can't remember the last time he said the words aloud.

(He does. He remembers. And he remembers that Suguru wouldn't mind if he said it to you — that Suguru loved you as he loves you. And he remembers that Suguru is dead and doesn't have an opinion anymore, so it really doesn't matter, anyways.)

Satoru calls Shoko when he rights himself, barely pulling back from your embrace to text her something barely understandable and hurried. You don't say much while he does; still acclimating to being aware, being awake — he catches you with your eyes screwed shut and your nose buried in his jacket, fingers tight on his arms again. Grounding yourself. Reminding yourself that you're alive, and with him.

Shoko scolds you between rummaging around for a thermometer and scribbling your prescription in messy, barely legible cursive — calls you a dumb bitch for doing what you did, tells you that you owe her a bottle of wine and a trip to a fancy hot spring, and it all seems a little lighter.

(She cries a little — if the slight glassiness of her eyes can be considered crying. Satoru only teases her a bit for it, though you're quick to mention how he'd blubbered like a baby when he saw you, and he's humbled quickly.

It's the most normal he's felt in weeks.)

Shoko clears away after a few hours — gives you strict orders to rest, and sends him a knowing look that he's not all too sure of the meaning of.

"You look tired, Satoru," you finally say when you're alone again. Your smile is sad, knowing, and Satoru curses it all. You deserve a grace period, a moment of ignorance before the grief settles in. "What happened?"

But when have you ever wanted a moment of ignorance? When has he ever been able to hide the truth of things from you? When have you ever been anything but his equal, his confidant?

"Everything," Satoru says. A short, humourless laugh punctuates his single-worded sentence. "Everything, crybaby. Everything that we thought could happen, and everything we thought couldn't."

A flicker of a smile — uncomfortable, flat. Your eyes flicker down to the bland, starched sheets of the hospital bed. "Did you see him?"

He doesn't need you to elaborate. There's really only one person you both mean when you say him.

"Yes."

"Who was he?"

Satoru shifts in his seat. "An ancient sorcerer named Kenjaku. His cursed technique allowed him to transplant his brain between bodies and possess them."

"And he chose Suguru."

"Yes. And many others, too."

"And you killed him."

"Yes. For Suguru, and for you. But mostly for Suguru.”

“I’m glad,” you say, but your fingers twist the sheets tightly. “When I saw him, I was angry. So angry, I… I wanted to kill him. I knew I wasn’t strong enough, and I knew he would kill me, but for a second—”

He understands. God, does he understand. “You wanted to take the risk.” No matter the cost, no matter the damage to your own body. Anger like that consumes.

“I did.” You swallow. Your eyes meet his. “It was like… adding insult to injury. As if it’s not enough that Suguru is dead, but this — this Kenjaku has to puppeteer him too. Disturb his peace."

The wind rustles the trees outside. The late-afternoon gold of the sun settles along the horizon, a burning orange that stretches the shadows and warms the wind and turns the side of your face honey-soft and sad.

“But I realised that I was probably the first person he’d revealed himself to," you continue, "so I was the only one that could warn you."

Always thinking about the good of others. It was another thing he admired about you — Nanami, too. Satoru, for all his big talk about changing the world of jujutsu, about being better than those who came before him, is really quite selfish.

It's why his hands had trembled when he'd had to kill Yuuji. It's why he couldn't put Suguru in the ground the first time they met after he became a curse user. Even when he knows things are necessary, he tries his damnedest to hold on — just for the chance of it all. The chance that Suguru could change his mind. The chance that Sukuna could be removed from Yuuji without him needing to die.

"And…”

One snow-white brow raises. “And?”

“You’ve already lost too many people that you love,” you say simply, shrugging — like it's a simple fact, no need for experimentation, no need for an academic paper complete with its own abstract and footnotes. Like you've always known, in some little way, but you're only able to bring yourself to say it now.

And Satoru — well, it's no secret to him, is it? He's known it since he was 13, 14, 15 — had a bit of a buffering period, sure — and now here at 28, he knows it just as well. The point is that you're not supposed to know. Not while you're still healing from Suguru and… being attacked by fake-Suguru.

Regardless of what he knows and how long he's known it, Satoru feels his throat begin to close up, twisting and turning and holding his breath tight. He doesn’t like the feeling.

“Love?” He echoes. His voice has gotten a little empty. It's too soon for him to say it aloud, he thinks. It was okay when he whispered it in his head after making love to you; it was easy when he grinned at your scrunched up nose and scoffed comments and thought fuck, I love you. It was easy when he could pretend it was a simple, passing comment, a trick of the mind — but having it said as fact?

Not so simple. But you don’t need to know that. “Is that so?"

You don't seem to notice his momentary pause — a lifetime of rambling in his time, a second's hesitation in regular time — too busy staring at the space where his fingers stretch apart over the sheets. Just inches away from yours. "We're friends, aren't we?"

Oh.

"Oh." Satoru blinks back. "Oh, yeah. Best friends, you and I, crybaby."

"I know it's normal for us," you say, ploughing ahead, "to just lose and lose and keep losing, but… I'll be honest. I never fully got used to it, and I don't want to."

He wishes he could say the same, but he can't.

He understands, in some capacity. Nobody wants to see the people around them die, a continuous and vicious cycle. Nobody wants to get so used to loss that most funerals no longer hold any emotional significance. But getting used to it had saved him. Getting used to it helped him act without consequence, without remorse, and that's what the battlefield both needs and requires of him.

He could count on both hands the people he wants to save in this world — about half of them were dead, at this point. A lot of them died while he was imprisoned. Two, he had to kill himself. He swore he'd protect the rest with all Six Eyes, every non-existent boundary of his Limitless.

So Satoru doesn't care much about getting used to death and dying and loss and grief. As long as you're okay, he's okay. As long as his job as the Strongest is done, everything is as it should be.

He doesn't say that to you, of course. You'd probably curse him out and call him a heartless bastard. Instead, he nods, hums and agrees and tells you the names of those who died when you work up the courage to ask.

It's a long night. It's an even longer list.

10.

Shoko keeps you for observation for 10 days after you wake up — three days longer than necessary, but she won't hear it from him, no matter how many times he reminds her that technically she falsified her degree—

He's joking. Mostly.

Satoru volunteers himself to help you back home, taking with you the plastic bag filled with your cleaned sorcerer's garb and weapon. He carries it over his shoulder along with two teddy bears, a half-wilted bouquet of tulips and a half-eaten box of chocolates (all courtesy of the second years — except for the chocolates, which are half-eaten because of him). He winds his other arm around your waist even though you can walk perfectly fine, but — it's just in case. Purely precautionary. For once, you don’t argue about being babied.

In the midday sun outside, you tilt your head back and close your eyes and smile. For a moment, it's as if the sadness has melted away from you — the tears you shed over Yuuji, Nanami, Suguru. The tears you shed over him, and he wasn't even dead. Satoru is glad your eyes are closed — even beneath his sunglasses, it's painfully obvious that he's staring.

You decide to take the subway home — it's my first time outside in almost a year, you remind him, so he pushes down any arguments he might have and enjoys the too-cramped journey towards Akihabara. You’re both shoved standing together, between a panicked looking man holding a tray of coffee and a woman with her child hanging about her legs, your head bobbing against his chest as the train moves.

For a moment — as the train passes momentarily out of the underground and becomes encapsulated in light — it's easy to drown in the normalcy of it all. For a moment, he sees himself looking in as a stranger would. Here, he isn't the Six Eyes; just a simple man taking his girlfriend home, standing close on the train, wishing to be closer. Riding home to your shared apartment where he'll peel oranges and feed them to you, where he'll lay his head in your lap and hold your hands to his heart.

His nose wrinkles. He prefers reality, he thinks, where he can be powerful and have you by his side; where he can protect you, uphold peace, change the jujutsu world for the best — and then go home all the same, and have you to hold.

"What are you thinking about?" You mumble against his collar.

"Oranges," he replies.

"I don't have any at home," you say, "or if I did, they're rotted."

"Don't worry — we cleaned your kitchen up. Me and the kids." It was an afternoon of Yuuji attempting to shove rotting potatoes in Nobara's face. That was before Shibuya; before everything, really.

"Oh? You got your hands dirty?"

Satoru tries to not think about that same beaming, smiling Yuuji's last breaths. "Of course! This is me we're talking about, honey. I was front and centre."

You snort, soft against his neck. It's a wonder he went almost a year without you. "Housewife Satoru. I'll keep it in mind."

When you return to your apartment, you shower together for the first time in forever. He spends extra time and care massaging shampoo into your scalp, detangling each knot; spends extra time rinsing the suds out, tilting your head back with a gentle tap to your chin.

Steam clogs his mind. Almond shower oil and citrusy shampoo fog his senses. The realisation that you could have potentially been taken away from him sits heavy like a stone in his stomach — why it hadn't sunk in in the past, oh, 13 months or so, he doesn’t know. All he knows is that he's terribly bad at caring for precious things — but if he could, if it's possible, he'll remould and reshape his hands, his heart, his mind, just for the chance—

"Satoru," you breathe against his lips, "Bow your head."

(Bow your head, you say. He'd kneel if you asked him to.)

You brush your hands through his hair; rinse him free of suds and bubbles and kiss his temples as you shut off the water. What is supposed to be healing for you is quickly becoming therapy for him — muscles relaxing, mind clearing of all responsibilities, mournings, obligations. All he knows are the soft, newly washed sheets beneath him and your nose in the crook of his neck.

It's a strange sensation, the lack of tension, his brain not working overtime. But hardly unwelcome.

11.

Satoru asks you if you saw anything when you were indisposed. Memories, flashbacks, prophecies? Blurry half-truths, nonsensical babbling? You tell him that you can't really remember — and you can't, not really, but you do remember one thing.

When you were 11, you met Satoru and Suguru for the first time. It's that memory that you can remember playing in your head, over and over and over again: Satoru and Suguru, scrawny and still-faced in their yukata.

Satoru was from a great, traditional house. Suguru was not, but upon discovery of his powers, was taken into unofficial custody of the higher-ups. In most circumstances, you wouldn’t have been allowed within two feet of them — but the elders had deemed your cursed technique a great gift, and so you were warily accepted into the upper echelons of jujutsu society, a stranger, a foreigner.

Introducing you to the most powerful sorcerers your age was nothing more than political play, of course. The adults followed behind as you walked through the grand grounds of the Gojo family — (maintained by a team of 12 gardeners, according to the Lady of the house) — muttering and scheming between themselves, making sure nothing would go awry.

Nothing did, of course. Satoru picked his nose and Suguru told him it was rude and they bickered for a while — Satoru bickered, Suguru replied calmly and quickly. Satoru asked you if your technique was good or bad ("No such thing," interjected Suguru) and whether or not you think you could beat him in a fight.

(That last question was to stroke his own ego, of course. Everyone knew he was the strongest sorcerer born in the last century.)

At some point, Satoru made you cry.

You can't remember what about, all these years later — you'd think you'd remember, considering the fact that you know the amount of gardeners employed by the Gojo estate — but you know that you had tried to stop it; fists balled, teeth gritted, full-body heaves. Crying was the last thing you had wanted to do. Crying meant weakness. Weakness meant being taken advantage of.

But you were so scared. It was all so alien. You wanted to go home, but home didn’t exist anymore. You wanted your mother, but your mother was long gone. All you had left were stone-faced adults that were only interested in your abilities.

Suguru had been confused at your reaction to what he took as a harmless quip — a little callous, as most children are — but he had reassured you nonetheless.

"Don’t cry. Satoru speaks before he thinks," he'd said, nudging your shoulder. "Sometimes you have to ignore him and he'll be so bored that he has to think."

"I can hear you," Gojo huffed. "I didn't mean to."

"See?" Suguru smiled. "Works like a charm."

Yes, Suguru had always been there to protect you. Emotionally, at least. He was willing to be kinder to people. More gentle, more forgiving. He'd believed that it was his duty as a sorcerer to protect those that couldn't protect themselves, and—

Well. That had changed, by the end, but having that memory replay in your head made you see the bigger picture of it all. Suguru's place in things. Your place in things.

You'd loved Suguru, no doubt. And you’ll probably always carry a piece of him with you — you'd hate to do otherwise. You’ll carry his kindness and his jokes and his catlike smile, all tucked away in bubble wrap somewhere in your chest cavity — but you will never disregard his wrongdoings. Since his death, you'd argued against the two sides of him; felt guilty for loving him after what he did, felt guilty for hating him after loving him and knowing him for as long as you did. Two halves of a whole. Darkness in light and light in darkness.

He was both of those things. You love him, but you don’t forgive him, and you probably never will. He will never again be the boy that comforted you after Satoru made you cry; he will never again be the boy who let you braid his hair back. He won't be the boy who slaughtered innocents, either — death's funny like that. Indiscriminately doing away with both the good and the bad.

And that's okay. Kenjaku is dead, after all, and Suguru can finally rest — and with him, your warring mind.

12.

Midnight strikes and you're still awake. You don’t even seem tired, and that's after a long shower and takeout and a movie. Usually you'd be a drooling mess by now, but tonight is different. Feels different. Satoru isn’t sure if it's just a year's worth of built up sexual tension or something else, but he feels it regardless.

He's flopped on his stomach, hair still damp; you're curled up in the shape of a C, skin reflecting the light of the TV. He might visit Nobara tomorrow. Megumi usually goes on Wednesdays, too — they could make a day out of it, and you could tag along, too. He's got a craving for the pistachio macarons they sell near—

"I'm in love with you," you announce.

Satoru doesn't bother asking you to repeat yourself because he knows he didn’t mishear. It isn't the knowing that shocks him — he's not stupid, and you wear your heart on your sleeve — it's the sudden, quick verbal affirmation of it that catches him off guard. After all, haven’t you two been putting this all off? Yearning for a dead man? Being pulled from two opposing poles?

He turns his head towards you, opens his mouth to ask you just that, and—

"After Suguru, I thought I'd never be happy again," you say, and you’re smiling like you didn't just say something inherently heartbreaking. But no, you look fond — content, even, blinking slowly at him. "And I thought I'd never feel for someone as strong as I did for him. But here I am: happy, and in love, and okay."

Satoru opens his mouth — then closes it quickly. For some reason, he remembers something Suguru said to you when you were younger: "Satoru speaks before he thinks." But he wants to think about this — about what he should say. How does he respond to you quite literally baring your heart to him? How does he tell you what he wants to tell you, what you deserve to hear? He's never been good with real, genuine words — emotional shit never came easy to him out loud. His thoughts are much more concise than his mouth is, but he guesses it's because it moves so fast in comparison.

Pity you can't read his mind. It'd make things much easier.

“You don’t have to say anything,” but he wants to, don't you know? "You don't have to pretend. It’s okay. I know that… maybe you don’t love me as much as you loved Suguru, but I know you love me in some way, at least—”

Satoru frowns — strings of ideas and thoughts bunching up and stopping short as your words register. “As much as I— hey, stop putting words in my mouth—"

"The truth is," you continue on, "I feel lighter than I have in years. I don't dread life so much anymore. I don't dread you anymore."

"You… dreaded me?"

You hum. Your legs stretch down, arms forward, face scrunched up in a passing yawn. "I'm not stupid to think you didn’t know how I felt, but… I hated that I was so obvious about it. Even when I was fighting with myself about it, I was obvious. It made me hate being around you, sometimes."

You sigh, then — not as heavy and melancholy as they used to be, no. This is a sigh of relief, of cathartic release.

Satoru blinks, and attempts to wade through the seventy-or-so compulsions telling him to make a joke, to laugh, to tease you. Maybe he should actually be serious for once. Say it straight and say it firm, so you can't take anything the wrong way. If there was ever a time for him to not beat around the bush…

"I've liked you since I was 17," he confesses, finally. "Me and Suguru, we were together, y’know, and we were happy. And Suguru loved you, and somewhere along the line I… began to do the same, but we were so young and then… Everything changed so fast. Everything broke so fast.”

Your fingers brush against his, and he breathes in a sigh. Your eyes are wide and watery, low light reflecting like glitter in your eyes.

"Sometimes, it keeps me up at night," Satoru says, laughing a pained sort of laugh. "Out of everything, that's what keeps me up — that we could've been happy together, all three of us. It never would’ve been enough to make him change, but…"

At least you would’ve known what it was like. To be happy together in that way. To be content. To find your places in the world, hand and hand. To know what it was like — even if Suguru’s fall from grace was inevitable — so you wouldn’t have to keep wondering until your untimely, gruesome, sorcerer-style deaths, or whatever.

Back then, Satoru didn’t understand why Suguru never told you how he felt. He couldn't understand how he could be content watching from afar, looking but never touching. What Satoru wanted, he learned to take; the Strongest didn’t need to ask for permission, only forgiveness.

He learned quickly that some things were better left unsaid. And now, 28 years old, half of his friends, students, colleagues dead — he understands even more.

He remembers how Yuuji had tried to stave off tears when he realised he had to die; remembers how his student’s throat had felt being crushed in his hands. He loved Yuuji like a little brother. Like a son, even. He was family. He was his student, and yet his death had been necessary, and Satoru battled with it. It allowed him to succeed in the mission he was born to complete. But he had given up Yuuji in return.

There is no curse more twisted than love.

Therein lays the problem, he supposes. The second you love someone, you run the risk of having them end up like Yuuji did. Like Suguru did. Like Nanami did. When you are burdened with incredible power like Satoru is — like Suguru was — you must be able to sacrifice for it. The closer that people are, the more likely they are to be caught in the crossfire, the more likely you are to be hurt. Suguru hoped to avoid that at all costs. It was easier to watch from afar, less painful.

Satoru is a tad more selfish. Which is bad, he knows, because he's too prepared to sacrifice. Even now. Even now, he knows that if caught between saving you and saving society, he would be forced to — to—

Satoru inhales. The only thing for it is to simply stop things from getting that far.

He could explain all this to you. He could talk circles around you about it, in fact, but the truth is that it's all conjecture. Suguru isn’t here to tell him why he did what he did. He can’t speak for him, no matter how well he knew him.

"I don't know why Suguru never told you," Satoru says instead. He folds his fingers tighter, taking yours in his grip as he does so. "Guess that's something he took with him to the grave."

"I've stopped wondering," you say. “I’ll never stop regretting, but I’ve stopped wondering. I can’t stay rooted in the past any more. It was doing more harm than good."

And you raise your interlocked hands — nestle them under your chin and screw your eyes shut, like you're wishing on the evening star, like he's something precious to be treasured. All of a sudden he's 17 and confused about why he can't stop staring at you. He doesn’t have Suguru to tease him about it, now.

“I’ll never forget him,” Satoru announces — a warning, or a reassurance, he doesn’t know. All he knows is that he’s telling the truth and nothing but the truth, and whether or not you like his truth is not his concern. He respects you too much to lie about this to you.

Your lips twitch upwards, a phantom of a smile. “Neither will I. "

"I'll never forget you, either."

The smile grows, blooms, blossoms, until it stretches bright and full across your face. The first smile of yours he's seen in a while that wasn't at half-mast, or tinged with sadness, or pain, or fatigue.

"How lucky I am," you whisper, "to be known by you, Gojo Satoru."

It should be the other way around, he thinks.

(12.5.

It's the first time he makes love in years.

Satoru has always fucked you. Always. No matter how tired you both were, no matter how injured — he'd always force himself to be rougher, force his touches to not linger as much as he wanted them to.

If he felt too much, he'd crack a joke instead of drowning in it; if he felt his eyes beginning to burn he'd bury his nose in the crook of your neck and push it down. If he thought of long, dark hair and cat-like eyes, he'd tighten your grip in his hair and the shock of pain would clear his mind. He fucked quick, and when he was done he'd lay far away enough that he couldn't feel your skin against his.

Tonight, he lets himself love and be loved again.

You're on top of him, ass flush against his thighs, taking every inch he has to give you; his hands have found your jaw, thumbs brushing back and forth across your dewy, sweat-slick cheeks. One hand of yours clasps around his wrist; the other bands to his chest, nails digging red into his skin. Your cursed energy blooms, flushes, flourishes when he opens his eyes to look at you.

He sees every pore, every hair, every dimple, every broken capillary, every scratch and scrape. Every part of you, bending to him in some places, unfalteringly stubborn in others.

"Look at you," he mumbles, blinking dumbly. "So… pretty…"

You snort something like a laugh, and continue: up, down, up, down. Slow, grinding gyrations of your hips that make his head spin pleasantly; and with his Limitless nullified, he feels every inch of skin, every tensing of muscle, every scrape and press fully and completely. He’s never felt so engulfed in it before — the sensations of it all, the warmth, your scent, your weight above him.

He'd drown in you, if he could. Take you in his mouth and nose and ears and everywhere, until he's left gasping for air and grappling for something of substance. Maybe once upon a time he would keep those thoughts to himself, for whatever reason — but now he's allowed to be selfish in his affections, allowed to give more than surface-level compliments and vague declarations of love.

Between pleasure-ridden shudders and sloppy, wet kisses, he breathes:

"I want you everywhere," he says, "All the time. Over me, on me, in me—"

You raise a brow, impudent and teasing in a way that makes his abdomen tighten. "In you?"

And maybe he didn’t mean it in the way that you took it, but he plays along anyways, waggling his brows. "You heard me."

"You're terrible."

"I'm not joking," Satoru argues — but it’s hard to take him seriously when his voice quietens, when he arches up eagerly to meet your lips—

When his grip on your lower back becomes painfully tight, when his lips part in a moan and his eyes screw shut and he throws his head back, hips rutting up to meet yours, and—

His peak rises to greet him — and his heart swells all the while. He finds himself clawing for you as his orgasm builds, hands clambering against your back, your neck, your hair, until (with a great, shaking breath, may he add): "Fuck, I — mmf, I love you—"

It carries him off to a state of fuzzy, empty-minded ignorance — pleasure tightening his entire body, fizzling from the tips of his fingers to his curling toes. Your name on his tongue, slurred and mellifluous, his smile dizzy and drunk.

As you smile down at him, so unbearably fond, Satoru thinks that he doesn’t mind saying I love you aloud after all.)

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nimpnawakproduction · 7 months

Text

The ultimate reference sheets for all of Vash's outfits in Trigun maximum (with commentaries)

IT IS DONE. I'M FREE. Now I can forget all about Trimax and draw Trigun stampede designs only hahaha (just kidding I have things for Trimax on the stove).

Trigun bookclub was an awesome initiative, I loved the manga with my all heart and wanted to honor Nightow's designs ;w; I also wanted to help my fellow artists with references for Vash's clothes because DEAR GOD it's difficult to understand how the hell he dresses himself in the morning. I have a lot of fun dressing and undressing him like a barbie doll. My hyperfixation is completely healthy.

I put a "read more" section to avoid spoilers :) !

The July coat

The very first coat in Trigun chronology and the one he wores during the destruction of July ! There is not a lot of panels to take references but I tried to stay as close as possible to the manga. I don't know what number of prosthesis he had before but let name this one Prosthesis 1.

Scars map

Next, nakey Vash ! There's A LOT of changes between one panel to another. Scars changes places and forms panel to panel and the design evolved from the first chapters of Trigun, the time we see him naked as Eriks and his undressed state while he was a prisoner on the Ark. I drew the scars that appeared more than once or were in clean view in a panel (but really you can do like Nightow and draw as many scars as you want without thinking about consistency, this boy has been in a meat grinder)

After July underclothes

Or the jumpsuit that gave me grey hair. His suit does not make ANY sense, I don't know how the hell he dresses himself in the morning with this. My solution is that it's very long gloves and chaps strapped to a belt. The position and shapes of the belts changes IN EVERY PANEL. Same for his knee guards, sometimes they're here, sometime they cover his shins, sometimes they are tiny..... I gave up in the end and draw them as we see them in the very last panel he wears this suit. But damn he looks good in it.

Also in all of the 13 volumes, there is not a single panel with a clear view of his holster (I checked...) so here is my interpretation.

This is prosthesis n°2, the design is a little different from the first one so I guess Prosthesis 1 got destroyed (this happens a lot).

After July coat

The very first Trigun coat he wears in the manga ! Very simple, very basic, it gives him impossibly wide shoulders but Vash deserves it. The first one is worn Post July until Vash's confrontation against Brilliant Dynamite Neon. The second one is the state of his coat after the sandsteamer incident. He loses his prothesis after his fight against Monev the gale. He meets Wolfwood with only one arm and stays that way while he fights Knives for the first time.

Eriks

I took liberties with colors because there's no colored panels with Vash as Eriks. Yes I drew him without suspenders because he has them for like 5 panels and then Nightow drew him without them for the rest of Eriks arc so I made choices ;w;

I love the fact that Vash choose to wear tight jeans even in his casual outfits, this boy will not let his skin breath. This is now Prosthesis 3 ! It's way less advanced than the ones he wore in the rest of the manga, the other ones seem to replicate skin.

After his years as Eriks

And now the first Maximum coat, he wears it until the famous Yuri hospital arc! Finally an undersuit that makes sense, I love it, too bad Nightow-san decided that I had to suffer and changed it again to add BELTS EVERYWHERE. We only see his legs in this part of the manga so I gave him the same top because I can.

The tubes he has on his waist are filled with bullets, he can connect them to his prosthesis to have a mini machine gun.

We are now at Prosthesis 4 !

Hospitalization on the Home ship

The famous Yuri hospital phase! Vash definitely shared his wardrobe with Wolfwood, you can't tell me otherwise.

The first outfit still shows Prothesis 4 but he keeps it for like 5 minutes and lost it again against Nine-lives. I don't really know if the prothesis comes with the integrated glove or if there's synthetic skin under it but why would he keep the glove on if it's not intergrated?

The second pictures is the different outfits he wears during his convalescence. I took liberties with the colors, I drew this in like 10 minutes, everything seems easy when you don't have to draw BELTS. We are now on Prothesis 5 ! Nightow drew it as a regular arm so I guess Vash wears gloves on top of it??????

Back on the road in pursuit of Knives

He wears this one after his stay at Home, throughout the Dragon's nest ark and until his 2nd fight against Knives.

I liked the design of his jumpsuit until I looked closer at the panels and saw that the design change ON EVERY ONE OF THEM. Knee guard on only one knee? No kneeguards? Two??? WHO KNOWS ??? I tried to make it work but really go wild with this one, even the author does not know how his pant looks.

Still prosthesis 5, BUT UNTIL WHEN?

Prisoner on the Ark

THEY MASSACRED MY BOY. Did they even feed him at least in 7 months? Those pictures are the definition of the drenched kitty cat left under the rain. Give this man a blanket and a therapist.

Bye bye Prothesis 5 ! And see what I mean when I say that his outfit does not make sense????? It comes out in parts????

After his imprisonment on the Ark

The last suit in the manga! He keeps this coat until the end of the story. From this point, only his hair changes (or the color of his coat).

I adore the little angel wing symbol on his left arm, such a cute addition. Too bad it appears in one of the most traumatic event of his life.

Speaking of his jumpsuit...The return of belts.... But at least this outfit stays relatively coherent except for his kneeguards who appear and disappear panel from panel but most of the time he doesn't have any, so no kneeguard it is. Prosthesis 6 hello !

Final battle and end of the story

It hurted to drew those outfits ;w; And working on the design of his coat when he fights Legato made me realize where Orange studio took inspiration to chose the colors for Vash's coat in the final episode of Stampede ! Great job ! I tried to color the same effects as one of the illustrations showing dark Vash but I'm not really good with colors..... He actually radiates energy but with some purple undertones, I took some liberties because those are my drawings I do what I want.

I'm not sure at 100% that he has a tuft of blond hair left when his outfit turns black but his hair is all black at the end of the fight. His prosthesis is destroyed at the end of the fight. He got another one in the final chapter. So 7 prosthesis throughout the story!

#play with vash like a barbie doll #I love reference sheets #took years to do but it helps so much when drawing comics #or writing fics #how the hell do you expect me to show him undress if I don't know how his clothes work #anyway enjoy #vash the stampede #vash #trigun #trigun maximum #a's art

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dilfartist · 2 months

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Yandere JJK Headcannons

Kidnapping, dark themes, abuse, talk of killing, stalking, obsession, the usual yandere warnings, yandere tendencies.

Notes; {Sorry if any of the characters seem out of character, just started season 2. Please enjoy. I know this isn’t the best work but I want to get back into the writing game.}

Reader description; Female/GN

Not proofread

Reblogs and Comments are greatly appreciated!

Gojo Satoru

When it comes to Satoru Gojo’s love life, it’s quite lonely. Although Gojo is a very attractive man, he lacks a relationship for two main reasons: Gojo’s lack of commitment and his status as the strongest (implied in the mangas.)

So when you catch Gojo’s eye he is taken aback by his feelings. Why have you altered his brain? Usually, he meets a girl/guy and they’ll be the ones to swoon over him, or he’ll be interested in them for a while until his responsibilities have overtaken his mind and the person fades away into a forgotten memory that lingers in the back of his mind. However, with you it's different. He is the one swooning over you, kicking his feet and giggling like a schoolgirl with a massive crush. The thought of you never leaves his mind. He’s conflicted.

He doesn't mind hurting or threatening others for you.

Not a day goes by without at least a mention of you in his mind. When he’s cooking, he’ll think, I wonder what ramen they like. When he’s in the shower, (Name) smells like [favorite scent], I wonder what shampoo they use. When at work, I should check by their house today, just to make sure no cursed spirits are rooming around.

Whether you are a civilian or another teacher, you are most definitely weaker than him. This fact makes Gojo so possessive over you. Gojo knows what happens to weak people; they die by his hand or others. He worries for you, a lot. He is a very busy man even if he does send his students to complete his tasks. Not to say time for himself is nonexistent, no, it's just he can’t check on you the amount of times he’d like to. He is The Gojo Satoru; most curses and people have it out for him. If anyone were to notice his obvious attachment to you, you’d be killed, most likely, immediately. So as a result of his uncommon paranoia, he snatches you up.

Once you’re in Gojo’s care, Gojo will try his best to make you feel at home. He knows that taking you away from family, friends, and overall having your own freedom isn’t fair, and if he honestly had no one after him, he’d allow you to live your life as you please. Of course, as long as he is a part of it as well. At first, he buys all the snacks and foods he knows you like and once they’ve been eaten or wasted, he’ll take you grocery shopping with him for anything you’d like.

Megumi has 80% of an idea of what is going on between you and Gojo. He most definitely has an idea of what is happening. You never seem too pleased to be in Gojo’s house and the way Gojo talks about you makes him do a double take. It doesn't seem normal; but then again he’s Gojo, he isn’t normal. And although Megumi wants what’s best for innocent people, he’s known Gojo for too long and he doesn't believe Gojo would kidnap someone for selfishness or any reason he deems corrupt. So Megumi puts his judgments aside thinking Gojo and you are just weirdos.

Gojo is very touchy with you,(but then again he’s touchy with anyone he deems a friend or is on good terms with.) At first, when you first are kidnapped, he is less handsy, only touching you occasionally. But as time goes on he grows more comfortable with touching you since you’re beginning to deem his touches as a regular part of your day. However, that doesn't mean Gojo will put his hands on you against your comfort just because he wants to. If you state you’re uncomfortable with his touch, he’ll immediately retract, sometimes with a small pout. The only time he will not listen to you is when he is putting you in your place. For example: you attempting to run away.

Now, for your punishments. He doesn't really do those. Usually, he acts like a preschool teacher dealing with a naughty child, clicking his tongue in disapproval, folding his arms when you give him attitude, and trying to reason with you in a gentle way. Gojo doesn’t baby you. He doesn't see you as some adult acting like a child, unlike some yanderes would. Then again occasionally you will have a tantrum. Gojo understands your frustrations and so he handles them with a calming approach. Still, he will match your energy if he decides need be. If you attempt punishable offenses like running away, attempting to murder him, or trying to get Megumi to help you, Gojo will not be so kind the majority of the time.

Honestly, Gojo is 5/10 yandere. He’s understanding and not delusional. Besides him kidnapping you and being the master of annoying yapping, you’re better off with him as your yandere.

Nanami Kento

Nanami wants a normal happy life but his job interferes with his dream. So when he meets you, he’s a bit more pleased with his life. He loves everything about you. You understand him and that's all he wants.

Nanami most likely met you after work, looking for a bite to eat. You worked there as the cashier just as tired as he was. As part of your job, you make light conversation, however, you and Nanami talked longer, maybe about five minutes before he finally left.

After that interaction, Nanami visits your job more In light hopes of seeing you again. Nanami convinces himself that he just wants a bite to eat again, he isn’t coming here for you...but seeing you again would be nice. The more often he comes by your job the more his obsession with you grows. Similar to Gojo, he will think about you constantly throughout the week.

Nanami Is such a laidback Yandere that you won’t detect, and most likely never will. Nanami isn't the type to kill someone because they flirted with you or breathed in your direction. And he isn’t possessive of you. The only yandere tendencies he has is obsessing over you in his thoughts and being only a bit possessive. He watches you through the day, he has a little camera in the house to watch you. You don’t know that though since it’s up so high on the top of the cabinets. He has your phone tracked with life360, you don’t know that because he has it hidden on your phone. You don't know after he finally realized he liked you, he followed you around in his free time to stalk you a bit and find out more about you.

Other than that, Nanami Is pretty laid back. Well, unless you decide to run away or leave him, then his true nature will show.

If you run away for whatever reason then you won’t see him coming after you. You may have an Idea because of the few alarmed texts he sends you before you block him. You won't see Nanami for a while until you just minding your own business, maybe grabing a bite to eat, and suddenly standing behind you In line with you is an unenthusiastic Nanami. You won’t even try to run at first because seeing him look at you with a warning in his eyes makes every escape plan fade away. You’re terrified. You’re as terrified as a child who has yelled at their mother.

You find yourself back In Nanami’s home, now having alarms, locks, and a couple of cameras around. You aren’t allowed out the house until Nanami considers you worthy.

As a yandere, Nanami is rated a 4/10.

Geto Suguru

Geto’s behavior really depends on whether you are a normal civilian or a curse user. If you’re a curse user you’re treated far better than a normal person. Geto would treat his civilian darling like a pet. Like a dog of sorts.

For now, let's focus on a civilian darling.

To understand Geto’s point of view, I will give you an example: Geto is kinda like a hunter. Geto is like a hunter who hunts animals because he thinks all their good for is being food and they are inferior to him. Now imagine a hunter coming across a cute bunny rabbit. The hunter learns about the bunny a bit, finding its little quirks endearing. The Hunter decides to take home the rabbit and keep it for himself as a pet, but he still thinks all animals are inferior to him. This bunny is just a bit more likable than others.

Now I don’t think Geto will act like other Yanderes and actually treat you as a pet but he will act like you are in ways. Sometimes he’ll relax and have you lay your head on his lap as he pets you. He’ll beckon for you as If you’re a dog. He expects you to be loving to him as soon as he enters the room. Wants you to follow him and not wander off anywhere else. He even calls you a pet sometimes. However, you don’t have a collar nor do you have a dog crate.

Geto most likely, just like the others, found you by mistake. What really starts the obsession is If you make a comment on his beliefs. Disagreeing or agreeing with his beliefs, he starts to look at you differently from the other humans. There are two ways you came across the belief Geto holds since you’re a normal civilian. One, you found a source online speaking of this belief: A YouTube essay, a sketchy online website, a theorist. Two, you overheard Geto speaking to no one, since civilians can’t see curses, and decided to put your two cents in for whatever reason.

Like a hunter, Geto will set out a trap. He’ll offer to take you out on dates, ask for your phone number, seem like a normal man that has taken an interest in you. And if you accept any of these, you’re nothing more than a little mouse approaching the cheese bait in the open mouse trap.

Once he kidnaps you, and he will, you mainly stay in the room you share with Geto unless Geto is home and requests your presence. You help around with his daughters and make dinner for him, just as he requests of you.

Now if you are a fellow curse user, you aren’t treated as badly as a civilian darling.

You aren’t expected to follow him around everywhere, you aren’t called a pet (only at times.) No matter how strong you are, Geto has the upper hand. You will be pressured into a relationship with him, by him, and by a few other curse users. Escaping isn’t a possibility for curse user Darling or civilian Darling. He will be on your tail in no time. You could make a couple of blocks away from the house if he’s being lazy. If Geto is out then he’ll send someone out for you. You have more of a chance with others coming after you than with Geto coming after you.

Geto has no problem disciplining you, especially if you’re a civilian darling. Pets must be disciplined when attempting to run out of the house. His punishments include starvation (depending on how many days he deems the punishment worthy), flogging, and breaking a bone. Nothing too terrible. Well, not as bad as you could have it.

Overall, Geto as a yandere is an 8/10.

Ryomen Sukuna

When it comes to Sukana, he is a manipulative and masochist yandere. He enjoys watching you suffer. He loves hearing the cries of pain slip from your sweet lips. Not only because he enjoys human suffering in general but also the fact you make him feel crazy. He isn’t used to romantic obsession. He hates- no despises feeling weak because of you. He takes out his frustrations on you, breaking fingers, hurting you, verbally abusing you, and playing with your feelings. Anything to feel the pleasure he gets from the frown that settles on your lips and the tears pricking your eyes.

While inside Yuji, his thoughts are full of you. Despite the way he treats you, he does adore you. Although, he’ll never let the words be said. He finds himself missing you, wanting to be near you. And he isn’t always hurting you, sometimes you sit together in a peaceful silence. Sometimes you have nice conversations.

Sukana is possessive. He hates when someone is stealing his time away from you. And if you were to be flirted with, he’d curse at the person from Yuji’s cheeks. If he’s railed up enough, he might even attempt to come out of Yuji.

The only way he is able to communicate with you and spend any time with you is because there are sorcerors watching over you guys in his domain. If he ends up hurting you in front of them, then you immediately come out and won’t visit him until you completely heal. Which is why is such a rare occurrence for him to hurt you physically. And if you think you’d be able to avoid him, you’re wrong. He will have tantrums. It gets to the point that you are obligated to stay with Sukana for at least an hour in his domain for the sake of everyone having a headache.

In general, he is a 6/10 yandere. He really can’t do anything. Not much to speak about.

Toji Fushiguro

Toji hasn't had an interest in relationships since the death of his late wife, so imagine his frustration when you come into his life. Sweet, loveable, you.

Laid back Yandere

When you two first meet he could care less about you. To him, you’re just another annoying person. However, when he gets to know you better, he warms up to you. Then as weeks pass, he feels familiar feelings he used to experience with his wife, it irks him, even frightens him slightly. When Megumi’s mother had died, Toji believed he’d never love again. He wasn’t interested in relationships. Now imagine the frustration he feels when he catches feelings for you. Toji attempts to ignore your existence because he isn’t looking for love and has more important events to worry about, but you won’t go away. Toji takes these feelings out on you, making it seem you caused him to feel this way on purpose to piss him off. You don’t hang around him like an annoying fly, you both just come across each other a lot. Toji likes to act like that isn’t the case. Toji will suck his teeth, grumbling about how you must like him since you’re near him all the time.

It takes about a good two months until Toji starts to really accept the fact he is obsessed with you. And you can start the see the signs when he calms down with the asshole act and begins to put on a soft act around you. He’ll act like you guys are already dating just without affection.

Toji will kidnap you, no doubt about it. Toji has already lost his first wife, he won’t lose you. The loss of his first wife is ultimately the reason he is a Yandere. You’re better off meeting him before he meets his first wife, he won’t be as protective and possessive.

Punishments really depend on his mood at the moment. When it comes to punishments his go-to is silent treatment, starvation (you’d probably starve anyway since he’s a broke ass bitch), and being forced to stay locked in a room for hours. Now hurting you for punishment is a different story. Toji will do anything in his power not to cause you harm. Hurting you might cause something major to happen and Toji hates knowing the fact that he was the one to hurt you. If it has to come to that point, Toji acts as if he could care less about hurting you. He acts like he doesn’t mind doing so. But if you observe closely you can tell that he is beating himself up for harming you.

Murdering, hurting, and threatening other people is easy for Toji. In fact, it’s his immediate reaction to someone he feels is a threat to your relationship. So if you’re not careful and piss Toji off enough, he might just kill your family. Best if you listen.

Home life with him isn’t bad. For the most part, Toji is a laid-back Yandere. It feels like you too are roommates, but your roomate likes kiss up on you and forbids you to leave the house without him by your side.

Overall, Toji is a 5/10 Yandere.

Mahito

Mahito is a fun yandere to think about.

As a yandere, he is a sadistic-possessive yandere. His obsession begins when he finds something interesting about you. Maybe you're a tourist who can’t speak Japanese very well and Mahito finds it adorable. Or maybe you bumped into him and saw him, making others look at you crazy since most humans can’t see him. You intrigue him more than other humans and he won’t let you out of his sight.

Mahito enjoys messing with you, all your reactions are endearing. He just adores the flush of embarrassment on your cheeks when others stop and stare at you after he a mountain of cans beside you. Giggles when you embarrass yourself yet again because you sometimes get so fed up with him that you go off on him in public areas. You humans can be so fun to play with!

He is now your roommate, like it or not. Follows you around everywhere, even the bathroom. He never leaves no matter how much you beg him. Loves to misplace your favorite foods because he knows it pisses you off and gives him a good laugh.

Literally gives no fucks killing off anyone posing a threat to your relationship. Hell, he’ll kill anyone for the sake of love. Mahito uses the threat of killing to keep you in check most of the time.

Punishments include anything sadistic that comes to his mind. You either get no punishment or the worst punishment you can imagine. After the punishment is over, Mahito always coos at you, kissing your booboos better. He claims he hates doing such vile acts to you when he teases you.

Overall, he's a damn parasite sucking out all the joy in your life. 1/10.

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wyllaztopia · 12 days

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You mentioned that if we know Denji’s characterization of Killer and Killer’s original backstory that we should understand why he’s so touch starved and has such a messed up definition of love. Is there any way you could tell me who Denji is?? I’m very curious now lol

Denji is a character from Chainsaw Man. I recommend you read the manga or watch the anime - though just the anime alone won't grasp the inspiration I derived from the character into Killer.

I also took inspiration from Gojo Satoru (Jujutsu Kaisen) but more so from his younger self more than the present Gojo.

(These are just drawn for the sake of meme-ing, not actually AG Killer's design)

Further down is explanation and slight spoilers. I don't talk much about it since I want most information to be a slow burn reveal for the characters, as if the audience is getting to know the AGDT cast in real time. (I am a sucker for narratives where it keeps you wanting to psycho-analyze a character rather than revealing everything upfront.)

Starting off with Denji, he's a teen boy who suffered through poverty and taken advantage of for labor just because he's willing to do anything just to get by in life. He's a boy who will do anything to live a normal teen life without having to worry about if he'll die from starvation. Along the story of CSM, he's been treated poorly due to how easily he can be manipulated - he literally has no idea of his own rights as a person. He's also very emotionally unaware because he's lived all alone his life except for a friendly devil named Pochita, who gave his heart to Denji so he can live and become chainsaw man to protect himself. Again, this is just a rough summary I made of Denji's character and I can't exactly explain it here! I recommend watching character analysis video that can further explain him or- you can also check at the original source (manga or anime) yourself which I believe will be worth it since CSM is such a good story.

In AGDT, I suppose you can consider Chara as Killer's Pochita, but in a more unhealthy / partners in crime way. I'll leave that up for the future to explore since at the moment, that's not what I want AGDT to focus on.

As for young Gojo, he's also complicated. He believes himself to be invincible and he can rub off as cocky most of the time. In the story, he holds no compassion or positive feelings for people who are weak - which is essentially everyone for him since he views himself as the strongest. This changed for a while when he was tasked to protect someone - he grew fond of them. However, later on this care disappeared when he perfected a technique - his feeling of pride for himself was stronger than his care for the person he was meant to protect. Gojo is usually nonchalant and playful, also emotionally unaware most of the time as he only thinks about himself (and a fellow 'strongest one' ahem, Geto but that's something I'll ramble for another day). However, he does go absolutely crazy when he's in intense fights since he's absolutely determined to win out of pride.

I would love to talk about what else Killer takes from Gojo but I'd feel like I'd be spoiling everything so I'll leave it for another time to talk about or explore.

There's other medias I took inspiration from for other parts of AG Killer but again, it's a subject to navigate around another time.

I hope this gave some insight on how this variant of Killer is and I hope you enjoyed reading through it!

#lore dump #my artwork #csm denji #jjk gojo #agdt killer #ardent gospel #ag dreamtale #agdt #killer sans #ask

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luffyvace · 18 days

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Dating ~ Sanji Vinsmoke ~ headcanons

These are sfw and gender neutral

for Sanji’s big day! (I’m super late ik hush :3)

pt2 here my sillies :3 : Dating ~ Sanji Vinsmoke ~ headcanons pt2

Dating Sanji includes royal treatment. We all know this. It’s so obvious. 😭 It’s in the manga, it’s canon, we all write it in our headcanons. We know this.

Royal treatment meaning sit back and relax dear, Sanji’s got this. Sea beast? He beat it up and is now cooking a delicious and nutritious sea beast stew for you, would you like that with a smoothie? Lemonade? Water? Ok water. Sparkling? Distilled? Iced?

oh your lost? Don’t worry he’s got bread and he’ll leave breadcrumbs where you’ve walked so you don’t go in circles :)

your clothes are wet? Take his. 💋

there’s mud up ahead and you just bought a snazzy new fit? He’ll carry you 🏋️‍♂️

somebody bothering you loveliest? He’s already kicked them to Australia (extra hard if it was Zoro)

Dating Sanji includes good communication.

If you feel anything but a positive emotion Sanji is on the case. And the first victim he’s pointing fingers at is Zoro 😼

”MOSS HEAD BASTARD!! YOU MADE THEM UPSET DIDNT YOU?!”

it’s not a person darling? Well what happened? What can he do to help? Did you loose something? He’ll turn into a mad man causing chaos around town looking for it! Did it drop into the ocean? He swims as deep as he needs to in order to find it.

Honestly he even babies you about little stuff :P you stubbed your toe? Want him to massage it for you? That’s it! He’s breaking out the foot spa! Take off your socks and shoes!

he did something that really upset you?! Tell him what it is right away! He’ll make sure he never steps outta line ever again! He *kiss* never *kiss* meant *kiss* to *kiss* upset *kiss* you *kiss*~

Never feel hesitation to tell him if something’s wrong with you physically “Chopper! Come check them out right now!! They say somethings’ wrong!”

Nor mentally! You’ve been going through some tough times these last few months?! Sit down and tell him everything!! Let’s get to the root of this! Together! Is it someone else?? Did it happen from something??

Even if you aren’t feeling negative emotions right now always feel free to rant to him about what’s making you happy! he’d love to hear it truly! He loves your voice even more~ 🥰 *nose bleed*

Dating Sanji includes 5 star meals.

another thing we all know. And in every headcanon- but seriously what’s all your favorite meals, snacks and desserts? Even if Luffy himself says to make one thing he might make another just because he knows you like it. That guy eats anything anyway so he might as well just make what you like! 🧑‍🍳

Dating Sanji includes overly cheesy confessions despite the fact that your already and only dating.

”My dearest..I would love if you would go out with me and make this evening the loveliest of my days! I’d wholeheartedly accept and put my all into cooking for our first date….My love and affection with herb and spice…the flavor of our intense compatibility will melt on your tongue every bite you take! Guaranteed!”

”Sanji….we’ve been dating for xyz months/years now..”

”ahhh~ Even to the blossoms of this beautiful spring day know we’re simply destined to be..! Getting married tomorrow..it’s been my dream since we’ve first met! I can see it already, smell it even..! The enchanting scene of you walking down the isle, putting your hands in mine…kiss! The happiest day of my life has officially been sealed! Everyone’s clapping! Cheering! Whoop woo’s arise in the air of our love!~ The 6 layer cake I spent every ounce of my time baking since I met you, on the side of us—predicting our perfect wedding kiss! An exact model of the scene~ It brings a tear to my eye! I hope I don’t keep you up tonight, my darling love! Because I certainly won’t be able to sleep when I’m much too busy imagining the scene over and over again until our big day tomorrow, the same one I’ve been replaying in my head since I first laid eyes on you~ 😚”

”what on EARTH Sanji. We’re only dating! Wha- What do I even say to this?!”

”you could say yes! My lovely future spouse!~ 😍😍”

”To what! You haven’t even properly proposed to me yet?! Let alone made it official⁉️“

”ohh my honey! I didn’t know you wanted to get married- the wind! The sea! The birds even know our fate! We-“

”ALRIGHT!”

”SHUT IT SEAWEED HEAD!! DON’T INTERUPT ME WHILE IM CONFESSING MY LOVE to the most wonderful soul to have ever lived~”

⚔️🗡🔥💥💥💥⚔️🗡🔥💥⚔️🗡💥💥🔥

(Sanji and zoro fighting :3)

Dating Sanji includes sure fire protection.

no one will ever lay a hand on you. For a man? Self explanatory. Blast that motha sucka to space.💥 For a woman?? Welll…he’ll take all the hits for you okay?! So run away and go get Nami or Robin!! Hurry darling!

Dating Sanji includes trust.

more than anything he trusts you with his deepest darkest secrets. There’s no front when it’s just you two around, purely him. Not telling you his lineage was because he wanted to put that behind him..it wasn’t supposed to come back up. And man is he the most sorry sucker on earth when he betrays the strawhats. Because that means he’s betraying you. Pleasepleasepleasetakehimbackplease.

Uh guys I ran out of characters I’m gonna do a part two I guess 😭… I didn’t want to thooo

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marunalu · 4 months

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Okay so.... like I already teased before, here comes the post about the "afo red herring" hori put in the manga and I just realized yesterday evening thanks to JADE (I dont know if you have an tumblr blog and what your username is, so if you read this, this post only happend thanks to you!) from the afo discord server and I feel so dumb for not realizing it sooner. So to make it short JADE pointed out in one of their comments that in the scene when yoichi is killed afo actually reaches out with his hand towards yoichi, because he was trying to GRAB HIM! And when I did read that I was like "Huh? What? Didnt he use a quirk and it accidently killed yoichi?" So I checked and JADE is absolutely right!

The way afos hand is drawn and reaching forward makes it look like as if he just used an attack on yoichi. This is what I believed myself. I thought he used an quirk on yoichi, because he was in a fit of rage that his brother was "leaving him" and that in his anger he used more force then intended and thats the reason why he is so shocked afterwards and in denial about killing yoichi. But the thing is: nothing in this scene actually confirms that afo really used an quirk on him! We dont see him use one. We dont see an energy beam, flash of light or an other more physical quirk used here. We only ASSUME afo used a quirk, because of the way his hand is raised and reaching out and yoichi falls into pieces! I also believed that myself! I was sure he used air canon on him or maybe decay but didnt intented the attack to be lethal and THATS why he is so shocked! But then JADE mentioned that afos hand is raised because he was trying to GRAB yoichi to stop him from running away! Afo DIDNT use a quirk on yoichi that killed him, it only LOOKS like it! THAT is the red herring!

Okay look, I know this sounds crazy, but please hear me out a little bit longer, because I will explain WHAT actually happend in this scene in a moment. But before I do that, I want to point out something else. Since we got the chapter about yoichis death, the whole flashback about their childhood and afos tendendcy to dehumanizing himself to the point that he is convinced that he was born evil, there was something that bothered me, but I couldnt pinpoint what it was. NOW i know! Afo is trying to portray himself as the ultimative evil. The flashback of him as a baby is from HIS narrative and he is trying to convince everyone (espicially himself) that he was born that way! But the thing is: despite his desire to be seen like that by others, he REFUSES to acknowledge himself as yoichis murderer. I thought he was just in denial and coping. But if he wants to be seen as the ultimative evil, WHY doesnt he acknowledge that he is indeed SO EVIL that he was even able to kill his own brother if he really did it? Murder is already horrible enough, but to murder your own family? Espicially in a family focused country like japan in which "family" is the most important thing EVER?! To be able to kill your own kin would make you look like the devil in human form. Its the very image afo wants people to see of him. But STILL he refuses any responsebility for yoichis death! And now I think I understand why: as incredible as it sounds, but afo refuses any responsebility, because he really DIDNT kill yoichi! Look at his shocked face:

Look at his confusion afterwards and his inability to accept that his brother is dead. Look at the fact that kudou, bruce and the rest of their group managed to flee from afo after the incident which shows that afo didnt follow them after yoichi was killed! It was not just because he was in a state of utter shock. He simply couldnt understand WHAT THE HELL HAPPEND! And that only works if afo indeed never used any quirk on yoichi. Becauae no matter how much in denial he is after killing yoichi accident or not, its very suspicious that it was never mentioned by him or the narrative what kind of quirk he used in that moment. WE DONT EVEN SEE HIM USE ONE, WE JUST ASSUME HE DID, BECAUSE IT LOOKS LIKE IT!

But WHAT killed yoichi then? Soon, soon Im almost there guys. But to understand you need to look at this first:

THIS is what pissed afo off! THIS is what his focus was on: yoichi and kudou "holding hands" while running away together from him. He wants kudou to let go of hid brother, wants them to stop holding hands, because he is fucking JEALOUS (from the flashback we got about their childhood, I think we can conclude that afo and yoichi NEVER did hold hands as kids) since holding each others hand is a very intime gesture you dont do with everyone. It fuels afos fear and anger that kudou is "stealing" yoichi from him. That he is losing his "most precious possession". And he also for the most part is pissed at kudou and even blames HIM for yoichis death later. But still its yoichi who dies not kudou. If afo indeed used a quirk, why was it directed at yoichi he clearly just wanted back and not at the person who was "stealing" him? It doesnt make any sense. And now I want you to look closely at the picture of kudous and yoichis hands again. Do you see the glow around their hands? Do you understand what this means? Because THIS is the very moment ofa got transfered from yoichi to kudou! Look at their hands and you can see that they are a little bit brused and dirty, so its not to farfetched to assume that this is how ofa was transfered, because we know blood contact between 2 people works just like how in the movie "heros rising" ofa was transfered from izuku to bakugou through blood contact.

And now back to the most important question: if afo indeed didnt use a quirk on yoichi and to us readers and kudou, bruce etc. just looks like he did, because of the way his hand is reaching out towards yoichi and he falls apart, then WHAT really killed yoichi? Guys... its so simple, I cant believe how I didnt get it sooner. Yoichi wasnt killed by afo, he was killed by OFA!!!

Okay listen, before you freak out and call me delusional or something similar, lets remember a few facts we know. Ofa was created when yoichis "give" quirk fusioned with the stockpike quirk afo forced on him. That means, while it was still an very weak quirk in that moment, it already got his first powerboost. We know that ofa is an incredible dangerous quirk that can kill its owner if they cant control it. We know ofa shortens its owners lifespan (except all mights and izukus). We know that if the owners body is weak ofa can KILL them! We know when ofa is transfered and used at the same time between 2 people it sets an huge destructive energy free (again look at heroes rising when izuku and bakugou both use ofa at 100% after izuku just transfered it). You may wonder now WHEN did kudou and yoichi use ofa though? And the answer is they actually used it without realizing (since they didnt know of its existence yet) the moment it was transfered from yoichi to kudou by trying to outrun afo. It was still an pretty weak quirk at that point, but yoichi was born with a WEAK BODY! The exact thing the owner of ofa SHOULDNT have because its a DEATH SENTENCE! Its the very reason why all might helped izuku to train his body before he gave him his hair to eat. Izukus body needed to be tough and strong enough, otherwise he would have immediately killed himself with it when he used it the first time (which he still almost did!). And now look at this:

"Your limbs would fly off and youd be BLOWN TO BITES!"

Here you have it everyone! THIS IS WHAT HAPPEND TO YOICHI! THIS IS WHAT KILLED HIM! Afo never used an quirk on him, it just looks like he did TO US! It wasnt air canon! It wasnt decay or any other of afos quirks! He was simply trying to grab his brother! THAT is the red herring! Hori is a fucking genius!

And its the whole reason why afo looks like as if he just got punched in the guts with a wrecking ball when kudou tells him "you killed him". Because just this one time afo really didnt do it!

#bnha #bnha spoiler #my hero academia #bnha all for one #yoichi shigaraki #second user kudou

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kaelohver · 1 year

Text

@KAELOHVER☆

THEM WITH A S/O LIKE MITSURI KANROJI

•DAZAI OSAMU

-You met at a café where he caught you gushing at him quite loudly…

-He approached you and you both clicked immediately!

-Your personalities are similar yet so different but it seems to work even more because of that.

-He’d be surprised of your constant compliments towards others and him at first but quickly gets used to it.

-Might get jealous of you complimenting others so he’ll pester you a bit, but won’t let you know of his jealously (as you’re more than likely oblivious if you’re like Mitsuri).

-Might baby you a bit, but not in a way he’d act like you can’t do anything. He’d just be really affectionate!

-Extremely protective! He would already be protective due to his loss of people in the past but would be even more so if you’re so sweet towards others.

-If you have an ability then he’d get you into the armed detective agency for sure (if you’d want to join).

-If you did join the Ada then prepare to put up with Dazai clinging onto you when you’re doing paperwork whilst Kunikida yells at him to do his work..

-Overall, you two are definitely like besties & partners at the same time.

•DOPPO KUNIKIDA

-You two probably met through work, considering him.

-I’d guess that he heard you talking loudly about how smart and cute he is..

-Probably freezes up then checks if you really said all that for a second.

-Might go on a rant about privacy as he’s increasingly flustered at your words, might not.

-You two are the definition of one fell first and one fell more (though you could easily compete with him falling more).

-Would appreciate your compliments about him and wouldn’t mind you complimenting others (as he seems like he’s not often jealous).

-Would absolutely admire your physical strength, being extremely surprised when he first saw you fight someone.

-He’d appreciate that you’d probably try to work around his schedule (despite it being quite literally a whole day being planned..)

-Might invite you to the agency (with permission, of course) if you had an ability. Though he might possibly be unsure of this choice for a bit.

-If you did join then he’d quite literally go mad if you gush at Dazai (considering if you’re like Mitsuri, you gush at everyone). He’d throw him at a door (/hj).

-Overall, you’re an extremely sweet couple <3

•CHUUYA NAKAHARA

-Y’all probably met outside of work… I can’t rlly see a reader like Mitsuri being in the Mafia but I think it would be extremely funny if they were.

-If you met in the Mafia he’d kinda wonder how the hell you even managed to get yourself stuck into such an organisation.

-If you met outside of the Mafia, he’d be hesitant to have even friendship with you, considering his role at work.

-However you manage to charm your way into his heart, he’d enjoy the comments you make about him and would love you a ton.

-Is likely to get jealous but more on the insecure side and will only really stop sulking like a big baby when you give him one of those hugs that make everything better (grown man my ass).

-If you had an ability, he wouldn’t really care much for it. Like, he’d admire it and your strength but overall it’s just an ability to him

-Would put off using corruption even more when you’re around (whether Dazai is present or not, which he wouldn’t really like anyway) to keep you safe.

-Will go mad if you gush at Dazai… He will literally throw him at a tree.

-Would also probably heavily dislike it if you gushed at Mori… He respects him but there’s no way he wants him near you.

-Would love that you’re physically strong, it’s a good skill to have!

-Not joking, he’d seriously stop and watch you beat up someone brutally whilst he’s just ‘???’ with some dumb blush on his face.

-Overall, a sweet couple that will probably be together until they die! (Ignoring the manga rn)

•YOSANO AKIKO

-Y E S

-Definition of powerful gfs (or partners)!

-Wouldn’t be necessarily hard to get into her life but you’d have to be trustworthy in her books to not get a glare every once in a while.

-Wouldn’t really look for compliments but would appreciate them.

-Though she’d be a bit surprised on your constant praise for others, she’d find it endearing.

-Not likely to get extremely jealous but if she does she’ll just glare menacingly at the person she’s jealous of until they run off in a hurry before then turning to you with an innocent smile.

-Would be supportive of your strength for sure, she’s at the back whilst your beating tf out of someone, smirking proudly.

-You’d be a good team, healing and physical strength, whether you have an ability or not.

-Protective like most bsd characters but she’s not gonna stop you from doing things, she’ll just come with you if she can.

-Overall, probably one of the least-toxic & sweetest relationships!

•FYODOR DOSTOYEVSKY

-It would be extremely hard to get into Fyodor’s life and it might be even harder with your personality.

-I’d imagine that you’d have to either be his enemy or ally, not a random citizen, to be involved with him.

-However you manage to be aquatinted with him, he would find you particularly interesting.

-He would make a secret of his enjoyment to the compliments you give him, not visibly showing emotion when complimented apart from a possible smirk.

-He is a possessive man so it’s not far fetched to believe he’d be a rather jealous man at times.

-He would probably just do that thing where he smiles unsettlingly at someone if he’s jealous.

-Depending on what level he feels jealous, he might find where they live and resort to violence, though depending on who they are to you.

-His opinion on your strength with or without an ability wouldn’t change much.

-If you had an ability, he’d see it as a win due to the increased strength you’d have.

-If you didn’t have an ability, then he wouldn’t really care much. Seeing as you’re like Mitsuri, you’re strong physically and able to defend yourself either way.

-His opinion on your overall strength is that it’s a useful and impressive asset.

-Overall, a surprisingly non-toxic relationship for him but one that lacks affection. You’d be safe and cared for, so it’s basically a win!

•RYŪNOSUKE AKUTAGAWA

-Well…

-This man would be so hard to warm up to so it’s a wonder how you’d be able to.

-When you do, he’d still be a bit annoyed by your antics.

-He’d be fighting seriously and then there’s you in the background doing the splits & all that whilst somehow still winning in a fight by a mile.

-Would secretly seek your compliments and won’t be afraid to glare at someone when you compliment them.

-If your like Mitsuri and you meet Atsushi, he’s going to go mad.

-Would admire your strength and the fact that he doesn’t have to protect you.

-Please don’t gush over Dazai, he will be so sad.

-Would appreciate the fact you don’t start arguments & if he started any then you’d make an effort to sort it out before it got any worse.

-Keeps you away from most people in the Mafia unless you’re in there.

-Very protective, he wouldn’t want you hurt or sad, it completely ruins his mood.

-Overall, unbelievably sweet for a seemingly cold and ruthless Mafiaso!

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suyacho · 3 months

Text

midnight love ft. kakucho

when a knock on your door at midnight leads to you taking care of your ex

content warnings: minors/ageless blogs dni - gn!reader - ex!bf kakucho - blood & wounds mentions, reader patches kakucho up (i’m no pro) - soft to sexual tension ig - cursing - fight mentions - 1,7k words

i thought a had a writer’s block and then this happened, plus it was supposed to focused more on the sexual tension but i just wanna post this LMAOO

Quiet nights with the sound of rain pouring while you caught up with your favorite manga was all you ever needed to be at peace. Yet something was missing, someone was missing and the fact that you were reading romance didn’t help the lonely feeling.

Months had passed since you and Kakucho broke things off, still he lingered on your mind. How could you ever forget him when he meant so much to you? The dates, the late nights, the sex, the cooking together, the chaotic days and most importantly, the way he loved.

Why did you two let some silly arguments and stressful moments ruin the beautiful thing you once had?

A sigh left your lips as you closed your manga, tears welling up in your eyes as you got up. “I should sleep.” you mumbled to yourself at checking the time, how was it 01:32 already?

You made your way into your once shared bedroom, freezing in your steps once you heard a knock on the door when you were about to flick the lights on. Nervously swallowing a breath you didn’t know you were holding.

It’s okay, I’ll just pretend I’m asleep, you thought to yourself, goosebumps running up your spine. Who in his right mind would be knocking at your door at this time?

Once again one more knock was heard and you swallowed yet another breath, grabbing scissors from your desk and clutching onto your phone. Slowly making your way over to the door, making sure to not make a single sound.

“Please be home.” A voice mumbled quietly from the other side, too quiet for you to identify who it was. Your hands were shaking as you looked through the peephole, dropping both the scissors and your phone once you noticed who the person knocking was.

What the actual fuck? Talk about coincidence.

You watched as the person was about to knock once more, speaking up before he could. “What do you want, Kakucho?” you sighed, the man you had been thinking about, drenched and covered in blood, standing in front of your door.

Relief almost immediately washed over Kakucho as he heard your voice, letting his hand fall down, his other hand putting pressure onto presumably a wound. “I’m so sorry, I know this is asking too much but could you please let me in?”

Hesitantly you opened the door, moving aside so he could make his way in. He sounded desperate so he must’ve had a proper reason to come here.

“Why are you here?” you questioned bluntly, crossing your arms as you looked at him, noticing how exhausted he looked.

“I got fucked up in a fight nearby and this was the closest place that I could think of.” Kakucho answers, letting out the small fact that it was because this was the one place that felt like home, something he already lost once before. Your once shared apartment was also the one place where he felt safe.

“Go to the bathroom and wait for me.” you sighed, not daring to look him in the eyes as you went and grabbed the emergency kit, something that you purchased pretty quickly into you guys dating.

“They really fucked you up.” you chuckled, grabbing everything you need, having learned how to treat proper wounds, even going as far as knowing how to do basic stitches. “Thanks for pointing out the obvious.” he laughed, ending quickly as he winced in pain.

The way he winced made you worry considering he wasn’t in pain easily. “Go rinse off and call me when you’re done.” you told him after turning the shower on, making your way out of the bathroom, only to be stopped by him.

“Hey, thank you.” he smiled, sincerity lingered in his tone and you just nodded, pulling your hand away, ignoring the burning feeling the touch made you feel, tension rising in the air, oh how you had missed his touch.

Just what was going on? Who in their right mind would let their ex come in but then again, were you supposed to leave him like that? A deep sigh left your lips as you massage your temples, your feelings being all over the place.

Without overthinking it more, you walked over into the guestroom aka the place you stored all his stuff he left at yours. You grabbed a clean set of clothes and a towel before walking towards the bathroom again.

“I’m coming in.” you warned him after knocking, making your way into the bathroom, your eyes falling on the necklace and ring, one you got for him and the other was something you two bought matching. Why was he still wearing those?

“Thank you, l-” Kakucho stopped himself before he let the nickname slip, glancing over at you with those loving eyes, a smile plastered on his face. One you didn’t notice because you didn’t dare to look up.

You didn’t say anything as you put the clothes down, fighting back the urge to check him out. It wasn’t something you hadn’t seen before, it was a view alright, but you couldn’t do it. Not when you were in this situation, no matter how you missed seeing him like that because you knew your thoughts would only go further, thinking about his body and the times you spent together in the shower.

Just as you were about to walk out, you were once again stopped by a hand, this one a wet and warm one, making your heart skip a bit. “I’m done.” Kakucho taunted, a playful tone lingered in his tone and you could swear you felt him smirking.

“Then get dried up.” you mumbled, throwing the towel at him, the room growing warmer and the air getting thicker with each passing second. You shouldn't feel like this, not with your ex. He's an ex for a reason.

“Alright, sorry– I’m done.” Kakucho told you, sitting on the counter with just a towel wrapped around him. “This might sting.” you mumbled, putting the rubbing alcohol on a cotton pad and turning around, being taken aback in from the view. He was so fine, he always had been.

You swallowed a breath as you moved closer to him, starting with disinfecting the wounds on his hands. Carefully cleaning it up as you held his big hand, the big hand that used to fit perfectly in yours, the one that always touched you all over and knew all the right spots. “I think that should be good now, right?” Kakucho asked as you tapped the cotton pad on a clean spot, chuckling lightly.

“Oh– sorry.” you mumbled, putting it aside as you grabbed a bandage, wrapping it around his hand gently. Kakucho watched you with every move, how gentle you were with him like he was the most fragile thing ever, the sweet touches with care, the ones that only made him fall for you deeper.

A silence fell as you did the same to his arms, it was a perfect balance between peaceful and awkward and his eyes were still glued on you. However, something was much more different compared to the moment he stepped into your apartment, both in the tension and in you two as individuals, it was like you were unintentionally yearning for each other.

“Hey…” Kakucho started, making you pause in your movements and look him in the eyes for the first time tonight, making you realize how close you actually were to one another as your heart skipped a beat.

“Yes..?” Hesitation was vibrant in your voice as you caught yourself staring at his lips and then back at his eyes, missing the way he would kiss you or place kisses all over your body.

Kakucho didn’t say anything yet he moved closer to you, your lips being centimeters away to the point where you could feel his breath ghosting over yours.

The rational part in you was screaming at you, telling you to pull back and just focus on patching up. The other part was somehow yearning for his touch, like your body was moving on its own.

You shook your head, taking a few steps back as you gave him a bittersweet smile. “We shouldn’t do this, Kakucho.”

Kakucho, no longer Kaku or love, something he’d wished was different.

“Yeah, you’re right, sorry.” he apologized and you shrugged it off, cleaning up the supplies hurriedly. “Are you not fixing this one?” Kakucho asked awkwardly, moving back a bit so you could see it better.

It was the worst wound yet somehow you wanted it to be over. The way the towel was wrapped around his hips, just enough to hide it but still show his v-line and happy trail, it was almost like he did it on purpose.

“This might sting a little.” you warned him again, disinfecting the wound on his lower abdomen, Kakucho groaning slightly at the feeling, trying to keep his mind from wandering further as you touched him close to where he wanted you to.

Kakucho was way too quiet compared to earlier but you didn’t say anything as you wrapped the bandage around it. Your hand ghosted right over the towel and you could swear you felt him tense up.

“All done.” you smiled proudly, fixing up the last thing and looking him in the eyes once again, knowing those dark eyes better than anyone.

“Are you sure..? Don’t you need to check a little further down.” Kakucho questioned, having you closer to him with one swift move as you let out a shaky breath.

“Kaku..” you mumbled, praying he didn’t hear your heart beating like crazy or notice the way you’ve been rubbing your legs together the past few minutes.

Although Kakucho knew you better than anyone and noticed it before you even realized. “Sorry, you can curse me all you want later.” he apologized, his hands now being on your sides.

This wasn’t like him but it had been too long, too long since he last was with you. On top of that, he had so much pent up sexual frustration considering Kakucho didn’t sleep with anyone else, even if months had passed, his heart belonged to you, the one he let get away.

“Please…” you mumbled, moving his hand down while one of yours was placed on his chest. You didn’t say more, your body language told him all he needed to know and frankly, he didn’t know how much longer he could hold back.

Maybe he should thank those guys for beating him up.

#kakucho x reader #kakucho #tokyo revengers kakucho #tokyo rev x reader #tokyo revengers x reader #tokyo revengers #snow writes; fluff

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