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#i hate season 4 episode you know which
br1ghtestlight · 6 months
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people who complain about bob's burgers becoming more family friendly and therefore "worse" really do not mean anything to me bcuz they've fully stated their reasons for why it became more kid-friendly after season three and i think thats completely understandable and they're allowed to do whatever they want with THEIR SHOW!!!! and honestly the quality hasn't gotten any worse they just swear slightly less than before and make less references to sex but like they go to strip clubs and get drunk etc so its not a fuckign nickelodeon show or anything.... idk object shows are kinda the same where they had more cursing and violence earlier on but now they try to keep most shows kid-friendly (generally speaking in the osc) not because they HAVE to but because its an active choice that they're making. maybe if you literally only like adult cartoons for the raunchy humor yeah you're not gonna like the later seasons as much but quality-wise they're still entertaining so?? maybe go watch family guy or something idk
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wolfofansbach · 8 months
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BEING A LIST OF THE THIRTEEN GREATEST RIVERDALE LINES, ON THE OCCASION OF THAT SHOW'S TERMINATION
As our much loved/hated show comes to an end, I feel compelled to record, for posterity, the greatest thirteen pieces of dialogue to spring from the pens of RAS and his henchmen. It was, of course, originally a top ten list, but I simply could not exclude a few of these treasures. Without further ado: 
13. 
“I dropped out in the 4th grade, to sell drugs, to support my nana.” 
“That means you haven't known the triumphs and defeats, the epic highs and lows of high school football.” 
Spoken by: an inmate of Leopold and Loeb Juvenile Detention Center, and Archie Andrews. 
In: 3 x 2 
Yeah, okay, this one had to be on the list. It’s funny, I’ll admit. It’s a great example of the overwrought semi-sincere melodrama that helped make this show so special. It’s low on the list largely because The Normies got their hands on it, so every time I hear someone make a reference I get all “do not cite the deep magic to me, witch.” 
12. 
“No! No! What are we supposed to do now? I’m horny as heck!”
Spoken by: Archie Andrews 
In: 7 x 16
Season 7 is undeniably dreadful, and yet there are diamonds in the rough. The occasion is the failure of a projector, just as Archie and Reggie prepare to watch a pornographic film. The utter desperation with which KJ Apa delivers this line is exquisite. One is made to feel they are witnessing a genuine tragedy. 
11. 
“Tonight, they’re making an exception and debuting a cover of the song my parents claim they were listening to the night Jason and I were conceived.” 
Spoken by: Cheryl Blossom. 
In: 1 x 1 
Really a fantastic line. A wonderful encapsulation of the casual absurdity of Cheryl’s character, and a foretaste of the lunacy we would plumb in later episodes and seasons. 
10. 
“In case you haven’t noticed, I’m weird. I’m a weirdo. I don’t fit in and I don’t want to fit in. Have you ever seen me without this stupid hat on? That’s weird.” 
Spoken by: Jughead Jones
In: 1 x 10
A genuine classic. “High school football” before “high school football.” One is never entirely sure just how sincere the line is meant to be, both on a meta-level and in-universe. A perfect illumination of Jughead’s pretentiousness. It is made all the better by the occasional cuts to Lili Reinhard’s agonized face. 
9. 
“At the last dance, multiple students were murdered.” 
Spoken by: Principal Holden Honey. 
In: 4 x 2
Delivered as an explanation to Toni and Cheryl, as to why there would be no school dance this year. Principal Honey is in fact supremely rational in the cancellation of this dance. This being Riverdale, he is of course treated as an unreasonable tyrant. 
8. 
“Bro, I know all the secrets of this universe.” 
Spoken by: Archie Andrews (evil version)
In: 6 x 5 
Spoken as evil Archie reveals his evil plan to keep the parallel universes apart. KJ Apa’s delivery once again makes this line. He is comically sinister. Strangely, he sells it. 
7. 
“A Vughead kiss, right now, in the present might be precisely what it takes to save a future Bughead from imploding.” 
Spoken by: Jughead Jones. 
In: 2 x 14
One of those lines that both makes me laugh and makes me genuinely angry. This was a fairly early season, and this may have actually been the first line to get me asking, ‘did they genuinely write and deliver that?’ Extra points for use of the atrocious ‘Vughead’ portmanteau ship name rather than ‘Jeronica.’ 
6. 
“I’m the ultimate wild card. I am the daughter of The Black Hood. The nightmare from next door. I’m training with the FBI and I’m coming for you, you psycho bitch.” 
Spoken by: Betty Cooper
In: 4 x 14 
Just delicious. Another one of those lines that leaves you somewhat unsure whether or not the writers understood how genuinely hysterical it was. “The Nightmare from Next Door” sounds like an announcer hyping up a wrestler. Spoken with a raw sincerity by Lili Reinhart. Also points for the heavy homoeroticism between Betty and Donna. 
5. 
“For I am Cheryl Blossom, Queen of the Bees.” 
Spoken by: Cheryl Blossom.
In: 5 x 16. 
This one really doesn’t require any elaboration. 
4. 
“Elijah ascended…and I will, too.” 
Spoken by: Edgar Evernever.
In: 4 x 5. 
Admittedly, this one is only spectacular with context. But in context—the context being that Chad Michael Murray delivers this line while dressed like Evel Knievel and standing in a cartoon rocket right out of a Warner Bros cartoon—it becomes utterly magnificent. 
3. 
“It’s not queer baiting, it’s saving the world.” 
Spoken by: Veronica Lodge. 
In: 6 x 22. 
It’s actually hard for me to decide whether this one is funnier with or without context. Without context it’s wonderful, but it possibly becomes even funnier when you know that the context is that Veronica needs to kiss Cheryl to transfer superpowers into her body so she can turn into a Scarlet Witch knock-off and stop a magic comet summoned by Sephiroth an English wizard who is also the Devil. 
2. 
“If there’s no wedding reception, it means the Gargoyle King has won.” 
Spoken by: Kevin Keller. 
In: 3 x 12.
One of my personal favorites. This is a perfect line because like #3, it requires no real elaboration. There is absolutely no context in which it isn’t hysterical. 
1 .
“Word of my exploits serving Nick his comeuppance has seeped into the demimonde of mobsters and molls my father used to associate with, so the five families are sending their youngest and brightest, their ‘princes,’ as it were to, well, come court the rare Mafia Princess who can belly up to the bar with the big boys.
Spoken by: Veronica Lodge. 
In: 2 x 20. 
This is, in my opinion, the all-timer. Every word is perfect. The rapid-fire alliteration. The use of the word ‘demimonde.’ The entirely unnecessary addition of ‘as it were.’ This is borderline Dr. Seuss. The fact that Camila Mendes delivered it without cracking a smile should have won her an Emmy. No. An Oscar. This line is Riverdale. 
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maddy-ferguson · 1 year
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byler tumblr is a crazy crazy place because why do people get booed for disliking some stuff in canon. isn't that idk normal in fandoms
#you know that quote from the last black man in san francisco#you don't get to hate it unless you love it#there's parts of it i hate because i love the rest and just wish it was better#and it's not like the show would be better if i was the one writing whatever i'm just me but ykwim#isn't that normal. am i crazy#even if/when byler's canon and everything in that area makes sense there's still things i'm gonna hate about the show (and about the way#byler came to be...maybe not hate but dislike)#like i get where you're coming from because sometimes the way people see characters is skewed because they hate the direction the show took#but i also don't get it because yeah. people dislike certain storylines lmao#i mean the only storyline i REALLY disliked in season 4 was...russia...and that's very common and an acceptable thing to hate on here i#think. but even then i'm sorry i don't just dislike it i hate it like with a PASSION i can't even tell you how much i hate it it taints the#whole show in my eyes and sure i think season 5 is gonna be great i hope it is but i can't trust the people who came up with that to come u#with something I'M gonna love in s5. i hope they do though#also season 4 will never be LOVED by ME because the episodes are two hours long which is just annoying#i mean i really like it. i love parts of it. i love the themes and what it has to say. the season as a whole though...#the last episode was 140 fucking minutes long and we got a two days later time skip right in the middle of everything#you will just never see me pretend i love everything#the byers were sidelined and we got russians under a mall#and like i say: brf slt
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anyroads · 2 years
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OK you know what, if we're gonna talk about Bake Off then fuck it, let's do this.
It used to be this wholesome, lovely show! We used to watch it for the bakers! And the learning! And the light banter and occasional bit of coy innuendo! What happened?
Channel 4 happened. When they bought the show they made a number of changes, most of them Not Good™️. Not just in the sense of them resulting in a lot of 😬 and 🫠 moments, but in the sense of how they changed the show's purpose, atmosphere, and brand.
Look, I know most people are just like, "whatever, it's just a baking show," and yeah, sure. But it's one of the UK's most successful TV exports, and where it once shifted the tone of reality competition to being wholesome and supportive of contestants, it's since moved towards creating tension at the contestants' cost. So aside from the fact that most people watching it signed up to watch a nice show, it has also shifted the goalposts of what that even means. And that, lovelies and gentlefolk, is some bullshit.
I decided to break my rant analysis into four main parts: theme weeks, the hosts, the judges, and the bakers. Let's get to it!
Theme Weeks:
If you watch Bake Off, you know the show's always had a specific theme for each week. The staples that come up in most seasons are:
cake
biscuit
bread
pudding/dessert
pastry
patisserie
Less common but consistent are things like caramel and chocolate week.
Then there are the fun episodes! When GBBO was on the BBC, this started out with things tea week, tarts, pies, tray bakes, basically little tangents still focused on emphasizing specific baking skills. In Series 6 (still on the BBC) they had their first nation-focused theme week with French week -- fairly innocuous given that a lot of patisserie is French, France and England share much more culture than either cares to admit [Norman Flag dot gif], and it was a nice change from watching Paul make the bakers do recipes that involved boiling things while talking about how wonderful boiled doughs are (are they, Paul? Are they?).
The show kept mixing it up with innocuous themes like advanced dough and alternative ingredients weeks, European cakes, Victorian week, batter week, and botanical week. And while it was frustrating to watch Paul Hollywood mispronounce things like the Hungarian Dobos Torta and lecture bakers on babka when he clearly knew nothing about it (or about Jewish baking in general, go off Past Me), the show's general attitude was that the judges had their own opinions, which were separate from the immutable facts around the chemistry of baking (more on this later) and shouldn't affect how bakers are judged.
After the show moved to Channel 4, the number of themed weeks increased and more of them focused on specific countries. In 6 seasons on the BBC, there were only two country-focused theme weeks, and in 5 seasons on Channel 4 there have been five. And while they've also had themes like vegan baking, roaring 20s, the 1980s, spice week, etc. the show has really started to go hard on exoticizing other cultures in outright disrespectful and racist ways. There's been Italian and Danish week, German, Japanese (it wasn't, it was East Asian week), and now Mexican week (which doesn't touch on interspersed Jewish bakes that didn't get a theme week, like versions of bagels and babka set as technical challenges that were borderline hate crimes and mansplained by a guy who has no idea how to make either and once wrote in a cookbook that challah was traditionally eaten during Passover). Each time the hosts played up the theme with racist bits and jokes that can be used as evidence in court if your case is "why should shows with scripted content have a professional writing staff."
Which touches on other issues the show has now...
The Hosts:
When GBBO was on the BBC, the show was hosted by ✨Mel Giedroyc✨ and ✨Sue Perkins✨. They encouraged the bakers! They'd hold stuff for them sometimes! They were interested in them! If a baker had a breakdown, they would start singing copyrighted material to render the footage unusable! When the show moved to Channel 4, they left, though I'm not unconvinced that Channel 4 offered them impossible to accept contracts to force them out so they could rebrand the show. They replaced them with Sandy Toksvig and Noel Fielding. Sandy was a lovely host in the vein of Mel and Sue, and she and Noel had a relatively sweet rapport, but she left a few seasons ago and was replaced by Matt Lucas.
Noel Fielding is mostly known for his quirky brand of comedy, a sort of British Zooey Deschanel who's goth from the neck up, an upperclass British gay divorcee from the neck down, and basically an early 60s Beatle re: trousers. Matt Lucas has almost definitely never watched a single episode of GBBO and his most redeeming quality is his thinly veiled contempt for Paul Hollywood.
The two treat the baking tent as their personal playground. Far from the supportive attitude of Mel and Sue, they tend to get in the bakers' way during the most stressful moments, especially when they try to do hilarious "comedy" bits (I can't not put that in quotes) like Noel's talking wooden spoon thing, or Matt talking over Noel to do time calls. During theme weeks like Japanese and Mexican week, they do culture-specific bits that are both racist ("just Juan joke" and "is Mexico a real place?") and unsurprising, given that both Matt and Noel did blackface on their respective sketch shows and absolutely could and should have known better because it was already the current fucking century.
All this to say, there's now a separation between the bakers and the hosts, as if they're on different shows. The hosts are doing their own thing and the bakers are doing GBBO. The show has gotten meaner to the bakers, and the hosts aren't there to support them anymore, they're just there to be comic relief. Because when you refocus your show on stressing the bakers the fuck out, you need a forced laugh I guess ¯\_(ツ)_/¯.
The Judges:
First of all, a sincere congratulations to Paul Hollywood who managed to squeeze I jUsT cAmE bAcK fRoM mExIcO aNd YeT sTiLL pRoNoUnCe PiCo De GaLLo As 'PiKa De KaLLa' and I aM aN eXpErT oN s'MoReS wHiCh aRe MaDe WiTh DiGeStiVe BiScUiTs AcCoRdiNg tO mE, aN eXpErT oN s'MoReS, just two in a giant pile of astoundingly wrong hot takes, into a short enough time span that they all aired within Liz Truss's term as Prime Minister. A true man of accomplishments.
In the interest of fairness, I need to preface this with a disclaimer that, due to the fact that I've been watching Bake Off for most of its run, I'm biased. Specifically, I can't stand Paul Hollywood's smarmy, classist, egomaniac ass because he's proven time and again he's more interested in looking smart than actually knowing what he's talking about. Since the show moved to Channel 4, they've changed the occasional handshake Paul would give bakers to the HoLlYwOoD hAnDsHaKe™️. It's gone from being an emphasis of someone's skill to a goal, a reward, and one that emphasizes the judges' place above the bakers.
The judges used to function as teachers, imparting their skills and insights to the bakers. When the show was on the BBC, the voiceover leading to a judging would focus on the bakers' work being finished, saying how it will now be evaluated based on their skill and how well they met the brief. The voiceovers now, on Channel 4, focus on the judging (literally saying something along the lines of, "the bakers will now be judged by Prue and Paul"). There is a clear distinction Channel 4's producers have made, to mark that the show is now about whether or not the judges approve, not whether the brief was understood and executed well. On the BBC, it was irrelevant whether the judges liked a particular flavor, as long as the bake was well-made. Now, the bakers are expected to know the judges tastes and cater to them, which is frankly bullshit. A judge doesn't have to like a flavor to know whether or not it was executed well, ie. is it carrying a bake and was it meant to etc.
The judges have been turned into a brand. Cynically, Channel 4 knows that by building them up and focusing the show more on them, they can exploit their image more for profit. In the process, they've become much more biased and their own biases have come out as well. Most recently in the flaming dumpster fire that was Mexican Week, Paul Hollywood tried to intimidate a baker by telling them he had just gotten back from Mexico (which must have been a fruitful learning trip if he couldn't even learn how to pronounce pico de gallo correctly). Where do I even start with this? Here's an amateur baker from England (the show specifically casts middle and lower middle class bakers for the most part??) who likely can't afford trips to Mexico, who lives in a country with incredibly limited access to Mexican cuisine, who is expected not only to understand the cooking and baking traditions of a completely different culture but to do so well enough to play with it and do something creative with it. On top of which, one of the judges is now using his privilege of traveling halfway around the world as some kind of leverage, as if this were a bar that any amateur British baker could clear.
Prue, meanwhile, has openly asserted her biases against cultural flavors and textures, prioritizing her own personal preferences over them, as if they were in any way relevant to the skills and knowledge necessary to execute the tasks she sets to the bakers. She has also been consistently elitist, criticizing bakers for choices they made that were clearly informed by their experiences within income brackets that are too low and foreign for Prue to comprehend. She once had a go at a baker on a Christmas special because his Christmas dinner themed bake didn't have a turkey, even though it was clear from the stories he shared of his own Christmases that his family likely couldn't afford one. "It's not really Christmas dinner without a turkey," Prue said into the camera angrily while sitting on a chair made of live orphans and telling the ghost of Christmas Future to come back when he had another museum gift shop necklace for her to round out her collection.
The show is no longer about which baker has the best skills. It's become about which mortal can appease the gods of Mount Olympus, ie. the judges.
The Bakers:
Remember when the show was about them? Channel 4 doesn't! Because this is a reality competition show, the bakers are chosen both based on their skills, as well as cast-ability. They're cast as characters, distinct from each other, from different areas, age groups, ethnicities. All of them are amateurs. All of them are middle or lower middle class. They've ranged from college students to supermarket cashiers to prison wardens to scientists.
Something I noticed when the show moved to Channel 4 is that the baker who goes home in the first week is always wildly behind the rest in skills. I have no proof of this other than my eyeballs and deductive reasoning skills, but I think that Channel 4 deliberately casts a ringer each season who they think will be an easy send-off in the first week, just to get the audience's feet wet.
Anyway, like I said, this show used to be about the bakers - about them building skills and learning, and having walked into the tent with a self-taught foundation and understanding of the processes and chemical reactions involved in baking. When the show was on the BBC, the end of each round had some (often brief) moments of tension - will they finish in time? Will they get their bakes on the plate before time is up? Did they forget to add sugar to their batter and only remember at the last minute? In the end, they usually managed to finish and we'd all breathe a sigh of relief and think, yeah! You go, Bakers Who I'm Rooting For!
Now, on Channel 4, the end of round drama has been stretched to be so much longer that they've composed extra music for it. The bakers often seem out of their depth, whether because the instructions for the technical challenge are too vague (bake a lemon meringue pie??? As if anyone in the UK under the age of 60 has had one in the last decade???), or because they were expected to bake something that required a more than a basic foundation they weren't told of. Often it seems like they just aren't given enough time, a tactic used by reality competition shows to manipulate contestants into giving the cameras more dramatic content. On top of all this, the hosts get in their way, instead of helping them plate their bakes. As has been pointed out before, when everyone fails the challenge, the real failure lies with whoever set it.
In conclusion:
The show no longer exists to teach the bakers - and the audience - skills or knowledge. It now manipulates contestants for dramatic effect and prioritizes showing conflict over wholesome content. Channel 4 sees the bakers as social media content they can churn out season after season, and don't care about them because in a few months there'll be a new batch to exploit. Meanwhile, the judges are also out of their depth, co-opting recipes from other cultures and butchering them horrendously, while the camera gives them nothing but status as they hold bakers to the expectation that they learn how to make things very much the wrong way. If you saw any of the tweets about Mexican or Japanese week, or read my post on how Paul Hollywood isn't allowed to go near babka ever again, you'll understand.
So what would fix all this? Scrap the current judges and the hosts altogether. Bring back Mel and Sue, and replace the judges with expert bakers who have a love of their craft and want to share it with others. The draw of GBBO used to be its warmth and comfort - if Channel 4 isn't going to start its own version of Master Chef For Bakers, then it needs to stop trying to find a balance of how it can insert that vibe into GBBO. It can't. That's not a thing. Stop trying.
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echoesofcamelot · 5 months
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Do you ever stop and think about the absolute merthur bliss that Merlin season 1 is?
Seriously. Consider:
First we have the gayest first meeting in history with lines like 'Do you know how to walk on your knees?' and 'I could take you apart with one blow - I could take you apart with less than that.’ We end the first episode with Gaius referring to Arthur as Merlin's destiny: 'Your destiny is calling. You'd better find out what HE wants.'
Then in the second episode a dragon calls Arthur Merlin's other half: 'A half cannot truly hate that which makes it whole.' Soulmates alert!
3rd episode and the dragon calls them two sides of the same coin. Also Arthur says he can’t imagine giving up his life for someone because he hasn't found the right person to love. Which makes the events of episode 4 even more significant.
4th episode and they both try to die for each other. More than once. Also they are so soulmates that Merlin can see what Arthur is doing while he lays unconscious and sends a light to guide him while MOANING HIS NAME.
5th episode and Arthur is jealous of Lancelot because Merlin seems so enamoured with him but then he develops a crush on Lancelot too and tells him he needs him???? Merlin casually asks Gwen who she'd choose between Arthur and Lancelot like he has that very same dilemma.
Episode 7. Arthur shows some interest in a girl for the first time but only because he is under a spell. Merlin literally kills his love interest and then dives into a lake to save Arthur from drowning and holds him like he is the most precious thing in the world.
Episode 8. Merlin ponders leaving a child to die because he might kill Arthur when he grows up. He says that the boy dying would be bad, but the alternative (Arthur dying) is UNTHINKABLE.
Episode 9. Uther fucking Pendragon gives Merlin his blessing. 'There is a bond between us.' 'I'm glad. Look after him.' (They were so insane for this actually)
Episode 10. Arthur follows Merlin to his village and sleeps on the floor with him and asks questions about his childhood in the quiet of the dark. Merlin overhears Morgana telling Gwen about how much Arthur cares about Merlin. Merlin's mum tells him how obvious it is that Arthur likes him and tells him she has seen how much they need each other. So yeah she basically gives Arthur her blessing too :,)
Episode 11. They try to die for each other again. They literally argue about who is going to die for whom. Arthur wins and a curse is lifted thanks to the love he has in his heart. His love for Merlin saves the day!!!!
Episode 13. Surprise! Merlin tries to give his life for Arthur once more. 'His life is worth a hundred of mine.' He cradles Arthur's head in his lap while Gaius gives him the magic cure and then smiles and laughs filled with relief when he finds out Arthur will live even though that means he will die in his place. When Arthur recovers he says he has this feeling that someone is always watching over him and Uther tells him that he must have a guardian angel. Yes you've heard right they call MERLIN ARTHUR'S GUARDIAN ANGEL.
First season has no subtext it has bold underlined text and I love it SO MUCH.
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bonefall · 3 months
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again looking over the reworked history what the hell happened with Ripwater, I wanna know. What *was* that? How did Riverclan kill it?
Oooooh, quite a request! Ripwater, Queen of the Lake, one of the episodes of BB!Po3!
Ripwater is a Wels Catfish, the largest freshwater fish in Europe. The biggest specimen EVER caught was just landed last year, in 2023, 9.4 feet long. It wasn't weighed, but smaller fish than this one have broken 300 pounds.
And it's not a good thing that we're catching so many big ones.
Wels catfish are extremely invasive across most of Europe, introduced for anglers who want to land record-setting catches. They're massive, intelligent carnivores, sometimes called the "freshwater orca" because they will lunge out of the water to catch land prey. They DESTROY the population of anything big enough to fit in its terrible mouth, including fish, amphibians, and even turtles.
They get that big from a mix of constant food and hot temperature. It's a sign that they're devastating their surroundings, and that nothing has been able to kill them for the decades it takes to get so large.
So of course, some dunderhead put them in British rivers, where they've been spreading upwards ever since. Thankfully they thrive better where it's warmer, so they're not too massive of a threat to BB's modeled regions in Northwestern England, but they're fucking coming.
Ripwater's name isn't an exaggeration. That's how they hunt. They gape their jaw and beat their fins like dragons, creating eddies and currents that suck their hapless prey in. When RiverClan names her, it's because they see her ripping the water in half. I was thinking about her recently, and came up with some new stuff. I'll take a brief break from my drafts to serve up some fragments for you.
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[A gray cat with blue eyes, Lakepaw, later BB!Lakeheart, swims in bluegreen water surrounded by lilypads. Below her is the massive shadow of Ripwater, a gigantic Wels Catfish. Its eyes flash in the depths.]
SMALL RECAP OF BB!PO3: (to set the stage)
It is now a breather arc, just dedicated to some worldbuilding!
I feel pretty strongly that Po3's strength is how AWESOME of a slice-of-life arc it could have been. To this end, I removed the Kin of your Kin prophecy from it, until it's revealed only at the very end just before Cruel Season.
That's so I can focus on The Three and their adventures around the lake, without this big prophecy looming over them and making the lower-stakes conflicts look small.
Instead, the various episodes of Po3 are related to problems that their new home presents, with just a teeny bit of Sol's magical influence to spice things up.
While Lionpaw learns about the "meaning of strength" and ultimately learns a terrible lesson he will extend to his kits, and Jaypaw finds his limits and learns to prevent others from defining them for him, Hollypaw is grappling with Fire Alone and how to reconcile her grandfather's legacy with her strict dedication to the Warrior Code.
And SO we find ourselves in one of the earliest episodes of BB!Po3; Ripwater the River Demon. This is like... episode 3 or 4, it's a REALLY early one.
I'm just shuffling it around with ANOTHER RiverClan-centric episode; the Shinewater Plague. The oilspill from TNP is now going to be bumped up to Po3 so it's more about establishing Mothwing and her apprentice Willowpaw, to contrast Leafpool and her apprentice Hollypaw, before Holly swaps to being a warrior. Jaypaw completes warrior training before becoming a Cleric apprentice.
So I don't want them to be TOO close together. Maybe put Ripwater in Book 2 and have RiverClan comment that they don't really want to ask for help because of the last big event, Mistystar hates feeling indebted to ThunderClan.
After all, it could basically replace the "flood" episode from Canon Po3, which is often forgotten about anyway. I'm already having ShadowClan construct dams instead of RiverClan anyway...
ANYWAY RIPWATER
I want to start this episode off with Sol/Harry, who is unnamed, messing around near water. He has a bit of a fish motif going on that I want to establish, and I need to get him to start messing with the Clans good and early.
(Specifically his motif is going back and forth between the koi, also an invasive and notably domesticated species, and the atlantic salmon which is famous for its changing life cycle.)
The Wels Catfish is an invasive species to England, slowly making its way up the island from the South. The fish who will become Ripwater, at this point, is already HUGE but not cat-swallowing huge. She's an 80-pounder.
Sol hits her with some godly magic, which allows her to grow at a rapid rate.
The sort of thing where it wouldn't be COMPLETELY implausible. He just... helped it along.
When we get to her first true on-screen appearance interacting with RiverClan, she is nearly 300 pounds of monstrosity with a length of about 8 feet
I'm unsure how, exactly, ThunderClan comes to know of this. But I DO know that I want Hollypaw to be snooping, and heavily encouraged by her mentor Brackenfur to do so. So, somehow, SOMETHING starts going wrong across the lake and ThunderClan catches wind of it.
Thinking about it, this should probably be her first big action after swapping out of Cleric apprenticeship.
One of the few things she's missing about Clerichood is the way she could be close to Willowpaw without needing to sneak around so much. It's easier to just pass it off as "friendship" and "Clerics need to be close." Leafpool and Mothwing are a similar way.
Possibly work in that Hollypaw's also already seeing Heatherpaw in the tunnels, contrast the two things...
At this point, Hollypaw has a crush on Willowpaw, which is requited, but... it's kinda fading.
She still loves her like a friend, but she's liking Heatherpaw a lot more. It doesn't mean she doesn't CARE for Willowpaw, of course, but
Willowpaw is still IN love, and it's slowly becoming unrequited, when it didn't used to be.
And from RiverClan's POV...
The first disappearance is so sudden they have no idea what's happened. I'm planning for it to be Robinpaw.
(I go back and forth on if it's Robinpaw or Dapplepaw, but I'm leaning towards Robinpaw again, because I like Dapplenose too much to have her get killed off here.)
She went out clamming in the lake with her sisters, Lakepaw and Otterpaw, there was a swirl in the water, and that was it. She was gone.
Just like that.
She never came back up. RiverClan searched for her, following the currents, checking the shoreline, everything. It was like she vanished.
Mistystar is suspicious and doing everything in her power to figure out what happened, but... let's face it. It's the word of two apprentices, who were swimming alone, who swear Robinpaw just went under.
Misty JUST got done with the Shinewater Plague and isn't trying to make RiverClan look like it can't keep track of its own young. The most likely situation is that Robinpaw was sucked down by an undertow that the three of them were too inexperienced to recognize.
So... she's pretty adamant about not sharing this information until Robinpaw's body is found. Jaws Style. "We cannot let the other Clans be alarmed by this, else they might meddle in our affairs..."
(and she's still maybe a little paranoid that some snoop in another Clan is going to find out that Leopardstar wasn't killed by a rogue, y'know.)
I don't want it to be TOO much of a bloodbath, so I'm capping Ripwater's body count at three and just aiming for two deaths total.
I'm also going for a coincidence RiverClan is going to interpret as a pattern; this happens a lot, specifically, when they're hunting Freshwater Pearl Mussels.
Ripwater doesn't like the river as much as she likes the lake, but it has nothing to do with their clamming. They're just going to interpret it as such.
Anyway.
The next one she goes after was lucky. By some stroke, she opens her jaw, and the victim is able to grab onto something before they're sucked in. (Maybe toss in something here were it was Holly who was able to help save them.)
Since the WHOLE Po3 Apprentice Generation is going to be getting more focus, there needs to be more input from the RiverClan apprentices. Lakepaw and Otterpaw obviously need time here, but I also NEED to involve Ripplepaw, to establish how he's going to be seen as one of the strongest in RiverClan by OotS.
EDIT FROM THE FUTURE AS I FIGURED STUFF OUT:
It was Ripplepaw, Otterpaw, and their two mentors on a raft who were attacked next. They were fishing for mussels in a shallower part of the lake.
Otterpaw was tethered to the raft with a flax lead, so it wouldn't float off. Or just tugging it in her mouth. Either way she had a line.
When Ripwater attacks her, she is swallowed on the line like a worm on a hook
And it starts pulling the WHOLE RAFT down, just a crummy bundle of sticks
One of the mentors started shouting to cut the line, else it would drag all of them under, but Ripplepaw dives right down to beat its ass without telling them he's not gonna cut it
Hollypaw just rushed right in, didn't think about it, forgetting she was supposed to be trying to sneak around
Taking control as the natural leader she is, she ordered them to shut up and start pulling the opposite way
Underwater, Ripplepaw braced himself against the fish's lips, grabs Otter's tether, and YANKS
Abovewater, the adult warriors are pulling together, Holly grabs the raft and pulls too
Once their paws touch the bottom of the shallows it's over, one last HEAVE-HO and POP!
Otterpaw is FREE
And when it's finally known that the apprentices weren't mistaken, there's a monster in the water, THAT'S when the debate really starts up. Mistystar does NOT want ThunderClan meddling, and she'll already be pissed off that Hollypaw (and any OTHERS who tagged along with her, I wouldn't put it past Honeypaw to wriggle her little yellow butt into a later draft, or Lionpaw for his massive strength) witnessed something that's not her business.
There's a moment from canon I desperately want to keep; where Squirrelflight comes to fetch her daughter.
(more reason to just say this is replacing The Flood Episode from canon lmao)
It's such an interesting moment, and so forgotten. In a nutshell, Squilf is both furious and concerned that her kit went missing and meddled in another Clan's affairs, but... understands the impulse.
Because it's something she would have done.
So when she scolds Hollypaw, there's this aching feeling that she's scolding a younger version of herself. Calling her arrogant and disloyal, that an apprentice's opinions mean less, and that she needs to listen to "older and wiser" warriors within her own Clan.
In BB, I want to do something big with this. Firestar is the figurehead of Fire Alone, who encouraged Hollypaw's behavior through his deputy, Brackenfur, who he set as her mentor for a reason.
But Squirrelflight is being abused. By Brambleclaw.
This is one of the lowest points in Squirrelflight's life, and she is walking a line between self-worth, the warrior code, and her personal beliefs, just like her daughter is.
SO, since I'm already using Brambleclaw's enabling of Ashfur's physical abuse as one of the contributing factors to Hollyleaf's descent, I ALSO want to show how he acts on other characters.
Brambleclaw, Clan Culture, the pressures of their strength-obsessed social system. So it's gotta be Squirrelflight that reminds her, or even plants the seed in her head;
"What you did isn't consistent with the Warrior Code."
Maybe even have Mistystar herself state this earlier, to be echoed by Squirrelflight, offering an alternate perspective to Hollypaw. Make her realize that ThunderClan's political leanings are not universal or even popular.
But when Hollypaw comes back to ThunderClan, whoever set her to be a snoop wants her to spill the beans. This is also a big WIP part, as Hollypaw struggles with if she's going to obey or not, and I still need to set all the political "players" in this moment.
I know for sure, though, that Firestar's IMMEDIATE desire is to meddle like it's an episode of Scooby-Doo. Though he's savvy enough to be smart about how he phrases it and what actions he takes, his ultimate goal is to put his little cheeto-dust paws all over this. And Hollypaw is starting to question how appropriate that actually is.
This is where it starts to really be a rip in Holly's mind. Clans aren't JUST big, blanket groups with united opinions, they're collections of individuals. Mistystar doesn't want meddling, but Willowpaw is in danger. Otterpaw and Lakepaw went all that time without being believed, after they watched their sister die, because they're lowly apprentices like her. Squirrelflight and Brambleclaw are angry and disappointed, while Firestar and Brackenfur are secretly lathering her in praise.
Now imagine me standing in front of a big board where I'm writing ??? because there's a missing chunk here.
I need to connect THIS part to what comes next, which is where ThunderClan DOES come in and help out. Here's the thought process going on in RiverClan;
Willowpaw comes in to do something important. She adores Hollypaw, knows her value as a Cleric, and knows that StarClan can sway Mistystar.
I want her to have a couple of pieces of a vision... BUT. She decides to interpret it in a way that's convenient, and add a few details.
It's not a tooootal lie lmao. It's just 75% true.
This is the true power of Clerics, when they realize it. No one can actually challenge them without just ignoring them or stripping them of power. They are accountable to StarClan alone.
A mentor simply doesn't say this out loud to their apprentice. It's a quiet secret. And Willowpaw just realized it.
and thinking about it... this should be the thing that finally breaks the budding romance Holly and Willow had. Holly is sickened by this, when Willow confesses how she convinced RiverClan to work with ThunderClan.
But, without even being a full Warrior, the apprentice leverages her power as Cleric of RiverClan, and 200 skill points of Improv Acting, to tell them these things;
"StarClan is so angry with us that they've sent a hog to the water! It's why they've sent a ThunderClan apprentice, we must work with them to eliminate the beast that lurks in our waters. With spears and plans, we must hunt it honorably!"
(Mistystar is defensive, but it's not known why) "We haven't disobeyed StarClan in any way. We'd already accepted their help once before, when sickness drove us to weakness, and it's only let them think they can disrespect our borders as they please. This can't be the holy will of our ancestors."
"It's-- We've been disrespecting this bountiful new land that they've so generously given us. That's what the pile of shells in my dream was. Think about it! The last attack was on the shore where we collect mussels. The second attack was on a cat latched to a raft, and it was only the tether that saved them. And the first..."
IVE GOT AN IDEA, Robin, Lake, and Otter WEREN'T clamming when they were attacked. She gestures over to Lake, knowing that if she doesn't back her up, the theory crumbles.
(Otter is in the Cleric's den, unconscious.)
Lake hesitates, not wanting to lie. Willow jumps back in,
"It's why Otterpaw was attacked," does those little jazz-hands to be like 'come in bitch work with me,' "And it's why Lakepaw has to be involved in killing it, to end what she started, and appease StarClan."
Lakepaw more like I LIKE-what-you-just-saidpaw, "It's true, we were so ashamed to admit it, Mistystar, this is all MY fault, I wanted my siblings to dig up mussels, PLEASE let me atone by stabbing the fish to death"
AND AFTER THAT IT'S NOODLIN' TIME
Mistystar, begrudgingly, accepts Firestar's help, or perhaps reaches out to him. Ripwater is a "Hog in the Lake," a beast too big for them to kill honorably on their own.
ThunderClan is the ONLY Clan that uses spears, and only for boar hunts. To protect themselves and to give their quarry a quicker death.
No other Clan touches weapons for dishonor reasons, as they're heavily associated with the demon Shredtail.
I should have Willowpaw explain her half-truth to Hollypaw here, and it's where Hollypaw just... so very suddenly can't look at Willowpaw the same way.
Jaypaw would definitely face an ableist moment from someone, but it's going to have to be one of those times where he accepts that there IS a very real limit to his ability here. Spears are range-weapons and his whiskers don't reach that far. He can't tell where he's stabbing, and the water is going to make it too hard to smell where Ripwater's dangerous mouth is. He can't be chosen for this hunt.
Meanwhile Lionpaw learns from Willowpelt how to make a spear and it is one of the most satisfying things he's ever done in his life, he's like "this is so awesome oh my god i love weapons"
just gently setting up that he's going to eventually become ThunderClan's head of hunting, and also that he's a lil violent
I feel like him and Lakepaw should hit it off a little because they both think the idea of stabbing a fish in the face is super cool, only for someone to growl at them that they shouldn't be enjoying themselves so much
Maybe Blackclaw, fuck that guy
(absolute tangent but BB!Lionblaze is kind of evolving into a little dork and I love that for him. Local himbo only capable of making friends or enemies, all Clanwide opinions on him are polarized, more at 11)
THE PLAN
So how DO they kill that thing? First of all, it's all about strategy.
Immediately they started making a couple of specialized spears. Most spears they make are exclusively for boar-hunting, so they have a distinctive "lug" that prevents a boar from impaling itself down the shaft to get you.
Someone in RiverClan explains that you don't want a fish having the chance to get off a claw. If Ripwater escapes, they might not find her again until she kills someone else
The solution is that these need to be custom-made, with special claw-shaped prongs, so they're chevron ^ shapes instead of tear-drop points. They stab in, and don't pull out.
So they need to make spears from scratch, which is an intensive process, and they don't have time to waste. RiverClan doesn't want to hunt by water that has a chance of having a freshwater orca spawn and drag you in; they'll starve
And there's only so many artisans in TC that can MAKE spears. Glue, twine, shafts, blades... these are all things that take hours of labor to create.
And MORE IMPORTANTLY, they realized from the Raft Rescue that a tether, attached to a floating object, can be very useful. Each weapon has rope tied through it and is tethered to a raft-- which is even MORE intensive, RiverClan had to repurpose several nets to create so many lines, and they only own three rafts, so the rest have driftwood.
So they only have time to create 3 special water-spears, and bring in 2 modified boar-spears.
Lionpaw is like visibly disappointed he can't have one lmao
The only apprentice given a spear is... Lakepaw. And it's a boar-spear
Because she's gonna be bait. They believe the litter is cursed for their "sin" and she'll be the next target.
But still, they chum up the water near the last sighting with blood and crowfood, like hog slop, and wait.
(Heavy WIP stuff here as we get to a play-by-play I haven't fully figured out yet)
Their plan is to get it on the shore as quickly as possible.
Four cats could pull Otterpaw from its mouth, so 5 spearcats and a dozen strong warriors could pull it onto the shore. Surely.
shorely.
It comes as expected, lunging at Lakepaw. She leaps back and tries to use her spear on it, but she is NOT properly trained with it, she stabs its face, but can't break the skull
RiverClan manages to toss a net at the beast, but it's NOT heavy enough
And they managed to get LAKEPAW with it, pressing her to the beast, her spear is dropped into the water
Someone shouts that it swims like an eel, able to just reverse course unlike a REAL fish which must turn
In the panic, warriors start mobbing it.
she thrashes, and splashes and the net is barely holding her back at all
She smashes a warrior with her tail, buffs another with her powerful head
She's stabbed in her side by a ThunderClan warrior (probably Sandstorm), and she turns on the raft they're standing on, breeching and SMASHING it to bits. Lionpaw and the rest of the cats on this raft get dunked
In the water, ThunderClan cats are useless, and RiverClan cats can't properly handle spears.
Someone from RiverClan, probably Blackclaw, tries to free Lakepaw but is scooped up in Ripwater's mouth.
He's screeching and yowling and trying to hold onto its upper jaw, regularly cut off as she dives under
When Willowpelt gets her spear in, she holds onto that damn stick with her LIFE, getting swung around and dunked in the water and then going back up into the air
Thornclaw, holding the other boar-spear, aims for its tail
But it's not enough; Even with several warriors of RiverClan, five spears, a net, and the weight of the two remaining rafts, Ripwater's managing to pull them towards the depths
She's too big to bite, too large to claw, and too strong to hold down
LIONPAW TIME
He grabs the spear that Lakepaw dropped
Ripplepaw seems to zoom right passed him, running away from the fish. He thinks he must be some kind of coward, the fight's NOT OVER YET!! WE NEED TO HELP LAKEPAW
(In a later draft I might have Lionpaw be on the smashed raft, and Ripplepaw brings the spear to him before turning and bolting back to shore. Either way he doesn't explain himself)
He paddles near one of the rafts, and is pulled up onto it
Firestar calls him a WONDERFUL BOY for bringing the spear
Lionpaw mumbles something enthusiastic around the stick in his mouth, wriggles his butt, and jumps back into the water
Grabbing the net sticking to Ripwater and using it like tree bark, he pulls himself on
Bites the spear by the lug like a handle
And stabs it in like a knife
But it's already starting to pull out, too shallow
Filled with anger and resolve, he bites the shaft, and PUSHES
Harder and harder and harder until there's a crackle, the twine breaks loose, and the lug snaps
The rest of the spear slips in as if Ripwater's made of butter
Figuring that's probably deep enough, he lets go of the net, breaching the surface, sputtering and hacking
He's about to dive again to go get Lakepaw, but to his surprise, she breaks the water next to him
and then he feels the fish bump his paws
His name is called from the shore, and there's Hollypaw and Ripplepaw waving. Ripplepaw TOOK HIS SPEAR'S ROPE. Like a GUY WHO THINKS.
Now there was a team of cats on the shore, all the spent warriors who got thrown off, pulling Ripwater to the shore.
And from the feeling of slimy fish under his paws, it seemed like her fight had been all but spent.
And more cats were swimming to shore now, with the ropes attached to the other spears.
Once on the shore, they're able to discover that, tragically, Blackclaw has died. Mistystar in particular looks deeply torn by this, as their relationship was notoriously toxic. But still, he had been the father of her children, and drowned trying to save a Clanmate. She jumps up onto the massive fish, giving a speech about sacrifice, how Blackclaw and Robinpaw would be honored, and that RiverClan has learned its valuable lesson.
Ripwater was symbolic; it's the greed they had unleashed upon the lake by over-exploiting one resource. From now on, they would be respectful of StarClan's bounty. She thanks ThunderClan for helping to fulfill a prophecy, and offers that their debt be repaid by splitting the meat of the hunt.
Hollypaw, internally: "Oh she's doing that on purpose. She knows ThunderClan hates fish and it would be rude to refuse."
Firestar: "well. how could we refuse."
Sandstorm, quietly, in the distance: "easily actually ew"
CLOSING STUFF
I kinda want some kind of "epilogue festival" where the two Clans legitimately celebrate with a somewhat somber meal sharing. Some of these episodes in Po3 will result in lasting traditions and holidays that are celebrated annually.
At that little "fish festival," it works for Holly to officially break it off with poor Willow, to leave this episode off on a bit of a sad note.
This was one of the first times Lionpaw's power becomes obvious, and it's the sort of thing that wasn't really noticed. I figure it would be good for Lakepaw to ask how that lug snapped, she could barely even get the spearhead in. Lionpaw just brags and says it must be because he's SUPER STRONG.
For some reason he's just making a ton of friends whenever I write these out, I think I'm going to lean into it. Lionpaw's got friends when he's a kid lmao, starts losing them over time as he gets more violent.
It's probably because I really need a comic relief in The Three's dynamic. Hollypaw is very dramatic, Jaypaw is dealing with legitimately stressful social issues, and Lionpaw is violent. Someone has to lighten the mood up a little and it's probably because he's The California Girl himself lmao
At this fish festival he also discovers fish isn't actually that bad. Everyone's being weird about this. It's not really that slimy. It's got a strong taste but that's kinda nice, actually?
Could use some berries but like... "damn why don't we do this more often. this would go great with blackberries."
Ripplepaw: "You think so? I can taste sweetness, can I try to make it at home and tell you how it works out at the next Gathering?"
Lionpaw: "It's not hard, you just mash the berries and stew them in a little water before pouring it over your meat. I learned it from Willowpelt, she's got a mad sweet tooth."
Lakepaw: "No offense Lionpaw, but I always thought you were a total lunkhead. I never thought you'd like, cook?"
Lionpaw: "I mean not really, I'm an awful cook, I can just make simple stuff. Willowpelt's just nice enough to be patient with me, my mentor Ashfur says if I can learn something anyone can, haha."
Just a nice little moment for him.
Blackclaw is being mourned in the mortal plane, but secretly, getting a SCATHING trial up in StarClan. His death was heroic, but his ENTIRE LIFE was treacherous.
From teaching Hawkfrost to follow in his father's pawsteps, to joining him in WindClan's Civil War, and his constant arguing and undermining of Mistyfoot back when she was just a deputy trying to do the right thing.
He goes on trial for a bunch of things he did in TigerClan, too, facing his victims who took his misdeeds to their graves. He's not the only cat in RiverClan who is getting a review like this.
Leopardstar is already in the Dark Forest, and soon, Blackclaw's sent there too.
I decided to kill off Blackclaw here so he could have a VERY cool Land Mar;
(context: all Dark Forest demons now get a cool little evil playset area just for them, where they spawn into after they're thrown out of StarClan. These are called Land Mars)
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It's still unnamed, but it's basically an even BIGGER Ripwater. It goes above and below the river and lakes of the Dark Forest, popping up in any body of water big enough to hold her.
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purple-star-eyes · 3 months
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QnA with Viv, Erika and Amir (Wednesday, 31st January 2024)
(1 day before the Season 1 finale)
Who would be the better dad?
>Lucifer cuz his heart is in the right place.
Alastor wanted to get under Luci's skin, which is where the Dad rivalry came from.
Alastor is canonically aro/ace.
Said in a livestream by his voiceactor Amir Talai but Viv didn't deny it.
"It didn't come up in the show yet obviously."
Amir Talai owns an "Oh deer" cup a fan made for him
Concerning Fantheories: A lot of people have gotten a lot of things right.
Viv tries to avoid it, but she's excited to see how exact people get it. Apparently quite a few have figured it out to the T.
When Viv first made the characters she changed a lot of stories around, case and point Vaggie's story changed.
Viv laughed when she saw the HB theory that Wally Wackford is a secret form of Mammon.
>clearly false, fun but not true according to Viv, debunked in real time
Viv's brother works at A24 and loves trolling fans with theories like "Charlie dies in ep.4" (false obviously)
Amir said Alastor has a tail. Viv doesnt confirm or deny it.
Viv: "The tail is not relevant."
-> Might be answered later, since he'd have to be without the coat
Erika likes that Charlie has actual realists around her keeping her grounded.
(Like Angel in ep.4)
Charlie's view is very simplistic on redemption.
The point of the show is to explore that the grey area and redemption are very complicated
(Charlie's arc)
Mimzie is a relieable narator when it comes to Alastor.
But his backstory will come up in future episodes.
There *HAS TO BE* someone that scares Alastor according to Amir.
"We haven't even scratched the surface with Alastor." According to Viv.
Why does Alastor keep Nifty around?
-> Will be explored in the next episodes.
He is very fond of her.
They can connect due to "they both dont care about anything"
How tall is Lucifer-> 5'2 (as per the definitiom of shortking) and Charlie is a foot taller than him. (The hat adds a lot)
The hat is a concious choice of Luci to make up for his height.
"He's not concerned with fashion. Just his height."
The other sins are very big, Viv loves that Luci is the tiniest one of the sins.
Charlie is 6ft
Valentino is 10ft
Angel is 8ft
Alastor is around Charlie's height
Erika's favourite V is Vox due to his voice. She might never love Valentino (he makes her mad).
Amir refused to comment who his favourite V is.
Is there more to the beef between Alastor and Vox?
-> they hate each other, Vox is jealous
Alastor enjoys Vox like a rug (Vox exists and he can walk all over him.)
Pretty simple and nice dynamic but nothing else.
Alastor thinks Vox is "inconsequencial".
Viv thinks Alastor is Chaotic Neutral.
(Tho she's not too familiar with the categories)
Amir says it's hard to say without giving anything away, regarding what his alignment is.
It was hard to record in 2021 due to having to record sessions and duets alone in the booths, according to Amir.
Erika felt a lot of pressure during the first 2 Episodes, because she knows how long people waited for it.
Brandon will help write Eps in Helluva Boss, but works a mile a minute so he will come in and go "Oh I remember this one" :)
Someone dies in Hazbin.
"You can sleep tonight if you think it's Angel Dust"
Both said by Vivzie. So she basically confirmed that Angel will (probably) NOT die.
She did say it was "going to be obvious" who it would be.
Season 2 is in production.
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wearepurplejackets · 2 months
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Little recap of episode 4 of season 4 of Wakfu
Look at this!!
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You saw this beautiful smile???? This smile can stop babies from crying (and Nora). This smile can revive a puppy.
You saw it???
Well, I hope you did because I think we'll not see it in a really loooooooong time~ (maybe 9... Or 10 episodes.) The storm is coming... violently with a bat.
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(BEHOLD SPOILERS OF EP 4 OF SEASON 4 OF WAKFU)
I remember Tot said season 4 was gonna be sad a f*ck and that Yugo will have to pass some kind of "hard trial" (AGAIN) in this season because this kid will never have a good rest. Not even a breath. Stop. Give this little boy some holidays c'mon, the lord is always testing our little angel to the limit. (And by lord I mean Ankama I'm looking at you...)
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So it's very likely that Yugo will start to suffer even more in the next episode. And of course, in the entire season :))))))) Let this boy have something, someone precious by his side more than an instant and stop take it from him in the next second, I beg you. (He just found his family... And... Qilby I guess. And Adamai just abandoned him already to investigate by his own way...)
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Just seeing how the kings and queens of every nation were so disrespectful in front of him and just called his mother a monster and made her cry, well. (I want to riot! When Joris said they were "quite tense" he fell short.)
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Okay, yes, I understand the eyes in the sky~ are pretty creepy and of course I don't trust her either, at least, like this is so suspicious for sure, no one was born yesterday even when she is trying to be so kind and helpful monitoring the entire planet (yeessss mom, way too much).
But, c'mon, this is a goddess as tall as... I don't know, as much as she wants, girl she is made of f*cking magic. If she wanted she could erase you from existence. She didn't have to give a f*ck about anyone and HERE WE ARE~
The best thing you can do is looking for a fight with her in the moment you meet her with no hesitasion? Do you want to die that much? Do you know about survival? Did you skip that class maybe? (I'm going for a tea BECAUSE-)
It was so necessary to (be a little racist dear rich people and) insult the giant blue mother of your hero in his f*cking face and the people who are at least trying to do your job (which any of you losers did well, like ever, btw. When Sadida kingdom was about to be destroyed by the chaos of Ogrest what did you do?? Eh, where were you???)
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Jobs like protecting and saving your citizens from, nothing, being robbed and I don't know: imminent death??? I mean, really? Was that all you thought about in this situation? Being a d*ck was your best choice.
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These same guys here were talking about stolen freedom?? What freedom? The brotherhood of Tofu had to save your asses for like 3 season. 3 ovas and dozens of comics. The same people who criticize others actions but never assist and reunite when they are needed, Cause I don't know Rick, it seems a little fake....
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Yugo just met his mom and his sis and he already has the world of 12 hating them... Like wow, the rulers are all going to die in the hands of that kind of white demon/zombies of TLOU/soul suckers or whatever they are. And I really don't give a f*ck for any of them, ladies and gentlemen. Only the crowns are going to remain. (Down with the monarchy.)
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Weeeeeeeell.
You know what? I don't care what Yugo will do from this point. Nop, not a bit. But I'm with him to the end of everything. I will support you honey, I will defend you no matter what. I mean, I'll be totally okay if he decides to save the world for the third f*cking time and I also will be okay if in the end he prefers to let all these motherf*ckers die in an instant with no mercy and no regre-
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And it could even happen that Yugo loses someone important in season 4... (The same way I will lose my mind.) Hope that never happens, I just swear to god-
Anyway, Yugo fans, unite and brace yourselves.
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cloveroctobers · 5 months
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OCTOBER PROMPTS 🦇 — 11. Evan “Buck” Buckley
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A/N: my man, my man, my man!! Hopefully we get to see you soon and I can actually get the nerve to finish season six—I only have maybe 4 episodes left? Then I’ll dive into 9-1-1 lone star while we wait. Regardless I thought this would be funny and a little creepy to write so here we are! Enjoy 😉
Synopsis: Buck loves the new house you live in together and although you’re not crazy about it…you decide to pull a prank on your boyfriend to liven up the place that perhaps leads to you opening doors for a uninvited guest?
PROMPTS ARE FROM HERE & HERE & I’m using: A buys a crappy sound machine and plants it in the house. While it plays ghost noises and spooky sounds, A hopes they can convince B that the place is haunted. + “Come on, if there was ever a time for me to be superstitious it’s definitely now.”
*GIF BELONGS TO: @911edit
<- read my previous anthology prompt here.
꩜⌖ㄨ࿔⚡︎꩜⌖ㄨ࿔⚡︎꩜⌖ㄨ࿔⚡︎꩜⌖ㄨ࿔⚡︎꩜⌖ㄨ࿔⚡︎ ꩜
“BABE!” Buck yelled into your ear after pulling the headphone away.
You flinch as you stand up straight from the kitchen island and away from your overnight oats, “Yes?” You press with raised brows.
Buck waves his hands around, “you don’t hear that?”
“Hear what?” You question, pausing the podcast and resting your headphones to lay around your neck, “I didn’t even know you were home.”
Buck immediately frowns, “don’t tell me that. That means anybody could be hiding in here and you wouldn’t even know because of those stupid things.”
“You bought them for me.”
“Yeah to use at the gym and keep those meathead douchebags away while I’m not around.” Buck explained which made you smirk with a roll of your eyes.
“Listen,” Buck said again as you moved around the modern kitchen (that you hated) to place the now empty bowl and spoon into the sink.
Placing a hand on your hip you glance around the new open floor plan home that you and Buck moved into together. The modern contemporary home was such a contrast from the outside to the inside with its exterior being too boxy for your liking but you enjoyed the black exterior and the courtyard and pool. The inside was much lighter, from white to cream walls, along with the high ceilings which made the home feel bigger and instantly sold Buck who believed this would be your forever home.
You on the other hand were not convinced but nobody could ever say you weren’t open to trying new experiences. It’s only been four months settling in and there were still some things you wanted to change like: mainly the wall colors but Buck was convinced furniture and decor could replace that urge.
Sighing you say, “I don’t hear anything Ev,” you tap the sink on, “maybe you should lay down? Was it a rough day?”
“No, it was a breeze.” Buck fanned his hand along before resting them both flat against the White Island counter, “…maybe it’s a bird or something?”
“Well what exactly did it sound like?”
“Like scratching. Kinda like Pearla when she tries to sneak into our room at night,” Buck answers before glancing around, “matter of fact, where is she?”
“At the groomers. She won’t be ready until after four,” you inform Buck of the whereabouts of your old English sheepdog.
Buck dips his head, looking at his watch, “it’s 3:42.”
“Shoot! time does really get away from me,” you widen your eyes as you quickly finish washing the dishes before spinning around to shove it into the dishwasher.
Buck nods his head, “I’ll drive.”
“You sure?”
“Yeah,” Buck shrugs his shoulders, “it’s a nice crisp day and…I don’t want you having any accidents considering your hearing isn’t the best right now.” He playfully lifts the headphones from your neck to place down while you roll your eyes again.
You lean towards him smug, “ah, I see what this is…you’re scared to stay here by yourself because of this imaginary noise you’re hearing.”
“I’m not! And i don’t think it’s in my head.” Buck defended while you went over to the couch to shove your hoodie back over your gym attire.
“Uh huh,” you say as Buck scoffs ready to plead his case as you lock up the home behind you.
The next time Buck hears the noise is around 3am when you’re both tucked away at the back of the home in bed. It’s not a pleasant sound as his eyes snap open to the darkness of the room, the moaning and creaking almost sounds like a mixture of a whale and the cracking of a ship that meets the bottom of the ocean. Buck knows he should stop clicking on random things on YouTube before bed that leads him down a deep dive but this isn’t the first time he’s hearing that groaning sound.
It was brief before on his day off while you were at work and he was lounging on the couch watching some twisted documentary about Russ McKamey. Buck tried to brush it off as something that was on screen since it stopped when he paused the television but he couldn’t hear it while watching again. Was this truly in his head? He started to think but here he was— technically—the third time hearing the noise for much longer.
When he peaks over at you with your back to him, he lightly grips your shoulder and leans over to see that you’re still fast asleep and sits up in bed. By the edge of the bed, he spots Pearla on the floor with her fluffy ears perked up and Buck nods his head.
“You hear it too, girl? I know I’m not going crazy!” Buck whisper-yells to the dog who’s definitely more alert than you are.
Buck’s crawling out of bed with Pearla at his ankles, taking a deep inhale he opens the bedroom door to peak down the left of the hallway towards the front of the new home and only sees darkness. Pausing for a moment he listens for the noise again but the home is eerily quiet.
Buck stands there for at least two minutes before he considers closing the door but the creaking starts up again, sending Pearla flying out of the room barking as she tries to locate the noise first.
“Pearla!” Buck yells for the dog who disappears down the hallway and out of sight.
He blows a whistle with his fingers to get her attention, stepping into the hallway now but Pearla is nowhere to be seen. When he glances over his shoulder back in your direction, you’re still in fact sound asleep. Usually you’re the light sleeper out of the pair but somehow in this early morning, you’re having a grand time in dreamland.
Reaching for the doorknob, Buck slowly pulls the door closed with a soft click and begins taking the path to the main areas of the home. Pass the three bedrooms and the half bath on the left, Buck scans the dining room, kitchen, and living room to find it all empty. Confusion is written all over Buck’s face as he stands in the center of the home, hands on his hips as he’s searching but…for what?
The groaning picks up again just as a touch goes to his hips. Buck yelps, whipping around to face you who’s actually holding their composure. Buck holds onto his chest ready to let out a exhale but the look you cast behind your shoulder then back to meet Buck’s island water eyes you say, “the house is haunted.”
“What?” Buck let’s out a full exhale, trying to calm his heart rate.
You swallow, hands still holding onto Buck’s hips, “I hear it too.”
He tightens his jaw, ears picking up on the noise but now it’s the loudest it’s ever been, making you grip your very sensitive ears.
“Wait here,” Buck suggests, hands flexing as he picks up a fire poker that was left leaning against the industrial bookcase from his old apartment, “it sounds like it’s coming from the laundry room.”
You huff, feet slapping against the floor as you latch right onto the back of his shirt, “hell no! You’re not leaving me behind in this sketchy house.”
“Ohhh,” Buck sing songs, “now it’s sketchy but when I said it’s been weird lately you tell me I need a nap.”
You hiss, “be quiet, we’re supposed to be stealthy when sneaking up on a ghost.”
“I wasn’t aware that you had experience with the paranormal.” Buck looks back at you with a frown before slowly leading the way back towards the bedrooms.
“I’ve seen ghost whisperer you know?”
“…am i supposed to know what that is?”
“It’s a show Maddie and I are currently binge watching, now ssh!” Your attempt to silence the man was met but Buck used this silence to steady his heartbeat.
If this house was truly haunted then it was going to be hard to explain this to the insurance company when he’s done tearing up the place.
And we all know Buck’s not afraid of some action. His arm goes out to shield you as you both slide up against the wall opposite of the door that leads into the small laundry room. Buck couldn’t hear Pearla’s barking anymore and she did go in the opposite direction so he hoped whatever this is, didn’t harm your beloved dog.
“On my count,” Buck signals peering at you shortly to make sure you understood where he was going with this, “three…two…”
Of course he didn’t say “one” as he pushed the door back, revealing the very normal looking laundry room. Everything appeared in tack as Buck stepped into the room, hand reaching out to shove some clothes on the rack aside and then checking the cabinets above the washer and dryer.
“Huh,” Buck hummed before pulling the appliances open to find them both empty, “nothing.”
When he turns to face you, you’re hugging yourself but your brows are still furrowed in disbelief. He reaches to flick the light off and steps towards you to exit the room but a screeching noise picks up yet again. Instead of it sounding like it’s in the laundry room, it’s appears as if it’s coming from back towards the front of the home.
“No freaking way!” Buck yells, bringing the fire poker up like a bat as he runs down the hallway.
You scream at his back, “stop running towards danger you idiot!”
Buck ignores you, following the sound right to the pantry door, which is closed shut. He wastes no time, pulling the door back to reveal a gray and white Pearla fleeing from the room with a whine. Buck almost recoils at how loud the sound is coming from the pantry but steps in anyway, looking around the spacious storage room until the door shuts right behind him.
He tries the knob but to no avail, he turns back to the dark room, dropping down into a push up motion to check underneath the shelves. The thirty year old was just waiting to see something further unusual but got back to his feet just to be shoved towards the shelves.
Buck steadies his hands out in front of himself, catching himself against the shelves but not without the goods crashing onto the floor. He spins back around as the cracking noise picks up, almost making his teeth ache at the sound but that doesn’t stop him from swinging the fire poker wildly in the air. He’s not sure when the poker breaks one of the shelves but he spots a flash of red way at the top behind a acrylic container.
Panting Buck begins latching and crawling up on the shelves and swipes a hand across the top shelf, knocking the contents onto the floor to spot some sort of machine that suddenly shoots a weak steam of fog his way, followed by the creaking sound. Buck presses on top of it which sends out that screeching sound that makes Buck slip at the upsetting noise.
He’s shouting your name once he aims his footing right, landing back on it but not without the machine slipping right towards his face and knocking Buck off balance.
“I’m just glad it’s not broken,” you say for what felt like the thirteenth time as you hold the door open; ten am later that morning, leading your boyfriend back into your shared home that Buck secretly didn’t want to come back to.
The bandage on his bruised and cut up nose was prominent but Buck still sported a small smile on his face. “See what happens when you try to prank me. Now you have to tell everyone that I did in fact fight a ghost.”
The pantry door was jammed by the time you got to Buck, hearing him calling your name and Pearla barking for your attention. It wasn’t something it commonly did but you just deemed it as your anxiety getting the best of you, struggling to get it open. You were in on a bet with Chimney and Hen since Eddie (surprisingly) and Bobby didn’t want to participate—that you could convince Buck that your new home was haunted.
However you weren’t expecting for him to go investigating and get smacked in the face with the crap ghost machine you purchased off eBay. You were just happy that you weren’t the cause of Buck almost breaking his nose (you didn’t intend for the machine to slide off the shelf) but everything else you’ll take responsibility for.
“Sit,” you ordered Buck by his arms who laughed at you going into your nurturing role, “you know they’ll never believe that right?”
Buck kicks his feet up along the couch with a sigh, “but it could be a plot twist x2 with there actually being some haunted vibes going on. I mean…you did set me up.”
You pout as stood in the kitchen, “it was supposed to be all in good fun but then you had to go Rambo—being Buck. Did I mention how sorry I am?”
Buck laughs, “it’s just a scratch,” as Pearla jumps up beside him to rest her head in his lap, “it’ll heal and I can take a joke but just know…you did start a prank war for the rest of this fall season. You have no idea what you just unleashed.”
You didn’t like how Buck was rubbing his hands together in wicked joy but you’ll learn to deal with it.
“Yeah that’s what Maddie said,” you mumbled as you pulled open the fridge, “so before you come up with those ideas…I can make you your favorite breakfast.”
Buck grins, “that’ll be nice but I’d prefer a cuddle first.”
“Is your head hurting?”
Buck lolls his head, “I told you babe, I feel fine. Now get over here.”
You make a cross motion as you cautiously step over to Buck who shakes his head at you with a grin. Once you’re close enough, he reaches for your sweatshirt to yank you to his other side since Pearla made her claim on his left.
“Now that I know I’m not going crazy anymore, I can really enjoy this house with my two favorite people.” Buck curls a arm around you and rests the other along the back of the couch after patting Pearla’s head.
Resting your head against Buck’s chest you sink into the comfort each other. However that doesn’t last long with the sound of glass shattering from the mirror that once hung on the wall above the wooden chest that contained the record player on top of it.
The silence is almost deafening now as the both of you watch the pieces of the mirror decorate the floor.
Buck says, “Come on, if there was ever a time to be superstitious it’s definitely now.”
You knew a broken mirror was not a good sign and Buck started to feel like it wasn’t really all in his head as the flashes of what happened earlier this morning played back in his head. It couldn’t just be the trash machine you bought whenever and Buck really wasn’t that clumsy to trip over his feet so what gives?
Spookiness can be fun but Buck could always sense when things didn’t exactly feel right anymore? He believed in the full moon, mercury in retrograde and he strongly believed in when things weren’t just a good scare.
“So you agree, we should go house hunting?”
Again? Buck hated the process when he was on his own but with you it felt nice, like there was a definite future to look forward to.
“Yeah,” Buck states, “I think I’m done ghost hunting for awhile.”
“Hell yeah you are.” You respond, keeping your eyes towards the area just in case you saw something else that didn’t sit right with you; while reaching for your phone.
The both of you didn’t bother to debate over where you would be escaping to for the night as you searched your contacts for your realtor and fast.
꩜⌖ㄨ࿔⚡︎꩜⌖ㄨ࿔⚡︎꩜⌖ㄨ࿔⚡︎꩜⌖ㄨ࿔⚡︎꩜⌖ㄨ࿔⚡︎ ꩜
Continue with my fall anthology prompts here.
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antiphilosophia · 9 months
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Crowley's pre-fall name is BARAQIEL (THEORY)
THIS POST MAY CONTAIN SPOILERS OR RATHER CLUES FOR GOOD OMENS SEASON 2 CONTENTS, PROCEED WITH CAUTION 🤍
Very well. Who doesn't love the Crowley is the Archangel Raphael theory (I am certainly of those people who do). During my first watch of Good Omens S2 I was even somehow almost confident that that was the case.
However, my second, more careful, viewing of this lovely (but equally heartbreaking) season made me change my mind, likely for good. In episode 4, Furfur's book "Demon's Guide To Angelic Beings Who Walk The Earth" shows us a name of a certain angel Baraqiel. (see photo below) Knowing Good Omens that can hardly be a coincidence.
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Unfortunately, the very text is quite unreadable. One thing, other than the name, which is pretty clear is the subheading "Angel of the Sky" and since the episode 1 lets us take a look at how Crowley did indeed take part in creation of what is to be seen in the night sky, one can hardly find that entirely non-fitting. One other sentence I was (at least I think) able to read is "Often draped in red."
(On a different note but certainly worth noticing are scribbles that generally just roast Crowley – his suspiciousness, hair and name (though I am not absolutely sure of the latter) "His hair is bad!" Wow, Furfur really does hate Crowley.)
Then there is something written above the name of Baraqiel, unfortunately in none of the picture frames does it get a bit readable. I wonder though, couldn't it be "former"? Since it comes precisely after mention of Crowley to whom should one report on Aziraphale.
Crowley is very powerful. Dominion
A word that is not exactly readable but can be deduced from its placement (it is situated just as Aziraphale's "Principality") is Baraqiel's rank – Dominion Angel. It should be noted here that I very much lack proper knowledge of either Jewish or Christian mythology and I would hate to provide any incorrect claims. I therefore think it is better for me not to overly state things, even more so since everyone can look into it on their own and figure out what that might mean for our beloved demon. What I will say, however, is that they are (as I understand it) very powerful and, placed within the 2nd triad in the angel hierarchy, ranked higher than the Archangels. This would go well along with the emphasis that was in my opinion laid on Crowley's powers quite a lot this season.
For example: "A miracle of enormous power happened last night. The kind of miracle only the mightiest of archangels could've performed," said Shax to Crowley, to which he replied: "How'd you know I didn't do it?" He didn't get an answer.
What I think (and I may be very wrong, obviously) is that a miracle of this vastness wouldn't have happened simply because of a regular angel and a regular demon did together half a miracle each. What is also worth noticing is that the tool with which Crowley created the Nebula is the same as the one he used to temporarily stop time at the end of season 1 right before Satan's arrival. So much to the size of his powers.
Baraqiel, lightning of God. Fallen angel
Finally, to Baraqiel himself. My lack of knowledge concerning this matter still stands and frankly I don't even know where to find valid information about angels and such on the internet. Baraqiel should, however, stand for "lightning of God" and is also regarded as the angel of lightning. In season 2 there are (as far as I remember) two occasions where Crowley is put in correlation with lightning. (1) His poor anger management issues in episode 1 and (2) his not at all better matchmaking in episode 3 ("I haven't done weather in ages"). Furthermore, Baraqiel is considered to be the one who taught astrology to people. Nevertheless, what points to Crowley and Baraqiel being one even more is that Baraqiel is indeed a fallen angel.
So... That is probably it. I usually tent to theorize about stuff in quiet, in fact, this is the first time I've used Tumblr for anything other than reading Neil Gaiman's posts. I didn't even think that I would actually post it but then I've searched on Twitter, TikTok and here on Tumblr if anyone else has already come up with this theory. The only post I could find (hopefully I haven't missed anything) was by @valaza_04 on Twitter (click here) where they refer to the same frame shot as I do here.
Now I know, we are still recovering from heartbreaking (but if you ask me, absolutely amazing) finale and the main thing currently on our minds is figuring out why would Aziraphale choose as he did and the many wonderful theories that come with it. However, considering the utterly virulent look that Metatron shot at Crowley before walking out of the bookshop with Aziraphale and also his "Well, [Crowley] always did want to go his own way. Always asking damn fool questions, too." makes me think that he absolutely does not care for Crowley and whichever angel he was before the Fall. And I reckon it won't remain unnoticed in season 3 and might even be really important (or that is just me wishing for more pre-fall Crowley scenes). Hence I decided that I will post this. And it doesn't matter if no one will see this in the end, it was quite fun to write. However, if there is someone who will read this all the way through, I hope they will accept my apology for the mistakes I have most possibly made (English is not my first language) and also for the ridiculous length this post has come to gather. It turns out, I am just as chatty of a writer as I am speaker.
Well maybe I will come around to write one more post about this theory, only with a proper research this time. Till then thank you and, please, support this season by streaming as much as you can so we can have season 3 of this masterpiece of a show. And be kind to those bringing it to us in your comments regarding the ending, even though it is very frustrating and heart-shattering, it is also maybe the best ending we could have hoped for with the prospects of season 3.
Thank you for letting me talk my heart out, Tumblr.
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thefirstlioveyou · 2 months
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What will Mike and Will's S5 Fight Be About?
Shawn Levy basically confirme/implied another angsty Byler fight for S5.
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But, what will it be about? Some think it'll be about the painting, but personally, I don't think so at all. I believe the fight will be about Mike's internalized homophobia; Mike will be afraid to romantically be with Will and it hurts Will.
First off, I don't think Mike would be mad for him hiding his feelings or lying about the painting. The sole purpose of the painting lie is to open a gate way to Mike knowing how Will feels about him. It's a set up. Why would he be mad that it was Will who thought those amazing things about him? He's in love with Will.
Now, let's see the common traits that all Byler fights have:
miscommunication, but they both want the same thing
is about their relationship
mike projecting
happens pretty early on, episodes 3-4
triggered by a shift in their relationship/mike doing something
they are alone
It's pretty predictable that S5 will focus on Mike's feelings for Will and be in Will's position this time. He's gonna be a yearning, gay mess! However, it doesn't make sense to copy every little thing as that wouldn't bring anything new to the table. It would quite frankly feel lazy and boring.
I actually believe they will be honest about how they feel episodes 3-4 (after Mike discovers the truth about the painting, what would be the shift in their relationship), and it will be a very angsty scene rather than a happily-ever-after moment (for now). Here's how I picture it: Will wants a relationship with Mike, Mike wants one too, but he's reluctant to because of the shame and bit of denial still lingering.
As understanding as one can be in this situation, it's also hurtful to hear on the receiving end. I can imagine it makes Will very upset. After so long of waiting for Mike, waiting to see if his feelings could be reciprocated, he finally gets it but doesn't get to keep it because of the shame Mike feels. Will does indeed feel like a mistake for his sexuality but, as he also states, Mike makes him feel otherwise. So, if he heard the same person that makes him feel better for who he is, say he's wrong for being the same thing he is.... that would HURT Will terribly. In Will's eyes, he will truthfully believe Mike doesn't want him, even if in Mike's POV, he wants nothing more than Will. This is where the miscommunication comes in play.
This is a real thing that happens in many Queer relationships even to today, when one is ready and the other is not yet. There is no bad guy (unless cheating, abuse, etc is involved of course) in these type of situations. You can sympathize with both sides... Which makes this a perfect fight to watch as the audience; it wouldn't make you hate either of the characters.
Some people say Mike’s accepted his sexuality by the end of S4, but I feel like if he did, it wouldn’t really be a good set up for him to be Vecna’d in S5. His struggle with who he is and his relationship with El is crucial to S5. If we keep Mike struggling with his sexuality and his trauma regarding El, this gives a purpose for him to be Vecna'd, which is the perfect way to explain a lot of his character the past seasons. Similar to how Max escaped Vecna the first time, Mike would do something similar (with the help of others, of course). He will have to accept the mistakes he's made, accept past events that were out of his control and accept who he is, or let himself die. Rather than focus so much on saving others or being needed to others, he must save himself now, for himself. He has to finally believe he is the heart. Finally confronting and accepting what he can't change will bring his character and his relationships to a full circle. It would explain his dynamic with El and Will the whole series. He will finally have the self-confidence he lost.
As much as people want Byler to have an established relationship in S5, I don't think that's likely. With a fight already implied to happen again (most likely early on), it wouldn't make much sense? They're a slow burn on top of that... The season is building up to them being together, it's not them already together (at least I don't think so).
The writers can obviously find a different route, but I feel like this would work and fit well. It would save Mike's character perfectly and it connects with the Mike being vecna'd, or at least in danger, theories; It gives it more purpose.
I just can't really imagine what else the fight would be about. It has to be about their relationship and it has to be about it changing in some way. Mike's weird behavior still needs to be explained... so I would think the fight has to be connected to the reason for that behavior. The fight would then be about his internalized homophobia. And if it is, it has to be explicitly about it, not just subtext like S3 fight.
Rather than “It’s not my fault you don’t like girls” and insulting Will, Mike straight up will have to be like, “I’m scared, what if this is wrong? I don’t know how to do this.” “This isn’t right.” This time Mike will be direct how he feels about HIMSELF, but Will would still be hurt because this is the same guy that made him feel better for being Gay…
If this is how the fight plays out, lord hold me because I won’t survive it😭😭😭
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hamletshoeratio · 10 months
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"But no new content 😭!!" that means jack shit. We have several literal decades worth of content we can watch or rewatch. The writers and now the actors too are not only fighting for their livelihoods but for the futures and the soul of their industries.
Fuck new content, fuck the executives and producers and powers that be who make millions upon millions while the people, who create the content that make them rich, can barely make ends meet.
Here's some suggestions to anyone who doesn't know what to watch;
Nostalgia rewatch; watch old favourites, shows and movies you haven't seen in years but that stayed with you, the ones that mattered to you.
Watch the shows your parents didn't let you watch growing up because they thought the show was "too mature" for you.
Watch the shows and movies people have recommended to you that you never found time for before.
Watch indie films!!!
Look at different genres than what you've watched before and give them a go.
Try films and shows from other countries and/or in other languages. There's dubs and subtitles available and these shows and movies can be just as good if not better than their American and/or English speaking counterpart.
And remember when watching shows, that you do not have to binge them all at once, you can have your own personal tv schedule and watch say an episode a week like you would've done when/if they aired before streaming
Look at some older films and shows, why does it matter if it's in black and white or the camera quality is lower than 4k and hd, so long as it's good? And so many of those shows and films, while not perfect, have aged better than shows that have come out in the last decade, like the golden girls for instance has aged so much better than say glee (ok many many many shows aged better than glee but let's be real for a second, music was better when artists were terrified of the Glee cast doing a better version of their song on the show. I do still wish it was a show my mom didn't let me watch tho, lmao glee was fine but no, her twelve year old being obsessed with Les mis and rewatching it religiously was cause for concern 😂😭 I was just as obsessed with glee for seasons 1-4 especially).
It's ok to indulge your inner child and rewatch the classics tm. The shows and movies you grew up with. Rewatch the shows that got you through sick days from school, the tv movies you remember watching premiere, the cartoons that MADE your Saturday mornings, etc.
On the topic of animation, that's literally an unlimited genre you can tap into, which rarely gets the recognition and respect it deserves.
Don't be afraid to watch the one season wonders, the shows that networks and streamers cancelled after one season in spite of strong reviews and good ratings. Or the shows that ended abruptly around the season 3 or 5 mark because networks and streamers cancelled them because they didn't want to negotiate contracts and have to pay the actors and writers more. Get angry, remember what the actors and writers are fighting for.
The privilege of older shows that either concluded naturally or that writers were given a heads up on might be on it's last season is that you get closure, unlike with the above. That might not mean an ending is good but a bad ending is better than a cliffhanger. There's always fix its fics for a bad ending. And if the ending is good, it's typically GOOD in my experience. The fear of a cliffhanger and zero closure has already turned many against watching new content until the show is renewed for another season or is fully wrapped (and fans don't hate the ending).
Watch the shows that were in their day or are popular or critically acclaimed, they usually hold up to the hype.
Watch the old shows and movies your favs were on/in before they were your favs.
Try a soap or a telenovela, they can be entertaining af (holby city my love, Tuesdays have never been the same since the BBC robbed me of you).
If you liked a reboot or a revival of a show, try the original (in certain cases, the og is even better, see boy meets world v girl meets world).
If you like period dramas, try shows and films from other countries based on their history. A lot of times when people are telling their own history it goes far better than when Hollywood tries it (see the many times Hollywood has actors brought in because producers think they're good for box office and they then go on to butcher the accent their character should have, see Cameron Diaz, Julia Roberts, Meryl Streep and so many others who have absolutely butchered the Irish accent over the years for instance. There's also many many instances even recently of just blatant whitewashing see Matt Damon as the last samurai...).
Listen to recommendations, watch the shows and movies you know your family and friends loved but you never got around to watching.
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blackfliesinbluesugar · 3 months
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I really don't understand why the show is paced like this, I just don't? Even if they were told at production they would ONLY have 8 episodes, low chance of a s2, that this was all they'd get - I dunno, how is sucking all of the fun and investment out of your plot the best solution outside of, like, writing what you reasonably can and then maybe trying for a comic book or something? Again, I know that's shit feeling, I know it'd suck, I know it'd hurt. But again, even if this is the only medium you WANT to tell your story in, how is telling it BADLY the answer? It's crashing 50k words of fic into a list of bulletpoints.
I don't care about any of these characters. Not because I'm some spurned anti or someone who went in ready to hate - I've fandomed this show since June 2019. I've been obsessed with these characters and world. I have written nearly half a million words of fanfiction for these guys, including all of the background characters they keep giving love like Molly and Mimzy and Rosie. But that's all fanon, and I know how to seperate that in my brain. Which means I love the idea of these characters - I'm thrilled to see even the little cameos, It feels like fanservice in a way that makes me buzz with energy - but I don't love the characters. In canon, I don't care about Alastor, or Husk, or Charlie. I actively feel disinterest in ones like Camille and Vaggie and Adam. They have no depth, only gesturing at interesting ideas and trauma. Angel, I'm STARTING to care about, but they only gave him a real personality AFTER dropping all of his trauma on us. So great. It's discord group chats all over again.
Just.. why. Is doing 3 seasons worth in 1 season really worth it? Is it, frankly, better than nothing at all? I cared more about these guys when I had the privelege of assuming they'd have deep developed arcs and connections, that the hotel denizens would get a chance to bond and interact and flesh themselves out. Now they're pretty png's standing vaguely near each other, occasionally breaking into song or crying about their past. Big whoop.
I wish s1 had developed the hotel solely - no Velvette, no Camille, no Zestial, no Mimzy, no Sera or Emily or Lucifer or Lilith, and then saved that stuff for s2 when we CARE about our protagonists and can afford to care about other characters, instead of all of them being 'cool, I guess'
I'm sad. I'm really sad. I waited over 4 years for a slideshow.
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half-oz-eddie · 2 months
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I have had a vicious gripe with the dbros ever since the 1st episode of season 4 where that "easter egg" "I'm just trying to be normal, Billy" can be heard on the TV in the background while Max is feeding her dog. Only for the duffers to apologize and say the easter egg was a fucking "accident."
In case you didn't know, that dialogue was from an episode of a series called Misfits of Science. The characters in this series have abilities.
In the specific episode Max was watching, there are characters named Billy and El (coincidence). Billy asks another character (Gloria) to use her abilities and they have an exchange like this (Which is the one heard on Max's TV).
BILLY: Gloria. Look, this is your old friend Billy talking here. You know, you just—it’s just a little favor and I don’t think it’ll matter.
GLORIA: I’m trying to be normal, Billy!
Again. This is the accident they claim.
Anyway the episode progresses and they travel to an ancient underground temple (in California btw) and there are symbols on the wall, when translated, mean something that would absolutely remind me of Billy.
"Will I leave only this? Like flowers that wither. Will nothing last but my name?"
As I said.
This was all a fucking "accident" and supposedly none of it means anything. And that's why I do not trust the dbags to put any thought into anything. Everything's just a coincidence. Or an accident.
They picked that specific episode to play at that specific scene in that specific moment from a show that has characters named Billy and El and they travel to California to a temple with symbols that translate to a sad quote that reminds you of Billy Hargrove's tragic death.
But Billy still showed up that season, so who is to say, really? They just lie I guess?
I hate it here.
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iamadequate1717 · 6 months
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Stede in Season 1
After seeing some rather awful bad faith takes flying around after 2x7, I'm throwing out a beginning defense of Stede Bonnet (loml). It seems insulting Ed's fish is the worst thing that anyone has ever seen, and it really seems to be a continuation of anti-Stede sentiments within the fandom and viewing him as a prop for Ed (and sometimes Izzy) rather than his own character. Fanon Stede is ever patient, ever kind, ever devoted to his partner, and I'm seeing a lot of shock that Stede is a flawed, imperfect person with his own needs, that he says things in the heat of the moment, that people are seeing a less interesting character than what DJenks and friends have created. Stede's a fucking lunatic and I like it.
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I'm going to break this into a few posts as I ramble on to the end of 2x7. I have big thoughts on the ending, but I need to lead up to it! I am going to try to be as brief as I can up to the lead up, but I'm not happy with certain parts of the fandom right now (it's just a spat, love you all).
(If you haven't seen the "I hate Stede!" and "I'm so mad at Stede!" posts after 2x7, I am so, so jealous of how you have curated your social media experience.)
Part 1: Season 1
I'm going to note first that this is really a more rambly companion piece of this:
In time budgeting, most of Stede's character introduction and motivations are built into 1x1 through 1x3, but you all know it is a common refrain of these episodes: "Just wait for episode 4!" (OK for newbies, but huge side eye from me with people who have watched multiple times.) Episode 4 is when Act 2 of 3 of Season 1 begins. The foundations of the story have been laid, the cast has been fully assembled, and we enter the rising action (i.e., the meat) of the story in 1x4. It is not that Blackbeard alone improved everything: it was the story structure itself that shifted.
Preferring Act 2 (ep 4 to mid ep 8) and saying Act 1 was bad and "boring" is a disservice to the story and really robs yourself of the payoff action in Act 3 of Season 1 (and now Season 2), in particular with regards to Stede's character. It's a TV show, so you don't have to like all parts or watch it equally, but if you're going to criticize Stede and what he does, you can't ignore the part of the story that tells you the why of everything.
For example, we see people saying Prince Ricky is "exactly how Stede used to be!". Episode 3 disagrees.
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Ricky is some Evil Star Trek Mirror Universe version of Stede, and they have fundamental differences in their view of piracy, which feeds into the action of the tail end of Season 2: Stede wants to be part of the piracy world, but Ricky thinks he's above it. The few hours in 2x7 that Stede spends enjoying being cool in the Republic of Pirates is overall sweet (sliding past the murder, lol), not a relationship red flag or Stede being a dick. If you tried to join a group and they finally embraced you, how would you initially act? Being excited for a few hours does not mean Stede has made a forever commitment to piracy and not Ed.
But, I digress. To me, Episode 2 (along with 6, 9, and 10) is far and away the peak of Season 1. We see the crew bonding (and those unique interactions are missing in Season 2's truncated runtime), and we get a deeper look into Stede's head: his initial naivety toward violence, his insecurities, his unique captaincy style and problem solving. If I look at just his insecurities, Badminton's Ghost is Stede talking to himself (like Hornigold was vocalizing Ed's feelings in 2x3). Stede is harsh with himself about his abilities and maturity, and we even see that he took Badminton's petty body shaming in 1x1 to heart.
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(Oh, I have thoughts on Stede finally being told he's pretty and then instantly dumped!)
But he continues to degrade himself.
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"You're a child with a toy" Stede says to himself. Compare this to Ned Low calling him a "bumbling amateur" in 2x6. Real people voicing these thoughts (like Chauncey in 1x9) messes Stede up.
The local therapist clearly lays out the motivation behind 1x9&10, and Stede still continues with the negative self talk.
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And then we get the best mantra!
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Yes, baby! You can only be as good as you can be, and you deserve the world.
Stede does not banish his guilt that is haunting him, but Ed comes in at Episode 4, and any more serious feelings is all about Ed.
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(Second GIF is a joke. I know it's important to Ed's character. Plz, don't be mad.)
Ed is the deuteragonist, and the story now needs to spend time establishing Ed's character and motivations. This doesn't make Stede's go away, but if you only watch Episode 4 and on, that's what it looks like. There are brief moments of Stede's vulnerability and guilt from then, but not much.
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(Side note from a Midwesterner: I've spent too much time finding out if "grain tower" is colloquial for "grain silo" somewhere, and I still don't know.)
Ed and Stede just met here. Ed isn't absorbing much of Stede's comments (Stede also feels trapped, Stede has family guilt, etc), but it goes the other way, too, doesn't it? Stede is recovering from his gut-stab, they're still in a life-or-death situation, and Stede is still feeling his guilt (and just saw more guilt ghost hallucinations). Registering and internalizing what Ed is saying doesn't take priority.
And they enter their cute early relationship phase: They have fun together! They can easily talk to one another! Stede easily forgives Ed wanting to kill him!
Again: in between all the cute and fun, all the heavy stuff is about Ed. Stede deals with the aristocrats who mocks Ed. Stede is gentle with Ed's red fabric. Stede listens to Ed's past without judgment. Stede openly accepts Ed as a friend. We don't see Ed engaging with Stede in a reciprocal manner.
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(I was so delighted when Stede called some of this out in 2x4.)
Stede is a few steps behind in their relationship: He doesn't know it's a romance. He doesn't know he was flirting with Ed. He's not immediately understanding what the Act of Grace was to Ed (hubby commitment!) as he's having his Nigel guilt, family guilt, and being seconds away from death swamping him all at once.
In the academy, Ed isn't even listening to Stede. He's moved onto his domestic marriage role while Stede is dealing with his demons.
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With 2x7, I see people saying, "Ed was very clear in wanting to leave piracy!" If he was speaking to someone fully engaged with him, I would agree. (That also doesn't make Stede having a few hours' fun the worst thing ever.)
(Aside of what I see below: In Season 2, I see overwhelming praise of Ed and Izzy's performances and very little on Stede. This is not to disparage TW or CO, but Ed and Izzy are more in-your-face and obvious with what is going on internally in their scenes and they are nailing the drama scenes. However, Stede becomes quieter, shutting down into himself, when having high feelings, and RD's acting is very subtle and very beautiful in these moments.)
In The (First) Kiss scene, Ed is clear! He just wants to be Ed, and Ed is happy just being with Stede.
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But look what Ed walked in on:
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Ed is saying things, but Stede is trying to process big feelings of his own at the same time. Stede is there self soothing, still thinking about what Ed ignored him about in the bunks. "How are you handling things so well?" means Stede isn't handling it well. Ed is excited, but he (and apparently some of the audience!) is brushing off all of what Stede is saying while expecting Stede to take to heart everything that Ed is saying. (I mean, the beginning of S2 shows why Ed is so excited for this life change, but it is frustrating!)
If you only feel bad for Ed at the end of 1x9, please try to imagine Stede's perspective: suppose you have low self worth and are consumed with guilt about people you've hurt and then are seconds away from death twice, are you going to be thinking clearly and prioritizing (and recognizing) the feelings of a guy you've known for a few weeks and didn't know you were dating?
Stede has drawn inward this whole conversation. His answers turn monosyllabic, and his body language turns more and more panicy as the heavy reality of everything sets in.
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Stede enjoyed The Kiss, but was this the appropriate time for him? (Like Ed enjoyed The Sex, but was that the appropriate time for him?) They aren't in sync yet, but that doesn't make one party's feelings more valid than the other's or one party evil for being a bit ahead.
With 2x7, I don't know why people thought Stede should be a mind reader and be able to quickly piece together a few statements Ed made while Stede was mentally drowning.
I think it should be noted that as of the end of 2x7, Stede is the only crew member who hasn't had mental reflection and/or therapy in Season 2. He realized Mary, Alma, and Louis didn't need him and he was in love with Ed in 1x10, but the voice calling him a child with a toy, an idiot, weak, and ugly is still there.
Continued in Part 2! (Still to come...)
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