I think there's no greater indication that disco elysium is sympathetic towards communism when it literally says "communism is failure" and then the literal gameplay itself rewards trying and failing. The most obvious one being the Shivers check at the FELD mural, which is an Impossible 20 check BUT opens itself up again and again the longer you spend in the world doing things, but even just looking at sheer probabilities, for any given white check, rolling first and THEN putting a point into that skill upon failure is more likely to grant you success than putting a point first and then rolling, but that would require failing first.
Other things too: Precarious world saying you'll 100% fail red checks no matter what (not necessarily a bad thing, btw!! throwing the boule into the sea is a success but like. in some other ways one would want a perfect petanque throw instead. but people wouldn't typically assume that failure is desirable sometimes from the start) persuading you to accept that you'll fail some things that is irrevocable, for a world where everything is just a tiny bit easier.
The faux game over screen when you faint after reading Dora's letter— emulating a sense of failure on the scale of the entire game. When it rolls up most people go "What?? Game over?? No way, what did I do wrong!!" and waking up after that, with no huge or lasting impact on Harry's health or morale really tells the player, "Sometimes things will seem so bad that it all seems like it's coming to an end, but it's not the end, it's really not the end, go drink so water, you can still go on despite this failure"
I'm sure there are other things as well that are eluding me but like. The literal gameplay rewards failing and succeeding far more so than simply succeeding every single time, and I think you get a fuller experience of Elysium that way too
3K notes
·
View notes
okie i made an art but there is some context to it
so my sister was studying in the haunted theology building on her college campus because it was open and it had rooms to study in .
and since it is a theology building lots of people who like catholicism go in there. so my sister finishes working on her paper or whatever and it's like 2 am and she sees a piece of paper in the hallway that says "what is your favorite saint?" with a bunch of names of catholic saints that people like that they put on there. so my sister (an atheist) makes up a fake saint name (st. chadwick the bold) and writes it on the paper.
however, since it was darkish and lateish she accidentally wrote "bold" in a way that it could be misinterpreted as "bald"
now the next day she's having a movie night with friends and tells them about it and one of them draws a very reverent, very bald monk-saint on a whiteboard . and then they make a prayer to st. chadwick the b[o/a]ld
and then when she told me about it this weekend i thought i could use it as a chance for calligraphy / gothic graphic design practice so i made this
behold
601 notes
·
View notes
I love you and your art!!
And if you don’t mind can you explain Gold Choco’s lil eye thing? Looks neat.
bokay why not-
Gold's monocle serves a couple functions, acting more like a monitor screwed into Gold's face than just a regular eye. He mostly uses it to take notes, discreetly research random things and (his personal favorite) hack into cameras around Earthbread and be a little nosey nancy.
He doesn't need it to have control over his extra limbs or workshop, but it is vital for him to always be watching and always be listening. which is why he hates going without it, he HATES the idea of not knowing everything.
His "tell" on what emotions are more genuine than others is if the monocle is sparking or not. He also can't actually blink with that "eye", even if it makes it seem like a cheeky wink or whatever, it's always perceiving. (unless of course he's going through to many thoughts, then it becomes staticky and fuzzy-)
423 notes
·
View notes
TOApril Day 1 - Missed Target
«What about you? How exactly did you… uh, do all this?”
I suppose he was talking about the piles of ash and rice, the broken chairs and control panels, and the blood of my enemies decorating the walls and the carpet. I tried not to laugh like a lunatic. “Just lucky?”» (TON, chapter 26)
Tfw an entire group of evil bodyguards tries to kill you but you're a literal god
371 notes
·
View notes
it's 2004 when steve finds himself back in hawkins for the first time since he moved away for good. he has a master's degree under his belt, a mortgage on a house outside of st. louis with a dog and picket fence, and a rockstar that wormed his way into his heart next to him in bed every night. he's closer to 50 than he is to 20 and life feels good, life feels settled, figured out in a way he never thought he'd get to see.
"you gonna tell me why you're shakin' like a leaf?"
but sitting across from wayne munson and his sharp gaze is enough to make him feel like a teenager again.
steve takes a sip from his glass of water before setting it down on the end table next to him and watches the way wayne's finger taps against the side of his coffee cup. it's like he's keeping rhythm with something that steve can't hear, like a drum beat in his head that proves that he's the reason eddie has musical talent.
"i'm fine," he responds back to wayne, a stilted smile crossing his face. wayne's gaze deepens like he he doesn't believe him. "i'm fine!"
there's a clock ticking somewhere in the living room and the faucet in the kitchen is dripping quietly and it makes the silence that falls between them even more deafening. steve takes in a deep breath and nods absently as he rubs his palms over his denim clad knees.
"is he in trouble?" wayne asks in a gruff voice, low and to the point. steve shakes his head immediately, stutters out something that sounds like no, and wayne looks at him with his eyebrows pinched together. "are you in trouble?"
"no, it's not-" steve stands up and paces out some of his nerves, hands shoved into his pockets so that he stops waving them around. he sighs and looks back at wayne. "it's nothing bad."
"if it ain't bad, then just say it."
steve groans and runs his hands through his hair. it's harder to do this than he thought it would be, quite possibly the hardest thing he's done in years and that's including having to admit to eddie that he does indeed like the stupid beard he grew as a dare from jeff. wayne is still staring at him with a determined look, like he won't let steve get away with any of his usual charming bullshit, and looks so much like eddie that it makes something in his heart explode.
"fine! i'm asking eddie to marry me and i need your permission or something. happy old man?" he finally says, or well, shouts. it's too loud in the quiet house and he can see wayne wince from the decibel he reaches but it's out. it's off his chest and he's finally said it.
and wayne is smiling.
seeing him smile is strange, not because he doesn't look good with a smile, but because it's not often that steve gets to bear witness to it. it starts off slow, clipped at the edges before it spreads to his cheeks and crinkles his eyes. steve's breathing hard when wayne stands up and wraps his hands around the tops of his shoulders. he can feel himself shaking under wayne's grip and from this close, he can see the tears that he knows wayne is fighting against.
"it's about damn time, boy. took you two long enough to pull your heads outta your backsides."
getting hugged by wayne is almost weirder than seeing him smile. it's short, to the point, with pats on backs and chuckles that break loose from steve's too tight chest. part of him wishes eddie were here to let him be a part of the moment, but it would ruin the surprise he's so carefully planned, so he revels in the rare time between just the two of them.
"had to wait for somewhere to allow it first, wayne," steve mutters as they pull apart and he feels hope unfurl somewhere within him when he says it.
"well, alright, i guess you're off that hook then. but y'know," wayne's sitting back down in his arm chair and steve does the same, matching grins plastered on their faces. "you don't need my permission. that boy is crazy over you and if you think you ain't a part of this family already, then you're crazier than he is."
steve looks around at the pictures on the shelf behind wayne's head. sees young eddie and wayne with arms around each other, sees a makeshift graduation picture, an out of focus one of the two of them outside their house in missouri, one of all three of them around the chritmas tree in '99 when they had wayne come down to see them, and he thinks, yeah. they're already a family. at least now it'll be paper official.
1K notes
·
View notes