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#i dunno how but it should be possible
absolutelyegg · 1 year
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"you never bother to find out what it does to someone, being stuffed in a stone box for weeks, or months, or even years?"
i seriously hope that this wasn't just a throw-away line they put in the show except it probably was, that they make the decision to touch upon what happened to her, and that we can see her heal from it
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sludgeguzzler · 1 year
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look i really dont mind having a pre t body with its little biological quirks but i have a limit and the limit is waking up at 4am with immense pain and a puddle of blood on my bed
#im probably most likely overhyping what t will do to my body but i cant wait till my periods stop#if they dont stop i will fr go after some way of stopping them im not kidding there is literally nothing good that i get from having them#its just. its just pain and blood and a constant reminder of how Woman i have to be. it makes me sad#like. all the good cramp medicine is like WOMAN PILL FOR YOUR SCHEDULED GIRL MOMENT OF THE MONTH [picture of a woman]#[venus symbol] [flowers]#and all pads come with th same thing too. like i get that its technically not harming anyone but please man cmon#my mood gets all janged up i cant think straight in the worst ways possible im always having breakdowns during them#and i have to deal with genuinely unbearable pain! and! a heavy flow! because my moms ovaries! are the most fucked ovaries ever!#hhg the only good thing i can think of is that if there was a death metal band of trans guys the lyrics theyd write would be sick#[hi this is me telling you im about to get a little gross so if stuff like this grosses you out uh. yeah]#like the gruesome symbolism of periods is pretty damn cool if im honest. i dunno#i genuinely really like the movements on normalizing periods and how they are not something to be ashamed of and happen with a lot of ppl#but. but.#it puts a lot of emphasis on how its a Woman thing when a lot of women (cis or otherwise) dont have them#and it excludes all the other non woman people who have them#re personal opinion but i think our image of periods really shouldnt be flowery beautiful woman moment that passes by in a blink.#i think we should talk about how it hurts and how it will suck a little too hard for some people and that#periods not always mean a symbol of feminity and fertility and other stuff (its 5am im tires) to everyone#like to me periods are misery and oain and dysphoria but i have a cis friend who sees her periods as symbols of her womanhood abd#*and like. shes not wrong but im also not wrong either#idk my head hurts and i wanna go bacm to sleep so bye#sg.txt
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loregoddess · 1 year
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Ok I'm curious, could you elaborate on art school education when you have the time?
Mainly because my friend went to art high school and feels she wasted all the years there while I've been self-teaching myself for a few months by just messing around, so I was wondering just how different the two approaches are :0
Oh, I have lots and lots of thoughts on art education. I do feel that I need to preface this with the whole "my experience is not universal", bc all my feelings about art and art education stem from my own experiences of being self-taught and then getting actual formal college degrees in art.
The shortest version of my long rant, under the cut, is that there isn't a superior way to learn art. With art education, you run the risk of getting bad teachers who don't teach the subject well, and you can also run into teachers who aren't open-minded about approaches to art that differ too much from their own--the flipside, of course, is that there are sometimes amazing teachers who can challenge you to try new things you'd never had thought of on your own, or who have already made a lot of mistakes that they can tell you about so you don't have to make them yourself. With being self-taught, you have to figure out everything on your own, and sifting through online tutorials or reading books can be difficult to find "actually useful and well-explained" advice, but you do also get the freedom of doing literally whatever you want and really focusing what you learn based on what you're actually interested in. Each has it's pros and cons, but neither is technically better or worse, per se, although education of any sort comes down a lot to each person's situation in life, as not everyone has access to education or even the tools for making art.
For the long, long expansion of my thoughts and some of my personal experiences with art education specifically...
In short, I'm technically entirely self-taught, despite holding two different art degrees. Aside from some feedback I got from my 8th grade art teacher (who had agreed to look at my hobby art in her own spare time outside of class), I basically taught myself to draw entirely on my own, using various "how to draw" books, online tutorials, and just a lot of general experimentation and continued drawing on my own. Which meant I made a lot of mistakes, or didn't try out certain things, or got frustrated bc I couldn't figure out how to do something, but overall I had a lot of fun. The actual art classes I took in middle and high school? Well, I took a life drawing class in high school that taught me how to draw from life, a skill I never would have acquired on my own bc the process for learning that skill requires a lot of patience, and personally, I find life drawing to be extremely boring. My high school art teacher was also allowing blatant copyright infringements to occur in her class, which was something I learned years later when taking a media law class in college to learn about copyright law specifically, so I guess I learned what to not do as a teacher if I manage to become one, but I didn't learn a whole lot of actual art skills or even really improve my art in any significant way. I never actually learned anything like the elements of art and how to use them, or color theory, or any of that, in class or even on my own, but because I was constantly looking at lots of art online, and making art on my own and experimenting with new things, I ended up learning all of the "essentials of art" intuitively, sort of like how children learn the grammar of whichever language(s) they grow up speaking without learning the actual formal grammar of the language. Which I think a lot of artists actually do as they continue to make art, even if they don't realize it.
Anyhow, moving on. I personally really enjoyed my undergrad illustration degree. Now, to be fair, if someone was willing to pay me to attend college for the rest of my life as my actual career, that is what I would do bc I love learning, and I love the challenge presented by college courses. But do I feel like I learned anything new about art in those classes? Yes and no. I took a lot of art history classes bc I had never had any art history before college, and found I loved the topic a lot. The life drawing classes I was required to take felt like a waste of time bc I already had that skill from the one high school class, and I spent most of those classes fighting the teachers about why we should have less nude models (bc nudes are super easy to draw from life, but clothing is very, very difficult, and I wanted to learn how to draw clothing as a challenge bc I was bored in those classes). I spent one class teaching the entire class how to use Photoshop bc the teacher's method was absolute BS and I could do everything faster and easier than what we were being taught bc I had been using the program for years (the teacher even joked about how I had hijacked the class, to which I'm still not sure was meant to be friendly or malicious). The "Anatomy for the Artist" class I took was one of the most useful classes I've ever taken, and really helped me with drawing not only humans, but anything with a skeleton and muscles, since the teacher's approach made it so I learned the skill of using actual real-life anatomy as a means of creating art from the knowledge of anatomy (and I lucked out for this class bc I had an adjunct who was there to cover the actual teacher who was on sabbatical, and from what I heard from classmates I would have learned nothing from the usual teacher's approach to the class; I hope the teacher I did have found a good stable job bc she was amazing). Most of the actual core illustration classes helped me improve my art a great deal, but not bc they taught me anything--more so, it was that I had to create a lot of art for them, and find creative solutions to the challenges the projects would present (there were lots of "illustrate this abstract concept without using x, y, or z imagery" or "create an illustration within these specific parameters" which really required me to think about how to plan and go about completing the final project). Somehow, the actual "foundations classes" that I took--where I was supposed to learn things like design theory, the elements and principles of art, color theory, etc.--well, let's just say the teacher was on his way to retirement, and didn't teach any of that really well, so I still ended up going through my undergrad more or less on intuition and the art skills I had cultivated on my own. Mostly, college art classes were useful in helping me to improve my art, not because I learned new things (although I did learn some new things), but rather because I needed to make lots and lots of art in a relatively short time, and making art constantly is the fastest way to improve.
That all said, I still never really got the point of things that I kept seeing or hearing as common art advice. For example: "Use references." Okay? What does that mean? What does that look like? How do I do that? I was never taught that once, and it was only partway through college that I figured out that people meant "look at a photo of a real person to figure out a pose or something" and not "learn about the subject you're trying to draw so you have an understanding of that subject that allows you to draw it from your imagination how you want". And honestly the former advice is useful but...only useful to a point, so I'm kinda glad I never learned it bc it would have stunted my development and presented a roadblock. In either case, I was never taught how to use a ref or what "use a ref" meant in my formal art education, and by the time I figured it out on my own, my repertoire of art skills made the advice moot.
So what's all the long and short of this? Is art education a sham and useless? Well, not entirely, but maybe sort of. It really comes down to which teachers are teaching the subject, and how they do it. I only had a handful of art teachers who were really able to get me to think about art differently and push me to learn more and improve. But I also had a friend in my undergrad class who had never drawn in his life and he found most of the classes super useful bc he wasn't coming in being self-taught and already drawing. We were at different places in our art journeys, and so we got different things out of the college classes.
I do feel overall that the focus of my college classes was more productive than the lack of focus from my high school classes. Would I tell everyone who wants to get better at art to go to art school? Hell no. I got a degree in art because I love it, and because I had hoped to work as a video game concept artist (for which one does need at least a BFA to get hired by most companies). Of course, by the end of my degree I had figured out the video game industry in America was absolutely not a place I wanted to be working for my own health, but my frustrations with how my art education had been structured, paired with the fact that I spent a few classes actually teaching my classmates things, made me think I might make an okay art teacher. But even my wanting to be an art teacher still comes from a place of deep love for art. For those who just want to take up art as a hobby, self-taught is fine, and sometimes it will be better than getting stuck with a bad teacher who'll crush the enjoyment of art. Yes, I think a well-structured art course could help someone learn art and become confident in their art, which is part of the reason I want to try teaching it (esp. bc it took me years to learn some things that a good teacher would have just like, covered in a core class), but like...self-taught or school-taught, there isn't a superior way to learn art. They're both just very different approaches.
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darkstarcore · 6 months
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Oh gamers I just woke up this morning and realized I can inject Wonder Card data into emulated Pokemon games on my 2DS, I can get anything I want forever
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the-casbah-way · 10 months
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someone beat me with a stick and tell me to keep writing down then left
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dan-crimes · 1 year
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Me and my issue with always overcomplicating every character I make smh smh
I mean I think part the issue is that I wouldn't even know how I myself would react in a lotta situations cuz you have to think about the specific person, the environment, how I'm feeling in that moment (emotionally and physically), if other people are around and also the type of response I'm looking for
Like in the moment it's a no brainer for me but if I think about a moment in THEORY then I overthink it
Which also leads to me overthinking every possible interaction and response a character will make like idk how they would act in that situation! Is there some sort of backstory reason that they might have a certain reaction to that thing! Have they thought about this interaction before or are they going in without any preperations for this interaction! Do they think before they speak!! How am I suppose to write a character who doesn't think before they speak while I am literally thinking before they speak
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thedeviousdevilxx · 2 years
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Here’s my reading guide for all things Guns n Roses;
Steven, Duff, and Slash’s autobiographies. (Matt Sorum’s too if you wanna lol)
Mick Wall’s Last of the Giant’s bio
Stephen Davis’ Watch You Bleed bio
Marc Canter’s Reckless Road (amazing photos!)
not completely necessary but interesting read’s
Vicky Hamilton’s autobio, Appetite for Dysfunction
Mick Wall’s Unofficial Axl Rose bio (it does contain much of what LofG has)
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sofibeth · 2 years
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not gonna lie its getting lowkey annoying that whenever I see a criticism regarding IDW it always leads to Ian Flynn (and to extent Evan Stanley) getting sh**talk when its clear their alot of effort put into their work regardless on if ya approve of characterization or nah.
#slight venting#okay I kinda ramble too much in their tags so warning in advance that these are raw thoughts that I'm letting out to vent a bit#maybe its cause the amount of companies/people comin out as horrible folks these past years#that I kinda acknowledge botht the pros and cons of a person without going so far on both spectrums#I'll admit I see flaws of Ian's work but I still enjoy it#I hold some respect and as an upcoming artist I highly respect Stanley#also I'm just tired maannn its feel so wrong to trashtalk actual real people#even I admit when talking bout Ponaff some folks so too far too#I had to unfollow some sonic blogs I used to enjoy cause they keep spamming anti-idw and their tone can so#mean spirited#hold no ill will to those blogs since they keep to themselves so I respect that#but I sometimes raise an eyebrow on the language sometimes#also if I do wanna say something about one point I heavily disagree#while their is a fair arguement to critque IDW Sonic's morality he is nothing like pre reboot archie in his attitude#bruh IDW Sonic is possibly the nicest sonic that's its been memed as an issue XD#he and movie sonic is prob the closest io game charactization with some differences I feel been talk bout before#then again I'm a game fan that prob the most chillest when it comes to sonic adaptations and how people interpreted Sonic in their own adapt#okay I should prob stop cause this is now turing into a sonic anaysis thing whoosp XD#may delete I dunno I'm just trying something
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lovecrazedpup · 2 years
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hmmm
#feeling ? insecure ….#i dont want him to waste his time waiting for me :( its just . unfair . idk#like Yeah hes said hes waited longer before but like . i dunno#i feel like im not good enough :/ i dunno shit abt his ex but#they seemed compatible and i feel like he would go back in time to make it work ?#eeeeeugh i dont even know dude :^) i am not a good person#hes a good person so he also deserves someone good#i think it would be better for him if he invested his time n love n kindness into someone better#i love him so itd hurt but i want him happy more than anything#like i cant ask ‘so how serious is this’ bc idk im young so he would just brush it off as me being naive#MAYBE if i was better ?? in every way ?? ever ???? id have a chance against these imaginery people in my head ?#i fr think im going insane like maybe i should kms 😐#tbh my ex that like . kinda abused me sorta was better than this just bc i could understand his feelings#GOD fuck u for always deciding to go to bed earlier when im having these crises and crying and shit bc youre leaving me#DO I LEAVE FIRST ???#is it better to just block n move on w/ my life orrrrrr#ALSO#am i being used as ?? just someone to get off with/to ?#bc like im . pretty fucking manipulatable and shit . like ….#do u think its possible im overthinking enough to make him seem like a bad person so that therefore its mentally easier for me to leave#i think he basically confirmed to me that 1) he would leave me if someone better came around#and 2) he is bored and therefore messing w/ me and lying#ur so dumb for trying to fool me into believing that u want me to be happy#i fr see through ur act like . its kinda ? pathetic ? really ?#go make someone else attached and ruin their emotions . find someone else thats as easy to manipulate as i am#just leave me alone#jamie.txt
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saetoru · 7 months
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✩ ‧₊˚ ✩ 4:08 AM — GOJO SATORU.
contents. fluff, established relationships, sleepy n cuddly toru :(, just needed to write this to cope with the 236 manga leaks i guess. i just love him tons sobs i need him happy and loved and peaceful
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“hey,” you poke satoru’s chest, hearing a low groan rumble under your cheek, “toru?”
“hmm?” oh. he sounds a little tired—maybe you should let him sleep.
“you awake?” you ask anyway.
“am now,” he mumbles—well, he’s already awake, so you might as well indulge in it now. “need somethin’, sweetheart?”
“jus’ missed you is all,” you pout—that makes him grin despite the way he yawns, all wide and smooth even as he fights the sleep in his eyes. you feel just a bit guilty, reaching to cup his cheek and running a thumb over his eyelid carefully.
“yeah?” he chuckles quietly, “‘m right here. you still miss me?”
“yeah,” you whisper, “always miss you. even when you’re right here.”
satoru’s grinning into your cheek as he leans down and presses a wet kiss to the skin—he can’t possibly be mad that you’ve woken him so late. he can’t be mad when it’s you, and it’s him, and it’s each other.
sleep can wait, there’s always time for that later. but there’s never a moment where he wants to risk counting on later when it comes to you.
“what’d you miss about me?” he hums, nibbling on your earlobe as his head buries into your neck. you shift, letting his body tuck against yours as your arms wrap around him—he feels safe like this, somehow. infinity doesn’t make him feel nearly as secure as the way your arms do, tight and warm and made just for holding him.
“dunno,” you murmur, “everything.”
“love me that much?” he asks cheekily, “me sleeping right beside you isn’t enough?”
“no,” you huff, “you can’t pay attention to me in your sleep.”
“my needy baby,” he snickers, rubbing circles into the small of your back with his large palm. he’s warm against you—you can feel the rhythm of his heart as it beats against your body. he’s pressed so close to you, that not even air can slip through the cracks.
truthfully, you don’t know why you wake satoru. you don’t know why you can’t sleep—you just know that you need him. here. now. always. forever. more and more and more and even more.
“toru?” you ask quietly, making him hum as his eyes droop back shut slowly—he must really be tired.
you stare at him fondly, stroking his hair as he sighs happily at the feeling. and then you press a kiss to his forehead, to his cheek, to the corner of his eyes where they crinkle when he smiles, and to those lips of his that always find yours no matter how long it takes.
he always comes back to you. always. he never won’t—that much you trust.
“got somethin’ on your mind, baby?” he asks slowly, voice thick with sleep. you giggle, scratching at his scalp as he smiles lightly.
he dozing off—you watch him, hopelessly endeared.
“i love you,” you whisper, “need you to know that. love you so, so much. kay?”
he cracks an eye open—stares at you like you’re the reason his heart ever started beating, like you’re the only one that could ever command it to stop. every inch of his face is laced with love so gentle, you can see the way it makes his skin glow.
you love him. you’re sure he loves you. that’s all you need to know it’ll be fine. everything else is an afterthought—just as long as you have satoru.
“woke me just to confess your love for me?” he gasps, “you’re down bad. real, real bad. i must be a super handsome, totally awesome boyfriend. i do try,” he says cheekily.
you giggle, rolling your eyes as you pinch his cheek.
“be humble, you jerk,” you say exasperatedly.
it sounds more like you’re in love. too much fondness slipping into your voice that it might make your teeth hurt from how sweet. satoru’s always had a sweet tooth, though—he accepts your love graciously, like it’s never too much.
if fact, it might just not be enough. he needs more, more, more.
“can’t,” he says slowly, yawning again, “you waking me up just to love me is a bit ego boosting.”
“this was a mistake,” you scoff—its playful, it’s fond. it sounds like deeply falling headfirst.
“aw c’mon,” he pouts—and then he’s brushing his lips against your neck a he clings closer to you, curling into your body with his six-foot-something stature as you pull the blanket tighter around him, “love you too. what was it you said again? oh, right—so, so much.”
“good,” you hum, nodding in satisfaction. “you better.”
“i do,” he chuckles, “can i sleep now? or are we gonna start talking about all the things we love about each other? cause i can stay up to listen to that, of course.”
“go to sleep, you idiot,” you scoff.
he grins. you press one last kiss to his forehead as you count the soft breaths he takes while he falls back asleep.
you love him—it’s all you ever want to do.
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i cried while writing this and i cried thinking about the leaks and i cried while reading the leaks and i cried and cried and i’m tired of crying. gege when i catch you gege 🔫
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deadsetobsessions · 2 months
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Sea Cryptic! Danny AU- Pt.3
[Pt.1] [Pt.2] [Pt.4][Pt.5][Pt.6][Pt.7]
“Aquaman.” Batman swept into the room, beelining straight for the suddenly apprehensive Atlantean king.
“Batman. What can I do for you?”
“Phantom. Does he pay taxes?”
“Pardon?”
Batman makes a low noise that had Aquaman’s danger senses buzzing.
“Does Phantom have to pay taxes. Towards Atlantis.”
“No…? Why?”
“He wanted money, in exchange for… information, of a delicate sort,” Batman said, diplomatically avoiding the topic of Phantom bargaining for the identities of corpses in exchange for a measly $100 dollars per identity. Like a flea market dealer, that one was.
“You encountered Phantom again?” Aquaman perked up.
“Yes. Gotham’s bay is… polluted.” Batman paused. “With victims. Of murder.”
The entire area quieted as heads turned towards the Dark Knight.
“Yes, I am… distantly aware of Gotham’s waters.” By that, Aquaman gets green around the gills whenever he turns his awareness in that direction. There’s a reason he doesn’t enter Gotham, and the Dark Knight’s ban is only half of that reason. “Ah, but you’re correct. For what purpose would Phantom need mortal currency?”
“Hn.”
“Maybe he needs some stuff?” Flash zipped to a stop next to Batman, feet tapping as he dug into the pile of snacks cradled in his arms. “Us mortals are always coming up with new things, maybe he wants to try some games or something?”
Batman tilted his head down, seriously considering Flash’s suggestion. “It’s plausible.”
“Barry, Barry, Barry. He’s old as hell, right? He probably wants to try the new booze!”
“Hal, my man!” Flash fist bumped Green Lantern, who came up. “You’re back! What happened to John?”
“Dunno. He got called somewhere that way,” Green Lantern waved a vague hand towards the left. “Had to deal with a politician or something from that area.” He shrugged, swinging an arm over Barry’s shoulders to put him in a headlock and stealing a chip.
“Huh. Anyways, would our mortal alcohol even work on a demi-god or something?”
“We should ask!” Hal turned towards Batman. “You should ask if he wants to go for a drink, spooky!”
“He’s a child.”
“He’s been around for more than a millennia, Bats.”
“Informational gathering, right, Hal?” Flashgot out of the headlock, quickly munching on his snacks to stop Green Lantern from stealing them.
“Totally. Yup.”
“…Fine.”
“Wait, are we just gonna ignore that Gotham’s waters are full of bodies?”
“Yes.”
——
“What?” Danny asked, mind half on the bags he’s dragging out of the water and the other half on the essay he has to submit in about four hours.
“Green Lantern wanted to invite you out for a drink.”
Danny turned to the stoic Gotham knight, who had his wrist computer out to log the bodies’ info the moment Danny gave him the information. Some of them even told Danny who murdered them, so Batman could start building cases with solid leads.
Danny’s only twenty. He’s not legal yet but he doesn’t want to give any clues to who he is. How is he supposed to…
Ah!
“Can’t.” Danny shrugged. “I’m not legal. I died when I was fourteen so…” Danny trailed off, speechless at the drowned puppy face Batman was giving him. What the fuck.
“Anyways, fork over my payment.”
Batman wordlessly hands him a wad of hundreds.
“What do you need cash for?” Batman suddenly asked.
“Huh? Isn’t it obvious?” Danny tucked it in. “Material things, obviously. I need a blanket,” because holy shit, Gotham is damn cold this time of year. “Anyways, see you same time next week, litterer.”
“I don’t litter.”
“Tell that to the batarangs I found under the water,” Danny grumbled. “But I’ll stop calling you that if you get a signature from Poison Ivy. I have a friend who loves her.”
“An alive friend?”
“Wouldn’t you like to know, weatherboy?”
Danny snickered and disappeared. He’s gotta cram that essay.
——
“There’s a possibility Phantom might be homeless.”
“Batman, I mean this in the nicest way, but for the love of Atlantis, please stop giving me headaches. It’s time like these I wish I stayed a lighthouse keeper.”
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eff-plays · 8 months
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Ok so I watched the interview with Stephen Rooney, Astarion's writer, and here are some highlights. (I'm an aspiring writer and current game design student who wants to write for games so I'm sorry if some of these insights aren't as interesting to you as they are to me <3)
He calls Astarion his "horrible little vampire boy"
He loves seeing the fandom around Astarion<3
He did write other characters in the game, but mostly NPCs surrounding Astarion or his storyline, so it mostly revolved around Astarion
Astarion is not as connected to other companions/Origins as, for example, Lae'zel and Shadowheart, or Wyll and Karlach are to each other, but he is still reactive to their stories, even if it's just to stand off to the side and laugh when something terrible happens
He had a clear sense of where Astarion's story would start and end, but it got "muddy in the middle", but those are also moments where the best ideas come from
They write from the general idea that every character has one "good" and one "evil" ending, in order to give the player choice. RIP Ascendant apologists :(
According to Stephen, two of the most important aspects of Astarion's character (to keep consistent when bringing him to Idle Champions, at least) is that he enjoys violence, but is also fun about it
"He has a certain appreciation for violence, I guess? A bit of a murdery streak. [...] He's a vampire, he's all about blood, and he's all about, kind of, those darker sides of humanity. [..] But at the same time, he is ... He is really fun, he's really fun to write, he's really fun to have in your party, and it's very important for me that that is also represented."
"He's gonna stab you, but will have a smile on his face as he does it? I mean, I dunno. That's kind of him in a nutshell."
Larian would not have allowed for Astarion to be a typical brooding Dracula type, and there were scenes that were shot down for not being original enough
The main thing about Astarion was trying to get a "sense of fun." It would be easy to write a character that was very unlikable, and they absolutely did not want to do that
Rooney says Astarion is consistently terrible throughout the game and awful in a whole lot of ways, but he also needed to be charming enough that you could tolerate his presence and wanted him around
Rooney also had a lot of input on Astarion's stats (meaning the 10 Charisma is probalby 100% intentional)
He also had input on how certain lines should be delivered, even though the writers didn't directly work with voice actors
The way Astarion moves and poses is "all Neil"
Apparently, Neil Newbon worked on the character for years and Rooney did not speak to him once, though his voice work did influence how Astarion's lines were written and it became a "feedback loop" (Possible context for "ONLY SLIGHTLY, NEIL")
There were no points where a line delivery drastically changed Astarion's writing; rather it was a constant, slow evolution
However, there was one very spoilery moment where Neil gave such emotion to some "basic" lines that it fundamentally changed the scene (WHAT IS IT OMG)
It's difficult to balance approval, as you don't want to straight up write a monster. Every character needs to have some humanity in them. So if it comes to leaving the party, it needed to be the result of something central to said character. They wanted to be mindful of situations that would cause actual rifts between characters. (I assume this is why most generic disapprovals/approvals are +/- 1 or 2, while character-related ones give +/-5 or more)
However, as they don't write straight up horrible people/monsters, it doesn't come up as often as one might think.
The interviewer makes a point about how characters like Astarion and Lae'zel are good examples of how to play "evil" characters, as they are maybe not the best people but are still eager and willing to stick around the other party members
They worked to make sure the characters would work as a group, no matter the configuration of the group. The characters needed to be on the same path, even if they don't always agree or walk that path the same way.
Stephen Rooney is very proud of the "climactic" scene of Astarion's story. (AS HE SHOULD BE.) He even had to step away from the computer and have an emotional moment. Me too, man.
He's also "extremely pleased" that there's a point where you can punch Astarion in the face. "Actually, that one might be my favorite part" A MAN OF THE PEOPLE!!
Stephen Rooney's tip on what specific thing you should try out with Astarion: When he's trying to get a "sneaky nibble" at night, you should "probably" let him bite you. Way ahead of you there, sir.
No discussion about Astarion's romance unfortunately, but that's that!
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katsumox · 10 months
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something about jason todd with a touchy!reader s/o is literally so yummie.
You’ve got him on his stomach, regrettably, he thinks, as you watch the hills and divots of his muscles roll and flex as he gets comfortable. The scarred herculean expanse of his back is exposed to you as you sit on his butt.
“Dunno why I agreed to this,” he frowns, not bothering to move his head, unmuffling his musings.
He really doesn’t; ten minutes ago you two were having a very civil discussion (read: arguing) about something or other. Next thing he knew, he was in your bed, on his stomach, half naked and under you.
“Cause you like me,” you sing, breaking him from his thoughts, as you drag manicured fingers up his back, pressing into his taut muscle, deftly massaging each sore part of him.
“You like this. ‘S okay to admit it,” you add.
He gives a noncommittal noise that gets cut off by a strangled gasp when he feels your hands pressing into the upper muscles of his back.
There’s a deep discomfort that settles in his stomach; he’s never been touched so lovingly, not without hidden motives tainting said touch. He isn’t sure if he should push you off him or beg you to keep going.
You hum as you work his muscles, letting his inconsistent breathing and occasional gasps guide you.
You continue rubbing him down, occasionally pausing to apply more shea butter to your hands before resuming your work.
You reach up to his neck, as he sighs. You press just a hair harder, feeling a knot loosen at the pressure. Jason inhales, trying to steel himself from any possible reaction.
Regardless of his efforts, a low “Fuck,” reverberates through his chest. He internally frowns at the sound of his low whine, sounding like a wounded animal. He reddens as he hears himself, internally cringing at his neediness, at your willingness, and the intimacy of it all.
“That was pretty,” you murmur, teasing lilt in your voice. He’s fighting the urge to shut down this moment of vulnerability the two of you are sharing. You know he’s really pushing himself, so you try to keep the extra teases locked away for another day, another less intense moment.
You shut yourself up, instead focusing your attention to Jason’s expansive back. You press harder in the same spot, shameless in your attempt to illicit more noises from him as you whisper, “Give me another.”
He shudders, giving a shaky exhale as he composes himself.
“You’re evil,” he grumbles, despite almost leaning up into your touch.
“So evil,” You smile, “Totally evil.”
Not once does your touch on his back falter. He hums in agreement, softly smiling into a pillow.
“Incredibly evil,” Jason sighs. “Lucky I like your evil ass.”
“Aw,” you say, “Red’s finally going soft. I got you up under me and now you don’t know how to act. ”
Jason can hear the smile in your words. Choosing to ignore it, he closes his eyes and focuses solely on your touch.
“Yeah,” He mumbles, before pausing to consider his words, “Goin’ real soft, only for you.”
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xiaowhore · 3 months
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genshin men as shoujo tropes.
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characters. neuvillette, wriothesley, & alhaitham.
note. in celebration of the shoujo renaissance (and also bc im having a hard time finishing the drafts i left half a year ago) i present to you the ideas i had while half-asleep this morning. i dunno if this will ever be a consistent series but here are the first 3! (heads up: female pronouns will be used in this fic!)
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neuvilette ; the duke
it has to be said. he's the duke of the north.
you belong to an aristocratic family, but you're basically neglected due to being your father's illegitimate child with a maid and your younger sister is much better than you at every way there is. appearance, etiquette, and intellect—she is far more superior than you at these aspects. countless men ask for her hand in marriage, while none asks for yours.
but honestly, you didn't want to be wed to a noble. you dream of being a commoner, free from the clutches of your family who looks down on you and solely dotes on your sister. you could be a baker perhaps, since you've always had a hobby of making sweets.
yet your parents suddenly announce you're now engaged. and to the duke of the north, of all people! he has made a great contribution for the war against the monsters within the continent, but he is more known for his ruthlessness and harsh temperament. if you were to be his wife, what would happen to you? the duke holds a lot of power, but no one wants to marry him because they're all afraid of him, you included.
as you're being sent to his castle by carriage, you're already trying to comfort yourself. at least you're away from your family now. he couldn't possibly be worse than them. and as ruthless the rumors all say he is, duke neuvillette is not the type of man to beat a woman who has done no wrong.
your first dinner with him is completely silent. the clacking of cutlery pierces through the air, the only sound you can hear other than your heart rapidly pounding in your chest. your head is bowed, too fearful to meet him in the eye, but you can't help sneaking glances at him.
the duke doesn't appear in most events hosted by nobles, too busy defending his territory from monstrous creatures to attend. but you see now that those rumors about him being unsightly could not be any more false. his long hair drapes over his shoulders, not a strand out of place. his gaze is calculating, a fascinating blue you can't look away from, and his nose cuts a high angle—he'd look fetching if he wore glasses as he does paperwork. really... how could this man be your husband-to-be?
as you're busy worrying over how you shouldn't offend him and appreciating his appearance, neuvillette is trying his best to appear calm. the woman of his dreams is right in front of him, whose hand was promised to him if he won against the dragon slumbering in the northern mountains. the woman he had yearned for years on end, the woman who gave him strength as he was on the verge of death during the war, the woman who doesn't remember him anymore—
but he promised you long ago he'll make you the happiest woman in the world, and he's intent on keeping his vows.
neuvilette may appear stoic, but he's nothing but sweet to you. he accompanies you at every opportunity he isn't busy with work, spoils you rotten, and makes you want for nothing. word spread throughout the land that duke neuvillette couldn't be any more smitten with his wife, erasing all rumors that claimed he was heartless. you were intimidated by him at the start, but as you spent more time with him, you learned that there was no reason to be.
...however, that only applies to you. although you never said it outright, neuvillette can tell your family didn't care for you properly. he already had reservations with them, and now he has other reasons to be angry.
when your sister comes to his residence and claims there was a “mix-up” in the marriage, that she should be the one wed to him and not you, he is furious.
but there's really only one ending for this story—after all, his heart only belongs to you.
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wriothesley ; the bodyguard
you're the only granddaughter of a yakuza leader and wriothesley is your bodyguard who will protect you no matter what. (not claiming ‘a girl and her guard dog’ energy; there are plenty of other mangas who have this trope too.)
you're just an ordinary girl with a very extraordinary family but you want to live a normal life free of violence and keep your family background a secret. you beg your grandfather to let you attend classes at a normal school, and he allows you in one condition: wriothesley must be with you at all times.
so yeah. this tall and absolutely ripped guy is behind you every time you walk to school, in the corridors, on the way to the cafeteria, and the only time he isn't following you is when you go to the restroom.
very protective. never lets his guard down when you're talking to boys. doesn't understand what you see in the handsome guy that everyone likes when his looks aren't all that great (he's just jealous).
“let's go home. it's about time for the car to arrive... what do you mean you still have something to do? ...there's someone waiting for you at the rooftop? you found a love letter in your locker? ...i'll wait for you at the door.”
he does wait for you at the door, but he also tries to hear the conversation you're having. and maybe he scoffs a little when he sees the guy who's trying to vye for your attention, because clearly wriothesley worried for nothing.
there will be a lot of dangerous events involved (i.e. kidnapping for ransom, attempts to kill you as revenge, wriothesley's enemies trying to harm you because you're the person he loves etc.) but wriothesley will save you each time.
“i'm right here,” he says as he cradles you in his arms, hugging your trembling body. “you don't have to fear anything now.”
it's nothing serious. just a pathetic attempt at kidnapping by a bunch of idiots who want ransom money. you're safe and sound in the car, waiting for him to finish his business with the delinquents, but that fact doesn't make his anger fade at all. “if i see a single scratch on her, i'll kill you.”
his head is bleeding, dripping crimson over his right eye, but all he sees is your bound wrists, the bruise on your cheek, the blood on your lip. he's out of bullets. you're both surrounded by henchmen. he has a single blade in his pocket. still, he roars with uncontrollable rage, “no one touches her!”
(very important detail: he calls you “my lady.”)
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alhaitham ; the nonchalant male lead
he's definitely the cold guy who's (at first) rude and blunt to the female lead.
you've liked him since you were kids. your moms are best friends and you live next door to each other. both of your parents seem convinced you're going to end up together, but he rejects every single one of your advances—not that it discourages you from trying again next time.
you try to walk to school with him even though he always goes to the library too early and you're the furthest thing from a morning person. you offer him the best parts of the lunchbox you cook for yourself. you give him a cold drink after gym class. you invite him out to the mall during the weekends to hang out. you doll yourself up everyday with cosmetics and accessories in hopes that he'll think you're pretty.
but alhaitham always just looks... disinterested. especially during dinners where both of your families are present and his mother teases him about dating you for what seems like the nth time that night.
and you know he's not obligated to like you back or anything. but you still want to get his attention. you want to improve yourself to get him to like you.
alhaitham may come across as cold-hearted, but he buys you bread from the convenience store on the way to school because he knows you missed breakfast just to go with him. he keeps an eye out for any stray balls hitting you during gym class because for some reason you attract them like a magnet. he often declines your offer to go outside during weekends, but he's willing to tutor you for the test scheduled next week.
so you like to think of yourself as someone special. because surely, he doesn't do these things for anyone else, right? you must be one of the closest people to his heart, right?
but then the pretty girl from the class next door confesses to him, and you think you've lost your chance. she's tall and gorgeous, her clothes are always the latest fashion, and you're pretty sure she's around the same student rankings as alhaitham. they're talking by the cherry blossom tree, and no one can hear what they're saying behind the wall you're hiding from in your quest to eavesdrop on them.
but then alhaitham leaves first, not giving her a single glance after what you assume to be a swift rejection. the girl isn't crying, but she looks a bit shocked as she returns to school, not expecting the turn of events.
your classmates don't even pretend to be decent; all of them are asking her what happened. “he says he's not interested in dating, that's all.”
and at that, you sigh in relief. even if you're not special to him now, no one else is either.
you don't notice her looking at you, envy burning in her gaze. she didn't say any lies—but she did omit something important.
“i think... i like someone now. the most important person to me.”
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gay-dorito-dust · 11 months
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Hello! I loved your last hobie fic btw it was really good!!
Imagine that in hobies universe you died but when he travels to miles universe he sees you alive 😭 and then the reader introduces themselves to him the same way they did in his universe
Keep feeding us with these ATSV fics 😈😈
Have a great day!!!
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Thank you for enjoying my Hobie Brown stuff anon cuz he’s been invading my mind recently. I hope to god this is okay for ya. 🦦
Hobie remembered first meeting you as though it were yesterday, you were within an alleyway vandalising the walls with your spray paint, he happened to be passing by when one of your masterpieces caught his eye; it was of him…well him as Spider-Man clocking a cartoonish Osborne -appropriately adorned with devil horns and a tail- in the head with his eyes crossed out in red spray paint as though he were dead.
It got a good chuckle out of him that was for sure and from that alone he knew he had to know you more on a personal level. ‘Whatcha gonna call that?’ He asked aloud, making you jolt, you were pretty sure you had chosen a spot where you weren’t going to get caught by the authorities or those that’d grass you up for expressing how you truly felt about Osborne and all those just like him. You shrugged, looking up at your finished product before looking back over at Hobie, ‘dunno yet,’ you told him truthfully, ‘my working titles are either anarchy incarnate or death to capitalism.’
Hobie hummed in approval, but he thought you could do better, ‘how about anarchy is the death of capitalism?’ He suggested and he couldn’t never forget the light in your eyes upon hearing his working title, that in the midst of your excitement you had grabbed him by the arm, ‘that’s it! That’s what I should call it, you’re a genius man!’ You cried before realising what you did and immediately removed your hand from his arm, ‘sorry about that.’ Hobie dismissed your apology by slinging an arm over your shoulder. ‘Nah, don’t give me that shit, you shouldn’t have to apologise for being yourself for that’s what they want you to do.’
‘I don’t think I ever got your name.’ You said. ‘Hobie. Hobie brown and may I get to know the name of the amazing artist behind this.’ Hobie gestured to the spray painting. ‘Y/n l/n.’ You replied. ‘Well y/n, I think we’re going to get along quite well.’ And you did.
So when your untimely death happened, Hobie felt as though he were Achilles having lost his Patroclus. He cradled your body into his arms even long after you had said your final words, ‘keep fighting the good fight, my little anarchist.’ and much longer after it had already gone cold. You had told him that you were heading out to go spray paint with some people you’ve met and the worst soon came when despite knowing that you didn’t have to, you still went out of your way to act as a distraction so that the rest may escape; which resulted in the way that it did.He knew he should’ve gone with you that day because then maybe you would still be alive and taking the piss out of him for worrying about you but he didn’t, so you weren’t.
Ever since then Hobie had made it his goal to keep fighting for not only his chase but yours as well in your memory. He made you a memorial in the exact same place where you first met, always paying it a visit whenever he felt as though he needed you with him, which has lead him to start talking to your spray pairings as though they were actually you. There was without a shadow of a doubt that you were quite possibly one of the greatest artists to have ever lived, alongside with being an avid inspiration to many to the youths who felt as though they had no way of expressing themselves when feeling slighted by the society they were born in. Hell you even inspired him! So much so that there were a multitude of songs he would perform that depicted a individual with stardust in their eyes, a rebellious fire in their heart and a insatiably need to insight the themes of anarchy within anything they touched.
After your death Hobie kept a good portion of your things; such as your spray cans that would never get used, your clothes that still clung onto the very last essence of you much like he did and even kept the picture you took together after helping you finish a project you had been wanting to pursue for a long while; and who would’ve thought that it would be him, not as Spider-Man, just good old Hobie Brown with the message, ‘keep fighting the good fight, my little anarchist.’
So when he caught himself walking down a alleyway much like he did long ago but this time in a completely new place, he felt as though he was being hit with a wave of de ja vu when his ears picked up on the familiar hissing sound of a spray can. It was like he was back there again and if his memory serves him right, he knew what was to come next the moment he, Gwen and Miles made it into a clearing where they were greeted with the sight of someone’s back as they were deeply engrossed with their own handy work. ‘You’re going to love them Hobie, they’re like super cool and awesome.’ Gwen told him but her words went in one ear and out the next as he stared up at the spray painting of Miles as Spider-Man mid swing; it was beautiful without a doubt but they style in which it was drawn was all too familiar.
‘Whatcha gonna call that?’ Hobie had said without realising it until you jolted before turning to look directly at him, regaining your composure, ‘dunno yet.’ You shrugged and your voice sounded like an echo to the past for Hobie who so desperately wanted to pinch himself in that moment. ‘my working titles are either a bright new era or rising above all expectations.’ Hobie didn’t say anything for he knew he was going to say something that would only scare you away, just because you were another version of his y/n didn’t mean you shared the same memories; to you, he was just another spider-man from another reality, he wasn’t your Hobie despite how he wish he was but he knew he couldn’t put that on you.
He also couldn’t blame you for being alive while his version of you was dead. It wouldn’t be fair on you for being blamed for something that wasn’t your fault to begin with and it wouldn’t be fair on him either, as despite how many times he made himself believe that he has accepted your death, his heart would remind him that he truly hadn’t. You were such a pivotal part of his life that he couldn’t seem to let go of. ‘Hmm, both titles sound cool but I think we can do better.’ Miles pipped up, breaking Hobie out of his headspace that was running rampant with all the best memories you shared together. ‘How about…the bright new era of rising above all expectations?’ Hobie interjected.
You made a face at the suggestion before a wide smile spread across your face as you lost yourself in your excitement and grabbed ahold of his arm like you did when your first met, ‘that’s it! That’s what I should call it! You’re a genius dude, thank you.’ But before you could remove your hand from his arm, Hobie grasped your hand and held it firmly. ‘I don’t believe I told you my name, it’s Hobie by the way.’ Your excused his actions as an exchange of formal greeting and grasped onto his hand with the same about of force. ‘Nice to meet you Hobie, I’m y/n.’
‘I know’ is what Hobie desperately wanted to say but kept it all contained under a strained smile.
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dredgen-nope · 1 year
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i need to start some portfolio projects but im just sitting here stuck cause i dunno where to start or what to do
#i have some ideas but i dunno#nothing that stands out and calls to me#but i do crave to do art work again which is nice#tempted to steal P's story idea and fully develop it and publish and copyright it for revenge#of course i will be rewriting parts to fix it because lord is it a load of wank at the ending#writes something to discuss how a relationship can fall into abuse#writes an ending that kinda does nothing with that and possibly goes back on it#literally just a bit of tweaking and not only can i dunk on shitty emo men with bad opinions#but i can actually write about breaking cycles of abuse#was tempted to go back to an old comic idea and try to do something with it but maybe i'll incorporate it with this lol#i dont think i'll fully rip the concept tho because yeah it was painfully emo man basic#just makes me mad as someone whos dealt with various forms of abuse and manipulation their whole life#that this guy comes along and says oh me too ive been abused (and has now given me reason to think hes lied about it for dating points)#then fucking. writes this fucking nonsense about protecting turning into abuse turning into actually the main character is good#for letting his girl go and actually we should be so sad for him wahh wahh to maybe they get back together#no!! NO!!#if ur main character is the perpetuator of abuse and does nothing to break it or change#or in fact after killing/defeating what could very easily be the metaphor for an abuse cycle in ur story#he continues to be abusive (in a ??? particular way i dont have time to go into) then u go#oh hes good actually he realises hes shitty and lets her go but maybe after some time they get back together#NO. i fucking hate that. i hate it so much#there is so much character work to be done there and ur just choosing not to so u can justify ur shitty self insert!!!#ok break ur cycle! ok ur character still fucking sucks!! but make them work u cant just go oh actually theyre sad and they didnt mean it so#its fine actually and then she forgives him LIKE#makes me sick man but idk i have a twisted sense of justice i just want all shitty people to face consequences yknow#but u can still have a redemption for this character but its just gotta be more#i wanna do something with the girl where she becomes like. empowered/main character/does something about this#fuck this dude seriously#txt
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