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webslinger-holland · 2 months

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The Sergeant's Senator | Chapter 4

Summary: The Senator has spent the last couple weeks locked inside, but now wants nothing more than to go outside. The others need to find a way to get her outside without being spotted or recognized.

Warning: mention of the shooter, vial of blood is alluded to, characters have slight anxiety, mutual pining, suggestive talk, weaponry mentioned (not used)

Pairing: Hunter x Fem!Reader Senator

Type: Short Series

Word Count: 5.4k

Series Masterlist

The day following the attack was spent talking to The Coruscant Security Force. They had come to the apartment to investigate the destruction, opening a brand new case file against the shooter. While some officers were snapping photographs of the scene, the other ones were questioning the people who witnessed the attack.

In the meantime, Crosshair made sure to keep a close eye out the window with his sniper in hand. His eyes scanned the city skyline thoroughly. By the couches, Senator Rayna and Hunter gave their statements to an officer. The man took notes on a pad of paper.

"And where you able to get a good look at the shooter? Maybe what they were wearing," the officer suggested.

"No, we didn't get a good look. It was quite dark out and we went in the best position to look at them," Hunter explained. Even with his heightened senses, Hunter wasn't able to get a great look before he fired his shot.

Just then, Tech came to approach the small group. He held his data pad in one hand and a small vial of blood in the other. He passed the vial to the officer.

"This might be of some assistance to you," Tech told the officer. "It was found on the rooftop where the shooter was located. That is their blood."

The officer went to open his mouth to question how he managed to get a sample of the shooter's blood, but the technical clone beat him to talking by saying:

"You should be able to run a DNA diagnosis test to pinpoint who it is exactly. Then you can release a warrant for his arrest," Tech explained to the officer as if he didn't know how to do his job. He typed away at his data pad.

The senator was forced to stuff her lips into her mouth in hopes of stifling a small laugh. She glanced up at the sergeant who gave her a shrug and a look that said: "That's Tech for you."

"R-Right. We'll get right on that and get back to you once the results are in," the officer stammered over his words. "We should have this place cleaned up in a few days. I presume you have a place to stay?"

"She does," Hunter interjected before Y/n could speak for herself. He left it at that, not wishing to disclose where the senator was staying just in case unwanted ears were listening.

The officer gave a firm nod of the head, showing them appreciation for their willingness to answer their questions. "Thank you for your time."

Over the next couple weeks, Senator Rayna was fully immersed in her work back at the office. Her schedule consisted of attending meetings, writing her speech, and sitting in on what was happening at the senate. All the while, the Bad Batch escorted her to every function. They kept a close eye on her while being fully aware of the dangers that could accompany them.

It had been many weeks since the attack at the high-rise, which was now the longest amount of time between attacks. Something was not right. His suspicious grew with each passing day. That only made him want to take extra precautions when accompanying the senator out.

"I don't like it," Hunter grumbled more to himself. He paced back and forth across the office.

The senator spared him a quick glance before returning her attention to the papers in front of her. "Stop pacing," Senator Rayna spoke from behind her paper.

"It's been weeks and nothing. We haven't heard a thing from this guy," Hunter complained. He raised his hand to gesture out the window.

"Well, I am most certainly thankful for that. You're not the one who's a target here," Senator Rayna stated. He slumped down into a chair facing her desk. He fidgeted with his fingers nervously; his eyes darting around the room.

"He's gonna strike. I just know it," Hunter claimed.

"Hunter," Y/n spoke softly. "I think you're a little paranoid."

"And you're not?" Hunter inquired, glancing at her.

"Not anymore," Y/n confessed with a soft smile on her face. He stared directly at her with a hint of intrigue in his eyes.

"Why?"

"Because I have you," Y/n explained. She felt herself getting lost in those dark brown eyes of his. She quickly snapped out of it and redirected her gaze away from him. She cleared her throat awkwardly. "A-And your brothers looking out for me," Y/n added.

The senator pretended to go back to her work, but she was secretly thinking about the sergeant in front of her. She tried so hard to push those thoughts away, knowing that it wasn't right to be pining after and crushing over her sergeant who was assigned to protect her. It wasn't like he could reciprocate the feelings; he was a clone after all and they were programmed to not meddle in those matters.

Despite the looks, Hunter wasn't void of all emotions. In fact, as of recently, Hunter discovered that he was shifting towards having a more domesticated heart. His thoughts wandered back to his friend named Cut who was a deserter clone settled on Saleucami. He had gone so far as to marry a Twi'lek named Suu and have two children together.

The difference between Hunter and Cut were their priorities in life. While Cut found purpose in providing for his family, Hunter was still a soldier for the Republic and served in the war. Now, Hunter envied the life Cut made for himself and wished that someday after the war, he'd be able to seek the same kind of life for himself.

However, despite this optimist approach that the war would end, there was still a matter at hand. Once the war ended, Hunter may be free to chose a life for himself, but Y/n would not be. She'd still be a senator, sitting through meetings and making grand speeches. She herself would be working hard to make the galaxy a better place. That was something that Hunter would never be able to pull her away from. It was her purpose.

Which was why, for the past few months, Hunter tried to distance himself from the senator emotionally. He still needed to be in close proximity to her in order to keep her safe, but he simply wouldn't allow himself to become too attached. One day, they'd have to go their separate ways and that would be the end of it.

This was a tricky task for him. His head screamed to stop, but his heart pleaded to try. Once the senator returned to her apartment after it was fully restored, Hunter found it incredibly difficult to stay away from his bed aboard the Marauder. His once undisturbed bed now smelled so strongly of lavender that it drove his senses wild.

More often than not, Hunter came to discover how she was constantly invading his senses. Whether the senator wore a particularly flattering dress or gingerly touched his arm, it drove him wild. He tried wearing his helmet more, igniting the feature that blocked out those senses for his own sake.

But right now, sitting in her company, Hunter wasn't wearing his helmet. He stared at her longingly, admiring the way a few baby hairs fell around her face. He also seemed to catch the soft pink tone on her cheeks, but she quickly shielded her face from him behind a piece of paper. The gentle flutter of her heartbeat did not go unnoticed either.

Just then, the door to the office slid open to reveal the other four members of the squad. They had just come back from grabbing lunch in the cafeteria downstairs. They figured, given the quietness over the past couple weeks, that they could afford sneaking down for quick bite to eat. But that had been an hour ago.

"Took you long enough," Hunter huffed. He crossed his arms over his chest, seemingly unamused by their prolonged absence.

"That's because Wrecker kept going back for more food," Echo scoffed.

"It never ends," Wrecker exclaimed with a bright smile on his face. He came around the side of the chair. "They let you take as much food as you want. I haven't been this full in a long time."

"I'm glad you enjoyed it," Y/n smiled at him.

"So," Wrecker clasped his hands together rather loudly. "What's on the docket for today?"

"Nothing," Tech and Y/n replied simultaneously.

"Her schedule is empty," Tech spoke. His nose was buried deep into his data pad.

"No meetings? No speeches?" Wrecker questioned. He seemed rather confused as he felt there was almost always something the senator had to do. But it was only two hours past noon.

"Not really," Y/n shrugged her shoulders. "I initially planned to spend the whole day finishing writing my speech, but now, I'd like to do something else."

"What did you have in mind?" Hunter inquired curiously.

When the senator saw all eyes on her, she felt her nerves go uneasy. She twiddled with the pen in her hands, thinking about what she was about to say. She didn't know if it was such a good idea after all.

"I-I'd like to go out," Y/n confessed timidly.

The room remained silent for a moment. The senator glanced between each of the clones in attempts to read their expressions and predict who was going to speak up first. Sure enough, the sarge was the first one to speak for his brothers. He cleared his throat awkwardly.

"Out?" Hunter clarified.

"Your speech is in two days," Tech pointed out.

"Shouldn't you prioritize that?" Echo questioned.

"I haven't been able to properly go outside for weeks," Y/n ignored them. She threw her hands up in defeat, resting against the back of her chair. "The most fresh air I get is going between here and my place."

"Do you really think it's a good idea to go out in public? With everything going on?" Echo chimed in.

"Not to mention the fact that you have easily one of the most recognizable faces on Coruscant," Tech pointed out.

"I'd wear a disguise," Y/n replied.

"Really? A disguise," Hunter held back a laugh.

"Believe it or not: I do own civvy clothes," Y/n reassured them.

"I'd pay to see that," Wrecker laughed. He rather forcefully nudged Crosshair who was standing right beside him, but he just shook his head in annoyance.

Trying to ignore his brother's comment, Hunter found himself leaning forward in the seat. He came up with a hypothetical situation. "Say we do go out, what would you even want to do?" Hunter asked her.

"Anything," Y/n sighed. "Just get me out of this office."

For a moment, Hunter contemplated the choice to leave. He averted his gaze to ponder some more. He found feel his brothers gazing at him expectingly, which made him realize just how much they too wanted to get out. The risk was almost too high given that she had a massive target painted on her back.

Sensing how he was leaning more towards a negative response, the senator quickly rose to her feet and rounded the side of her desk. She knelt down on the floor right beside his chair. She placed a hand on his forearm which drew his attention towards it. Her eyes were pleading, begging for a little freedom.

"Twenty credits says he caves," Crosshair said discreetly to his twin standing right beside him.

Before Tech was able to accept the challenge, Wrecker spoke up quietly. "You're on."

To which Tech rolled his eyes. He went back to his data pad.

"Please sarge," Y/n urged. Her other hand went up to trace his fingers gently, coaxing him to watch her intently. She drew small shapes on his palm. Her eyes flickered up to him. "Just for a little while?"

Finally, Hunter began to withdraw his hand away from her in a slow manner. He flexed his hand once or twice to get rid of the feeling of her fingers having just graced him. He refused to look at her.

"Fine," Hunter sighed heavily.

A bright smile grew across her lips. She thought about throwing her arms around him for an embrace, but she figured that she may be overstepping if she did so. Instead, Y/n stood to her feet from her spot. She could barely contain her excitement.

In the background, Wrecker and Tech went to place their twenty credits into Crosshair's expecting hand. Both of them looking rather solemn, but the third was rather pleased with his new change. He pocketed the credits into a pouch.

Before Y/n was able to turn away, Hunter reached out to grab her wrist. The excitement was quickly disappeared from her face. Now she wondered if he'd changed his mind. She went to look down at him, fearful of what he was about to say.

Under his fingers, Hunter felt her pulse growing faster on her wrist and he could hear the thumping of her heart. He wasn't sure if it was anxiety or excitement coming from her. But he spoke to her to get his point across.

"But if we are doing this, you are gonna do things my way," Hunter's sulky voice ordered. His eyes flickered up to meet hers in a stern glare. "You got that?"

"Yes sir," Y/n gulped.

Upon hearing this, Hunter instinctively tightened his grip on her wrist without realizing it. It drew a small gasp out of her lips which only spurred him on more. Now satisfied with her answer, Hunter began to release his grip on her. He gestured to the side as if to encourage her to keep moving.

As the senator walked away, Hunter redirected his line of attention to his band of brothers standing on the sidelines. He had already come up with a plan to execute this outing.

"Go back to the Marauder," Hunter spoke to the muscles of the group. "We are going to need the old crate."

A few minutes later, Wrecker had returned to the office carrying a massive crate in his hands. He brought it to the center of the room and dropped it on the floor, which resulted in a loud thump. Opening the lid of the crate, Tech began digging through the various items within it. He was searching for something in particular.

Without glancing up, Tech grabbed something black and handed it to Hunter. He strode across the room towards the senator, offering the odd black material to her. She furrowed her eyebrows upon further inspection.

"What is this?" Y/n inquired. She gingerly took hold of the material.

"We call them blacks," Hunter stated.

"And what am I supposed to do with it?"

"Take off your clothes," Hunter explained. Her eyes snapped up to his face, showing the evident look of surprise in her eyes. He finished what he was saying: "And put these on."

Silently, Senator Rayna nodded her head understandingly. She went towards the restroom on the other side of the room, stepping inside and closing the door behind her for privacy.

With Hunter's eyes still locked on the door, Crosshair approached his side. His eyes followed the line of his brother's. He adjusted the toothpick in the corner of his mouth.

"Didn't take you for the flirting type," Crosshair noted. His voice sounded like it was poison in the brother's ear; like it was laced with ill intent.

"I'm not," Hunter spoke firmly without taking his eyes off the door. "Just telling her what to do."

"You're a horrible liar," Crosshair scoffed with a shake of the head. He proceeded to turn away from him and return to his other brothers side by the crate.

Just a moment later, the door creaked open ever so slightly, but it successfully drew the attention of all the clones. They looked up to watch the young senator emerge from the private space. Their eyebrows shot up in slight surprise once she finally stepped into their view.

The blacks were designed to fit any body shape, which meant that the material naturally looked small before one put it on. It was truly a "one size fits all" type of clothing. And boy, did it show.

It fit her body like a black glove. The black material hugged her figure so tightly that it showed every single curve of her body. While to some, it may look incredibly uncomfortable, it was actually one of the softest materials available in the galaxy. It was lightweight, versatile, and rather cheap. Every soldier for the Republic wore blacks under their armor.

Breaking the silence, Wrecker let out a wolf whistle which only brought a swift nudge in the side from Echo. She avoided their gazes expertly, keeping her eyes on the ground. She shuffled across the small stretch, bringing her arms to cross against her chest.

"I-It feels odd wearing just this," Y/n said honestly.

"You'll get used to it," Hunter reassured her, feeling a smile tugging at the corner of his lips.

"Found it!" Tech exclaimed from behind them. The rest of them redirected their attention towards him.

Finally, Tech retrieved a single piece of black armor from the crate. It was a clone chest piece. He held it up for further examination. However, Senator Rayna only furrowed her eyebrows in slight confusion once again. She had no idea what he was doing with a piece of armor.

"This will do nicely," Tech stated with a nod. He rounded the side of the crate to offer the chest piece to the senator.

But she initially didn't take it from him, which meant he'd need to explain his motives to her.

"I have taken the liberty of riffling through our old armor crate. Given your physique, I have selected one of Echo's old chest pieces." Tech pushed the chest plate into her hands.

"You want to me put this on?" Y/n questioned.

"That's the plan," Hunter interjected.

"So I look like a clone?"

"So you have protection," Hunter corrected. He raised a single finger to emphasis his words. "Along with a disguise."

"I won't fit in this," Y/n exclaimed. She tried holding up the chest plate to look at it closer, but it was incredibly heavy.

"Which is why I provided you with Echo's piece. He's the smallest," Tech stated as a matter of factly.

"Hey," Echo chimed in, taking offense.

Before the senator was able to protest, Hunter had already taken the chest plate out of her hands and was fitting it over her head. She slipped her arms through the holes on the side. He moved the piece of armor around until it was comfortable resting on her chest.

In the meantime, Tech and Echo began to bring the other pieces over for assembly. They handed each piece to the sergeant who knew exactly where they went on the body. The senator was beginning to feel the armor's weight as the pauldrons were attached to her shoulders.

"It feels quite heavy," Y/n realized.

"That is because it is katarn-class armor, which is much more stronger and more resilient than your typical plastoid clone armor. It will weight approximately 45 pounds once put together," Tech explained as he fitted a spare piece to her side.

"Is this really necessary?" Y/n wondered. She raised her arms upwards as the belt was attached across her waist.

"Provided that this may save your life by deflecting a blaster shot, then yes, I would say it's necessary." Tech shrugged.

"Hunter," Echo redirected. He quickly tossed him another piece from the crate, which he caught without looking.

While distracted by Tech's rambling, she didn't even notice the hands that grabbed her hips and directed her body to turn. She shuffled on her feet until she was fully facing the sergeant. He slowly lowered himself to the ground, getting on his knees in front of her.

For some unknown reason, Y/n felt something ignite within the pit of her stomach at the sight of him on his knees in front of her. She felt his fingers encircle around her ankle, silently encouraging her to lift it up. He fitted the thigh gauntlet through her foot, sliding it up the long length of her leg.

His fingers brushed against the inside of her thigh, which pulled the smallest gasp out of her. The sergeant couldn't contain the sly smirk from tugging at the corners of his lips. He felt her eyes burning into the top of his head, documenting his every move. He secured the piece as tightly as possible before glancing up at her.

She could have sworn she saw his eyes darken.

"Don't give me that look," Y/n begged quietly. She tore her gaze away from the sergeant's captivating eyes in hopes of hiding her blush. She tried to balance on one foot.

"What look?" Hunter teased.

"You know what I am talking about," Y/n insisted with a playful roll of the eyes. He chuckled deeply to himself.

Now moving, Tech shifted in his stance beside her which resulted in her loosing her balance slightly. She stumbled to the side, but she placed her hand on the sergeant's shoulder for better balance. Her hand was desperately close to his neck; so much close that she felt the strands of hair tickling her fingers.

For the time being, Hunter needed to push those feelings down once again. He fought the desire to feel her fingers threaded through his hair and tugging at his locks. He felt a slight flutter in the pit of his stomach, feeling the blood flow shifting south.

A heavy lump in his throat was forming as one of her fingers delicately brushed against the side of his neck where his pulse would be.

Through distractions, Hunter focused on finishing the task at hand. He secured one of the knee pads before moving onto fitting the boot onto her foot. After this, he began working on the other leg, helping her get into each respectable piece until she started to look like a clone trooper.

Upon completion, Hunter began to rise to his feet. He let out a small groan when he felt his knees popping, but he ignored the aching pain. He stood at his full height, towering over her. He held up the final piece into view.

"I'm not wearing that," Y/n stated with the most unamused look on her face.

"It's a codpiece," Hunter explained.

"I know what it is. I am not putting it on," Y/n said with a shake of the head.

"You won't pass as a clone if you're not wearing it," Hunter argued. This wasn’t convincing enough for her. "It would look even weirder if you weren't wearing it."

"He's right," Tech's unwanted opinion came out of nowhere.

"Fine," Y/n grumbled in slight defeat. She stopped him before he could go down on his knees again. She took the codpiece out of his grasp. "But I'll put it on myself."

"As you wish," Hunter gave up easily with hands raised in defense.

Fitting the final piece, Y/n put her hands out to show off her new black clone armor She looked at each of the clones for their thoughts about how she appeared. She most certainly could pass for a clone with the exception of the missing helmet.

"Woah! You look just like us," Wrecker exclaimed with a broad smile on his face.

"That's kinda the point," Crosshair mumbled beside him.

"Not without this," Echo jumped in. He tossed a spare helmet over to her, which she caught awkwardly. She surveyed the helmet, staring down where the eyepiece was.

"Who's helmet is this? Another one of Echo's pieces?" Y/n wondered.

"It's actually one of my old ones," Hunter confessed. He scratched the back of his neck.

"Oh," Y/n nodded. She now saw the resemblance between his old and new helmet. "I see."

Stepping forward, Hunter took the helmet out of her hands. He turned the helmet around and raised it above her head. He lowered it onto her until her face disappeared behind it. He kept his hands on the sides.

"This okay?" Hunter asked.

"Yeah," Y/n's voice came through the modulator. He slowly removed his hands from the helmet, but her gaze remained on him. "Thanks," Y/n spoke softly.

Putting distance between them, Hunter went back to his brothers' side. He rifled through the craft one final time, looking for an old holster for a blaster. He pulled out a regular black one before handing it over to Tech.

"This is the final piece," Tech explained to her. He fitted the belt around her waist so that the holster fell over the side of her thigh.

"A holster?" Y/n questioned.

"For your blaster," Tech said while briefly glancing up at her.

"I don't carry a blaster," Y/n informed him.

"It's just for today. It's all for looks. You won't have to use it," Hunter chimed in. His arms were crossed over his chest.

Next, Tech took one of his own spare blasters out of his backpack. He handed the weapon to her for which she held for a second. She examined the weapon carefully, rotating it. She slid it right into the holster at her side, bringing the disguise to completion.

Upon leaving the main building, the Bad Batch began walking down the street and blended into the crowd of citizens. They made sure to keep their eyes open, realizing that an unexpected attack could occur at any given time. Not only was the senator a target, there was also a high chance that the other members that become recognizable targets for the unknown shooter.

Walking through the crowd, Y/n quickly came to realize how little passing people were looking at them. They still got the occasional glances from some, but that was obviously because of their unique clone features.

The senator and sergeant were currently walking a few steps ahead of the small squad. They picked up their own conversation.

"It's weird being unrecognizable to people in public," Y/n whispered to the sergeant striding beside her. She remembered what she was wearing though.

"Clones are everywhere," Hunter explained to her. "We all look the same so people don't need to look twice at something they've already seen."

"Well, not all of you look the same." Though she was wearing a helmet, he was able to hear the smile in her voice.

"Which is often a downside," Hunter stated. "Because then, people look."

"I'm sorry," Y/n spoke with true sincerity in her tone.

"We didn't ask to be made," Hunter replied. "But our differences...we see them as a bit of a perk. Even though they make us outcasts."

The small group had just managed to round the corner of the street, heading in one direction. The others didn't seem the least bit interested in the conversation. Instead, they focused their attention on their surroundings for added precaution.

"What's it like to have heightened senses? I imagine a place as busy as Coruscant is hard to endure," Y/n took note.

"I've...grown accustomed to it," Hunter hinted. It wasn't just Coruscant that he had grown attuned to.

"I'm sure you'll be glad once it's behind you," Y/n breathed a long sigh.

For a moment, Hunter contemplated her choice of words carefully. While she had redirected her attention back towards the sidewalk in front of her, he found himself staring at her profile.

"Have you ever thought about it?" Hunter inquired.

She glanced up at him. "About what?"

"Leaving this place?" He gestured to the grand skyscrapers.

"Well, this is my home. I was born here and I grew up here. I rarely leave unless for business matters." She seemed to shrug her shoulders. "It's a bit like Kamino for you."

The sergeant remained silent.

"Kamino is your home, is it not?" Y/n pressed. She now peered up at him with curious eyes.

"That's where they made us, trained us." Hunter agreed. His voice grew solemn as he spoke truthfully. "But it's not much like a real home. We spend more time on our ship than we do back there."

"If you did settle down--after the war, where would you go?" Y/n shifted the direction of the conversation in attempts of making it more lighthearted. She waited for his answer patiently.

"Never really thought about it," Hunter shrugged. "Never imagined a life outside the war."

"I'm sure it'll end soon," Senator Rayna often spoke with optimism. "For me, if I were to leave the planet, I'd want to go somewhere quiet."

Hunter released a small chuckle at this. "Coruscant too busy for you?"

"Always moving," Y/n insisted upon it. She watched her foot be placed in front of the other. The two of them grew silent for a moment. That was until she spoke up again: "Maybe there'd be a beach."

"You want to live on a beach?" Hunter wondered.

"I've never been to the beach," Senator Rayna corrected him. She spoke with such a dreamy voice as if she was envisioning it now. "I'd just like to relax in the silence and listen to the waves crashing."

"That does sound nice," the sergeant agreed with a small nod of the head.

"You think it's silly."

"I think it's good to have dreams," Hunter altered.

In that exact moment, Hunter felt her arm brush against his own, which made him realize how close they were walking together. They both lowered their gazes to the ground. They seemed to enjoy the silence between them because it wasn't awkward at all.

Unbeknownst to them, the others had been watching their exchange with curious eyes. However, they weren't really able to hear the conversation clearly. They only heard the senator laughing a few times at something he'd said. All this to say that they looked at one another with the same look on their faces. A face that read: "There is something going on between them."

"I'll take you to the beach one day," Hunter offered quietly.

Her head snapped up to look directly at him. "You would?"

The sergeant nodded his head silently in agreement. He promised her: "Just the two of us."

"I'd like that," Y/n confessed sheepishly.

As the two of them walked alongside each other, their shoulders would occasionally brush together. Barely any words were further exchanged between the two, which resulted in a tender silence falling over them. They each felt this giddy bubbly feeling in the pits of their stomachs.

Ever so gently, Hunter felt the back of his hand graze against hers. This happened a handful of other times as they toured the streets of the city. He tried to see her reaction when it happened through the corner of his eye, but she never pulled away from him.

After a while, Hunter gathered the smallest amount of courage to tease the back of her hand with his pinky finger. He was testing the waters, half expecting it to go rather poorly for him. But he once again found that she remained silent and didn't withdraw from him.

Slowly, Hunter curled that single finger to hook around her own. He held it as gently as possible in fear of breaking it. He waited with a sharp breath held in his chest. But she never pulled away.

Feeling contact only ignited a burning flame in the pit of her stomach, resulting in the heat rising to her face. Her heart began to flutter like a hummingbird's wings and her smile only grew wider under her helmet. She wanted nothing more than to link the rest of their fingers together until they were properly holding hands, but she knew she wouldn't be able to.

For now, Y/n would have to be content with this. And she truly was.

By the time evening had come, Senator Rayna was safely back at her own place. She worked on the finishing touches of her speech, changing a few things to her liking. A sound knock came from her bedroom door and she invited them in without thought.

Naturally, Echo had pushed the door open in a silent manner. He was the only one on duty for tonight, which meant he was stationed at her door for the next couple hours. He held a small pile of papers with his good hand.

"These came for you," Echo explained. He stole a quick glance at the paper on the top.

"Bring 'em over," Y/n encouraged with a wave of her hand. He strode across the room, setting the stack of papers down on the desk beside her speech.

"I'll leave you to it," Echo dismissed himself. He knew that she was close to finishing her speech and would prefer to work alone. He walked back to the entrance of her room, shutting the door behind him. His hand lingered on the handle as he tried to process what he had seen on the top of the pile.

Now alone in the room, Y/n's eyes had shifted to the small stack on her right side. The paper on the top of the pile had red ink that indicated where it came from and it's utmost importance. It was an application form which came from the Coruscant Guard.

The Coruscant Guard had sent this to inform her of available troopers in their rank. This was something that they were unable to offer her a couple weeks ago when she really needed the escort. Now, things had changed.

The only thing she'd need to do was fill out the application for a new escort. The Coruscant Guard would take the time to process her application, eventually sending a new set of guards to accompany her like they had beforehand.

An issue arose with this. If the senator were to receive new guards, that meant her current escort would be transferred. They'd return to the front lines, heading back to the war. She contemplated her next step.

At first, Senator Rayna thought about the small squad that had grown on her the past couple weeks. She figured that they'd probably prefer to return to the war effort. They were much too gifted to be stuck escorting her around the city. Their skills had so much value, guaranteeing success in the war. They'd want her to fill out the application. They could go back to all the action; that's what they liked.

For some unknown reason, Senator Rayna's mindset began to shift into a more selfish one. She told herself how she'd never felt more safe than when this squad was beside her, remembering how the last two guards had been killed protecting her. And she thoroughly enjoyed their company...one more than the rest.

Taking the application in her hands, Y/n made a final decision. She tossed the piece of paper into the drawer of her desk. Without this, the Coruscant Guard wouldn't send a new escort to her aid and the Bad Batch would remain with her in the meantime. This is what she wanted.

CHAPTER FIVE HERE

Taglist:

@justhavingsomefun1 @totally-not-your-babe @jedipoodoo @gyllord @roam-rs @totallyunidentified @redheadgirl @mrcaptainrex @whore-of-many-hot-men @graciexmarvel @qweenrogerina @arcsimper5 @queenofspades6 @cadihyo @jediknightjana @elthoughtzos @lokigirlszendaya

This felt like a longer chapter but I did take out one scene where Hunter helps her take off the armor (lot of sexual tension there). Let me know if I should still post the now deleted scene!

#the bad batch #star wars #the clone wars #clone trooper hunter #tbb hunter #tbb hunter x reader #tbb hunter x you #tbb hunter x y/n #tbb hunter x senator #crosshair #echo #tech #wrecker #the marauder ship #tbb hunter series #tbb hunter fluff #tbb hunter angst #tbb hunter x fem!reader senator

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wily-art · 13 days

Note

I haven't finished it yet, but I watched some of it, and skimmed through the rest (I will finish though at some point; when/if I have the time), and what I did see of it the "Undertale Insomnia: Something Isn't Right" Trailer looks amazing! Ur art and the looks of the characters and the Blasters is on point and great as always! And ur animation is looking awesome too! I think ur comic already had some cool gifs/small animations, but if not; it is cool to see animations from u now too!

The Paps's (both older and younger) and his Casters and/or the Blasters are looking great in the trailer u released!

And Asgore (I think) and the fallen human kid(s) look great in some of the animation WIPs and/or whatever too!

I hope someday to see some of the other Undertale cast in animation form, or at least some of the other Insomnia important and/or etc. cast members like Sans (could be both older or younger), Gaster - before or after getting goopifed, lol (though, I think he might be in this animation and/or at least the full? one), Frisk, Chara, more of Blasters and/or Casters, and/or Alphys (I have gained a soft spot for ur Alphys). Maybe Asriel and/or Flowey too?

Not mentioning Asgore or the kids here, because I think u might have some stuff/ideas/etc. with them already. And not mentioning Undyne either, even though it would be awesome to see her too, bc I don't think she has been in the comic too much yet?

Ofc, u don't have to do any of this. I know animations, and animatics even, can take a long time! Just seeing the Undertale Insomnia (one of my favorite UT, and maybe just in general, comics/series's!) cast brought to life even more through animation like this, has got me excited! ^^

Last of all; I just wanted to clarify, the animation release is just the trailer, and not full thing, or...?? I just wanted to confirm.

Heya! First off thanks! That little tidbit is just a teaser more than a full trailer. IT's definitely not the completed thing. I didn't want to give a solid release time due to genuinely not knowing how long this all would take (at this point a little over a year- Good god). But I wanted to share at least a little something since this whole project has been so all consuming- that from the outside world's perspective I've been more or less absent. It's kind of hard to be active with other things when a singular thing both eats a bunch of time but can't be shared since it's not done X'D. It's a lot of behind the scenes work and not much to show for it yet.

Other characters will definitely be getting way more time to shine in the comic moving forward since I finally hit a particular turning point. Also regarding animations I have a lot of ideas for the other characters and the fallen kids that all more or less tie into the same world in a "how did we arrive to this point" kind of scenario. But due to how long all of this takes and I can't promise how many of them I will get to. Or at least how quickly because right now I'm moving at a blistering speed of _not very fast_ ✨ That said this one with Papyrus is absolutely being released (hopefully later this year) because if I have only one of these in the system it's gonna be for this guy XD The other one that I absolutely want to do as another animated update for Insomnia involves Chara and Frisk to answer what exactly happened at the end of the last run before this one. I'm hoping that since I've learned a lot (this is my first animated project) that that one will go a lot smoother. An account of figuring out a lot of things I Was doing that made my life INFINITELY HARDER. Hope that answers things.

#wily talk #about insomnia comic #and animating

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neko-loogi · 4 months

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Alright, I'mma give my opinion again. This time with Hazbin Hotel..

So I saw the trailer for Hazbin Hotel a few days ago and honestly, I am so disappointed. Like, you're telling me I waited years for them to release a trailer for the series, and this is all we get??

I'm not saying it wasn't enough, no, on the contrary, I think they revealed way too much. But what I mean is, I was expecting something else, because this ain't it, chief.

***

Alright so first off, we have the voices. I'mma be hella honest with y'all, this shit sounds unfinished, as in, it sounds like Viv got confused and published the behind the scenes instead of the finished product because omfg, the voices sound bad.

I genuinely don't understand the weird obsession Viv has with hiring celebrities or broadway actors into her shitty shows, it's not like she's rich enough to afford that- plus she does this often, doesn't that mean it affects the budget of the show? (I don't know much about that stuff so bear with me).

It's funny cuz, she hires these super famous celebrities to voice characters in her shows, but she doesn't need to, like, you can be a professional, but that doesn't necessarily mean you're a great VA. It almost feels like she does that because she wants to feel important, she wants to show off like "Oh look at me, I have celebrities voicing my characters! Aren't I cool?"

But anyway, going back to the voices, I have to say this, my least favorite are Alastor and Angel Dust. I just think it's absolutely ridiculous that Viv got rid of the pilot VAs just to replace them with broadway actors, only for them to make the characters sound flat and emotionless.

Like, it's funny because she makes these broadway actors imitate the voices from the pilot, however it doesn't come naturally for these actors and it shows. It almost feels like they have no idea what they're doing. It legit sounds like they're reading the script but not putting any effort into it. (Y'know how people shit on anime dubs because they don't sound good or whatever? That's exactly how I feel about this-).

The next thing I wanna talk about is the animation. Don't get me wrong from what I've seen, in some moments the animation looks alright, but other times it looks choppy as hell. I thought this show was supposed to be more 'professional' since they literally got A24 and Bento Box ent. for this. But yeah, all I can say is, the animation hasn't changed at all, the only thing that is slightly different is the art style but aside from that, the animation still sucks.

And finally, the last thing I wanted to discuss is the plot of the series. So as we all know, in the Pilot, it was established that Charlie (along with Vaggie) opened the Happy Hotel in hopes of redeeming sinners so that they can go to heaven because Hell was too overpopulated (plus the whole extermination thing). But the whole point of the plot was that she wasn't entirely sure she could actually do it or if it was even possible, and that's what made the plot more interesting back then. But here? It's absolute garbage. Not only did the trailer basically reveal way too much information already (before the series could even come out yet), but the plot was changed entirely!

Like I mentioned, Charlie's motives were to redeem sinners, but here she's more focused on having some kind of war with heaven/the angels. And that's the thing, now that we know that heaven is a thing in this series, plus the inclusion of Adam, it just makes the series feel so predictable, because now we know that the sinners can be redeemed, which beats the entire purpose of the show. It's like, "Hell bad, but heaven is worse" and "Good VS. Bad!!", cliche type of thing. You think a series 'made for adults' would have a more interesting plot than a kids show, but nah, we get these basic ass levels of writing. I swear a fucking five year old could come up with something better and far more creative than this nonsense-

***

So yeah, I'm honestly hella disappointed that this is what the series has turned into. I had high hopes for Hazbin Hotel (since Helluva ain't shit-), but nope, it turns out, Viv is capable of making herself look even more stupid by completely butchering her own series. Hell, I actually have Amazon Prime, but I am probably not even gonna watch this shit, I'll just wait till some dumbass on YouTube uploads the first episode or something stupid like that (so that I can watch it and critique it later). Because I know that someone definitely will.

Anyway, that's all for today, thank you for reading my dumb post- alright bye!

#anti vivziepop #vivziepop critical #vivziepop criticism #vivziepop critique #hazbin hotel critical #hazbin hotel criticism #hazbin hotel critique #spindlehorse criticism #spindlehorse critical #///#by neko loogi #do not repost #neko loogi rambles 😬#neko loogi rants😔

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holylulusworld · 10 months

Text

Best night of your life

Summary: You get the offer of your life.

Pairing: Bucky Barnes x Plussized!Reader, Implied former Helmut Zemo x Plussized!Reader

Warnings: a lil angst, unrequited feelings (kinda), cocky Bucky, teasing, open ending

“I hope you don’t hold a grudge against me now, Y/N,” he nervously stuffs his hands into the pockets of his slacks. A habit you always hated about him.

You hold back a huff. Of course, you hold a grudge against the man fooling you for months. He pretended to be interested in everything you have to say, only to reveal he wanted your help to get close to your friend.

Or rather frenemy. Margaret and you never got along. She’s a prissy woman, jealous of your wit and spark. Even though she’s beautiful and every man cranes his neck when she walks into a room, she’s jealous of you.

“Why would I hold a grudge against you,” you snap at him. “You never once mentioned that you want to have a relationship with me.” You batt your eyelashes to push the tears away. For once, you had hoped you will be the one getting the attention of the man you like.

It’s not that you are deeply in love with Baron Zemo, but he was smart, eloquent and you loved talking to him about books, and politics.

“I thought you took it to heart that I asked your friend Margaret out,” Zemo replies, ever the gentleman he offers redemption and to introduce you to one of his friends. He looks a little disappointed as you wave him off.

“I knew that you would go for the pretty face. No man goes for the woman he talks to for hours. You don’t want an equal partner. All you want, Sir, is a pretty little thing on your arm.”

He swallows thickly at your words. “That’s not…true.”

“Oh? It isn’t,” you chuckle lightly. “Please excuse my words then. Congratulations on your blooming relationship with Margaret.” He releases a shuddery breath as you glare at him. “She’s the right kind of dull. Not smart enough to follow your conversations with your friends, but at least she can walk upright.”

“Y/N!” he gasps audibly. Helmut Zemo is not used to a woman standing their ground. Well, he messed with the wrong woman this time. “How can you say such a thing?”

“Don’t worry. She’s pretty enough to distract anyone to realize she’s a numb nut.” You turn around and walk toward the bar to get a drink. It takes anything in you to not storm off or make a scene.

“What a woman, huh?” Bucky pats Baron Zemo’s shoulder. “A fiery little thing. So feisty, wild, and damn, look at that plump ass. I’d like to have a taste of that ass.”

“Mr. Barnes,” Zemo clears his throat. He doesn’t want to get into a fight with Bucky Barnes, leader of one of the most dangerous criminal organizations. “How are you today?”

“Better than you are my friend,” Bucky smirks darkly. “Damn it, why did I never see that pretty face before? She has fire in her eyes, and I bet the noises she makes for the right man are more than illegal.”

“Hey sugar plum. Do you come her often?” You roll your eyes at the bad pick-up line. “I saw you talk to Zemo earlier. It seemed like you had a disagreement with him.”

“Why would this be any of your business?”

“This is my party, at my house,” Bucky stands behind you to whisper in your ear. “I can’t let a pretty lady have a bad time at my home. Don’t you think?”

“That so?” You coo. “How do you intend on changing my mood then?”

“I’m a master at giving a woman a good time.” Oh, he gets cocky. “I love giving a dame a good time. How about we start with a drink, and see how the night plays out?”

You look at Zemo and purse your lips. He’s watching you and your host interact with darkened eyes and you decide to have some fun tonight. “I think your guest doesn’t like that you pay so much attention to me.”

“I don’t give a single fuck.”

“Our watcher does,” you chuckle darkly. “He’s the kind of man going for some other girl only to get jealous when someone else gives the girl he doesn’t want attention.

He moves his hands to your waistline, squeezing your flesh to provoke Zemo even further. Bucky dips his head to look Helmut straight in the eyes as he whispers to you. “Have you ever had the best night of your life?” He rasps.

“I don’t know.” Two can play a game. You stick your ass out a little to brush against his crotch, earning a growl from the man behind you.

“If you can’t say yes immediately, it means you didn’t have the night of your life yet. But we can fix this,” he presses his prominent erection into your plump ass. “You could have it. With me, doll…”

>> Part 2

Tags in reblog.

#Best night of your life #bucky barnes #bucky barnes x y/n #mobster!bucky barnes #mobster!bucky #bucky barnes x reader

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pichongames · 2 months

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It's time for a new DEV UPDATE! [February 2024]

Let's talk about the upcoming Nintendo Switch port, localization, plushies, and new content coming soon?

It's time for a new development update, we've been working on a lot of stuff behind the scenes so let's talk about some of it, shall we?

The Bunny Graveyard is coming to Nintendo Switch!

If you didn't know already, The Bunny Graveyard is on its way to Nintendo Switch. But this port will not just be any normal port, the game will receive some enhancements and changes both visually and gameplay-wise. Including motion-controls, HD vibration and more!

But do not worry PC users, even though some gameplay features will be exclusive to Switch, any content updates, improvements and future chapters will be released at the same time on all platforms.

More languages!

The Bunny Graveyard: Chapter 1 is currently being translated to more languages, some of these are:

Brazilian Portuguese

French

Russian

Japanese

Simplified Chinese

Korean

...and more!

Boxers Plushie!

You probably heard of this already, but yes! Boxers got himself his very own plushie, which is still available at the time of this writing, however, this is a limited edition plushie so make sure to grab one before they're gone. As of right now, there's still 8 days left, so think about it! You guys absolutely CRUSHED that funding goal by the way, 450 sold so far!

We're definitely making another one... hehe.

This is also our first piece of merchandise and we're open to do more merch stuff in the future! But for now we'll only be choosing things that don't slow us down during development. So, if you got any requests for merch, let us know and we'll look into it!

NEW free content is coming this year...

We are working on a new secret project for the game, it will be released as a free content update at the same time as the Nintendo Switch release. It's a small thing that we wanted to make for a while now, but never got the chance to do due to time constraints. Think of it as the next "4-1-1992" for now.

We'll be releasing a separate trailer for this soon, so stay tuned!

So... how's Chapter 2?

Finally, let's have a quick talk about Chapter 2.

We are still not ready to fully reveal Chapter 2, buuuut we can tell you a little bit about it. It is the most ambitious project we have ever done, we expect it to be about the same length as Chapter 1, but despite the length, this chapter has proven to be quite a challenge to develop... but you know us, we love ourselves a challenge!

The story has been fully written, the gameplay has been finalized, but there's still quite a lot of programming to go, and don't get me started on all the music and animations left. Oh, did I also mention that this chapter will be releasing at the same time on Nintendo Switch and PC? And that it will also release in multiple languages? And that I'm still working on this game mostly by myself?

Yeah, things are not the same as they were back when I was making Chapter 1, The Bunny Graveyard is no longer just a silly lil' indie game, but that's exactly what makes it fun. I seriously can't wait to show you guys what we've been working on, this chapter is going to blow you away. Expect a trailer sometime this year.

You can add Chapter 2 to your Steam wishlist now!

Final Thoughts!

2024 is looking like an awesome year for this game, I'm hoping that this year we can get more people to know about this game. I'm extremely thankful for all of the support that we've been getting lately, it's crazy that I can now FINALLY focus on this game full-time, something that I've been trying to do for a long time now. I'm still processing the fact that this game is coming to the Switch, but it really is! Truly a dream come true. If you got any questions, ask in the comments and I'll try to answer as many as I can! And as always, thank you all!

#the bunny graveyard #pixel art #devlog #indie games #indiedev #game dev #bunny graveyard

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khytal · 9 months

Text

ok gamers I rewatched tristamp one more time in order to write a post about the soundtrack, and some of the stuff I found blew my socks off (even though I've seen every episode like 6 times) so buckle up because oh my god. oh my god

this will cover most of both volumes of the OST (which you can find on spotify), with a focus on wolfwood, and a little bit of vash, meryl, and the eye of michael

...and a very thorough breakdown of "drain arm" :)

notes before I get into it: -I won't be analyzing the plant song because I. already wrote an entire separate thing about that haha (a link to that doc will be in the replies section of the notes if you're interested)

-you won't need to know anything about music theory, because I'm just pointing out where certain themes come up (with the exception of "duet", but I'll explain terminology there). timestamps will be included so you can listen for them as you read

-if you're obsessed with the OST like I am, most of this probably won't be anything new x) but I hope it's enjoyable regardless

-my credentials: I was a pianist for 10 years and an oboist for 7.5 years and I only had 1 semester of intermediate music theory but I got to analyze the 1st mvt of tchaik 5 and I think that permanently altered my brain chemistry

-the tracks I recommend being familiar with to have a better grasp on this post are: -> "whistling/blues harp in the wasteland" (vash's leitmotif) -> "reality" -> "childhood memories" -> "duet" -> "human subject" (eye of michael, or EoM, leitmotif) -> "drain arm" (technically optional)

-please don't take any of my interpretations/speculation as fact! you are absolutely free to come to your own conclusions I just have a lot of thoughts about the soundtrack lol 👍

here we go :]

EP1: -you can hear a variation of the plant song in "immigrant space explorer" (0:36-1:00)

-vash's leitmotif is first heard in "no man's land" (0:41-0:48)

-only about half of "mystery man" plays, and his leitmotif (0:38-0:51) is actually cut from the scene so it's not heard at all

EP2: -"escape" has vash's leitmotif from 0:18-0:31. they also took out the lyrics in the episode's version of the track x)

-it's possible that we'll hear "might is right" or a new arrangement of it if we get to see the rest of the nebraska family in future episodes, since there were posters of marilyn. I think people largely associate the song with EG the Mine but due to the track title and the fact that it first played in this episode, I feel like it's more about the nebraskas

-I'll talk about "childhood memories" in ep12 because it's related to rem's themes

EP3: -the plant song can be heard in "compatriots" (1:01-1:11)

-"reality" is first heard here, right before the episode in which wolfwood is introduced. keep this in mind for later :')

EP4: -"undertaker" has a dissonant sax part (0:48-0:54) that's similar to the one found in "irritation" (1:05-1:11), but it's an ascending passage rather than descending. it doesn't show up anywhere else so it might become a motif we'll hear in the future, but there's no way to know until the next part is released

-"planet zaji", from 0:55-1:04, has that one part from "time left" (1:02-1:09). it's heard while wolfwood's spinning the punisher around but I think it's just something that sounds cool, and you can't really hear it anyway because of the sound effects/dialogue. if zazie gets any additional themes in the future I might have more to say on this

-vash's leitmotif kicks in in "hungry !" (0:21-0:43) when wolfwood introduces himself at the end of the episode. I really like this track I hope we'll get to hear it again x)

EP5: -I don't think there's any meaning behind "shadow" borrowing from "worms network". I'm pretty sure it was just for mood (and to be fair it is a cool track)

-you can hear vash's leitmotif at the beginning of "boy and vash". this is the part where vash is escorting rollo back to the village

-"cyborg" introduces a new 4-note pattern (0:07-0:14) that I'm calling the eye of michael leitmotif. if hearing this reminds you of episode 6 then you already understand what I mean

-"dud" has vash's leitmotif as well (2:20-2:59), which starts playing when vash is begging rollo to wake up after wolfwood kills him

-only a small part of "human subject" (0:25-0:35) is used for the final scene, right when the windmills start turning. using the EoM leitmotif as a sendoff to the empty village is. really haunting

EP6 (this is a long one I'm sorry): -the EoM leitmotif can be heard in "reborn" (0:09-0:14, but it's easier to hear in 0:26-0:30). this is the opening scene where wolfwood guns down the deserter

-they do reuse "worms network" when livio first opens fire on vash but that's more for mood in my opinion. you could say it hints at zazie monitoring the sand steamer though

-we're probably going to hear "the desert rogue" again when the bad lads gang shows up in a future episode, possibly with a new arrangement for brilliant dynamites neon (this is one of my personal favorite tracks actually. it's a shame they didn't get to use the whole thing because 0:45 to the end is really cool)

-"boyhood" contains the EoM leitmotif and it's very in-your-face in this song (1:15-2:19). in the episode itself the track gets cut at around 2:10, but in the OST the piano motif from "orphanage" can be heard one more time right at the end of the song at 2:18-2:20. which is an evil thing to do. anyway

-"nicholas the punisher" is an arrangement of "reality". let that sit for a second, maybe go listen to those two tracks or something.

okay so we can look at this in a few different ways:

-> the end of episode 3 is of course a reality check, supported by the corresponding track being titled "reality" (even though it's fabricated by nai: to suggest and then prove to the people of no man's land that vash is indeed deserving of the $$6mil bounty; and to tell vash that his presence will pose a threat to humans). you know who else is supposed to be* grounded in reality? the pragmatic nicholas d wolfwood, who's introduced at the start of episode 4 *tristamp wolfwood hasn't quite found his resolve yet, as shown by his hesitation when livio appears

-> in the scene where "nicholas the punisher" is heard, vash is insistent on rescuing livio while wolfwood pushes back and says it's too late for him. he's clearly wishing he wouldn't have to eliminate livio though, and with "reality" as the foundation of this song, it presents wolfwood's inner turmoil in a new way for the audience: vash, who is physically right there trying to persuade him that there's still hope for his brother, vs his role as "nicholas the punisher" in sound, in his mind, and the "reality" that developed along with it (death is/can be a mercy, and sometimes it's necessary to sacrifice one life to save many)

(I also want to add that while legato's dialogue shows he intended for the orphanage to be eliminated through livio's death, it seems wolfwood didn't even realize that killing livio would mean more kids would be taken by the EoM for experimentation. he thought he had to choose between livio or the children, but it was a "test" of loyalty; and legato was attempting to obtain said loyalty by force)

-> outside of the episode, if you were to just listen to this track within the OST it's very representative of his character. contrary to "undertaker", which is fairly laid-back and....honestly kind of playful (and equally reflective of wolfwood's personality, when he's relaxed), "nicholas the punisher" is a more somber and contemplative piece. the fact that it's built on "reality" already suggests that he's someone whose beliefs conflict with vash's; and even without knowing that, both of wolfwood's themes contrast with the energy of "vash the stampede" quite clearly (even if I personally don't consider that track to be vash's official theme, it's still associated with him). I think it's really interesting that vash, the quieter one, has more raucous songs while wolfwood, the one with a sharp tongue, has calmer tracks :)

you might be wondering if "orphanage" is in "nicholas the punisher" and the answer is......yes, but actually, no. but kinda if you're delusional like me. this little pattern from 0:29-0:42 in "orphanage" is found in the low brass from 0:57-1:11 in "nicholas the punisher" (although it's in a different key and has a slight variation in the 2nd half). it's not quite the same, but both phrases start by going down a half step, then down a P5 interval (D->C#->F# for "orphanage", F->E->A for "nicholas the punisher"). lastly the sand steamer's leitmotif (I guess) is also present but that's. obviously because this is happening on the sand steamer lol

-"whom to kill, whom to let live" is just a faster/more tense arrangement of "orphanage" with saxophone over it. starting at 1:07 you can hear the worms leitmotif (1:31-1:34 in "worms network")

I can't say whether or not legato is already represented in the OST because he's currently not associated with any unique tracks, but they might tie the dissonant saxophone passage from "irritation" to him. it's first heard when legato stops wolfwood from escaping the facility, and as far as I can remember it's not played anywhere else. if he plays a bigger role in the next season, which I'm sure he will, I'll be keeping an ear out for this x) (I only mention the sax thing because I don't think he's represented by the sax solo that plays in "whom to kill, whom to let live")

EP7: -a little more of "the desert rogue" is heard when the bad lads make their way onto the sand steamer but it's very hard to make out over the gang yelling in the background lmao

-we're treated to the entirety of "human subject", for the scene where livio briefly returns to himself. if you somehow weren't convinced that those repeated 4 notes had anything to do with the eye of michael, this is the last instance where it's heard: the moment livio's overcome by whatever brainwashing was used on him by the EoM

-I think most people associate "time left" with ep12 but it's first played in this episode and I believe that it was primarily composed with the ion cannon sequence in mind (though a majority of the tracks in the OST only play once for specific scenes, with some songs being cut short and getting different parts played across 2+ episodes. "irritation" and "human subject" are examples of this)

EP8: -this one's a little hard to hear because the 1st note is implied in the C drone but vash's leitmotif starts at around 0:09 in "complicity" and runs all the way to 1:06

-it's also in "home" (1:38-1:57), playing at the moment luida hands vash the red coat :)

EP9: -I've talked about this before but I really like that there's 4(?) measures of polyrhythm (2 or more differing rhythmic lines that are played within the same time signature) when vash joins in, before the brothers come together on the same even rhythm. you can see how vash's quarter-note pattern doesn't line up with nai's quarter-note triplets, and in fact, neither of them ever land or start together:

(for the sake of comprehension I wrote it out with a faster tempo to stretch the polyrhythm part over 8 bars instead of the slow tempo/4 bars. I'm not sure what the official tempo is. I think a sane person would write it at a faster tempo so that the part doesn't look stupidly cluttered but a good musician would be able to play it regardless. anyway-)

it sounds even more stilted because vash is playing on the offbeat. polyrhythm's such a great way to represent the brothers' relationship because it seems so chaotic but both lines are still in time together, following the same beats. they're so different but in the end they're still brothers who (are trying to) understand each other. and I love that vash is playing secondo, a more harmonic/supportive part, while knives has primo, where the melody/ornaments are. it says a lot about their personalities :')

since I don't know what the original sheet music looks like I can't say if this is true but you can hear that the plant song at 1:03 is played in octaves (2 notes that're the same pitch with one higher than the other). because of the nature of a duet, and the fact that this was played by the twins when they were little, the octaves were probably split between the parts. so vash was playing the lower octave of the plant song with his right hand, and nai played the upper octave with his left hand (we don't get to see this because it cuts to nai playing the song alone at that point). also: vash favors his right hand while nai favors his left

-now for something far less interesting: "last run" is a medley combining "ethics and morality", "compatriots", and "millions knives"

EP10: -"a cruel sight" seems to be unused. it was probably intended to lead into "bio-power reactor" in the scene where meryl and roberto meet elendira in the tank (given that it ends the same way "bio-power reactor" starts), but they cut it and just played a version of "bio-power reactor" without the melody

-elendira's themes ("elendira the crimsonnail" and "which is the monster?") seem to have some lyrics that're most audible in the beginning of the tracks but they're almost impossible to make out without some kind of editing software, which I don't have lol. they're already very quiet in the background and they echo, on top of sounding like they were put through autotune

also this is entering speculation territory but it makes me wonder if elendira's theme is going to evolve with her. we've seen some concept art with her having a more teenage appearance, so I think it'd be really cool if the vocals also changed accordingly

additionally she doesn't have the EoM leitmotif anywhere but she DOES have a proper 4-note chromatic pattern that descends from D in "which is the monster?" (1:32-1:35), which is the same note that the EoM leitmotif starts on. if we consider EoM's broken chromatic passage to represent the failed experiments, then elendira, with an actual chromatic passage in her theme, is a success

-"meryl's regrets" is ALSO an arrangement of "reality" :') this is the track that plays during roberto's final moment, which was. you know. the consequence of meryl running off in pursuit of the truth. the "reality" roberto had warned her about several times prior to episode 10. interestingly, while "nicholas the punisher" expands on the original track, "meryl's regrets" is a reduction--it's mostly just the baseline with some notes here and there. she doesn't have a theme yet, but 1:23-1:33 might be something we hear again if/when she gets a track associated with her

EP11: -"nicholas and meryl" is an arrangement of "boy and vash", with erhu echoing vash's leitmotif. I think it's a neat way to show through music that both of them are here because of vash :]

-the tracklist goes slightly out of order at this point for some reason. after "memory retrieval", "memory of geranium" is what plays in the final memory, when nai decapitates rem

EP12: -"memory of rem" is a combination of "childhood memories" and "memory of geranium". "childhood memories" is also found in "knives's piano", which is based on "duet". one fun way of interpreting this is that the "childhood memories" part of the duet is actually from rem, if she was the one who taught the twins how to play piano, which would make "duet" a musical representation of vash and nai's roots (pun intended. sorry). this also suggests nai misses rem, with how often he plays the piano, even if he thinks he hates her.

but "childhood memories" can also simply be seen as a theme that's associated with rem, nai, and vash's brief time together x)

-okay this is the part where I get to rant about "drain arm" because THIS SONG was literally the reason I decided I needed to rewatch stampede. I was listening to "drain arm" a couple weeks after the finale aired and I heard vash's leitmotif near the end and I was like "NO WAY!!!! HOW DID I MISS THAT"

as it turns out, it was cut from episode 12.

not to worry though, I still have plenty to say about it. even if I'm a little disappointed. just. a little.

-> from 1:13-1:25, you can hear vash's leitmotif in the cello. this DID make it into the scene, and it plays when vash rises through the clouds

-> 2:44-3:10 is where some of the lyrics from vocal version of "millions knives" play: "remember how / we used to be / no turning back / sky's (skies??) falling down". although you can't actually hear the "remember how" in "drain arm" (at least not without blasting the song into your ears, which I don't recommend), it starts right when the image of vash and nai sitting in the geodome appears

-> we finally get the plant song at 3:36, when the condensed energy starts to leak out/charge. and then after it fires, but before nai dives into the beam, we hear "I still care for you" (3:44-3:52). and while it's originally from the vocal version of "millions knives", in the context of the scene I think it's a sentiment from both brothers: vash, who pleads for nai to let go and releases the energy away from him; and then knives, desperately reaching for the cube because he believes the success of his plan will ensure his family's (and especially his brother's) safety, the only ones he's ever cared about

in other words: plant song in cello = vash -> "I still care for you" -> continuation of plant song in low brass = knives. they're connected by this single sentence

-> knives's leitmotif (I didn't talk about it because it's only found in songs that signal his appearance, so it's really obvious, but yes he's got one of those) plays at 4:03 for the "nai is dead. you killed him" exchange

-> it goes back to a variation of the plant song at 4:29 (I LOVE the piano at 4:40-4:49 btw. it's so good. I could cry about it. probably)

if you've read my plant song analysis you might be wondering how to tell when it's being associated with the name millions knives instead of the plant race. since we know that a good chunk of the songs in the OST were written like a film score, the visual context (and/or the song titles themselves) can clue you in. "drain arm"'s use of the plant song is meant to highlight that vash and nai aren't human, so it's the latter

-> now here's the part that was removed, probably due to the runtime: vash's leitmotif in the cello again, from 5:03-5:09. if you revisit the part right before nai lets go of the cube, you'll hear that it skips these 6 seconds and goes straight to knives's theme ("but that's the plant song!" yes. we'll get to that in a sec). this missing bit right here?? fucks me up EVERY time. it's the most mournful his leitmotif has ever sounded, appropriately so, and it's absolutely criminal that it wasn't included. especially because knives's theme, the plant song melody, follows it up on violin as the cello continues to play a line in harmony.

and it's knives's theme because in this moment it's about him dying, not the plants. they spent a whole season tricking us into thinking that the plant song was knives's theme, and then they used it to send him off.

-> and then july city explodes o7

as much as I'd love to hear "drain arm" again for another chance to let the weight of vash's motif come through, I think it's too intertwined with this scene to be recycled. like. maaaaaaaybe they could use it for fifth moon if that's supposed to be the climax of the next part but they kinda?? already did the "fire a really big laser at the sky" thing? anyway yeah I'm totally normal about "drain arm". so normal

Extras: -the punisher and the double fangs have these cool sound effects when they transform and it kinda makes me think that their guns are built from lost tech, if the punisher's laser cannon wasn't evidence enough of this

-there's no equivalent of "sound life" in stampede, and I don't think there's going to be one. however, I do think that it would make a lot of sense if rem taught the boys how to play piano, because we could get something like:

-> rem asks vash about the plant song (the memory in ep12) -> she gives the boys piano lessons -> she helps them compose "duet"

-they didn't use "stampede out" for this season but I really hope we'll hear it in the next part. I know it's just a longer version of "escape" but it's a fun song :]

-this is. obvious but you can hear "gate" in "millions knives". no idea if they'll put "gate" into more songs, especially for vash now that he seems to have some control over it

-there's also something kinda fun with key signatures too: -> "millions knives" is in b minor -> vash's leitmotif is in d dorian (of course this changes depending on the key signature of whatever track it's used in) -> "undertaker" is also in d dorian -> I think songs associated with no man's land/humanity are usually in some dorian scale or specifically the key of a minor but this is solely based on jeneora rock since july city had its own unique theme so I'm not totally sure yet. "duet" is in a minor by the way -> "nicholas the punisher" is in d minor. if "undertaker" is tied to humanity (which is tied to vash) then "nicholas the punisher" is linked to the other side: knives, through the EoM. it adds another interesting layer to the contrast between wolfwood's two themes, but I don't consider this to hold any meaning lol -> I WILL say that b minor is the relative minor of D Major, so having knives and vash's songs be written in those keys was likely deliberate. and what makes it really interesting is that to get d dorian, you take a D Major scale and lower the 3rd and 7th notes by a half step

-I'm not 100% sure but I think plucked piano strings were used to create the low, scratchy string sound effect in some of the songs (one example is literally at the beginning of "irritation"). I think it's really cool that piano is everywhere in the soundtrack, but not necessarily by hitting the keys

-I am unbelievably excited for livio's/razlo's themes because they have the opportunity to do some REALLY COOL things with the music for them. we might not get them in part 2 (though I think we will) but whenever it happens I'll be so ready for it >:)

and that's all!! o(-< thank you for reading! if you actually took the time to go through all of this with the soundtrack pulled up, I'm. impressed. i think. anyway I'm a big fan of OSTs with strong storytelling and tristamp's OST is no exception :]

if you've got questions, feel free to ask ^^ I definitely didn't cover everything I just picked out whatever I thought was worth mentioning. which was uhhhh quite a bit x)

(also again if you're interested in reading the plant song analysis I did it's in the replies section of the notes 👍 I recommend reading it on a computer though)

#trigun stampede #gods above this is the longest post I've ever written. there's so much text it started lagging #did you know i've listened to drain arm over 100 times in the past 2 days. while I was writing this. anyway #khyt.art #(because i drew the little vash for this sdfLHGSLDJFHGS)#khyt.3gunposting

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in-death-we-fall · 11 months

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Slipknot

Calculated Carnage: The Numbers Don’t Lie

By Paul Gargano (google drive link)

Ten years ago, the Limelight was a landmark for bands who performed in New York City. Women danced in cages suspended from vaulted ceilings, stained glass surrounded a stage elevated on what used to be an altar and men and women mingled in lines for the unisex bathrooms. Built as a church decades earlier, the site had since been deconsecrated, converted to a nightclub, and angel-shaped disco balls hung where a crucifix was once suspended. It was the perfect–not to mention haunting and eerie–setting for the inspired debauchery of sex, drugs and rock ‘n’ roll that made the late ‘80s and early ‘90s such revered times. And almost a decade later, recently reopened, it was the perfect venue to host the live chaos that is Slipknot.

Had there still been cages, more timid members of the crowd may have fled for them, seeking sanctity from the madness that overwhelmed the mosh pit, a floor previously occupied by rows of pews. In stark contrast to the gothic styling of the stained glass that overlooked them, Slipknot’s red jumpsuits were bright and glaring, punching into the flashing strobes and lights that lit the stage and sold-out crowd. It was a venue far too small for Slipknot–who had made their network television debut only hours earlier on Late Night With Conan O’Brien–but what it lacked in size, it made up for in character, with fans occupying choir lofts that overlooked the insanity.

It’s been a whirlwind year for Slipknot, and post-show was no exception, where #1 and #2–drummer Joey and bassist Paul, who both founded the band with #6, custom-percussionist Shawn–took some time away from the post-show madness to offer their insight behind the band that has taken the world by storm over the past year. They left the following morning for a European tour that was ultimately cut short by a personal issue at home–says Joey, “When you get a call that brings you back to where your whole mind should be, you’ve gotta take care of that stuff first and foremost”–and in the midst of planning this summer’s anticipated Tattoo The Earth tour with Sevendust and Coal Chamber, are already at work on their sophomore album, which they hope to release early next year. Who knew Des Moines, Iowa could be so inspiring?

METAL EDGE: Looking at what’s going on with today’s hard rock/metal scene, it’s starting to look a bit like the rap industry, with all the separate camps and alliances. #1 (JOEY): Honestly, that type of shit disgust’s (sic) me. #2 (PAUL): We don’t need it. It’s not that we’re going out of our way, we just say what we feel, so either take it or leave it. Korn opened a lot of doors when they came out, and that’s that. Limp Bizkit, well, I’m not going to go there… Wes [Borland] is a good guitar player. It’s scary. I picked up a magazine yesterday with a “Slipknot vs. Limp Bizkit” poll for fans to vote on, and it came out to be Slipknot over Limp Bizkit like 70% to 30%. I don’t know how that happened and I’m very worried about… I mean, you got a magazine that caters to the teenybopper metal crowd, and you’ve got every fucking issue with Korn, Marilyn Manson, Limp Bizkit and Orgy. And now Slipknot’s in every issue–I don’t like that. The thing is, I guess I can’t help it because if it matters that much to the kids, I say, “thank you.” You know how appreciative we all are, you’ve hung out with the band. You know how humble we all are about what’s happening to all of us. But, when the next record comes out, our record label is not going to fucking hear it until it’s done. No one’s going to hear it. No studio reports. There’s not going to be anything done. We’re going back to our old, old, old fucking dingy practice room with my mom coming down and fucking doing laundry in the middle of practice. That’s the way it needs to be done because we’ve accomplished this on writing music that we thought filled our emotional need. Now, the emotional need has been magnified so much because of the experiences we’ve been through, so it’s just gonna be a massively, apocalyptic, totally sick and disgusting record.

ME: Do you realize the impact you’re having on your fans? I was at your instore in New York City and it was more enthusiastic than any I’d seen before. Your fans really seem to connect with you. #1: Yeah, well that’s the thing. People always talk about needing to branch out and try different things, and I’m okay with that. We want to get our music out to different crowds, but I sometimes don’t. I wanna make sure that we please the fans that were there from the beginning and understood every aspect when no one else understood. I wanna make sure that that fan remains happy for every record. We expected to sell maybe 150-200,000 records–And not until after two years of touring. Well, I guess we filled a void in those kids… They needed this band for awhile. That’s the whole thing, I don’t necessarily want to lump myself in with those bands because I feel we have nothing in common with them, but I give total respect to Korn because on their first fucking record they opened up so many doors and they did something completely original. You’ve got the mainstay, bands like Black Sabbath, and they’re got a bunch of imitators, but there’s only one Black Sabbath. I’m not a fan of Limp Bizkit, but there’s only one of them–Even though they came after Korn. You’ve got the Deftones and stuff, they all have very energetic and very, at times, liberating music. Limp Bizkit I can’t get into, I’m not a fan, and I think we’re the total opposite of a lot of that stuff that band stands for. It’s for some people, it’s not for some people, and I don’t want to be liked by everyone–That’s the scary thing. It’s so weird that so many people have identified with what we’re doing now–It’s very scary. #2: Yes! And it’s amazing, too, because we don’t get a lot of help from the radio and MTV like these other bands. We occasionally get our video played, and there are some radio stations, but it just proves that the kids need something different. They’re sick of the same old shit being pumped down their throats.

ME: There’s an extra psychological burden, “We’re not just a band anymore, we’re a cultural force.” Did you ever want that? #1: You know what? Yes, I have, and I love the fact, I’m very fucking fortunate and grateful. I do not want to decrease it in any way. I do want to make it bigger. I wanna make it bigger by keeping the fire real and by keeping the emotion and all that shit real. And not worrying about my record label breathing down my neck like they did last time for rough mixes and fucking, “Can you try and make…” No! Ther’s why the ante has been upped on making such a fucking… You could even say it’s overcompensated and fucking disjointed as far as our personalities are concerned. We were going to record in May, but we’re going to stay out and tour because the demand for the record and the demand for us to tour now is so huge in the States–We haven’t been there, we really haven’t toured since early January and that was only like two-and-a-half weeks. Our shows were sold-out, but now we’re selling 30,000 copies a week and we’re beating the system by being played on MTV–which I’m not a fan of–and radio stations like the L.A. K-Rock and the New York K-Rock. I guess I thank them for playing us–We could have it a lot worse–but the fact is, the next record probably wouldn’t turn out the same because we’ve been through a lot of experiences now. We’re going to work so hard on it and I think it’s going to be so ground-breaking for the fact that when you go through all the things we’ve just gone through, it will never be like this again. That’s why it’s very hard for a lot of bands to copy their first record and I love that people say that. Our first record is that good. It is a very pinnacle-type album. I’m so glad that people say that because I still have that hunger that I had when I was fucking playing in front of three people in Lincoln, Nebraska with a bartender and then a cat outside, grasshoppers and fucking crickets. We are maintaining that type of a focus. #2: When we started this band, I knew it was something kids needed. I didn’t think it would be like this, but I had a feeling. Nothing’s settled in yet. We’re on the road playing shows, and that’s basically all that’s settled in! Get up and play another show! [Laughing]

ME: But it’s not enough to just “play another show” every night, you guys are beating the crap out of each other and takin’ bumps. #2: Who wants to see a band up onstage staring at their shoes? That’s not entertaining. We definitely have our bruises and our sore body parts after shows, but once we get the masks and coveralls on, I could have a broken leg and still go out there. In Australia, I tore cartilage in my knee, I couldn’t bend it, and I just taped it up really well and went out there. Shawn’s played with broken ribs. We just don’t feel the pain.

ME: You need to look into some aspirin endorsements! #2: Advil would be real nice! [Laughing] It hurts, the masks aren’t comfortable at all–it would be awesome to play in shorts and a t-shirts (sic), but that’s not us. After the show we can rest all we want.

ME: There’s a definite sense of surprise in your stage show, you never know what’s happening next. Does anyone ever take it too far and cross the line? #1: No. It can never go too far. Never too over-the-top. For a band like us, that’s the first sign of us not being what we stand for.

ME: Joey, from your vantage point onstage what do you see looking out from behind your kit? What goes through your head? #1: Honestly, I can’t even put that in words. You’re the first person that ever asked me that, but it’s something that I think about every day. I guess I see the other side of when I was in the audience watching Slayer or Metallica. I’m usually the first person out onstage, and everytime I come out there are literally tears. I really can’t explain it, it’s so grand, it’s so bigger than words. Literally, I’m getting cracked up just talking about it.

ME: Did you anticipate this kind of success, this fast? #1: Well, sometimes, but that’s just society’s control. Welcome it. If it happens this fast, welcome it and use it to your advantage and make sure that you… Like I said, I thanks all of our fans so much for fucking supporting what we have done, because it’s made me not wanna fucking destroy myself. Back in Des Moines, I thought I was literally going to die if I didn’t get to do this. I get to do it now. But, the whole thing is, when you climb one mountain, it’s time to make sure the next mountain gets climbed and the next one .And you gotta re-evaluate the goal because we got this many people on our side now. It’s like Guns N’ Roses coming so fucking fast, the next thing you know, the dude hasn’t put out a record in like a decade. Like Mike Patton, probably one of the most fucking insane performers and songwriters of the decade–He is so underrated, went on to sell millions of albums in the early ‘90s, and continually turned around and spit in everyone’s faces by putting out albums with some of the most fucked up shit I’ve ever heard. We always say that if things get too big, too fast, if there’s no room for the band to grow because we’ve already accomplished so much, it’ll be time for the band to stop. Johnny Rotten said that the easiest thing to do is stop being a rock star if you don’t want to be one anymore–I thought that statement had so much integrity, and it’s had such an impact on me. I think about that quote every day. #2: It’s amazing. Just to be able to see the country and play these shows for kids all over the place, it’s the most amazing thing. I can’t believe people get paid to do this. I would pay to do this! It rules, I can’t ask for anything more. I just sit back, smile, and if there’s any bullshit, I just smile and let it go on by without bothering me.

ME: Do you think there’s a need for rock stars in society today? #1: Yes, because I needed them, and if I didn’t have them I wouldn’t be where I’m at. It’s like giving two cents back to the music that meant so much to me growing up–Black Sabbath, Slayer, Venom and Mercyful Fate. I showed up at the Clash of the Titans tour long before anyone else did because I was hoping to catch a glimpse of Tom Araya, and last summer, I got to hang out with him. That’s a weird thing, but I needed it to become who I am today. That’s why I’ll welcome it if it’s happened this fast, because people obviously needed it. When we were practicing for pre-production of our album, we were in the same rehearsal space as KISS. I was drawing their logos all over my books in school, now we were practicing next to them, we were standing outside listening to their whole set. The funny thing was, when they all left the room, we were stealing sticks and stuff! It’s being that fan, because we still are that. On OZZfest, I’d watch Slayer from the front row every day, not like a rock star standing on the side of the stage with a laminate.

ME: Has being from Des Moines had a lot to do with your development? #1: Absolutely. From day one. Had we come from L.A. or New York, we would not have the band that we have. Honestly, we grasped on to something early on that meant something so much, then you take that and revel in it, building, building and building, practicing, practicing and practicing, and creating, creating and creating. You magnify those three things, you keep it going and you network, and if you can do that coming from where we’ve come from, you can do it anywhere, because it was a virtual black hole that Corey describes as a graveyard with buildings. #2: It’s weird, it’s almost impossible to get A&R people to Iowa. Half the people don’t even know where it is–”Iowa, isn’t that the potato state?” No, it’s corn country. No one wants to go to Des Moines for their weekend! Finally, Ross Robinson came out and said that regardless of the label, he’ll do the record. Now there are people looking all over Iowa for bands, but there’s just the one and only… People were hoping it would be the “new metal Mecca,” but it’s only us! There area (sic) few good blues bands out here, though.

ME: How long was Slipknot in the making? #1: Ten years in the making. From the day I started playing drums, the day I started playing guitar. Me, Paul and Shawn started the band. Paul and I were playing in different side projects, and I met all those other guys because we’d set up shows with friends’ bands and we’d be playing for each other. There was no one in the audience. When you put up a flier you’d get fined $50. There’s no audience. Not a fucking person. And we had no money because we spent it all (sic) drum stands and guitar strings, struggling to buy that shit. There were no newspapers or radio stations that would tell you about the bands. No doubt, man, all this stuff that’s happened to the band? You don’t even hear about it there. We go home and it’s like we never left. A girl that was on Jenny Jones was big news, but Des Moines doesn’t recognize the gold album, selling out all our shows, being on Conan O’Brien, doing OZZfest. They do’t even write about it. You wouldn’t believe it, but it’s the truth. It just goes back to show me why that place is so fucking special, because it’s such an integral part of making music. I’m glad it’s still like that, because when I go back home, the only thing I want to do is get back on tour, work hard on writing music and stay doing that until the album’s finished.

ME: Was there a certain point where you had the vision that would evolve into Slipknot? #2: Well, it wasn’t planned, it definitely evolved. The lack of anything in Des Moines definitely fueled it, and we just went from there. When we got together, we didn’t have any rules about what it would be, we just got together and the nine people made it what it is. All day, every day, that’s what the band is. The band’s my life, it means everything, it’s my family. It’s what I love the most, and it’s what I hate the most.

ME: It sounds like you’ve accomplished more than you ever hoped to, what’s next? #2: For now, just doing our shows and being with my best friends. But in the long term, it’s going to be world domination. That’s what we’re trying to accomplish. #1: Once you climb one mountain you need to reevaluate and climb another one. We’re going to continue to tour and knock it out, all the way through Tattoo. Then we’d like to go into the studio. Then the next step is to take the most anticipated disjointed, apocalyptic, gross-sounding, disgusting type of exorcism you can imagine and put them all on one record. Every song will be twice what every song on the last album was. It’s all about the band maintaining the good attitude and integrity, and the same fire and hunger that we’ve had, and taking that and magnifying it and making a way better album. #2: Our next record is going to be over the fucking top. It’s going to be stupid!

ME: With things blowing up so fast, what are you proudest of as a band? #2: I’m proudest every day of just being in this band. What blows me away most of all is the fact that I get to do it. The fact that I’m in a band with my best friends, playing songs that we wrote in a basement, and seeing all the emotion from people who come out and get it every night. #1: Our middle finger attitude. How we’ve beaten the system in less than a year, all eyes have turned, and we’ve answered to nobody. That’s why I’m glad it happened as fast as it did. Hard work over time? Sure, good things come, but when it happens that fast it’s more poignant and people remember it more. It’s freaky and it’s very surreal, but that’s why I did welcome it. There’s a reason it happened so fast, because those kids need to stand for something. That’s why I think the next record may shun some people. Is it too over the top? No, it can’t be.

ME: Are you afraid of being “too metal”? #1: We’re fully metal, and we’ve always said that. People are afraid of that word because when Pearl jam and Nirvana came they were supposed to make music more open-minded, but they really made it more closed-minded than ever. We’ll always be a metal band.

ME: You were offered OZZfest this year, why not do it again? It’s a big risk headlining your own tour. #1: There are a lot of reasons why we didn’t do it. It was very cool to do it, but I don’t need an encore performance of it. The Tattoo tour wasn’t our concept, someone came up with it and brought it to us and it was something that we were into. We stepped in. It’s cool to start something from the ground up and not know if it’s going to work. I like everything to be very unpredictable, like playing a show.

ME: It seems like you guys have just gone out of your way to defy everyone in any position of power. Is that conscious? #1: No, because we’ve always done it and we still don’t make any money–There are nine people in this band! The stage manager will come up to us before the show and say, “Please don’t burn anything on the stage, don’t throw your drums, don’t break anything…” Well, that’s a bad thing to tell us, because we’re in debt anyway. Break it all, spend all the money! We’re not making any smart fucking business calls! That’s what lawyers and managers are for. It’s all about being in the moment and being in the vibe, and you can’t deny that. If you deny human feelings, you’re a fraud. #2: I think people are drawn to honesty. Who wants smoke blown up their ass? People want to know that we’re for real. People are drawn to it because they’re sick of all the other bullshit.

ME: We’ve heard about a lot of the bands that you don’t get along with, what are some of the bands you really respect? #1: Amen. They’re very good friends of ours and have the same type of fire even though they create a different style of music. I’m a very big fan of Mike Patton’s [Faith No More] projects and the Melvins. I respect all those guys because they don’t care. They make music just for themselves, they don’t let outside influences get to them.

ME: If you could leave your fans with any one message, what would it be? #2: Be yourselves and don’t fuckin’ worry about everyone else. Do your own shit… And, thanks! From the bottom of our hearts, we thank every kid who’s ever bought our album, checked the website out, or given us any support. If it wasn’t for them, we wouldn’t be doing this interview, so from the bottom of our hearts, thank you.

#if you want anything else from this scanned lemme know!#slipknot #joey jordison #paul gray #metal edge 46-3 jul 2000 #interview #god i love this one 😭

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holmesxwatson · 4 months

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The Private Life of Sherlock Holmes dir: Billy Wilder, 1970

I only watched The Private Life of Sherlock Holmes for the first time a few days ago but it lights my brain up in that special way that I know I’ll revisit it a lot. Don’t get me wrong, it’s far from perfect, for one thing Colin Blakely’s Watson is a little too shouty for me, but it’s very worthwhile to check out despite its shortcomings, which I think mostly come from the fact that so much was cut from the intended script.

I absolutely love Robert Stephens as Holmes. His face is so good, he has a way of looking at Watson when he doesn’t know he’s being observed that is very soft. I thought I was hallucinating the beginning of this movie with Holmes telling the ballet dancer he’s gay and in a relationship with Watson. I thought it was going to be played for a joke, and it was a bit, but it didn’t just end there. Holmes and Watson have a conversation about the repercussions in a lengthy scene that turns very serious by the end. I can’t believe this was 1970 and no one has since tried to build on this specific dynamic in a more meaningful way. Someone needs to remake this into a mini-series exactly how Billy Wilder intended it to be, here’s hoping public domain can make it so.

[above: script page from the cut story The Curious Case of the Upside Down Room, where Watson creates a fake case to make Holmes feel better]

Also, the backstory of the making of this film is so out of control: Robert Stephens’s nervous breakdown and suicide attempt during the production, the amount of years Billy Wilder was trying to write it and get it made, the interference of ACD’s son, the Loch Ness monster prop that the crew lost in actual Loch Ness, the immense scope of the episodic story they were going for, the way it got cut down from its original 3 hour 45 minute runtime and how that cut footage was lost forever! (this is crazy! everyone go check your attics and storage lockers right now).

In one of the interviews I found, Robert Stephens says “if something is boring — if it’s three minutes long it’s too long, but if it’s interesting it’s never long enough…you don’t want it to end.” Big same Toby Stephens’ dad, big SAME. I didn’t want it to end. I read the uncut script and I am just floored at what we missed out on. Thankfully some footage and audio remain of some of the cut scenes (but still! check your basements too).

Just fully let it settle into your brain that they filmed all of these stories in the script, and then cut most of it away. Like that is mind-blowing to me, it existed at one point as it was fully intended to be. If this was made now during home entertainment times, they would have no problem releasing an almost four-hour movie, but at the very least there would be a big director’s cut dvd release and we would be enjoying all the small Holmes x Watson moments we deserve.

Anyway, in pretty short order I found a bunch of interesting links to stuff, details below. I also consulted my very well-thumbed Conversations with Wilder book by Cameron Crowe, but there wasn’t that much more information in there. I have Robert Stephens’ memoir Knight Errant and the TPLOSH blu-ray on order so I’ll add to this post if I find any more good resources. Let me know if I’m missing anything, and enjoy!

Full movie on YouTube (x) <-update: this link went private, but it's also streaming for free on Tubi and Freevee, and available to rent on YouTube, Google Play, and Apple TV

Original roadshow draft of script on Internet Archive (x)

Missing footage: Prologue [sound only plus stills] (x), The Curious Case of the Upside Down Room [sound only plus stills] (x), The Dreadful Business of the Naked Honeymooners [footage and soundtrack only, no sound dialogue] (x), alternate ending [sound only] (x)

Making of documentary that includes behind-the-scenes snippets of some of the cut scenes [this doc is in German, but you can turn on the auto-translate to English in the YouTube settings] (x)

Interview with Ernst Walter, film editor of TPLOSH (x)

Interview with Christopher Lee “Mr. Holmes, Mr. Wilder” 2003 (x)

My YouTube playlist with all of the above links in one place plus an excellent fan vid by Just Bee that I added to the list because it’s just so good (x)

Missing Movies: A Case for Sherlock Holmes from 1994 BBC Radio 2 on Soundcloud [includes interview with Robert Stephens and folks involved in the production] (x)

Articles about the lost Loch Ness monster prop (x) (x)

The soundtrack by Miklós Rózsa (x)

#sherlock holmes #the private life of sherlock holmes #robert stephens #billy wilder #tplosh #sh movies

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aquaquadrant · 6 months

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literally just zoomed through yalls htp au and i havent seen anyone talk about it but i find it SO interesting how Bravo, who is supposed to be the GOOD overworlder, is rather prideful and honestly just a dick while Tango, supposedly his EVIL counterpart, is just the sweetest guy. i cant imagine how Tango is derived from the worst parts of Bravo, if im understanding hels correctly. Tango is such a good person, while Bravo is rude to everyone with the worst attitude. it was just something i picked up so quickly. if the universe put him in hels in the first place, there must be a reason why the universe swapped his place with his overworld counterpart.

on another note! with the release of secret life, and what we've seen so far, how do you think htp!tango would fare in this new killing game? i cant help but imagine that with the entire gimmick being keeping secrets that he would be rather stressed, knowing he had hidden stuff from his friends already-- lying doesnt make him feel like a good person (but he isnt supposed to be that, some small part of him is whispering, knowing hes from hels, is all of the "bad" parts of bravo)

anyways! this is all i will be able to think of for the rest of the week /vpos and i hope you (and everyone who may be reading this at any given time) have a great rest of spooky month!

well THANK YOU this was a lovely message to receive, and i’m glad you’re enjoying the au ^^

i’ve talked a little bit about this here and there, but i’ll never pass up the chance to ramble more. there are a few key things about bravo and tango that make them different from the average overworld-hels pair.

ANALYSIS/RAMBLE BELOW

first off, most of what we’ve seen of tango has been set during double life, which is ten years after he escaped hels, so he’s had ten years of growth. we see very little of him before this, and in those scenes he’s got the benefit of being largely alone. the only player he interacts with is xisuma, who tango immediately realizes he needs to ‘trick.’ so his interaction with x in part one isn’t how tango would’ve interacted with virtually any other player in hels at that time.

we see from the flashback in part five that younger pre-hels tek tango was borderline feral- he chose to attack atlas on sight instead of trying to hide, or leave before he was seen, or even see why atlas was there. now, atlas wins him over fairly quickly because tango is young and naive and secretly craving positive interaction, but even in that brief interaction tango is a bit more prideful than his older self. that, of course, got beaten out of him at hels tek.

bravo, on the other hand, we follow closely during his ten years in hels. when he first arrives in part two, he’s a little snide and privately judgemental, sure, but he starts out perfectly decent towards timmy. he tries to maintain that civility and ‘niceness’ as he interacts with more and more hels players, but gradually loses his willpower as he gets beaten down and frustrated, even losing his temper. and after he fully snaps and gets his first kills, he all but abandons the notion of being ‘nice’, though privately he still thinks of himself as inherently better than hels players (atlas’s manipulation certainly doesn’t help matters, either).

but perhaps the biggest point is to look at what traits tango actually got from bravo, and that would be his rage. bravo is most similar to tango when he’s angry; his first little temper tantrum in part two is where it’s best illustrated, because all instances after that have been influenced by his time in hels. but you’ll notice that we have yet to see tango truly angry in the HTP series (he did revert back to an almost feral mindset when the ranch got attacked, but that was an instinctive defense mechanism. there was no conscious thought behind those decisions, and they were purely fueled by fear, not anger). that will be where his ‘hels’ really shines through.

there’s one other bravo trait amplified in tango that i haven’t revealed yet. it’s something that tango has figured out how to sort of ‘mask’ via other more acceptable coping mechanisms- if you can call it that- and actually forms a fairly significant part of his personality. stay tuned :3

as for secret life, it’d be a complicated situation for sure. on one hand, their goals are less outright malicious- just complete the tasks and try to survive (at least for now). in a way, it almost takes away accountability for their actions if they turn out to be harmful- “i had to, it was my secret task!” so that’s nice to fall back on. but still, tango would be very on edge. not only with the discomfort of having to lie to his friends, but never knowing if they’re lying to him, too. boi’s got them trust issues fr.

#hels to pay au #HTP ask #mmmmm I LOVE CHARACTER ANALYSIS #thank u for the opportunity to ramble

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reflections-in-a-critical-eye · 6 months

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Jimin's documentary is what I've been wanting from bts for YEARS. I'm so glad they released such raw material. Jimin's musicality is insane, and it seems like the producers were 100% aware of that because of how much they relied on jimin and his creativity. I think it was during the commentary that he mentioned what he felt the first time pdogg approved one of his ideas, and then he called himself an idea bank!! He's usually so hard on himself, it's refreshing to hear that even though there's always a place for improvement, he knows how good he is. Another thing I enjoyed was listening to the previous versions of the songs that made it into the album and the one that was supposed to be the title track and finally got scrapped. I think I liked the alone and set me free pt.2 demos a bit more than the final product. I feel like that intrinsic grittiness and unpolished quality of an unfinished product was really fitting, and in the case of smf2 I kinda feel like it ended up overproduced... I guess, if that makes sense. Anyways, I really, really appreciate the route Jimin decided to take for his solo career, I truly hope we get to see more of that before he leaves, and when he comes back I'd love for him to get the chance to continue showing his artistry as a soloist. And regarding army shading jimin and trying to undermine him lol... what else is new? I remember namjoon once said that army would not like to see what it looks like behind the scenes when they were recording and stuff and I guess he was right. I know they hated to see how reality goes against the narratives the company has been feeding them for a decade. The supposed geniuses in the band have yet to release something as good as like crazy and they know it.

I was trying to catch some of the things Jimin said during his live watching and I was so pleasantly surprised to see how confident he was. Like, yes. He is an idea bank. That's the best way to put it because during the production, he kept coming up with stuff on the spot. I think PDogg and the rest of the marching band were so open to this because they knew how Jimin worked. That's why I keep saying that having a small team with people that know each other so well worked perfectly for Jimin and his first album.

There's no way of knowing exactly what RM said about what happens behind the scenes during pre-recordings and if it's close to what we've seen now in the documentary, but what I took from that is that in real life, people having to work on something is not all sunshines and rainbows or fun like when they recorded the ITS song. The audience gets to see the nicer, aesthetized version a lot of the times.

I'll refrain from commenting on the rapline releases now, but I'll do say about Like Crazy is that out of all the so-called "Chapter 2" songs, it is in my view the only one which is artistically compelling, intricate, well produced, tells a story, it's part of a bigger conceptual album, but also has the potential to be commercially succesful as well, which is the mark of a good pop song.

#m thoughts #jimin #jimin's production diary

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animereviewsbykyranskye · 8 months

Text

My current top 15 Anime and why

Because why the fuck not. I'm doing top 15 so that I have some variety behind it. Otherwise I would just be gushing non stop XD

Apparently numbers go big now - AND THEY GO SMALLER IF YOU TRY TO TYPE IN THE SAME LINE AS THEM???

comparison:

15 -

DA HECK????

(Edit: I was going to colour all the numbers because I wanted a rainbow. WHY THE FUCK FOR THEY CHANGE TO SMALL WHEN YOU COLOUR THEM??????)

Guess the titles of the anime get a small heading. Anyways. Onto the actual list!

Technoroid OVERMIND

Ayo. Starting out with a really random one. So if anyone were to look at my Anilist then they might be a bit confused. I decided I'd keep movies out of here as well as anything I haven't specifically finished. Also takt op. Destiny needs a re evaluation.

Anyways. This premise is so sick and I feel like they managed it really well. The characters were all really fun and the music was fantastic which is honestly the most important thing about Idol shows. I really like idol shows but often struggle with the stupid drama in them that just leads to seasons upon seasons that didn't need to happen or wouldn't actually happen.

In this they're just androids. The fantasy twist works so well for the genre and I honestly don't know why it isn't done more often. This way they can bullshit the drama and it actually makes sense.

Honestly my favourite character was Kite. He was great and his voice always gave me shivers. Especially his piece in the closing. Damn.

I don't want to go into full reviews with this, rather just gushing about things I like and stuff. I really don't think this got the recognition it deserves - probably because of it's deviation from the norm - but it would be cool to get some sort of sequel.

(Edit: There's a manga releasing apparently. Imma check that out.)

UniteUp!

Continuing on with the trend of idol animes apparently. UniteUp! was so good. As I mentioned in my Reviews while I watch of the show, it felt so grounded and real that other idol shows just don't seem to capture. These were all real people with real problems dealing with real life.

I also like how we had such a large cast of characters but it never really felt overwhelming as they focused on group dynamics and specific individuals rather than trying to cram every single person into their own arcs.

Once again the music was fantastic and by god was this show pretty gay. Honestly I don't know what the sentiments of others are, but the Anela duo definitely weren't straight and neither were Akira and Daiki. That bath scene says it all.

Anyways. If you want a fun time with a really solid idol anime, please check it out. I saw earlier that we're getting a season two soon. I am so looking forward to it.

Trigun Stampede

Damn! I don't even know what to really say about this one. The visuals are absolutely stunning - there is no doubt about that. The score and the characters are excellent. And how dare they leave us on that cliff hanger.

I have absolutely no history with this story and still need to watch and read the originally but I am really looking forward to seeing how the story adapts between the three.

You can ask my partner. I've already said we're watching everything trigun related as soon as we are done with our current show.

I'm really looking forward to season two. And especially seeing how this all pans out. Apparently there will be tears according to the fandom. Concern.

Re-main

Damn this show came out of nowhere for me. I watched it quite awhile ago and have been meaning to rewatch it again.

The premise is definitely a sports anime but honestly so different. All because of one thing. The fact that he is an amnesiac is such a fascinating concept to work with - especially with how he was before (trying not to spoil - can't remember when this comes up in the anime)

And then the ending?? Damn. They seriously set up that cliff hanger and I really hope this show gets a sequel.

I really can't say too much about it without giving away some spoilers but damn does it change up the formula and do it so fucking well.

Given

Given is great. Such a pure but heartbreaking portrayal of love on one side with such conflicting but also nurturing views on the other. Having the different realtionships throughout this is really well done how they all bounce off of each other. Especially when they entertwine it with the music.

As it is said. That is how they communicate - through the music.

I'm busy catching up with the manga and really hope the anime continues with it.

Also the fucking is just fucking gorgeous. It has no write to hit you that hard.

Also - something else that shouldn't be allowed to hit you that hard. Damn Mafuyu has had a difficult past. We love how he learns to heal and grow with Uenoyama at his side.

Anyways, moving on.

Bakuten!!

Okay. Who said a sports anime could be this pretty.

I love the art style and the music throughout all of this. I love the portayal and the evolution of these character - seriously all their arcs are great. The interactions of the team is so tangible and real.

I watch a lot of sports anime and I often struggle with some of the drama used within the sports - it feels like the only thing that ever fuels the story is the matches. Whereas in Bakuten - the character seriously fuel the story. You can understand their motivations much more than just - I want to play this sport and be the best!

I also feel like they really captured everything really well in the movie. The whole concept of wanting to sore is great and really well executed.

I also love the interactions they have with the other team. It's not just a once off competition or practice match that they face each other. We actually get tangible characters for the whole team and see how much they two teams are similar to one another. It's a very healthy rivalry that isn't normally this expanded on in sports anime.

Sasaki and Miyano

Yesssssss. These two are just absolutely amazing. Their whole story arc and relationship is just tooth rottingly sweet. They bounce off of each other so well.

And I love the fact of how slow the actual story is. They meet at the start of Miyanos first year (from what I know - I still need to read the novels) and sasaki's second and they only end up confessing just before graduation happens. It really plays out well and is so healthy.

There is no problematic elements like in so many BL stories which is such a breath of fresh air. And the fact that sasaki is very specific about making sure to maintain boundaries to ensure that miyano is comfortable is also excellent.

On a slightly different note - I still need to see the Hirano and Kagiura movie. Been dying to watch it. I've been keeping up to date with both manga and both of these stories are amazing. I love the dichotomy of the two stories and how they are coming to their own realisations of their feelings in honestly very different ways.

I also recently watched the dub of the anime due to some videos on tiktok. Fucking hell it is absolutely hilarious. Kellen Goff as Sasaki has no reason for being that good. Seriously. Damn.

Link Click

On a completely different note. Damn this one makes you questions your own morals and reality as you know it.

I really don't want to get into this one much as I do believe watching it blind is the best way to go.

The art style is fantastic and that opening hits like a truck it is so good. The characters just click (pun not intended) and you just understand their motivations and don't know which side to side with most of the time. It brings about such high moral dilemmas that will seriously mess with your brain sometimes and there is one episode that will likely make you cry.

Anyways. Season 2 has just started airing and I am so ready for it.

Buddy Daddies

Why did a show about two queer platonic dudes who adopt a child while beings assassins hit so damn hard.

The show jumps between episodes with backstory and episodes with them just being good dads and it is balanced so well. This anime won't end up getting a sequel most likely with how it ended but damn I wouldn't say no to one.

Rei is my favourite character and I relate to him far too much. His interactions with the world are so fascinating and his whole arc with Miri is honestly some of the best media I've seen.

I absolutely loved watching this show weekly and it always brightened up my day when I realised a new episode would be up.

If you would like further thoughts on this one then check the Reviews while I watch on it for more chaos.

No Game No Life

So. This was the first ever anime that I ever watched. It was a random recomendation from a friend. Look at where we are today.

This show is honestly just so fun. The characters are silly and the whole plot is just absolute chaos. I really enjoy the games aspect and how it was all incorporated into the world.

I can't even really say much about it. It is just a guilty pleasure of mine and will always hold a special place in my heart.

Also. Please can it just get a second season already.

Assassination Classroom

So. Unlike everything else on the list - this one I only finished really recently. My partner and I were watching it together. And to put it out there straight away. I cried. That ending was far too emotional.

I really enjoyed the humour throughout the whole thing as well as the constant underlying dread of the whole situation.

They also really played out Koro-senseis backstory really well. The teasing to it was excellent. I must say though that one of the twists seriously came out of left field. Like damn.

I've just recently bought the boxset and am reading through the manga. Once again. It's absolutely amazing.

Also the openings of them all jumping are absolutely fucking hilarious and you can't tell me otherwise.

If you want to know what officially sold me on the show was just in the first episode. (Note we watched in dub)

Don't ask me why but I found this to be the most hilarious thing ever. The absurdity and the line delivery was magnificent. I annoy my partner by quoting it atleast once a day.

Life Lessons with Uramichi Oniisan

Speaking of comedies. This show has no right to be this good. The absudist dead pan comedy in the middle of whats meant to be a TV show is such a random premise but just works so well.

Due to the nature of the show, the characters are extremely relateable. I especially love Kumatani and Kikaku.

If your on the same side of anime tiktok that I am then you have definitely seen/heard snippets of the dub.

I think this was the first anime that I originally watched in sub and then tried it in dub and actually enjoyed it. (I often find that whatever I originally watched it in is the only one I can watch it in - it's very difficult for me to change it)

The voice acting on both sides just works perfectly for the show. And that final episode and how they did it was the best thing ever.

Please just give it a try.

Angel Beats

Okay. Time for a hard hitter. This comedy like assassintaion classroom is fucking excellent but will make you cry, like damn.

In complete and utter contrast to No game no life, this was the second anime I had ever watched. I had found a video that gave some suggestions and thought I would give this one a try. When I say it destoryed me, I mean it literally. I constantly think about the end of this and I absolutely love revisiting it.

The twist and turns along the way are fascinating and I love how each one alters the characters and the narrative. Each of the characters feel unique - even the lesser developed side characters - with fascinating and complex backstories.

The whole thing just makes you question your own place in life.

Moriarty the Patriot

Another one I just randomly tried because I saw a video on tiktok. The first episode immediately pulled me in. I thought it was just going to be some simple detective story (At the time I didn't know much about Sherlock Holmes and who Moriaty was so I didn't have any of that to guide me into this story.) But nope.

I keep saying this but in this one I really mean it. The characters are built so well. The dichotomy between William and Sherlock - as the fandom would probably agree - is just amazing. How they bounce off of each other - i don't even know how to really descirbe it.

Honestly just go watch it.

And if you enjoyed the anime - please go check out the manga too. If the anime was done well - then the manga is done to lamost perfection.

This show was what got me into reading and then eventually buying manga. I now have every single one that is out.

Yuri!!! on ICE

Did I make the title gay? Yes.

Okayyyyy. This is just going to be me going on about how much I love this show. Bare with me.

So I was in an anime watching slump just before I picked up this show. I had been seeing some videos popping up talking about it and decided to give it a try (this was in 2020)

I immediately fell in love with this show. Literally everything about it. I ended up rewatching it three times over the course of a week. It got to a point where I was so upset that there wasn't more content for it that I just cried for half a day. (Ask my partner - it was chaos)

This show is the reason I now read fanfiction - all because I found a way to technically have more content for it.

This show holds such an important place in my heart that I sincerely cannot express it properly.

If you've never watched it - go give it a try. It would mean a lot - and hopefully one day we might get a season two.

----

Thanks for reading, if you managed to get to this point. I find it interesting how my explanations managed to slowly get shorter throughout the list as I just started becoming more emotional than factual.

I hope you enjoyed it and maybe grabbed a recommendation or two. If you'd like to know more or hear me ramble on more about anything in particular then please let me know.

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bioexorcizm · 4 months

Text

janAUary #1 - record store

ship: dewmav

word count: 1144

summary: maverick pops into dewey's shop to look around. he hopes that he catches their eye instead.

(dew works canonically at a record shop, so why not change up the meetcute -- what if they met at his workplace instead of theirs?)

He notices them when they walk in, but it's not until they're flicking through the 'New Releases' cart just adjacent to him that he truly notices them.

He can't help it, not when their clothes drape so perfectly over their shoulder, which quickly is exposed by the sweater they're wearing and showcases the mass of freckles that pattern their skin there. Or the way the light hits the top of their head just enough that the bluish hue they've tinted their hair shines deeply in contrast with the brighter tones of their outfit. It didn't help he caught the way their stockings were awfully tight as they scooted down the line of albums.

He's seen them before, many times actually. A frequent visitor, but normally only in the very early parts of the day -- the times where he's only barely half-awake, wandering in fifteen minutes late to his shift anyways, and they're too busy with their head buried in the tracklist of whatever album they'd just bought to pay any semblance of attention as they slink past him holding the door open for them.

He decides that maybe he's looking at them now because he expects a ‘thank you.’ Even if they'd never noticed him before.

And it's not until their gaze slowly rises, head still bowed towards the bin of vinyls that he realizes he's staring.

“Uh. Hi.”

It's when they stand back up, sightline flicking around the shop only to realize how clientele-barren and open it was, that they respond.

“...Hi?”

His head is propped on his hand, leaning over the counter lazily, the other brushing through his hair before rejoining its partner on the glass casing that holds the more valuable records in the store.

“Looking for something specific?”

They shake their head, turning away slightly “Ah, no, not really.”

Dewey raises his voice slightly, craning his neck as he leans just a bit more forward, “Well, if you change your mind, I’ll…Be here.”

They don't respond to him, and in an awkward motion, he turns around, bending down and pretending to inspect the bulk of crates and boxes stored behind the counter. He tries to be anywhere, look anywhere that isn't at them. He wanders from behind the register, slipping down any aisle they're not.

When they say something from the other side of the shelving, he suddenly reappears rather quickly from his makeshift hiding place, popping his head around the corner.

“Huh?”

“Oh, sorry. Just talking to myself.”

“Right. Yeah, okay,” he nods, but continues to peek past the thin barrier between them.

They sigh, “I guess a second opinion isn't the worst thing ever though, if you have one.”

“Dewey Finn, music connoisseur at your service, dear loyal customer.”

“Maverick will do, thanks,” they smile as he approaches.

He bows, making a show of the whole scene before he takes a look at the two albums they've pulled.

“What's on your mind?”

“Been trying to get into some older stuff lately. But I’m not quite sure where to start.”

Dewey nods towards the gray-stained cover of Who's Next.

“No question on that one. Their best album, for sure. You into rock at all?”

“Newer stuff, heavy stuff mostly. I, uh -- I’m in a band, they want me to,” they pause, throwing up air quotes, “Broaden my horizons, or something. Like I don't know most of the classics already.”

“No shit, you play?”

“I mean, for fun. We don't really…Perform a lot.”

“That's fuckin’ awesome, though. I play too,” they share a moment of solidarity, and a smile before Maverick cuts it short, tucking the vinyl under their arm and putting the other back.

“We could…Maybe hang out sometime. For a jam sesh, or something.”

“Maybe,” Mav turns away shyly. They scurry towards the counter, Dewey rushing back just behind them, a little discouraged from the hesitant quasi-rejection.

Their gaze passes him as he rings them out, taking his time as he still tries to make pleasant conversation. They quickly cut him off, reaching out and grabbing at his wrist, in effect stopping him. He looks over at them, baffled, but somehow not upset that their hand was still on him. They gasp.

“Is that the special edition of White Pony?”

He glances back, to the small pile of things lining the hanging shelf behind him, “Uh, yeah.”

Their expression immediately lights up, “You're lying! I -- I've been looking for it for ages!”

“Well,” he scratches at the back of his neck, pulling at the hair there. He doesn't have the heart to tell them it's behind the counter because it's on hold for someone else, “It's um…That's it.”

“How much?”

He shrugs, knowing damn well they won't accept no for an answer, “Dunno if it's up for sale yet --”

Their voice drops low, “I’ll do anything.”

His head snaps back. He swallows the nervous chuckle creeping up his throat and sees the way their expression falls serious.

He looks behind him again. It's definitely his ass if his manager finds out. But…

“Like, maybe even a date?”

Maverick seems confused, at first. Not quite what they'd expected. However, as they look him over again, the lopsided smile he wears, the disheveled outfit, the wild hair, it’s almost endearing. Kind of cute, even.

“Maybe even a date.”

“You're serious?” he tilts his head. He didn't actually expect them to agree -- nor was he going to admit that he probably would have sold the thing to them either way.

But hey, he shot his shot, and he didn't miss, for once.

They stop, think, then fail to cover the giggle that overtakes them, “Sure. Why not?”

When he turns around to grab the vinyl, he pauses, pretends to be rearranging the rest of the shelf for balance, tries to hide the way he's smiling and can't stop. To be fair, he's also trying desperately to think of what to say now; He didn't expect to get this far. The beep of the register draws him back as he finishes cashing them out. When they take the bag from him, their fingers brush his. They lean just a bit closer to him.

“For the record, I would have said yes even if the vinyl wasn't at stake.”

He laughs nervously, a little louder than he should have if he wanted to seem calm, probably. “For the record. Like, because --” he gestures vaguely to the album, and when he realizes it wasn't an intentional pun, he bites his tongue and forces a smile, “Yeah. Okay, well, I'll pick you up at seven, then. If that's cool.”

They turn just before they reach the door, “I'll see you then, Dewey. Don't be late.”

“I'm never late,” he shrugs.

“Sure you are. Every day I see you, you're late.”

And with that, they leave. He watches them walk down the block, disappearing shortly into the lunch-hour crowd.

“...So you did notice me.”

#.writing #janauary2024 #.dewey

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gaycrittercentral · 11 months

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I’d like to know where the Maxlings came from

Oh hell yeah I’d love to tell!! ok so I had the concept planned as a comic initially but it really got away from me and got too long for me to actually make, so what I’ve got is sort of a script-lookin thing that I would have used as framework for it. I hope that’s an ok format?? I considered trying to write it into more of a prose/fic format but honestly I like it best like this. Ok enough rambling I hope it’s funny to y’all lmao (also it got. Um. Very long)

First scene is in the middle of a beautiful glade deep in the woods, where Sam and Max are dancing in a crowd of magical-looking fairies, grinning at each other. It’s late and there are fairy lights (teehee) illuminating the area, tables of food and drink scattered around the outskirts of the crowd.

S: wow, quite the day we’ve had, eh little pal?

M: you can say that again, Sam! I mean, how often do you get to save an ancient fairy commune by beating up their evil warlock oppressor?

S: and on top of that they throw this little shindig in our honor! I have to say, I never knew lutes could play such great club music.

M: and I’m living for these hors d’oeuvres! We simply must get the recipe.

Behind them, a pair of fairies in big leafy crowns talk quietly.

Fairy queen: these strangers are so delightfully mischievous.

Other fairy queen (they are lesbians): quite! Truly a pair of mortals after our own hearts. How should we reward them for defeating our fell foe?

FQ 1: hmm…I have an amusing idea. What’s better than two chaos-causing mortals?

FQ 2: ahhh, I see! A marvelous idea!

The queens approach Sam and Max, with several other smiling fairies clustered around.

FQ 2: well, my friends, it has been a true pleasure to have you! Before you depart, my queen and I have a gift for you as thanks for defeating the dreaded warlock Snivellion.

(M: tee hee)

FQ 1: here, please take these.

She hands Max a little package made of leaves and tied with twine.

FQ 1: these magical seeds will grow into a wonderful gift if you keep them warm and safe.

M: well, we don’t have the best record with houseplants…

S: but we’ll happily accept your gift anyway! I’m sure they’ll be fun for the few minutes they manage to survive in the harsh climate of our office.

M: if they live through the trip back in my pocket, that is.

FQ 2: oh, trust me, I’m sure they will be every bit as hardy as the two of you.

Max stuffs the leaf packet in his inventory and he and Sam take their leave, waving to the fairies as they go.

S: so long now! Have fun partying eternally!

M: you know, we never did get introduced—don’t suppose I could get your names?

FQ 1: hah, nice try. Fare thee well, mortals!

FQ 2: farewell!

As they go, we see a shot of Max’s inventory, with his gun and maybe a hammer or something to show that’s what it is. The leaf package sits quietly for a moment, before releasing a tiny sprout.

Several months later…

Sometime in the dead of night, they’re both sleeping until Max stirs and sits up with his ears all lopsided, looking kinda disgruntled and tired.

M: I’m gonna go take a dump

S, not quite asleep yet and regretting it: you don’t have to tell me every time. I actually think I’d rather if you didn’t.

M: but what if I fall in? I’d want you to know what I was doing! :D

S: *half-asleep grumbling*

Max wanders off to the bathroom to perch on the can and read a magazine.

M: oh, Martha, you get me. Mostly because we’ve both been to the slammer

Suddenly a baby wail echoes from the toilet (thank you, mammalian diving reflex) and Max immediately screams, flings his magazine to parts unknown and runs for the hills.

M: Sam!! SAM!!! The toilet screamed at me!!!! I think that ill-advised bathroom exorcism we did instead of cleaning the shower drain didn’t work, we must’ve summoned some kind of toilet ghost instead!!

S: what are you talking about, numbskull? You interrupted a perfectly good dream I was having about a discontinued ice cream bar :(

M: just come help me get rid of it! I can’t go with some spectral peeping Tom shrieking at me!

They get to the bathroom and Max hovers by the door as Sam inspects the toilet.

S: Max, you cotton-brained dolt, there’s no ghosts in—GREAT GALLOPING GEYSERS TAP DANCING ON SATURN’S FURTHEST MOON!

He immediately reaches in to save the weird little wet rat almost glaring accusingly at him from the bowl (it could glare a little better if its eyes were functional yet). Max cringes at him.

M: Jesus, Sam, I know we’re both nasty, but I thought we agreed to leave this level of grossness to me! Wait what the fuck is that thing.

S: well, if my outdated recollection of mammalian biology and your horrifying baby pictures is correct, then I’d say it kind of looks like a neonatal lagomorph. Did…did this come out of you?

M: oh please, I think I’d know if I had something like that stashed away somewhere in here. (Vaguely gestures to himself) Now could you get outta the way? If it was just some weird naked rat that crawled up the toilet to yell at me and not a ghost, then I’d like to finish my business in here.

Sam stares at the little rat-looking baby. It has teeth. Teeth like Max’s. He grabs a towel out of the bathroom closet instead and tosses it in the bathtub, then nabs Max by the scruff of his neck and deposits him on top of it.

S: why don’t you just wait down here for a minute while I get this little thing cleaned up?

M: Sam what the hell I don’t need to be housebroken!! Ugh fine but you’re cleaning the towel if—oh my god there’s another one.

S: SWEET SAINT OLGA OF KIEV SINGING OPERA FOR AN AUDIENCE OF PUPPETS WITH A TIN FOIL SUIT AND TIE AND A CREAMED CORN CROWN

Several escaped kits later…

Sam and Max lie together in bed with the kits on top of them, all wiggling around and squeaking faintly. Sam looks vaguely shaken by the experience, but Max just kinda looks like it’s totally normal.

M: haha I thought you guys were just weird little turds! Well, aren’t all children though, come to think of it

S: and you’re sure they came out of your inventory and not some hitherto unknown reproductive system of yours?

M: Sam, at this point I think I’d be able to tell if they’d been up my ass, don’t you?

S: well, sure, but also that’s not where—

M: and besides, my pocket snacks have been going missing all day and this totally explains it. Look, that one’s still got Cheeto dust all over her face!

Sam looks down at one of the girls, who is indeed very orange.

S: ooh. Let me just clean you up there, sweetheart.

He licks her clean gently. She squeaks in approval.

S: huh! What do you know, that really is Cheeto dust.

M: see, I told you so! I still have no idea how they could’ve gotten in there, though…I mean, they look brand new. And also a lot like us.

S: well, mostly like you.

M: nah, see, this one’s got little floppy ears! And lookit their tails, mine’s not long like that. Oh! And this one’s got your nose!! Oh, Sam, it’s so precious I could just squish her like an overripe tomato! …um, but I won’t, obviously.

S: personally, I find myself rather enamored with their tiny little toe beans. Just look at that! They’re so little…

They both giggle delightedly over the kits for a minute, before relaxing back into the pillows. It’s still the middle of the night and they’re both exhausted.

S: so…if we don’t know how they got there, and they don’t look like they could be anybody else’s…

M: 👀

S: I mean unless we want to take them to the vet to check for microchips or something…?

M: too late I’m already coming up with names and dreaming of all the bad words I’m gonna teach them

S: oh, good, so am I. I guess it doesn’t matter how they got there, then…but you really have to wonder…

Something like a half hour ago…

The kits are sitting in a little pile in the middle of Max’s inventory, the opened leaf package below them and Max’s gun leaning against the wall beside them (it’s bigger than they are). Lacey’s face is covered in Cheeto dust and there are a few remaining Cheeto crumbs scattered around them. They have a brief conversation of squeaks, translated into pictures.

Maisie: >:/ *exit sign, there isn’t an emoji for it but just draw one*❗️(she’s bored and she wants out)

Lacey and Crowbar: :o ???

Maisie starts crawling around determinedly until she comes across some kind of rift in reality, through which the toilet bowl is visible. But not to her, of course, because she can’t see just yet. She immediately plummets out of the rift with a tiny shriek, and her siblings react like :0 there’s silence for a second, before Crowbar squeaks and is translated to:

C: dare you to go after her

L: 👀

And that’s it!! Hdkhsshsg here’s hoping it’s at least a little amusing to y’all because it’s very funny to me for whatever reason hdjshsjhddhdjhfjd

Oh! And as a reward for sticking around here’s one of the other first drawings of them I ever did :’> they were very much inspired by @lillylunala’s drawings of Max as a baby if it isn’t obvious, which you should absolutely check out if you haven’t seen them bc my god she really nailed it heheheeee

#hhhhfhdhdgshgskjfhsgsjjdh little creachers….#I wanted to capture that early comics feeling of them being inexplicably wrapped up in a bizarrely supernatural case #but refusing to explain how they got the case or how they got where they are or how they know these people or anything lmao #y’know just like ‘well max here we are in the enchanted fairies’ woods! better go arrest that warlock’#and it’s like how the fuck did you know to come here. did the commissioner tell you to go beat up a warlock?? since when are fairies real #and absolutely none of that gets answered hdkdhdjdhs #also rip to Maisie falling headfirst into a toilet. second child of theirs to be pulled out of one at birth #sam and max #freelance husbands #the maxlings #asks #my art

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shelltasticday · 1 year

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Hey! It's me again and it's ok,i asked just to make sure but sorry,i should've see your list about the requests before to ask 😅,but look,i have another request that would probably be easy to do (but if you don't want to,just ignore it ok?)

It's a reference from 2012 tmnt when Leonardo sees karai for the first time,like,he was searching for his brothers kinda pissed because they never listen to him and he is the leader and all that stuff,so when he see her knowing she's from the foot clan they fight but,more like to release the tension but Leo feel enchanted by karai,in the end she's just go away saying her name and that they will see each other again.

So,the idea is Rise!Leo x reader (female or neutral, your choise) in this scenario,i think this would be so different and probably funny because well,it's Rise Leonardo we talking about lol.

Hello again, and no prob. Thank you for the request, I had fun writing this, I tried taking the scene you mentioned as a base while having fun molding it to something more likely to happen to our dearest Leo. Idk if you wanted something this long but I'm a sucker for somewhat flirty fight scenes so… Hope you like it! It's love at first fight hahah get it? ba dum tss

Leo's first meeting with a foot recruit reader (Scenario)

It was a quiet night for Leo, sometimes he liked going to the surface alone to take a breather and practice some skateboard tricks on railings as everyone slept in the big city. He was sitting at the edge of a roof, enjoying a warm slice of the pizza that for Hueso's relief, Leo had ordered to go.

The cold breeze and lights helped his mind to slow down for a moment and process his day, it was so easy to let go and just relax as his thoughts came and went with no trouble. He was wondering if he should go and rent a Lou Jitsu movie before heading back home when… down an alley, he notices shadows moving, catching his atenttion.

At first, he attempts to ignore it, but mind Raph appears to nag remind him that as a "hero", it's his "duty" to at least make sure it's no trouble. And so, he sighs, closes the lid of the pizza box and descends jumping, landing as quietly and as near as possible to the place he saw the movement.

His eyes adjust to the shadows and he sees… nothing. Huh…

"Welp! Nothing to do then!" Leo says, standing tall and turning around to go back to his snack but, because things always go wonderfully for him, instead he finds himself surrounded by a number of foot clan recruits. "Guess I spoke too early" he says. Everything is still and silent, it's a matter of who makes the first move.

Leo's voice is the one breaking the atmosphere "Look, it's late, you're all probably tired from doing Foot-sy things all day. How about we just say you surrendered and I let you go home after a crimeless-fightless night, yeah? How about it?". Two recruits jumping onto him to attack was the response, to pretty much nobody's surprise. "And I'm supposed to be the face, huh"

Being honest, Leo fights his way through the group rather quickly, a small number of enemies wasn't a problem anymore. Dodging, jumping, some hits here and there and there they went, to the floor. He grins for a moment, admiring the short time it took him to get everyone knocked out, thinking how much his abilites have improved. Well, anyways!

He makes the motion of dusting off his hands, leaning his body on the handle of his sword and ready to enjoy the rest of his night when again, something caught his attention. Though, this time, it wasn't a noise, nor movement he saw… it was like he was being watched still, the presence of someone else he hadn't detected before.

Leo took his sword once again, not moving from where he stood. He looked right… then left… no, it was… it was from above. He rose the sword, making it as if he was going to sheathe it, using the reflective surface of the blade to try to see what or who was behind him… and then he saw it, a metallic glint. His eyes widened for a moment, but he had just enough time to turn around and deflect the kunai that came at high speeds towards his back.

More and more kunai flew at him from different directions, all of which he either deflected or dodged, but still, it was a speed and quantity that had him struggling to find the source of the attacks. The mysterious enemy, on the other hand was realizing that the distant approach wasn't going to work, time to change the strategy then.

With a flash and swift movement that would've taken anybody else off guard, you jumped from the dark, charging forward with blades coming out of your gauntlets as your main weapon. It was like slow motion, when you two met eyes, the wind moving some hair out of the visible half of your face, the ends of his mask floating along… and then time sped up again with the clash of the sword blocking you once more.

The defensive move made you jump back a few meters away, landing with your fists ready for anything else. Leo finally had an objective, but what surprised him was that he heard a chuckle. "I'm impressed, so what the others say it's true… Well, that means there's something entertaining in this place" you said.

You had been called to the city to join the main group of the foot clan as it was progressing in completing the dark armor, and had heard from other members and leaders about some mutant turtles that were a hindrance towards the cause, causing constant trouble among the ranks with impressive skills that they would mention here and there.

And well, you considered yourself among the best fighters of the whole clan, if not the very best, so you totally had to put that to the test. Maybe that way you'd at least have some decent fights if they could keep up with you, or even one-up you… turns out that's the case.

Leo had no idea what you were talking about from the look of his face. "Uh, and you are?" he motioned at you with one hand, kind of expecting a presentation. "Your opponent, that should be sufficient for now. Don't drop your guard so quickly!" you responded. You went back to the attacks, swinging your fists targeting mainly the chest and lower body.

The turtle moved swiftly, he managed the sword amazingly quickly to block everything he couldn't dodge, moving in circles to try getting himself behind you and twirl his weapon again to land a hit. All the movements were quick, the clash of metal sounding time and time again as you were now standing with your arms in front of you in a defensive manner.

You repelled the sword and tried to distract him with a new wave of kunai, however something you didn't expect happened. He swung the sword at… the air? Then a blue circle of light appeared in front of him, and whatever that was, it engulfed every single projectile inside it, like a void.

Then another circle opened to your side, and the knifes came out flying in your direction instead, making you drop to a squat to avoid them. This got a laugh from him. "What? Kunai-d you see it coming?". Oh, that was… bad. Your brow visibly furrowed, deciding to round kick him from where you were on the ground, sweeping his feet and making him fall on his back as retaliation.

Now you were the one laughing. "I'll admit you got me in turtle shock for a second there". For a moment, you two laughed at the pun. "You're not half bad" he said, sitting up. "Funny, I was going to say the same about you", you answered, returning the grin although the mask you had on would hide it.

Next moment, you were back at it. One kick here, one cut there. Seen from afar, it looked like a dance: push, pull, step forward, step back, one side, the other side, a turn, repeat. Your movements and his looked almost coordinated, like a pre-choreographed fight, one you knew by heart and were acting out perfectly.

Breathless, you two stopped at the same distance from eachother, his sword to your neck, and a knife of yours to his. And all was still again. Then, something gave off an alarm in your pocket, a signal that your presence was required somewhere else. You heard it sound twice and you almost wished it would stop but you had to go.

In the blink of an eye, you were now meters away, on a rail to have a higher ground again. Leonardo dropped his arm to his side, putting the other hand to his chest and acting all hurt as he said "Hey hey hey, I thought we had something special here and now you're leaving. What, is there another blue turtle you gotta go fight… em, sorry, didn't catch your name".

You laughed once more, well, after all that you at least had respect towards his as an opponent, so why not? "The name is (y/n), we'll see each other again!". And with a puff of smoke, you were gone.

Leo stood for a moment to allow his heart to slow down, it felt like you had fought for hours but somehow it didn't seem to have been too long. He dusted himself off, looking over to a few cuts on his arms, nothing too bad honestly, but far more than he expected or felt happening.

Slowly, more tired, he goes back to the roof to retrieve his pizza, and he stares into the sleeping city before him one more time, not knowing precisely what he feels.

That fight was so… interesting, the way you two moved from one point to another, the way you joked back at him, the way you two had a smile on your faces for that last part of the encounter. The way you were both giving it your all but also somehow wanted it to last longer, as if you weren't adversaries but rather sparring partners having fun. Fun… Hmmm.

He picked up the box, still a bit warm, and started heading home. Thinking that, if you were to meet again he'd have to train a little more, and that if each time you met was going to be that fun… well, he wouldn't mind if it happened more often.

#rise of the teenage mutant ninja turtles #rottmnt #rise of the tmnt #tmnt 2018 #rottmnt x reader #rise leo #rise leonardo #leo rottmnt #rise leo x reader #leonardo hamato #rottmnt leo #rottmnt leonardo #rottmnt leo x reader #rottmnt leonardo x reader

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