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#i dont know how long i have left
obsob · 6 months
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the accolade ( the...the cat-olade...)
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plesiosaurys · 7 months
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getting emotional over footage of an amateur scuba diver interacting with a coelacanth. they are hunted by large deepwater predators, and here comes a large creature bearing the brightest lights it's ever seen, making strange noises, but it does not shy away. it hovers, calmly, as the diver reaches out and trails a hand down its back. im strongly against the anthropomorphizing of real life animals but the stupid emotional part of me loudly insists this is because it recognizes us, the alternating movements of its four paired limbs matching the diver's four paired limbs, & it is thinking, "hello, cousins, we missed you these 66 million years, it's so good to see you again. welcome back, welcome home."
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lover-of-mine · 8 months
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I'm here to argue my case about how Eddie fell first and has in fact been semi-aware of his feelings since season 3 and it's currently dealing with the way he thinks he'll have to be the best man on Buck's wedding. So sit down, buckle up, grab your delusional drink of choice (today I'm drinking my delusional tea lol), and let's go.
Okay, given season 6 information, we know Buck and Eddie are roughly the same age and we know Eddie was pursued by Bobby and Bobby wanted a partner for Buck (unrelated but Bobby so hoped the military guy would balance out Buck and for a while there he ended up with two very impulsive firefighters and he definitely had a few what the hell have I done moments lol) so it's kinda safe to assume that Buck was one of the selling points of the 118 because Buck is a very competent firefighter and they would be on the same shift. So Eddie went in with the expectation of someone his age he could befriend. I'm making some assumptions but the internet tells me the academy takes a year, we know Eddie still doesn't have a permanent childcare plan, so this man is interacting outside of the academy exclusively with his 7 yo, his abuela, and tia for a year, so I think that the idea of having a friend his own age was appealing to him. Especially after the army and Shannon leaving him. So much so that with his sharp edges, you can actually read things like "I'd go lower" or "you're in the wrong light, man" as attempts to create a bond, very awkward I haven't tried to make friends in forever attempts but attempts nonetheless because he's trying to be helpful. Buck is being Buck, but even Eddie says I hear you're a good guy, so dude is trying to understand what's happening, what's setting Buck off, and while he matches Buck's energy after the gym conversation, he actually continues to try and bond with Buck with the thing that actually works and the "you're badass under pressure" that is still another attempt to get through to Buck. I have various theories about the way Eddie keeps trying to start something, the one I like the most and the most painful one is about how Eddie has had the weight of the world on his shoulders forever. And he had to grow up really fast, and then there is Buck annoying him about nicknames and discussing his body fat percentage, and with all that really carefree energy season 1 and beginning of season 2 Buck had that he probably wanted to know what it felt like. But Buck is Buck and Buck also wanted a friend so dude imprinted on Eddie like a baby duck. But Eddie doesn't mind, like before Bobby comes in to say who got the spot on the calendar, Eddie looks amused by Buck not annoyed. But up until now, that's casual. They're coworkers.
Then we have the earthquake. We know Christopher is Eddie's whole world and he's very careful about the people he lets into their life, considering the earthquake happened on Maddie's first day on the floor and she must've had some sort of training before that, it's safe to assume that Eddie didn't mention Chris at the firehouse for at least a few weeks and he is very hesitant to tell Buck about him, but again Buck is Buck and he switches into reassurance mode and that's when Eddie actually lets him in. I actually would love it if we had an explanation as to why Buck drove Eddie to Chris' school after the shift, but it's something that he went from being hesitant to even mention he existed to introducing Buck to him. But then we have the moment Buck becomes his ride-or-die, you imprinted on me but now I'm hanging on to you, with the whole going to the hospital with him because of abuela and also the way that Buck clears Chris staying at the firehouse before Eddie thinks to do it.
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This moment right here it's what gets Eddie. He's ready to apologize and justify and he doesn't have to because Buck stepped up to do something simply because he realized Eddie needed help and he could do something about it. Eddie is doing everything alone and he needs help but he doesn't know how or who to ask for it and Buck just steps in and does it before he needs to ask. And then there's Carla. Buck tricks him into showing up and literally hands him the solution to his problems because Buck knows Eddie wouldn't accept it if Buck had said what that was about beforehand, but at no point does Buck make it seem like Eddie is a bad parent for needing help. And I think with the whole thing with his parents trying to take Chris from him, that really does something.
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I really like to use the second gif here as a major example of Eddie's heart eyes for Buck, but the first one, when he realizes who Carla is and what she can give him completely changes his demeanor. He was ready to be polite, was probably trying to figure out a way out without saying he was still married, but instead, Buck does something that not only makes Eddie's life easier but makes Christopher's exponentially better. And right then, Eddie is done for. I'm not saying he fell in love with Buck here, I'm just saying right here is when Eddie goes you're stuck with me now dude, and let his guard down with Buck, as much as this Eddie can at least. That's when something starts for him. You can't change my mind on this one. But for now, there's the Shannon of it all, because Eddie does love Shannon but their relationship is beyond complicated. 
But Buck is still constant through Shannon and I think that's important, actually, because Eddie is having trouble trusting Shannon and I feel like having Buck around helps him not go straight to the worst-case scenario all the time. I don't have a point in mentioning this, it's just a clear show of how much Eddie already trusts Buck, but to have Buck go with him to take Chris to see Santa is so wild. Who takes their best friend to see Santa with their kid? Like, what?? But Isn't it interesting that Eddie decides to propose again after Buck asks when is the wedding? I find that fascinating really. Then Shannon dies, Buck almost dies, dude goes into move past it mode but the seed is there. Forever thinking about the wistful shot of Eddie saying almost after Hen says things are back to the way they should be. Something else about the finale it's that it's the first in the list of irrationality moments from Eddie regarding Buck. Eddie is a firefighter, he's objectively stronger than Chimney, so the logical thing to be done is to have Eddie helping lift the truck and Chim treating Buck. But no, at that moment he's a medic who's there to hold Buck's hand. He's just holding Buck's hand. He could've left Buck with Hen and go help lift the truck. But no, he's staying by Buck's side.
But season 3 is when things HAPPEN. We start out strong with the sheer excitement on Eddie's face that Buck is going back to work. Then the way Eddie just hands Christopher over to Buck without a single worry. "Oh, you're falling apart? Here's a kid, he will help" and just goes. We focus a lot on Buck's reaction to them finding Chris because it is what the show wants us to focus, this is the moment Buck looks at Chris and goes "shit I really love that kid" but Eddie looking back at Buck as he holds Chris is interesting. Eddie just went through 30 seconds (actually it's 1 minute 4 seconds from the moment Eddie notices Buck to Eddie having Chris in his arms not that it matters) of the worst possible moments in a parent's life and I guess, since Buck didn't have Chris, and Buck was too shaken to explain what had happened, he assumed Buck lost Chris during the first wave and he's looking back because he's shocked he saved not only himself but Chris from the wave, but from his focus to shift to Buck like that it's interesting. Even more, considering the way he barges into the loft to hand Chris over again. "There's nobody in this world I trust with my son more than you" I'm sorry, there's no platonic explanation for the wording of this, okay? This is a man who looked at his honest to god wife, the mother of his child, and said "I can forgive you, I'm just not sure I can trust you" and trust is always the thing Eddie struggles with. To trust someone with Christopher is Eddie's ultimate show of love because it's what makes sense with his character, he is loyal until it kills him but nothing goes above Christopher. Also, Mr. Kids are signs hands over his own child to someone and I'm not supposed to look at that and go "huh wonder what he's feeling"? And there's the lawsuit of it all. Eddie gets that mad because he misses Buck and has no idea what to do with it. Because he got used to being a priority to Buck and he cannot handle the idea that maybe he's not. He's struggling, Chris is struggling and he needs Buck to do the thing he does where he fixes the problem without Eddie having to ask. But Buck has no real responsibility to Eddie or Chris, you can't really expect your best friend to base his life decisions on what's best for you. But it is the expectation Eddie has. He needs Buck to consider him. He needs Buck to be there for him no matter what. And at this point, when he's screaming at Buck as if they are a divorced couple, he's aware of something. He's definitely aware of something he doesn't want to look too closely at. 
Because being left by Buck leaves him completely off balance. And since Eddie is famous for not dealing with the shit he's feeling, things keep escalating because anger it's easier. Anger he can deal with. But in the end, he just wants Buck back so he forgives him the second he lets Buck speak. Because he wants the Buck that looks right through him, he wants what they have back. And he doesn't hesitate once he does. There are definitely some lingering feelings about how he kept pushing Shannon away and then she died and he "lost" time he could've had if he had let her in after he sought her out, so when Buck apologizes he just goes let's go team and moves on because tomorrow isn't promised to anyone. 
But I think there's something important to take into consideration, that it's Eddie's therapy session. He talks about not feeling anything, good or bad, and the his feelings are boxed thing and how he doesn't know what to do with them and yes, that comes back into play later, but it is important that Eddie doesn't name his feelings and he consistently tries to box them and move past them instead of feeling them, and it gets to a point where he's doing this even to positive things. So he is not looking too closely as to why missing Buck throws him off balance. He's all let's go back to the way things were and they do. Forever seeking for a heterosexual explanation to the kitchen scene in 3x09 but I also do think there are different types of tension between them there. Because while Buck is teasingly trying to get Eddie to admit on what had happened and how Buck's absence was a trigger for Eddie's fight club era in his flirty way of his, Eddie is trying to make him stop talking in a real "man don't make me look at what happened too closely" because he doesn't know what he'll find. Or if he's ready to find it. Considering the whole widower who never processed a big emotion in a healthy way he has going on there. But Buck is a really steady presence in Eddie's life, and Buck does his best to not put them in the lawsuit situation again, he's around, he's helping Eddie with parenting issues and then we have the well.
The well is a pivotal moment. Not just because of the sheer amount of Buck in Eddie's I need to keep fighting montage and the way Buck is acting above the ground, but because of the way Eddie changes his will after that and chooses to hide the fact that he did. Eddie has parents who are more than willing to raise Christopher, he has sisters, he has a lot of blood relatives that he could assign as Chris' guardians if something happens, but he chooses Buck. He chooses a firefighter, who is not only a firefighter, it's also his partner so if Eddie ends up in a life-threatening situation, Buck will probably be there too, so it's not the biggest safeguard. Buck is also single and without kids of his own. He also has known Buck for what? 2 years at that point? Eddie's lawyer probably stared at Eddie in disbelief when Eddie explained the situation. But the real thing about the will is that Eddie doesn't talk about it. Dude had some revelations while under all that mud because the only reason he wouldn't tell Buck is if he couldn't tell Buck without talking about himself. That's the only explanation for why he would hide it. Because Buck would ask why him, why now, like he did when Eddie did finally tell him, but right then Eddie can't shift the focus back to Buck. But there's a very subtle change in the way Eddie acts around Buck after the well. And again, sure, you can play off Eddie's reaction to when Buck wants to do something dangerous as he needs Buck to stay alive, but you can't really apply that logic to the way Eddie acts about Abby. Like, Eddie is petty to girls who want Buck, that's a fact. And Eddie is petty about Abby, but he also gets unsure about his place in Buck's life when he sees Buck's reaction to seeing Abby. And they focus on Eddie there. We get Eddie's reaction to that interaction. That means something.
We get Eddie legit feeling insecure about his place in Buck's life over the fact that Abby is there. And Eddie knows Abby as this entity, the one that got away, the person responsible for Buck being the way he is, because that's the way Abby is talked about, and sure, if I was in Eddie's shoes, only seeing the damage someone did to my best friend and then have them risking their life because of whatever lingering feelings are still there, I would also reserve myself the right to hate them, but it's more than that. Like, the way he backs away from the both of them once Buck goes into protector mode.
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"Abby, His fiancée's Abby." *stomps away*. Absolutely insane interactions happen there that paint Buck as still hung up on Abby, even more after the whole thing with Red, but if you look at it with the right lenses, it paints Eddie as jealous of the way Buck is willing to put himself in danger to keep someone who broke him happy.
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Every reaction from Eddie in the train wreck feels so calculated to give this idea that he's unsure of his place in Buck's life. His face when he realizes who he's talking to, his hand hovering over Buck's shoulder like he wants to comfort him but doesn't know if he can, the way he looks at Buck after Abby and Sam are in the ambulance. He's completely off balance at the sight of the ghost of Buck's great lost love and I'm supposed to believe that man is just experiencing platonic friendship feelings about his best friend? Come on. 
Season 4 is complicated. Because of the Ana and Taylor of it all. They do have the easy banter, Eddie being someone Buck can rely on during the whole mess with his parents, a few scenes of Buck completely comfortable in Eddie's space and Eddie just moving around him like he's meant to be there, but we know the Ana of it all happens because of external pressure. Eddie thinks he needs to date, so he grabs onto the first woman he can. The way his whole body relaxes when he realizes Christopher is with Buck is actually insane. But even though he's dating, he's holding on to Buck in a way. Absolutely obsessed with how much he hates Taylor. Dude legit looks like he's fantasizing about running her over with the fire engine while watching Buck and Taylor interact making Buck ignore him. 
But then Eddie gets shot. Say whatever the fuck you want Eddie reached for Buck. He thought he was dying. And he reached for Buck.
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Eddie's been aware of something he doesn't want to look at too closely since the lawsuit that became harder to ignore after the well that he became fully aware of when he got shot. I know that what we have now says Eddie doesn't remember the shooting but wouldn't it be beautiful if he lied because he can't say what he remembers because everything he remembers is about Buck? The dramatic effect of I'm lying to you because I realized I loved you then but I can't tell you that now? Ugh. Anyway, Eddie got shot, things fell into place when he hit the ground, terrible place to have an oh! moment though. Dude just got shot, he's bleeding out, and the thing he gathers the rest of his energy is to ask if Buck is hurt. Sure, you can look at that as I think I'm dying so one of us has to make it home to Chris, but the possibility of it being an I love you I need to know you're okay before this kills me it's there. But he doesn't die. And when he wakes up Buck tells him it would've been better if he had been shot. You can see it on Eddie's face that he kept rehearsing what he was going to say about the will. Something else is the way that Ali takes Buck home after the truck so it would honestly make sense if Ana took Eddie home but he probably asked Buck to do it. That scene feels like an aborted love confession. "You act like you're expendable but you're wrong" the way he's saying you're not spare parts, you're not less important, you matter so much to me. Eddie knows Buck, he knows Buck associates love with pain. He wouldn't actually say something after he almost died, but it feels like he's working up to something. Sure he needs to break up with Ana, but there's time before he heals and can just, do something about it. But then Taylor fucking Kelly is in his welcome home party. He knew Buck and Taylor were working up to something. He knows Taylor being there means it happened. A violent reminder that Buck is straight (debatable) and doesn't feel the same (also debatable). So back to safety, he goes. 
I need to know who decided that having this particular look when they are literally talking about how Eddie is about to meet Ana's whole family was the way to go.
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Also, can you believe Eddie needed Buck's approval to break up with the girlfriend he didn't even want to date anyway?
Season 5 is complicated because of Eddie's PTSD, 5A has a lot of Eddie pulling away because of the way he knew when the dam broke it wouldn't be pretty and he didn't want to take down anyone with him. But even when we see Eddie out of the job, we see him making an effort to include Buck and Taylor so Buck would know that he really did mean the whole "you're stuck with us" thing. I can talk about 5x11 to 5x14 and the implications of it to buddie for days, really, (you can read this for some of those thoughts), but the thing here I guess, it's a lot about how when the box exploded, the feelings are all over the place, Eddie sits back and lets Buck in. He talks about the way he's feeling in a way we don't really see Eddie do all that often and he leans on Buck through his recovery and the process of finding out how to not feel like there's no hope for himself and how to feel comfortable in his own skin again. And it's a lot about Buck and the way Buck is constant. Eddie feels like Buck is this steady presence in his life that can and does help Eddie move forward.
But the thing is, the shooting happened, Eddie realized things, Taylor Kelly (derogatory) happened, Taylor Kelly (derogatory) took herself out of the running, Eddie now has the tools to deal with his own emotions, he's single, Buck's single, they're having dinner with Chris at Buck's loft and Eddie is asking Buck about things Chris kept from him, but Eddie is in a fantasy bubble where he can pretend he has the things he wants without actually asking for anything to change. I mean, post therapy Eddie is better with his feelings, but he's still Eddie. He was in his little I have time bubble. That was violently popped. Because Buck died. And he had to save him. "Do more" is such a desperate thing for a first responder and former combat medic to scream at a team of doctors. He knows they always do the best they can. He did the best he could, but there's only so far he can go. The way he follows the gurney hurts me in so many ways. Some real don't go where I can't follow bullshit.
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This is a man who watched Buck almost die multiple times. But this is also a man who never contemplated the possibility of Buck actually dying. The thing that drives me crazy about Eddie and everything surrounding Buck's death is that he can't look at it. He can't take his eyes off him, but once he's out of his sight he can't look at him again. He spends the whole time not looking at Buck. He looks away every time someone mentions it. Even when he's in the room with Chris he's not looking. 3 minutes 17 seconds. Look, this number bothers me. Bobby said they were 3 minutes out from the hospital and that it took 3 minutes to start compressions. So Buck was dead for 6 minutes. The rescue took 3 minutes. And Eddie counted. That's the only explanation for this particular number. He counted how long it took to get Buck to Chim and Hen and in the ambulance ready to go.
But Eddie was living comfortably in his bubble, I don't think he was at peace with it, but I do think he accepted it. But Buck wakes up, Buck seeks him out to help deal with the trauma. They look like a family, they act like a family, maybe it's not hopeless after all. Maybe Buck can feel the same and they can talk about it once Buck is not feeling so raw over his own death. Buck is just there all the time, something like that can't be one-sided, can it? But then Buck pulls the rug from under him. I made a very long post about the cemetery, you can read that one if you want, but the thing about that conversation is that it is a reminder that they are not on the same page. Because Buck throws him off balance again, considering the way Eddie was trying his hardest to be there for Buck just for Buck to say he's getting what he wants from a random woman he met a few days before. And it makes Eddie back away so he won't end up hurting his own feelings more. I think at this point Eddie has accepted the fact that he's going to have to be Buck's best man and is trying to find a way to be okay with it. So he's retreating to familiarity again. It explains why he's trying to recreate what he had with Shannon because he loved Shannon, so maybe if he found that again he wouldn't have to cut Buck off to move on. Because he needs Buck on some level but there is a limit on how much he can take while Buck goes around looking for something he already has.
And yes I talked and talked and talked but why does this mean Eddie fell first? Well, Buck will never figure it out on his own. The thing about Buck is that Buck doesn’t know what healthy love is. He thinks love is work, but in a it’s bleeding himself dry for someone way. He thinks love is pain. Eddie is safety. Eddie is home. He never knew home as a place where he can find love.
This is all for today. If you read this I love you. Also the doc I typed it out says it has over 4.3k words so this is long as fuck congratulations for sticking through it 🩷
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theonekierce · 1 year
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i became slightly obsessed with the regeneration scene in the movie and specifically the whole sequence with the 8 reflections and broken mirrors everywhere so i did all this abt it
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intotheelliwoods · 15 days
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I have one more thing I want to work on before I get back into updating 2AL regularly, but until then......
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dennisboobs · 5 months
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I've made a shitload of masterposts and linked to folders and whatnot that I can't even find on my blog now, so I've bypassed any of that and just made a resources subpage directly on my blog. I'll probably update my pinned so mobile users can access it more easily too, but for now.
(or here if that doesn't work)
Easy access to the Complete Archive (s1-10 DVD rips & extras), my sunny youtube archive, scripts ive scanned in, and whatever else i decide to archive in the future.
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lesbianralzarek · 23 days
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reel-fear · 1 month
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MIKE BLOCKED ME ON TWITTER FOR ROASTING HIS DUMBASS RESPONSE TO THE GRAPHIC NOVEL STUFF!!
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grown ass man scared of the 19-year-old queer being mean to him over his public meltdown more at 8.
#ramblez#little white boy sad? U sad bc nobody likes you? Bc u constantly make a fool of urself and show off ur distaste for ur fans? lmao#this is one of the greatest things to ever happen to me imagine how mad he'll be when he finds out the fangame Im making has queers in it#hes gonna have a whole other white boy meltdown on main KJSNFDGKJHFGKJHGKJHSDFGSD#hes so fucking sensitive maybe just get off of social media Mike this never ends well for you#batim#batdr#bendy and the ink machine#bendy and the dark revival#and look Im joking around about this but it really is sad that the bendy devs cant handle this kind of critique towards their decisions#it seems despite the backlash once again they are choosing to ignore their fans which is yknow upsetting#But hey ig if the devs being awful was a dealbreaker for this fandom I wouldve left a long time ago and I havent#dw Im not going anywhere <3#also if anyone else here was also criticizing Mike maybe check his acct to make sure ur not blocked now since apparently#old habits die hard and this is certainly a pattern with him KJHDSFKGJHSDKFGJHDFGSD#also look before anyone asks yes I was kinda mean to him over this but to put bluntly if hes gonna be this dismissive to his fans concerns#he deserves it. Theres this persistent attitude esp in bendy fanspaces of being defensive of the devs#and I dont know why they have been extremely horrible people every single chance they get#and its very hurtful to see how many people would rather tell me to be kinder to the people who broke the heart of a child me when they#dismissed any ideas of putting queers like me in their stories than to realize Mike n Meatly bring this bad attention to themselves#to put bluntly I dont owe them kindness not until they at least apologize for the shit they did which they still havent#mike hasnt even addressed his vent poem in the code of BATDR let alone the other shit he said n did#so no I will not be kind to him ever hope this helps!
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kicktwine · 1 year
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wanted to ask, could we get a look in to how you put together your animatics?? I've been toying with the idea of trying to make one of my own, but I've got no idea where to start
oh yeah totally
though to be fair, a HUGE chunk of my time is spent listening to about 20 seconds of a song and imagining how the images move around like a little movie, and I refine a ton of stuff in my head before starting to actually put scenes down on paper. This happens with non-music boarding too, imagining different versions of how the scenes line up with dialogue/music. So step one: put a song on repeat and daydream for at least two hours. But, if you aren’t sure how to do this, I’d suggest looking at animatics, MAP projects, AMVs, animated musicals, fight scenes, etc. what do they do that’s cool? Imitate them.
after that, I have most of the main images with some blank spots im not sure how to fill until I put them down. I make something like this and get the compositions of each main image looking more or less okay in this form. This is also the stage I figure out the in between blank spots. I try not to have weird camera moves or other storyboarding don’ts, but some storyboarding donts are completely valid to break if you know what you want aesthetically. As usual. This one was actually pretty clean, but check out all the framing edits. i always have to make the frame bigger
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If you really don’t know what goes in between things, don’t be afraid to focus on some little details of the scene, pull out and show us the setting, put some flowery symbolism on screen, give us some fun little comedic anime inserts, or do what cowboy standoffs do and build tension. What we used to do was draw paws stepping across the screen or eyes blinking, lol
next comes audio sync! I like to get the timing extant on copies of these rough thumbnails before moving on. It helps my brain work through smaller more animated movements + testing if the things I came up with for the blank spots work. and also just makes it happy. And also, most importantly, it tests if the compositions work. If you can see it, the whole sequence with mom was a blank spot until I sketched it. I usually do this step in roughanimator even if i don’t finish it in roughanimator. Keeps it very rough.
after this is just a lot of polishing and layers! For lots of small animatics, I just use roughanimator and leave it like that. It’s surprisingly good for a very basic program. But, for things that need tweens or lots of camera movement, I use toon boom harmony. It’s more powerful and is actually supposed to be used for animation, which. Yknow. I do. I tried storyboard pro, it wasn’t my favorite.
Here are some, I guess, miscellaneous more technical tips for making your animatics feel nice!
If you’re going for lots of movement, try out timing it so big movements or scene transitions line up with the spikes in the audio WAV. If it doesn’t feel right, move it a few frames BEFORE the spike/audio beat. Your brain usually wants to see something move barely before it hears it - this works for dialogue especially. BUT! Don’t feel like you have to do this for every beat. unless you want to feel like Wes Anderson, which you can do and I will not stop you.
If you’re going for something slower with not that much movement, try motion tweening! or adjusting something very slowly so we don’t linger on one still image for forever.
you don’t need crazy camera angles for everything, but put a few in there for spice. This all depends on your mood you want to cultivate. Slow = flatter, spacious, details; fast = lots of moves, weird angles, perspective; disorienting = slow/jerky weird angles etc etc. the camera has emotions built into it. Because the camera is you! surprise!
watch storyboarding tutorials. lots of people zoom in too much when they draw and I am not excluded. Also, keep in mind the eyesight rule. It’s hard for me to explain concisely but… you as the artist are always leading the viewers eye somewhere, with every shot you make. Don’t make them dizzy by having the center of attention jump around to six different spots for six shots straight - if you find yourself unhappy with a sequence, especially a fast one, see if your line of sight is going all over the place and try moving the subject of a shot or two somewhere else or having them move/gesture towards the new shot’s focal point so the viewers eye moves there naturally. I’m actually not great at doing this when words/lyrics are involved, pmv makers have my respect.
contrast is your friend. If you want to emphasize a big fast move or big bright image, put little slow moves or simple images right before/after it. and vice versa! this counts for camera too!
easy camera shakes are just 3-4 frames of cam down/up/down less/up less, a blank tween or two (easing back into normal), and then a key for your desired normal camera location. Or left/right, whichever.
your brain needs about six frames to fully register an object as being an object. If you want someone to see and really See it, rather than just get a glimpse of it and go "What was that!" It needs more than six frames.
don’t be afraid to experiment!!!!!! And don’t get overwhelmed! Everything I just described I MOSTLY do off instinct, which you’ll get a sense for after you make one. Or like…. Ten. Does it feel good in your heart? Then that’s what’s important. Find an idea you want to make move, figure out your limits (programs, attention span, drawing capability, make sure not to commit to a minute long amv if you dont KNOW you wanna do a minute long amv), and plan around that. When I was A Child, people on youtube were just making like three amvs per second and cringe hadn’t been invented yet so they were all mostly untrained unpolished and so so important and based to me. Stop thinking so hard about it. You gotta get that animatic out there into the world or it’ll start fermenting in your brain and make you sick. So what if it doesn’t turn out exactly the way you imagined it? You’ll have another idea tomorrow. And if it matters that much, you can always do it again. Go make! Good luck!
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sanstropfremir · 8 hours
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ok nana unsubtly kicked me in the ass about this and i realized they were mostly done anyways so here we go! only four months late!
best stylings 2023 - first half
runners' up
rising - triples
there are two good stages with funky athletic wear, but it wasn't enough to bump it up to the overall category. mcountdown 230216, the show 230221
abyss - woodz
didn't promote it which is a shame, but the variety in the costuming for the different versions of himself is well done and it's a beautifully shot bottle mv.
moody - superkind
you got a fake member you gotta make it spooky!!! he's not real that's inherently spooky!!! anyways this is what i wanted them to do right off the bat some i'm glad they finally got my psychic memo.
golden hour - mark
absolutely fucking crazy. fantastic imagery. i think i talked about it earlier in the year but it's such a stupid and hilarious idea to make a whole diss track mv about a several year old meme and then actually make it strange and weird art. obsessed with it still.
sos - kang daniel
i'm also including the wasteland music sequence here because holy shit when this dropped i lost my mind. i'm always surprised by what kang daniel does bc i can never predict it, which over the last few years i'm coming to enjoy. and i absolutely did not expect him to produce basically an entire wild west mad max movie with equal the production value???? literally how did he do this. how. and then everyone paid it dirt??? it's an amazing mv and one of my faves of the year, the only reason it's not bumped up categories is bc although the styling was actually one of the only times tactical gear has been thematically relevant to a cb, its been so overused that it has no punch anymore, which makes me sad bc the tactical gear was good! and a good choice! and i feel bad saying it has no punch bc it should have!
small talk - kim sungkyu
we love when sungkyu acknowledges that he's annoying and a loser. all these outfits were so losercore. i loved this deviation from form for him; he's normally king wailer supreme, but he does smooth upbeat rock very well and it's a nice contrast with the capital y yearning that's in the bsides. it's only here bc he didn't promote much and i'm mad at him for putting dancing in the mv and then not dancing in any of the stages. mcountdown 230629, music core 230708, inkigayo 230709
ay-yo - nct 127
this is just here for taeyong's urchin outfit. well i'm a bit of liar it is actually a really fun early 00s inspired mv, but we all know the urchin outfit stole the show.
stamp on it - got the beat
i will hear NO slander against got the beat in this house, this was a great mv i love hot women planning a heist.
tricky house - xikers
FANTASTIC debut. does a really great job of establishing a character for them as a group and it's got such unique flavour. kq has made great use of their ateez money and also the lessons that they learned with ateez. i'm excited to see where xikers goes in the future, and since i'm writing this section from the future i can say that i do like where they've gone with full confidence. the only reason it didn't make the top list is bc the styling is kinda average for this era of kpop.
best overall
rose blossom - h1 key
youtube
i was aware of h1key before this but they hadn't really grabbed me, but damn this cb was so good. the mv is a nice mix of story and dance sections. plus a surreal section in the middle! and by virtue of being like the first cb of the year, they got the jump on this alt girl look that would be the dominating look for ggs this year. and i do think first did it best in this case, all the looks are smart with good group synergy and and a lot of creativity; when you do this type of alt-y punky style it's important that there's a diy element to it, which a lot of groups fail to grasp bc stylists are obsessed with luxury branding. h1key manages to avoid that mostly by being flops, but i'd like to believe its also bc their creative team cared about capturing the true spirit of the style.
stages: music bank 230106, mcountdown 230202, music bank 230203, mcountdown 230119, inkigayo 230108
tic tac - 8turn
youtube
honestly i was kinda ready to not like these guys since mnh shat the bed with chungha, but then i remembered that the mnh creative team is very good at their jobs, so here we are. this is one of the few debuts/cbs this year where every single stage was a hit and it was very hard to narrow down to just a few for here; lots of good emphasis on shape and colour and accent pieces with repeated motifs, which was a big part of the fashion in the 00s that they are remixing here. very strong debut especially for so early in the year and i'm looking forward to more.
stages: show champion 230208, mcountdown 230202, music bank 230203, show champion 230222, music core 230211, mcountdown 230223, music core 230225, inkigayo 230226
bonus: this absolutely hysterical 4minute cover (they even got the name bucket hats! not in the stage, but they had them in photos)
sweet juice - purple kiss
youtube
i'm not normally a fan of wes anderson or wes anderson inspired aesthetics because i find them too twee and perfect, but this wasn't too direct in it's inspirations and definitely had the spooky purki flavour. i really liked the uniformity of the costuming, both literally using uniform motifs and using the same fabrics; i really do miss the days when kpop costumes were design to actually be costumes with the group image in mind.
stages: mcountdown 230216, inkigayo 230219, music core 230225, music bank 230224, inkigayo 230226, music core 230304, inkigayo 230305
sour & sweet - bambam
youtube
bambam again proving that he's one of the few idols that knows his shit in terms of interesting styling. also if anyone knows where he filmed the mv/performance vid please tell me i need to know bc its so beautiful.
stages: mcountdown 230330, music bank 230331, inkigayo 230402, music bank 230407, music core 230408, inkigayo 230409,
bsides: music bank 230331, inkigayo 230409,
macarena - blitzers
youtube
i'm so so so glad blitzers got a bit more attention this year bc they deserve it and macarena was so good. perfect culmination of their goofy ass talents and the unusual creativity of their performance + creative directors. i'm even linking the mv teaser here bc its so goofy and offbeat and different. honestly i'd recommend watching as many of the stages as you can find bc they do different intros every time and it's very funny, but unfortunately tumblr has a link limit so i can't link them all.
stages: show champion 230426, music bank 230428, music core 230429, inkigayo 230430, inkigayo 230514, music core 230527
bouncy - ateez
youtube
yea yea yea nobody is surprised so sue me. this was a crazy followup to halazia and proved that ateez can deftly switch between serious dramatic performance and comedic but no less dramatic. i'm very happy to see how much work has been going into the main ateez mvs in the last year because it has very clear and striking direction that fits both their performance style and their creative ambition, as well as their growth as a group. also yea i'm not immune to neon cowboy shit.
stages: inkigayo 230618, music bank 230616, the show 230620, mcountdown 230622, music bank 230623, mcountdown 230629, music core 230701, inkigayo 230702
kick it 4 now - tnx
youtube
tnx had an absolutely banging 2023 and although kick it 4 now is has superior and more comprehensive production, love or die is also a very good cb, and both of them together have shown that they have a really good grasp on the genre of teen listlessness, from two different directions. kick it 4 now has been i think the most successful cb to actually capture the feel of first gen, and the creative team did a lot of extra work in order to pull that off. from all the graphic design to the goofy lil 90s style music show promos, to the styling, they had a clear goal and achieved it. i think it will be quite difficult for any other group to pull it off this thoroughly.
stages: music bank 230609 (the giant lyrics!!!), music core 230610, show champion 230614 (more giant lyrics!!), music core 230617, mcountdown 230622
shooting star + left right - xg
youtube
youtube
we all already know that left right was my most listened song this year, but the fact that the mv was b movie sci fi star trek themed? it's like simon made everything about this specifically for me thank you. xg blew everyone out of the water this year on every front; music, styling, choreography, you name it. i said i wanted groups to commit to their bits and i got it. they were completely unafraid to actually commit to the y2k nostalgia AND to harajuku styling; a lot of groups have weakly pawed at it but always back away due to the fact that harajuku and y2k are not actually 'pretty' fashion trends, which leaves their attempts half assed with no real understanding of why and how those trends happened. xg came saw and conquered the current trend in a way that only a japanese gg can do. my only annoyance is that they tone down the stylings when they promote on music shows, and i know why they do it, so it's not an annoyance at them, it's an annoyance at everyone else.
stages: shooting star - mcountdown 230202, con-tour 230217, the show 230221, inkigayo 230212, inkigayo 230205, con-tour 230224
left right - the show 230228, show champion 230222
circle - onew
youtube
absolute masterpiece. album of the year in every way. it's a profoundly beautiful unpacking of grief and the sadness that comes with acknowledging that things change, and the way that in that change life and humanity and story is eternal. a circle. the theatre imagery combined with the 60s style children's tv show use their similar but contrasting forms to illustrate the same point: something can be eternal and fleeting at the same time, and that heightens its value rather than diminishing it. the promo campaign was so thought out as well, i love the integration of the theatre imagery into the highlight medley and i highly recommend you watch it if you haven't. one of the best cbs from a solo artist in years.
stages: mcountdown 230309, music core 230311, music bank 230317, inkigayo 230319
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ignore the fact this was almost five months late even though i started writing in like. november. i'm busy ok. it's planting season and i have to send so much post. the choreos post is the next most finished so that will probably be out before the styling second half one.
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arts-i-enjoy · 1 month
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AHHHHHH
#this post brought to you by: me#i. applied for a preapproval letter for a mortgage yesterday. and spoke to a realtor to start finding me houses#i want to move several states away which further complicated things. but the houses there are CHEAP#like under 100k for a 2 bedroom move in ready#anyways i got approved for 80k with a 20k down payment. and im FREAKING THE FUCK OUT#and because i got that pre app letter i have a loan officer calling me today to talk#and we literally work at the same bank so i can SEE that hes active and hasnt read my message#even though its been 45 minutes. KEVIN MESSAGE ME BACK. IM NOT GONNA BE ABLE TO FOCUS UNTIL I DO THIS CALL#AHHHHHHH S C R E A M. it might happening!!!! i might be finally.mov8ng out in a few months!!!#i mgiht be a HOMEOWNER by the end of the year#i have been saving money for this since i was. 16? 17?#ive had a good well paying job since i was 18.#AHHHHHHHHHHHHHHHHHHHHHHHH#once i have a house then i start job searching in that area. and start getting really serious about LEAVING my very good job#which is soooo scary. this job was supposed to be my lifelong career. but then everyone fucking moved to other states and left me behind#so theres no point staying here.#i might never have this kind of job security again.#but also my realtor said that theres a lot of bank jobs in that area so maybe itll be easy to find something#on the fence on if i tell my parents that im Making Moves right now#on one hand its hard to not talk about it becuae im STRESSED TF OUT#but on the other hand when i tentatively mentioned the state i want to move to#richard started yelling and swearing el oh el#might be better to wait and avoid the tension as long as possible?#but also i dont know how they can stay angry when its literally my best option#the other places where my friends live either have 0 opportunity and high housing prices. or are even moe liberal than where im going#idk. why do half of my problems come down to “my parents will be mad” like im a 12 year old or something. shit fucking sucks#this is why i want to get out of here#also it feels weird and bad to talk to my friends about how stressed i am about buying a house when all of them are stressed about#not being able to make rent or something. my problems feel like a brag in a really odd and shitty way. but hey!#if this works out maybe ill start being stressed about how im going to make my mortgage payments! :') yay!
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good-beansdraws · 11 months
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@sunnybunny2468 Thank you for the requests!! These were such good ideas omg 👀👀👀I love the idea of a siren who, instead of luring victims with a typical song of temptation and promises, sings the most melancholy cry that draws in people feeling extremely protective over him. They find he's just as sweet as his voice leads them to believe (but watch out!) I was cracking up over the whole concept of Merfuuta, and thought this would be perfect seeing as axlotls are a type of salamander hehe. He's grumpy because no phone underwater >:(
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little-red-fool · 2 months
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When you’re fine then all of a sudden think about the only thing you love in this world dying.
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hyp3rfixation-h3ll · 5 months
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i have been Considering. watching sgt frog again. bc i stopped at around 119 . and it is a very fun show. but The Horrors
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leonbastralle · 8 months
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hello
this is annie, u might (if at all) remember me as romeo-and-simulet. recently i logged into this account for the first time in 4 years and i havent opened ts4 for the same amount of time basically so its safe to say i wont be getting back to that any time soon.
i have been feeling like hanging around though, hence the Rebrand TM (i couldnt stand my old url any more skfjhskdfs) thats making me feel more comfortable to reblog and interact w things that i enjoy! so i just wanted to make a post explaining this just in case someone sees me pop up on their dash and is like who the fuck is that skjfhskd
that and also i got some messages asking how i am during the time i was away which i thought was very sweet so i just wanted to say that im alive and im actually pretty happy right now! thank u to whoever stuck around and i hope whatever i end up dumping on this blog is enjoyable
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mudstoneabyss · 1 year
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I cant sleep and I'm thinking about it so I'm go to talk about why I (to my knowledge) came up with the headcanon that Charles is a ghost <3
So the one thing that's repeated about Pine Cliff is that everyone who lives there is a ghost, it's a town where everyone is a ghost. it's been that way since the cataclysm of 2008, but from what glimpses we get of it, it still functions like any other town, which would, I believe, include having had multiple people move into the town in the 14 years since then, yet it still persists as a town where everyone is a ghost. that plus the typical Night Vale idea of living in these weird towns adapts you to be part of the town- that is, also weird- would suggest if you move to Pine Cliff you will become a ghost.
I also think the thought of him being dead or otherwise a ghost adds a lot to his reasoning for moving to Desert Bluffs. It's canon that, despite the towns theocracy and general large religious influence, Charles didn't move there for work, but rather for family. I typically see, in fics and the like, people say the move was because Donovan was going to start school and he wanted him to be around and grow up with other living kids, kids more like him. Which I don't think isn't what's said in canon meaning-wise, but what is specifically said is that he wanted to raise him in a "community based in happiness and positivity". The problem with Pine Cliff wasn't that they were ghosts, but that the towns atmosphere was dismal. Except I do think that those mean the same thing.
I think the town's fine, a wonderful town even, if you were someone living there before 2008. But if you move in afterwards, you're pretty much subjecting yourself to all the melancholic metaphors ghost represent. It's a town of loss and regret and unfulfilled dreams. It's a town of lingering loves and memories. It's a town where time is thin and the past is always the present. It's a town where nothing truly changes, nothing moves on.
The longer you stay there, I think, the more prevalent that is. The more it drains you, the more you lose yourself, the more you become a ghost yourself, even putting the idea it does so to you physically aside. I imagine it almost like depression and dissociation personified in a town. So it gets to a point where- theological intrigue be damned- he has to put Donovan's health and safety first and leave. Go somewhere so happy and positive and vibrant and alive that it's painful. Somewhere like Desert Bluffs.
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