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#i had to put this here instead of my art blog
daresplaining · 3 days
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I'm going to need to know your FULL opinion on the erosion of Elektra Natchios in The Red Fist Saga ASAP!
OOF. Okay, here goes...
Elektra's role in the Red Fist Saga directly follows the Woman Without Fear mini-series, so I feel like I should start there, especially since I haven't really talked about it yet on this blog. Woman Without Fear was an Elektra solo comic that came out just as Devil's Reign was ending and the creative team was gearing up for the Red Fist Saga. The mini-series's purpose was to introduce big, shocking changes to Elektra's origin story. These changes didn't end up having much to do at all with the Red Fist Saga, or with anything else really, but they did functionally strip her of her agency and autonomy and made her motivations instead revolve around Matt. Now, Elektra's origin story has changed before. Frank Miller himself gave us three versions: the original, introduced in Daredevil volume 1 #168 and #190, a slight variation in Elektra: Assassin (he changed the timeline a bit and modified the character of Elektra's father), and then an entirely new, in my opinion much less interesting version in Man Without Fear-- which was not intended to be part of the 616 continuity, though that didn't stop later writers from drawing from it, including Zdarsky, who seems to have used it as a core text to inform his characterization of Elektra in general.
I know you know Elektra's original origin story, but I'll provide the general gist for anyone who might be unfamiliar: Elektra Nachios was the daughter of a rich Greek diplomat and his wife. Her mother was gunned down by assassins while pregnant, but Elektra survived. Her father, now paranoid and fearful, put Elektra in martial arts classes from a young age, while also keeping her sheltered to protect her from harm. She ended up attending college in the US, where she met Matt Murdock, another sheltered kid with a beloved but overprotective father. They fell in love, but the magic was destroyed when Elektra and her father were taken hostage by terrorists. Matt tried to be a hero, and Elektra's father ended up getting killed. Shattered by grief, Elektra left school and traveled across the world to train with Stick, who had trained her childhood martial arts teacher before casting him out (in Elektra: Assassin, the timeline is slightly different; Elektra trained with Stick before attending Columbia, though the end result is the same). Stick saw Elektra's skill, but judged that she was too emotionally compromised to complete the training and kicked her out. Elektra devised a desperate plan to prove herself to Stick: infiltrating the Hand and taking them down from the inside. She failed tragically. Turned cynical by grief and hardship, she used the skills she had picked up from all of her training as weapons to protect herself from a harsh and unforgiving world. She carved herself a life from the tragedies she had endured. She became an assassin.
Note that I mentioned Matt's name a grand total of two times in that synopsis. It's not to say that Matt isn't important to Elektra, of course he is, but he isn't that important to her origin story. The star of this beautiful tragedy is Elektra, as she should be.
Woman Without Fear introduces something new-- at least, new to the comics (more on that in a moment). It takes the Elektra: Assassin timeline and suggests that she trained with Stick when she was still a child. (It also brings in things from the Man Without Fear Elektra origin, but I don't think I'm going to get into that here because that is a whole other rant and this post is long and tangent-y enough already). It then suggests that when Stick rejected her, she still ended up with the Hand-- but not of her own will, with the intention of destroying them. No! She was successfully recruited. And once the Hand had her in their clutches, they sent her out to go after another target: Matt Murdock. In this shiny new backstory, Elektra and Matt run into each other at college not as two kindred spirits, but because Elektra was ordered to hang out with him in order to bag him for the Hand...before, oh no!, accidentally falling in love with him. To add extra insult to this character assassination, we're told in the main series that even her behavior during her father's hostage situation was intended as a test for Matt.
What this change indicates to me is a fundamental lack of understanding of Elektra's character; or worse, a lack of respect for her complexity, or a conviction that she operates at her best as a tool to further Matt's narrative.
What is possibly most baffling to me about all of this is that this change had pretty much no bearing on the Red Fist Saga. Why was it made? What was the point? The term "MCU-ification", referring to changes being made in Marvel's comics that seem aimed at aligning them more closely with the MCU, gets thrown around a lot-- possibly too much-- but this really does seem like a case where there's no other clear explanation for the change other than to shift 616 Elektra's backstory closer to that of her live action counterpart. (In the Netflix show, Elektra recruited Matt for Stick; something I, as a huge Stick and Elektra fan, actually thought was a cool What If?/alternate universe because it presented an opportunity to explore a different take on their relationship). The new backstory is mentioned a few times in the main Daredevil series, but otherwise it seems irrelevant to the plot. And that's because Elektra herself is kind of irrelevant to the plot. She seems to have three purposes in this story: 1. To serve alongside Stick as an exposition machine and provide details about the Hand/Fist/Pinky Toe/etc.; 2. To be someone Matt loves and thinks about in moments of danger and conflict (despite the fact that they have very few moments of actual emotional connection in this story, despite getting married!), and 3. As a warm body onto which Matt can project his perpetual internal musings on good and evil ("Elektra was Bad, but she is Good now. She, like all people who have done bad things, is still worthy of God's love and is capable of rehabilitation, and look! Her decision to take on the Daredevil identity is proof that she is now Good! She has become a worthy soldier of God." Man, I wish I was exaggerating.)
Elektra's appearances in Daredevil comics have always centered around Matt to some degree, simply because it is his comic. There's miles of difference between reading a DD comic with Elektra cameos and reading an Elektra solo series. But that doesn't mean it isn't frustrating to have comics like the Blackman/Del Mundo run, or the Dark Reign solo tie-in, that delve so deeply into Elektra's rich psyche, that truly do look at her worldview in a way that is complex and morally difficult and so, so compelling, and then to have comics like this where she barely even feels present because so little effort has been made to do anything other than slap some vague morality lessons onto her and make sure she and Matt sleep together every other issue.
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rokkenjimaisland · 1 year
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i finished season 1 the other day
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sonknuxadow · 1 year
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what is my art doing on know your meme HELP ME !!!!!
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wabblebees · 1 year
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selineram3421 · 3 months
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Deer Demon Child Headcanons
Requested
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Alastor & Child Reader
Warnings? ⚠
⚠ implied death, mention of blood, mention of cannibalism, weapons-gun ⚠
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It was a surprise to everyone that a child wandered into the hotel.
A little deer demon.
That's you
Climbed up one of the bar stools and stared the cat man down until he finally noticed them.
"Uh..hey? Kid."
"I want juice!", you pointed at a bottle behind him that was on the shelf.
"That's not juice."
While distracting you with magic tricks and cards games, Husk called Charlie to let her know that a new guest had arrived.
The Princess ran to get to the lobby and rushed over to the bar.
"Hi! Welcome to the Hazbin Hotel!", Charlie sings out before noticing the little deer. "Oh."
Everyone is called into the lobby.
"Ok!", Charlie claps her hands together and introduces you to the group. "Everyone, be nice and say hi."
Later on you are asked by Vaggie and Charlie how you got to the "red place."
Mostly everyone left and it was only you three. Four.
"Before I woke up here I was with my moma.", you said while coloring your drawing. "Dad had a shiney toy in his drawer and showed it to me a lot of times. It made fun clicking noises. I wanted to play with it, so I took it out."
As you were explaining you drew out the shape of a gun.
"I wanted to show Moma but she looked scared. And when I tried to make the clicky noise it came out different. It made a bang and then Moma fell."
You drew your mother covered in red.
"I tried to wake her up but she wouldn't get up. I got sad and started crying."
You didn't notice Charlie and Vaggie looking sad.
"Then Dad came home and started screaming at me and took the toy away. And then everything went dark for a while."
Picking up your paper, you showed the girls your drawings.
"And then I woke up to the red sky!"
Charlie hugged you after and said that she'll make sure you go to Heaven.
Oof sad backstory.
Husk literally growls at Alastor everytime he mentions venison for dinner.
Alastor has joked to others that he'll eat you but stopped once he grew fond of you.
"Little fawn.", he smiles as he greets you. "Would you like gingerbread cookies?"
To be honest, everyone is worried that Alastor might kill you. But surprise, surprise! They are shocked when he takes care of you instead.
You're the favorite hotel guest.
Anyone that tries anything will be taken care of.
Charlie did a talent show day and you sang, surprising everyone with your angelic like voice.
You're a curious little deer and the hotel guests and staff find you in odd places.
Once Angel found you upsidedown behind the couch that was against the wall.
"What are ya doing back there?", he asked after pulling you out.
"Niffty said there was treasure!", you smiled.
Alastor finds it adorable that you go to him when someone you don't know/scary person is in the hotel.
Sir Pentious is told to put all of his weapons away.
Everyone dubs you as Alastor's child. Even the Radio Demon himself.
Vaggie threatens Alastor after he jokes that you'll be a cannibal like him.
Of course he'd never do that but its funny to see Vagatha's and Husker's pissed off faces.
Alastor keeps up with the human news and learns that your father went to prison. So the Radio Demon waits for the man to fall.
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Art will be provided. (Later)
~Seline, the person.
Art
Taglist@
@ducky-died-inside @scary-noodlesblog @c4rved-pumpk1n @stolas-thebirb @naelys-the-aster @biromanticboba @kiraisastay @faioula16 @pooplyface1423 @lbcreations-blog @+?
ML for Alastor🎙
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kathaynesart · 5 months
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Replica Holiday Special Winners!
Happy Holidays everyone! It's that time of year and you know what that means! Time to announce the winners for the DTIYS Replica Holiday Special Cover!
I received so many wonderful submissions. Far more than I had anticipated! They were all so unique and creative and it was an absolute joy to look at each and every one of them! I really underestimated however how difficult it would be to choose with them all being so unique from each other. In the end, I decided to gauge the top picks on how well their cover captured the "essence" of what this Special is going to be like! Without further ado, here are the winners.
HONORABLE MENTION - @matchstique
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Buddy! I love this piece so dang much! It has so much character and perfectly displays the wacky hijinks we can expect as well as the huge amount of stress our poor boys are under during these trying, pregnancy times. The movement and colors work so well and make me excited for what comes next! Seldom do I see pregnant females shown as the badasses they are, but you have gone and turned Cassandra into an absolute icon with this piece! Bless you!
3RD PLACE - @thegunnsara
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Sara, the shear amount of craft you put into your art is STAGGERING. Every scuff on Raph's shell and wisp of smoke screams of a quality I can only hope to attain someday. I literally want to be you when I grow up! That said, the concept of this piece is also fantastic. One of the things I'm must excited about for this Special is getting to see Raph and Casey as they were and witnessing the strong bond they share. I love them dearly and this cover captures their strength and tenacity so perfectly. Gods among men.
2ND PLACE - @cupcakeslushie
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Slushie, this cover is so damn fun and dynamic that I can't stop looking at it! Your attention to detail and composition are masterful and the fact that you could fit such a bombastic battle into such a limited space speaks to how crazy talented you are! You also do a wonderful job of retaining both the intensity of the apocalypse but also that playful edge that Rise always manages to retain! It's definitely the cover that would catch my eye on a shelf and make me want to turn the page to see what happens next!
1ST PLACE - @abbeyofcyn
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Cyn, the moment I saw this cover, I gasped! It's funny because this is both a piece I could have totally seen myself doing had I done the cover, yet crafted in a unique way I could have never come up with on my own! On top of that, this slick composition scratches my little designer brain juuust right. The use of the hands motif is such a great element because to me, it encapsulates the conflicting themes of family/parenthood with the drama of what it means to be human. On top of that, having each character as one of the digits both connected to and encircling Casey is such a wonderful touch that really drives the symbolism home. Somehow, you managed to peer into the future and perfectly capture how the finale of this special is going to feel. Thank you so much Cyn for such a wonderful piece!
~~~~~~~~~
Now that I think about it, looking back on these winners as a set, all four them actually do an amazing job as individual covers for each of the four "acts" that will make up this special. That was not at all my intention, but it kind of worked out perfectly for that. Gets me all emotional!
I also definitely want to put a spotlight on the other amazing submissions, many of which made it SO close to the top slots! I was going to post these pieces individually but I was worried people wouldn't then go to their blogs to view the covers, so instead have a compilation and links to the full versions! Please check out everyones amazing covers and give them some love. They all worked really hard and it means so much to me. Thank you everyone!
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@dreamundraws - LINK @honeylief - LINK @gemini-forest - LINK @memorydarkness - LINK @skullythefriendlyskullface - LINK @v-albion - LINK @its-wabby-stuff - LINK @yris-latteyi - LINK @reagi-df - LINK @chaoscontrol50 - LINK / LINK @murasakibonnet - LINK @hitwiththetmnt - LINK @xandriagreat - LINK @karonkar - LINK @sunydays - LINK (sorry my dear, yours did not appear on my hashtag reference at first! D: But still love it!) @quailaz - LINK @delicatechildwitch - LINK
Thank you again all of you! You all did such an amazing job!
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that-sunny-pup · 3 months
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Hello! I'm the mod, you can call me Mod Duck! Please respect that this blog is both as canon as I can be, but mostly headcanons, so some stuff might not be accurate or in character! I only had a couple scenes to work off of, so cut me some slack here 🙏 this DogDay is 14 years old, and big DogDay/Solar is like. 25
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𖤓 WARNINGS:
This blog may contain cursing and heavy topics such as mental breakdowns, Violence, panic attacks, and stuff simular to that. Mod is a Minor, so sexual topics will be kept to a minimum 🫵
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𖤓 Role-playing and symbols:
"This is the regular, small DogDay! Hiya friends!!!"
"And this is the big DogDay, AKA Solar: They took my fuckin legs.."
[This is actions and/or thoughts!]
and this is how I'll speak most of the time! sometimes the tags tho
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𖤓 other SC blogs:
@the-cool-chicken
@the-crafty-unicorn
@bubba-bubbaphant
@picky-piggy
@hoppyhopscotch1
@catnaplovesnaptime
@acat-foryournap
@bobbybearhugs-blog
@crafty-corn
@bunny-go-hop-hop
@dogday-shines-bright
@th3catnap
@theo-catnap
@catnappys-blog
@hoppyhopscotchs-blog
@the-cat-in-your-nightmares
@bobbyth3b3arhug
@bearhugs-from-bobby
@playtime-catnap
@catnapiseepy
@peggysiswritingcorner [:0]
@dogdays-sunny-blog
@the-cat-that-naps
@bubbabubbaphant-blog
GO FOLLOW THEM, THEY'RE ALL WONDERFUL!!! 🫵
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𖤓 ART:
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[all drawn by me!]
current status: eeping
headcanons under the cut:
Dogday has ADHD, And because his big ol ears, he has bad sensory issues with specific sounds, especially since he can hear so well. Because of that, he carries around ear buds with him everywhere, so if you see him sitting somewhere with them in, he is overwhelmed, do not bother him!!
He glows in the dark like a nightlight, but his pendant on the other hand glows constantly. when he stims, he does so with tail wagging, hand flapping, and leg stomps/shakes.
he howls at the sun instead of the moon, and he is TERRIFIED of sunflowers. they stare back, he swears they do-
he finds pop rock candy very fascinating! it's his favorite candy.
he really likes basking in the sun! and though he may be super energetic and busy with something almost all the time, he always has an eye out, and is always keeping his friends safe, no matter the consequences! he definitely puts others before himself, no doubt.
he actually doesn't like hugs that much, his preferred way of showing affection is just setting his head on your shoulder or lightly headbutting you :3 or bapping you with his paws!
he also has bad memory. not HORRIFICALLY bad, but its not very good either.
his body is warmer than everybody elses, meaning he is the center of attention in the cold winter!
my DogDay is pan, and Solar is aroace
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Apologies for my recent radio silence. I've had a lot on my mind lately.
This post isn't Earthspark-related at all, but please read it.
I need to take a second on this blog to acknowledge some things going on in the world. I should not have stayed silent on this blog before, but I'm trying to fix that now.
Genocide in Palestine + how you can help Palestinians
You can buy e-sims for people in Gaza here. Anything helps.
Click here daily to help generate funds for Palestine. It's free and takes less than a minute.
Here's a list of where you can donate to help Palestine.
(If there's anything I should add to this section, please let me know.)
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The KOSA bill, what it's going to do if passed, and how you can help prevent it from taking effect
KOSA will essentially erase anonymity from the internet by requiring people to upload their government ID or other form of identification to any social media site, as well as restricting resources and information on LGBT rights, history, racism, and more. This bill will censor the entire internet and destroy privacy while violating First Amendment rights and potentially putting minors in danger.
This also could very well mean the end of Tumblr, and I'm not exaggerating here.
Tomorrow KOSA could be passed in Senate, and from there it will need to pass in the House of Representatives before being signed into law by the president. It's not doomsday yet, but it is a dangerous situation-- and here's what you can do.
StopKOSA.org provides you with a template email to send to your representatives. You can leave it how it is or edit it to say what you want, and then send it from their website.
The website also allows you to call your representatives and gives you a template of what to say.
BadInternetBills.org, run by the same people, takes action against KOSA as well as other bills like EARN IT. At the time of posting this, over 356,000 people have signed this petition.
Additionally there are several petitions on change.org to help stop KOSA. Here are a few of them.
STOP KOSA
STOP THE KOSA
Stop Kosa
Save Humanity, Oppose KOSA
STOP THE KOSA ACT
(Again, please let me know if there's anything I should add.)
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One last thing-- The evolution of AI images and video.
I don't really have anything good to say. AI is evolving fast and changing the world as we know it. We are adapting, but nobody knows how this really is going to end up.
A few quick points:
AI images are not art. That's all. AI "artists" who genuinely claim to have made something of their own just by typing a prompt into a generator will be blocked. (Which has been in my rules for a while, but I still think it needs to be said.)
I recommend Glaze for artists who don't want their art being scraped and used for data training. Especially with the recent rumors of an upcoming deal between Tumblr and Midjourney. There's also a similar program called Nightshade (haha, earthspark reference? anyone?🦉) that I haven't tested myself but have heard good things about.
-----
That's all, I suppose. Reblogs are good, if you don't mind.
Spread the word about KOSA. Contact your representatives. Sign the petitions.
Support Palestine if possible. Donate if you can. If you are unable to donate, make sure to do your daily clicks.
Stay safe and take care of yourselves. ❤️
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[journal entry]
DAY 1:
today i was to start writing about my findings about the state of the world following the worldwide destruction of the war, in effort to keep myself sane in the desolate wasteland. instead, during my travel into the city to find supplies, i found a child.
a little girl. her skin is pale, a blue-grey not unlike my own. i fear she may be sick. she is terrified, underneath her mask of bravery. she jumps at any sudden sound outside of camp and it makes my heart ache. i had given her a doll, a bear. i think? i had hoped it would calm her, and i am grateful it did. we had talked for a while, in the rubble of that toystore. i think she had been alone for a while before i had found her. she kept looking at me like i'd disappear...
she is the first person i have come into contact with since the world ended. i dont know who is luckier,
no child should have to live through this, especially not one as young as she. she is around five, if i had to guess? much to young to be alone. especially out here.
i wont disappear, marceline.
___
after nearly a week i finally finish the introduction post ! this was supposed to be posted alongside the pinned post, but i hadnt finished it at the time and wanted to take my time to give myself the ability to properly color and line the art. aside from working on this ive already began work on answering the first ask for this blog! so keep them coming, of course, updates will be slow due to the effort i will be putting into each ask.
thank you all for being so receptive to my silly idea!! expect more in the coming weeks!
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fashion4standusers · 9 months
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FFSU’s Fan Fashion Week!
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*ETA: Works posted to AO3 can be tagged as "FFSU Fashion Week"!*
I’ve had the concept for this in my head for AGES but never got around to posting it. I originally planned to run it as an event during a certain time period, but I found that making it an event intimidated me out of actually making the idea happen. I just think that I’m a lot more confident in my ideas when I don’t overthink it! Therefore, instead of running an event, I’m just putting this challenge out into the atmosphere for people to take it and run with it. 
REBLOGS GREATLY APPRECIATED!
Everything you need to know is in the graphics, and here’s a plain text version as well:
Fashion For Stand Users’ Fan Fashion Week Challenge: a 7-day art and/or fic-writing challenge!
Art Prompts:
- Day 1: Runway
Draw your chosen character(s) in an outfit from a designer runway! Check the blog archive or Vogue Runway for references and modify the look however you want.
-Day 2: Subculture
Draw your chosen character(s) in the fashion of a certain subculture: goth, raver, scene kid, etc.
-Day 3: Style Swap
Draw two or more characters swapping their canon outfits, or simply wearing outfits more suited for the other person's vibe and aesthetic.
-Day 4: Historical
Draw your chosen character(s) in the fashion of another era.
-Day 5: Redesign
Redesign, reinvent, or modify the canon outfit(s) of your chosen character(s). 
-Day 6: Formal
Draw your chosen character(s) in gowns, tuxedos, and other fancy clothes. 
-Day 7: Free Space
Draw any kind of outfit(s) you'd like for your chosen character(s)!
Writing Prompts:
- Day 1: Character Study
Write about why a character dresses or looks the way they do. Why do they like the clothes they wear? Do they wear something with personal significance? How do they want the world to see them?
-Day 2: Makeover
Write about a character getting a makeover from another. Are they getting new clothes, a new hairstyle, new makeup? Is it just for fun or a sign of a bigger change?
-Day 3: AU
Write about an alternate universe where the characters are models, fashion designers, hairstylists, makeup artists, etc.
-Day 4: Disaster
Write about something going horribly, horribly wrong: wardrobe malfunctions, makeup mishaps, over/underdressing, etc.
-Day 5: Shopping Trip
Write about characters going shopping together and all the shenanigans that ensue.
-Day 6: The Event
Write about a character getting ready for  or attending an upscale event. Who are they going with? What are they wearing? How are they feeling?
-Day 7: Free Space
Write about any scenario you'd like, as long as it's about clothing or fashion!
Rules:
Have Fun!
This is obviously a JJBA blog, but feel free to use this challenge for OCs and other fandoms! If you plan to modify the prompts, make different graphics, or make your own version of the challenge for a different fandom, be sure to credit this blog or link back to this post!
Mention @fashion4standusers in all your posts to give credit! You can also tag your posts with #ffsufashionweek, and if your work is about JoJo, I would love to share it on the blog. If you post outside of Tumblr, include a link to this post!
Don't think you can do it in a week? Want more time to write longer fics, make more detailed art, or just develop your idea more? No worries, just work at your own pace! The concept of the challenge is a reference to the various Fashion Weeks that happen around the world, but by no means is it restricted to any real time frame!
Only want to write or draw for a few of the prompts? Maybe only one? Wanna work out of order? Go ahead! This is a challenge of course, but if you just aren't connecting with some of the prompts, don't force it!
Feel free to use the ideas you come up with for this into more in-depth works!
It's never too early or too late to give it a shot, and I'll always keep an eye on tags and mentions for new additions!
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bluishfrog · 3 days
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HAPPY 1-YEAR OF DRAWING ANNIVERSARY TO ME!
(Warning: slightly longer post incoming cause sometimes I gotta be a sentimental bitch ok? So let's go on a little trip down memory lane.)
This day, a year ago, I made my very first fanart. It was dnf (if that surprises you, then welcome to being on my blog for the very first time). I drew a little frog face too so I could use it as a watermark (fun fact: I still use that very same first one).
I immediately put my drawing up on twt because I told myself that I wasn't gonna be afraid of having people see that I was at the very beginning of this journey and had no clue what I was doing. That instead of being bad at art, I was gonna be awesome at being a beginner who doesn't know shit.
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I started with little doodles and silly comics and then I laughed way too long when the first drawing of mine that gained some attention was a dnf butt joke. At the time I was trying to balance shipping and non-shipping art so I didn't even draw dnf that much but in hindsight it's probably the only possible way this could have gone.
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At the very end of August I woke up to @honelle56 caps-locking at me in my messages - I was very confused and tired (I am no morning person and I will never be, fuck off with your mornings) because Dranart liked my drawing of singing Dream. Dranart was my 17th follower on twt which is a useless yet extremely funny fact about my time on that hellsite.
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I also drew human!patches because a) patches was and will always be my favorite dteam member and b) it was a really cute trend and while I do love drawing dream, george and sapnap, I was also quite happy to try drawing anything but a white man for once. And I really liked how the drawing turned out.
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Much, much later, I tried to draw my first slightly more realistic looking drawing. I was extremely confused on how to draw anything like this. Especially their hair gave me tons of trouble but given my experience, I think it's not a bad attempt.
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When hijacked smp started I obviously wanted to participate, and I drew c!blu who doesn't associate with any side in particular but instead serves soup to everyone who visits her tavern 'The Soup House'. She also wants to be paid in stories from all around the map.
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One of the events I was most excited about was dnf week. I even collaborated with two talented writers and I drew the corresponding art for two fics.
(Fun or not so fun fact: when twt had like three hundred collaborative aneurysms about the situation at that moment, that was when I created this tumblr account. I didn't use it super actively (I guess I needed another situation to fully make the switch) but I at least started the account that now developed quite a bit since then.)
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I didn't really draw at all through January and February and I actually kinda thought I would move on from that hobby and fandom (not because of negative feelings, just because I didn't really have the urge to create anything within this fandom) and then situations happened and now I am here; and for some reason that is beyond any logic and my understanding I am now even more insane about dteam.
Wild to me but we are rolling with it now, I guess.
Since I got here, I drew more than ever (I actually think I might have made more drawings in the month since I got here than I made the whole rest of the year). There's just such an active and funny community here that cares about fan works for the sake of creating and not just because a CC might see it.
Unfortunately, Tumblr won't let me add more than 10 images in one post (maybe fortunately for everyone who has this monstrosity of a post on their dash). So if you want to see all the progress I made since I got here, you can look at everything in my art tag. For now, I will close this post with one of the art works from the past month that I like the most:
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Can't wait to see what the next year might bring :)
Love, blu
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hazbin-but-good · 21 days
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another hazbin hotel rewrite/redesign?
yup! and i'm so serious about it that i made a whole blog for it. i'm a white queer ex-cath tran doing this as an art and writing exercise, so feedback from other creatives + jewish and/or racialized folks is especially welcome.
i'm putting this post and only this post in the main tags for visibility. also, not gonna link my main, but i do make my own original stuff, and i encourage fans and haters alike to do the same.
anyway, here's a mostly good-faith 1.7k-word essay on the original. i think it's pretty funny and brings up some less talked-about points. correct me on the facts, disagree with my opinions, and ask clarifying questions, but don't come at me with any piss-poor reading comprehension.
the hellaverse is garbage, and here's why
cw: strong language, stronger opinions, intersectional feminist critical discourse analysis
1. vivienne medrano, the person
medrano was born as a well-off white-passing latina (salvadoran-american) in bougieass frederick, maryland. while attending new york's top art school, she got popular on deviantart-tumblr-twitter by being a prolific multifandom fujoshi furry who's more into ornamental character design than storytelling. upon graduation, she leveraged her fanbase and industry connections to make the hazbin and helluva boss pilots, get helluva made for youtube, and get hazbin made for amazon prime.
like every woman online, she gets harassed for no good reason, and as a certified autist, i will defend her right to be dumb, weird, annoying, and bad with words. however, there are legit reasons to criticize her:
racism, misogyny, homophobia, fatphobia, some antisemitism, past transphobia, past ableism
shitty boss, bad friend
cowardly, vindictive, manipulative, thoughtless behavior
skeevy friends
sucks at taking criticism
in short, i think she desperately needs a PR person and someone to clean up her digital footprint.
2. medrano's art
incurious
inauthentic
noncommittal
creatively stagnant
overindulgent, and the indulgence isn't even fun
shallow and childish framed as complex and mature
bland and boring framed as shocking and subversive
to be clear, i'm at peace with the existence of suckass art like this; i just think the money, attention, and praise it gets are unearned and should go to more interesting works, of which there are infinite.
medrano's had the time, money, and social cache to grow as an artist, learn from the best, and take creative risks, but she hasn't. if she truly has nothing more to offer, she should let her collaborators take the wheel, but she doesn't do that either. instead, she keeps getting more and more resources to make the same baby bullshit, and that pisses me off. she could be the nicest person ever, and this fundamental arrogance would still make her art blow.
stop with the pointless guilt: liking medrano's work does not make you stupid or evil. however, if you stay in the kiddie pool of culture, if you refuse to engage with a diversity of art, if the hellaverse is your point of reference for anything media-related, you can't expect to have your opinions on art, media, or culture taken seriously. you have not earned a seat at the table. you gotta hit the books first.
i cannot emphasize enough how much incredible stuff is out there if you're willing to look further than what social media and streaming services put right in front of you. if you come away from this blog having learned about just one new artist or piece of art, i'll be a happy camper.
3. the hellaverse
a. empty and confused
hazbin and helluva's content and marketing has no clear target audience. the subjects are inappropiate for teens, but the execution is too childish for adults, and lemme tell you what i don't mean by that, first.
not inherently inappropriate for teens:
sex and sexuality
violence, including when it intersects with the above
politics and religion
not inherently childish:
animation (any style)
comedy
episodic writing and/or loose continuity
young characters
fun, happiness, optimism, the power of friendship, cuteness, tenderness, sincerity, etc.
what i mean is that these shows are literally about adult characters who fuck, smoke, drink, do drugs, go clubbing, work full-time, manage their own finances, and deal with stuff like bureaucracy, sexual violence, domestic abuse, marriage, divorce, late adoption, and family estrangement.
however, none of these "adult" things are given enough specificity to create drama or comedy. it's all too stock, vague, flat, weirdly sanitized, and thus utterly banal—pure aesthetics on top of bad saturday morning cartoons. it's exactly what i'd expect from a sheltered disney kid who needs to log off and get into their local gay scene ASAP so their only contact with things like poverty, policing, addiction, and sex work stops being facile movies and TV.
if the shows were aware of this and played with it, that could be amazing, but they're not. they give you the mickey mouse version of the world with a straight face and then play looney tunes sound effects to try to make you laugh and sad_violin.mp3 to try to make you cry. now that's funny.
b. old and tired
let's make like americans and pretend that the rest of the world doesn't exist. even within the confines of the USA, home of the hays code, the red scare, and reaganite propaganda, this neopuritan fascist state ruled by 1000 megachurches in a trenchcoat, the indie/underground animation scene has been doing crazier shit for decades. anti-war films in the 60's, bakshi movies in the 70's, the simpsons shorts and r-rated movies in the 80's, adult swim and MTV in the 90's, flash/newgrounds/youtube in the 00's, streaming in the 2010's—so what are we doing in the 2020's with this wet white rice drowned in expired ketchup? i feel crazy making this point because it's obvious if you've watched these things, but if you haven't, you're gonna be like "well, there's gotta be something new here". no! there isn't! in the words of jimmy "the scot" jordan, nothing, nothing, NOTHING!
c. ideological purgatory
actually, there is one thing in these shows i've never seen before: the presbysterianism. shout out some interesting or at least intentional presbysterian art in the comments, because the way these ideas are presented here is not compelling. it just makes the rainbow neoliberalism even more confusing and contradictory.
i guess the big presbysterian things are protestanism, calvinism, and, uh, big church government? presbysterians, get your shit together. get your brand down. catholics have BDSM and vampires, evangelicals have TV and corporatism; what do you have? celtic crosses? no wonder medrano has such uninspired ideas on divinity.
d. queer deficiency
when i look at a piece of art, i ask myself: "what does this give me that i can't get from the hunchback of notre dame (1996)?" if the answer is as limp as "uhh, gay people, i guess", i can probably look for my gay shit elsewhere and rewatch the hunchback of notre dame (1996) in the meantime.
but let's say that you have no standards. you've been waiting for ages for a show about gays by the gays for the gays, and by god you're gonna get it. this is it! here we go! time for some
generic twink obliteration
male sexuality as aggression and dominance displays
WLW (sex and chemistry not included)
a couple straight femdoms
and the stalest sex jokes known to man
...yeah, it's not very queer. and by "queer", i mean "questioning or subverting gender norms (including sexual roles) within a given cultural context regardless of creator identity and intent". i'm not a queer studies scholar so LMK if there's a more specific term for this, but whatever you call it, it's not in the hellaverse much.
there's not even any transness, literal or metaphorical, just ancient drag jokes. i guess the writers thought we would've been too controversial. so much for an indie animation studio that prides itself in the diversity of its staff both above and below the line, bakshi-style. i wonder how medrano, a bisexual woman, would've felt if told that a lesbian main couple in hazbin would be "too controversial".
4. spindlehorse and the vivziepop brand
spindlehorse toons underpays its overworked staff and keeps outsourcing more and more labor to even more overworked freelancers overseas to cut costs. a rainbow sweatshop is still a sweatshop, and just because these practices may be "industry standard" doesn't make them any more ethical.
the studio has also been repeatedly accused by current and former employees and contractors of creating a hostile and abusive workplace. AFAIK, it still has no dedicated HR person, and victims are too afraid of retaliation like blacklisting and online harassment to speak out.
this is exactly the stuff that unions exist to prevent. as i'm writing this, the IATSE (the parent union of TAG, which is the parent union of all US animation unions) is negotiating with entertainment industry executives for better working conditions, and if the execs fuck around like last year, it's strike time again. so watch this space, voice your support, and don't cross any picket lines.
i hope spindlehorse unionizes, but until then and for these reasons, i don't think you should give money to the company.
first of all, all content on amazon-owned platforms is ok to pirate, and all youtube ads are ok to block. everyone involved in making the episodes has (or should have) been paid upfront, so you're not taking the bread out of anyone's mouth.
next, let's look at the succulent offerings of the official vivziepop merch shop:
$10 pins and keychains
$15 sticker packs
$20 mugs and acrylic cutouts
$25 shirts
$30 metal cards (not even tarot)
$40 lounge pants
$50 mini backpacks
random $80 skateboard deck
forgive my latin americanness, but this is all stuff you can get made by a local metalsmith, print/sublimation shop, or just crafty people in your life. it's cheaper, customizable, and better for the environment to skip all the shipping and packaging. also, not painting your own skateboard is poser shit.
the hazbin website also has $15 pins, one $20 keychain, and $6 trading card packs. people are weird about trading cards, so if for some reason you wanna gamble for a mass-produced bit of cardboard, plastic, and tinfoil, at least bulk-order for all the vivziepoppers in your area so it's less of a huge waste. better yet, trace the designs and make infinite bootlegs.
at the end of the day, buying merch is not activism. your bulk order of trading cards will not save any wage slaves from getting evicted from their overpriced studio apartments. however, the shop links you to all the credited artists/designers, and more of your bucks will actually reach them if you buy their designs directly, then turn them into body pillows or life-sized bronze statues or whatever the fuck.
go through the credits of any episode of helluva or hazbin, and you'll find even more creatives you might wanna support. get jinkx monsoon's albums on CD. subscribe to actually good artist, animator, and composer gooseworx. lots of voice actors now have patreon, cameo, or self-hosted pages where you can write better lines for their characters and have them read it. these things may not look as shiny as Official Merch™, but we all need less plastic shit and more culture anyway.
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cripplecharacters · 26 days
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so, the posts on this blog about facial difference inspired me to make an oc with facial difference- specifically strabismus and a port wine stain. she's pretty much become one of my favourite characters to draw and develop, ive taken care to make sure she doesn't fall into shitty tropes. however, i have had one problem- in the world she lives in, rebels like her cover their face most of the time. ive been really struggling on how to design her mask/covering in a way that doesn't feel shitty, and doesn't feel like it's trying to cover her facial difference. and i know that technically it's not as bad if she's not the only character who wears a mask, but i still don't wanna push it, if you know what i mean? so it would be awesome if you could give suggestions on how i could handle her mask. here's a reference of her for. reference, and some ideas ive had for masks. thank you for taking the time, and for this blog in general!
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[Image description: Traditional drawing of a light-skinned girl with pink straight hair, smiling. She has a large port-wine stain on the left side of her face, and her right eye goes inward. Around her are three headshot sketches;
first shows her in a bandana that goes over her nose with "bandana doesn't obscure FD but hides smile + necklace" written above, second shows a half-mask that covers only the right side of her face, with "early concept, feels tacky, shows port-wine stain but not strabismus :(", third shows a domino mask, with "domino mask, do I even have to explain? No-go" next to it. End image description.]
Hi!
I think that something close to the second one would actually be kinda fun (no irony or sarcasm). If we're talking about a story where everyone wears a mask, having the character with FD wear one that covers everything except for the FD is actually subversive! I never thought I would say that, but it does feel like it is.
Not sure how strict of a design should it be, but a diagonal - her bottom right to her top left - mask would be nice!
I tried to write down a detailed description of what I mean but it was coming out rather overcomplicated, so I hope you're okay with me doing a few demonstrative sketches; a diagonal and rather-silly option, an idea for the bandana with a drawn smile and the kind of tie that would show her necklace, and an idea for the half-mask but with an eye with strabismus painted on the mask.
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So here are the suggestions! I haven't drawn in a while so my skills are kinda rusty, but I hope it conveys the concept! My personal favorite would be the first one - I know it barely counts as a mask but then again, in comics it's common that someone is unrecognizable when they wear a pair of glasses, so maybe it's not as farfetched haha.
The second one would be totally fine by my standards, but I'm assuming that her necklace has some kind of significance in the story, so maybe she could cross it at the back and tie it in the front instead for it to be more visible (or wear the necklace over it even?).
I think that doing something like on the third drawing above would be okay if there are also a lot of moments where her actual strabismus is shown. In general, I think that the idea of a character with a facial difference wearing a mask just to paint it on the mask is kinda silly, and I feel like it would fit her character. But for something like that to work, she would need to have the mask off often. If you choose to do that, I suggest your first time showing her to the viewer is with her mask off, both for the usual reasons I mentioned before but also because strabismus is often used as a gag in art. For me, seeing a character wear that kind of mask with no context would be kind of eye-rolling - but seeing a character with a crossed eye put on a mask with the same exact kind of eye, go and join their friends at doing rebel things? That's actually something new!
I enjoy that your character seems to be on the rather joyful and happy side, I like that :-) (smile emoji)
I hope this helps!
mod Sasza
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atthebell · 2 months
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do people understand that your reblog tags on a post do not impact whether or not a post goes into the main tag. like it does not matter how many times people in my notes tag a post of mine with "qsmp" or whatever the tag is, it's not going into that main tag; that's not how browsing tags work. the ONLY way a post goes into a browsible tag is by OP putting the tags on the original post.
relatedly, do people understand that tag blocking functions the opposite way-- if someone tags "discourse" on a post at any time, it is immediately blocked for anyone who has "discourse" on their filtered tags list. does not matter what op tagged, does not matter who puts it on your dash from that point forward, the tag is on the post so it's going to be filtered. this is how i end up not seeing a lot of those big "tag a piece of media that--" posts; it's because i have a lot of things blocked, so anytime a single person tags any of them on a post, i have the whole post blocked. [and i use xkit rewritten, which means i don't even see the post at all]
also related-- there is a difference between actually browsing a tag and searching a phrase-- tumblr has made it kind of strange to tell the exact difference, so i'll demonstrate:
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so when i type in "qsmp fanart", it gives me a couple of options.
first, i can click "Go to #qsmp fanart", which will take me to the tag "qsmp fanart":
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rad, exactly what i'm looking for, i'll scroll through latest to see what people have posted in the last couple hours.
however, secondly, it gives me the option "[search] qsmp fanart", which is NOT the same thing as opening the tag itself. it will open the search function and look up "qsmp fanart," meaning it grabs whatever assortment of posts tumblr's broken search engine has decided mention "qsmp fanart":
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[most of said posts are, in fact, qsmp fanart, as the way tumblr's search indexing works does include searching tags, but it also searches post content. i'm censoring because posting screenshots of people's art feels iffy to me, not because i have any issue with the art itself.]
these two things are NOT the same. one of these takes you do the actual tag, the other makes you search for those terms mentioned on a post. which, like i said, means it indexes not just the tags but the post content itself-- this means any mention of said search term on a post means it could be seen in this search (unless OP has their blog marked unsearchable). for a while, as well, tumblr made this the default whenever you pressed enter rather than manually clicking an option, meaning people would think they were opening the tag to browse it but instead were searching for whatever they entered. i believe they've fixed that now, or at least one of my extensions has; regardless, clicking the # option will get you to the right place.
this is, in part, how i think we get people going "you put neg in the main tag!!!" which, while it does happen often, is not always the issue; what actually happened is tumblr actually had them search for the term mentioned in the tag rather than going into the tag itself. regardless of this issue, though, i think it's just good for people to understand the difference between when they're searching posts (not very helpful at times, doesn't get you much of what you're probably looking for depending on the search term, drags up every single post (that tumblr can actually index properly) that mentions the term) versus when they're opening the tag (OPs here clearly actually want you to see their posts).
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son1c · 3 months
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Hi, I love your blog!! Your art and ideas are so cool!
I know it took Starline hundreds upon hundreds of tries to worm his way into Sonic's mind, but I was wondering how much time did it actually take Starline to make Sonic stop actually fighting him and believe in the fake memories. Weeks? Months? (kinda curious what was Sonic's thought process during the whole thing, but that feels like another can of worms lol)
Also I had an idea how Starline could make Sonic reluctant to leave Snowpoint even more - what if he made Sonic's "friends" have very emotional reactions to the idea of Sonic leaving? Maybe Cherry could be sad because he feels like Sonic is abandoning him, Sonic's "rival" could be pissed because no one else can keep up with them so snowboarding won't be as fun anymore etc. None of them know WHY they're freaking out so much,, it's irrational, but they can't help it. Above anything else, Sonic cares about his friends. If him leaving makes them so upset, then why WOULD he leave? He's happy here, after all :)
-🍑
i was thinking that instead of the typical "the more exposed to this thing you are, the more resistant you get to it", the warp topaz would work in the opposite way. so, "the more exposure you get, the weaker you become". i recall starline saying something about giving surge and kit a weakness to the hypnosis, and while that could mean he literally programmed one in via the cyborg fuckery he did to their bodies, it could also mean... this. so!
that being said, i definitely think there was like, a hill (or mountain, heh) or difficulty irt the whole thing for starline. like, just getting sonic to SIT STILL was hard enough. he literally had to bolt his feet to the floor. sonic's anger alone probably would have protected him from whatever starline was trying to tell him, at least for awhile.
but as time wore on and sonic had to weather hundreds and hundreds of exposures to the hypnosis, it would've gotten harder and harder to completely dismiss it. even when starline left to go do whatever the fuck it is he does, sonic would've been left there with nothing but those words he'd heard repeated over and over and over and over.
and that's the real trick. even before putting him in snowpoint, starline had him completely isolated. and he could think to himself, "none of what he's saying is true," but at the end of the day, it's starline's word against... no one's. cuz sonic is on his own this time.
more sessions. starline's lies repeat endlessly in his brain. he can see that damn topaz even when he closes his eyes.
it's not true. none of it. but...
he does love his friends.
and starline KNEW when he crested over the top of that mountain and the uphill battle finally ended for him, because it was when sonic haltingly repeated what he was telling him for the first time, albeit a little bit off. "i'm hhhappy in snowpoint. i d-don't wanna leave my friends."
so, how long did it take to get to that point? days? weeks? no. 2 months. of constant exposure and drilling and pressure. and sonic STILL refused to crack in exactly the way starline wanted him to. such is the will of the hero...
but yeah, i might extend the timeline a little. 4 months instead of 3, so half could've been with starline, and the other half "happy" in the town. :P
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badolmen · 3 months
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When I was little, some Palestinian Christians came to our church.
They didn’t call themselves that, of course, being in a white, right leaning American town in the mid to early 2010s. ‘Fellow Catholics from the Holy Land’ the reader for the week announced them as. After mass there were always announcements, and I remember this Arab man with a dark jacket taking to the pulpit. He and those with him were sitting in the front pew - just ahead of where my family sat each week.
He talked about his home in Bethlehem - though it was a little out of season, Christmas well since passed. He talked about the poverty there, the socioeconomic factors that made life difficult for Palestinians, but this was after a long Irish mass with a long Irish homily and no one was listening that intently. My mom whispered that he didn’t have much of an accent, and my dad whispered back that he agreed - not too difficult to understand.
They were here to sell treasures from the Holy Land. Hand carved olive wood rosaries and prayer beads, nativity sets, reliefs of the last supper. ‘A trade passed down from father to son for generations.’
The most expensive item they had was a lovely crucifix - olive wood inlaid with a hand carved mosaic of mother of pearl, four wells at the end of each piece of the cross containing olive leaves, incense, stones, and soil. It was over $50 - I remember because I begged my mother to let me spend my usual summer stipend of $25 for the next two years, and it still wasn’t quite enough. A few dollars short. But he gave it to me anyway.
For years I almost never took it out of its box - it was too pretty, I was too afraid to break it. I first hung it up after I moved out for college - it always caught the thin winter sunlight in my dorm room and seemed to glow. But it got dusty, and was difficult to clean with all its intricacies, so I put it back in its box. Safe with the dried palm leaves from last year’s Lent.
I saw a post a bit ago, mentioning how hand carved mother of pearl is a more obscure Palestinian art form, and I remembered my crucifix. I remembered the Palestinian Christian man who nobody really listened to at 9 AM on a Sunday while their kids begged to leave and get breakfast.
I counted the individual pieces of mother of pearl today. There’s 89. The cross itself is made of 14 pieces of olive wood perfectly slotted together. The figure of Christ is silver, weathering green with age. I’ve never washed this crucifix, but I probably should. There’s a stamp across the back - ‘Jerusalem’ - and another, fainter (quickly pressed with just too little ink) - ‘Mother of Pearl is Hand Made by Christian Families in the Hole Land.’ That’s not a typo - the stamp has an ‘e’ instead of a ‘y.’ It’s smudged, so maybe there’s an ‘i’ in there, but maybe not.
I looked up the company that made it today. Their website is freshly dated for 2024 in the bottom right hand corner, but they haven’t updated their blog posts since 2022. The posts that are up talk of sites of faith, the art process, and COVID. There’s a noticeable number of spelling and grammar errors, but I don’t really care.
The cross I own is listed as a work from Majdi Alshayeb. I can’t find them on social media, not at first glance. I hope they’re well. I wish they knew how I’ve revered this crucifix more as a work of art than as a symbol of faith. I hope God is with them.
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