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flamebringer0 · 7 months

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About Nightwing Powers

Wow it turns out you can attach titles to posts, awesome. I will now make another post.

It always drove me kind of crazy how Nightwing powers are presented in canon. I think it drives a lot of people crazy because I've seen more than one person's headcanon adjustments to them. So here is my contribution to that genre.

Some Nightwings have perceptual abilities that other dragons -- other Nightwings and members of other tribes -- lack. One is the ability to read minds, the other is the ability to see the future.

All Nightwings develop both future sight and mind reading in the egg. The mind of a fetus can't integrate any of this information, and most will lose both abilities long before learning to understand what they mean. The dragonet's third eye closes, so to speak, within hours after hatching, and will stay that way for the rest of their life. For unclear reasons, the loss of these abilities is prevented by exposure to the light of a full moon immediately after hatching.

Nightwings always hatch at night, at least if the eggs are exposed to the sky. Those who hatch under a full moon retain the ability either to read minds or see the future, whereas those who hatch under two or three full moons retain both. The presence of these abilities also causes the development of silver scales on the face. A mind reader has a silver scale at the outer corner of each eye, whereas a prophet has a silver scale in the center of the forehead.

[Image ID: Two simplistic line drawings of a dragon's head. These drawings are identical with each other aside from the placement of specific scales, which are highlighted in white. The left drawing is labeled "mind reading" and shows two crescent-shaped scales at the corners of the dragon's eyes. The right drawing is labeled "prophecy" and shows an eye-shaped scale in the center of the dragon's forehead. /.End ID]

The appearance of the silver scales correlates with the strength of the ability. A larger, rounder scale indicates greater power.

[Image ID: Five simplistic line drawings of a dragon's head. These drawings are identical with each other, and with the drawings in the previous image, except in the placement of specific scales. The first drawing is labeled "Starflight" and has no highlighted scales. The second is labeled "Fatespeaker" and has two crescent shaped scales near the eyes. These scales are very thin, much thinner than those of the drawing that was labeled "mind reading". The third is labeled "Clearsight" and has a single scale in the center of the forehead. This scale is large and perfectly round. The fourth is labeled "Moonwatcher" and has three scales: two at the corners of the eyes, and one in the center of the forehead. These scales are shaped identically to those of the "mind reading" and "prophecy" drawings from the previous image. The last drawing is labeled "Darkstalker" and has three scales: two at the corners of the eyes, and one in the center of the forehead. All of these scales are large and perfectly round. /.End ID]

A dragon hatched under three full moons inevitably has the most powerful prophecy and mind reading. Other than that, it's unclear what exactly makes the abilities of one Nightwing stronger than those of another.

Raw power isn't the whole story, though. Clearsight is the greatest prophet of all time, but she isn't the most powerful prophet of all time (or even the most powerful in her immediate friend group). It just turns out that a dragon who diligently works on her abilities will have a certain advantage over one who believes he is already the most powerful and has an inevitable destiny.

It may not be immediately obvious what it would mean for someone to be "more" or "less" powerful at mind reading or prophecy, but there are two relevant metrics: clarity, and control. I think the names are self-explanatory, but just in case, here's a metaphor. If you imagine Nightwing powers as a flashlight shining into a dark room, clarity is the brightness of the bulb, and control is how easily one can direct the beam. These metrics are not really independent: weakly empowered Nightwings will be weak in both aspects, and strongly empowered Nightwings will be strong in both aspects. For those in the middle, who make up the majority, clarity is more developed than control.

The strongest prophets can direct their vision down many different paths, examining the futures that cascade out of intricate chains of decisions, possibly centuries into the future. The weakest prophets have occasional, muddled impressions that a certain decision in their immediate future might lead to something good or bad. In between are the average prophets, who have clear visions, but little ability to control when they occur or what they are about.

Similarly, the strongest mind readers can root around in another dragon's mind and examine any fact, belief or memory they're interested in, whereas the weakest may have a vague impression of the most immediate, intense feelings of whomever they're around. Average mind readers can clearly read the surface thoughts of other dragons, but can't probe arbitrary mental structures without somehow activating them -- by inducing the target to actively reminisce about a memory or some such thing.

In the old days, back when Nightwings understood where their powers came from, it was quite common for ambitious parents to try to time the conception of their eggs so that they would hatch under the full moon(s). For a single full moon, this is almost pointless: the quickest of the three moons cycles through its phases in just a few weeks, and the variation in the incubation period for a Nightwing egg is great enough that it can't be reliably timed to any specific moon phase. For two and three moon nights, this practice is more meaningful, but only in the very general sense that someone who doesn't conceive an egg roughly a year before the brightest night definitely won't have any thrice-moonborn dragonets, whereas someone who does, might.

Some seers would also offer advice about how to do this. For the most part, this advice was snake oil; only the most powerful seers could decide to have a vision about a particular egg's future. Even among the few who could, it would be extremely difficult to see and articulate all the subtle factors that lead an egg to hatch after a longer or shorter incubation, and most of them would be far outside the ability of the parents to really control anyway.

More unscrupulous parents would occasionally try to break an egg open under the full moons, regardless of whether the dragonet was ready to hatch on their own. This practice has never been successful, as hatching in this way disrupts the delicate developmental process needed for the dragonet to retain their power. It is also quite dangerous, and many of the dragonets who were subject to this simply died.

Foeslayer and Arctic didn't do any of this, incidentally. They just got lucky. Or they got unlucky. Depending on which of them you ask.

Speaking of Foeslayer and Arctic's kids, Whiteout has both Nightwing powers. It's not because she hatched one day after the brightest night, though. Hatching a day after a full moon doesn't grant any power. It's actually a manifestation of synesthesia. Synesthesia causes sensory modalities that are unrelated in most people to correlate in a specific way. Whiteout, like all Nightwings who hatched under no full moons, lost direct access to her abilities shortly after hatching. However, she's still able to use them indirectly via synesthetic influence on her other senses. This is why she describes Clearsight as "azure on the inside": to her, Clearsight's thought patterns are azure in a fairly literal sense.

Another Nightwing whose power manifests in an unusual way is Flame. I mean, Flame isn't actually a Nightwing, but he has a semi-recent Nightwing ancestor. That's why he has a forked tongue, unlike other Skywings, and why he has darker scales than any other Skywing. And he hatched under a full moon, so he can read minds. But since his Nightwing ancestry is slight, his power is extremely weak. It's so weak that he has never become consciously aware of it, and most of the time, it doesn't really affect anything. But if someone thinks really hard about him, he senses it. This is why he's the only dragon Moon has ever met who can tell when someone's looking into his mind. It's a very weak form of the same two-way communication she uses to talk to Darkstalker.

In the year 5000, Nightwings have largely lost access to their powers, since they no longer allow their eggs to hatch under the moonlight. Contrary to what Moon thinks, this isn't because they're afraid of hatching another Darkstalker. After all, if it were specifically desired to avoid hatching eggs under the full moons, we would expect to see some kind of active prohibition, or at least some sort of legend about the terrible consequences of doing so. What actually happened is that the Nightwings' new home prevented them from hatching eggs in moonlight, and after a few generations with no mind readers and no prophets, the dragons started to believe their own abilities were legendary or allegorical.

Despite the Nightwings' present powerlessness, belief in their abilities persists. The Nightwings encourage these rumors, and also train their dragonets to imitate the power they lack. This training mostly consists of cold reading and theatrics, not unlike the techniques human con artists use to simulate psychic powers. However, they also leverage the one sensory ability that Nightwings still have over all* other dragons: an extremely strong sense of smell. Most dragons are aware that Nightwings smell better than members of other tribes, but they don't grasp that they may leak private information through subtle odors that only Nightwings can perceive. By examining the smell of another dragon's body, modern Nightwing "seers" and "mind readers" deduce information in a way that is easily mistaken for magic by the uninitiated.

Darkstalker is highly scandalised by this practice when he wakes up, not least because he has an Icewing-tier nose and can't do it.

Now that Nightwings are living in the rainforest, it's likely that their extrasensory abilities will start to become more common again. Unfortunately, their only connection to the ancient techniques for controlling those abilities turned out to be evil and was sent to gay baby jail. It will likely fall on Moonwatcher to begin the process of re-developing these practices and teaching them to a new generation of Nightwing dragonets.

*Actually, Seawings can smell nearly as well. But only underwater.

#ok i think that's all the thoughts i had about that #turned out to be more than i expected honestly #wings of fire #wof #wof headcanon #headcanon #wof nightwing #nightwing #wof clearsight #clearsight #wof darkstalker #darkstalker #wof whiteout #whiteout #wof moonwatcher #moonwatcher #wof flame #flame

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chaos-------candy · 3 months

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edit; just realized i forgot to actually caption this oops. oh well theres always next post

feel free to reblog! please don’t repost 🤟

#tangle the lemur #tangle #sth #sth fanart #idw sonic #my scribbles #i love hjer #truly and honestly thought i had posted this #i keep playing dress up with sonic characters #she'd have so soooo many friendship bracelets #would probably make them for everyone #didnt add enough bracelets on this picture i should do another with even more

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bruhstation · 3 months

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can't it even be more obvious thomas. why are you surprised that a sudrian historical site filled to the brim with armor and weaponry that dates back to the middle ages has old people afflicted with the gold dust working around the castle

#thomas the tank engine #thomas and friends #ttte glynn #ttte millie #ttte stephen #casa tidmouth #senjart #MORE OF LADY'S EXPERIMENTS GONE WRONG #WHO UP ULFSTEADING THEIR CASTLE #stuff for the kotr arc of casa tidmouth. now this is where gold dust has historical significance #going crazy right now. my friends are influencing me #I had 12 tabs opened just to draw young glynn's armor. they dont have plated armory in the 10th century!!!! only mails!!!!!!#(looking at you KOTR intro)#I remember reading some inputs on my 1k milestone poll and saw someone put ''the misery of growing old'' and honestly. Checks out #glynn's eyes are goldish brown because well. that's the perks of being the first bearer of the gold dust horrors #lady during 989 AD do not know anything about human thoughts and ethics and emotions. she was literally freestyling that!!!!!#Oh a wounded soldier on the verge of death. what if I *dumps 200 kg of gold dust on him* yeah that'll do the trick.#then she saw how glynn aged so so slowly and went Oh well I messed up. Good thing there are lots of other sudrians here #funny coincidence that young cstm glynn's helmet resembles canon glynn's funnel #I wanted to make millie's design resemble a tour guide more with her scarf and more stylish than usual tie #shes so pretty. I'm so proud of her design #(AND I REALIZED TOO LATE THAT HER TIE HAS THE COLORS OF THE FRENCH FLAG)#<--- said the guy who has beef with the french #stephen's crown is translated to a hat decor! was about to draw a top hat but whatever just imagine he has a collection of various hats #that he can put his crown on #also I want to give him that cool hip-with-the-kids I-am-still-young-at-heart energy #sir robert norramby is balling in the background.#hope you enjoy..... won't be able to draw as much from now on but I'm excited #also whos ready for old man yaoi........... 2!!!!!!

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iwritenarrativesandstuff · 1 year

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Q's Relevance and Parallels to Double Black

I had a sudden brainwave of thoughts (read: I only got three hours of sleep last night) and needed to share. I've thought this for awhile but I really think Q will be returning to the series at some point.

First of all, there's just too much ambiguity there and I want to know more about Q in general. What happened to Q to spawn an ability like that? Why does Dazai speak about them like they're the devil incarnate? What was the incident that led to so many Mafia deaths in an effort to lock Q up? Is there any significance to Q's unusual eyes (remember that most characters tend to have fairly normal eyes, and this is a series where the eyes carry symbolic weight)? What's with Q being strung up in this position that is eerily similar to a crucifixion, shortly before Steinbeck has a conversation about God existing but not loving them?

There's a lot there. I've spoken about this before in the meta I did about Dazai's change in approach after the Q chapter, which was genuinely an unexpected event he did not anticipate. But there's something fascinating about the way Chuuya reacts to Q as well. In fact, both Dazai and Chuuya are almost uncharacteristically murderous towards this kid, and that's real interesting, seeing as many aspects of Q mirror aspects of their younger selves.

Now I understand you might be thinking: uncharacteristically murderous? Story, they have both literally killed many, many people before. Yes, but context is important here.

Dazai doesn't have strong violent urges - not even in the Mafia, where he was considered terrifying more so due to his apathy in killing than anything. I can't remember a scene where Dazai is described as radiating bloodlust like Kyouka or Mori. Dazai is scary because of his indifferent hollowness at his worst points. Odasaku was described similarly in Untold Origins - there was no real desire to kill, just a listless cold follow-through. Dazai's sadistic methods, brought up by Higuchi in Chapter 25, are acknowledged as a means to an end, a method, not something done out of any strong desire or enjoyment. So when Dazai makes death threats or appears visibly angered - that's something worth taking note of. For him to make a promise to Q to pluck out their heart - holy shit. That is not typical Dazai behaviour. He doesn't even make that kind of threat towards Fyodor. Whatever happened in the past clearly shook him, enough for this moment to change his approach in the series and send him back to using darker methods again.

As for Chuuya, while he has and does kill quite readily, this is mostly in the heat of a fight. For him to give the go-ahead for murdering an unconscious child - it's unusually cold-blooded for him, and I can't think of another instance where he's down with lethal intent outside of combat and direct orders. I've seen some people talk about his reaction to Dazai suggesting he'll kill Q as proof that he's gotten darker since we saw him last in Stormbringer, from someone who would plead for the lives of the Sheep to be spared ("They're just kids") to being ready and willing to kill a defenseless child. While I think it's likely true that he's gone darker since that point - Chuuya appears to be more cynical in the present as well as having darker eyes with a smaller central pinprick of light than in Fifteen and Stormbringer - that's not the only thing going on here.

Thing is, Chuuya has always been fairly ruthless. He’s a very vengeance oriented character, right down to his fighting style (rebounding attacks and bullets). Hurt him or someone he cares about and he hurts back - and that threat will be destroyed. Parallel to this is how he is seemingly unable to turn his back on people who have helped him. Help him and he will remain loyal and protective even if that person goes on to stab him in the back. He has a very “give and take” mentality. Chuuya operates on the reciprocity principle.

So, about Q, here’s the thing: Q is a part of the Mafia, that's true. But Q has never helped them, only hurt indiscriminately. Mafia philosophy says “protect your own and follow the boss' wishes no matter what”. But Chuuya’s philosophy is saying “neutralize the threat”. And interestingly, Chuuya’s philosophy won here. If Dazai had've killed Q, Chuuya would’ve defied Mori’s orders in favour of his own judgement, which is extra intriguing because it emphasizes Chuuya’s loyalty to the people within the Mafia, not the Mafia as an organization itself. This is in full contrast to people like Tachihara and Hirotsu, who prioritize the organization and orders above all.

And about Q being a child: I don’t think this is such a big change in his character if I'm being honest. Chuuya knows full well how dangerous a child can be - he was that dangerous child. People underestimated him as a teenager and paid for it dearly; do you really think he'd make that same mistake? He also has a very warped view on the responsibilities and ways a child should be treated… while I do believe he probably is protective of those younger than him, he also equally understands that a child can be just as much of a threat as anyone else. For Chuuya, it’s always a matter of what wins out: the person or the threat? In this case, it was the latter.

The thing is, it's interesting the way they react when you look at the way Q eerily parallels aspects of their younger selves - as well as some things that carry over to the present.

Dazai and Q share central themes of control.

Q's mind control ability is actually referenced by Dazai as being essentially the worst kind of ability there is, and I know I've mentioned before how he seems to react poorly to those people who attempt to mentally control others, placing them on a heightened level of danger (think Fyodor, Mori). I don't think I need to get into Dazai's control freak tendencies - and what's more, after Q's introduction, after he says that mind control is the worst kind of ability there is - he ramps up his masterminding and enacts as much control as he can over the proceedings of the events that follow. Q's ability is interesting in the sense that it allows them control over others, implying Q came from a background of little control. I have also hypothesized that Dazai, with his need for situational control, similarly came from a background of little control. It's also likely they both were hurt by others - Q's ability turns any pain inflicted on them back around, giving them a way to fight back, while Dazai can level the playing field of any unfair advantages by nullifying abilities.

Q's small segment in Fifteen is also interesting: they're near completely zoned out, just staring off into the distance without responding to their environment until Dazai gets directly in their face. Then Q suddenly flips a switch and becomes all cheerful and playful. It reminds me of young Dazai's quick switches between faux cheerfulness and emptiness earlier in that same book.

They also both have quite interesting relations to pain. Q wonders why cruel things always hurt them, but Q makes this a foregone conclusion by purposely arranging others to hurt them so they have an excuse to hurt those people back. Q's pain becomes a self-fulfilling prophecy: they hate it, but the only means of control they know in interactions with others requires it. Dazai similarly hates pain - his pain loop, however, is more emotional than physical. Dazai feels isolated and alienated from others, but his attempts to exert control require him to distance himself and rely on his mind over all else. He also leans into his inhuman side when it becomes apparent pain is unavoidable (I think often of his reactions throughout Dark Era to Ango's betrayal) - again, this becomes a self-fulfilling prophecy. He will not find anything. He will continue to be separate from humanity if this cycle continues. That was why it was imperative that Odasaku break him out of it. Self-sabotage behaviours and unhealthy cycles, physical and emotional, are apparent with these two.

For bonus points: both have injured right arms.

On a more superficial level too, Q and Dazai both have "creepy child" energy, with emphasis on the child part - they are both legitimately disturbing at times but also have moments where they show childlike interest and behaviour. (I encourage people to check out Q's mayoi cards for this - I know it's not super canon or anything but it emphasizes their "kiddishness".)

Also I'm unsure if this is significant, but there's this detail too:

Q has a very unusual right eye with a star in the center. The right eye is also the one Dazai kept covered in the Mafia. Notably also, Q's right eye is frequently obscured by their hair in key scenes.

...Does it mean something? I have no idea. But it's potentially interesting so I thought I'd add it.

Meanwhile, Chuuya and Q share themes of loss of control.

For Q, this is quite obvious. They are literally locked up; imprisoned within the Mafia and unable to exert control over their circumstances. For Chuuya, it's a little more subtle but still present, I believe: I invite people to look at his character song and mayoi (particularly aquarium) for direct references to feelings of being trapped. However, looking at Fifteen and Stormbringer, there are a few mentions of freedom that are intriguing in relation to Chuuya's character. In Fifteen, both Dazai and Shirase mention Chuuya's "freedom"... but this is almost a mockery of what's really going on. A party to celebrate Chuuya's freedom is really an elaborate set up for a trap. Shirase telling Chuuya that he should have the freedom to act on his own wishes is really a cover up for a betrayal. In both instances, Chuuya's freedom is a lie. Stormbringer, at the very least, instates a sense of agency where he at least has the freedom to make choices about his own actions - that's the whole point of his hat; it's a symbol of autonomy (also anti-mind control; more on that in a bit). However, Stormbringer also systematically strips away the start of any alternate path Chuuya could've taken - he cannot be the child he was, he never got to hear the pitch on living in the light. He feels genuine gratitude towards those in the Mafia - they have his back, which is more than he could say before, but at the same time, the Mafia is kind of the last option available there if he wants not to be alone... and Chuuya does not want to be alone. (Seriously. His character song. Please look at it. Also Stormbringer.)

Now, onto their abilities, which also parallel in the sense that they are both used to "get back" at people. Chuuya rebounds attacks - bullets shot at him ricochet back at the people who fired, and Q hurts people who hurt them. There's a very reciprocal relation to the way they use their abilities, and it is absolutely to induce fear and intimidation in others, but there's a key difference. Namely, Chuuya fights only against enemies or people who strike first. Q, on the other hand, intentionally makes "enemies" out of even innocent bystanders just to have a reason to hurt them back. A lot of this is due to Q's misanthropic nature - I doubt Q has ever had a positive bond with another person, and so Q sees the whole world as their enemy - a world which, to them, does not want them in it. Chuuya, on the other hand, has had people who care about him, and he cares about them in turn. He's a bit jaded but he doesn't hate humanity, far from it.

In that sense, Q parallels Verlaine in a sense, right down to being kept in a special secret room in the Mafia, hehe. Though again, there's differences. Verlaine chooses to stay in that room, first of all, while Q doesn't have a choice. Verlaine's angst is internal identity based while Q's is more external situation based. In response to their pain, Verlaine chooses to relinquish control of himself (Brutalization), and Q chooses to have everyone else lose control of themselves (Dogra Magra). Verlaine says "look at how monstrous I am and how I hate and hurt because of it" and Q says "look at how monstrous you all are and how I hate and hurt because of it".

Chuuya is not so far on either extreme that he emulates this - but he could've ended up like Verlaine, and he admits it in Stormbringer. He could've maybe ended up something like Q too, if he'd remained trapped as a lab rat. But see here's the key with Chuuya: his hat makes it so the choice to lose control of himself is his alone, and moreover, that losing control doesn't mean he goes out of control. He trusts that he can lose control for a bit, place it in someone else's hands for awhile before it goes too far. Trusts that the choice to lose himself will be followed by the keeping of a promise to bring him back to himself. Chuuya has bonds, and that's the key difference.

But uh. Going back to parallels... about the scene where Q gets tortured... and the scene where Chuuya gets tortured...

Is this significant...?

...is... is this...

...

.............

Um. I may be delusional. But. Well. *gestures at all of this*

So, where does this leave us? Well, we have Dazai, who sees a manipulative, mind-controlling kid that he calls a "walking disaster", and we have Chuuya, who sees a dangerous ability user that is too big of a potential threat to not be dealt with, so the two decide the best course of action is to kill them about it. The reason Dazai did not follow through is likely a mix of his stated reason (the Mafia cannot harm Dazai so long as he is needed to stop Q), and probably also that he isn't really supposed to be directly killing anymore.

Nice, guys. Really clear and consciously held self-concepts you got there.

Considering everything, it's maddening that all we have on the dynamic between these three is: Q joins in Fifteen at the same time as the other two and is assigned to Dazai since he can stop their ability. Mori doesn't know what it is at that point but assumes whatever it is will be manageable because Dazai can just nullify it. It... clearly wasn't.

I feel like there has to be something here and that we're going to be coming back to it. Q, the old Boss, how Mori got so close as an underground physician in such a short time... there's so much about the Mafia we don't know so I'm assuming the story will shift to focus on these points again... someday. Hopefully.

#i have even more thoughts unwritten if you can believe it but seeing as it is 4 am i should probably stop. also this is too long.#but yeah i frequently think about how horrified and genuinely spiteful dazai is with q like... what happened???#ok just had an awful thought: what if whatever happened with q inspired dazai's brutal treatment of akutagawa #...honestly maybe. it's actually a possibility if something went terribly wrong before.#this... isn't the meta i was supposed to be writing or even started to write... oh well #enjoy?#is this even coherent?#bsd #bsd meta #bsd q #bsd dazai #bsd chuuya #soukoku #skk #bsd fifteen #bsd stormbringer #storyrambles

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fossilizedhysterics · 15 days

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guess who finished tlok tonight and immediately had this come to him in a vision!!!!

#i. really like tlok. like a lot #i understand why people dont like it #and i can accept that OBJECTIVELY its not that great #but i had a fantastic time with it #anyways yeah. gay people #tbh. would not call zhu li and varrick normal. most queer straight couple on the planet.#hes a gay man. shes a lesbian. theyre in love. do you get it.#i dont have that many thoughts abt wuko. i really really like it though.#wu is like the webkinz milk cat to me. i need to throw him against a wall really hard.#and of course. korrasami. what is there to even say there #one thing i will say is before watching it i TOTALLY thought asami was a fire bender and also evil #like i kept thinking “yep this is when she turns evil and then theres enemies to lovers” but nope #not a bender or evil and honestly im glad #she totally wouldve been justified in becoming evil though. i sure wouldve #love her.so much #korra too ofc #i have SO MANY more thoughts but im gonna run out of space #last thing i will say is i am a guy who will just always prefer media i can criticize #love atla. but theres nothing there for me to really sink my teeth into or like bitch about #i love it when media is KIND OF BAD and i can RANT ANGRILLY about it #the legend of korra #tlok #legend of korra #korrasami #wuko #zhurrick #korra #asami sato #mako tlok #prince wu

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dapg-otmebytheballs · 4 months

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There are SIX SONGS in the season finale?? Let's goooo

#sanders sides #thomas sanders #i had figured that it must have gotten overwhelming with a series that has such a massive and vocal audience #I've been there too honestly #and i thought few recent episodes being a bit stale was fair criticism but the 'we have to wait too long for more content' stuff...#idk always hit me the wrong way I cannot stand by those #also like when i say i support creators taking time with their projects and prioritising their mental health I MEAN it #i mean it even if it's someone more famous. I don't think I'm owed explanations and details to decide if I'll 'allow' it #i would have been happy enough to wait on the finale already tbh. and now I'm so stoked!! also idc the latest asides was great #someone come talk with me about sanders sides!!

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comixandco · 6 months

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cleo sertori had a fear of swimming since she was a child and nobody considered for a second that getting stranded on a boat in the middle of the sea then falling into a cave system where she had to swim through subterranean water tunnels to the ocean where she had to tread water until a s&r team found them would be traumatic and exacerbate her fear into full aquaphobia

secretly becoming a mermaid helped her get over her fear but to everybody else her being cagey about the pool party and washing the dishes makes 100% sense when they stop for a moment and consider she’s probably terrified

#h2o just add water #cleo sertori #lewis like ‘i don’t know what’s going on with her lately’ bestie you know what’s going on #they were missing for hours #it’s fucking rude that her parents weren’t more supportive like ik it was the 2000s and nobody believed in therapy but it wouldn’t be that #hard to switch cleo from dishwashing to hoovering and bin duty or fucking. yard work. or if it’s about helping out at dinnertime they could #teach her how to cook she could do meal prep #honestly not enough people thought cleo was pretty courageous like she was out there facing her fear everyday #she went through those tunnels she painted her room like the ocean and kept fish she helped emma with her training before the incident on #mako she was trying to overcome her fear every day #also. emma’s parents thinking she had depression and trying to help was A+ parenting but it was also possible that emma was also traumatise #like?? it’s one thing to swim in a pool and be fast it’s another to push against currents while pulling your friend who can’t swim #and the tunnels were long too they almost ran out of air #i think after that her reluctance to swim should make a bit of sense lmao

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vaguely-concerned · 2 years

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I have seen people question whether dios apate minor really needed to happen the way it did. it's the 'this could have been an email' of htn. 'augustine this did not have to be a threesome', I hear people saying. and boy do I have an obnoxious amount of things to say to protest this perfectly sensible assertion so here we go haha

1) yes it absolutely had to be like that. It says so on this piece of paper *hands you a piece of paper that says "because I said so and also it's narratively and thematically Sexy"* in my half-legible handwriting. seeing tamsyn muir describe harrow the ninth as a book about being a kid and realizing your parents probably had sex has given me such validation, I am unstoppable now. (to be serious for a moment, harrow the ninth is essentially a bildungsroman, and the threesome scene does a whole lot of thematic heavy lifting around harrow glimpsing elements of adulthood, relationships, and sexuality she clearly finds at the same time repulsive, bewildering and fascinating, and around opening her and especially our eyes to how much john is just a man with human longings still, under the god stuff. dios apate is crucial plot- and character-wise too -- it's a loadbearing threesome in terms of delivering the clues you need to piece together the mystery plot of the book, which is simply delightful -- but even more so thematically. and then the scene at the end where they confront john gives gideon some of that same opportunity to peek into adulthood and go '...well shit I guess', as a sort of mirror, just without the french kissing that time and more murder. the things magnus and abigail model for the girls about love and adulthood? mercy and augustine are providing the opposite-day batshit insane version of that fhdskjfa, you know, for contrast and spice)

2) listen... it gets lonely out there in deep space with your 'legendary unamorous' brother, two infant pathetic baby kitten sisters who you'll probably have to kill one day when you take another stab at god if they don't manage to get themselves killed along the way on their own, and the two people you've spent the last ten thousand years having separate yet connected married & divorced arcs with and also btw one of them is god... honestly a threesome over the dinner table is probably The most well-adjusted reaction one might hope for under those circumstances

3) on a characterization level I think Augustine is actually doing something incredibly deliberate with it: he's presenting John with yet another chance to admit what he did. which is notable especially since the deal he and mercy agree on as a condition for the threesome to happen at all seems to be that they're going to give the ol' godslaying another game try sooner rather than later. (I get the sense that it's not so much that he disagrees with her ultimate goal so much as that he thinks she's being dangerously indiscreet and hasty going about it, before. “though I think it will be the death of us,” huh.)

notice how he's structuring the whole thing: he's invoking the intimacy and love in their strange little threeway relationship and how long it's been by truly playing along with john's 'we're a happy family really when we're at home! :)' delusion (helped along by lowered inhibitions via enormous amounts of alcohol and what I've previously described as a joint mercy/augustine leyendecker themed thirst trap. ah, a classic). he brings up alecto and what happened to her -- or rather, he is clever enough to make john bring up alecto and how she is totally dead, right?? by seeming to make a careless statement that leads there and then acting contrite about it after. he (helped along by mercy, who I think realizes exactly what he's doing -- this is very much a two-man con) brings up how much they all loved their cavaliers, and wow funny how that's been haunting us for ten thousand years now huh :) wow, a lot of our other lyctor friends slash family sure are super dead in the name of some unknowable greater reason neither of us quite grasp and that you won't fucking tell us, aren't they. these are all the main grievances he and mercy confront john about at the end of the book, but put forth much more subtly and not phrased as an accusation -- he's baring his and mercy's vulnerabilities as bait, essentially. if john had, say, a conscience where his conscience should be instead of a black hole, it probably should have stirred something in him.

(also let me just say... the way augustine just takes a pneumatic drill to the TWO tender spots g1deon seems to have and then has the audacity to be like 'oh dear. did that upset him. ooof my bad *loooong dead-eyed slurp of his wine*' is just sooo... he's such a bitch!!! he's the only person who could ever have held their own in a ten-thousand-year bitch-off with mercy and I love him so much. well even if it wasn't all to get g1deon into murder range for harrow I think he wouldn't enjoy sticking around for the 'getting our tongues on god' part of the evening so maybe it's a kindness, really, and totally not pent-up aggression from the last twenty years or so breaking through)

he is all but shaking john by the lapels begging him to just... come clean about it already, to stop thinking he's still kidding everyone else along with himself. it's clear throughout the book that augustine knows exactly what john is at this point -- and all of the most cynical things he does say about it turn out to be distressingly right. john is always less sentimental than you'd think. john wouldn't forgive mercy, he will abandon in a heartbeat anything that isn’t necessary to him anymore, whether emotionally or in some other way. and still he seems to hold out some desperate absurd hope that the man he wants, the man he thought was there, is in there, somewhere deep deep down, if he just gives him the chance to show himself.

(mercy definitely has her own side of this whole thing, I'm just focusing more on augustine because this evening was like. his idea in the first place and I feel like we can Read Some Things into that fact lol. now that we have both ntn and htn to go from I sort of have this sense that the things augustine wants from john are more... personal? more interpersonal? they both love him equally, but mercy's love seems tinged slightly more towards the religious (augustine accuses her of knowing 'only worship without adoration', which like... also the eight house's entire Vibe lol) -- mercy at the end of that book is totally a person breaking up with GOD, not just with john -- while augustine's vibe is more like a man in the last not-with-a-bang-but-a-whimper days of a marriage that sort of felt like it could have been something real and good once but all your illusions about it have since been taken from you and trampled underfoot into the mud and you've had the divorce papers signed and ready in a drawer for over a year now, hell, as it turns out, is other people etc. lmao)

having a threesome over the dinner table with god is one thing, having a threesome over the dinner table centered on the one man and god who has yet again let you down in a way so fundamental it can barely fit into words and who you both still love in a way anyway, miserably, and also just reaffirmed your joint resolution to murder (all under the pretense that it gives your baby sisters the chance to murder your brother of ten thousand years yeah that's why this is happening no other underlying aching emotional motivations here haha)... listen mercy and augustine are simply on a different level, theologically. they've added horny shrimp colours to the religious spectrum. who else does it like them

#the locked tomb #harrow the ninth #augustine the first #mercymorn the first #john gaius #dios apate minor #bad cop worse cop and sorry cop #augustine 'when I die I want john to lower my casket #not so he can let me down one last time that's honestly a given at this point #if at all possible I just want to pull him down into the grave with me' quinque #first saint to serve the king undying #nona the ninth spoilers #nominally? in that I am saying there's relevant information to this polycule clusterfuck in it? eh let's just be safe lol #just when you thought I had no more thoughts about the terrible old people to unleash upon you... here I am again hahaha #the locked tomb meta #also yeah I mean I guess they didn't actually have to get their tongues on god on-page for all this to still be true #but I'm glad they did let them have some lyctor enrichment #hate fucking is actually lyctor love language hashtag did u kno

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weaponizedmoth · 1 day

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"Ladies and gentlemen, what we have here is a vampire in love with a human. Better integration than I could possibly have dreamed."

(just some Sundown The Vampire in Retreat fanart. More details and B&W vers. under the cut, etc).

#I thought this movie was really cute and charming in a lot of ways #also I love Bruce Campbell's look in this one so much I had to draw him #I wanted to make him really warm to contrast her vampiric appearance which is more or less what they do in the movie #although he's pretty gray #I also like the costume designer's attention to detail like everyone is dressed more or less like they would be at the time they died #and a vampire western is just one of those ideas you pull from a hat that sound insane and are #but anyway charming film! I watched it twice this year! Then what! It's full on youtube so it's easier #I feel like she looked more like the actress in the sketch ALSO her actress played Muffy in April Fools Day????!#I fucking love that movie so much and Muffy is my girl she's like such an insane genius I love her to death #that movie is like a very long Are You Afraid of the Dark episode and this movie is a fairy tale with vampires. Iconic choices honestly #sundown the vampire in retreat #bruce campbell #I usually don't tag actors or actresses but I deserve this one #fanart #artists on tumblr #art #digital art #illustration #my art #digital drawing

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aimasup · 1 month

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sure i COULD ramble about how ai is one of the multiple things that check all the marks of humanity's seven deadly sins but would that be extreme

^^^ possibly insufficiently educated

#the pride the hubris of believing you can do better than innovation and nature by playing god and not in the fun way #the lust it's being used for in so many awful cases #the sloth the way its encouraging everyone to check original sources less before believing anything. Also to not take time to develop skill #the greed its being used for profit without consideration for ethics or fair labour #gluttony. we always have to be faster. shinier. better. no matter if it ends up being less convenient or wonky #the wrath it sows in between people creating more differences to be frustrated over. more hatred #the envy how it takes and takes. always trying to be as clever as the best humans. as beautiful as a real forest or sunset.#do you think the ai wants itself #if this were a scifi movie would we be the bad guys #but this is not a movie and the ai cannot love us. so we cannot love it. and there's that #my post #personal stuff #thinking aloud just silly yapping n jazz 没啥事做就这样咯~#(￣▽￣)~*#when i was in primary school our textbooks for chinese had short stories and articles to learn about #there was a fictional scifi oneshot about a family in the future going to the zoo #the scifi zoo trip was going great until the zoo's systems went offline for a moment #and it was revealed that all the animals roaming in their enclosures were holograms #the real ones went extinct ages ago #when the computers came back online the holograms returned and there they were #honestly at first I thought it was a bit exaggerating #but I still think about it once in a while

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hephaestuscrew · 10 months

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"With a goddamn harpoon": The significance of Minkowski's weapon of choice within the narrative and characterisation of Wolf 359

TL;DR: Despite its initial comic role, the harpoon becomes a important symbol of Minkowski as a character; it is particularly associated with her desperate need for control, her desire to keep her crew safe, her stubborn determination, and her occasional unpredictability. These associations add to the narrative significance when Minkowski kills Cutter with the harpoon.

[Tagging people who said they wanted to be tagged: @browncoatparadox @captain-lovelace @goblincaveofvibes ]

~~~

Ep21 Minkowski Commanding

First appearance

We first encounter the harpoon in Minkowski Commanding, which is a significant episode for Minkowski's characterisation because it's the first big departure from Eiffel's point-of-view into Minkowski's. It's arguably the most Minkowski-centred episode in the whole show, so it stands out when we think about her as a character.

EIFFEL (over comm) Um, Minkowski? Why is the armory wide open, and also, apparently, robbed? Where's the tactical knives kit? MINKOWSKI Don't worry. I've got that. EIFFEL Oh. And the M4 carbine? The, like, really-dangerous-in-space, select-fire M4 carbine? MINKOWSKI Yeah, I've got that too. EIFFEL And this empty rack I'm looking at right now with a label that says "harpoon" suggests that... MINKOWSKI Yes. I have it, Eiffel.

The harpoon is introduced as part of a list of over-the-top weapons that Minkowski takes on her plant-monster-hunting mission. It's initially just a funny moment to emphasise how seriously she's taking this mission. The weapons arguably increase in unlikeliness as Eiffel lists them, and it's a comic image to think of Eiffel deducing the situation from the empty rack labeled 'harpoon'. It could have been an entirely throw-away joke that was never brought up again. The M4 carbine never comes up again. The tactical knives kit is mentioned in Knock, Knock, but not in a plot-significant or symbolic way.

'Goddamn harpoon' speech

So why does the harpoon become such an iconic part of Minkowski's brand (and I'm pretty certain it was seen as significant by fans long before the finale)? It's got to be because of the next time it's mentioned, when Minkowski talks to the plant monster in the same episode:

MINKOWSKI (getting psyched up) You wanna play with me, huh? You wanna run rings around me? The joyless, boring, predictable old Minkowski? She can't stop you, right? Not someone as smart and powerful as you. You've got her pegged. Good. Get complacent. Get smug. That's right when you'll find me waiting for you. With a goddamn harpoon.

There's so much to say about this speech and what it reveals her character. For one thing, it's all projection - we have no real indication of what (if anything) the plant monster thinks of Minkowski. We don't even really know how much understanding it has when listening to her talk. She imagines that this silent adversary would call her "joyless, boring, predictable". I suspect that these are all things that she's been called a fair bit in the past. (To be honest, I wouldn't be surprised if they are all things that Eiffel called her at one point.)

But the harpoon is proof against - if not the accusation of joylessness - the idea that Minkowski is boring and predictable. Boring and predictable people don't opt for a harpoon for fighting on a spaceship when plenty of more conventional weapons available. A harpoon is unexpected, and there's a kind of power in that.

Another interesting thing about that speech is that the whole thing would make at least as much sense - if not more - if it was directed at Cutter. In Sarah Shachat's episode commentary on Minkowski Commanding (part of the bonus material available to buy here), she says that Minkowski "is really speaking to Cutter in this moment". It's made clear that Minkowski's behaviour in Minkowski Commanding is not just about the plant monster itself. She tells Eiffel, "I have to take it seriously! If I can eliminate one threat, just one, then we are that much closer to going home!"

The specifics of the plant monster's location, abilities, and origin are mysterious, but - unlike many of the other forces threatening the safety of Minkowski's crew - it is at least tangible and harpoon-able and not light years away. Hunting the plant monster is a way for Minkowski to assert control when so much is outside of her control. It's an attempt to demonstrate that she is - as she puts it - "in charge of this disaster". Minkowski treats the plant monster as a physical symbol of all the threats her crew are facing, and so the harpoon becomes a physical symbol of her fierce (if sometimes misguided) determination to take control of the situation and fight back against those threats to protect her crew.

The line "you'll find me waiting for you. With a goddamn harpoon" is one that sticks in the mind, especially since - with one notable exception - 'goddamn' is about as potent as swearwords get on this show. And it's the harpoon that she uses to give specificity to the threat.

Absurdity

A harpoon is powerful and threatening, which is exactly what Minkowski is trying to convey to the plant monster, but in this context - not only on dry land but on a spaceship - it's also kind of absurd. From the way we hear it fire in the finale, we can tell that it's more like a speargun than a hand-thrown harpoon spear, but it's still an out-of-place weapon for space-based combat. Minkowski's already been shown to have a penchant for archaic weaponry, after her drunken enthusiasm over the cannon during the talent show incident, which is largely played for laughs. Similarly, in the episode commentary for Minkowski Commanding, Sarah Shachat says that the harpoon was introduced mostly just because it was funny; "[including a harpoon] was me sort of embracing the Moby Dick of it all. And I had no idea at the time how much importance that silly harpoon would take on."

Eiffel makes a Moby Dick reference himself ("10 days of Captain Ahab's Space Walkabout"). I haven't read Moby Dick so I can't properly analyse the significance of this reference, but the initial prominence of the harpoon (traditionally a whaling tool) enables that connection. It feels like a good example of the classic Wolf 359 thing where something comedic has the potential to take on a deeper significance. It conjures an image of Minkowski as a Captain with the potential to be consumed by a single-minded mission to destroy... A potential that she resists in the conclusion to Minkowski Commanding when she chooses to leave the plant monster alone. The harpoon also fits with the sprinkling of nautical imagery and language in Wolf 359 (e.g. the repeated use of the word 'boat'), as well as the retro-futuristic feel of the Hephaestus.

We never learn why there's a harpoon on the Hephaestus. It seems like yet another of those bizarre unexplained quirks of the station, like the items in the storage room where Eiffel finds Box 953. Even when the weird mysterious features of the Hephaestus are depicted in a comedic way, these features are still a demonstration of the fact that the characters are in an environment that they don't understand and that their surroundings have been shaped according to the whims of Command.

I think we can assume none of the members of the Hephaestus crew brought a harpoon up with them. For whatever reason, someone at Goddard Futuristics must have decided to put a harpoon in that armory. Like most things in the crew's lives, the harpoon is owned by Goddard Futuristics. So the way Minkowski uses the harpoon could be seen as an instance of reclaiming something from Goddard and their control over her surroundings (in a similar way to how her crew are able to utilise the maze-like structure of the Hephaestus to their advantage when hiding first from the SI-5 and later from Cutter and the crew of the Sol).

Other mentions of the harpoon

The harpoon doesn't actually make another physical appearance until the finale, when it truly comes into its own. But there are a couple of little hints before then that it has become a part of Minkowski's brand amongst the other characters as well as to the listeners. These mentions remind the listener about the harpoon, so we don't forget about it before its big comeback in the finale.

Ep27 Knock, Knock

EIFFEL [to Minkowski] Like getting rid of all the weapons, for a start. We should gather up all the guns, the tactical knives, your harpoon. Put it all in the arms locker, seal that sucker up, and put the key in one of Hera's service canisters.

In this quote, Eiffel refers to it as "your harpoon" - the only weapon he ascribes ownership to here. He sees it as something she's laid claim to. He also thinks the harpoon is worth mentioning specifically, which suggests that he thinks that Minkowski would reach for it first if she was feeling particularly violent. This reinforces the idea that the harpoon has become a symbol of Minkowski's character. This connection is also strengthened by the fact that the harpoon is also never mentioned in relation to anyone other than Minkowski using it.

Ep45 Desperate Measures

LOVELACE [to Kepler] Yeah, right. Nobody knows this station like Alexander Hilbert. He knows every nook, cranny, hidden room - everything. And as back up he's got the only woman's who's ever turned outer space monster hunting into a recreational sport. You'll never see them coming... until all of a sudden there's a harpoon in your face, and you end up on the operating table of the finest medical sadist that Goddard Futuristics ever produced.

Lovelace mentions the harpoon and specifically refers to Minkowski's plant-hunting exploits, even though she didn't witness them. So we know that someone has told her that story. And what she's taken away from hearing the story is an emphasis on Minkowski's harpoon and an admiration for her determination. I don't think Minkowski was the one to tell Lovelace about her plant-monster-hunting mission, because I don't think she's necessarily proud of it. I suspect it was Eiffel who told her - he's the most natural storyteller of the group. In Mutually Assured Destruction, soon after meeting Lovelace for the first time, he says "Nobody's told you about the Plant Monster yet? So, funny story..." And I believe Eiffel would have told the story of Minkowski's plant monster hunt in a way that conveyed both the ridiculousness of her behaviour but also a kind of awe at her boldness and persistence.

The tone of "all of a sudden there's a harpoon in your face" is pretty similar to "That's right when you'll find me waiting for you. With a goddamn harpoon". Once again, the harpoon is portrayed as something that the Hephaestus crew's adversary won't expect, something that will play a key role in that adversary's defeat. You might almost think something was being foreshadowed here…

Characterisation through Weaponry

When we think of the harpoon as a symbol of Minkowski as a character, it seems worth drawing a comparison with the only other Wolf 359 character who I think has a form of weaponry as a big part of their brand: Jacobi and his explosives. While a harpoon certainly has a lot of potential for violence (a potential which Minkowski utilises), it is targeted and intentional in a way that bombs don't tend to be. It's harder to have collateral damage with a harpoon, and I think that reflects a difference between Minkowski and Jacobi's approach to conflict.

A harpoon isn't really designed for combat - it's for hunting whales and other marine animals. It feels significant that Minkowski's key weapon of choice - the one she threatens the plant monster with and kills Cutter with - isn't the weapon of a soldier. She took an assault rifle with her to hunt the plant monster, but that wasn't the weapon she held onto. She's not a natural soldier, even if she'd sometimes like to think she is.

Maxwell's Death

When Minkowski kills Maxwell, it's with a gun, not a harpoon. She's trying to be a soldier there. She's trying to do what she has to. I don't know much about how a harpoon is fired, but I've a feeling that there's less uncertainty about whether a harpoon was fired deliberately than a gun; the ambiguity around Minkowski's agency in Maxwell's death is a key part of the story that wouldn't work with a harpoon. But perhaps more importantly, I don't think there's meant to be a sense of victory or relief in Maxwell's death, unlike Cutter's. The harpoon - as a weapon that has become strongly identified with Minkowski as a character - is saved for moments when Minkowski is asserting her power in an active way that she isn't conflicted about.

Ep61 Brave New World

About a third of the way into the finale, there's another indirect mention of the harpoon:

RACHEL Y-yes, sir… Umm, we also picked up some chatter on their weaponry supplies… Firearms, explosives, something about a harpoon…

This is a nice little reference which reminds the listener of the harpoon in anticipation of its big moment later on in this episode, while once again playing with its incongruity in a list of more typical combat weapons. Given that Minkowski and co. have guessed that they are being listened in on here, their choice to talk about the harpoon might be seen as their way of having a bit of fun, or it might be seen as their way to imply the same threat that Minkowski made to the plant monster. Cutter had warning, but he didn't heed it.

Which brings us, of course, to the harpoon's most significant moment:

Cutter frowns. Then he hears it: CLA-CLUNK! His eyes widen. MINKOWSKI Let's see you catch this. FWUUUMP! An ENORMOUS THING IS SHOT. A moment later, Cutter COLLIDES AGAINST THE WALL, IMPALED. MR. CUTTER ... a... harpoon? That's not... how this is... supposed... to... He struggles for a few more moments...and then he stops.

This scene is a classic instance of Wolf 359 utilizing the audio medium to leave a significant element of the situation unknown to the listener until the right moment. We don't know that Minkowski is carrying the harpoon. We don't know that she's readying it as Lovelace talks. When we hear something fire, there's a moment where a listener might or might not have realised exactly what just fired. It's Cutter who delivers the glorious revelation. It gives the moment an additional burst of triumph that Cutter's final words are an expression of shock, not just that he has been defeated but at the weapon with which the killing blow was struck.

Human unpredictability

It's not just that Minkowski kills Cutter with a harpoon; it's also that she wouldn't have been able to kill him without it. He can catch bullets after all, so Minkowski and Lovelace's guns are basically useless. Cutter thinks he's therefore invincible, but he hasn't accounted for the possibility that Minkowski might have a less conventional weapon on hand, one which fires larger projectiles that he can't catch so easily. The fact that she's carrying an unexpected weapon - a weapon that might have seemed ridiculous - is what allows her to defeat Cutter and therefore to survive.

It's a repeated theme in Wolf 359 that the protagonists' strength is not that they are the most powerful or they behave in the most logical ways, but that they are complicated and human and unpredictable and very much themselves - all of the things that Cutter and Pryce don't want in their 'ideal humanity'. When Minkowski kills Cutter with the harpoon, it's a victory for human unpredictability and individual idiosyncrasies.

Making good on her promise

Thinking back to Minkowski Commanding, we can see that the threat Minkowski made to the plant monster absolutely came true with Cutter. He got complacent. He got smug. (I'd argue that smugness has always been one of his key attributes.) And he found her waiting for him, with a goddamn harpoon. The return of the harpoon for this moment suggests the defeat of Cutter is a culmination of some of the motivations and traits that Minkowski showed when hunting the plant monster, now channeled in a more suitable direction. She continued trying to get them "that much closer to going home". Her - sometimes absurd - determination provides a throughline from an episode that was mostly comedic (Minkowski Commanding) to a dramatic emotionally powerful finale. As Sarah Shachat put it in her audio commentary, Minkowski "makes good on her promise [that she makes in her harpoon speech in Minkowski Commanding]. That's why she's a hero."

It's significant that Cutter dies from an unlikely weapon that is so strongly identified with Minkowski. It makes that moment feel like truly hers (although she is of course right that she couldn't have done it without Lovelace - that's called being part of a crew).

As the Commander, it feels apt that Minkowski is the one to kill the long-standing 'big bad'. Pryce is arguably the same level of antagonist as Cutter, but he's the one that we've been aware of since we became aware of larger sinister forces at work in this narrative.

And if Minkowski has a personal nemesis, it's Cutter. He's the one who recruited her into the hellscape that is the Hephaestus. He played on her ambitions to get her where he wanted her. She trusted him the way she trusted the official chain of authority at the start of the mission. And that trust was extremely misplaced.

The significance of Minkowski being the one to kill Cutter is highlighted by the fact that she kills him with a weapon that only she uses, a weapon that links us back to her behaviour 40 episodes earlier. The sense of control that she was desperately seeking in Minkowski Commanding might not be completely within her grasp by the end of the finale, but she's reclaimed a piece of it by defeating the man who has been exerting control over her life for so long. And she did it with that goddamn harpoon.

#It's harpoon time!!#Honestly I think there's probably still lots more to say #but this is plenty to be getting on with #Feel free to share your own thoughts #Wolf 359 #w359 #Renée Minkowski #The stuff about human unpredictability was inspired a lot by conversations with my friend @commsroom #so she'd be in my bibliography if I had one #Something that didn't really fit in here but feels relevant is the way that fans #(particularly podcast fans who don't have canon appearances to go off)#will use certain characteristics/ objects/ clothing choices to make a character identifiable in art #Like if I see art of a Wolf 359 character with some combination of cigarette/ headphones/ Star Wars t-shirt #I know it's Eiffel even if it doesn't look like my mental idea of him #And the harpoon is definitely part of that shorthand for Minkowski #because no one else would have it #so lots of Minkowski art features the harpoon #which strengthens the associations that I'm talking about in this post #And that's interesting to me #because it's an unintended way in which fandom has the potential to influence how people perceive a character #but I think in this case it just adds further value to things that are already implied in canon #Renee Minkowski #Commander Minkowski #w359 spoilers #wolf 359 spoilers #the empty man posteth

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