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#i don’t know what to tag this as
bancaishi · 2 years
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edited :flushed: emojis for your viewing pleasure
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samkingsketches · 4 months
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It’s that time of year where I draw my “Carol of the Bells” OC
(They are a little forest death god and their steed that love when it gets dark and everyone puts lights in their windows. So then run around with bells to celebrate)
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its-tin · 3 months
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My shot at @abbeyofcyn’s CTIYS!
Fun fact this is actually my first time ever doing something like this (or even posting art in general) and I might have gone a bit overboard with it. I coloured it twice because I had two ideas wanted to try both. My finger needs rest and I can’t fathom that Ibis is telling me that I spent 16-nearly-17 hours on this lol. But! I’m happy I did. This was so much fun to do! I only recently started with digital art and I decided to try and do new things with this. Who knew shading could be so enjoyable? I also found it very entertaining to try and shove as many small details as I can into this (an example being in the first one, Donnie’s bags (?) actually being Leo’s (he has them in the show :] ) that he *cough* borrowed to store interesting things he finds in the apocalypse).
ANYWAYS ENOUGH YAPPING HERE IT IS!
First one (what I call my normal attempt): “Gold”
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(I actually forgot that his mechanical arm is green too and only realised it when I was late into the second one lol) I wanted to emphasise with the colours that they are still in the apocalypse, but it’s but brighter with those you care for. They’re the most valuable thing in the world, and hence, Gold! I also wanted to try doing a golden hour scene and MAN did I struggle. But, I’m proud of it :)
Small trigger warning! The next one contains a bit of blood and implied death.
Second one (Angst tehe): “Hollow peace”
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(MY QUALITY NOOOOO-) This was actually my first thought on the CTIYS before I changed my mind and started on the other. I had the thought that maybe Leo “failed”, losing them in some recent battle and now is just chilling with their ghosts and ow that hurts saying aloud. They stumble upon a new area, and it’s so peaceful and beautiful, but Leo can’t enjoy it. He wouldn’t even know how to. He can’t remember how to feel, how to think beyond ‘survive’. He’s failed everyone and everything. He cries without knowing for what. He’s a husk caring for the hauntings of his kids, they’re the only thing keeping him alive. And as long as they’re still here, still smiling at him despite him being a monster and failing them, he still has a purpose. He will live on.
Wow I talk a lot. Anyways go follow @abbeyofcyn they’re super cool and post amazing art. They inspire me so much on so many different levels and I am very happy to be able to do this. Rad person with stunning fanart and stories.
(Incredible line art done by @abbeyofcyn (sorry I’ve tagged you thrice in one post))
And here’s the link to the Original Post if you want to try yourself! I recommend, but you do you. :D
Thanks for listening to my rambles and have a lovely rest of your day/night! :]
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If I don’t want to fix my BPD symptoms then I don’t have to. People can accept me as I am
There’s a difference between what people mean when they say people should accept you for who you are and accepting certain behaviours.
You don’t have to do anything you don’t want to. Of course not. This also means other people don’t have to put up with things that aren’t good for them. I found it helpful to work on my behaviours though because the consequences of them were damaging my quality of life. Losing loved ones was hard on me. And it was valid of them to leave because it was best for them.
Edit to add: In short, you don’t have to recover if you don’t want to or aren’t ready to but other people aren’t obligated to sacrifice their own mental health if it’s affecting them.
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goldenblu · 1 month
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lrt (lrb?) but in regards to another idea i had about germa!sanji…
AU where the poison doesn’t work and he’s born without emotions like his brothers and becomes stealth black. he comes across the strawhats while he's on a mission and decides to work with them/use them because their goals happen to align at that point in time (or maybe they don’t align and he means to sabotage them).
he can’t tell the strawhats who he really is so he pretends to be someone else, someone with emotions and morals and a completely normal background, maybe he makes up some sob story so that they allow him to travel with them.
he chooses to play the long game because this is a delicate mission that can’t be solved with brute strength alone. unlike his brothers he can be patient, he can lie and pretend and manipulate, that’s his strong suit, isn’t it? he’s the spy, the infiltrator, the one who is always sent undercover—that’s what he was made for.
so he joins the strawhats under the guise of a cook, not because he likes cooking (he doesn’t, it’s beneath him), but because 1) the strawhats are in desperate need of a cook and 2) it’s so easy and formulaic, just follow a recipe and he’s good to go. he doesn’t get why the strawhats have been struggling so much with it before he came along, what’s so hard about that?
he thinks it’s weird that the strawhats accept him right away. they don’t ask too many questions. when luffy looks at him and decides “you’ll be my cook,” that’s that. it’s like he’s always been there, with the easy way that they make space for him on their crew.
it’s so stupidly naive of them, it almost makes sanji laugh. he reminds himself that he shouldn’t expect pirates to be particularly intelligent, and either way, he’s not gonna complain since it makes his job that much easier.
so he cooks for them, he sneaks away occasionally to meet with his various underworld contacts and maybe do a little light murdering here and there when the need arises, he fights alongside the strawhats whenever he can’t avoid it—not with the raid suit, of course, but he doesn’t need it, he’s got his combat knives and he’s very good at hand to hand.
it’s a bit difficult to explain away his inhuman durability; chopper is always worrying over him and accuses him of hiding his injuries. chopper seems baffled when sanji shows him his unharmed skin and says, look, really, there’s nothing there, you must have been imagining things. or, when he can’t pretend that he didn’t take a blow, he just shrugs and says that his opponent was a lot weaker than they looked.
it infuriates zoro to no end, because how is this random no-name cook so strong? how does he somehow come out of every battle untouched with hardly a single hair out of place? so zoro tries to start fights with sanji, to prove the superiority of his swords over sanji’s knives, and at first sanji mostly ignores him because what does he care about some stupid swordsman’s ego?
but zoro keeps trying and eventually sanji snaps and finally fights back, since this irritating mossball clearly needs to be taught a lesson. sanji wins, and he thinks that will be the end of it, but then zoro just keeps coming back, because how else will he get stronger if he can’t defeat a fucking cook?
(sanji allows it. he’s been getting bored, and at least the swordsman is one of few who can keep up with him. he hasn’t had a good fight like that in a while now.)
sanji doesn’t think particularly highly of usopp, who he labels as a coward. but then again, compared sanji and his siblings, most people are. so when usopp runs to hide behind him, sanji sighs in annoyance but grudgingly moves to protect him anyway because that’s what this person he’s pretending to be would do, isn’t it? he doesn’t actually care what happens to usopp or anything, no matter how much usopp seems to think otherwise.
the first time sanji saves usopp without prompting, he’s momentarily surprised with himself. he didn’t have to do that; no one would have noticed if he pretended he hadn’t seen usopp was in danger. he chalks it up to the fact that he’s protected usopp so many times that it must have become an automatic instinct, which irritates him to no end. but whatever, it’s not like he’s going to be here for much longer anyway.
he treats nami the same as everyone else. one day he walks by while nami is drawing her maps and he offhandedly mentions something about how maps of the grand line are usually terribly inaccurate in his experience which makes it a pain to sail anywhere without an eternal log pose, but nami’s maps seem to be pretty good. and that’s how nami finds out he’s already been all over the grand line.
sanji realizes that he might’ve dropped a bit too much information, but he covers it up by saying he used to work as a cook on a merchant ship, which nami accepts. but after that nami starts working on her maps in the galley a lot more so that she can get his opinion/ask him questions, especially about places that the strawhats don’t stop at, like do you remember if the landmass was shaped more like this or this or are there any islands i’m missing that we would’ve passed by already.
sanji answers as honestly as he can—not because he wants to help her in particular, but because better maps means that it’ll be easier for germa ships to navigate the grand line, so why not? so he doesn’t kick her out of the galley, not even when it really starts to distract him from cooking. nami doesn’t ever say it outright, but he suspects that this is why she gives him a slightly bigger allowance than the others when they go ashore, not that he needs it.
luffy drags sanji places and shows him new things and, most confusingly, asks him to play. sanji scoffs at the notion because he doesn’t play. he’s never played anything, not once in his entire life, he doesn’t even think he’s had fun before. when he lets that slip, though, luffy looks at him, smile falling for a moment in favor of something sad, before becoming even more determined.
(later, luffy asks him if he has a dream.
no, sanji says, without thinking. he pauses, unsure if that’s something that the persona he’s carefully crafted would say. but it’s too late—it’s already out there.
not at all? luffy asks. there has to be something. i don’t care about far away or impossible it seems.
sanji considers it for a moment and says, again, no. i don’t see the point of dreaming of things that aren’t possible.
whether it’s possible or not isn’t important. surely there’s something you want.
want. sanji isn’t even sure of the meaning of the word. he wants what his father wants, of course, but he gets the feeling that isn’t what luffy meant. something about his confusion must show on his face, because luffy lets it go.
after that, though, luffy won’t stop asking about what sanji wants to do. it drives sanji insane, because that’s a question he never knows how to answer.
it’s easy enough to make something up, obviously, but luffy seems to know every time, because he’ll send sanji this disappointed sort of look.
it makes sanji feel like he’s failed a test he didn’t know he was taking.
he fucking hates it.)
the strawhats keep sailing forward, saving various people and islands along the way (and that’s something else sanji can’t understand—luffy’s determination to fight for the freedom of others at no benefit to himself, this inherent kindness of his. well, sanji amends, the entire crew’s kindness, really. each of them shows it in their own way, but it’s apparent enough even in their daily interactions on the ship. these little things, above all else, keep throwing sanji off; he doesn’t know what to do with it, especially when it’s directed at him).
so for a long time, sanji pretends to be someone he’s not. and then he realizes, at some point, he’s not pretending anymore. he realizes that he’s actually starting to enjoy cooking, that he likes being here, on this ship with this crew who treat him as something more than a weapon or someone to fear. he realizes that he can’t remember the last time he thought about his mission, that it’s getting easier and easier to put on these fake emotions, that he barely even has to think about it anymore—so maybe they aren’t as fake he thought they were.
he realizes, with horror, that he’s learning how to feel. and, worst of all, there is something he wants, now.
so in the end, it turns out luffy was right. sanji does have an impossible dream, after all. because this thing he wants? he knows, as sure as anything, that it’s something he can’t ever, ever have.
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batwynn · 2 months
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Dramatically lit Noodle.
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glitch-1983 · 9 months
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9 People You Want To Know Better
Tagged By @gracewritesbooks
Last Song I Listened To: Meant To Be Yours (Heathers The Musical)
Currently Reading: Many, Many Half-Way Finished Books, But Mainly All That’s Left In The World By Erik J. Brown.
Currently Watching: Breaking Bad (For The First Time, Yes. I’m On Season Two), Rewatching BNHA/MHA (For The Fourth Time I Think… It Might Be Fifth), Horimiya: The Missing Pieces
Currently Watching (YouTube Series Edition): Hermitcraft Season 9 (Grian And Somewhat Started Doc’s), Game Grumps Zelda: Breath Of The Wild, Game Grumps Danganronpa 2, GTLive FNAF Tapes Videos (Waiting On New Specter Episode)
Current Obsession: Homestuck (Main Currently), BNHA/MHA, FNAF, Welcome Home, Wizardry
Who I’m Tagging: @vineboom-sfx @spaceypineapple @jesslaketism @2iimone @gwyb @aimlesscomposer @bakugou-klancey-lance @knightobreath @knight-neco-arc @tempertyzias @homestuckified
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queerbuckleys · 6 months
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who’s taylor swift anyway? ✨🌸🌻🌺🌼🪻
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hiramstolowitski · 2 months
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WHO SAID THE WALRUS WAS THE ONE TO KNOCK. someone could have dropped off the walrus knocked and ran away
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mydictionary-yume · 7 months
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If you see this, this is your sign to draw you and your f/o as tbh/autism creatures, the worse, the better
NOT YOU PRO.SHIPPERS NOR COM.SHIPPERS
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saltyfilmmajor · 3 months
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Goes up to a gay couple and asks: which one of you refuses to talk about yourself and which one talks too much
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One of my favorite forms of intimacy, platonic or otherwise is when person A is standing next to person B who is sitting, and Person A offers comfort by bringing B’s head to rest against their stomach. Gently playing with B’s hair and keeping them pressed tight to their stomach.
As if to say “here I shall keep you safe. Tucked under my ribs like my heart you are safe and cherished here.” And there’s just something so raw and sweet to me when I see/imagine that.
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spinningintheshadows · 9 months
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Okay I’m going to sound so annoying right now so please bear with me.
Hi my name is Vix. I’m 27 and living in my car. I need gas to get to work because my gas light is on. I have not eaten in three days and if I don’t go to work, I don’t eat. I am going to put my Cashapp and PayPal in the photos below in case someone would like to help me out. I don’t get paid until Wednesday and I have nothing.
Tagging my regular tags to spread awareness.
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blitzy-blitzwing · 4 months
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Oh boy I can’t wait to see what it’ll look like when Blitzwing gets his first boner (unless I’ve missed it in which case ack)
Who says he has a penis? 😎
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batwynn · 5 months
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Quoth the raven: my field of fucks is barren.
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synthetic-rust · 1 year
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Concept for a non-ttte train face design ?
Ft. Casper <3
Being a big fan of humanising machines in general, I’d like to continue doing that with trains without calling back to ttte quite as much (if it’s something unrelated). The main goal here has been trying to differentiate the key features a bit from the general ttte/rws formula:
Added colours around the eyes and eyebrows.
Having the face mostly match the colour of where it’d be placed - in most cases being black (after the radiators or smokeboxes).
It’s not drawn here, but the teeth are also sharper (like how I draw them in a lot of my other art)
Still not certain on the details, but that’s the general direction i’m going for.
I’ve noticed it’s been a lot harder to get the colours right as opposed to with a grey face. Might just be because it’s new for me, but I think it is just a bit trickier to do in general. The method of stylisation seems quite important to how well it turns out.
Here I went for a bit of a weird mix between painting and cell shading/colour blocking? (idk what to call it). If I ever revisit this I’d hope to refine my method somewhat.
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