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robbie-wallis · 19 hours

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I need to vent about Watcher, endure it if you can

Relax, this isn't a parasocial thing, but it is a long ass post, which suits me as a long ass human.

I need an outlet to discuss the terrible business decision Watcher has made by announcing their plan to leave YouTube, and this long-forgotten Tumblr account reached from its grave to grab at my ankle.

If you didn't see their video, good for you. It's extremely cringe-worthy in its sentimentality and editing, with blurry shots, pensive pauses and obligatory sad piano.

But at least there's no f'ing Ukulele.

Although, I think we might get the Ukulele in a few months.

Even though anyone who reads this is probably familiar with what the "Ghoul Boys" have done, I feel as though I need to add a little history.

WATCHER HISTORY

You can skip this part if you've been obsessively following the shenanigans, this is for the noobs who were never a "shaniac" or a "boogara".

Shane Madej and Ryan Bergara used to work at Buzzfeed. They hosted the successful Buzzfeed Unsolved shows. In 2019 they followed in the footsteps of the Try Guys and Safia Nygaaard and left Buzzfeed to create their own YouTube channel named "Watcher".

They brought along Steven Lim, another Buzzfeed person who is most known for the "Worth It" series. This series followed Lim and his friend/s spending obscene amounts of money on obscenely overpriced and indulgent products.

Think of it as being similar to the $100 V's $10,000 Sidemen content, only without the self-awareness and British "bad lads" humor.

Notably, even the Sidemen seem to have cut back on those adventures, perhaps understanding how bad it looks when so many people are struggling to pay their essential bills.

Steven became the CEO of Watcher while Shane and Ryan continued to create and present for the new channel.

They were wildly successful by YouTube standards. At the time of their self-spanking on Friday they were close to achieving 3 million subscribers, in just 4 years, based on basically only 2 cornerstone shows. If Social Blade is still a reasonably trusted source in everything but estimating income, they were gaining thousands of new subscribers every week.

Their most successful shows were Ghost Files, Puppet History, Too Many Spirits and Mystery Files.

Ghost Files is the only one of these shows which requires heavy investment, travel, a large crew and impressive production costs. These videos are shot on-location and require a lot of work. The rest are basically Good Mythical Morning style, just the two hosts and their banter.

Aside from Ghost Files, their content could be created with 3 cameras, 2 lapel mics and a good editor.

They were massively successful, solely because of Ryan and Shane.

THE DEMISE

So, what did they do on Friday 19th April? They decided to announce the launch of their own subscription platform.

Not a Patreon for extra content, behind-the-scenes, audience interaction etc, (they already had a Patreon with 6,000 paying subscribers earning them at least $50k a month), but a bespoke streaming platform which looks like a clone of Netflix.

The cost is $5.99 a month, or $60 a year.

Comparable to Netflix.

And by that I mean the price is comparable to Netflix while the content is comparable to a 4 year old YouTube channel.

Don't get me wrong, their production quality is incredible. The quantity, however, is not.

From the end of May viewers will have to pay to be a subscriber on their own platform in order to watch their shows.

They'll still be posting their trailers on YouTube, and the first episodes of new shows, but to watch it all you'll have to pay up or miss out.

Edited to add: Variety originally reported the Watcher crew were planning to remove all their existing content from YouTube to monetize it on their own platform. It's since been confirmed they will not be removing their old content. Fans are undecided whether this was a back-track after the announcement or a misunderstanding by Variety. You be the judge.

Of course, they're entitled to do this. They are creating a product and you can either enjoy it or not. No one is entitled to see it, for free, whenever they like.

Why did they do this?

Half of the sombre video gushes about their "humble beginnings" as "struggling young guys in a big harsh world", which comes across as extremely self-indulgent and ego-stroking.

A quarter of it explains how insanely successful they've been on YouTube and how this is all thanks to the fans who stuck with them after Buzzfeed, how it's allowed them to hire 25 people, how it's given them the freedom to create what they enjoy making and what the viewers want to see, and - most importantly - how it's allowed them to increase production quality on Ghost Files.

The final quarter of the video explains that this isn't good enough, the quality isn't high enough, the finish not glossy enough, it's not "TV caliber" enough! They want more, they need more, you have to give them more, mostly (apparently) because their CEO Steven Lim wants to bring back his show where he flies around the world with his bestie sipping Champagne and eating gold-leaf-covered lobster.

In short, they want more money to make even bigger things, even though their audience never asked for that.

WHY IT WILL NOT WORK

Oh my goodness, this is going to be a ride so strap in.

I'm not a YouTube creator so there are a lot of things I do not know. Having said that, I know a little about business.

This ain't Buzzfeed, y'all

Watcher became successful because of Ryan and Shane. It was their friendship, their personalities, and the content we loved to watch featuring them at Buzzfeed, that brought us along for the ride.

The audience they poached from Buzzfeed is there for them and Ghost Files. It's not there for Steven Lim and "Worth It". His show worked under the Buzzfeed umbrella only because they had numerous sub-categories in that community to support it.

The Try Guys left and created their own channel from their Buzzfeed fans.

Safia Nygaard left and created her own channel from her Buzzfeed fans.

Shane and Ryan left and created Watcher from their Buzzfeed fans.

Steven Lim left and became the CEO of Watcher. He didn't take his audience with him.

The audience of Watcher is not the audience of "watch me fly around the word with my pal and spend $100K on hand-reared, Whiskey marinaded, diamond-encrusted Kobe steak".

And... IN THIS ECONOMY?

Steven chose to become a CEO instead of a presenter. He's missed the opportunity to take that Buzzfeed audience with him.

This is made clear by the Watcher channel itself. Their "man eats food" content rarely breaks 500K views while their Ghost Files breaks 2 million consistently.

If a million of their viewers followed them from Buzzfeed to Watcher, the other 2 million have joined them since, based almost entirely on their spoopy content.

Not only did they base their channel on this genre and format, they have distilled their audience further ever since the creation of their channel and no matter how hard they try to diversify into "man eats food" it's just not working.

This ain't Netflix, y'all

As mentioned, the $5.99 charge is comparable to Netflix and just about every other streaming platform. Only Watcher can't give you even 5% of what a competing platform can offer for that price.

Other platforms also tailor their content and their pricing based on geographical location and localized economics.

You're paying far less than $5.99 a month if you live in an economy where the median household income is $300 a month. YouTube has a global audience. Their subscribers don't all live in a stable economy where $5.99 is considered disposable income.

We don't know the numbers, but I would guess only 60% of their subscribers are based in the USA, Canada, and the UK.

Even for those who do live in a stable economy, their audience is predominantly young adults and students. Most young adults are currently facing the reality that they will possibly never own their own home, they're living day-to-day trying to budget.

They've instantly priced-out a large % of their audience.

I confidently predict that diehard fans who can't see anything wrong with this will sign up for $5.99 a month, binge watch for a couple of weeks, realize there's no new spoopy content and cancel.

They'll come back when a full season of Ghost Files has arrived, pay again, binge it and leave.

Steven Lim thinks they're gonna get $5.99 a month, every month, from thousands of subscribers. In reality they're going to get maybe $12 a year, from people signing up to binge watch what they want, then leaving.

This will then decline naturally as attention wanes during the months where there is no spoopy.

This ain't good marketing, y'all

They're going to be posting "trailers and season pilots" on YouTube.

Sure, I bet YouTube is gonna be totes okay with a channel doing nothing but trying to hijack traffic for an external site.

Posting nothing but trailers and season premiers will mean maybe one full video per month during busy seasons. That's not enough to remain relevant for the algorithm.

If 80% of those posts are also just trailers saying "leave YouTube and come here", the channel will be smacked down quicker than a crypto scam using an AI generated Elongated Muskrat.

Their channel was growing steadily, but that was with full content regularly posted. When the schedule drops off, and when most of it is considered spammy by YouTube, it's going to collapse like a flan in a cupboard.

A streaming platform needs a constant flow of new subscribers just to replace the gradual drop-off (maybe ask Rooster Teeth about that). When your global audience at YouTube is gone, where are those new subscribers coming from?

The platform is also an additional overhead. It's going to cost thousands a month to keep the servers going.

This ain't good financial management, y'all

I don't know if they've already spent hundreds of thousands of $s on Lim's "men eat food" gamble, but I suspect they have.

I know they have spent hundreds of thousands of $s on a new season of Ghost Files, flying to the UK to host live events while filming those episodes.

This means they've over-extended their finances just at the moment where they've cratered their opportunities to see a return on investment.

Just that, on its own, is enough to destroy a production company.

They do not need 25 employees any more than I need an editor and proof-reader for this long ass post.

They do not need a production studio in Hollywood any more than I needed an office to write this.

They do not need to spend tens of thousands of $s on glossy graphics that appear on screen for maybe 4 seconds in one episode any more than I needed to add screengrabs to this painfully long essay.

By leaving YouTube they've lost:

Adsense revenue (which might not be much on a per-video basis but adds up with a back catalogue over years of productions)

Sponsorship deals, which allegedly contributes almost 50% of their annual revenue.

Merch sales, which is about to crash if the only people they can promote merch to are already paying per month in their smaller ecosystem.

Patreon. Why would someone pay $5.99 twice, for the same or less content?

And they've abandoned all of this for maybe a few thousand people who will probably end up paying just $12 a year when a new spoopy season arrives for them to binge.

I'm no Will Hunting, but no matter how hard I try to make the numbers work they just don't, and I don't need Robin Williams to tell me it's not my fault.

This ain't nice, y'all

Some of you are feeling like Ned's wife right now, and some of you will have no idea what that's in reference to.

Most of you will hate that I made that reference more than you hated the SNL skit.

I get it.

Maybe the worst part about all of his, from a viewer's perspective, is the dismissive nature of their sign-off.

They didn't mention the Patreon members once, not one single time in the whole video. It's like they consider the Patreon "too YouTube". They're the deformed cousin locked in the attic. They're the relative who wasn't invited to the wedding because they can't afford a Tom Ford suit. They're the colleague who isn't invited to the staff night out because they only work in accounting and no one has anything in common with Janice anyway.

These are diehard fans who were actually paying them extra to support them and enjoy a little bonus behind the scenes, and the boys didn't even consider them worthy of an utterance.

They also finished with "If you don't follow us and pay up it's been real, peace out". I'm paraphrasing, but that's basically what it was.

They spent so much of the video saying how awesome and great it was that the fans and YouTube got them to this point, but they didn't thank their Patreon members, and they ended with a blunt suggestion that if you don't follow them and pay more then you're not a real fan anyway and they don't really need you.

"Thanks for getting us here, sucks to be you, bye now!"

You made them wealthy, you helped them hire 25 people, you helped them increase production value to "TV caliber" even though you didn't ask for that, but your job is done and now you're superfluous. Only the real fans are wanted.

In the words of the great George Carlin - "It's a big club, and you ain't in it".

They're okay losing the vast majority of the people who got them here if a few thousand of those are comfortable enough to be able to pay $60 a year for a YouTube channel.

Can it get worse? Sure!

We've had a weekend to enjoy the constant heat of this bonfire and it's predictably worsened with each hour of silence from the company and its employees.

The fact that they haven't back-tracked, despite almost unanimous agreement that this is badder than the baddest thing that could happen to their company, suggests they're okay with it.

Consensus seems to be that they knew it would be this bad, and they're cool. They predicted 90% of people would scream "Boo to you good sirs! Boo indeed!" and they could still survive on the 10% who don't see a problem here.

The lack of response reinforces the narrative that they're totally fine with discarding almost their entire audience if they can just squeeze the cash they need out of whoever is left.

This ain't fixable, y'all (maybe)

Note: I don't want this to be mean, but it's going to sound a little bitchy no matter how I try to say it.

If they'd brought out the Ukulele on Saturday, or even teased Ukulele's on their socials before putting out a video on Sunday, they probably could have survived this with much hand-wringing and a little groveling.

But now I think they've grilled this Kobe steak for far too long.

They've lost 100K subscribers, and counting. The venom among Patreon members is allegedly worse than the public comments section under the video, which is startling. Dozens of YouTubers are torching them harder than a $100 crème brûlée.

People are scraping their channel content in case it's nuked.

Shane "eat the rich" Madej's sentiments over the last few years look disingenuous, to say the least. To shamelessly steal someone else's comment: "Imagine being all 'eat the rich' right before throwing yourself on the plate". He's silent while his McMansion burns down, at his own hands. "Why not!?" indeed.

Steven "I drive a Tesla" Lim's socials now make him look like a tech-bro try-hard and his use of words like "early adopter" and "soft launch" in the video only compound the belief that this was all his brainchild. He is the CEO, and that comes with responsibility and the associated blame. You can't steer the ship into the Bermuda Triangle and then disappear without looking like the bad guy.

Okay, you can disappear, but that convoluted metaphor is a mystery for someone else to solve.

Ryan "TV caliber" Bergara now sounds like an elitist who thinks YouTube is "too pedestrian" for his big plans, not big enough to meet his artistic vision. You see, he's more James Cameron, while YouTube is more like your student film club. He's grown beyond this pesky platform with billions of daily hits offering exponential growth with almost zero financial risk.

Even if they released a video today admitting they messed up big time it's still going to be hard to get the taste of this Ghost Pepper Warhead out of the collective mouth of their viewers.

This hasn't just burned their shared brand, it's singed their individual reputations among an audience upon which their careers rely.

What they should have done, on Saturday, is release a video (Ukulele or no) confessing their error. They should have announced their new platform will instead just be a bigger and better Patreon, with early access to everything, behind-the-scenes content, extra features, audience interaction etc.

They should have reversed to make clear their YouTube channel will stay the priority, their main source of revenue, but that you could get more on their own platform if you want it.

And, maybe, over time, people will pay for that. If they grow their channel to 6 million subscribers in the next 4 years there will be a couple hundred thousand of them willing and able to pay $5.99 a month for 8 years of shows, 8 years of behind the scenes content, 8 years of community involvement and regular early access to new episodes.

Maybe then they could try out their "privileged guys eat expensive food in expensive places" show and see how it does? Maybe a majority of people won't be living on the cusp of poverty by then and it won't look as tone-deaf as a 13 year old YouTuber trying to cover Jeff Buckley's "Hallelujah"? Maybe then they could hire another 50 people and make Bergara's "TV caliber" (I still don't know exactly what that means) game shows and reboots?

The clock has been ticking since they hit that "publish" button on their career ending video, but that clock is about to count down to zero and silence will permeate throughout their previously lively community.

That 1980s basement set needed someone crying in the corner, right?

The problem is, their own platform is not a terrible idea. Really, it's not the worst thing they could do. The badness came in the timing, the switch, the middle finger and the f you. They could have released this as an extra, their own Patreon alternative, waited, developed it over time into something sustainable and established.

They could still try to do that and hope this dark chapter is forgotten.

Maybe I'm wrong? Maybe Lim is a financial genius with more skill than the management of Rooster Teeth and their corporate parent company combined? Maybe this gamble will be wildly successful despite all streaming services down-sizing or just going bankrupt? Maybe they won't be back on YouTube in 3-6 months begging for views after having to lay off 20 of their employees?

I know this... if I were one of those 25 employees blind faith would not be enough to stop me from looking for another job.

I suppose this will, for now, remain... a mystery.

EDIT:

I'm not writing another essay about this, but I'm glad to see they've backtracked and made the right choice to use WatcherTV as any sane creator would - to host early access and exclusive content in addition to their YouTube channel.

Over time, while promoting it in every video, building up that trust and fan base, it can be a secure and long-term financial bonus helping them to expand their business incrementally as finances allow.

Why this wasn't the plan all along is anyone's guess. Gambling everything on this was never the sane decision.

I still think they need to scale back on costs. I still think the food content is not currently a viable source of income while being a serious drain on resources. I still think they need to stop hiring all their friends and they need to hire one person who doesn't have personal relationships with everyone there and can make the tough business decisions.

No one likes firing people, it's ten times worse when it's a friend. But this is a reality of business and just wishing it wasn't so isn't going to make it go away. It would be awesome if we could all run a business where we can hire all our friends and family, never have to rely on any outside funding, make whatever we want, make a great living in one of the most expensive cities in the world and continue to grow.

That's just not the reality.

Their apology was genuine, in my opinion. I just hope they can work out the right financial balance.

#watcher #ghoul boys #steven lim #watcher entertainment #shane and ryan #ghost files

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caeslxys · 2 days

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I’ve mentioned this elsewhere but it feels relevant again in light of the most recent episode. Something that’s really fascinating to me about Orym’s grief in comparison to the rest of the hells’ grief is that his is the youngest/most fresh and because of that tends to be the most volatile when it is triggered (aside from FCG, who was two and obviously The Most volatile when triggered.)

As in: prior to the attack on Zephrah, Orym was leading a normal, happy, casual life! with family who loved him and still do! Grief was something that was inflicted upon him via Ludinus’ machinations, whereas with characters like Imogen or Ashton, grief has been the background tapestry of their entire lives. And I think that shows in how the rest of them are largely able to, if not see past completely (Imogen/Laudna/Chetney) then at least temper/direct their vitriol or grief (Ashton/Fearne/Chetney again) to where it is most effective. (There is a glaring reason, for example, that Imogen scolded Orym for the way he reacted to Liliana and not Ashton. Because Ashton’s anger was directed in a way that was ultimately protective of Imogen—most effective—and Orym’s was founded solely in his personal grief.)

He wants Imogen to have her mom and he wants Lilliana to be salvageable for Imogen because he loves Imogen. But his love for the people in his present actively and consistently tend to conflict with the love he has for the people in his past. They are in a constant battle and Orym—he cannot fathom losing either of them.

(Or, to that point, recognize that allowing empathy to take root in him for the enemy isn't losing one of them.)

It is deeply poignant, then, that Orym’s grief is symbolized by both a sword and shield. It is something he wields as a blade when he feels his philosophy being threatened by certain conversational threads (as he believes it is one of the only things he has left of Will and Derrig, and is therefore desperately clinging onto with both bloody hands even if it makes him, occasionally, a hypocrite), but also something he can use in defense of the people he presently loves—if that provocative, blade-grief side of him does not push them—or himself—away first.

(it won’t—he is as loved by the hells as he loves them. he just needs to—as laudna so beautifully said—say and hear it more often.)

#critical role #cr spoilers #bells hells #orym of the air ashari #cr meta #imogen temult #ashton greymoore #liliana temult #this is genuinely completely written in good faith as someone who loves orym #but is also about orym and so will inevitably end up being completely misconstrued and made into discourse. alas #I could talk about how Orym’s unwillingness to allow the hells to actually finish/come to a solid conclusion on Philosophy Talk #is directly connected to one of the largest criticisms of c3 (that they are constantly having these conversations)#all day. alas. engaging with orym’s flaws tends to make people upset #it is ESP prevelant when he walks off after exclaiming ‘they (vangaurd) are NOT right’#which was not only never said but wasn’t even what they were talking about #he even admits as much to imogen like ten minutes later! that he is incapable of viewing it objectively #which is 100% justifiable and understandable but simultaneously does not make his grief alone the most important perspective in the world #also bc i fear ppl will play semantics on my tags yes the line ‘i hope she’s right’ was said but it was from ASHTON #who does not believe they are at all and wasn’t saying they actively WERE right. orym just heard something to latch onto and ran with it #ultimately there is a reason orym only admitted that he was struggling when he had stepped away to talk to dorian #who has not been around and thusly has not changed once n orym's eyes #and it isn't that the hells never check in or care. they do. they have several times over #it is dishonest to say they haven't #the actual reason is that all of this is something He Is Aware Of. he doesn't mention it bc he KNOWS it's hypocritical and selfish #he says as much!#EXHALES. @ MY OWN BRAIN CAN WE THINK ABT MOG AGAIN. FYRA RAI EVEN. FOR ME.#posting this literally at 8 in the morning so I can get my thoughts out of my brain but also attempt to immediately make this post invisibl

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watermelonlovershigh · 14 hours

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Friends Who Share Mutual Emotions {part 3.} (housemate!harry series)

Arguments and Confessions {part 2.} (housemate!harry series)

AN: i've been in a writing mood lately so i hope you enjoy me spitting out these stories left and right lol. anyways, here is part 3 to my housemate series. before you ask, yes there will be a part 4 and hopefully a couple more after that. let me know how you liked it and make sure to leave your feedback. thank you and enjoy!

This story contains: mentions of one-night stands, confessions of feelings, slight angst, fluff

{ housemate!harry - friendrry - soft!harry - au harry }

word count- 1,372

Harry confesses that you're the women he likes and after giving you some time to think, you have an eventful conversation about your mutual feelings and how you'd like to move forward within your friendship.

Looking deeply in your eyes, Harry answers clearly, "Her name..... her name is Y/n." The weight of his confession leaves you standing in the kitchen, completely shocked. When you initially asked him about his love interest, you never anticipated that he would reveal his feelings for you. Although he described some of your qualities, you didn't think much of it, as many people can possess similar traits.

Realizing that you need some time to process his words, Harry rises from his stool and states, "I don't expect you to feel the same way about me or anything. I'll give you some space to think, alright?" With that, he turns around and retreats back to his bedroom.

Now standing alone in the kitchen, you find yourself torn about what to do. On one hand, the man who kindly allowed you to stay in his home as a housemate, who eventually became your friend, and whom you've developed feelings for, has just confessed his affection for you. It seems like the ideal outcome, but what if something goes wrong? You would risk losing your best friend and a place to live.

On the other hand, if everything goes well, you could finally experience a fulfilling relationship. You could put an end to the casual encounters and truly understand the intimacy that others have experienced in Harry's bed. You would have the opportunity to feel his touch on your skin and savor his kisses, something you had only imagined during fleeting encounters with strangers.

---------------------------

You head to Harry's bedroom and upon reaching his door, you give it a hesitant knock. A soft voice responds with, "Come in." and you take that as your signal to enter. Inside, you find him sitting up in bed with his cat Pixie beside him, and the TV showing old episodes of Friends.

Approaching his bed slowly, Harry gestures for you to sit beside him. After a deep breath, you confess, "I want you to know that I have feelings for you too, Harry. How could I not? You're kind and sweet, and anyone would be foolish not to have a crush on you. But, I'm afraid."

Harry turns off the TV to focus on you. "Afraid of what, Y/n?" he asks, "We both like each other. What's there to fear?"

"It's not that simple, Harry," you respond with a hint of frustration. Why can't he see your concerns? Maybe it's a gender difference. Men don't worry about relationships as much as women do. Well at least from your personal experiences.

"Can you explain then, please? I want to understand your fears so we can move forward in a way that works for both of us."

Shifting uncomfortably on the bed, you express, "Harry, what if things don't work out between us? What happens then? I could lose a friend and I might not have enough money to cover regular rent in London."

"Y/n, our mutual feelings don't automatically require us to rush into a romantic relationship. We can proceed at a comfortable pace, one day at a time. Even if we don't progress beyond friendship, I value our bond too much to risk losin' it. As for your concern about losin' a place to stay, rest assure that I would never evict you if things don't work out romantically. You were my housemate first and foremost, and that won't change. Well, unless you want to move out someday that is."

Hearing his words have made your eyes gloss over. You can hear the sincerity in his voice and it makes your heart swell. But, you still need some clarification to move forward. "So like, where do we go from here, Harry? I don't want to think we're one thing but you assume we're something else. I don't want to constantly be questioning where we stand. What's too much or what's not enough."

Harry adjusts his posture, leaning closer to you. He carefully reaches out for your hands and clasps them within his larger grasp, holding them gently as he begins to speak. "As I mentioned earlier, Y/n, we can take this slow. Let our connection develop naturally. At this moment, I would describe our relationship as friends, but friends who share mutual emotions. And in response to a question I know you may have, no, I will not be sleepin' with anyone else. And I don't expect..."

Anticipating his next words, you swiftly interject, "No, neither am I. I mean, being involved with someone else intimately. I can promise you that. Besides, I never truly enjoyed having one-night stands. I only sought them out as a means to conceal my feelings for you. But now that my feelings are out in the open, there's no reason to hide them any longer. From now on I only want you."

Chuckling in relief, Harry murmurs, "Just me, huh?" He was incredibly anxious that you might still have the desire to sleep with other people, even though that didn't make much sense after you had confessed your feelings for him. However, he couldn't be entirely certain.

You lean forward, wrapping your arms around Harry's body, embracing him tightly. "Of course, Harry. I would never do that to you. Besides, most of the men I slept with were unsatisfactory, so I'm perfectly fine with giving up my one-night stands."

Harry reciprocates the embrace, then teasingly asks, "Unsatisfactory? Are you tellin' me those muscular, macho men you brought home hardly ever satisfied you?"

You respond, your voice filled with affection against his neck, "That's right. And when they did, it was usually because I was thinking of you."

"Alright, let's end that conversation right here or we'll have a problem on our hands and break our 'takin' it slow' rule." Harry remarks, trying to maintain a sense of caution. If you kept talking about how you always thought of him while having sex with all those strangers, he'd get hard in his pants and he doesn't want to make you uncomfortable right now. Nor does he want to move that fast. Like he said, he genuinely would like to take whatever you are, slow.

You laugh at his words and playfully say, "Can we take a nap? I'm feeling tired. Didn't get much sleep last night."

Harry nods in the embrace you still hold and replies, "Yeah, we can take a nap if you'd like. I didn't get much sleep last night either."

As you sit up, you carefully shift towards Harry's side where he's preparing a space for you to rest. "Seriously?" you inquire. Although you noticed his exhaustion when he entered the kitchen earlier, you didn't consider that it might be due to a lack of sleep.

"Yeah," Harry begins to coo while helping you under his duvet, "felt awful with how I spoke to you last night. The guilt ate me alive and I couldn't sleep."

Now laying side by side, facing each other, you whisper out, "Awe, well you can rest easy now. I forgive you." As your eyes flutter shut, Harry can't help but think about how you're too far away from him. Even though you're literally just six inches apart in reality.

So without thinking, he draws himself closer to you and wraps you in his arms. Which in turn has you pressed up against his clothed chest. "Is this alright?" Harry whispers quietly. Although he wishes to take things slowly, cuddling is typically considered a leisurely activity, isn't it? It remains innocent and platonic.

"Yes, very much alright." you reply and soon after fall asleep. The musky smell Harry produces along with the warmth of his body lulls you right to sleep. It may be only nine in the morning but with your lack of sleep the night before, have no trouble falling unconscious.

Harry also falls into a deep slumber. The comfort of having you in his arms lulls him into a state of relaxation, leading him to quickly doze off. His cat Pixie has now settled at the foot of the bed, peacefully asleep alongside you both. Harry's once anxious room is now filled with tranquility. The unfolding of your friendship will become more apparent when you wake up later today.

(PLEASE REBLOG BECAUSE WRITING IS NOT EASY AND IT'S FREE SO JUST DO IT)

(no more tags are allowed because i've hit my number limit. sorry : ( )

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My Masterlist Masterpost

#harry styles #harry styles fan fiction #harry styles fic rec #friend!harry #friendrry #housemate!harry #housematerry #softrry #soft!harry #harry x reader #harry styles angst #harry styles fluff #harry styles series #friends to lovers #harry styles one shot #harry styles blurb

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buckttommy · 1 day

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When buck screams tommys name in distress, how would you like it to happen?

well. so. obviously tommy gets hurt on the job and obviously buck witnesses it. i don't know how it happens, necessarily. i know 911 said they didn't necessarily want to do big wildfires out of respect for the fact that they have big wildfires in california, but that's the only thing i can think of, like. i don't know if you've seen the og/ls crossover episode (i'm going to assume you have) but having all these firefighters together.. it's the most time buck and tommy have ever spent together while on the job. they do little check-ins with each other throughout the days as the week stretches on, just to make sure they're safe, just to make sure they're coping well. they never do anything more than kiss and hold each other for a couple minutes in a dark/quite corner of one of the sleep tents, both because they're exhausted and because it's definitely not the time or place, but. it's enough. you know?

and so. about eight days into the wildfire, a group of firefighters goes missing. they're completely unresponsive, and that's a bad sign, so tommy's unit has to fly in to go get them. when buck learns tommy's flying out for this specific rescue, he's anxious as hell. that area he's flying out to went bad days ago, visibility is shit, and the group of firefighters that stopped responding was the last group that was ever going to be sent out before the whole area was going to be considered too far gone to save. so he's nervous. scared shitless, actually. but tommy just pulls him aside and he smiles that warm, loving, reassuring smile of his. kisses him and says, "don't worry i'll be okay, everything is okay" and he's scared too, buck can see it in his eyes, but he kisses him back hard and long and just tells him, like, "come home safe to me, ok?" and it's a request but it's also a demand. tommy has to come home. there's no other option. not one that buck can survive, at least.

so tommy goes away and buck/the rest of the 118/some others are is deployed to an area that's pretty close to where tommy is supposed to be flying overhead. after a while, buck gets into a rhythm, so he doesn't think (much) about tommy and just focuses on the task at hand and what he has to do. and then at some point, he hears a chopper overhead and he's so relieved... up until the moment that he notices something is very fucking wrong. he doesn't know what, exactly, but the helicopter is going down and he can't fucking breathe and it is has nothing to do with the smoke. and buck, like.... it'd be one thing if he was hearing about it after the fact, you know? if he heard about it after, he'd be spared the sheer, lifechanging panic of what it looks like to see his world collapse in real time. but he's actually standing there, and he's witnessing the love of his fucking life go down in a wildfire and. so. yeah. he screams tommy's name at the top of his lungs. he's not even aware that he's doing it, tbh. it's completely involuntary, a byproduct of watching this person he loves so much literally die (so he thinks). and there are arms around his waist (he doesn't know whose, but they feel like eddie's) holding him back to keep from running, and someone's talking into a radio (bobby maybe?) but everything is just. it's chaos. his head his chaos, his heart stopped beating ages ago and now he's just. dead. just dead and waiting for, praying for a miracle he's not sure will ever come—

(and. so. obviously tommy is fine. buck doesn't actually, like, learn this fact until several hours later when he is already so firmly entrenched in the deepest depression/state of grief he has ever been in in his life (and considering he watched eddie get shot in front of him, saw a bridge collapse on top of bobby, and his sister was kidnapped presumed dead, that's saying a LOT). but then tommy staggers into the tent and buck absolutely falls the fuck apart. like. tommy barely gets a step inside before buck is on him—before they're on each other, actually—and. like. he's not okay at all. like. he's injured and should definitely 100% be on his way to the hospital. but he knew, okay? tommy kinard knows his boy and he knew what kind of state he would be in. so yeah, stopping by to see him was a no brainer. their reunion only lasts a couple minutes before tommy's body starts to give out on him and, like, yeah, hospital now. but. buck goes with him, and he doesn't leave his side once except when tommy goes through surgery and... everything is not okay but neither of them had the worst day of their lives and that's all buck could ever ask for.)

(and if they finally tell each other they love each other when tommy gets out of surgery and comes out from under the haze of anesthesia. well. that's just between them)

#AAAAAAAAAAAAAAAAAAAAAAAHHHHHHHHHHHHHHHHHHHH #*wounded jack noises*#this hurt my feelings AND put them back together [< girl who literally wrote the thing]#anyways #this headcanon is. like. a sequel to the one linked btw. just in case you need to know how crazy this whole thing makes me #jack answers mail #tv: 911 #bucktommy

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generalluxun · 3 days

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Looking at the episode listings now & Season 3 just gets more tragic, cos from Chloe's perspective its like this:

Mums back, but still hates me (Killed me) but hey I can be a super hero cos destiny, chance, choice whatever!

Oh no, I messed up being a super hero, was humiliated before everyone and... Well at least mom seems to like me now?

Followed with, well everyone hates me and I'm useless I might as well leave, oh gosh Ladybug thinks I can be good and useful & chose me!

Capped off with, I helped Ladybug and the rest of the team battle an army of Akuma, we almost defeated Hawk Moth and even had a team photo!

Like, yes I know you know all this, sorry, but like...

From her perspective at the end of season 2, she had zero reason to think she was not on the team.

Then its months of radio silence, rejections and battles at her door.

Still, she tries at times, like with Star Train, even if no one takes her seriously.

Then she's targeted by the villains & almost manages to defeat Hawk Moths second in command but is told she can't be hero anymore.

Followed very shortly afterwards by her parents declaring she only loves herself, attacking her and Ladybug choosing the only other hero with a known identity & then Hawk Moth ambushing her.

Again you know this, but it really does just emphasize the tragedy to me.

Now,

I am sure there will be someone who will go, "She's not owed a Miraculous" and sure, but frankly no one is owed super powers. Or, "Marinette is not obligated to help improve a girl who is always awful to her." Again, fair in concept, but here's the issue.

As I noted elsewhere, she already was chosen to use a Miraculous several times, as in sequentially there were no massive gaps that would give her the impression this would be a rare or one off thing.

Thing is, as only Ladybug is making these calls & chose her each time despite their history it is Ladybug's job to tell her that it was never going to last. Or at least order someone else too, or to have opted against choosing her again in the first place.

& as for Marinette, well again, she wasn't obliged to try and fix the family situation but she chose too. We can argue about whether it was in character to try, or the method she picked was out of character.

But within the context of the story, she did opt to insert herself into the this situation. It feels disingenuous to then turn around and say she can just divorce herself from it. If nothing else, she should maybe like... Tell an adult?

Like, its for sure a messy situation.

I'm not blaming Marinette for how messy it became but I do think its fair to note how this would look from Chloe's perspective without Marinette or our audience context. IE, her beloved idol who she's given adoration & obedience told her she could be a good & useful hero; then dropped her for months, & seemingly lied about why.

I also think its fair to note that regardless of whether it was the personally logical or morally right choice, Marinette did choose to involve herself of her own accord. Even suggesting involving Chloe could make her a better person! So people acting as though she's, at the very least, not involved at all is just feels disingenuous ya now?

The Season 3 finalé sets up so much for the folks who believe S4/5 was a retcon as opposed to plan. I don't think it was a retcon, but I DO believe it was a betrayal of the narrative before that point.

The S3 Finalé frames Chloé's fall *explicitly* as a tragedy. Fu uses the phrase 'Some lose hope' to describe her situation. Losing hope isn't an act of evil, it's an act of desperation and defeat. In a greater sense it is also framed as a failure of *Ladybug*.

Because no matter what people want to say about Marinette's duty to hep, *Ladybug* does have duties and responsibilities. On her watch a child was isolated and broken down over several episodes by Hawkmoth and Mayura. Season 3 starts the pattern of Ladybug failing with every Finale *Which is a very weird story to write!*

Now, the S3 Finalé would have worked as a low-point/mistake for LB to circle back to and address shortly after. Have her find out about Hawkmoth/Mayura's manipulation, about Queen Bee confronting Mayura and rejecting her. About her rejecting an akuma before anyone else. Have Marinette discover that things are not what they appeared on the surface (come on this is a classic theme for superheros!) and institute a process of mending fences. Ladybug grows from the experience, Chloé clearly will have growing to do too. In the end though the abused child is heard, and healing/help is given.

Instead they just went with 'nah ignore all the setup, Chloé is just evil, always has been, she is actually the abuser not her parents, and she deserves it.' (A statement Thomas wrote into S5E23 which was removed in production without his knowledge)

So yeah, no wonder people think it was a retcon. There's no world where the reality makes sense.

#ask #Miraculous ladybug #ml writing critical #child abuse is not okay

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