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#i dont know if kara following on a lead is going to yield any huge returns
putschki1969 · 5 years
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Hello, Sara. My name is Claire and I am also a huge fan of Kalafina. In the light of their disband (I dont wanna use this word this makes me sad :( ), I still listen their music every single day. With all my Kalafina enthusiasm, your detail information about Kalafina was really helpful and cleared few things up in my mind. While I have been reading your posts, there are a lot of your thoughts and feelings toward Kalafina that I agree with. So I do appreciate your effort and kindness.
Okay, this is my first time I am using tumblr. didnt know they have limited number of words. So my question is that I know you posted that why Yuki Kajiura left Space Craft due the change of her manager if I remember correctly. And the manager did not allow Kajiura to make music in her own preferences. Do you think this intervention affected Kajiura’s work afterwards. Because when far on the water was released, I thought the way she composes music was a lot different than before.
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Hello Claire!
Yes, disbandment does sound very final so it’s really not a word I enjoy hearing in relation to Kalafina. However, I understand why Space Craft decided to use that term. It was time for them to make a clear cut so they could move forward.
No matter what, I am positive that one day they will stand on stage together (even if it is just for a single reunion-live). It will probably take years but it’s definitely going to happen.
Just like you I still listen to Kalafina and their solo projects regularly. I know some people find it painful to relive the old days but I personally find nothing but joy diving into Kalafina’s world again and again.
I am really glad my posts have been helpful. After all, spreading Kalafina-love is the sole purpose of this blog.
Yeah, sorry, Tumblr has quite a lot of character-limits when it comes to asks/messages/replies. Unlike many other social media platforms, Tumblr has not been designed with a focus on interaction (which is probably one of the reasons I chose to create my blog here XD).
Yes, Yuki’s long-time manager Mori ended up leaving Space Craft which in turn led to Yuki ending her contract as well. He had always given her some measure of free rein to do what she wanted. Generally speaking they have always been pretty close. In many of her old and new interviews Yuki talks a lot about wanting to have full control over what she creates. Which is why she was super excited to get the Kalafina project for Kara no Kyoukai. Space Craft put their faith in her and as we know, Yuki spun them gold. That’s not to say that she had control over everything. Creatively speaking, yes, I think she was allowed to make whatever she felt was best. However, the concept of Kalafina as we know them is almost entirely Space Craft’s brainchild. Yuki never meant to form a group with steady members and she definitely did not intend for the singers themselves to have so much spotlight. Let’s not forget, for Yuki, vocalists are really nothing more than human instruments. That’s totally fine of course but Space Craft knew that Kalafina wouldn’t have had a long life expectancy if things had gone according to Yuki’s vision. As a business-minded agency they naturally decided to use typical idol marketing strategies to promote Kalafina. It started with little things but gradually Kalafina became more and more “commercial” if you will. Don’t get me wrong, that’s not a bad thing. Good music alone unfortunately isn’t enough to survive in the Japanese music industry, you have to cater to the masses. And that’s what they did. Endless photo-heavy merch, lots of mainstream anime tie-ins, more elaborate stage productions, tons of appearances in popular events/TV programs etc…It’s those things that made their fanbase grow considerably which eventually led to them being able to perform THREE times at Nippon Budokan.
So yeah, what I am trying to say is that while Yuki gradually lost control over Kalafina as a “product” I don’t believe she ever yielded an inch when it came to her creative process. All the music she wrote was written because she wanted to write it, I am convinced of that. She doesn’t strike me as the type of person to phone in her work. Yes, her style has undergone some changes throughout the years (which weren’t always met with appreciation by fans) but for the most part I would say she has stayed faithful to her unique style (which most gifted composers do).
When “far on the water” was produced and released back in 2015 Mori was still Yuki’s manager and everything was perfectly fine. Any changes you might have noticed were absolutely on purpose. No one made Yuki do anything or guided her in a particular direction. This album is entirely her own vision and she loved making it, she has talked a lot about that in various interviews. She was also brimming over with further ideas for a new album which she was eager to produce (but alas, that never happened).
Things didn’t start falling apart until early 2017 when Mori left Space Craft (things didn’t seem to be perfectly peachy in late 2016 either but that’s reaching a bit too far). The changes from then onwards were very visible. Mori stopped being featured in the FictionJunction Club newsletters, the launch of Kalafina’s very own fan club Harmony was announced, all sorts of YK Lives went on hiatus, Kalafina’s 6th studio album which technically would have been due that year was never made, all focus went into increasing Kalafina’s live activities. I cannot say if at that point everyone had already predicted Kalafina’s fate and Space Craft were just milking the cow for all it’s worth or if that was a genuine effort to keep Kalafina alive as long as possible. I am leaning towards something in the middle of these two options. I think everyone involved had hoped for a better ending (or rather - no ending at all) but along the way (autumn 2017 I would say) it became clear to them that it wouldn’t work out.
I never outright said that the new management didn’t allow Yuki to do her own thing. Honestly, I have no idea if whoever replaced Mori was planning to take control of Yuki’s music. I suspect however that the new management might have wanted to take more of a lead which definitely would have put off Yuki… While tabloid articles have talked about creative differences between Yuki and the new manager, Yuki herself has never confirmed that that was the reason for her leaving (not that she ever would even if it were true). Yuki did however confirm in one of her FictionJunction Station newsletters that she no longer felt comfortable going on tour since she didn’t have the people around that she could trust. Maybe for a similar reason she didn’t feel like making a new Kalafina album which is why they had to focus so heavily on live activities that year.We are all creatures of habit. Yuki seems to only feel comfortable with Mori around. That’s fine. The only logical thing to do for her was follow his lead and leave Space Craft. Unfortunately she couldn’t take Kalafina with her so they ended up being collateral damage…*sighs*
And here we have another essay, sorry about that. it wasn’t my intention to write so much. My point is that I believe that in her time with Space Craft nothing/no one affected Yuki’s creative work, from the very first song “oblivious” right up until “Tombo” all songs are 100% Yuki and they were written/composed with much love, effort and dedication. Fans may not like everything she has created throughout the years but that’s just how life works. They have a hard time computing the fact that their favourite composer might have changed to an extent that they can’t appreciate anymore or that they themselves have developed different preferences. In such cases fans are eager to find someone to blame for that. Since they would rather not blame their idol Yuki they resort to blaming Space Craft. Space Craft have certainly done a lot of shitty stuff throughout the years but it would never cross my mind to make them responsible for Yuki’s music because that has always been under her control. 
Really, you shouldn’t be blaming anyone. These things happen, people change, people fall out of love with something. It’s easy to complain and lament the old days but what you have to do is just accept it, move forward and find something else.
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