I love all your kyman hc's so much!!!!😭❤ I just need to hear more, so here are my questions: if kyman got married how would they act around each other? And do you think they'd adopt kids and if yes: what would they name them? And would they raise them jewish or christian or both?
Aaahhh I know there are too many questions I'm sorry 😭😭
Don’t apologize, I love talking about kyman :D
Regardless of context, the core of their dynamic is: Cartman is the instigator, Kyle reacts, a little back and forth, escalate the issue to Nth degrees of insanity, Kyle lands the final blow. Though sometimes, depending on the issue, Kyle lands the last punch thinking he’s won, only for Cartman to win the war last minute. Another way the show’s mixed things up, is that Kyle’s victory is undermined either by South Park itself, or Cartman. I see their marriage as an opportunity to expand their unique dynamic and introduce new plotlines/ jokes that couldn’t be done if they were still kids.
I see Cartman taking Randy’s place as the adult that’s always up to no good, the fixture of South Park’s weirdness. self serving hijinks flare up just about every week. Meanwhile, the Sharon (or straight man) to offset that cannot be anyone else but Kyle. This time however, unlike the marshes, and perhaps most couples in South Park, the Brofloski’s are truly in love. That’s kinda the joke. The couple that started out insulting each other and trying to kill each other on multiple occasions end up in the happiest relationship. I see them fitting nicely among the pantheon of sitcom couples— Mitchel and Cameron, Marge and Homer, Ralph and Alice, Gomez and Morticia. Their relationship, in Trey fashion, pays homage to and in the same breath, mocks those classic couples.
TLDR, Their dynamic is in tact, it’s just evolved to a new label. Instead of sort of friends-ish, they’re a couple. They’re still loud, obsessed with each other, fight over issues, hang out and share similar tastes. Only this time they got rings on their fingers. And if they don’t fistfight, how do they deal with their classic arguments? Well, like any sensible american couple, of course! they fuck each other’s brains out! ( just kidding. I have this vision of Cartman doing the most outrageous shit and Kyle chasing him offscreen in anger, Cartman shouting “domestic abuse domestic abuse!”)
I’m not sure what they’d name their kids. Does it matter? I do know what personalities I’d like them to have though— the 1st, their oldest, is outgoing, entitled, bossy, manipulative, a performative people pleaser, makes everyone’s problems their responsibility, and is quick witted. (A 2w3) Much like Eric, they are exceptionally charismatic and love being in the limelight. And like Kyle, they love getting involved in the lives of others, seen as helpful. The 2nd child is less outspoken, prefers to keep opinions to themselves, a dispassionate observer. ( poster child for 8w9) Like Eric, they’re materialistic, and prone to laziness. Still, they are an intellectual like Kyle, and far more principled in comparison to their sibling/Eric. They’re probably the most capable and dangerous in the family. They don’t shoot themselves in the foot like Cartman, and they don’t fight against the currents of South Park like Kyle. If they wanted to, they could take over the world and succeed where the Brofloskis failed. They just don’t care though lol.
I could never, ever see them as a two religion household. Yeah, Cartman has been portrayed as a bigoted Christian (or in his words, “[used] Christianity as an excuse to be a piece of shit”), but carrying that extremity to adulthood isn’t as funny. I don’t know how to articulate that other than, many extreme right wingers on twitter weren’t able to read Cartman’s bigotry in Cupid Ye as hyperbolic and instead took it as fact, and praised the stuff he whispered into Tolkien’s ears. His actions in Cissy were recently trending and was seen as heroic and like, justification why trans ppl can’t use whatever bathrooms they want. You can’t escalate the crazy stuff from real life anymore— it’s become reality. So the funniest thing to do, is either personify it as something else or, run in the opposite direction. If anything, PC has shown us that it’s funnier that the very same kid who once belittled Judaism in fact, became devoutly Jewish and proceeded to rub it in everyone’s faces rather than him ending up as some evil businessman. You rob bigots the chance to idolize Cartman, but give Cartman the freedom to hone his brand of idiocy on other things. So! Kyle slaps the antisemitism outta him, they get married, bam. They are a Jewish family.
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So how was stormblood? I know it's very hit or miss for people, so what're your thoughts?
I understand why it’s hit or miss! It — to get to the point i would be straight up lying if I said I was an unbiased consumer because I’m not, I’m a coastal American mid 20s rando with a Lot of very current cultural baggage around concepts like patriotism and freedom. And Hamilton references. It all has a sweet and strong and very anti-occupation message (along with themes I very much enjoy dissecting like the constant assertion that it Doesn’t Have To Be This Way, or the expansion into You may not understand this person but you must be able to accept them,) but when combined with Stormblood’s shakier coherence in writing and dialogue and pacing, it comes off as A Bit Off. to me. And I think it missed ever so slightly just due to how it was all structured and set up with the characters we have and motivations we have because the stuff OUTSIDE or Adjacent to the main story, despite how out of place it could feel, was structured great!! Like the Kojin and the Ananta trial and the Kugane mishaps and trying to murder Zenos twice and the ghost ship. Could the main structure have come across very well yes absolutely! It does it on and off it succeeds in there often! But sometimes it doesn’t. I can see a lot of where concepts were promised and not fully delivered, pacing was a bit off, things just happened without really belonging there (despite how much I loved Susano, he could have been better structured. same with many instances and also I feel like the unethical science should have been MORE IMPORTANT THAN IT — maybe it comes back. Who is that scientist.), sometimes dialogue felt somewhat canned. I feel like in a consequences-heavy expansion, many things just didn’t have important consequences, which was very strange
HOWEVER! I cannot give the new gameplay features abd dungeons any crap they are all SO GOOD. And so PRETTYYYYY. And there were so many solo duties that ruled! Every dungeon in this expansion was like whoa this is a PLACE im in you know what I mean??? I’m in a place that’s big and there’s people and there’s NEW MECHANICS and active time maneuvers (??!!!!!!!) and unique fights! I can jump on the roofs in Kugane! And, mind you, when the dialogue was good, it was good. Lyse has a fantastic voice actor. Alisaie is my favorite girl elf creature in thw world. Estinien is like the best p- the guy ever. also m’naago is my new friend. The tower was a great part of sb to me despite my singular gripe. I think Zenos’— I know it’s controversial to some people because he does assume your wol to be a bit more murderous than some people would prefer their characters be and doesn’t take no for an answer, but his um speech did something to my brain a little bit
ON that note the ending was very fast?????? Or like — not FAST, but I wasn’t expecting Zenos or Shinryu to go down in one fight. Two co-op fights, right next to each other. I kind of wanted to beat him up myself. And when Zenos was so impossible to beat before. I was expecting both of them to be WAY harder. Though Shinryu is a COOL fight I’d do the royal menagerie again in a second. I was kind of expecting a three stage trial? Like Nidhogg? I love going into space hiiii big dragon where were you this whole time… u were shafted… but u could not be suffered to live so. Maybe if we’d gotten an instance of fighting the dragon alone after beating the trial?? Could have been Themes. I don’t know
anyways no I can’t quite pin it down, but I’ve said it before I think they had the outline for the story and then built it and went oh this is too much and not enough at the same time and got stuck writing the whole thing after getting stuck in the story they already had. A COMMENDABLE job for getting turned around like that, way better than a lot of video games stories out there, good gameplay and areas that didn’t feel too empty. glances at coerthas falcons nest area. I think the ways they did the exploration thing was good, having us venture further into occupied territory etc, but so much exploration stuff felt oneoff and not there to do much for someone who has been skipping almost all of the side content except stuff I’ve been told is good. It almost felt like they were Trying New Stuff a lot, and some of it succeeded some of it failed. Such is trying stuff!! Such is trying to imitate what you had while making something new and exciting! And I can’t fault them for that
so like — putting aside the fact that I haven’t done post-sb which is like missing 40% of the Thing according to past expansions and my thoughts very well might change, i would 100% do the fights again, maybe watch some cutscenes, but I don’t think I’d NG+ this one. where is that lady selling buuz it is a CRIME i did not get to have any buuz let me buy one yoshi p
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there’s a word for it. a name. for the people who take care of corpses before a funeral. hanzawa masato doesn’t remember it right now, though, because right now he’s up in the midnight hours, lying flat on the couch in the living room. too warm. he doesn’t care to remember it, the name.
it’s way, way too warm.
dying used to be simpler than this. there was no pavement, there were no buildings, there were no faceless people.
cold, though. there was cold.
the water wasn’t really flowing, too shallow, he was slowing it down, but his blood was. staining the ice.
it was gross.
he couldn’t stretch out his legs, couldn’t reach his arms out over his head. his fingers were cold and useless and deadened, and slow. the air he was struggling to breathe was pushing in and flowing out of his lungs through the puncture wound in his chest. so slow.
he’s been there before. he’s here now.
sitting stiff in the water, soaked to the bone, dying in isolation. bleeding out, masato thinks he’s alive. suffocating, he’s convinced he won’t be for much longer.
he’s not sure he’s anywhere.
dying used to be so easy.
instead of waiting until he couldn’t stand to look at himself anymore, kneeling until his head went under and waiting it out, probably getting swept away by the current until he crashed downstream—he wouldn’t know, he never lived to see that part—instead of that—
he’s wading around a little lost. he’s bleeding. the ghosts only look at him when they know it’ll sting worst, long shadows cast over the water, malformed specters dancing in mockery of him. he thinks his feet are getting a little worse than sliced up by jagged hateful rocks out of sight. that’s depressingly the least of his worries. it’s being impaled by the moon in a loop of time that fucking hates him. but he’s already bleeding. he’s a little surprised that he’s still got blood to bleed.
instead of releasing what could have become a burden, it’s him standing, helplessly, in the river, night after night after night. because it’s nighttime now. it keeps being nighttime.
it’s the kind of thing you’d almost expect to be a relief.
“hanzawa senpai.”
masato turns his head, creaky like a wooden doll. “…tashiro-kun.”
kimono-clad, he offers a hand. “you’re not face first in muck this time.”
masato doesn’t take it. a sharp smile curves his cheeks, not insincere. “thank you. ‘this time?”
tashiro smiles sheepishly down at him. squints. “did you die?”
“do I look dead?”
it’s hard to see from the water, but masato knows that tashiro’s shifted his eyes. saw it in the back of his mind, recorded on crackly film. he says, instead of answering, “I’ve got bandages.”
masato wishes he had something to rest his elbows on, to brace himself on. it doesn’t feel right playing his games standing upright, his hands in his sleeves instead of holding his head on his shoulders. “ta-shi-ro-kuuun, what do you think I need those for?” masato knows what.
tashiro replies anyway, drily from up on uneven paving, “hanzawa senpai, you’re bleeding. you need blood. to survive.”
“tashiro-kun, did I die?”
things are splintering a little. crackly film.
a web of cracks splitting tashiro’s composure, his voice shaking, “why did you?”
that wasn’t what masato asked.
—
“hanzawa senpai.”
“…”
“senpai.”
“…tashiro-kun.”
“you’re not face first in muck this time.”
the smile’s carving itself in, muscle memory. masato’s not going to ask what he meant by this time. “thank you.”
“did you die?”
“do I look dead?”
in the old school projector film behind his eyelids, the flickering doesn’t feel out of place. “I’ve got bandages.”
“ta-shi-ro-kuuun, what do you think I need those for?” masato’s always known what.
“hanzawa senpai, you’re bleeding. you need blood. to survive.”
“tashiro-kun, did I die?”
the shadows cast by a lantern hidden just behind tashiro make his shoulders look broad. masato swallows down a laugh, but he’s not sure what’s funny. “don’t be shallow, senpai, looks aren’t everything.”
the laugh comes out anyway. he manages, “I feel dead, forget the looks.”
“I can’t. I won’t.”
masato takes his turn to squint. they weren’t taking turns. it doesn’t matter. he doesn’t know if he still feels like laughing. he knows for sure that he can’t think of anything to say.
it’s just as well. tashiro isn’t having the same problem. “I think you should just, I don’t know. care about yourself more.”
masato swallows. his lips press into a chagrined line. “I don’t not care,” he says.
tashiro looks right through him. his eyes are like headlights.
he doesn’t actually need to say it, and masato can tell that he almost doesn’t, but maybe tashiro thought he needed to hear it out loud, feel it taking up space. maybe he was right.
“your caring sucks, senpai. it killed you.”
masato doesn’t want to follow that thread. “how many times have you been here, tashiro-kun?”
tashiro doesn’t buy into it. his demeanor is at once solemn and jarringly pleading, “senpai, won’t you live for once?”
masato means to say it like a joke, because it is one, but by accident the words, “how could I begin to deny you,” are dropping off his tongue, he doesn’t even know why, he doesn’t know why he said that, and no amount of exaggerated irreverence can hide from tashiro—eyes like cleavers, more like—the characters slipping into the water.
the ripples aren’t all that big, but they’re big enough.
like when your head aches, or the gash in your chest is losing you too much blood, or the water is tugging itself a little too close to that gash to be comfortable. something like that. something like that. it’s enough.
he doesn’t think he’s making any sense. it’s just too warm.
“maa-kun,” his older brother’s crooning, pushing his damp bangs off his forehead with cold fingers, “I think you’re sick.”
masato blinks away what he hopes is sweat. “gross.”
“not gross, worrying. sit up please.”
“I’ll throw up.”
“you won’t.”
“you’re right, I won’t.”
he’s getting fussed over in the middle of the night, on the couch that he’s sweating all over, and he’s watching a fan across the room spin and it’s nauseating and he stops looking at it. he’s getting fussed over in the middle of the night, by his older brother, because his mom’s out of town visiting her sister. he’s getting fussed over in the middle of the night, feeling a little out of his body. feeling a little—not at all—a lot like a little kid again. feeling sick, and pathetic.
he goes into the bathroom, wobbly and upset and over-warm, and he throws up.
—
reality’s tearing itself up, his dreams are eating it up, he’s falling apart and melting at the seams, he sits in almost-too-cold water until he thinks he’s gonna throw up again.
put him on ice, already, the sooner the funeral the sooner he can get some fucking rest.
his older brother’s sitting against the door frame, slipping in and out of consciousness. he murmurs, reaching forward to pet his hair, “‘s it too cold?”
masato doesn’t think it’s sweat. “it’s okay.”
—
it wouldn’t have been a very good joke, even if it’d come out right.
masato thinks he just choked around, “I want to. I want to.”
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