I feel like I've had zero creative energy since I got covid, and it's annoying me. I did write one thing based off a small fever dream I had, but it's way too short and there's literally no plot so I can't bring myself to post it on ao3. Instead, I'm gonna post it here just because I do like it, even if my brain can't come up with an actual plot for whatever this is. Maybe some day.
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The pickup bumps and rattles over the road, and Jon grits his teeth and tries not to curse. Where his taxes go, Jon has no idea, but it certainly isn’t to road maintenance. At least not out here.
On the radio, they’re playing some song he swears he hasn’t heard in a decade, but somehow knows all the words to. Ghost lets out a snort as they hit another bump, and Jon meets his eyes in the rearview and says, “sorry buddy.”
As he rounds a bend in the road, his foot eases off the gas when he sees something up ahead.
No, not something. Someone.
It’s a girl, and when she hears the engine of his truck, she turns, sticks her thumb out. A hitchhiker. He didn’t think people did that anymore. He doesn’t even know how she got out here to begin with.
Against his better judgment, he slows. Hitchhikers can be dangerous, and he doesn’t need any trouble. He isn’t some bleeding heart. He left his childhood dreams of being a grand hero back in the North.
Yet still, he slows to a stop next to her, leaning over and rolling down the passenger side window.
She’s pretty. It’s the first thing he thinks.
The second thing he thinks is that she has no business being out here. Not with those earrings, or the heels he noticed before he pulled up, or the set of expensive leather luggage, now coated in dust and mud.
“I need to get to Riverrun,” she says through the window. A Northern accent, though much less harsh than his. Polished. It matches her earrings.
“How’d you get all the way out here?” he asks. The nearest town is likely a two hour walk in the opposite direction, especially dragging that set of luggage behind her.
“Can you take me or not?” she asks, eyes squinting against the sun. The baby hairs not caught up in her copper ponytail curl and stick to her forehead and neck. The rivers that crisscross the countryside make the humidity nearly unbearable in the dead of summer.
“Yeah, I can take you,” he says. He’s heading there anyway, and he can’t leave her out here by herself. She’ll get into trouble.
He watches her struggle to load her bags into the bed of his pickup, then she gets into the passenger side. She’s wearing a loose dress covered in pastel blue flowers, and when she sits, it hits mid thigh. He pulls his eyes away.
Definitely trouble.
“You know hitchhiking’s dangerous,” he says, pulling back onto the road as she buckles herself in.
Out of his periphery, he watches her look at him. “You going to murder me?” she asks. She doesn’t sound very concerned.
He lets out a breath through his nose, and says, “no, but you don’t know that. I could be anyone.”
“What if I’m the murderer and you’re the one in trouble?”
His eyes cut to her. There’s no real expression on her face, she’s just watching him, waiting for an answer.
“I think I’ll be alright,” he says, looking back at the road. She gives a hum. He doesn’t know what that means.
She twists in the seat. “You’re big.”
Jon looks at her, then the rearview. Ghost pants happily, ears perked forward at the attention.
“Am I allowed to pet him, or is he a murderer, too?”
“No one’s going to murder you,” Jon sighs, hands tightening around the wheel. “I was just telling you, you shouldn’t be hitchhiking because it’s dangerous.”
Especially someone like her, but he doesn’t say it. She’d probably get offended.
“You didn’t answer the question.”
He blinks, then remembers what she actually asked. “Yeah, you can pet him.”
“What’s your name?” she asks, holding her hand out for Ghost to sniff.
“Ghost.”
He can feel her looking at him again, but he keeps his eyes on the road.
“Ghost,” she repeats, twisting around again. Jon can hear Ghost’s tail thumping on the leather seat. He tries to keep his eyes on the road. Tries not to notice the way her skirt rides up. It makes him feel like one of those people he’s trying to warn her against.
The ride is silent except for the radio and the wind through the open windows and Ghost’s thumping tail and happy pants as she scratches behind his ear.
“Almost at Riverrun,” he says eventually, as the roads become familiar, better kept. “Where can I drop you at? There’s a motel and a train station.”
He can feel her looking at him again. There’s a few moments of silence, before she says, “do you know where Blackwater Road is?”
Jon lets out a snort. Of course he does, it’s in the part of town where all the old money families live - but he knows where it is and so he drives her there. His pickup is out of place, but it’s not like he’s never been here before. His work takes him to every part of town.
He notices the car only a second before she sucks in a slow breath. It sits up ahead, at the entrance to the Tully estate, and it’s just as out of place here as his own, though in a completely different way.
The old money families drive nice cars, but they’re understated and elegant. This is a sports car, red and sleek and low to the ground. A man leans against the side, just as flashy as his car.
Jon knows without her saying anything that this is where she needs to be.
“Tully?” he asks anyway.
“Grandma’s waiting for me,” she says as his truck slows, her hand briefly curling into a fist on her thigh.
“What the fuck, Sans?” the man says, pushing off his sports car and walking towards Jon’s pickup. “You jump out of my car, but take a ride from some fucking hillbilly?”
“You alright?” Jon asks, as the girl reaches for the door handle.
She looks at him, and he sees it - the Tully resemblance. He’s only met Minisa a few times, but the eyes are unmistakable.
“I’m alright,” she says.
Then she opens the door and slides out, smoothing her skirt down. The man turns red in the face as she walks to the back of the pickup and starts pulling her luggage out.
“Don’t ignore me, Sansa,” the man says. His blond hair flops into his face, and Jon thinks he’d be handsome if he didn’t look like a petulant child. When she doesn’t answer, his face turns a shade of red Jon doesn’t think is healthy. “Did you at least pay the man for the ride? I bet you fucked him, didn’t you? Only thing that whore mouth is good for-”
Jon feels his teeth grind together, and he sets his truck in park and reaches over and pushes the passenger side door open, clicking his tongue. Ghost hops over the center console and out, ears flattening. The man makes a choked noise and steps back.
The girl pauses where she’s stacking her luggage, and she looks at Jon. What she’s thinking, he doesn’t know, but she doesn’t seem shocked at the language, or the situation. Then she reaches out and pets Ghost’s head one last time, before tilting the stack of luggage and carefully rolling it up the Tully estate driveway.
Jon waits until she’s out of sight before giving a sharp whistle. Ghost jumps back into the truck, and Jon reaches over and pulls the door closed.
Then he puts the truck in drive, and he knows peeling the tires isn’t good for them, but he does it anyway, kicking up a cloud of dust. The blond man lifts an arm to cover his face as Jon u-turns from the estate and heads back out to Riverrun proper.
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ok so i saw a post (not mentioning it here directly bc no hate to the op of it, but im so annoyed by that plotpoint that i gotta rant) about the scene were they undragonfy zelda and it was all like
- no actually the people that are upset that both zelda and link returned fully perfectly intact dont get that it makes so much sense and is so cool actually bc its sonias time power amplified and reverseing both zelda and links arm so that she was never a dragon to begin with (thats why she doesnt retain any of its features) and link never lost his arm and its such a cool callback to when sonia amplified raurus light laser thing and the reason sonia didnt do it earlier is bc ghost cant be everywhere i guess :) -
i talked about this once before so i wont go super into detail but ... yeah that doesnt make that any less unsatisfying imo
aside from it just feeling like a thinly veiled excuse to return everyone to perfect and unblemished status quo more than a 'cool callback' it also annoys me on a game design level bc (as i mentioned in that older post too) why would you not include ANY of the signifiers of the time power when they do it? like the TÖK sound that goes off when you activate it, the world going black and white with that wave animation, and zelda actually transforming back like a reverse tp link wolf thing, ANYTHING?
no its just sparkly light beam in ghost dimension town and sparkly poof everyones back :)))
also the implications of that even being possible is just .. making everything even more messy imo
like if you can time reverse not just a persons body, or just PART of a body but also a SOUL being lost, over such a long time too.... that raises so many questions, if sonias able to do something like THAT how come she cant send someone back in time bc that tbh sounds way less complicated
(on a sidenote is it jsut me or did anyone else feel like sonia talking to zelda -lol i cant help you control your powers you just gotta vibe with it and figure it out yourself bro- was a lead up to zelda .. actually getting control of her suddendly revealed time powers? or was that meant as in oh look she reversed a few weapons once :) bc it felt like it was meant to be she has to find out how to return to her own time USING HER POWERS .. and then its jsut kinda dropped, like so many more things and oh look a dragon :) )
but overall i just .... ok you can find a flimsy excuse for that scene but it still feels ... bad? like oh cool bad guys deaded once again for sure totally this time and everyones back to normal like nothing ever happened and also it even reversed even zeldas memory i guess so she literally cant remember anything and why anything like that was never done before that is bc of reasons(tm)
it just feels so meaningless, sure you can find some wobbly explanation for why something went like that instead of all the other possibilites but its just ... unsatisfying
am i meant to feel whole having returned everythign as if nothing ever happened? bc i just feel empty, especially on top of all the things that left me with such an empty feeling in the game it just puts the cardboard cherry on top of a cardboard cake, pretty to look at but shallow like cardboard and just as tasteless
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