ok you know what i need more bodysharing/brain roommates. malevolent got me feeling some kind of way and I need MORE. tvtropes has like 15 different categories that are all sort-of-but-not-really under the umbrella of what I'm looking for, and sorting through all of that is a little too unwieldy, so I'm turning to you guys.
key factors of the specific flavor of "multiple consciousnesses stuck in the same meat suit" that I'm looking for are:
any variation of, a human (or this universe's equivalent [so like, an elf where elves are commonplace would count]) has another, nonhuman consciousness attached to them and only them in such a way that the two can communicate, and subsequently
they Banter Constantly
^that^ is probably the most important qualifier here tbh
second most important qualifier is that they are not separated at the end (this obv. doesn't apply if the thing is still ongoing). it's okay if the passenger gets a new body (cf. subnautica) or is freed from their binding (cf. baldur's gate), as long as the partnership isn't broken.
Related: they don't actually have to SHARE a body (so enchanted objects, an AI implant, a Mysterious Disembodied Voice, an imaginary friend, etc., also count). they just have to be tethered to each other such that the passenger cannot move around or function on their own without a host. (I think this is part of why it's hard to narrow down on tvtropes: it's more about the dynamic than about the specific mechanism of "possession".)
Third most important qualifier is that only the current host can hear/communicate with the passenger, even if other people around them are aware of the passenger's existence.
two humans stuck in the same body is okay as long as the other criteria are met, but I would prefer it if the host is human(/equivalent) and the passenger is not (or vice versa if the passenger/possessor is the one with control of the body, as with things like the yeerks, most demonic possession, etc).
it doesn't have to be romantic. they don't even have to like each other. conversely, it absolutely can be romantic too.
They DO have to be the POV character/s for a significant majority (like, at least 60-75%) of the work, because the internal back-and-forth is the entire point.
Bonus points if: they do actually share a body; they are either never physically separated either, or are rejoined at the end (voluntarily or otherwise); passenger has lots of setting-relevant knowledge/an alien or fantastical perspective, while host shows passenger what it's like to be Alive™; despite constantly butting heads, host and passenger work patently better as a team; super extra bonus points for all of the above
My favorite examples of what I am looking for:
Malevolent podcast (super extra bonus points x10000000000000000)
Venom movies (this is probably the codifier for most people here tbh) (super extra bonus points)
Subnautica: Below Zero (AL-AN gets their own body but stays with Robin, and it hits all of the others)
Forspoken (super extra bonus points)
the "a bagel. two bagels." vine
(I know there's a couple others that I'm just blanking on. If I remember them, I'll add them.)
other things that have moments or flavors of this, but aren't focused on it/don't quite hit all of them:
the Bartimaeus trilogy had it at the end a little, but, well. it didn't last very long. (i STILL haven't recovered from that ending and i was, what? 15 or something? g o d)
the emperor in bg3 kiiiinda counts since they're magically bound to the player/party and can't exist outside their prison, but they do have their own body and are not nearly as chatty as I'm looking for. also, while only the holders of the prism can hear them, All of the holders of the prism can hear them and I'd really prefer one-on-one.
I think Death Note would also count? I read it in like 6th grade and never finished it so my memory is patchy At Best, but since nobody else can interact with Ryuk, he's bound to whoever holds the notebook, and he's the supplier of the holder's powers, it's close enough that I would accept something similar.
Slay the Princess has the bickering in spades and fulfills the "do not separate" criterion depending on your ending, although the jury's out on whether the voices are Actually their own entities or just symptoms of you losing it. Also, nobody in it is human. The bickering is definitely good enough to make up for it though. (The fact that it's Jonny Sims clearly having a grand old time might have something to do with it...)
with the caveat that I have not watched any of it, i think jadzia (and?) dax from ds9 miiight count, but they're part of an ensemble cast and thus fail the "pov characters for a majority of the work" and "we get to hear their constant internal banter" criteria.
things I tried that fit at least some criteria, but didn't like for various reasons:
the good demon by jimmy cajoleas. promising concept, but 1) the protagonist smokes, which is an instant and unnegotiable dealbreaker (seriously, who makes their protagonist do that in The Year Of Our Lord Anything Later Than 1950?? and to a child? DEATH. ONE MILLION YEARS DUNGEON.), and 2) I looked it up and they separate at the end anyways, so there's even LESS of a point.
the venom comics. honestly I just... really dislike superhero comics, there's always way too many of them to keep track of + I'm very shallow and they're usually unbearably ugly to me (and also having started with the movies I just found comics!eddie really unpleasant tbh)
parasyte manga. perfect concept, great dynamic, but its particular brand of body horror was... not great for me and I had to put it down. (horror in and of itself isn't a dealbreaker, though, so if you've got something similar that doesn't involve lots of hands bent at nauseating angles, I'll gladly take it.)
Cyberpunk 77 has the two-humans flavor of this and hits almost all of the other criteria, but i viscerally hated literally everything about j*hnny s*lverhand with every fiber of my being and the rest of the game was so mediocre already that i just gave up
....I know it's a highly specific/potentially niche dynamic, but if anyone has any recs, PUHLEEASE hmu!!! I'm looking for original work rather than fanfiction, but apart from that, format doesn't matter at all (although if it's some like super difficult indie game or something, I probably won't get very far lol). the MAIN points are 1) bickering and 2) host-and-passenger, so if you have something that hits those but not the others, feel free to share it anyway!
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yes i'm rooting for m*leven breakup because byler is neat but mostly? i'm rooting for m*leven breakup for the sake of el and mike.
to me, their romance was always a puppy love born out of a combination of social pressures, naïve curiosity, and a lack of true understanding regarding intimacy and romantic love and what it really is. it was real in that they do truly, deeply care about each other and they are close friends, maybe even shared an attraction, but a maturing romance is so much more than that. they've grown up and out of being boyfriend/girlfriend, and that's okay! i think television/film needs to show more often that most of us don't have definite "soulmates" or first childhood loves that we spend our whole lives with. it doesn't mean these relationships meant nothing and didn't impact us, it just means they've run their course and that something else is in the cards, and this is part of life!
i've always felt el was at her best and most confident self when broken up with mike, discovering who she was and what she liked alongside another girl her age instead of just relying on mike for mentorship on how to live in the real world. she deserves more of an opportunity to find herself, her autonomy, and her independence, and to love who she is, and she's made it clear she's felt insecure in the relationship with mike because she isn't being loved and understood the way she wants, needs, and deserves from someone who is her partner.
also, it's okay if mike doesn't love her in "the way he should". he is not obligated to love her romantically and stay in a relationship with her just because she's a girl, because she "needed someone", or because he cares about her a lot. he shouldn't be pressured into a romance if it's not truly coming from his heart. he deserves freedom to find out and honour who he is, too, instead of just staying in his non-functional first relationship — one he got into as a child, essentially — and defining himself that way because it's what's expected when a boy and a girl are close. he loves her in some way, yes, but it's okay if he doesn't feel comfortable or secure being her boyfriend anymore, for whatever reason that is. he's felt insecure too, and that's valid and it matters.
they are their own people and are steadily growing and changing every day. they need time to figure out who those people are, and it's become clear (at least in my opinion) that those people aren't meant to be a couple at this stage.
they deserve freedom. they deserve to grow up and be authentic to themselves and not feel like they need to lie for the sake of a relationship. they deserve to move on from this version of their relationship that isn't making them happy and rekindle the best part of their bond: their strong, beautiful friendship. they don't have to be a couple if it doesn't make them stronger and better and happier people.
i think it would be healthy and wonderful for a show, especially one consumed frequently by young adults, to show a relationship starting, progressing, and ending on good terms in this way. sometimes things don't work out, and that is okay.
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Canon Characters vs OC vs x Reader
Disclaimer: This is just my two cents, and my perspective on things, and I'm not trying to lay down the law for everyone. I needed to just put this to words though, in order to sleep.
I was thinking about this because of a post I saw, and some, we'll say, kind of useless comments associated with the post. Mean-spirited stuff.
Normally, in one ear and out the other, but the vibes just kicked me off down a rabbit hole of sorts an I wanted to try to put some of my thoughts to words.
First, some style vibes:
Canon x Canon Canon/Canon stories are, to me, like reading an episode of that show. I'm sitting down in front of a TV or whatever, and I'm experiencing the story As A Viewer. I like this style because I don't really have to expend much energy and I just kind of roll with whatever's happening. Generally some sort of 3rd person perspective.
OC x canon OC/Canon stories are like being on a carnival ride. I'm sitting in a car on a roller-coaster, and maybe the OC is sitting next me. I'm experiencing the story more deeply than strictly canon stories, but my connection with the OC is no deeper than say, my connection with Katniss Everdeen when I read The Hunger Games. Sometimes 3rd person, sometimes first person.
Reader x canon Reader/Canon (or Reader x/ OC) is like putting on a VR helmet. I don't get much physical input about the "Reader OC" because I'm experiencing the story through their eyes. I don't expect the reader to be me, but there's a bigger feeling of immersion to be had. Some description might happen cause it's relevant to the story, and it's still a type of ride, I can't jump the rails on the roller coaster, after all. (Even with a VN you still follow the tracks). Sometimes first person, sometimes second person (I'm partial to 2nd person perspective, but that's just me).
I love Fan Fiction, I love it. All of it, and man even more than anything, what I love is that I'm going to dislike 80% of it. Because that 80% was written for someone who is not me. (Hell, that number's probably closer to 99% if we're looking at ALL fandoms, but I digress).
Second - The VENT:
What got me the most in the post that prompted this, was someone saying "Bring back the Mary Sue OCs!" and then they went on to describe something more detailed, and I just -
Look, respectfully, fuck you.
The point is, you're not going to be happy no matter what. Whether it's "mary sue" OCs, or x readers, or alternative universes, or a ship you don't like, you're going to find something to be unhappy about.
Cause people have been bitching about all styles of fan fiction since the first "You've Got Mail" chimed in 1991. And until 1998 and ff.net you really had to hunt for it, and until 2007 and Ao3 the idea of tagging a fic for any reason wasn't really a thing. Every click was a surprise! \o/
I just have seen the same song and dance a dozen times. It's exhausting. People become okay with OCs and decide x readers are the enemy, and before that OCs were *all* Mary Sues and cringe and people who made OCs were the enemy, and before OCs people who wrote even a little OOC were the enemy, and people who wrote AUs were the enemy, and you can write fan fic but it HAS to be Canon Compliant, and everyone MUST be in-character at all times - "They would not fucking say that" was the enemy.
Look, just please - please - in any capacity, stop it with the "All X style of story telling is crap" mindset. There's over a dozen different ways to do x readers alone. I know 20 x reader writers and I don't think any of us have the same style, preferences, or vibes.
I've had a lot of comments along the lines of "I thought I hated x readers, but I really loved this." on a few different fics I've written. Sometimes it's not the style of the fic, sometimes it's the style of the writer, and my Brother In Christ - you're going to have to read some awful shit to shuffle through the thousands of writers out there to find the vibes that resonate with you.
Ostracizing entire swathes of fan fic because you need something to be "The Enemy" so you can lift up something else, and then bitching you can't find anything new to read seems like a personal problem.
And I know y'all are scrolling by TONS of posts that don't interest you, every day, as a matter of course. So don't give me that "clogging up the tag" BS, because we deserve to be here same as anyone else in the fandom.
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