#i have so much to say about those scenes holy shit | Explore Tumblr Posts and Blogs

the-cat-and-the-birdie · 9 months

Text

Hobie Brown, Emotional Preparation, and the Art of Great Dialogue

Nearly all of Hobie's dialogue is written with his goal - protecting and preparing Miles for Miguel's abuse - in mind, even if it may not be obvious at first watch.

Here's an unhinged breakdown where I over-analyze literally every one of Hobie’s lines and explain how every sentence was written to contribute directly to Miles’ radicalization.

Hollywood. Pay your writers. (:

___________________________________________________

Hobie has around 10 minutes screentime total, but for the sake of introductions and this analysis, let's start at the end of the battle, and the beginning of the quantum hole.

Starting with his first line in the scene:

"I don't follow orders. Neither does he."

All morals considered, Hobie doesn't seem like the type to speak for someone who can speak for themselves - he's a punk after all. But here, he speaks for Miles. This line serves to tell Miles 'I don't respect them, why should you?', but funnily enough, it can also be a point to Jess, as if to say 'Miles isn't interested.' - even if he is.

"Bit much, innit?"

While, Hobie and Mile's next interaction is their exchange in the elevator, the scene leads to Mile's introduction to the Society. Miles gawks at the lobby, obviously impressed. Gwen affirms this awe, telling him 'this is just the lobby.' However, Hobie feels the need to chime in. His next dialogue 'Bit much, innit?' is a subtle nudge to Miles that the society is not a place to be in awe off. It's a spectacle, one that's a bit overdone. Knowing Miles now sees Hobie as cool, Hobie makes it known - he sees the Society as uncool.

"Gwendy, How much have you told him? About his place in all this? Maybe not enough."

'So what happened about that small elite strike-team?' - 'Most of these are part time.' This is by far one of Hobie's more interesting lines, and I wrote about it here. But in short, this is Hobie's soft but direct confrontation of Gwen. After Gwen lies to Miles in front of him, Hobie immediately asks how much Gwen has revealed to him. And when she tries to play it off, he openly says 'Maybe that's not enough.' He's not angry with Gwen, but he is disappointed, which in turn motivates him to have his discussion with Miles.

"Super humane, and not creepy."

One of my favorites, because it's hard to catch and to the point. After talking about Hobie and Gwen's mission history, they're taken to Margo and the control room. As Miles marvels at Margo and the Go-Home-Machine, and Gwen says she voted against it. However, Hobie says blatantly: 'Holy shit, Miles isn't this inhumane and weird???', validating that the Society is willing to do inhumane, hurtful stuff to those it deems 'misplaced'.

Next comes Hobie's confrontation with Miles.

Because Hobie knows this is his last movements with Miles before he meets Miguel, and this is where if final push of emotional support kicks in, before he goes quiet in front of Miguel.

And because this conversation is so well layered, I think it's best to go line by line. ______________________________

H: "Bet this doesn't even do anything." M: "Maybe it did before you ripped it out of a wall!"

Hobie has now confirmed that he'll be making an exit soon. And he begins his finally sweep of parts he needs for his watch, stocking up his pockets. He's not stealing to steal. He knows he's leaving and this is his last chance to get what he needs before he's out the door.

"Propaganda, bro! It's to distract you from the truth!"

HOLY SHIT I missed this one. Notice how in this shot, Gwen is not visible at all. Hobie notices they're out of hershot of her for the first time. And his first line is - 'Propaganda.' Their watches can take them anywhere. When Gwen needed to, she was taken to exactly where she needed in Mumbattan. But when they're heading towards HQ, Jessica makes them walk through the lobby. They could have been sent directly to Miguel's station, but instead she makes them do the whole tour, which serves as a flex of muscle. In order, Miles was shown the massive number of members in the Society, then their prisoners, then the go-home-machine. Only THEN can they see Miguel. All of which was intent to intimidate Miles on purpose. Hobie tells him directly: 'Everything you just saw was propaganda.'

M: And what's that?

"I ain't got a Scooby Doo, mate. Cause that's what they want."

One of the most iconic and notable of his quotes. Cockney aside, this line ties back in with his discussion with Gwen just a couple minutes before. They've done their tour and walk. Both Jess and Gwen have been given a chance to prime or explain to Miles anything, and both have chosen not to. So Hobie simply tells him, 'They want you in the dark. And they're sending you into a fight.'

The next line is:

H: Why do you want to be part of this lot? M: To get a watch. H: Make your own watch.

Miles sucks his teeth at Hobie.

Because of this - Hobie begins to change methods. Which I cannot stress is incredibly perceptive of him.

Miles is exasperated with him. So instead of dissuasion and making the society out to be uncool, he tries to turn Miles' attention towards his family.

"Bet you got a nice setup, huh? Nice parents?"

This line is a very well done one, with two things of notice. First, I find it interesting that the screenplay phrases this line as a question, not a sentence. Hobie is asking. He's taking a shot in the dark here. And this is backed up by his delivery; Hobie hesitates while saying this. The only line in which he does so. He may not know about Miles' mom and dad, because Gwen hadn't met them when she met Hobie. But still, Hobie asks, hoping the reminder of Miles' parents will dissuade him from continuing.

M: They're fine. H: [After this line, Hobie turns black and white momentarily. Potentially a nod to the fact that this conversation is the only 'black and white' one Miles has had so far.] M: But we got into a fight. They just want what's best for me, so...

[Hobie frowns. The scene and dialogue REALLY starts to pick-up from here.]

"That's a bloody shame. Because you're not ready for everyone else."

As the scene progresses Hobie goes from behind Miles, to beside him like an ally. Then, when Gwen finally comes back into frame, Hobie crosses in front of him. When Miles mentions his parents wanting what's best for him, Hobie warns that everyone else does not want what's best for him. At the same time, visually Gwen has her back to Miles, and Hobie puts himself between Miles and Gwen, trying to block his path. The scene is set up to show that in Hobie's eyes, Gwen is turning her back on Miles. She does not have his best interest in mind. Hobie is telling Miles 'They're using propaganda on you, they're keeping you in the dark, and they do not have your best interest at mind. You're not ready for this." And he physically tries to block Miles from continuing, one last time.

Miles goes through Hobie, and now within earshot of Gwen again, this is Hobie's final chance and push to get as much information into Miles as he can - without freaking Miles out. Above all else, he needs Miles to be prepared, confident, and willing to fight back.

His voice becomes more serious, and he starts speaking more straight-forward and a lot less cryptically.

"Listen to me, bruv. The whole point of being Spider-man is your independence. Being your own boss, you don't need all this!"

I think Hobie saying this reveals a lot about his character, especially understanding the context where he's from. While many Spider-men would agree that being Spider-man is about responsibility and power - to Hobie, it is about independence, and freedom. Hobie is a freedom fighter, and one of the only Spider-men besides Noir that knows how to fight systemic threats as well as physical ones. To him, being Spiderman is about being able to free yourself and others. It's about independence and freedom, and he's trying to nail that in Miles' head one last time.

M: Then why are you here?

"Looking out for my drummer, is all."

As the scene is coming to a close, the writers chose this time to reveal some of Hobie's motivations, starting with the independence comment, and now this. Despite knowing about Gwen's deception towards Miles, he is still looking out for her - and Miles. This is the writers' and Hobie's last push to solidify himself as an ally to Miles and the viewer.

M: I want to be in a band. I want to see my friends, and I need a watch to do that. G: Guys, come on.

"Alright, Squashed. Just don't enlist until you know about who you're fighting."

I genuinely had to sit and ask myself why the writers would choose to leave Hobie's collective effort - a LOT of effort - with this line. And honestly, I think it's a perfect segway. Hobie chooses his words very clearly; He doesn't say 'what', he says 'who'. The next scene leads into Miguel's intro, and up until this point, Miles doesn't know who he is. He only knows about the Society, but never who is at the top. We know about Miguel, but all Miles knows is his name. That's why Hobie says 'who you're fighting'. Because the Society isn't really a Society, and this isn't really between Miles and the Society at all. It's a dictatorship - and the person he's enlisting to fight is Miguel. The perfect introduction and warning to the person he's about to meet. He's telling Miles, 'Don't rush into it. Wait until you meet Miguel first'. And when Miles does meet Miguel, he finally sees that this isn't the place he thought it was, just like Hobie said. ALSO EVEN MORE INTERESTINGLY - THIS is one of the lines that is changed between the two versions of spiderverse (there are two theatrical versions on release.) In the alternative he says 'Don't enlist unless you know what war you're fighting.' And I think that the fact the writers chose to publish two different versions of this line goes to show how powerful they knew this line would be in Miles' characterization. There is so much Hobie has left to say to him, but only one line - and so we get two versions. How fun!

With the scene now over, we see a change in Hobie's demeanor, and I love the writers' choice to have the shot linger on Hobie.

We see him give Miles a look that isn't exactly full of confidence, but from this point forward, Hobie chooses to hang back, no longer having any motivation to instigate. He knows his work here is done, and now all he can really do is wait for Miguel to reveal his true colors, and hope that he got through enough to Miles that he will react, and fight back.

And closing out the scene - I noticed that when Peter B. arrives Hobie pointedly says

"Oh boy, Humbling Reality Spider-man has arrived."

All I'll say about this is Hobie has to be Jamaican cause that was so mfing rude shgjfkghjgjkdfjk

Hobie has about three lines between this point and then end of his screentime - Two of which were his lines to Mayday, and his comment during the canon events.

But there is one shot of him before it all happens. And after this shot the movie begins staging Hobie in specific a very different way than anyone else.

The moment begins with Miles' line 'My Dad is about to be captain.'

The camera pans to each character. Gwen, Peter, and Jess all avert their eyes. Miguel looks at Miles. And Hobie is the only one who looks at all of them. Instead of looking down, he looks to the others, in anticipation of whats going to happen. It's also important to note that this was probably news to Hobie. He probably didn't know Miles' dad was a cop - or at the very least going to be captain. So the understanding of just how much trouble Miles is in kinda multiplies in this moment.

Then, this happens

From this point forward, every time Hobie is portrayed, he is shown as separate from the other characters, always being divided from the group - with Miles as the divider. Even as the camera moves, Hobie visually remains - quite literally - as the only person in Miles' corner. And as the scene goes on, he moves farther and farther into that corner.

Until finally the scene comes to a climax, and Hobie gets two shots to himself - delivering his final lines.

"Here we go." - "Hobie, You're not helping." - "Good."

GUYS IM GONNA CRY OKAY IM GONNA CRY

This is Hobie seeing his work pay off. This is him knowing that he got through to Miles and that it was worth it. He's proud of him.

Hobie knew what he came to do, and he used literally every line he said to Miles to the FULLEST extent. He doesn't give a fuck if he's not helping the Society. He's helping Miles. And now he knows his work is done.

Being a punk is not about being a hero, it's about empowering those who feel powerless. HE UNDERSTOOD THE MOTHERFUCKING ASSIGNMENT.

IN SHORT - HOLLYWOOD PAY YOUR FUCKING WRITERS I SWEAR TO GOD.

if you read this far let me know :) thanks bye

#ill repost the ending as its own post as well yay #hobie brown #spider punk #spiderpunk #miles morales #gwen stacy #jessica drew #miguel o'hara #spiderman 2099 #atsv #atsv analysis #across the spiderverse #spidergwen #spiderwoman #peter parker #peter b parker

3K notes · View notes

darealsaltysam · 2 months

Text

I JUST GOT BACK FROM SEEING DUNE PART 2 AND HOLY FUCK OH MY GOD HOLY SHIT HOLY FUUUUCK I NEED TO. I NEED TO. I NEED TO TALK SO BAD HOLY SHIT

below the cut because oh boy do i have a lot to say and i dont want my poor followers to suffer when i post this

oh my god okay okay where do i even start

opening with irulan's narration to mirror her notes in the openings of the chapters of the book. oh yeah baby. i ate that right up

watching paul get close with the fremen,,,,, fucking hell that hurts. dune really is a tragedy at the end of the day huh. they go from reluctant allies to friends but the whole time you know the switch will happen any moment now and they will be devotees and he will be messiah and that gap between them will never be as small as it is out in the sand. huddled in those tents. sharing drinks and laughs. im not doing ok

this especially hurts with chani. their love is so genuine and pure and she wears blue for him (which by the way sticks out so much more with how muted the colors of the rest of the movie are... i could talk about this all day) but she can see what he is becoming and he's trying to avoid it for her so hard but there's no avoiding fate. LORD ABOVE!!!!

i loveeee jessica being the manipulator thats pulling all the strings, urging paul towards becoming messiah. rebecca ferguson is such a talented actress she really understands the character so well. also as a hashtag certified alia atreides enjoyer her scheming with her unborn fetus might be the most unhinged thing ever but thats also so fucking funny aka its as dune as it gets. dune is WEIRD and im glad theyre not shying away from that. thank u denis

arrakis looks so much more beautiful in this movie like theres defo been some changes with how its framed and presented it feels so much grander and idk just ??? what it makes me think is that we're not seeing arrakis, we're finally seeing dune. we're seeing the land as the fremen see it as paul becomes one of them. i might be looking too much into it but who cares. god i love this movie

but yes more on the fremen in the first section of the movie. i like how there's this cluster of non-believers almost?? its a nice breath of fresh air. its hard to believe every single person would be just devoted to the prophecy and it adds some depth.

i will say the one thing i didnt like is the way stilgar is characterized?? i dont think he was so blindly devoted to paul in the books, and definitely not alia and leto ii after him as the atreides line went on. he's always been a source of small doubt towards paul but i think they're moving that element of him onto chani, so i think i can let it slide. i'd like to see him question alia more in the future though.

the scene where paul was named muad'dib and usul??? god it was so cute which made it so heart wrenching. all the fremen coming together and welcoming him into their lives. as a brother. as a friend. only for him to turn around and make them all bow before him. ohhhhh i cant do this

OH BOY THE WORMS THE WORMS AND THE WORM RIDING AND THE AHHHHHHHHH OH LORD

jesus christ. what the fuck. how is this allowed on cinema screens how is something so amazing allowed

the tension. the effects. the sound design. the sand rushing past the wind the worm moving forward paul struggling to hold on the fremen all watching and then cheering him on HOLY FUCKKKK HOLY FUCK I WAS HOLDING MY BREATH

all the worm riding scenes were so intense and so well done like. when i first read that stuff in the books i didnt think anything could ever capture how i imagined it exactly and yet. AND YET. DENIS!!!!!!!!

once more dune hits the idea of scale SO well everything is HUGE and they MAKE YOU FEEL IT. that shows especially with geidi prime but ill talk about that in a bit. but yes this applies to the worms too lord above them WORMSSSS ARE HUGEEEE AND I LOVE THEMMMM

rebecca ferguson put her heart and soul into that water of life scene and we all need to thank her for it

the way jessica is so quick to switch up and go all in on the prophecy. it makes me think of leto's "im not asking his mother, im asking the bene gesserit" like. the bene gesserit really come first for jessica and she takes her opportunity to fulfill her duties. to be the reverend mother. to rub it all in the faces of the other bene gesserit. she is the mother of the messiah and by god will she make everyone well aware of that

okay. okay okay. i think i said my peace on the early fremen stuff. i think. okay fuck okay SHIT fuck SHIT

FEYD FUCKING RAUTHA LADIES AND GENTLEMEN

oh my god okay. okay ill admit it. i doubted austin butler. i saw the cast list and i was unsure(tm). i saw him in the trailers and my faith was restored. and holy fucking shit did he DELIVER

stellan skarsgård's baron harkonnen is already such a threatening figure it feels like it would be impossible to make someone even more terrifying and yet. AND YET

just the way he's introduced. killing servants with zero remorse. LICKING THAT KNIFE THE WAY HE DID??? OKAY WHORE. I SEE YOU. GO RIGHT AHEAD. MAKE IT SLUTTY IN HOUSE HARKONNEN. I RESPECT IT

when the arena doors open and that loud ass fucking music BOOMS. makes the room fucking SHAKE. thats a PRESENCE right there. THATS how you introduce your antagonist.

the music playing as he fights being as fucking deranged as he is. chaotic and weird and unsettling. just. oh my god feyd had such a presence from the moment he showed up and he did not lose it for a single second. you could feel him LOOMING over the movie the whole time just as he looms over the whole book from his very first scene. oh my goddddd oh my godd

GEIDI PRIME. THE ARENA. THAT MASSIVE HARKONNEN PALACE. oh my god. once more. that sense of scale. the harkonnens love to flaunt their wealth so ofc they have huge fuck off arenas and castles where everything and everyone feels so SMALL in comparison.

dont even get me started on the black and white. the way it accents those coal black teeth and mouths. the way it makes everything look so much more inhuman and clinical and PERFECT because harkonnen power is so absolute and ruthless.

and the way the baron sits so so high above watching the fighting. literally impossible to picture his elevation above his people above the rest of the universe. the way feyd looks to him for approval after every movement. even as his uncle is trying to kill him they exchange those little looks and feyd knows hes getting his chance to show off while the baron gives him his "gift" what a fucked up family what the hell

speaking of fucked up family! wow! they are SO fucked up! there is something seriously strange being hinted at with feyd and the baron! feyd making his own brother bow and kiss his boot! those constant threats of death against rabban as if theyre nothing! this family is capital f FUCKED up. they hurt each other as much as they hurt everyone around them. theyre made of violence and blood and they could never show each other kindness because they dont know such a thing

what can i say about the feyd/margot scenes that hasnt been said already. like wow just unpack the boy's trauma like that. use him and then throw him to the wolves. once again the bene gesserit make it so clear this is THEIR empire and THEIR bloodlines and THEIR messiah. too bad jessica doesnt see that collective "ours" and instead settles for "mine" when it comes to the messiah

special shout out to dave bautista before i move on. just cause. his rabban doesnt get enough love. he really sells that balance of ruthless power but also incompetency compared to his brother so well. can you guys tell i REALLY like this cast

WE ACTUALLY GOT TO SEE GURNEY PLAYING THE BALISET WE FUCKING WIN Y'ALL

the paul/gurney reunion being the last shred of the old paul. how he gets so happy "i recognized your footsteps, old man" shoot me in the fucking brain stem it would HURT LESS

a bit off topic and it happened earlier (sorry my thoughts are so all over the place) but i like how they actually showed the process of how the water of life is made. it was actually exactly like how i imagined it when i read the books so thats neat !!

anyway. back to the horrors.

i already talked so much about feyd's presence so just another small note. that scene in sietch tabr. he is a MONSTER and i am EATING IT UP

i cant even begin to explain. how much it fucked me up. when paul took the water of life. i knew thats where we were going. i knew it was unavoidable. and yet still. when chani bent over him and screamed at everyone for making him follow this prophecy. when she was forced to shed tears to save his life. when she got him back only to realize she lost him and he wasnt the person she loved anymore. it broke me

chani's utter hatred for the prophecy and what paul is becoming added to it so much. i know some people are unhappy with how much shes been changed from the books but i think its elevated her character and all these scenes so much. and oh my god does zendaya DELIVER when the spotlight is on her. i never doubted her for a moment but all those changes to chani really allowed to let her shine. thats that euphoria acting coming out baby !!!!

SPEAKING OF GOOD ACTING

TIMOTHEE

FUCKING

CHALAMET

listen i hate the fact that he gets cast in everything these days as much as everyone but hes such a talented actor and i cant deny this anymore. the water of life scene really sold it for me.

he was such a perfect paul already in the first movie but this was the moment it really came out. the way he wakes up so calm and collected. lifeless. monotone. theres nothing theres literally nothing

paul atreides the boy who became duke far too young is dead usul who was the lover of chani is dead muad'dib the fedaykin fighter is dead only the kwisatz haderach remains and thats what the prophecy was always leading us to and yet the moment it happens its so haunting

like i cannot say this enough. that complete switch is so sudden but so subtle at the same time. its still paul technically but hes so different

what makes dune's weird concepts so easy to take in once you get into the book is all that internal monologue that really leads you through these complex concepts slowly. and yet in a few shots and a few lines of dialogue timothee chalamet somehow manages to express the idea of "i just learned the secrets of the fucking universe and im about to start a holy war" ???? HOW DO YOU EVEN DO THIS???? HOW ARE YOU THIS TALENTED???? OH MY GOD!!!!!!!! IT WAS A FEW LOOKS A FEW MOVENTS JUST THE RIGHT TONE OF VOICE AND THATS HIM!!! THATS HIM BABY!!!! THATS THE KWISATZ HADERACH AND THE UNIVERSE IS FUCKED !!!!!!!!!

also. anya taylor joy alia. we only had you for a split second but i cannot wait for you. im sure youre going to completely slay the third movie. give us our beloved tragic meow meow. alia is my fave character so i will be JUDGING HEAVILY. she better bring her a-game istg

when paul storms the war council and just completely takes control of the room so easily. thats the bene gesserit conditioning giving him his pedestal and he is making the most of it. he knows exactly what the fuck hes doing. and once more oh my goddddd all that shouting all that emotion and yet a complete lack of it. timothee spare a crumb of talent for the rest of us

also the way in that scene gurney is hesitant about it all until paul proclaims himself the duke of arrakis. and suddenly gurney has house atreides again and he doesnt care what chani does anymore. hes a follower to paul just as everyone else in that room. nothing changes. fuck me man i cant do this anymore

have i mentioned yet im so excited for chani in the next movie. her arc is so interesting. children of dune is defo not happening with the way chani has been set up so i doubt we'll see leto ii and ghanima but. lets hope we still get all the cool stuff wit alia at least. and maybe chani can be the one who leads the charge against her

okay i need to really fucking. get along with it im dragging this post on im so sorry this movie is eating my brain alive

chani still wearing blue during the final fight. im not saying more than that i might cry if i think about it too much

THAT. FINAL. FIGHT. OH MY GODDD OH MY GOD

IT ALL CAME TOGETHER SO SO WELL

THE WORMS

THE SENSE OF SCALE

THE FIGHT CHOREOGRAPHY

THE MUSIC HOLY FUCK THE MUSIC HANS ZIMMER YOU OUTDO YOURSELF EVERY TIME

THE SOUND

EVERYTHING FLOWING TOGETHER SO WELL

the way the fremen fight for their messiah but still fly the atreides banner. the way paul leads them as their messiah and as a "fremen" but always proclaims himself duke of house atreides first. oh lorddd im unwell

every time paul menacingly emerged from fog/sand/smoke my life was extended by like 10 years thank u denis

gurney killing rabban with as much ease as he did cleared my skin and watered my crops <3

the way the baron was literally dying and still crawling towards the throne.......... the way at the same time feyd ignored him completely and looked towards the doors reveling in the fight ahead..... if that doesnt tell u everything you need to know about house harkonnen idk what will yall

i also love how no one intervenes as paul walks in and kills the baron. not even feyd. feyd looks like he was a little TOO into it as paul killed him tbh. feyd u little freak. austin butler you talented talented man. im unwell

i AM sad we didnt get to see baby alia stab him but ah well. we got a bunch of other weird dune shit so ill let this one slide. the psychic toddler may be too much even for denis and everything he did give us. we'll always have our 1984 alia <3

OHOHOHOHOHOHOH. OH. HERE WE GO

HERE WE GO YALL

THE SCENE IVE BEEN WAITING FOR SINCE READING THE BOOK

THE SCENE THEY SHOWED BITS OF IN THE TRAILER AND THE SCENE IVE BEEN NON STOP YEARNING FOR SINCE!!!

THE DUEL!!!!!!!!!!!!!!!!!!!!!!!!!!!!

oh my god oh my god oh my goddddd where do i even start

okay so. the way theres no music. no fancy cuts no slow mo no over the top effects. its just the slashing of the blades and those BEAUTIFUL shadowed shots with the setting sun in the background. this really is the sun setting on the peaceful universe. just pain and suffering ahead marked with the blood spilled from the two who were meant to produce the messiah but who both got thrown off this path by the greed and selfishness of their forefathers. guys im normal about paul and feyd. definitely. i definitely have very normal thoughts about how they are foils and yet two sides of the same coin. yes guys

paul making the emperor kiss his ring is already such an insane fucking scene and it translated to the screen so well. amazing performances all around

i didnt talk much about florence pugh's irulan but she really didnt have much time to shine. im excited to see where she goes next and i definitely think shes a great fit but i need to see more of her to really be able to say more

i will say this. the way chani, irulan and jessica are the only ones who dont kneel for paul. the three most important women in his life who give him his power, everything he has. jessica made him and she made him the messiah. chani opened her life up to him, helped him become and in turn control the fremen, and she shed her tears for him and fulfilled her role in the prophecy against her wishes. irulan is his path to the throne, his key to being emperor. and none of them bow before him because why would they bow before a power they are responsible for, a power they own, a power they gave?

but for chani its different ofc. she also refuses to bow because she despises everything paul stands for.

oh my god i could say so much about the last scene being chani. not paul reveling in his victory. paul leaves for his next bloodshed and chani is left behind crying for the person she loves who she knows is gone. crying for her people, again enslaved. crying those same tears that brought the messiah back into this world.

theres a lot to be said about the role of gender in dune and how it hangs over every facet of this world but thats a whole separate analysis post to be had so ill just throw it down here in this little point

another thing chani does very well in the movies is she really makes paul's villainy explicitly clear. SO many people read dune and completely misunderstand it and walk away from it concluding its a "white savior narrative" and nothing more which. yes!! yes it is!!!! but thats not a good thing!!!! its never stated to be a good thing!!!!

this movie is not gonna let you misunderstand the message of the story no matter how blind you try to be to it. paul is not a good guy. hes never been the good guy. hes the protagonist, but hes not the hero. and chani allows that to translate from book to movie very well. have i mentioned yet i love movie chani

chani fills in the holes left behind by the narration and internal monologues of the book and, bonus points, she holds the people who dont understand what dune is about by the hand and tells them explicitly "PAUL IS A BAD GUY!!! DONT IDOLIZE PAUL!!!! DONT WALK AWAY FROM DUNE THINKING ITS PRAISING PAUL'S ACTIONS!!!"

i think thats pretty much all i had to say. i might reblog with additions as they hit me but yeah i. i enjoyed the movie. so so much. i think i might watch it again sometime soon while its still in cinemas.

sorry for being unhinged hope u enjoyed my rants. kiss kiss night night <3

#dune #dune part two #dune part 2 #paul atreides #chani kynes #jessica atreides #feyd rautha #feyd rautha harkonnen #rabban harkonnen #vladimir harkonnen #stilgar #alia atreides #irulan corrino #im so crazy im so feral holy shit #okay im going to bed now #its 1 am lmao #ive been writing these down for like 2 hours since i got back

637 notes · View notes

thepixelelf · 1 month

Text

warnings: coarse language. wc: 793

[the amnesia card always declines]

If there's one thing Joshua Hong has above all else, it's the audacity.

If there's two things, it's the audacity and the most grabbable, stupidly defined, makes-you-wanna-bite-into-them man tits you've ever seen in your godforsaken, miserable life.

Well, okay, maybe that counts as three things. Whatever.

"Oh my fucking god," you hiss, ducking closer to the coffee shop/bakery's table and hiding your entire head with both arms. "What is he doing here?!"

Soonyoung, the least subtle person you know (but you've given up on fixing him at this point) turns 180 degrees in his chair to watch the loser posing for a "totally casual" photoshoot outside. He hums in understanding, putting his hand under his chin like an experienced detective. "He must've seen your instagram story."

"He doesn't even follow me..."

"Oh, he's following you, alright." Soonyoung turns back around and stabs his fork into his strawberries 'n' cream croffle.

You glare at him over the pastries on the table. "Very funny."

"I know I am," he says with a dumb smile that says your sarcasm was not effective! "When are you going to stop holding your stupid grudge?"

An offended scoff escapes you. "It is a completely reasonable grudge, for your information."

"What, you being mad at him for...kissing you at that party?"

"For smooshing that stupid pretty face on mine at that party then acting like it never happened!" You slap your hands on the table, but as soon as you spot Joshua outside start to turn his head, you duck back into hiding.

Soonyoung points his fork at you. "He was drunk."

"So was I," you argue with a sneer. "But I remember everything-- especially you being the reason we had to cut the night short because you started drunk-crying and I had to take you home."

Suddenly capable of shame, Soonyoung scoots forward in his chair and leans over the table. "Have I mentioned that I love you and you're the best friend in the world?"

"Whatever, buddy." You roll your eyes. "Just remember all the shit I've done for you when I'm the one crying in the club."

"Crying in the club?" echoes Joshua--

Joshua?!

Your soul escapes your body entirely and jolts back in a nano-second. "Holy fuck--" You put a hand over your racing heart and send a death glare to the smug offender. "You scared the shit out of me!"

Joshua just smiles that stupidly pretty smile and, damn it, you're supposed to be ignoring this jackass.

"Sorry," he says, but he doesn't sound sorry at all. "Are you free?"

Making a face, you look over at Soonyoung, who just shrugs, then back at Joshua. "...Right now?"

"Right now is good." He nods in thought. "Or later today. Or tomorrow. If not, then the day after that. You've been avoiding me."

You force your shoulders to relax and avert your eyes. "No I haven't."

Joshua's expression suddenly goes solemn, which you notice because, shit, you started looking at him again. "Did I do something?"

At that, you scoff, crossing your arms and shaking your head in disbelief.

"Seriously. That party... I don't remember much, except that I've barely seen you since."

"Don't play the amnesia card on me, Josh. It's so tired."

His brows furrow, and your stupid fingers want to massage the hurt look right off his forehead. As if the dumbass deserves it.

"It's not amnesia," Joshua says. "But it's fuzzy. I can't tell what really happened that night or what was just my dream."

"Really? We're talking dreams now?"

He shrugs, crossing his arms, which fold just underneath those stupid, huge pecs... "I happen to dream about you a lot."

"Mmhm... Sure..." Are they bigger than the croffles? The melon buns? The... "Wait-- what?"

Joshua smiles, and you just know he caught you staring, the little shit. "I said, I dream about you a lot. Kiss scenes included."

Your jaw drops, maybe to the floor, but you can't be bothered to check. Out of the corner of your eye, you see Soonyoung make a perfect circle with his mouth before he hurriedly asks the barista if they serve popcorn.

"Joshua Hong, you..." Standing from your chair, you fist the collar of his fleece sweater in both hands, primed to throttle. "...are so fucking stupid."

Then somehow, even though you're the one who pulls him in, he's the one who takes your breath away.

When your lips part, though, you open your eyes while his stay closed, and he leans in again.

"Wait," you say, halting him with the one word. "How did you find me here?"

Wincing, Joshua peeks just one eye open. "Please don't be mad at him."

You whip around, but the bell over the shop's door is already tinging, and Soonyoung is dashing across the street like his life depends on it.

Good, because it does.

"Kwon Soonyoung! You are so fucking dead!"

#caratlibrary #seventeen scenarios #seventeen imagines #seventeen x reader #joshua hong scenarios #joshua hong x reader #joshua hong imagines #hong jisoo scenarios #hong jisoo imagines #hong jisoo x reader #svt scenarios #svt imagines #svt x reader #kpop imagines #kpop scenarios #.100 #.200 #.300 #.400

444 notes · View notes

gummydummy19 · 3 months

Text

The bear and his honey

Summary: How grumpy Sy won your heart and you won his :))

Content Warnings: Fluff, sunshine x grumpy trope, smut (oral, fingering, piv, creampie, pet names, praise, hint of a size kink)

A/N: Look at that! I wrote another Sy fic! @omgkatinka sent me this: After that fic today I kept thinking about first dates with Sy. And how either epic or awful it would be if your first date was getting stuff from ikea and assembling the stuff together. I feel like that would either forge an unbreakable alliance or doom the connecton right away. But I really like the idea. and I LOVED IT so I included that in here as well :)) It's not their first date but I hope you still like it <3

Word Count: 4k+ (holy shit)

Like a little girl seeing a big teddy bear at the fair, you were sold when you first met Sy. There was something immediately comforting about him. He was quiet and a little grumpy, but he always treated you with respect. A real Southern gentleman, as they say.

It took a long time before he asked you out. You kept running into him at get-togethers, always being drawn to him from the second you walked in.

In the beginning, you worried you were coming on too strong, always sticking to his side, asking him questions, flirting with him...

One night your entire friend group got together again for a cookout and drinks around the fire. Everyone was perfectly tipsy and content, and when the conversation started taking a more juvenile turn, you heard something that made your cheeks feel warm.

"Oh come on, everyone knows Sy's got it bad for you!", Cory boomed, swinging around his beer.

"Shut up, Cory", you hushed him, dismissing it quickly. You tried to ignore the way your stomach fluttered at the idea of Sy being into you, but when you saw him blushing, (yes, blushing) on the other side of the fire you felt your heart swell.

After that night, you started getting more confident. You loved teasing him, always poking the bear. You tried to get a rise out of him every chance you got, knowing he had a soft spot for you.

Admittedly, you were having a fun time pushing his buttons, but after almost two weeks of flirty comments and hanging under his arm whenever you could, he still hadn't asked you out.

So after another night of teasing, flirting, a couple of debatably too-strong martinis, and what Cory called "canoodling" you finally hit your breaking point.

"Are you planning on asking me out? Like ever?", you blurted out.

Okay, those martinis were definitely too strong.

"Ya want me to?"

Is he joking?

He chuckled and you realised you said that last bit out loud.

That Friday he showed up on your doorstep at exactly 6pm, on the dot, and handed you a gorgeous bouquet of flowers.

You could tell he really made an effort. He was wearing a button-up shirt and what looked like a fresh, new pair of jeans.

"Oh Sy, these are beautiful!", you squealed, before pressing a chaste kiss to his fuzzy cheek, 'Let me go put them in water, and then we'll be on our way!'

He didn't say much, he just grumbled as you skipped about your apartment in your pretty little dress, like you didn't know exactly what you were doing to him.

He took you to the most expensive restaurant in town, where he briefly told you about his job and his family before casually shifting the conversation back to you.

You let your foot wander up his leg while you innocently told him about yourself, loving the way he startled when the waiter showed up.

Afterward, he walked you home and gave you a kiss on your cheek, just as innocent as the one you had given him before. You were a little disappointed when he didn't come in, but you decided to deem his chivalry as charming.

A week and a half later, he took you to the drive-in for your second date. They showed some old James Bond movie, the perfect combination of action and steamy romance as you cuddled closer to him in his truck.

During a particularly spicy scene, you let your hand wander up his thigh, but before you got to his crotch, he stopped you.

You looked up at him with a frown, but to your surprise, his eyes were still glued to the screen.

You felt your cheeks heat up in embarrassment, thinking maybe you read the situation wrong. Maybe he just wanted to be friends? Maybe that's why he didn't kiss you last time? Why he didn't wanna come upstairs with you...

The nasty thoughts kept pouring in and you felt yourself spiral down. You shuffled away from Sy's embrace, gently moving to sit as far away from him as possible, half debating just getting out of the car completely.

'What's wrong?' Sy asked as he looked at you, sitting against the door of his truck.

"If you don't want me you can just say that Sy," you said bitterly, staring out the window.

When you heard him chuckle, you angrily snapped your head back to see if you were actually hearing it correctly.

"Oh, you think that's funny?" you spat.

You tried to open the door. You wanted to leave. To get as far away from him as possible, but the door was locked, and before you could protest, he wrapped his big arm around your waist and swiftly pulled you back against him.

You had no time to wriggle yourself out of his grip, because he moved his bearded face down to your ear and whispered, "You can't always get what you want, sugar."

You didn't know what to say. His actions had already confused you and now his words confused you even more.

He grinned at your puzzled look, grabbing your chin in his large paw.

"What do you want?" he asked calmly, looking straight into your eyes.

"You."

"You have me," he stated, making butterflies erupt in your stomach

"Doesn't fucking feel like it." you dared, keeping your voice low and your eyes away from his.

"Bratty little thing, aint ya?," he grinned, secretly a little proud at your ballsiness, tho he'd never admit it.

His grasp on your jaw tightened, making your eyes snap back at his.

"If you want something, you gotta ask nicely, sugar." he drawled, leaning in a bit closer, "Now, what do you want from me."

Your whole body felt like it was on fire. Your eyes darted from his gorgeous eyes down to his plush lips and back before you spoke, "A kiss, please."

A cheesy grin spread over his face and he loosened his grip on your jaw, moving his hand to cup the side of your face, gentle but firm.

He leaned in, his breath mingling with yours as he spoke, "Such a polite girl," before finally attaching his lips to yours.

That night you realized Sy wasn't as soft as you thought he was, in fact, he had quite the mean streak...

Another week of sweet texts and teasing phone calls later, you knew you were in deep.

Your third date wasn't even supposed to be a date. He took you for a walk in the park. You started holding his hand about halfway through the walk, with little intention of ever letting go.

It was meant to be a short stroll, just to get some air, but soon the sun started setting and your stomach started rumbling.

'Ya hungry? I know a good place nearby', he stated, pulling you closer against his side.

'Sy...I'm really not dressed for anything fancy...', you replied, knowing Sy's definition of 'a good place' when it came to you.

'Don't you worry sugar, you're dressed just fine', he grinned, pressing a kiss to the top of your head.

20 minutes later you were standing at a food truck, being introduced as 'his girl' to one of his old army buddies wearing a 'kiss the cook' apron.

While you munched on your greasy food, Sy told you the truck had been there since last summer, after their last tour. He was there every week.

It wasn't hard to notice the way Sy shifted when he talked about his work. You didn't push or pry, you just listened, letting your thumb trace over his hand as he opened up to you. Funny, how this thing with a man you had only kissed once already felt like the most intimate relationship you'd ever been involved in.

Two weeks after your first kiss, you got Sy to join you for a trip to Ikea. You needed a new bookshelf and your car was too small to fit it, so you convinced Sy to bring his truck. Getting to stroll around with him through the hallways with your hands linked was simply a bonus.

When you first walked in, you could tell Sy was a little uncomfortable. This wasn't exactly his area, fluffy rugs, decorative pillows,...he felt so out of place. But seeing you with a big smile on your face, dragging him around to show him which wineglasses you liked, made it worth it.

You made him feel at ease, but nervous at the same time. The whole thing felt so domestic, so innocent. So, why was the only thought on his mind pushing you onto one of those beds and fucking you six ways from Sunday?

Aside from that kiss in the car and a couple steamy messages, not much had happened between the two of you. It's not like you didn't want to, you just wanted to take it slow and Sy was trying to be a tease gentleman.

By the time you got to the storage place, he was a lot more relaxed. Maybe it was the fact that there were no more soft blankets or colorful couches. This part of the building was definitely more his vibe. Though, being able to show off his strength when it was time to carry the boxes may also have something to do with it...

You were almost at checkout, Sy was pushing the cart, half his view was blocked and he was trying not to crash into anything when he heard you squeal loudly.

"OH MY GOD!"

"What? What happened?" He peaked past the mountain of cardboard. He was worried something might have happened, but when he saw what you were holding, he grinned in confusion.

"He looks just like you!" you exclaimed happily, holding a big, stuffed bear with dark brown fur. "I'm taking him home with me."

Sy tried to keep a stern look but failed miserably, chuckling while he pulled you into him.

"What, am I not enough for you anymore? Should I be worried?", he joked.

"Don't you worry, baby. You will always be my big bear. The little one is just for when you're not around", you explained.

"Well if I'm your bear, you're my honey", he mumbled, pressing a kiss against the top of your head. God, he always smelled so fucking good... "Oh! I can spray some of your cologne on him!"

You kept babbling happily as you dragged Sy to the checkout. He didn't even know how long he had been smiling, but somehow he just couldn't stop. Fuck, what are you doing to him?

45 minutes later it was your turn to try and suppress your laugh. You were sitting on your couch, sipping a glass of white wine, and watching your man try and prove just how manly he is.

"Sy, honey, I really think if you just looked at the instructions..."

"I don't need no damn instructions, it's a fucking bookshelf", he grumbled.

"Alright, suit yourself...", you sighed, turning the page of your magazine.

Barely a second later you got startled by a loud bang and a string of curses. You looked up to see the damage and were met with a fuming Sy clutching his thumb.

"Not a word", he said.

"M'not saying anything!", you chuckled.

Another ten minutes passed in silence, aside from the occasional grumble coming from the bulky man you were rapidly falling in love with.

You finally dropped down the magazine next to you and put down your wine.

"Would you just let me help?", you asked, standing in front of him.

"I don't need-"

"Yes, you fucking do! Stop being so damn stubborn, Sy! It's not a sin to look at the manual! It's what it's fucking there for!", you finally snapped.

Sy looked at you with an unreadable expression on his face. He straightened himself, towering over you.

"You don't scare me, big guy", you dared, crossing your arms.

He raised his brow, tilting back his head a tiny bit as he peered down at you.

"Alright", his voice was calm and collected. A beat of silence passed and the tension could be cut with a knife.

You were starting to get a little confused, not entirely sure what the vibe was anymore but then, without an ounce of effort, Sy picked you up and swung you over his beefy shoulder.

"Sy! What the hell are you doing? Logan??"

A squeal left your throat when you were dropped down on your mattress. You barely had any time to process what was happening before Sy was on top of you, pinning your arms above your head as his body covered yours.

"You and that damn mouth of yours", he groaned, "always running ain't it? See what happens when you poke a bear?"

"He finally wants to taste his honey?" you spoke softly.

"Oh, honey, you have no idea", he said before he captured your lips with his.

You tried to wriggle your hands free to touch him, but he wouldn't budge, chuckling into your mouth as he felt you struggle.

"What have I told you about asking for what you want, hmm?"

"Sy, please...", you started begging.

'Please what? Use your words"

"C'mon....just lemme touch you, Sy, s'not funny anymore...", you whined, desperately trying to get closer to him, but you were no match for his strength.

Admittedly, feeling how much bigger and stronger than you he was made you drip right through your panties, but that didn't mean you weren't still desperate to get your hands on him.

Sy finally took pity on you and released your wrists. Your hands immediately clawed at his back, trying to pull him impossibly closer as you pulled him in for another breathtaking kiss. One of his big hands semi-gently held your cheek while the other pawed at your body, wherever he could.

It didn't take long before clothes went flying, both yours and his. The sound of his belt unbuckling ran in your ears as your blood pumped faster.

"Fuck, I want you so bad...", you mumbled under your breath, your eyes raking over his furry chest before landing on the tent in his boxers.

"I want you too, baby, so so bad". Blood rushed to your face at the realization that he had heard you. He still had a grin on his face, but this time it was different. Less mean, more dopey.

"Wanna taste you...", he mumbled as he pressed kisses between your breasts and down your stomach.

"Fuck, Sy..."

The first lick between your sticky folds already had him moaning into your pussy. "Sweetest honey I've ever fucking tasted...", he groaned before burying his face back in between your legs.

He ate you out with vigor, swiping his tongue around your clit just enough to drive you crazy before dipping it down to lick long stripes up and down your slit. With all the pent-up tension (and Sy's insane cunnilingus skills), it didn't take long at all before you felt that familiar heat pool down in your belly.

You arched your back off the bed, one hand digging into Sy's scalp as the other frantically grabbed at your pillow.

"Oh fuck, fuck...", you moaned as you felt yourself starting to creep closer to the edge. Sy focussed his full attention solely on your clit now, sucking and nibbling on it while he pressed two of his thick fingers inside you. He curled them up, finding your spot almost immediately and you screamed.

"AH shit! Please please please, don't stop...m'gonna cum!”, you babbled with an unsteady voice.

Usually you don't like to tell your partner when you're about to cum, because for some reason they always seemed to take that as a sign to start doing completely different shit, but you trusted Sy. He clearly knew what he was doing, and to your delight, he kept doing it exactly like that until your thighs were trembling on his shoulders.

You felt the waves of your orgasm roll through your body, your hips mimicking the movement as you bucked against his face. He didn't seem to mind one bit.

He kept his fingers inside you, perfectly stimulating the spongy spot they were nestled against while his lips nursed on your swollen clit, prolonging your orgasm.

Your entire body felt like it was on fire as you waited for Sy to stop, so you could finally breathe again. But to your surprise, the big beast between your legs didn't even show signs of slowing down.

"S-Sy...fuck fuck stop...stop stop stop...", you tried to squirm away from the sensitive feeling, but he kept you firmly in his grip.

"fuck..shit..sensitive...too sensitive..Sy, FUCK!" you moaned when the pain suddenly turned into overwhelming pleasure. The only thing you could do was scream for him. With every knock of his fingers against your spot you felt a pressure build, and when his strong arm pressed down harder on your belly, you swore your vision went white.

You wailed as you came again in a manner that could only be described as violent. Tears streamed down your cheeks as you felt yourself gush all over Sy's mouth and fingers. Your brain was too fuzzy to be embarrassed about it. He helped you ride out the last waves of your orgasm before he finally let up.

"Fucking hell...", he spoke up first. Your eyes blinked open and you sat up a bit to look at him. You were still finding the right words, trying to piece your brain back together, and then you saw it. The drops in Sy's beard, the wet spot on the mattress...oh my god...no no no no no.

It was as if Sy could read your mind, either that or the horrified look on your face was more obvious than you thought it was.

"That was the hottest thing I've ever seen in my entire life", he stated.

"Really?"

"Absolutely", he promised.

You looked at the twinkle in his eyes and you knew he wasn't lying. God damn, where has this man been all your life. Before you could stop yourself, you pulled him forward by the neck and smashed your lips against his, not caring one bit about the wetness of his beard.

He groaned when you pushed him back on the bed. "My turn", you grinned as you straddled him. You gave him one last peck before peppering kisses on his neck and across his chest.

"Fuck, honey...", he mumbled, gently moving your hair out of your face and keeping a gentle hold of it.

You finally shimmied down his boxers. His cock sprung free. Hard, throbbing, and all yours. You grabbed him by the base and pressed a few teasing kisses along the length of him before licking up a stripe and finally taking the head in your mouth.

A low rumble could be heard deep in his chest as you took him deeper, determined to fit him entirely. To your disappointment, you started gagging when he was barely halfway. You wanted to try again, but Sy gently tugged on your hair. "Not necessary, sweetheart"

"But I wanna make you feel good", you pouted.

"You are, feels so good princess, doesn't have to be all the way to feel good", he reassured you.

You took him in your mouth again and gently bobbed your head up and down, glancing up at him to see his eyes droop. You would have kept going for hours if it meant getting to see him like this. Sadly, he pulled you off his dick way too soon for your liking.

"Wha-but you haven't cum yet!", you whined.

"That's 'cause I'm gonna cum in this pretty pussy.", he stated before flipping you over, leaving him on top of you once again.

"Been wanting to fuck you for so long, you know that? Always skipping around in those damn skirts, teasing me...", he kissed you before you could reply. His rough hands traced about your body, squeezing and kneading at your flesh wherever he could.

You let your knees fall open next to his thighs, opening up for him. When the tip of his cock pressed against your entrance, your breath hitched in anticipation.

"You okay, baby?" he asked when he noticed your sudden nervousness.

"Yeah..."

"That doesn't sound very convincing", Sy spoke, sitting up a little. "We don't have to go any further, you know that right? I'm perfectly content just arguing with you over a bookshelf", he grinned and you felt yourself relax.

You gave him a sweet smile and tugged him down for a kiss. The kiss was slow and meaningful, different than before. When he pulled back, Sy's eyes found yours, "What's going on, hmm?" he asked, his tone calm and caring.

"Just been a while...", you stated shyly.

"Been a while for me too, honey, a long while", he admitted.

"How long?", you asked curiously, making him chuckle. "Seven months.", he replied, "and I can wait another seven if you want me to." It was your turn to chuckle, "Luckily, I don't want you to", you kissed him again.

"Since Cory's pool party...", you mumbled against his lips.

"Hmm?"

"Cory's pool party, when I first met you. Don't know how long ago that was exactly, but that's how long it's been for me".

Sy stared at you with wide eyes. You couldn't read his expression, but after a few beats, his eyes softened. He leaned in closely, his cock still stiff between your legs.

"Seven months", he whispered, "that's how long that's been."

His words and what they meant hung in the air for a couple seconds and you couldn't figure out what to say, so you settled for, "Fuck me, Sy. Please?"

He grinned and reached in between your trembling bodies to grab his cock, pushing it between your folds. "I'll go slow, sweetheart. Trust me. If I don't, this s'gonna be over real soon".

He slid inside with ease, the stretch was there but bearable. His head dropped to your shoulder when he was fully in, hot breath and scruffy beard tickling your neck. Your legs wrapped around his hips, trying to urge him deeper somehow.

After what seemed like a century (not that you were complaining), he dragged his hips back, sliding almost completely out of you before pushing back in. He repeated his movement a couple times. Your whines turned into moans, getting louder as his thrusts got rougher.

"Fucking hell...best pussy I've ever had", he groaned, pumping into you at a faster pace. He hiked up one of your legs higher over his hip, making him hit inside you deeper while grinding on your still-sensitive clit.

You moaned loudly. Your nails scratched over his biceps and he groaned in your ear. Neither of you was gonna last long and you both knew it.

"Mine", he growled and you almost came on the spot.

"Yours, Sy! Only yours!", you kept babbling while he absolutely destroyed your body, "I'm gonna cum, I'm gonna cum!"

"Cum for me, baby, fuck..."

Your final orgasm of the night consumed you. "Cumming! I'm cumming...fuck please cum inside me Sy, OH!", you moaned so loud you were sure the neighbors heard you, but you didn't care. Sy grabbed your hips roughly as he chased his own release, following suit before yours was even over.

He looked godly. His hairy chest was all sweaty, head thrown back, eyes squeezed shut...you swore you got another tiny orgasm just looking at him and feeling his cock throb inside you.

"Shit...", he groaned breathlessly, "I swear I usually last longer...", he started but you stopped him right away. "Sy, you made me cum three times in the last 45 minutes. I don't think I would have survived any longer."

He chuckled as he fell on top of you, squishing you in the process. You hummed happily, stroking his back while his cock was still buried deep inside you. You could barely breathe but you didn't care, if this was how you met your end, it seemed like a good way to go.

Taglist;

@metalbuckaroo @princessayveke @montsepliego @scxrletrecsmarvel @hopelesslyrogers @eclecticpatrolroadlawyer @tfandtws @vicmc624 @ahahafudge @enchantedbarnes @wickedravyn @pono-pura-vida @amayaraestyles @matchat3a @fictional-hooman @sebastianexplicit @peaches1958 @avengersfan25 @jamneuromain @tryingtoliveonmywishes @mrsevans90 @daybreak96 @tiredqueen73 @fallingforunrealisticromance @identity2212 @randomweirdoss @ragamuffin285 @juliaorpll78 @geralts-yenn @imjusthereforliam @bangtanstoeart @squeezyvalkyrie @enchantedbytomandhenry @superduckmilkshake @kingliam2019 @bascmve01 @missgaygurl @foxyjwls007 @mollymal @urmomsgirlfriend1 @luxeydior @peyton-warren

#gummydummy19 #fanfiction #fluff #smut #captain syverson #smutty thoughts #henry cavill #captain sy #captain syverson fanfiction #captain syverson x reader #captain syverson fic #henry cavill fanfic #captain syverson smut #captain syverson fluff #captain syverson x you #grumpy x sunshine #grumpy bear #grumpy sunshine trope

980 notes · View notes

clairegregoryau · 6 months

Text

Through the Looking Glass

From fairytale in Season 1 to stark reality in Season 2 of Our Flag Means Death- meta ported across from this Twitter thread by popular demand!

This thread contains spoilers for the entirety of OFMD Season 2

First OFMD S1 rewatch since S2, and holy shit, if you haven't done that yet... do that. A thing that it made instantly clear: they told us *all along* where this was going, but there was a reason we didn't see it. Because we were living in Stede's world then. Now it's Ed's.

I know that a lot of us have felt that the tone shift at the end of S2 was... jarring, compared to what's come before. This felt like a show that wouldn't go there. One where being run through was a temporary hiccup. We've travelled all the way from this to this.

But we haven't jumped there without a journey in between. And from the minute we started hearing about Blackbeard, the show never tried to hide what Ed's world and his specific life was like. Not once. In fact they told us over and over and over.

But Season 1 told us a lot of those things through song and story and fuckery. It blended reality with fiction.

Stede met the Blackbeard he knew through books and tall tales, and the real man was even more wonderful than he'd imagined.

We, along with Stede, were comfortable thinking that all those other tales were exaggerations and misrepresentations, and a lot of them very likely were.

The Ed Stede got to know was a person who was capable of whimsy and silliness and loved soft things and doing something weird. Yep, he was also capable of violence and rage, but when he was with Stede, he didn't feel it so much.

This was a vacation from that life.

To Stede he was absolutely lovely... oh, and also a bloodthirsty killer. And Stede loved (and loves) everything about him, and both of those things can be true. This is a perfect example of a spot where (in watching Season 1 without the benefit of hindsight) I assumed that everyone else in that pub was wrong, and Stede was simply trying to protect Ed's fearsome reputation by agreeing on the bloodthirsty bits. And I think from Stede's perspective that was largely true. I think that's how they wanted us to see Ed, through his eyes. Now, after watching both seasons, I think it wasn't the whole picture.

They told us, we heard it, we saw glimpses of it. But we (and Ed) were in Stede's run-away-to-sea fairytale the whole time. It wasn't until Stede left that we saw the reality- the Ed we knew had been, to a degree, a fictional character all along. I always saw this scene as Ed putting a bit of distance between himself and reality; it always felt like the Blackbeard of Stede's storybooks was the fictional one. But now it feels like the softer Ed that Stede knew was much the same- neither of them the whole story of who Ed was and is.

The one person who refused to live in Stede's fairytale was Izzy. I've seen people say it before, but he always gave off that vibe of the only human in the Muppets movie, or the guy who was in Black Sails while everyone else was in Pirates of the Caribbean. He saw the real risks clearly.

And in that light, the end of S1 has shifted an inch to the left for me, and I'm seeing it at a slightly different angle.

Izzy ripped away the healing Ed was doing, but in some respects he did it by tearing away the fairytale we'd all been living in, shoving Ed back into the Blackbeard story.

And that's where we pick up again in Season 2.

The fairytale reference came back in S2 in two notable places, those being Jim carrying that legacy forward in the darkest times, and in Izzy invoking the wooden boy against Ricky's efforts. Stede's made himself into a real boy. Ricky, nope.

Now that I've watched both seasons together, the tone shift doesn't feel so jarring at all, actually.

It feels like sliding through the looking glass, out of Stede's world, and into Ed's- a world that existed all along; we were just seeing it, la vie en rose, through Stede's eyes.

At the beginning of S2, Stede's gone, and we're seeing it unfiltered through Ed's reality.

But Stede wasn't lying when he said he loved everything about Ed. He made a promise to come back and find him- he went down into Ed's darkest place and reminded him that no matter how bad things got, there WAS someone waiting for him, ready to love him.

The contrast between S1's fantasy and S2's reality (excluding mermaids and actual bird guys and cursed coats) is stark, but it really is that.

We have the same settings, the same people, and very different ideas and outcomes at different times.

But it was always there.

Things do come back to a state of (precarious) balance once they're all together. Apologies are made, whether they're spoken out loud or through actions. Things go right, things go wrong. Healing happens. Izzy continues to have the steadiest, most real through-line in the story as he tracks toward redemption, finds acceptance, and to an extent finds himself.

Once again, I hate that they went here with the ending and I wish they hadn't. But it got a fraction easier for me looking at it not as a continuation of Stede's fairytale, but of the grounded-in-pirate-reality arc Izzy was always on, even while we lived in Stede's world.

Where does that leave us? We're not going back to the fairytale, but we're not going to be living in Black Sails for S3, either. We've hit a fusion point where S1 ended with each of them going to separate, miserable homes, but S2 ended with them in the same place, ready and willing to make a go of it.

Season 3 is going to give us their world, together.

I LOVED the moments in this season where the deep emotions were in balance with the silliness I've always adored about this show. Eps4-6 were wonderful like that. Clearly we're not done with drama, either, but like Ed and Stede, I think we'll find a middle ground.

Anyway in conclusion, a rewatch of S1 after S2 somehow made me love the first season even more, which felt impossible? It's now gained /even more/ layers of depth than it had before. No matter how you feel about S2 I think it's worth that rewatch.

Adding one more bit of clarity for myself: I think we got a bit (intentionally) seduced in S1 by the idea that the Ed of the storybooks, the Vampire Viking Clown with the nine guns, was a version of him that others saw, when Stede saw the REAL person who 'worked' for Blackbeard.

In hindsight I think it's clear the Ed Stede go to know was also not the complete version of himself- the reality is, there's a whole spectrum between the two, and they've landed in the middle of it now. Ed intentionally leaned into the unlovable Kraken image to protect himself.

It very much didn't work, just like being just... Edward hadn't worked to protect himself, either. This season has been very much about pulling those two extremes together and finding all the parts that make up Ed overall (another thread on that here on Twitter, which I'll also shift across to Tumblr soon!)

And I think one of my favourite things in S2 has been seeing the way Stede SEES that- he knows what Ed's done, everyone's told him, but he still loves Ed. sees his trauma and how it affects him, and believes he's a good man regardless. He IS lovable; he's not forever broken.

And together, they can heal.

#ofmd #our flag means death #gay pirates #ofmd meta #unreliable narrators #fantasy vs reality #ofmd spoilers #ofmd s2 spoilers

618 notes · View notes

showtoonzfan · 8 months

Text

Now that the episode is out officially, here’s my rant review of Oops!

PROS:

- Fizz and Ozzie were adorable and I honestly love them. Despite the sex jokes, you can tell they love each other for who they are OUTSIDE of sex. While I did wish we would have seen more, (like how Ozzie took him in and fell in love) they’re still adorable to watch. They’re the better version of Stolitz, can the show be about them instead?

- Brandon’s voice acting holy shit, he really knows how to sound like he’s in tears or is broken. As much as I hate the character and feel no sympathy, he displayed genuine and broken emotion very well.

- Alex Brightman Alex Brightman

Okay that’s it. Moving on to the Cons. Bear with me, it’s a lot and I go back and forth a bit. 😭

CONS:

So for a quick short summary, this episode:

- Once again puts more focus on the filler plot rather than actually focusing on the relationships between the characters, so all we're left with is a 10 second clip of Fizz being burned while the rest of the episode is surrounded on sex jokes/petty bickering and Stolas and Ozzie sitting around.

- Completely erases what made Blitz and Fizz's dynamic interesting in the first place because it retcons it with a dumb miscommunication trope about how Fizz actually wanted to see Blitz and Blitz tried reaching out to him. Not only does this feel like a cheap attempt to make Blitz out to be sweet/sympathetic and NOT the one in the wrong so Fizz can suck up to him, but this also makes no sense within the narrative.

- Has Fizz forgive Blitz despite him being the last person anyone would think would forgive him. (So honestly ruins Fizz himself because it turned him into a soft boy who's forgiving compared to the asshole he was in Ozzie's) All because Viv would sell her whole soul before she even remotely considers painting characters like Blitz and Stolas out to be the one's in the wrong.

- Takes Stolas out of the hospital completely, erasing all the drama/tension Western Energy had and proves that that episode was utterly pointless.

- Turns Striker from an interesting complex villain to a Saturday morning cartoon goon.

- Proves to us that Crimson is just a flat tool and gives us more prove that the world building rules Viv set up in season 1 legit don't matter.

-Ruins Blitz/Barbie's feud now because now you're making Barbie look like the one in the wrong since the fire was an accident. God forbid a female characters emotions in this show are justified.

But if you want my more in depth rants, it’s under the cut! (There’s a lot so bear with me lol)

- As usual WAAY too many sex jokes and swearing. It gets annoying and repetitive at times and some of them distract from the main plot. There’s a long and I mean LONNG dragged out joke of Fizz talking about Ozzie’s dick, then later saying he’s hard when Striker has a gun to his head, as well as Blitz making a joke about him and Fizz making out once they hug. Again, Viv can’t be serious for 2 seconds without an unfunny shitty gag. I genuinely wonder if Hazbin is ganna be like this, where a character is in a life threatening situation or a deep dark serious scene happens only for the next scene to be sex related.

- This is one of those “shit happens because the plot demands it” and it shows. Crimson and Striker COINCIDENTLY meet up with each other, and Fizz and Blitz just so HAPPEN to be in the same exact area they are. Viv wonders why we call her shit a fanfic and this is what we mean, when she creates wild wacky plots and focuses more on THAT rather than the actual character writing. This entire episode hinges on a useless poorly last minute planned kidnapping plot that didn’t need to happen. Also way to once again make the characters idiots so the plot can happen, cause Fizz KNOWS Ozzie worries for him and that the Greed Ring is dangerous, yet purposefully puts the spotlight on him.

- Stolas did NOT need to be in this episode. The plot completely ignores the fact that he was in the hospital the last time we saw him, and he’s only here for Stolitz banter. You’d think that a character admitting they have feelings for someone would be a big deal but he just flat out says it and it’s so underwhelming and feels half assed with no weight to it. Fan comics have made more dedication to this than Viv has. We're supposed to believe him too despite the show failing to actually SHOW us this. Same for Blitz ranting about how “nice” Stolas has been to him, laughing at his jokes and liking his posts…hey Viv, can we actually SEE that on screen so it’s more believable? Or are you only determined to show them sexually flirting? 😑

- Once again Viv felt the need to shove a B plot into this episode and this one sucks because it’s just two characters sitting and doing fucking nothing. It felt like Viv had no idea what to do with Stolas and Ozzie, and I refuse to believe that Ozzie just sat there knowing Fizz was in danger. If anything he would have said “fuck the paperwork” and went to save Fizz himself. Way to show that gif of Ozzie getting mad as a sneak peak to get fans excited, only to see that Ozzie spends the rest of the episode sitting in a dark room LMAO what a let down.

- Ozzie is weirdly chill and cool with Stolas and it’s something I don’t get. While he did say that Stolas had the real “spirit of Lust” in S1E7, it still gave you the impression that he was also more poking fun at Stolas rather than respecting him. The whole point of House of Asmodeous was that Ozzie outs him and publicly embarrassed him. Stolas literally was intimidated just by Asmodeous’s mere name, and hid his face around him. It seemed like Stolas certainly didn’t want someone like Ozzie to know about his private life especially since they’re both part of the Ars Goetia. Now here Ozzie is just cool with him and it feels like a missed opportunity for their dynamic.

- Stolas confessing his feelings about Blitz also makes…no sense narrative wise. I thought the whole point of The Circus and the ending to Western Energy was that he was realizing that Blitz didn’t like him that way and was finally waking up. I thought that’s why he was doing this whole crystal deal in the first place, so he can let Blitz go, yet the show keeps flip flopping and insisting that these two love each other and are good for each other. It’s really making you realize how this season and the previous stuff set up is becoming nonsense because the writers retcon EVERY damn episode. Also….why the hell is Stolas telling Ozzie his feelings for Blitz? Out of all people, why is it Ozzie, the person who outed Stolas and embarrassed him. Why is Stolas even respectful of Ozzie? He has no reason to, and he’s not under the impression that he’s dating Fizz either. I get that he needs the crystal but mentioning his love for Blitz makes no sense.

- Striker and Crimson teaming up to kidnap Blitz and Fizz was such an ass puller last minute decision. It feels overwhelming and underwhelming at the same time, more because it feels like Viv has no idea what to do with these two villain characters other than give them something evil to do to start the plot. Also…why…are they working together? It feels so random.

- Striker’s character especially is all over the place. First he’s working for Stella, then he’s painted as the best assassin in hell, and now he’s…looking for more work I guess and working for Crimson? Why? Does this guy even have a motive anymore? It feels like his character is just dangling around until Viv wants to use him for another wattpad kidnap plot and it ESPECIALLY shows when Striker escapes for the THIRD fucking time. Can this character/storyline actually GO somewhere or are you just going to keep introducing him and have him run away. 🤦🏽‍♀️

— How did Crimson not know who Striker is despite him being labeled as “the most popular assassin in hell”, and how the hell does Crimson know Ozzie and know all the information about him being in a relationship with Fizz?? Oh right because we needed the plot to happen somehow. Still, even if Crimson did know that Ozzie was the "weakest" and loved Fizz, (which….what about Beezlebub?)) he still should have known he was playing with fire. I get that he's supposed to be evil and intimidating but how could he have predicted that Ozzie would actually stand down and fill out the paperwork? He could have immediately came there and killed Crimson for all he knew. It's just distracting how..not planned this shit was.

- Fuck this episode for calling Striker a supremacist. It makes no sense?? Viv is trying SO hard to villainize him despite him being the one in the right and it pisses me off. He has every right to be mad at the upper class, he’s part of the lower class that we’re said Hell takes advantage of, but god forbid we call out Rich and powerful Stolas because that would mean he’s a b-bad person and we can’t have that complex morality! This is so not a “eat the rich” story and it shows bc Vivzie is rich as hell. Striker as a character deserves so much better man. Congrats writers, you had an interesting character and motive set up for him, now he’s nothing but a silly goon that you might as well kill off already cause you clearly don’t care about him. Crimson meanwhile is just a piece of paper, a boring plot device I could give less of a shit about. I thought his motive was to go after Moxxie, now he’s just doing fuck whatever because this show desperately wants a bad guy for their filler fanfic plots.

- We get more world building issues, Ozzie and Fizz are so determined to hide their relationship for obvious reasons, but then at the end of the episode just say “fuck it, no one would dare tell anyway”. So now they’re being open about their relationship and lmao I told y’all the newspaper scene of Ozzie being called out for being a hypocrite wouldn’t go anywhere. Even if Ozzie did threaten his workers to not tell, they can’t be so sure that someone wouldn’t see or snitch, it’s kinda a retcon too cause they were pretty lovey dovey in Ozzie’s. Still, it makes the characters look dumb and it makes the rules Viv set up for Hell once again not mean anything.

- We finally get to see Fizz’s backstory in action and it’s executed in the most underwhelming way possible. It’s literally a fucking 10 second clip of what went down, and rather than experiencing the event for ourselves, it’s in flashback mode but with Fizz’s voice talking over it. That’s it. I’ve seen fan comics/fanart that built this shit up better than Viv did, that actually took the slow time and dedication it needed, and here it feels like such an afterthought, like Viv could care less. Maybe if this actually was a character driven show like Viv claims, Stolas, Striker, and Crimson would be taken out of the picture and then that would leave us with PLENTY time to actually explore and develop Blitz/Fizz, bc most of this episode is just them pettily bickering and Stolas and Ozzie sitting around. But nah, we gatta have our fanfic kidnapping plot. Same goes for the reveal of Blitzo’s mom dying in the same fire. Glad to know that she got the same treatment Moxxie’s mom did, where we don’t even know her and yet we’re supposed to feel moved and care about her death. You nailed that one Viv. 👍

- I predicted that this episode would victimize Blitz and have the fire incident be an accident, (because Viv is a pussy writer and can’t make her characters actually do bad things like god forbid) but I never thought they’d actually have the balls to have Fizz forgive Blitz immediately in the same episode and pull the “actually turns out that horrible thing you did to me helped me in a way”- trope. Biggest flaw of the episode, fuck you Viv. I was actually going to applaud Blitz for taking accountability, but then the dialogue reminds you that an abuser wrote this, and he shifts his apology to “okay but I lost something too see so it’s not all about you” as if he’s fucking dismissing Fizz’s trauma and making it about himself. “I love flawed characters” my fucking ass. I would have smacked a bitch if I was Fizz because Blitzo loosing his mother in the fire too isn’t an excuse?? Fizz lost his fucking ARMS AND LEGS, and at the end of the day Blitzo STILL KNEW HE WAS HELPLESS IN THE FIRE BUT LEFT HIM BEHIND. He could have gotten help and came back, but didn’t. If this were a good show Fizz would have threw that apology back in Blitzo’s face and said “I don’t care if it was an accident or not, you still left me there and then proceeded to loathe me for years”. This is why Helluva will never be Bojack cause at least characters in that show who got treated horribly by him knew when to say “no, fuck you.”

- The episode retcons again, this time they make it out to be that Blitz TRIED contacting Fizz the years they were apart but no one would let him see him. Then they say that Fizz actually WANTED to see Blitz but assumed he didn’t want to, so their entire feud was solely because of miscommunication?? Number one, show don’t fucking tell omg. And number two, that makes ZERO sense. Blitz talked badly about Fizz in Loo Loo Land, and when they finally reunited in Ozzie’s, it was clear they fucking loathed each other. You got the impression that Blitz was petty and jealous just because Fizz was more popular, and Fizz not only loathed him for the accident, but liked to rub in his face about how much of a big shot he was. They literally do that in this episode too, so the episode is literally contradicting itself. Blitz and Fizz had multiple chances to meet up with each other, you can’t just say “oh they couldn’t because no one would let them”- So which is it? Did they hate each other because of bad blood, petty drama, or that they thought the other didn’t want to see them? Pick ONE Viv and stick to it, but she never does. Their feud was interesting and now you ruined it just to have some sweet happy ending. “Adult mature show” my ass lol.

-Bottom line is Fizz shouldn’t have forgave Blitz so easily, or forgave him period. I find it funny how he says “it’s hard to just forgive you” and then he literally does lol. I feel so bad for Fizz fans, him and Blitz’s feud was honestly interesting, so to see all of this go down in a half-assed piss poor way as if this was Care Bears is….wow. The fan interpretations had more thought and care put into this storyline but what else is new lol.

- I’m really tired of these shitty annoying songs. If you’re going to get Broadway actors, please put effort into your songwriting and actually have them sing something good, not something that’s literally nonsense. This Fizz song sounds like it took less than a minute to write and Sam Haft was just thinking of anything he could think of at the top of his head. Also Why the fuck are Striker and Crimson just STANDING there while Fizz sings. They look like idiots, just SHOOT them omg. If this were a funny show, Fizz would have started his first note and Crimson just rolls his eyes and pulls his gun out.

- Fizz and Ozzie kill the lawyer but not…Crimson? Despite Fizz knowing what ring he’s in and even Ozzie knowing what he looks like? Same for Blitz, he doesn’t try to make sure Striker is dead. I get that the plot demands for these two to still be around, but there’s a way to keep them alive without making the main characters look like fucking idiots. Also Stolas just leaves without doing or contributing anything to the plot yay.

- Fizz: “Let him have it, you could say he’s earned it”— Uhm….Nope. Blitz did NOT earn shit. He didn’t even earn Fizz’s forgiveness. Last time I checked, the moment Blitz cried and said it was an accident, Fizz forgave him, knowing he didn’t mean it. What effort did Blitz do to “earn” that as well as the crystal? Because he saved Fizz and didn’t leave him behind for the SECOND time near the end?? Cause if so than the bar is extremely low. That’s the bare minimum, just because Blitz cried and felt bad about it doesn’t mean he should be let off the hook Viv. I hate this so much, what a shitty conclusion, it feels forced just so Blitz can have the crystal and just so the writers can once again paint him as the one in the right. It’s almost insulting that they make it seem like Fizz was in the wrong for assuming Blitz starting the fire too, same for Barbie.

God what a shitty day it is to be a Fizz fan, I’m sorry. The episode did NOT do him justice. Fizzarolli deserved better than that half assed gaslighting apology for someone who lost their arms and legs man, and I’m tired of the show letting every character suck up to Blitz and Stolas for their horrible treatment just because they feel bad. Not only that but the episode (as most recent HB episodes) was a huge time waster. Everyone was really hoping for an in depth walkthrough of his character/backstory but again, when he’s not with Ozzie, the rest/most of his screen time is dedicated to him being helpless and pointlessly arguing with Blitz, plus a long dragged out nonsense song that didn’t need to happen. It felt like SO much time was wasted when we could have used the runtime we have to dive deeper and see more, like….again it would have been nice to see Fizz’s life AFTER the accident and how he became well known as well as how he fell in love with Ozzie, but his backstory is briefly scratched upon in a single scene and that’s it, all because Viv wanted this filler plot and wanted to dedicate more time to THAT rather than actual character expansion/development, something we could have got had you took out Stolas and Ozzie’s B plot and Striker and Crimson.

Viv is so on her way to murder/ruin every character that isn’t Blitz and Stolas and I won’t be here to watch further. I’ll check out the Mammon music video thing but that’s it man, this show is going off the rails, Adding Fizz to the character adoption list!

#vivziepop critical #spindlehorse critical #helluva boss critical #helluva boss critique #helluva boss criticism #helluva critical #anti vivziepop #helluva boss #fizzaroiii #fizzaroli helluva boss #helluva boss oops #helluva boss review #vivziepop criticism

777 notes · View notes

penvisions · 17 days

Text

by the grit of sandpaper {chapter 5}

Pairing: Jackson! Joel Miller x Patrol Partner! Reader

Chapter Summary: Another overnight patrol, an asked favor, a miscommunication, a fleeting moment of pleasure and it all comes crumbling down. Even worse than you had anticipated, the allure of being a part of something bigger than yourself blinding you into believing it was finally within reach.

Word Count: 10.3k (!!)

Warnings: canon typical violence, canon typical language, illusions to past death, illusions to past trauma, blood, mild injuries, hurtful language, town gossip, rumors, negative feelings, pining, heart of gold joel, carpenter joel, woodworking joel, artisan joel, patrol partnership, lots of feelings, angst, hurt and comfort, joel miller's hands need their own warning, intentional flirting, unintentional flirting, casual intimacy, urges to kiss joel miller get their own warning, adult content, teasing, yearning, protective joel, fluff, this is so unbelievably soft, size kink unlocked in reader, (girl, i feel you), reader is described as smaller than joel (bc c'mon), reader has a commonly used nickname but no assigned name, joel and reader pov

A/N: holy shit, i am so sorry for the mix up with the original content. i'm so emotionally drained from today that i didn't realize it wasn't the final version of the chapter that i uploaded. but it's fixed, all scenes are complete and as they should be.

ao3 link || series masterlist || main masterlist || ko-fi

It was your fault, you realized. As you set about searching for something you remembered seeing in the house when you had first been assigned to it and moved in with Aiden. It had been one of those things that you stared at in disbelief, startling manic, nearly hysterical laughter that had turned into tears and uneven breaths. So ridiculous to have come across it over a decade after the end of the world.

A pack of index cards.

Index cards. Who needed index cards at the end of the world, when language was all people had. Skills like writing, reading, all faded away and dormant reflexes that could be called upon if and when needed.

It hadn’t mattered if you could write, had the ability to write or read when you were running for your life from Infected and humans, crashing through the remains of what was once a town or city, crashing through snapping and unforgiving forests, crashing through unforgiving open land in the hopes that you weren’t spotted a mile away by someone trying to protect what was theirs or looking for targets.

It was your fault he had pulled away to the point of beginning his…thing with Marsha. The way you had run from him, run from what you had both shared. But it didn’t mean anything, he was...Joel was…an important part of the settlement. Integrated far better than you ever had the chance to and you would just ruin it for him. He had to understand that because he too, hadn’t tried to bring it up.

Gathering them and a few of the cookbooks you had, you settled at the kitchen table. Taking the time to flip through the recipes to find simple ones that could be adapted to the more limited means the settlement could produce. Eager to find ones that Joel wouldn’t find too challenging and would like the end result of.

Just as your pen hit the paper, a knock sounded on your door. Sighing, you set it down and made your way across the front of your home to find Tommy with a crying bundle in his hands.

“Maria left me with ‘im for the day to handle some council business and he won’t stop cryin’.” He looked like he was about to burst into tears himself, but you didn’t say as much. Knowing firsthand how draining it was to look after a newborn.

“Well, good morning to you too.” You said as the man shouldered his way past you and took up half of the couch, an old backpack swinging from his elbow.

“You said to come to you for anything we needed, and I need your help.”

“How do you know I’m not bad with babies, huh? Maybe they hate me and I’m one of those women who don’t like them?”

“But you’re not. Right?” His curls were a frizzled mess, his eyes telling of his sleepless night as they widened and regarded you almost desperately. Rocking the bundle in his arms gently, holding it close, But his arms looked angled weird, totally not in a natural hold. “Joel always said I was too anxious around Sarah when she was super little and that’s why she cried for him for hours until she tired herself out. But he’s busy workin’ on finishing up that new roof before the snow really starts to come down.”

You did know who Sarah was. It had been a rather slow and somber conversation between you and Joel one day in the middle of summer. You had only been going out on patrols with him for a few months at that point. Him and Tommy focusing on getting as much done around the town upon his return, taking longer than usual to add a newcomer to the roster.

He had asked after you, if you lived alone. You had answered yes, saying you lost everyone in the initial chaos of the outbreak. Your city too densely packed for a chance to return home, the only chance at survival had been to immediately flee. He had told you something similar, that he had lost everything but his brother in the wake of the virus. You hadn’t asked after who, but he had told you of his daughter. His biological daughter with a wet chuckle at how she was too kind for this world anyway. You had looked away from his tears, knowing even back then that he needed to speak otherwise it would eat him from the inside out. To think of her constantly and not be able to talk about her must’ve hurt just as much as losing her. Mentions of her sprinkled future conversations and you were glad he trusted you with that part of himself.

But you weren’t sure if Tommy knew you did beyond her name as chalk on a blackboard memorial in his living room.

“I’m good with babies,” You assured the man beside you. Slipping a full bottle from the side of the pack and asked him to dap it to your wrist. You licked up the milky liquid, immediately pinpointing the issue.

“It’s too bland, a little sugar mixed in won’t do any harm. But I prefer maple since it’s got the same qualities of honey but less of the local pollen. Both will help build immunity to the blooms come spring time.” Standing up, you carefully moved the baby to rest along your front, head on your shoulder and moved into the kitchen. The cap had been unscrewed by a watching Tommy and you stirred in a bit of maple syrup that had been collected outside the gates.

The bundle in your arms was still crying, though not as high a volume as when Tommy had first entered the house. Softly hushing and cooing to try and calm him. The second you touched the bottle of sweetened milk to his little lips, he quieted down and began to sip.

“Oh, thank god.” Tommy’s head was in his hands, elbows atop his knees. You settled beside him once again, smiling over at the older man. “Olive, if this is too much, I promise-“

“It’s okay, really.” You let him rest a wide palm on your knee, his fingers caressing the bare skin there as your dress skirt allowed for them to show. His eyes wide and beseeching, making sure you were really okay before he sunk into the cushions. “I’ve made peace with it a long time ago…”

It was his fault. The thought consumed him as he inspected the planks of olive wood, having brought them into the house after the first heavy coat of frost that covered the whole town after a particularly chilly night. He recalled having woken up, shivering as he yanked on a pair of thick socks and searched through the closets in the house for a spare blanket to throw over his bed. How he wondered if you were warm enough in your own bed as he donned his boots unlaced and jacket unzipped to drape another blanket he had taken from the closet over a passed out Ellie in her little studio.

And then he had wondered what type of clothing you wore to bed. When you had answered the door in your robe, it hadn’t looked like you had anything on underneath it aside from maybe underwear and a tank top. Not enough to keep your skin from the chill that tended to seep in through the panes of the windows all around Jackson, despite the blessing of functioning heaters.

He hadn’t gone after you, his attention being called away. You had run off, too startled by being interrupted and most likely embarrassed at being caught in such an intimate moment. But…it had been such a good moment until it had been shattered.

You had shown up at his door in a long dress, the skirt flowing down to your knees, thick fabric around your legs to combat the ever-present chill in the air. There was a whicker basket, handle draped over your forearm. That paired with your worn boots and wide brimmed had had been such a lovely image to open his front door to.

It had been hard not to stare at you and you talked and guided Ellie through dinner, faint music drifting into the kitchen from the living room as he set about cleaning up after each step and setting the table. It was all so domestic and he wanted for more nights like it. Just you and him and Ellie.

Sighing, you made sure to lock the front door behind you. Apron bundled up beneath your armpit and thrown in the general direction of the laundry room door on the other side of the kitchen. Filling and setting a kettle over the stove, you stood and looked out your kitchen window for a moment, taking in the fluffy snow that had attempted to stick as the dark, moody sky brought it over the town. It was still early, the sunrise more than likely about to occur, but it hidden in the overcast.

You shifted your gaze over the counters, logging the ingredients you had on hand for a possible breakfast even if you weren’t terribly hungry at the moment. When they landed on the broken mixing spoon that had decided to crack and splinter last night under your soapy hands as you cleaned up over dinner, you moved to rummage in the hall closet. The scrape of untreated wood along the floor sent a chill up your spine as your fingers closed around what you were searching for.

The thick slab of wood is covered with an old flat sheet. It had been from a tree last year, one that had lost a main branch in the same winds that had taken a whole one from your collection.

It was beautiful. Rich in color, the grain so detailed and curling in beautiful swirls. Burl added layers and looking pretty as it was set just so in the cut. You had kept it, unable to burn it for the soil. The thought of asking Joel to make you a set of cooking utensils had been in the back of your mind for nearly the entire time he had been here. But now with the crop of cutting boards artfully crafted, you were tempted to ask him to make of those from the hefty source in your hands.

But he hadn’t offered you one, hadn’t so much as mentioned that he had begun to make more and more ever since that first one he had been ‘trying out the idea’ in Tommy’s kitchen. You were hesitant to bring it up, but with the holidays only a couple weeks away…you were curious to see his reaction to the request.

You didn’t ask anything of anyone. Not even when you first got here, had taken the time to acclimate to the way life was led here within the settlement. Community, social circles, job detail, patrol. All of it had been taken in stride, and you worked for everything in your possession. Joel did too. You admired him for it.

A few moments later, you were rapping your knuckles against the man’s front door.

Ellie comes around the side, hearing it from her separate garage. She had looked frustrated, then curious, then excited.

“Hey, Olive,” She walks up to you, noticing the wood in your hands. “The old man’s not home, he went to help out with the lil guy.”

“O-oh, okay. I’ll just come back, I guess.” But when you began to inch closer to the porch steps, she ascended them with a small smile.

“Nah, come hang with me until he gets back.” She brushed past you with a soft touch to your arm. A key slid into the lock and then you were hesitantly following her into the house. “Feel free to make some of that god awful coffee you two enjoy so much, I’m sure he wouldn’t mind.”

You saw her dip off down the hall, the sound of her rustling through something behind an open door allowing you the privacy to make up your mind on the offer of coffee as you stood on the threshold to the kitchen. With a determined push, you set about to search for the coffee grounds and mugs. He had only two, one with a detailed owl and another more simple one. It was a plain white one that was hefty and looked like it belonged in the full hands of diner waitress.

It transported you back to late nights and early mornings surrounded by ruckus laughter and inside jokes, the scent of pancakes and bacon cooking on a flattop and the jingle of a bell to signal overflowing plates were ready to be dug into.

“What’s that in the cloth?” Ellie’s curiosity piqued by the bundle you had set down atop the kitchen table, her long thin fingers slowly unwrapping it. With a nod from you, she did so completely. Her eyebrows shot up, thoughts swirling behind her keen eyes. They flicked to the back room just on the other side of the kitchen wall. Her bottom lip was taken between her teeth and she looked like she was trying not to laugh.

“I know it’s silly, but…” You couldn’t help but feel nervous admitting it out loud, that you wanted to ask Joel to take some of his sparse free time for a personal project. You poured yourself a steaming cup of the finished coffee, searching for the sugar cannister. “This has been drying for nearly a year and I was gonna ask Joel-“

“Gonna ask Joel what?” His voice sounded from the doorway into the kitchen, startling you both. You rushed to put yourself between him and the table, a poor attempt to hide the plank of wood from his curious eyes. He looked tired, no doubt having been up more than resting all last night if he had been over at Tommy and Maria’s.

Taking that as her queue to leave, Ellie bolted out the back door with a hollered goodbye.

“Oh, um. Hi,” You waved slightly at him, unsure of how he would take to coming home to his house and finding you in his kitchen. Even if Ellie had said it would be okay. You were nervous, knowing that asking for something was a tricky thing. Even if he was so willing to give to others; his time, his attention, his skills. “I ha-have this.”

Moving out of the way as he crept closer on heavy feet, you allowed him to see the olive wood you had hauled over here.

“I-I was wondering i-if you’d be able to make a set of cooking utensils out of this? But I understand if you’re too busy, or don’t want to work with the dense wood, or don’t have the time-“

"Of course, sweetheart. I’ll try my best for you." And just like that he melted all your worries away and a smile pulled at your lips.

He easily moved the chunk of wood from the kitchen to his workspace. The muscles of his arms bulging beneath his flannel, the muscles of his shoulders straining at the fabric over his broad shoulders. All for your viewing pleasure as you followed behind him. The room was smaller than you expected, on his ground floor, just down the hall from the kitchen. But it was such a reflection on who he was.

The main desk had a comfortable looking chair, thick cushion on the seat. Atop it was an open book, propped up on a few stacked behind it and open to a stunning photograph of a deer. In the center was a partially carved figurine of the deer in the photo, shavings around it and tools lined up in a half circle around the back of it.

“How many pieces did you want?” He carefully bent his knees and lowered the wood to the ground, atop a tarp that several long pieces of lumber were set on and leaning against the wall. Blocks of wood beside them and lined up against the wall almost like bricks.

“Oh, um, just however many you can manage.” The crack of his knees as he straightened worried you, but it happened to you more and more so you understood it wasn’t really painful so much as uncomfortable most of the time.

"The cutting boards all around town...” Trailing off as a familiar scent caught your attention through the general smell of lumber, you moved toward the pile of wooden planks lined up along the wall like books atop a work table. There were many shades and types of wood, all different steps of being sanded down or stained, shavings nestled in a waste bucket beneath. Tools scattered over the surface and small cannisters of sealant and paint stacked neatly beside them. Two of the planks of wood were light, ashy and your attention honed in on them as you moved toward the table. “It was kinda my idea and I was wondering if-"

"Sweetheart, I can't make you one." You startled at the boom of his voice so close, blocking your view from the stack of them as he moved to stand in front of you. The hand that had been reaching out with the intention of caressing them fell back to your side.

"Oh, um, okay." You cast your eyes down, taking in the worn leather of his boots. Of yours. There were so many of them, easily two handfuls and yet he wasn’t willing to share one with you. But everyone else around town seemed to be worthy and you couldn’t help but wonder why you weren’t. You were friends, he had said it himself. But then…but then you had kissed him and fled.

No question as to why flowed from you. You were used to not being included, but you had to admit that it stung coming from him. In an attempt to mask it you tried to smile but you weren’t sure if it actually showed. Your chest ached, body feeling like it wasn’t yours. Like you were looking down on it as it stood in that workspace with the man who sought solace within it. Like you had intruded, and shame bubbled up for having made yourself comfortable where you shouldn’t have.

"Can't find a sealant that would hold up to those knives we found. You'd just cause damage to it."

"Okay, but-“ You tried to backtrack, to apologize for being so curious.

"No, Olive. I don't have one for you, so please quit askin'."

You didn’t say anything, your voice stuck in your throat. Turning and walking away from him without looking up, afraid to see his expression. You faintly heard his voice calling after you, but you ignored it, it was far away. It was as if you were down in a tunnel, like you had tipped over and fell down into one the second Joel had turned you down.

You wanted to move past it, to gloss over it, to stay and enjoy in the time he had been willing to give you on his one day free from responsibilities. But you couldn’t, your chest felt like it had caved in, like you were hollow, like you would never be able to break into the social graces of the settlement. Marked with the death of someone who had, someone who kept messing up and making it easy for people to turn you away.

He thinks about how hurt you looked when he tried to ward you off from the stack of cutting boards he had practiced designs on and different shapes. berating himself for being so harsh when he had been scared you would see the wood he had taken from you without your knowledge. You had been reaching for the planks made from it, drawn to them as if they were magnetized.

The way in which you had shut down, his soothing words after denying you falling on deaf ears as you turned and simply walked away from him. He had been under the impression you wanted to spend the day with him. You had been an unexpected guest but not an unwelcome one. It had been nice to return to his home to find you there, comfortable enough to have put on a pot of coffee and the errant scent of that woodsy, floral perfume that seemed to be a part of your skin from tending to the trees in your yard.

But you had just turned and walked away.

He watched you go, not liking the way you had shrunk into yourself at his denial. He had tried to be soft with it, you couldn’t know that you had been asking after the one thing he wanted to keep a secret from you. That you had given him the idea and he was practicing and making so many different prototypes all to ensure that when it came time to craft yours, that he would be able to do so easily.

He scrubbed a hand roughly over his face, sighing out as he dressed for patrol. His alarm had gone off an hour ago but he had already been awake, sleep evading him as the moment from the other day played in his mind’s eye over and over again.

Settling on the musty cushions beside you, the memory of the last time he had done so puffed up along with a cloud of dust. It had been a long day. Clearing the village and finding a place to hole up in for the night.

“I’ll take the first watch, try ‘n get some rest.” He murmured low, taking in the way you were already curling your legs up underneath your body on the other end of the couch. The scarf around your neck pulled up for you to bury your face into it, hands in their gloves and secure in the pockets of your coat.

You didn’t think you even responded, the cold of the day draining you and making sleep too alluring a respite even with the broad man beside you and all alone for the first time in a while.

Bird calls woke you up hours later, signaling the start of a new day. The warmth of sleeping was a lull to the chill you knew awaited outside, but you pressed into the bed further, burrowing even more into the lump of blankets you tended to scrunch up beside you.

But the lump shifted and your eyes flew open to find a different setting than you dark bedroom. You weren’t asleep in your bed, you were sunk into a decrepit couch and pressed into Joel’s right side, having sought out his warmth in the cold house. He was asleep too, his eyes closed despite his body still seated up with his feet resting on the ground.

You couldn’t help but rest your cheek on his shoulder, taking comfort in how close and warm he was, even if it had been an instinctual move to begin with.

He was so handsome. Beautiful. From the scar across the bridge of his nose, the one at his temple, to the freckles that littered his tan skin. Wrinkles relaxed as he slept, his plush lips parted slightly. His body sunk into the fabric where he had settled last night, long and lean. His mass so large you had shifted in your sleep to press up against him, partially on him to share the small couch and steal his warmth. His neck bent back a little as his head lulled onto the back cushions.

Your eyes roved down the strong column of his neck, catching on the way his adam’s apple jutted out and you resisted the urge to lean in and nip at it.

His hands, dear god, his hands. They were slack in his lap, his entire body completely lax as he slept slumped beside you. Veins and freckles decorated the skin, mind running with the idea of them tight around different parts of your body. How they would feel wrapped around your hips, your breasts, your neck…

You couldn’t help but reach out and lay a hand atop one of his, your palm over the back of his. Your stomach fluttered, the heat settling low. Your own hand looked so small, atop his. The difference so startling.

“Mm, good mornin’,” Joel’s gravelly rumble made you jump, realizing you had gripped two of his fingers in your hand. He jostled the hand in your grip and you felt heat flood your cheeks at being caught touching him. When you moved to take it back, he curled his fingers, catching your hand and pulling it up to his lips where he pressed his lips to the back of it. “Don’t act all shy now, sweetheart.”

You throb.

The gusset of your underwear suddenly dampens as you clench around nothing.

“I-I don’t know what came over me, you were sleeping and I shouldn’t ha-have-“ Trying to tamp down your less than friendly thoughts, the allure you felt wash over you at his sleepy timbre, to backtrack away from what could end up being another thing to have him avoiding you around the settlement.

But he surprised you, emboldened by the hazy thoughts displayed in the parting of your own lips, the heat he could feel rolling off of you, the pressure you tried to relieve between your legs with a clench of your thighs together. And then his thick, sleep coated words turned sultry, pitched low and velvet.

“Thinkin’ about my hands on ya, huh? Sweet little thing, what was it?” He guided your hand to cup his cheek and then rest against his neck. “Thinkin’ about my hands here?”

When he squeezed your hand around it, you felt faint for the way your blood was rushing and thundering loud in your ears.

“N- no.” You swallowed, voice breathy and pitched low as you struggled to find words.

“No? What about…” He moved your hand to his chest, right in the middle of his ribcage. His heart was thundering beneath the flannel, mirroring your own. “Here?”

Your breath hitched as he moved it further, not giving you the chance to answer this time. Down ,down, down past the hem of his shirt beneath his jacket to the denim of his jeans. Pressing your palm down atop the zipper, you could feel the long line of him, hot and semi-hard. It twitched at the pressure, and you couldn’t help the whimper that fell from your lips. Eyes having been dragged down along with your clasped hands.

“What about here?” His lips grazed the shell of your ear as his question was pressed close, nose brushing sensitive skin just behind it. Mustache and beard lightly scraping against you, causing you to shiver and press down your hand more firmly. He groaned out, the sound burrowing deep into you. He twitched again beneath your palm and all the air in your lungs whooshed out.

And then he was dipping his head to capture your lips in a hard kiss. His tongue trailed over the seam of your lips, and you let him in without a thought. Pleasure flared from the heat that had taken hold of your entire body, the air crackling with the need for him to be closer, to be pressed to you completely, pressed inside of you completely. Body buzzing, needing more more more from him you shift to cup his cheek with your other hand.

When he speaks next, his voice is all soft. Southern twang breathy and so close as his lips graze yours, his forehead pressed to your own. The press of hot skin only a prelude to what you hoped was more…

“Sweetheart, I-“

The sudden creak of the back door opening cut the tension of the room and your stomach filled with dread. Joel’s hands became almost painful on you as both your heads whipped around to stare at the kitchen threshold, waiting with bated breath for the intruding source to walk through it.

He was up off the couch in a second, his handgun in his palm and he stalked silently toward the kitchen, leaving you on the couch to reach for your own. But your attention was pulled to the front door of the house just as he disappeared through the threshold.

Two shadows crept into the house and your ducked down to avoid being seen immediately.

There were sounds of a scuffle in the kitchen and you took the opportunity to sneak around the couch in a crouch and stand with the gun trained on the larger figure of the two just on the other side of it.

“Drop your gun or I shoot.” You kicked his legs apart, hand patting him down as he listened to your command. He didn’t have any other weapons on him and the woman a few feet away didn’t visibly have any, her clothing tight around her middle, large jacket draping over her to keep her swollen middle warm.

You took your eyes off of her for one second to kick the gun away and behind you when she lunged. A shiny piece of something glinted in her hand and you shouted out as it cut across your own middle.

Grunting, you elbowed the man in the ribs, winding him and sending him to crumple to the ground in pain. You kicked out and wrapped your foot around one of the woman’s legs and tugged her close, ignoring the sensation of that same piece of whatever it was in her grip as it tore into your jacket sleeve.

You smacked her hand against the wall behind her, being mindful of her stomach and was about to wrap your hands around her neck when the man wheezed out a pleading cry.

“Don’t hurt her, please!” He tired to catch is breath, but you didn’t break your focus away from the woman you had pinned down. A wave of nausea rose over you, the only indication before you collapsed, blood soaking the front of your shirt in a dark, wet patch.

“Shit, I think you cut her too deep.” The man crawled over to you, his hands pressing down to try and staunch the flow. The woman fell to her knees beside him, her hands reaching out to grip one of your arms. The clatter of the weapon she had used was loud and you looked over to it. It was a piece of dirty glass.

“I-I didn’t me-mean to hurt you so badly! I’m so sorry.”

“Fuck, okay, go to my pack.” They shared a confused look, but the fact that they hadn’t run off with yours and Joel’s supplies to their remorse at hurting you told you they were good people. “Go! There’s a spare shirt, we need it to put over the wound.”

Just as she bent to dig into the pack by the couch, Joel’s quiet steps and low threat called as he entered the room.

“Get your hands off of her and step back.”

“Wait! They aren’t Infected!” You panted, voice sharp despite the effort it was taking to breath as your middle burned, knowing the man’s instincts had taken over completely. His steps measured. His gun raised. His reasoning marred by the sight of you bleeding on the floor.

“They hurt you.” His honeyed drawl gone, replaced with an air of authority that demanded attention, all dark, rich molasses sticking everyone in place.

“It was an accident, Joel, please. They…they have a baby on the way. We have to take them back.”

“That true?” He kept the shot gun aimed at the man hovering over you, the blood shining on his hands making his nerves twitch. But his eyes landed on the woman who had been rummaging through your bag for first aid supplies. She slowly stood from her crouch, revealing her swollen belly.

He ordered them both to take a seat on the couch, telling them he would deal with them once he tended to you, letting them know that he wouldn’t hesitate to shoot if they tried something. He then kneeled down on the ground beside you, one of his large hands going over yours holding the wad of fabric to your middle, the other going to cup your cheek.

“Sweetheart, are you okay?” His eyes bore into you, stern edge to them. You were visibly shaking, skin looking sallow and sweat beading at your temple. He carefully moved your hands aside, eyes flicking from your pained expression to the injury as he slowly lifted the fabric you had pressed to it. And then the hem of your sweater and tank top underneath.

Lips a grim line and eyes dark as he took in the still bleeding injury. His brow furrowed deeper as a thick rivulet ran down your side to spill onto the floor and Joel cursed under his breath. The gash was a few inches long across your stomach, to the left of your belly button, rimmed and irritated red. Angry and no doubt already infected if the shard of dirtied glass abandoned beside you was any indication. Your blood stained it, the woman’s fingertips pressed into it in smeared, red marks.

“Shit, it’s already starting to get infected.”

You managed a weak nod, both in response to his question and muttered worries fighting off the tears as he pressed around the wound, trying to get a gauge of how deep it was. You held back a whimper at the prodding, bottom lip firmly between your teeth.

“Joel, there’s gau-gauze in my pack.”

“Find it and toss it to me, quick.” He raised a threatening look to the pair on the couch, their heads turned and watching everything play out. Worried that if you were to bleed out, the man wouldn’t hesitate to retaliate or leave them here to their own devices.

The woman rushed to dig into your pack once more, fingers finding the crinkling plastic wrapped around the sterile gauze. She tossed it to Joel, the hand that had moved down from your cheek to rest over your heart on your chest reached out to snag it from the air. He ripped it open with his teeth and urged your hands to hold it down atop the wound.

You could only watch through hazy eyes as he shucked off his jacket and then his flannel. With a smooth motion he removed his t-shirt, his most base layer. With his chest on full display, the dark hair over his chest and trailing down from his belly button you startled at the sound of ripping fabric. The knife he kept holstered on the back of his waist out of is sheath as he used it to cut a thick strip from the hem of his shirt. He gently urged you to lift up from the ground for him to wind it around your back and tie it securely over the wound.

Slipping two fingers below it to ensure it was tight enough to keep pressure but not overly so as to cause more problems. It felt a thousand times better already, your nausea waning as the blood stopped flowing from your body. But you would definitely need stitches and antibiotics once back inside the gates. Once he was sure the wound was okay for the moment, he took both your hands in his, a slight tremor to them. His thumbs rubbing soothingly across the backs of them.

“Okay, you’re okay,” He murmured. He leaned down to press his forehead to yours. Breathing in deep and your lashes fluttered as he sighed out. His eyes were clenched shut and he took a moment to ground himself before he pulled back and peppered chaste kisses over your face. Your forehead, each of your cheeks, the tip of your nose. The edges of your mouth.

“I’m okay,” You promised, unable to ignore how shaky his breathing was so close. A nervous giggle sounded from you, unable to tamp it down as your head swam. “But maybe you should put your clothes back on before you freeze.”

“Can’t lose you, sweetheart.” The whispered sentiment washed over you, leaving you warm and light in the chest for a completely different reason. Only when you nodded in understanding, did he reach over for his flannel and shrug it back over his broad shoulders. The buttons closed up with deft fingers as he watched you take a mental stock of your body and how it felt. You said up just as his jacket was pulled back into place over the flannel.

“Good thing ‘m not goin’ anywhere then, huh?” His wet chuckle was the only response you got before he helped you to stand. He guided you over the couch with an arm around your shoulders, silently demanding that the pair move from the cushions to make room for you. Making sure you were comfortable with both packs beside you before he turned his attention to the people who had injured you.

A nurse took you in quickly, insisting someone else would do a thorough check on the brother and sister you and Joel had brought to them once leaving the horses at the stables. The backup shirt you had taken along with you in your pack tied to your abdomen with a scrap of fabric from the bottom of Joel’s undershirt. It was better than nothing, better than bleeding out.

You had insisted that the woman, Callie carefully got up on Lowry for the trip back. Joel had been worried about them sharing a horse together, the very real possibility of them taking off on it at the forefront of his mind. But you had assured him that they could be trusted. That they could’ve taken both your packs and left you to bleed out on the floor.

That was how you had found yourself once again sharing a horse with Joel for an entire day. The feel of his body pressed close to your back so different from when he had tried to keep his distance. His hands secure around your waist and resting atop the saddle horn. You tried not to let it distract you, carrying on casual conversation with them to get a feel for who they were. Every so often, when you grunted at particularly hard hoofbeats or a rough jostle, his right hand would press against your roughly patched wound.

Stitches, the nurse had said. At least four of them.

Joel was outside the hall, waiting for you to be released. He looked up from the notepad in his hands when you exited the room, brown eyes tired. You couldn’t read his thoughts, though you were too tired to begin to think what that could mean.

“Hey, what’d they say?” He surged up, the notebook going back into his pocket, the worn fabric snug around it. He retrieved the coat and sweater he had kept for you when the nurse had asked you to remove all outer layers.

You lifted the torn tank top, allowing him to see the clean, bright white bandage that had been taped over the injury. The fait outline of stitches could be seen through it. Two of his fingers brushed against it, almost tenderly.

“No painkillers, those are only for serious cases.” You let him help you put the sweater back on, his hands holding the head opening side for you to slid it on, gently tugging the fabric into place around your sore arms. “They gave me a shot of antibiotics and a pack of fresh gauze. Gotta come in next week to get the stitches looked at.”

“I’m so sorry.” He murmured as he held the coat up for your to slip your arms into. When you turned around to face him again, he pulled you to him in a loose embrace. “I’m so sorry, sweetheart.”

“Joel, it’s okay. We’re okay. I promise.” You leaned up, mindful of the new pull on your middle, and pressed your lips to his cheek. Sighing at the soft pressure, he walked alongside you out of the building.

Since there wasn’t anything they could give you for the pain, you just wanted to lay in bed and rest. But you also wanted to try and find a reason to get out of the house later. Swallowing down your fear of rejection, knowing he was the one person who wouldn’t do that to you, you asked him for a drink later in the evening.

But he didn’t look up from the paper in his hands as he walked out the front door with you, scribbling something down on a page that only had two previous lines of script. The chill of the wind breezing past you both as you repeated your question in slightly louder volume, sure he just hadn’t heard you. You knew he was hard of hearing in his right ear and that was the side you were on. But what you didn’t expect was his haphazard response. So at odds with the tenderness and care he had shown you throughout the day.

"Huh? Oh uh, I can't tonight. Sorry, I'll see ya, Olive." And then he's off without so much as a glance your way, leaving you standing outside the infirmary. It left you more than a little concerned, whiplash at the sudden shift from intimate, to protective, to nothing so much as a glance all from the same man.

It’s early, the sun not even showing signs of rising. Snow drifted down, a perfect morning. You were humming to yourself, mentally planning out the meals you could make. A breakfast casserole that would allow for the use of root vegetables, eggs, some of the goat cheese that had been made perhaps. You were minding your own business, enjoying the walk to the mess hall and the kitchen that would allow you to work and forget the hollow feeling that hadn’t left you all last night. It was easier feeling nothing other than the faint pull of stitches on your abdomen.

You catch a figure walking out of a front door further down the street. The figure broad but their steps light as they descended the porch to Marsha’s house.

Oh.

It was Joel.

He didn’t have a utility belt, he didn’t have a toolbox, he didn’t have anything that indicated he had been there to repair something.

It was Joel Miller, leaving Marsha’s house. Far too early to mean anything other than the fact that he had spent the night inside, with her. Guess that's why he had turned down your offer for an evening with you. He already had someone to share drinks with, someone to spend his time with.

Turning, you tried not to follow his figure as he began to walk down the street, facing away from you.

You could only think that it was because of the way you had run the other night. Because of the way you two kept giving into yearning touches only for the moment to be yanked away. Three times now, far too much trouble for someone as busy as him. Someone with a life like he led as he cared for his family and the repairs that were needed around the settlement. You were desperate, for company, for attention, for him. It must’ve not settled well with him to realize how much you wanted him and that it never seemed to work out in his favor, only friend or not.

Deep down, you knew that wasn’t the reason. He was such an understanding man, and he wouldn’t put the blame on you. But the fact of the matter was that he was willingly spending his time with Marsha.

He wasn’t sure where you had disappeared to, your house dark safe for the light over the stoop light up in a warm tone. He had a box in his hands, something he had rifled through his, Ellie’s, and Tommy’s homes for to fit the finished set of wooden utensils you had asked him to make.

He had taken his time, sneaking glances at the ones in your kitchen when he dropped you off after patrol one morning and you offered him a light lunch. You had made grilled sandwiches, pairing them with some steamed vegetables that were beginning to wilt in the cold air of the house. You ran the heat on a good middle range, to ensure it didn’t get too stuffy and begin to take a toll on the record collection in the living room or the books you kept on every surface and crammed lovingly into the many bookshelves you had.

You seemed to favor spoons, though he did catch sight of a few rather flat spatulas. He had inspected the wood thoroughly before he even thought of measuring it. Admiring the way the dried wood looked and taking notes down on the pad of paper he kept on him at all times. Compared it to the two planks he had, noting the different feel and heft of them versus the completely dry specimen you had brought to him.

He let his thoughts wander as he took a seat on the cold concrete steps of your stoop. Opting to wait for your return for a few moments, hoping that you would return soon as evening had fallen, the set having set a few hours ago. He didn’t recall you mentioned evening shifts at the mess hall, opting for the mornings that you enjoyed. Something about the quiet of the town, less lonely than the nights, had been a quiet admittance. He had been too shocked to respond, you must’ve taken his silence as the end of the conversation. You had turned quiet alongside him, the only sound for the rest of the route back to the gates had been the hooves along the ground.

It struck him now, that you had been admitting even early on how lonely you were. How the town choosing to not interact with you had hurt, had been hurting you. A warning even then, that you were sensitive to the dynamic and went along with it even if you didn’t agree with it. You were such a lovely person. Kind hearted, giving, caring, and he loathed that people like Marsha perpetuated the agenda against you.

She was relentless in her attention on him and he was getting a little annoyed with it. But he was being cordial, the exact word you had used to describe the woman. He had finished the last of her shelving the other day. He had worked overnight to get it fitted and fastened to the wall. Securing it with bolts and weight holding supports, wanting to be done with the project that had been more of a coercion of his skills. She was a manipulator and he had played into her hands just like she had wanted.

He felt like a fool, knowing he had agreed to do it for your sake and out of a need to protect you.

Then he realized there were two people who allowed you into their lives. That spoke fondly of you, invited you to dinner, allowed you shares of what they could get the last of in down on main street.

Standing, he hoped to find you among his family. Making his way his way to Tommy’s, Maria was the one to answer the door. A finger to her lips to signal him to keep quiet as she slipped out the door to join him on the porch.

“They’re both sleeping, it took an hour to get him down and then of course Tommy slumped over.” She didn’t seem upset, but the news allowed for Joel to realize you weren’t here either. Clocking his silence and the box in his hand, she cocked her head up a little to examine his features. “Everything okay, Joel? Olive didn’t pull her stitches already, did she?”

“Yeah, everythin’ is okay. I’m actually looking for her. Have you seen her today?” He shuffled on his feet, aware of how they ached as the cold settled in to stay for the season.

“She’s at the bar, came by with dinner for us on her way out.” Maria explained, watching his closely. Able to pick up on his agitation. It was odd when she compared it to the almost forces nonchalance you had exhibited earlier.

“Can you hold onto this for me, I’ll be back to get it tomorrow.” He thrusted the box into the woman’s hands and was making off down the street before she could even respond.

The bar is a cacophony of sounds, of laughter, of conversation, the clink of glasses being lifted and then placed back on tables. The gurgle of more drinks being poured, of ice tinkling in glasses, all of it was so nice to just sit in and enjoy. Even if you were alone on your stool.

"Another round?" You disguised the clenching of your hand around your empty glass, the voice right behind you. His voice, the charming drawl pitched low and so so close.

“I don’t think we should be drinking with each other.” You shifted away from him, not wanting him to think you were open to spending time with him after his rejection, after his secret of seeing Marsha was exposed to you in the form of his leaving her house far too early for any reason than having stayed the night, for the way you had wanted to say yes to spending time with him but it hurt too much. For the way that it was getting harder and harder to resist the urge to lean up and kiss him, to run your hand down his arm or back in a soothing caress. “I’m waiting for someone.”

His brow furrowed as he regarded you, lifting his drink to his lips and taking a deep pull from the amber liquid inside. He sat down atop the stool beside you despite your words. His glass settled on the bar top, now empty. Your eyes were focused on the melting ice, not able to look at the man who was giving you his attention.

“What’s that?” He huffed, almost chuckled as he believed you were just joking, teasing him like you tended to do sometimes while out on patrol. But you weren’t, both of you seated at the long bar of the Tipsy Bison on the main street in town. When you still didn’t raise your eyes to him, he realized you weren’t, that you were turning him down and away.

“Tell me the real reason,” He leaned close, pivoting the seat of the stool so you faced him. Your insides whooshed with the movement. With the way he demanded your attention, with the entirety of his focus on you almost breaking your resolve to remain professional. Aware of all the eyes constantly watching you, judging you; all the eyes on him constantly watching for entirely different reasons, fawning over him.

“Because I like you.” You admitted, unable to deny him the truth. You could only lift your eyes as high as his lips, which was a mistake as you recalled the feel of them. They were so soft, so plush and you never had the chance to gently nip at his bottom one…

“Well, I like you too, Olive.” His nose brushed your cheek, moving impossibly close, his thumbs digging into your thighs as he held to the stool.

“No, I like you, Joel. And this isn’t a good idea.” You pulled back, aware that you were both in a very public place. That the looks focused on you both, your intimacy, combined with soft murmurs of voices that could be saying anything. Making notions in their minds that he was associated with you, that he spent time with you enough to feel comfortable engaging in this type of behavior. And that was bad, it was so bad for people to associate him with you. It would cause people to question him after everything he did for the town. It would begin to erase all the good he had provided. “Joel, people are looking.”

“Don’t worry about them, just focus on me.” Your eyes snapped to his, taking in the way the brown of them was alight from the sconces around the bar. There was no hesitancy in them, no remorse. Only adoration and your stomach swooped, your heart fluttered. But you tried your best to resist.

“That’s not a good idea either.” You whispered.

“You thinkin’ of doin’ somthin’ to me?”

“M-maybe.” The admittance rolls off your tongue, his lips close enough that he can taste it.

“Sweetheart, I’d let ya if that’s what you wanted.”

“N-no.” It took everything in you to deny him, to deny the tension that pulled your muscles tight in every part of your body.

“No?” He leaned back, taking your words and heeding them, sensing that you meant them, even if it was a stuttered, breathy response.

“I don’t want to, I mean I do, but- this” You motioned between the two of you, how little space there was between your bodies. His body pivoted toward you and his hands still partially around the denim of your thighs. “Isn’t a good idea.”

His eyes roamed over you, seeing the nerves and truth of your demeanor. You did like him, and it was becoming a problem. He didn’t need a younger woman fawning over him, the friendly rapport riddled with holes. Of temptations that were tamped down by his unwillingness to share his craft with you, the time he had been spending with Marsha, the pull of his attention in so many directions, especially with the holiday hurtling toward the town tomorrow.

“We’re hardly friends, Miller. You barely started acknowledging me outside of patrol.” You reached for your drink so you’d be less likely to cup his face in your hands and throw caution to the wind.

“What makes you think I haven’t been tryin’ to keep my hands to myself, bein’ around you?” His voice tipped low, to avoid being overheard despite the closeness he had initiated. Closing your eyes at the visual, you shook you head as your throat bobbed with the sip you had taken from your drink.

“Because you don’t like me that way.” You scoffed, beginning to lean away from him. “You didn’t even get me anything for the holiday…You’re with Marsha.”

“Didn’t get your name in swap.”

“Oh.” And all the fight you had in you crumbled at his simple words. The reassurance in his voice that drowned out the hum of the environment all around you.

“But I thought - Ellie was asking so many questions I figured she was doin’ the work for you.”

“Maybe she got you?” He tapped the lip of his glass as the bartender wandered close, signaling for another when the man got the chance. His hand going back to your leg in a second.

“N-no. She got Jesse. Whoever got me most likely tossed the scrap of paper and picked another.”

“Marsha and I are just friendly, it’s nothing beyond that. Olive, I swear to –“

Someone cleared their throat unnervingly close. You both turned away from each other to face the person who had decided to break the currents flowing between your bodies, tension thick in the air with their approach.

Marsha. With a wrapped gift in her hand and a yearning look for Joel. Her attention solely on him.

“So much for just being friendly, huh, Miller?” You set your drink down, glass nearly empty and pushed off from your stool. The drag of his large hands over the tops of your thighs not registering as you quickly took off. Leaving him to the woman who seemed to be a constant companion as of late. Better company for him, you though begrudgingly as you made your way through the snow-covered streets and back to the safety of your home.

Sighing, you picked up the wrapped bundle of recipe cards. Joel’s gift.

The one you had spent hours pouring over, making sure your writing was neat and legible, the cursive loops delicately over the lines on the thick cardstock. You had debated whether or not he would be able to read the script, knowing how he squinted at certain things. No doubt needing glasses in his older age, an item you always kept a keen eye out for should it end up being a perfect match for him.

Your heart panged, the fleeting image of him tucked in bed beside you with a book or manual in his hands and a pair of reading glasses perched on his aquiline nose. His scruff catching the light of a soft bedside lamp and the silver sparkling. His curls damp from an evening shower, the scent of him so clean and pure beside you as you lay tucked in the other side. It hurt. It hurt to think you would never get to experience that, experience him in every simple, mundane way.

With a long-suffering huff, you reached for some of the dried leaves you kept from the trees when you last preened them. Fastening it to the top of the bundle with a piece of twine. You don’t write Joel’s nor yours. He would know it was from you from the writing inside, from the olive twig. A parting gift, you guessed.

This would be the last thing you would offer him before drawing back to your solemn life. He had brought color and life and laughter into it, but the hurt wasn’t worth it. Your heart and body aching for a man who had too much to lose.

You faintly heard soft voices trailing along the dark streets, the light fixtures doing their best to illuminate the way for any one who was out at the late hour. The sky dark with the added overcast that hadn’t waned during the day. Making everything feel pressed down and low, condensing the world to make it feel almost suffocating. Snow soft as it descended. Maybe it was just you, sensitive to the weather and things around you in your anxiety as you turned down the street Joel’s house was nestled on. Just as you turned the corner, feet scuffing on the weathered gravel packed down to create solid paths in the broken asphalt you collided with something hard and lost your balance. The built up snow making it hard to catch yourself.

The scrunch of paper you had wrapped the gift in was loud, ripping at the drag of thick fabric that made up someone’s coat. The index cards fly up into the air as you landed heavily on your side. Through the sounds of the fluttering paper, there was a gasp pitched high that gave way to delirious giggles and a grunt pitched low. Your own indignant noise floating amidst it all, the pull of your stitches uncomfortable.

“My apologies, didn’t see you the- Olive?”

You had run into Joel’s broad back, his front now facing you as the cards rained down to scatter all over the corner. Snow dampening them instantly upon contact, blurring the ink you had taken the time to put down to them.

Behind him was a bright-eyed Marsha, her hands holding tight to one of his. She looked flushed, no doubt from the drinks she had indulged in, leaning heavily into him. And Joel…he looked shocked as he stared down at your fallen form. Either unaware or uncaring of how the woman he was with tried to burrow into his side.

They had been the ones whose voices you heard. But what had they been doing just standing still in the middle of the street….and then it hit you. They had probably been kissing or sharing in casual touches as they walked back from the bar to one of their homes for the evening and your stomach lurched, dropping out from under you.

Joel detached from her, intending to reach down and help you back up. But you didn’t want him touching you with the same hands that had been soft just an hour ago, the same hands that had been touching her with the same intent.

“Don’t!”

“Just tryin’ to help you up,” He backed off immediately, his eyes alert, not used to you raising your voice nor the heat behind your tone. Especially toward him, the hurt making you unable to tamp it down to a polite tone. Tears burned behind your own eyes, in your throat. The perfect match to your insides feeling like they have just been set in a mixer.

“Don’t need your help,” You pushed up from the ground, legs tingling as you fought the urge to run from the awkward and tense scene. And then you realized you could. You did.

Leaving the two alone in the middle of the street, surrounded by white spots of paper all around, the wrapping that had been around them crumpled on the ground. The dried olive leaves that had been fastened to it with twine lay abandoned at their feet.

You ran all the way back to your house, the front door slamming behind you and the lock loud in the silence that followed. Your back thumped against the wood of it, sliding down until your bottom hit the floor.

And you let yourself break down, crying into your hands. Hating how you had begun to believe that your life was going to change, that Joel was going to be something good in your life. And deep down, underneath all the hurt and anger, you still believed he was. Even if he wasn’t meant to be anything other than a patrol partner.

previous chapter || next chapter

dividers by the lovely @saradika-graphics and @cafekitsune

taglist: @merz-8 @morning-star-joy @joelsgreys @orcasoul @sawymredfox @sabmat @dreamingofleon @keylimebeag @pascalpvnk @picassopedro @tuquoquebrute @alejaa-a @jessthebaker @littlemisspascal @joeloverture @joelscruff @swiftispunk @tightjeansjavi @undercoverpena @idontknowyou-12345 @corazondebeskar @honeyedmiller @novas-dreamworld @slugz-writes-shit @fluff-lover @hiroikegawa @dugiioh @persephone-girl @furiousmushroom @communism-bitches @formulafun @copperhalfcent @lizlil @hiddenbabynyc @ohhellotherebumblebee

212 notes · View notes

doubleddenden · 2 months

Text

Bro. She just wanted to play fucking Neopets man. She wanted to move on with her life and start over with fucking Neopets after regaining her will to live.

Idk if those three did this of their own accord or were threatened with termination if they didn't, but still? I'd rather have been fired. With their following it'd be easy as shit to start over. Even still, Nijisanji has displayed not only unprofessional behavior, but outright toxic and harassing behavior.

Like holy fuck. Not even a little class about this whole situation.

She survived an attempted suicide caused by a toxic work environment and poor management, so you fire her.

She tries to regain her life by restarting her old channel, so you release a business statement- officially aimed at investors- and say her termination will be ***negligible*** to profits.

She opens up a store and hits a subscriber milestone of 300k before her stream back. Knowing the internet hates you right now, YOU CHOOSE TO SELL MERCH instead of properly addressing and apologizing.

ON HER FIRST. GAME STREAM. BACK. After she has gone through mental hell, knowing she is suicidal, knowing she was looking forward to playing FUCKING. NEOPETS. Just to be fucking happy again. To do something her management wouldn't let her do. You have 3 of your top talents- timed at PRECISELY THE MOMENT SHE GOES LIVE TO START A NEW CHAPTER OF HER LIFE, JUST WANTING TO MOVE ON- release a "statement" that not only seems to be basically a loosely scripted "no u" statement, but also shoots themselves in the feet by revealing SOMEONE violated the fucking LAW to open case sensitive documents to disclose certain information to them- which is illegal, because only the lawyers were supposed to know those details. During her own stream, Doki started crying and had to end after only 30 minutes to contact her lawyer, but god damn she tried her best to keep a brave face and laugh it off.

And then. And then. Anycolor CEO makes a statement of his own- you know shit is bad when the CEO makes a statement, so what does he do first? Apologize- to INVESTORS.

That is just fucking CRUEL. That is cruel, and fucking STUPID by having Elira, Vox, and Ike say that shit, because the smarter thing for those three to have done in that situation would either to LEAVE if they were truly "besties" like they kept saying like Pomu, Mika, and other talents did (or are in the process of like Kyo), or like the other talents seemingly are smart enough to do, SHUT THE FUCK UP.

I will reiterate on the off chance anyone reading this thinks about auditioning: never aply to it. Go indie or try another company. For on the even OFF-er chance you ARE part of it: leave now, go indie, try another company, or shit do like Pomu and go back to school to try something else.

This was not professionalism, this is straight up targeted harassment at this point. At this point, I hope Doki takes the company for every fucking penny they're worth. You don't get to act like you're the ones in the right after clear and OPEN harassment and bullying, let alone whatever the fuck went on behind the scenes.

I didn't even care much for Selen other than she was Mumei Hololive's real life friend, but I'm actually somehow even more furious over today than i was in my last post about Doki's situation. How can you treat a human being like this? How can you, in a professional setting, behave this way and pretend you are the good guys? I didn't care about her before, but shit, I respect her now even more for standing up to that shit.

#dokibird #selen tatsuki #nijisanji

265 notes · View notes

levelofyoureye · 9 months

Text

despite making a destiel meme on here that got incredibly popular, i have never seen a single full episode of supernatural. however, my best friend @res-spectans is a huge fan of the show, so she’s shown me the 15x18 scene™️ before (which is why i was able to make the meme LMAO). a couple of nights ago i was sleeping over and late into the night we were very delirious and decided to watch a compilation of deancas highlights on youtube. and holy fuck…

supernatural fans HOW DID YOU DO THIS FOR 11 SEASONS STRAIGHT. all it took was that one 20-minute compilation of their best moments and i was IMMEDIATELY convinced that they were in love. actually i didn’t even need the 20 minutes. even the very first clip from that video was actually some sick fuckery. the absolute journey i was taken on in those 20 minutes of homophobic queerness was just… wow. if i had adequate words to describe the buffoonery that must’ve been going through the creators of this show’s minds then i think i’d be on a hit list. HOW WERE THOSE TWO NOT TOGETHER??? ur telling me there was literally an episode with a wholeass plotline about dean refusing to let cas die a virgin? the show deadass acted like they didn’t explore each other’s bodies even ONCE?? and THERE WAS A WHOLE EPISODE WITH DESTIEL IN A FUCKING MUSICAL?!?!? like they FULLY ACKNOWLEDGED THE QUEERBAITING THEY WERE DOING AND STILL ACTIVELY CONTINUED TO DO IT?? i’m sorry but there is quite literally no way. not to even mention all of the romance tropes they fulfill. cas breaking out of the brainwashing (i’ve also been informed that dean was originally going to say “i love you” there like HUH)?! THE MIXTAPE? neither of them ever denying anyone who called the other one their boyfriend?? “dean and i share a more profound bond” WHAT. dean calling cas devastatingly handsome? maybe it was because i was sleep deprived but by the time we were done with the compilation my ribs were aching from how much i was CACKLING. i was just in absolute disbelief at the absurdity of it all. like,,, people dared to call this subtext? this was the gayest shit i have EVER SEEN. if you are actually a fan of this show then i am so fucking sorry. i cannot believe you all just sat through that for 11 seasons and then had it confirmed in the end by castiel being sent to SUPERHELL. you gays deserved so much better and SO DID DESTIEL.

#shoutout to that one guy sam who had to deal with their gay bullshit for years fr #i would’ve hated being him #someone tell me not to actually watch the show before i do it and become a destiel in the year of 2023 #spn #supernatural #destiel #deancas #dean winchester #castiel #misha collins #jensen ackles #queer #lgbt

942 notes · View notes

credince--writes · 1 year

Note

I just found your blog and holy shit the size kink fic with König hits different! Your work is so good, I'm glad I stumbled across it!!

I was wondering... Would you be able to do the breeding kink part as a continuation?? Please 🥺 It's totally cool if you're not comfortable with it!!

Ask, and with nearly a month-long wait you shall receive.

Hands (2)

Prompt:

Continuation of the Breeding Kink (mildly) explored in the shower scene of part 1.

Part 1 - Part 2 - Part 3 - AO3

König x Fem!Reader

Oh, how pitiful.

I mean, look at you.

Look at how you sat there, on that chair in that shitty little office scribbling away at paperwork whiles your eyes came so close to shutting on their own. Drifting off to sleep while you should be working.

Sitting back in your seat and raising your hands to your face, rubbing against your eyes in an attempt to chase away the drowsiness that seemed to be working to glue your eyes shut.

Glancing down, noticing how even your handwriting had started to become sloppier with your drowsiness you decided that yea, sure. You'd accept the defeat against your exhaustion and trudge back to your room.

Setting the pen down, bunching the papers together, and pushing them into a folder to be tucked away for the next morning. Standing from your chair, pushing it in, and turning off the lights to the office you made your way, slowly out into the hallway headed in the direction of your soon-to-be cavern of slumber.

Aka your room with that shitty little cot and the light that made the horrible buzzing sound.

Trying to ignore the few other people buzzing about you couldn't help but try to walk that much quieter as you walked past your boss's door.

There was no way he could see you, the blinds were shut.

Just a few more steps-

The sound of the handle turning and the door sliding open- "Hey! Well, aren't I luck I caught you. Deliver this for me?" Extended in his hand, a folder.

You wanted to tell him to shove it.

You really did.

That awkward, 'i know you're tired but I'm your boss so do what I say' a smile plastered on his face.

You sigh.

Nodding.

Extending your hand out and grabbing the folder, nodding a little bit while he thanks you for glancing down at the paperwork and turning around to begin walking in the new direction to deliver the paperwork.

...

"You've gotta be kidding me."

"Come on."

"Just a little bit more."

"Please?"

"I'm talking to a fucking storage room."

"Who makes these fucking cubbies?" You snarled, leg extended with one awkwardly lifted up and pulling yourself up by your left hand, extending outward trying to stuff the folder in the correct receptacle.

"God- fuck!" Your hand slipping, sending you sliding back, your foot going over your head and sending you tumbling to the ground, landing ass first on the cold cement floor.

You groaned, thankful for the fact no one had been there to see your fall.

The sound of the door pushing open, and a male voice calling out. "Hello? Is everything all the right?"

König.

Your face burned. Shameful, bright red.

And you stayed silent, hoping that by not responding he would simply leave.

So you sat, looking like a dumbfounded puppy with a folder of papers scattered to your side, still awkwardly sitting on your ass with the twinge of pain in your rump from your unruly fall.

But the sounds of his boots against the floor coming closer-

"I'm alright!" You squeaked out.

"Oh, Ärztin." You could hear him exhale, shoulders slightly relaxing as he glanced down at the scene before him. "Why did you not responded to my callings a moment ago?"

"Kind of hoping you shut the door and didn't investigate." You sighed out, awkwardly laughing, tilting your head up to look at him. "As you can see I have had a fall."

"A soldier who would not investigate those sounds has no place here." He scolded lightly. "Now, Ärztin, up you go."

Because you could protest, he reached down, large hands grabbing around your waist. The hands engulfed around your midsection as he lifted you as if you weren't as much as a duffle bag to be tossed over his shoulder while he marched through the halls.

"Oh-" You gasped, suddenly being upright and back pressed against his chest. "Thank you, König." You paused for a moment, looking down and realizing his hands were still wrapped around you, holding you by your midsection, and your back was pressed up against his chest.

"Of course, Shatz." You could hear the smile from under his hood- the snarky little tone dancing around in his smug words. "Now why had you fallen?"

"Just, um. Getting this." You motioned to the folder. "Up there." You motioned to the too-tall cubby.

"Ah, leave it to me." He said, releasing your midsection and grabbing the folder, easily lifting his arm and placing it into the cubicle with no problem.

"Gonna have you file the paperwork from now on." You joked.

"Ah, I prefer my work on the field. Thank you though. Good night." He curtly nodded his head and left as quickly as he had arrived. Leaving you puzzled- embarrassed- and lingering on the feeling of his large hands wrapped around your waist.

...

At this point?

It was not innocent anymore.

Your cheeks burned as you laid back in bed. Hand reaching down past the soft expanse of your tummy and pushing through your waistband.

Just thinking of it being him.

König sliding his hands around your body- feeling you. How his hands could envelop all of your arm, the majority of your thigh, how they slid up against your breasts and one hand completely reached around your fragile little neck.

The light squeeze gives the warning to behave.

Pulling you up into his lap, his legs folded at the knee as he leaned back, pulling your back up against his chest just as he had you lifting you off of the ground. Hand wrapping around your neck and the other hand snaking around and diving down.

The single, large digit would dip between your folds and gently tease at your entrance collecting all of the evidence of your excitement, dragging it upwards, and slowly circling your clit.

The sound of his breath, hot and heavy against your ear and neck as his hood would be lifted, just enough for his teeth to graze against the tip of your ear.

Arching your back and releasing a whine, his hand leaving your clit and grabbing hold of your hip. The large hand grabbed hold of the flesh and bone and pulled you back onto him, stilling your movements and proving any resistance against his intentions wouldn't be tolerated.

"Are you going to be good for me, Shatz?" His voice was breathy- husky. Deep as he growled the words into your neck, moving his hand back down to slip a finger into your tight pussy.

"Yes, please. yes, I'll be so good I promise-"

"You sound so sweet." He compliments, before pushing another digit inside of you, hand reaching up and pushing two fingers into your mouth- stretching out to your tongue and pushing down against it holding your mouth open in the process.

You let out a choked moan sound, the heat in your abdomen at the pressure of his fingers curling inside of you- another outstretched and rubbing smooth circles into your clit with he pad of his finger.

You could feel the saliva gathering in your mouth, tongue fighting against his fingers and closing your mouth, sucking on the digits and swirling your tongue around them.

He chuckles, softly but in that deep dark tone that feels as if it's vibrating out of his chest as he removes his fingers from your mouth and leans forward. Attaching his mouth to yours and breaching your mouth with your tongue.

His fingers pumping in and out of your pussy, wet sounds filling the air and mingling with the soft moans of your heated makeout session. Feeling his tongue invading your mouth and pushing up against yours, the feeling of his spit mingling with your own in your mouth.

Pulling your head back, a thick string of saliva bridging off of his tongue into your mouth. Lifting his hand from your pussy he pushed them into your mouth- not even in a gentle manner. Pushing them inside of your mouth and collecting yours and his own spit and pulling them back before pushing three fingers into your cunt.

"a-ah... Ah." You cried out, the feeling of his fingers stretching your pussy open causing a slight burn as he slowly pumped them in and out.

"Doing so good for me. Need to make sure you are ready. Do not want to do the hurting of my sweet little Ärztin, do I?"

You nodded, mindlessly bucking your hips down onto his fingers as he began to pump them in and out with more purpose.

Against your thigh, you could feel it. You were sure of it- his large and hard cock pressed up against you straining against his pants.

Your hand reaches down, trying to grab his waistband but his hand snags your wrist quickly and pins it to your waist.

He tsked, curling his fingers in a way that made little spots of white appear in your vision. Body falling forward as a moan escaped your lips.

"Oh, does that feel good?" He mocks teasingly. She knew that if she could turn around and see his face it would have that snaggle-toothed grin. The evil little glint in his eyes. A monster holding its prey ready to devour.

"Yesss....." You whine out. "I want you, please."

"You do, do you?" He asks, mock innocence as he continues to push and pulls his fingers from inside of you.

"I do. Please König."

You could feel the shuffle of his hand reaching for his waistband, pulling his belt with a metallic clatter and the zrrrt of his zipper. The sound of rustling fabric as his pants were dropped and his boxers pulled down.

He gripped his cock, rubbing the head of it against your thigh and smearing the bead of precum that had accumulated on it. Rubbing the sensitive flesh against the soft skin of your thigh.

His breath shuddered behind you, as he brought his hips back lining his cock up against your cunt and pushing forward slowly.

His hand wrapped around your front, stabilizing you and bringing his finger forward to rub slow circles into your clit as he continued to push his cock into your tight wet hole.

He groaned- in appreciation would be the only explanation as he bucked suddenly, the feeling of his cock raking against your walls sending you into a tailspin.

"Come on soldier, fuck me." You half whined- half ordered.

His hips and breath stuttered before snapping back and forward as one hand held your throat pushing your back to his chest, the other wrapped around your hip and dipping down rubbing against your clit.

"I will, Shatz." he hisses out, pulling himself out completely and thrusting himself back into the base.

The coil in your tummy pulled tight, the sound of your moans becoming higher pitched while his fingers continued their onslaught against your clit.

"You gonna cum? be a good girl and cum on my cock?"

"Yes- yes I'm gonna-"

"Then be a good girl, cum on my cock while I fill you up."

You moaned the feeling of his jacket against the skin on your back, the slight scratch of some kind of velcro on his pants, and the hot feeling of his finger on your clit sending you over the edge. The fluttering walls of your cunt gripped onto his cock as he continued to snap his hips back and forth into your wet pussy, the squelching sound of wet skin and the slapping of his thighs against yours.

He huffed, grunting, then grunting again before removing his hand from your clit and neck. both hands reaching down to your hips, holding you in an iron grip, and pushing his cock as deep as it could as he came inside you.

His body snapped like a rubber band, wrapping around you as his head fell on your shoulder, feeling his chest heaving behind you as he kept his head rested against you and hips pushed as close to yours as he could.

He lifted you, sliding a hand down to your pussy and using two of his large fingers to push his cum back inside of you, fingering your oversensitive pussy in the name of keeping his seed inside of you.

God,

his hands.

You glanced down, staring at your knees and the sound of the bedside lamp making the strange buzzing sound that would keep you up at night if you forgot to turn it off breaking you from your trance.

You sat, ass resting against your calves with your hand dipped down, fingers curling up into your pussy while you dreamed of him splitting you open on his cock. Holding you up by your waist with his big hands.

Two fingers inside of you, what would it feel like if it were his real fingers? The ones you'd inspected so many times. You could imagine the feeling of the rough pads of his fingers-

But his cock?

Oh, that was a mystery you'd remain to dream of.

#König x reader #König x reader smut #Konig x Reader- Hands

2K notes · View notes

murderofcrow · 4 months

Text

Transcript of Will Ramos' essay on Sleep Token for Rock Sound magazine

I might play in a metal band as part of my job, but I don't listen to much metal music anymore.

A few years ago though, I remember one of my friends saying to me, "Dude, you've got to check out this band Sleep Token… They're pretty cool".

I'd never heard the name before, but I'd listened to 'Hypnosis' and a couple of other songs from the band's second album, 'This Place Will Become Your Tomb', to see what they were like.

Hitting play for the first time, I was caught off guard. You hear the guitar and these slamming instrumentals and instantly you think, 'This is about to fucking kick ass'. You're so sure that the vocalist is about to come in with some gnarly screaming, but then you hear this man singing, and he's singing so beautifully. I didn't see it coming at all, and as soon as I heard it, I knew that it was exactly what I needed to hear.

At the start of a long drive that I had to make on my own, I hit play on 'This Place Will Become Your Tomb' from the beginning for the first time. As the record began with 'Atlantic', I was vibing to the sound of the music, but as it rolled through each track I started to get more and more caught up in this incredible sonic journey. By the time it was over, I realised that I'd been on this emotional roller coaster of love, pain, happiness, sadness and nostalgia.

Boom, that was it - I was hooked on that album. Every single song on that record was so freaking incredible to me, and I needed to know more about Sleep Token. Believing that my friend and I were the only people in on this hype, I spoke about it to my band one day, and they said to me, "You need to listen to 'Sundowning'!" I was so mad that they knew about this band the whole time, and nobody ever told me, but I went back and listened to Sleep Token's first album like they suggested.

I remember thinking it was very different. It's not as polished, but it's very dynamic and so beautiful. I think it definitely says something when you can see the progression of a band from just their first and second albums. From then, I knew they were onto something incredible.

It feels like more and more people have been catching onto that hype over the last year, and now it seems as though their name is impossible to ignore. I remember when they released 'The Summoning' at the start of 2023, the day after they'd released 'Chokehold', it felt like it all went crazy. They had something like 4-million hits on that song in just two days, and now, it's got over 70-million plays on Spotify. It was the beginning of a huge explosion for Sleep Token, and the first time I heard it, I was genuinely confused by it. It's so ridiculously versatile, and on my first few listens I felt like the super jazzy outro didn't fit at all, but the more I listened the more it began to click. I remember at the time I showed it to Elizabeth Zharoff, a vocal coach from The Charismatic Voice, and the outro was immediately one of her favourite parts.

She's from a completely other world of music, so to hear her approval showed me how capable Sleep Token were of reaching people outside of the metal scene.

I might not listen to metal music anymore, but Sleep Token are revitalising heavy metal. It brings back the nostalgia that I felt when I was a little kid listening to this type of music for the first time and being like, 'Holy shit, what is this? This is so cool'. I had started to lose that feeling over the years, but every time I listen to these songs, all those emotions come flooding back. In my opinion, there's no band out there that sounds like them - and that's a truly impressive feat.

Merging metal with pop, R&B, and rap influences, and bridging all these different gaps that many artists have historically been afraid to explore, there's something here for so many types of music fans. For a long time, metal bands have been putting themselves in a box. There's been this idea that a metal band needs to be heavy, that you need to have a breakdown in every song, and that you need to tick all the boxes in order to succeed. It's been so refreshing to see the evolution of the genre over the last few years, and to see bands like Sleep Token bring all these different sounds to the forefront of metal.

It brings a whole bunch of unique people into the fold. People love to say that metal is dying, but it's music like this that keeps it alive. It doesn't just move the scene forward, it expands it.

Now, there are all these people who didn't listen to metal before listening to Sleep Token. R&B and pop fans are coming into this as fans of Vessel's singing voice and hearing all these metal influences along the way. The second verse of 'Take Me Back To Eden' has this great rap-inspired singing part, and it's these little things that speak to different people in different ways. All of this feeds into our community in some crazy way, shape, or form. It's welcoming people into a genre that they may never have been exposed to otherwise, and I think that s a beautiful thing.

As a vocalist, one thing in particular that draws me to Sleep Token is Vessel's voice. I have always been a screamer, but I've always wanted to be a singer at the same time. I always practise on the side of Lorna Shore, but in my mind I'm like, 'This isn't very good. My voice is not fit for metal at all, as far as singing goes'. When I first heard Sleep Token though, one of the first things I noticed was that Vessel and I have a very similar range. Hearing him lay down all of these incredible parts, it makes me realise that I can actually sing metal vocals.

Back when I first discovered them, I wanted to cover their songs in the hopes that more people would hear them. Now, I just want to cover them so that I can sing something that is in my range.

Obviously though, his voice is much more dynamic than mine because he's been polishing it for a very long time. He does a crazy vibrato and can switch between his head voice and chest voice super easily. It's crazy stuff, and as someone who has been a vocalist for so long, I can appreciate the techniques he's using. I love to hear the different ways he's able to blend his voice into the genre.

Another thing that makes his voice so unique is that it's so emotional. When I hear Vessel sing, I can truly feel the emotion behind his words. He might be this otherworldly figure singing about an ancient deity, but there's a distinct humanity to his vocals. You can sense his sadness and pain, and whether people realise it or not that draws a lot of people to Sleep Token's music. They're the band that you can listen to at two o'clock in the morning when you're driving down the road alone. They're the perfect companion for those moments where you're upset about something, and you just need to listen to something that feels like a release.

That's a beautiful thing, because when you write music, you want people to feel the same emotions that you're feeling when you're writing it. The way that Vessel translates all of that is so incredible, and it's arguably my favourite thing about the band. Between his vocals and the instrumentation behind them, you feel exactly what they want you to feel. Even before thinking about what I knew about Sleep Token, when we were thinking about what we wanted to do with Lorna Shore, that was the goal. We wanted to bring a little bit more emotion into heavy metal music, and now they've done that and brought the singing into it too. Metal's now even more emotional because of the way he uses his beautiful voice, and I think that's what this genre has needed for a long time.

The truth is, from the moment I first heard Sleep Token, I knew they were one of those bands. Between their studio quality, their musical skill, and their ability to conjure up their own lore to incorporate into the music, I could see that they had the potential to be something truly special, they just needed that little push.

As soon as they got that with 'The Summoning', that was it - they were taking over.

First impressions are a big thing, and I think 'This Place Will Become Your Tomb' will always be my favourite album because of the way I first connected with it, but 'Take Me Back To Eden' is phenomenal. They have been able to get all of their emotion out in so many new ways on those songs because there's even more happening from a musical perspective. They've managed to strike the balance between heaviness and beauty perfectly and that's what we strive to create with albums. The goal is to create an album you can sit with, front to back, and feel the waves of emotion. A record to let yourself feel those things, and an opportunity to sit in isolation whilst you experience that journey.

It's a feeling that's amplified within Sleep Token's live shows, and I was able to catch them at Blue Ridge Rock Festival in Virginia. Lorna Shore were also playing, and we had a meet and greet scheduled for that day. It was scheduled to take place from 7pm until 7:30pm, and Sleep Token's set started at 7:30pm. I was a little antsy, because I know that meet and greets always overrun by half an hour or so, and they were the band I was most desperate to catch.

I was sitting there, it was 7:29pm, and the meet and greet line was still as long as it had been when we'd started. I started to hear 'Chokehold' playing in the distance, and I felt so sad.

People online were messaging me to tell me that Sleep Token were playing, and I was like, 'I know! I can hear them, but I'm stuck here!'

That's where it started to set in how freaking massive Sleep Token were becoming. They're one of the biggest metal bands that I'm aware of right now, and there were so many people watching that set. They refer to their live shows as rituals, their fans are the congregation, and the stage as a place of worship. It's something that could easily seem tacky if a band did it with little consideration for the details, but they're so committed to what they do.

After about three minutes, as I heard 'Chokehold' coming to an end, I stood up and said, 'Alright everybody, I've got to go. I'm so sorry, but if you know me, you'll understand'. The people who come to our meet and greets know how much I love Sleep Token, so they were like, 'Dude, go!' I sprinted out of there, leaving the rest of the band still doing the meet and greet, and made my way over to the stage. I thought I was the only one who wanted to see their set, but ten seconds into running I turned around and saw Of Mice & Men's singer, Aaron Pauley, following me. We started running through this huge crowd together, and everybody was so excited. I'm not the type of guy to leave a meet and greet early, but I needed to witness that set. It was an act of true love!

Even when they post on Instagram after shows, the captions are always like, 'The ritual has been completed in Copenhagen'. They totally absorb themselves in the spiritual aspect, physically, visually, and sonically. It's a brand, and they completely own that brand. They've made it exactly what it is, and they stick to it.

When I saw them, they had four people onstage doing harmonies with them, and they just stood there in their cloaks.

They didn't move throughout the entire set, and I began to picture it as a church choir at the side of the ritual. The whole experience does feel super spiritual, and they don't just give 50 per cent to the theming, it's 100 per cent. People feel the emotion, see the way they embody this ideal, and hear this incredible music - and I think that's why people are so ready to absolve themselves in this spiritual moment.

Everybody has a different connection to every song because of the different things everyone goes through in life, but they get to experience all of that in a place where everybody else is feeling something too.

Vessel's vocals translate into their live experience so perfectly, too. His screams are even better live than they are in the studio, and he still sings beautifully, which is so impressive. I was genuinely doubtful that he was going to be able to hit all of those vibratos and do all the other crazy vocal work he does on the albums, but he hit every note. Sometimes, he doesn't even hit the notes that he does on the studio versions, but he hits another note that is equally as stunning. He's a true performer.

You can tell a lot about a band from their live performance, but as a band in the modern age you also have to put a lot of thought into your promotion. The way you come across on social media is important, and the way that people perceive you is largely down to how you come across online. That's why I've always been fascinated by Sleep Token choosing to keep the identities of their band members a secret, refusing to do interviews and placing the focus on their visual identity.

I definitely think that's played a part in their success, because it's allowed the music to take centre stage. I remember when I was first talking to the rest of Lorna Shore about Sleep Token, they told me about the lore behind the band and that the members are all anonymous. That was before 'The Summoning' came out, but since people have caught on there have been some serious investigative deep dives, so l'm pretty sure the internet has found out who Vessel is.

I didn't look that up though, because personally for me, I always really appreciated the fact that they were totally anonymous. I like the feeling that Vessel is just a voice in the ether. You can hear it, but you can't classify it as being the voice of any one person, it's just this intriguing mystery. I've heard a lot of people say that it reminds them of when they first got into Slipknot because when a lot of people I know first listened to that band, nobody knew who was behind the masks. They were just a bunch of dudes making music with no outside perceptions, but then obviously people found out. I think that Sleep Token have that similar allure for a whole new generation, but sadly for me that mystery was shattered when I met them after a show.

It was great to meet them, but I also really didn't want to know who they were. I loved not knowing and I think that the anonymous aspect of what they do plays such an important role in the impact they're having on the heavy metal world.

It's a bit of a double-edged sword because everyone wants to know their identities, but once you do know - you miss the anonymity.

There's something special about the way they're putting their music out into the world with no need for individual validation, and I think it takes a lot of guts and confidence in what you're creating to do what Sleep Token are doing.

Usually, you almost want everyone to know who's in the band, because often that helps push you forwards. If you have someone in your line-up who's been in a well-known band before, you want to use that name to get yourselves out into the scene more. Sleep Token aren't anybody, and that takes a lot of courage and humbleness to do. There's no predisposed idea of what their music is supposed to be or what it's going to be, and that's part of the magic.

It's something that also comes out in the lore, the symbolism, and the cryptic clues that Sleep Token scatter throughout everything they do. There are Reddit threads dissecting every single word in the songs and analysing each pixel within their visuals, but it's not something I've had the chance to fall into just yet.

When I first listened to 'This Place Will Become Your Tomb', I could only find one or two articles about Sleep Token online.

They were basic articles explaining the idea of the band and what they were trying to do, which I thought were cool, but I never really looked it up again.

Over the last year or so, it seems that these conversations have spiralled. People are coming up with these different ideas about the band's story, and there are all these hints appearing constantly. I don't know any of the Easter eggs yet. I'm still just fascinated by the music and their wicked aesthetics, but I love that they've got people talking. It's become this kind of community around the band, and as someone who grew up in this scene, seeing artists who are able to foster that feeling amongst fellow music fans is such an incredible thing.

I think that's one of the reasons why Sleep Token have been able to find success on such a wide level so quickly, because there's a constant conversation about them. If people aren't talking about their music, they're talking about the lore and the stories behind it, or they're talking about the potential identities of the band members. They have this perfect package in place that lends itself to a world class metal band, but they're achieving it at such an incredible speed.

They thought out every single element of this band before they even started, from how the melodies work with the vocals, to the emotion and the quality of the sound. A lot of people put out music that sounds like they're hitting a trash can, and whilst they might have really good singing over the top of it, you can't ignore that trash can. Sleep Token have got incredible production value though, which is even more impressive when you consider how versatile their sound is.

It's so well thought out that you hear new things in each song on every listen. If you listen to 'Take Me Back To Eden', the title track of their third album, there's an allusion to a particular part of 'Chokehold', and it's details like that which make their production so unique. They wanted to make sure that it came out perfect, and maybe - like all musicians I know - they think they could have made certain parts of it better in retrospect, but I honestly can't imagine how.

Between the versatility, the emotion that people feel when they listen to it, the heaviness, the quality, and the songwriting, Sleep Token don't cut any corners anywhere. That's why they're already playing these huge, career defining shows, and putting out music that's changing people's perception of heavy music as a whole. It's so exciting to be a Sleep Token fan, and I just want them to write even more mind-blowing music and play even bigger places because they truly deserve it.

The bigger the places that they play, the better they're going to sound live. They're already playing arenas over in the UK, and with the size of those venues I just know they're going to sound absolutely incredible. They're reaching heights much higher than most metal bands that I know, and the bigger they get, the better their production value is going to be all round.

'Take Me Back To Eden' only came out earlier this year, but I already can't wait to hear them put out more music. lf what we heard on album three is the direction that they're going in, I'm very optimistic to see what the future holds for Sleep Token. I imagine at one point, they're going to make it on the radio - and honestly it could happen sooner rather than later. I knew it when I first heard them, and I'm even more certain of it now - they're going to be huge.

#tumblr if you don't post this again after i've spent over two hours on this so help me istg #sleep token #sleep token worship #will ramos #lorna shore

322 notes · View notes