#i just feel like i read so much wlw stuff but literally none of it has any trans women

[dxringred]

literally could not agree with you more about the Steddie tagging stuff, like, I don't hate Eddie or Steve - I really fucking like Steve (despite his goddamn 6 kid fantasy which seems barely in character anyway) and Eddie is fine, a woefully misused, kinda overhyped, character that had lots of potential but that's besides the point - but this whole thing seems to have gotten so out of hand

sure, there is the option to exclude relationship tag and all that jazz, but we really shouldn't have to do that just to read fics about a pairing in their on tag - it's so crazy. it seems like some people just don't understand basic Ao3 usage and how to not clog their fics with irrelevant tags

when I look at Ronance centred fics (not tagged as multi, that classic F/F red goodness), if they have Steddie tagged it's as 'background/mentioned' in line with how central it is to the fic itself, right, but when you see Steddie fics tagged with Ronance not being 'background/mentioned', only to read it and realise, oh shit, this is just Steddie like, 1 sentence of Ronance, it's really annoying

this probably makes very little sense, but i found your page and it resonates so much about something so goddamn frustrating

(also, your fic concepts are badass and I would 100% read them.)

the thing that makes it doubly annoying is that excluding tags doesn't even work. if you exclude ste/ddie, you exclude any good ronance fic that has them tagged in any way. if you use otp:true, the fic count drops from 2k to like 500. 5-fucking-00. no way are 1.5k of the fics in our tag ste/ddie and otherwise, because if so, that just highlights a whole other problem. and, as you said, it also just isn’t a length we should have to go to regardless. 

i’m finally going to just come out and say this feels like an issue of mlm shipper entitlement. everyone who’s told me they’ve experienced this in other fandoms has said it was with a mlm ship. as someone who’s only shipped wlw ships (none of which had large competing mlm ships), it’s not an issue i’ve even encountered until now. and while ste/ddie shippers are constantly flooding our ao3 and even tumblr tags, the reverse just isn’t happening. (or it wasn’t; i know some people are doing it on purpose now, and good for them, frankly.)

now, there have been some ste/ddie shippers who have asked how to stop their fics from coming into our tag, and those people have all my uwus, but i can’t tell if the rest (and majority) of them are unaware, obnoxious, doing it on purpose or a combo of the last two. (and considering my meme about this issue has like 2k fucking notes, my money’s on obnoxiously doing it on purpose.) 

we asked politely. it almost seemed to get worse. we fought fire with fire. they got a ronancer’s ao3 account suspended. nobody really wants to ask nicely on their fics/posts in case they weaponize the report system against us. it’s such a hot issue, other lgbt+ shippers in this fandom are having to deal with it. like, how entitled do you have to be about your precious never-gonna-happen semi-attractive white boys to be this notoriously annoying? i mean jesus christ. i was completely neutral on ste/ddie, and now just seeing the name irks me. imagine being so infuriating that you make people hate your ship just by association asdfghjkl.

(also thank you. i’ll probably never write them because my writing brain is on holiday, but people are always welcome to take the concepts and run with them lol.)

#ask #ronance #i'm too tired to tag this ste/ddie #do Not need those clowns in my inbox

[catgirlelric]

hey if anyone knows any good sci-fi/fantasy stuff with specifically transfem major or main characters can you send it my way i am feeling spectacularly bummed about never seeing myself in the kinds of stories that i like. massive bonus points if its wlw

#i just feel like i read so much wlw stuff but literally none of it has any trans women #and if they do happen to be there they're always like. the friend or the helper or something #never the main character #and i feel like. #im seeing more trans characters in the type of genre media i consume #but they're all transmasc #like the only stuff i ever see with trans women as the main characters is stuff that i'm not interested in #like pose or euphoria #like thats all well and good but why are stories about trans women always vaguely sad-looking dramas #like why do we never get to be the fucking like fantasy heroes or space explorers or whatever #even in like self-published webcomics i go into the transgender tag on tapas #and for every abandoned comic with a transfem main character #there's about a hundred stories of all kinds with transmasc mcs #like is there something that makes us less palatable to creators or what. #i just feel like im about ready to tear my hair out here i feel like theres walls surrounding me just like all the time #like no one writes about us. no one draws us. even when i see artists who draw nothing but wlw art hardly any of it has trans women #its just like what the hell #it constantly feels like we're an afterthought #and whenever we are included its only ever for woke points #like maybe one of those wlw artists will draw a nice little piece for tdov or something #and then immediately go back to ignoring us for the rest of the year #im just so tired. like when will i get to see trans women in the stories i like to read #when will i get to pick up a book that everyone's recommending for wlw romance and see a trans woman in one of those main roles #its just so tiring and im honestly just sick of feeling like this. like just. abandoned. an afterthought #sorry for the massive rant in the tags #im just. anyways this is why representation in media is important

[busysavingtheuniverse]

may i ask you to elaborate on tua season 2?

hell yeah dude

for an easy answer @deer-time's tua salt tag is a really good starting place (though they've moved most tua-related stuff to their sideblog @salty-coffee)

but if you don't want to go through that basically, in no particular order:

it felt they were just shoving in scenes for the music and the soundtrack just wasn't as memorable as season one

the time skip ensured that we missed out on most of their development. i have a lot of beef with the time skip

i cannot stress enough how much the handler should've died in season one lol

WHY WOULD NONE OF THEM KNOW WHERE KLAUS WAS HE WAS LITERALLY A CULT LEADER

luther, at the very least, should've seen vanya's ads in the newspaper. diego allison and klaus i can understand because one was in an asylum (i have my beef with that don't worry lol), the other wouldn't read white newspapers, and the third was traveling

vanya's amnesia plot felt like it was just there to smooth her over? she got no meaningful interactions with the siblings because she didn't know them and the conflict they set up at the end of season one ('we need to fix her') never went anywhere. we love wlw representation but was vanya really ready for romance after all the shit that went down? she needs time to process and grow not forget everything and latch onto the first woman that takes her in. we got no exploration of her trauma. also why can she just automatically control her powers now? no trauma recovery narrative for vanya i guess. she spends the entire season as essentially a side character with no real agency in the plot? also where did the new powers come from hello

speaking of the romance literally none of it was executed well. why did raymond assume his WIFE was a government plant before at least hearing her out? vissy was written so shallowly it's not even funny. liego happened way too quickly and diego forgot about eudora too fast. klave was okay i guess lol idc abt them

why did diego and lila face no racism? why were they in an integrated asylum in the south? why did they actually show diego being helped genuinely instead of them just making his situation worse? i don't think therapy was that genuinely developed. diego felt like a completely different character

why would luther, known goody-two-shoes, work for the mob? also why would he not ask jack ruby to look up his siblings' names for him before? he went back to the alley so he at least had the thought that they landed in the same spot at different times right. also he was way too dumbed down and made into comic relief for the benefit of the luther haters

klaus was literally made irrelevant? he had nothing to do, his relapse was treated as a JOKE, his addiction wasn't explored, and he was basically just comic relief like luther

allison's plotline felt it was just there to get her out of the way, she totally forgot about claire, her trauma was ignored for the second season in a row, etc. she wasn't even mad at vanya like this woman slit your throat and incinerated your daughter i don't CARE that you treated her badly i think that's a pretty good basis for some friction? (screw the amnesia plot obviously)

five and ben were left pretty intact specifically because ben's personality isn't there and five didn't get a time skip

why did they forget that drugs suppress powers when vanya was with the fbi

very sexy of tua to introduce the concept of an evil corporation that's essentially the root of all their problems in season one and then redeem it but just giving it new management? and have five of all people look into the faces of herb and DOT, WHO LEFT HIM IN THE APOCALYPSE AND DIDN'T PUSH FOR HIM TO GET EXTRACTED, and say 'yeah guys totally! :)'

also he should've eaten carmichael i don't make the rules

NONE OF THE SIBLING BONDING FELT REAL BECAUSE WE DIDN'T GET TO SEE THEIR DEVELOPMENT. NOTHING VANYA DID FELT REAL BECAUSE OF THE AMNESIA

the swedes were legitimately not necessary. screw the swedes all my homies hate the swedes. why did they stay all the way until the finale

where did the five+allison jfk plot go that was so good

why did lila automatically know how to control their powers

elliott wasn't necessary either they should've just made their home base hazel and agnes's house with no unnecessary fridging please. that's where they could've gotten a briefcase too

the atmosphere felt completely different? season one was dark and slow and had the vibes of a gothic horror, almost? it was watching a train wreck in action, seeing all these plot threads inevitably combine for one hell of a finale. there was nothing like that in season two. aside from the obvious atmosphere change, it didn't feel like there was any direction to where the story was going? the only two highlights of the finale i care about are diego deflecting the bullets and five rewinding time. that's IT. and compared to season one's finale, it's utterly disappointing

idk it just felt like a popcorn flick/marvel movie and those are fine! those have their place! but the entire draw of tua was the darker themes and focus on childhood trauma/abuse, and they just completely failed to follow up. those have their place, and it was not here

all in all the writing just felt weaker

there's more in the 'tua salt' and 'tua s2 salt' tags

anyway tua is a ten-episode-long miniseries

#tua #tua salt #tua s2 salt #luther hargreeves #diego hargreeves #allison hargreeves #klaus hargreeves #five hargreeves #number five #ben hargreeves #vanya hargreeves #sissy cooper #raymond chestnut #lila pitts #hazel #agnes #the handler #the swedes

[thesiriusmoon]

Harry Potter ships I truly hate

Disclaimer: I’m not telling you who to ship and whatnot, I’m just expressing how awful these ships are to me and then explaining why.

1. Harry X Draco

Now this is coming from a former drarry stan who before, hadn’t read the books. I thought Draco ‘had no choice’ and ‘just wanted love’ until I opened my eyes and saw the character for who he really was. That is a spoiled blood supremacist who hates muggleborns, and is loved by both of his parents. Draco bullied Harry. Although Harry fought back, it was because he was the victim and had to defend himself. Harry never went out of his way to hurt Draco, but Draco did it constantly. Draco and Harry would never work because Harry hated Draco just as much as Draco did him. You could ship Harry with so many others that wouldn’t be toxic such as, Ginny, Cho, maybe Hermoine (but I prefer Romoine), maybe even Ron if you want to. (I don’t ship Harry and Cedric because the ages are too weird). It’s so obvious throughout the entire book that Harry didn’t have romantic feelings for Draco, he only ever thought he was doing bad things, seeing as he was a bad person. Harry found love in Ginny in like the fifth book? Which is when the crush started, and no one else was in the picture for him once he began dating Ginny. In conclusion, Ginny is the one he married and had children with, not Draco, because he hated him and wanted nothing to do with him as he was nothing but a bully who hated muggles and muggleborns. Seeing as Harry is a half blood, and his mother was muggleborn, why do you think Harry would turn around and be like “oh he’s just broken I’ll fix him.” And ignore everything Draco ever said about his family???? That’s such a toxic thing to think... because believe it or not, in a relationship you’re supposed to be with someone you like as a person. Just because you may find Draco attractive, that doesn’t make him a good person!! Harry would never choose Draco over anyone for that matter. If it were between Ginny or Draco to be saved, you better bet on Harry saving Ginny.

2. Hermoine X Draco

I genuinely hate this ship with my entire being. It disgusts me. This isn’t an enemies to lovers, this is literally bully X victim. Hermoine didn’t fight back, meaning Draco was the full oppressor and she was the oppressed. Draco is a blood supremacist who called Hermoine a mudblood constantly and hated her, and the feeling was mutual from Hermoine because why would anyone like their bully? Falling in love with your bully is a book trope, that doesn’t happen in real life. When Hermoine was being tortured in Malfoy Manor, Draco stood and watched because he didn’t care, meanwhile Ron, the boy Hermoine was attracted to and loved, was screaming and crying begging for him to take her place so she would be protected. That’s true love, something Hermoine and Draco will never have. I really will never understand why so many people love shipping victims with their oppressors... like do you get a sick kick out of it by babying the oppressor? Saying things like “oh he’s just unloved” or “he can change!” When none of that is true. Draco chose to be who he is, which is a blood supremacist and was loved by his family, and Hermoine chose not to ever engage with him because of his personality and attitude. Draco hated her, and everyone else like her because of their status, and overall, Hermoine just isn’t attracted to him. Hermoine is attracted to Ron and he’s the only person I can see dating Hermoine because everyone else would be a bit strange. Dramoine is unbelievably toxic, and all it does is romanticise abuse. “Oh Draco only bullied her for 7 years because he was afraid to love her.” Stfu. You’d never hurt someone you love. Draco bullied her because he thought he was ABOVE her, and she was nothing but dirt on his shoe.

3. Hermoine X Pansy

When it comes to fanon, I still don’t understand why it gets shipped because in order to do that, you have to change Pany’s entire personality to the point where it’s not even Pansy anymore. It’s just some nice girl with the same name. Because the real Pansy bullied Hermoine and made it known how much she didn’t like her. Not only that, but Pansy was head over heels for Draco. This isn’t an enemies to lovers, this is shipping the bully with the victim for some weird reason... because Hermoine didn’t fight back just like Hermoine X Draco. If they were both at each other’s throats I could see your enemies to lovers, but that’s just not what this is. If you ship them because you’re looking for a wlw ship, why not take a look at Ginny X Luna, Lavender X Parvati, or even Tonks X Fleur, rather than picking the toxic ship that would never ever work and would only hurt Hermoine. Ron Weasley exists for a reason. Again, shipping someone with their oppressor is a very weird thing to do. For example, Ron is a pureblood, but Ron wasn’t prejudice towards muggles or muggleborns, because he’s a decent and normal person. Pansy and Draco aren’t decent people, and they bullied people. Really there isn’t much else to say as all canon stuff about Pansy is about her bullying people, and encouraging people to capture Harry because SHE’S A BLOOD SUPREMACIST THAT’S ALL SHE IS. Hermoine is a strong and independent woman and would NEVER date someone prejudice like that, she has standards.

4. Lily X Snape

We have to stop with this “she can fix him” mentality, because women don’t exist to fix men. Either Snape was a good person, or a bad person. He should be able to choose that himself. Which he was actually, and he was very clearly a bad person. You can’t force someone to be attracted to another. Attraction forms on its own, and it’s something Lily never had for Snape, they were only friends. To say that Lily owed Snape something because he liked her... is so wrong and disgusting. If she doesn’t like him, she doesn’t like him and Snape should fucking move on instead of obsessing over her. But, Snape overall was a creep so you can’t say “oh he made a mistake” when that man knew EXACTLY what he was doing. Ripping Lily’s happy photograph of her with her husband and baby, and taking the letter she wrote for Sirius who Snape could pretend she did that for him. Literally disgusting. Even the friendship was toxic. When reading I realised that Snape played the victims card a lot when talking about the marauders as if he wasn’t doing WORSE thing to them. Lily knew that Snape wanted to join Voldemort, as seen in the books. ‘You and your previous little death eater friends — you see, you don’t even deny it. You don’t even deny that’s what you’re aiming to be! You can’t wait to join you-know-who, can you?” Then she says “I can’t pretend anymore, you’ve chosen your way, and I’ve chosen mine.” Lily PRETENDED that Snape wasn’t going to be a death eater because she didn’t want to believe that her own friend would hate her kind so much. Though once reality hit her she was gone and was never coming back. To ship someone who was oppressed with the oppressor is so weird and wrong, and I genuinely think you’re strange if you do that 😐. Snape already didn’t like Lily having other friends... so what does that tell you about what kind of relationship they would have? A manipulative one and an emotionally abusive one. James Potter was a pureblood, and not once did he ever bully someone for their blood status. He did things to Snape because Snape was a prejudice piece of shit and deserved it quite frankly. I would have done the exact same thing. Remember, the Potter’s were ‘blood traitors’ and Snape was a blood supremacist, of course the two aren’t going to like one another. But the difference is, Snape bullied innocent people (laughing at the fact Mary MacDonald was subdued to dark magic) and James fought back for those without voices. Getting revenge for people who couldn’t do it themselves. That’s the difference between a bully and a hero tbh. There’s no way Lily would ever date a death eater, she’s a strong woman who can make up her mind for herself rather than having people on the internet say things like “she was brainwashed!” And things like that. She became attracted and fell in love with a respectful man who would never cause her any type of emotional or physical harm.

In conclusion, I will judge you if you think shipping abusers/oppressors with their victims is ok in any way.

If you made it this far, feel free to comment or reblog with your own opinion. Just know that my opinion on these ships will never change because they’re all extremely toxic whether you like it or not. That’s just common sense. It’s canon that Draco, Pansy, and Snape were horrible people who liked to make fun of others. Fanon doesn’t mean a single thing in this because fanon isn’t real. If you have to change the entire personality of someone so they aren’t abusive... what does that tell you about their character? A lot of people do this because they like how a character looks, which is so tone deaf. If you think a victim should date their oppressor because of looks... I’m judging you heavily. If a character is wrote to be abusive, I don’t understand people do fan art of them with the people they hurt in a romantic way.

You might say I’m being over dramatic, but really it’s not that hard to understand that you shouldn’t romanticise abuse or say that oppressor X victim would make the perfect couple just because of their looks.

Would you ever ship Neville with Draco? No you wouldn’t. And it’s not for the reasons you would think. I bet if Neville was conveniently attractive (in the books, I love Matthew.) people would have shipped him with Draco despite Draco mercilessly bullying Neville for 7 years. A lot of people would have made excuses like “Draco was broken!” In order to be able to ship two attractive men together. (Which also plays into fetishisation of lgbt+ couples I think...) This fandom is rather toxic when it comes to this, and they’d rather ship a very abusive relationship with two conventionally attractive people rather than a loving one with two people that aren’t.

#Harry potter #hermoine granger #Ron Weasley #romoine #hinny #marauders era #remus lupin #lily evans #wolfstar #marauders #james potter #sirius black #jily #hp #Remus #Sirius #James #Peter Pettigrew #Ginny Weasley #Weasley twins #luna lovegood #neville longbottom #mary macdonald #alice fortescue #Frank Longbottom #regulus black #Cho Chang #Cedric diggory #Fred Weasley #George Weasley

[tendercoretroglodyke]

... I’m interested in legitimately gay Reese (I assume one piece of evidence is “look at what they’re doing and tell me you’re not gay”)

okay this is like 2 days late but this is why reese malcolminthemiddle is legitimately gay:

(side note: did anyone need a queer media thesis paper or something... I am willing to share lmao)

so none of this is like... rock solid evidence or anything but I need to believe at least one main character of a show is gay and/or trans to maintain interest and reese is the most plausible gay character. also it’s early 2000′s so he just gets a lot of vaguely homophobic jokes lmao

first of all, yes, the biggest piece of evidence he’s gay is those lines from that episode I quoted the other day--thinking malcolm is gay, he tries to show his support by giving him a gay porno: “’Naught Pool Boys 3!’ I watched 10 or 12 of these, and this one seems to have the most stuff you guys like.” and when malcolm says he isn’t gay, reese responds “Malcolm. Check out what those guys are doing in that movie, and THEN tell me you’re not gay.”-- so, 1) reese sat down and watched like a dozen gay porn movies to ““find a good one for his gay brother”” and 2) he thinks malcolm would reconsider his heterosexuality if he watched what was in that movie, implying that HE reconsidered his sexuality after watching that movie, or at the very least found it hot

in the same episode, the character tricking malcolm into thinking reese is gay lists the following as evidence: he obsesses over his hair and his looks, loves his gourmet cooking, has a bunch of magazines covered in comically muscular men, and that he’s angry and acts like a jerk because he’s “dealing with something weird and confusing.” now obviously, the obsession with hair/looks can be chalked up to the fact that he’s a teenage boy, and there’s nothing inherently gay about enjoying cooking. the dozen magazines of muscle-bound men could certainly be taken as gay evidence, though, and it IS established in the show that his entire bully persona is his way of masking his inner feelings and insecurities. there’s literally a whole episode where he & malcolm realize they have no friends because they act like little shits to push people away because they’re afraid of rejection and/or abandonment from their peers. they ostracize themselves before they can be ostracized by the other students at school. I could probably write a whole other essay on reese’s psyche tbqh lmao there’s a shocking amount there!!

of the brothers who are actually old enough to be attracted to girls (reese, malcolm, and francis), he shows the least interest. now bear with me here. you might be thinking, “well, yeah, it’s malcolm’s show, we’re not gonna see things from other people’s perspective!” but that is actually surprisingly untrue, the show is very much equally shown from each family members’ perspectives. starting about s2, when malcolm is in early middle school, he starts getting crushes on girls and pursuing them. francis goes after a few women in the first couple seasons and then marries a woman we see a lot throughout the show. 

in the roughly... 130?? episodes I have watched so far, nearly all of reese’s “interest” in girls involve either: competition with malcolm, genuinely just liking her as a friend, or some completely ulterior motive. the only exception to this I can think of is in the early seasons where he has a crush on a cheerleader and tries to get on her good side by joining the cheerleading squad, which the writers clearly set up as a way to make gay jokes about reese. let me give you a few examples of his relationships with girls

the first relationship we see him in is with a “stupid girl” that malcolm tried (and failed) to date, and the main reason they get together is that they think on the same wavelength and genuinely seem to enjoy hanging out. they take breaks from their bro chats to make out every once in a while. eventually he gets her to break up with him because he doesn’t want to go to the school dance with her (he doesn’t want to go at all). years later, he’s dating some girl we meet for like 5 minutes, before he goes to confess to her that she’s the first girl he’s ever loved. she then breaks up with him. he’s sad, but taking it fairly well. he’s about to leave when he sees malcolm hiding under the bed, and learns that he stole his girlfriend. he then runs away to join the army. he was clearly MUCH more upset that his brother stole his girlfriend than he was that his girlfriend broke up with him. there are many more instances of him and malcolm competing for a girl’s affections, and he seems mostly motivated by the competition itself.

in addition to “stupid girl,” he also manufactures an “attraction” to his female army buddy in the last season. the premise of this episode is that his old army buddy (a girl he play-wrestles with and insults like he would his own brothers) comes to visit him, and malcolm convinces reese that she’s attracted to him, and that reese’s nervousness at learning that fact is proof he’s in love with her. there’s a misunderstanding where reese asks her if she has certain “feelings” and she says she does, but what she ACTUALLY means is that she has a crush on reese’s MOM. she’s a lesbian. reese later propositions her (saying he’s saved his virginity for this--he’s probably about 18 here), and when she says omg no im gay, he is HUGELY relieved they can go back to being friends. CLASSIC mlm/wlw friendship moment. 

there’s an episode where these cute girls pick up reese (& nerds) to kiss in front of their boyfriends to make them jealous. reese is all for it, and when malcolm argues that it’s not worth his dignity and the beating he’ll get from the girl’s boyfriend, reese counters that that’s WHY he wants to do this--he’s completely invisible at school, and thinks getting beaten up for kissing some guy’s girlfriend will at least make him known around school. at no point does he indicate he’s actually attracted to this girl, and when it comes time to kiss her, he finds the weakest excuse to run away at the last minute. 

im not gonna list all of these but there’s more lmao

the following is a random assortment of one-off gay jokes and out-of-context lines with gay reese implications, often homophobically bc its early 2000′s writing:

says “I’m gay” to a girl to give malcolm a better shot at her

(again in competition with malcolm) tries to flirt with a girl by spraying milk in her face as the punchline to a joke, which is. well. hm. self-sabotaging, to say the least!!

Reese: “Do you think it’s right to totally change who you are and turn your back on EVERYTHING you believe in, just to impress a hot guy??” [his dad gives a long, blank stare, before asking:] “...Burt Reynolds hot, or Sting hot?”

“YEAH I like clouds! I call them sky kittens :)” (I just think that one’s sweet!)

“Look, Christie, here’s the thing. When I first met you, I was just messing around. But we’ve gotten so close that, now... I really like you! I can’t keep this up anymore. I’m not the person you think I am. I’ve been pretending since the day I met you. It’s so hard having to constantly cover my tracks to keep my story straight... and I don’t WANT to anymore! I’m tired of living this lie! I’m done with it. I’m sorry.”

he catfishes some guy to blackmail him, but is implied to continue the flirtation even after the catfishing/blackmail is revealed

reese is, technically, married to a man. this particular plot point is played as a joke and manages to be both racist and homophobic, so I won’t go into it. but I believe he is still married to that man. technically.

reese takes care of a huge box full of caterpillars until they pupate and become beautiful butterflies. I feel like there’s some kind of gay coming out metaphor here somewhere.

I think there are a couple other times where he comments on a guy’s attractiveness but I couldn’t find specific instances.

In conclusion: Reese is a deeply repressed gay kid who was socialized SO thoroughly as an early 2000′s straight boy that, despite his attraction for men and his obvious compulsory heterosexuality, he still cannot admit to himself that he is gay even as he enters adulthood. Furthermore, his subconscious frustration about this fact is turned outward to form the “schoolyard bully” costume he uses to mask his insecurities and keep others from getting too close to him. 

Thank you for coming to my Ted Talk. I could be convinced to come back for another talk about how Dewey is trans or about how each and every member of that family is neurodivergent in entirely different ways. Assuming anyone has read this far in the first place!!

#sorry this was so long lmao I legit spent 2 hours on this #I have 2 modes: not doing the thing and overdoing the thing #hey anon if you actually see this I'd appreciate a quick message saying so lmao I'd hate to write all this only for you to miss it #I'll probably rb sometime tomorrow at least #also liz if you're reading this i was GONNA add a bit about francis' gay potential like you mentioned but I ran out of steam so remind me t #i think reese has the most gay potential tho #mitm #malcolm in the middle #anonymous #Anonymous

[soupthatistohot]

Why do I write primarily mlm fanfic?

This was something I asked myself the other day. I am a girl, I think I'm queer (but I am attracted to men, whatever I am), so why do I fixate on mlm relationships? Why do I never feel compelled to write wlw or even just some good 'ol straight stuff? I brought this up to a few friends of mine who also watch anime. One of them said that it’s because lots of popular media only really focuses on developing their male characters well, and I think this to be a very suitable explanation (as well as the fact that I’m queer and thus gravitate towards queer stories).

Take Sk8 the Infinity for example. I could count the number of female characters in this anime on one hand, and one of them is a robot. The others are supporting roles who only serve to support the male main characters. I love Sk8 very much, and with the possibility of a 2nd season I’d love to see a prominent, well-developed female character (but if they make her Reki’s love interest I will literally stab someone). But as the anime stands right now, there are no female characters that aren't just basically plot devices.

Another show I love dearly, Yuri!!! on Ice, is much the same. While there can be more of an argument made here because 1) competitive figure skating is split up between men and women, and 2) I believe that the story Yuuri and Victor is absolutely meant to be a romance, so having the two men as the focus is somewhat necessary, there's an overwhelming lack of fleshed-out women in the story. All the female characters are supporting members that only exist for the benefit of male characters. Yuuko and Minako support Yuuri, Lilia exists so Yuri P. can improve, Mila is just... kind of there, and Sara's whole character is centered around her brother being overprotective of her.

Okay, so let's look at something a little less... fruity. Horimiya. I've only watched the anime, so if there's stuff I miss from not having read the manga (yet), please forgive me. I still think this is a valid perspective, though, because if there's female development that the creators decided was so unimportant that it could be cut, that still supports my point here. In my opinion, Miyamura is a lot more developed than Hori. He has his tragic backstory of being a loner, and having his secret piercings and tattoos and all that. A lot of the story ends up focusing on his side of things... despite the fact that Hori is the protagonist. The story follows her perspective for the most part, we learn things about Miyamura as she does, yet I feel like she's a bit dull. She has a uncommon home life and has to take care of her younger brother, that's her big bad secret? I get that it's kind of unexpected since she's the pretty, perfect, popular girl, but I still feel like it's a tad anticlimactic. It's hardly ever addressed beyond the first few episodes, too, and it just kind of exists as a fact within the story. Even beyond our main couple, it seems like the other female characters development and stories are all focused on the boy they're interested in (except for Sawada, but she's there for like a couple of episodes and then doesn't really show up all that much again... and her crush on Hori is handled really weird, I didn't exactly love it). Remi's entire character is pretty much centered around her boyfriend, and Sakura and Yuki are basically competing for Toru. Meanwhile, the guys have story beats themed around the girls they're interested in, but I feel like it's not as obsessive or dramatic as how the girls are depicted.

So, we're given these female characters, who are really watered-down and honestly kind of boring, and we're not super compelled to write about them. When we are given flat female characters, there's nothing to work with. It's more fun to use the characters who have had development and play around with the "what ifs" and our own personal headcannons. The characters who get this special treatment are primarily male. And while I commend a lot of shows for developing their male characters in such a way that doesn't exactly fit with society's idea of masculinity (ex: Reki's insecurities and depression, Yuuri's anxiety and femininity, Miyamura's isolation and depression), in the end these characters are still boys, men, males.

I also think mlm is so prominent because of both straight girls and queer people. For straight girls, it can often be fetishization (forgive my generalizing, I'm sure not all straight girls are like that, but an overwhelming amount definitely are). I think one of the best examples I can give for this is Phan. This is a bit different since it's not anime, but instead real people, but if anything that really drives home the point even more. The way Dan and Phil were (and probably still are) treated in the fandom internet space is disturbing, to say the least. Their audience, while much of it was queer, was also made up of an overwhelming amount of heterosexual girls who not only shipped them intensely, but also often sexualized them. And look, there's nothing inherently wrong with being a straight girl and writing smut, but it gets to a point where it can be kind of weird if its excessive. Like, if that's all the relationship is really about, and if the people you're writing about are real human beings, that's definitely overstepping. I will admit that I had a Wattpad and that I wrote Phanfic way back when, and this is something I'm not exactly proud of. Granted, I did not write anything explicit, it was still super weird, whether or not I was queer. And I'm not saying all the problematic aspects of the Phandom were because of straight girls, because what I contributed was arguably problematic, and I did not identify as straight at the time. At the same time, though, there were straight girls who wrote exclusively smut (or "lemons" as they might've been referred to at the time). There were those who analyzed every post, every bit of information they could find about these men on the internet. They obsessed over the fact that they occasionally shared clothes (which is fairly common for roomates of similar sizes to do), and gathered evidence to support the theory that they shared a bed. It was bad. It was invasive, and it got to the point where it wasn't about the people, it was about the fetishized fantasy these girls made up in their heads about these real, actual men.

Dan and Phil's online presence kind of disappeared for a few years... and I don't blame them.

Getting back on track, mlm is prominent for queer people because it's the LGBT representation they so desperately want to see actualized in media. If a show doesn't make their favorite queer ship canon (and they often don't), they'll do it themselves! That's what fanfic is for! I also know that queer people project onto these characters a lot, and that writing about them is almost like a form of therapy. They see these characters as queer, and they see themselves in these characters, so they write about these characters experiencing similar emotions to them. The thing is, the most compelling characters are male, so those are the characters they end up focusing on, even if the person in question is strictly sapphic. My best example is how I project onto Reki. Personally, I end up thinking of him as (and thus end up writing him as) having some internalized homophobia around being bisexual. That's literally what I am currently going through. I can't project this onto any of the female characters in Sk8, because I couldn't see them going through this experience because they're not developed enough to.

Despite all of this, I still enjoy all of the shows I mention a lot. I think it's just an interesting topic that I was thinking about. I'm not trying to bash anything that I used as an example, these were just my personal observations based off of what I know about these shows and their fandoms. I do, though, believe shipping real people isn't super cool, and I stand by that as someone who used to do it. I'm not going to stop you... I just think it's intrusive and inappropriate to pretend like you know enough about influencers to dictate who they should be involved with romantically. Their love life is, frankly, none of your damn business.

So, long story short, we should make anime (and popular media in general) less misogynistic.

(Also, please leave Dan and Phil alone, they deserve privacy)

#fandom #anime #mlm #queer #lgbt #lgbtqia #sk8 the infinity #yuri!!! on ice #yuri on ice #horimiya #kind of an essay #kind of a brain dump #I hope I got my point across #I spent a little bit too much time of this probably #yes I was a phannie a little while ago #don't judge me #I didn't want to tag this as phan for fear that they would attack me #I don't need the wrath of the phandom

[stomp-that-ho-regard]

I typically don’t do asks (I've only ever gotten a few), but a recent one got my gears turning and I wanted to reply.

(This is a secondary blog, so I can’t answer asks in the usual way.)

Your post about the retcon is so fucking good, I wish every critter saw it and actually thought about how shitty it was done, but then their belief in the cast and show would probably start cracking.

Thank you for liking the retcon post. I’ve seen various people in the tags thank me for making that post and have said that it’s helped them ‘feel less insane’. None of us are insane. We are not delusional. We didn’t experience a mass hallucination. These things happened, and they’ve been thoroughly documented. Hundreds of hours of material over the course of three years.

The people who should read that post won’t ever see it because I have all those assholes blocked lol. If they did manage to find it somehow, I know they would just mock it, as they’re wont to do with any of our criticisms. They’re so far up CR’s ass, they’ve convinced themselves that a retcon didn’t happen. Even shoving the literal definition of the word in their faces wouldn’t wake them up.

It's just so fucking weird to see how the group is acting now, and I'm pretty sure we're never gonna get a Laura&Marisha episode picture and a TM episode with those 2 for the rest of the campaign. It feels like when a non-canon wlw ship gets big on a TV show and suddenly the actresses can't be seen or interact with each other anymore🙄 it's the same fucking pattern and like you, I thought I wouldn't have to deal with this on a d&d show.

I specifically want to address the “It feels like when a non-canon wlw ship gets big on a TV show and suddenly the actresses can't be seen or interact with each other anymore” because I’ve thought about that pattern too. (Not so much with Marisha/Laura ‘cause them being on TM together is already a rare combo. If they don’t appear much or at all going forward, I don’t think it’s because of this, though it really wouldn’t surprise me. But, I have been thinking about that specific pattern in regard to their characters.)

I can make a comparison between this situation and what happened with the show A/gent Carter and the way the ship Cart/inelli was handled.

I know that might sound weird, but stay with me here lol...

I want to make it clear that I’m not comparing the relationships at all. Cart/inelli did not have nearly the same amount of build-up and depth as Beaujester, (or quite frankly, their level of possibility.) What I am comparing is the creators over-the-top reactions to these characters being shipped so hard and the extreme measures they went to in order to ‘remedy’ that.

The ship included P/eggy Carter and A/ngie Martinelli. The show was set in New York. Angie was a waitress (who wanted to be an actress/be on Broadway) at the diner that Peggy frequented. They ended up talking quite a bit and became fairly close. That ended up kind of becoming the core relationship in the entire first season, and LOTS of people started shipping it.

At the time, no one was calling us crazy or delusional. At most it was, “This is ABC! They’re not gonna pair her with a woman!” and of course the obligatory “But Peggy’s not gay!”. But no one was calling us names or being generally cruel. And anyone who tried it was ignored because everyone else drowned them out. The ship became extremely popular on Tumblr and Twitter. Both actresses were very positive and supportive. They regularly liked/retweeted romantic Cart/inelli fanart on Twitter. Even one of the female writers on the show got behind it too. It was asked about frequently at conventions and no one booed or rolled their eyes. The questions were never dismissed or made into a joke. (Honestly, this was one of the better overall fandom experiences I’ve had on here.)

And all of us were super excited for S2. Not just because of all the support, but because they had ended S1 with Peggy and Angie moving in together. Peggy had purchased, either it was a really fancy apartment or house (my memory is fuzzy on this), and she literally asked Angie to stay with her. Needless to say, that fueled the flames even more.

But despite the actresses and at least one writer being on board, between S1 and S2, something shifted.

Clearly, the showrunner and/or the execs, took a look at all of this and deemed it a ‘problem’. When S2 finally came around, suddenly everything was different. Instead of both of them living together in New York, instead of it being an organic (I’m beginning to hate that word) continuation from where they left off, Peggy decided to move to Los Angeles to do work for some agency out there or something, and Angie stayed in New York. It’s never explained why. It’s never explained why a woman who so badly wanted to be an actress would NOT want to go to LA, where Hollywood is. LA was never mentioned in S1. There were no hints that Peggy might want to fly out to the West Coast at some point. She seemed perfectly happy in NY, basically setting up house with Angie.

And they didn’t even ease into the change. They just got rid of the character. The actress was bummed about it and Cart/inelli fans tried to put pressure on the showrunner/writers to bring Angie back, which the actress completely supported, but even that fell on deaf ears. So, Angie was simply no longer an entity on that show. Conveniently removed. All the excitement we had was crushed. And of course, the second that Peggy got out to LA, she suddenly had a very obvious male love interest. What a surprise.

The showrunner/writers were not subtle about what they thought about our ship and us. They made the most extreme, nonsensical writing decision in order to permanently separate these two characters. Because, hey, that’s the only way to get the shippers to STOP, right?

This was what I was reminded of when I started seeing the turn that post-hiatus CR was taking. It ended up being a weird combination of kneejerk erasure (BJ) and heavy-handed overcompensation (BY).

But of course, CR is not a TV show, it’s D&D. And they can’t force one of their PCs to just disappear, so what do they have to resort to? Not interacting.

We all know how severely neutered Beau and Jester’s general relationship has become. It’s clear to me that both Marisha and Laura felt they had to do that. They had to suddenly have their characters stay away from each other as much as possible so they could prioritize Fjord and Yasha, and speed-run into romances with them. They started acting as if either of them giving the other one ounce of affectionate attention (like they had been doing so often and so naturally before), would be breaking some sort of hidden ‘relationship code’. Almost like if they ever hugged again, the studio would go down in flames.

The very obvious fact that they went to these lengths, to me, proves two things...

One, it proves the retcon even more, because you can tell that the way they behaved with each other DID in fact change. The frequency of interactions and the way those interactions would play out. Whenever they interact now, it seems like they’re trying to keep it as short, thin, and almost comedic (to the point of goofiness, and not in a good way) as possible. Their engagement seems half-assed and dull. The sounds of their voices, their facial expressions... completely sanitized. Even all the physicality they had is gone; the touches, the hugs, the cuddling. Every single aspect is different and they absolutely did that intentionally. This had to happen because they needed to dupe the viewers into believing that despite overall interest waning, their threadbare connections to Fjord and Yasha are more important, and were always more important then their connection to each other, that we all watched them steadily build. (And watched them pick up steam from about ep70 onwards.)

And two, that whole intentional decision to cut themselves off from each other, proves to me that their interactions pre-hiatus were indeed tinged with ‘something extra’, that was more than just friendship. They both recognized it and that’s why they pulled back so hard. That’s why soft touches and hugs and cuddling are no longer ‘allowed’. That’s why quiet, heartfelt conversations are no longer ‘allowed’. Because if there was absolutely nothing there, if they didn’t see/feel any romantic chemistry simmering underneath, and it was all just platonic BFF stuff, why would they suppress their behavior so drastically?

I think that all of this really does cement what I said in my retcon post: That there are disingenuous patterns being used here that I’ve seen far too often in media. In A/gent Carter, it was a character separation, in CR it was a character dynamic separation. Both done on purpose, to make the shippers shut up, and to push a different plot.

One is scripted, the other is unscripted, but the situations feel disgustingly similar, don’t they?

#op #ask #long post #i feel like i'm just retreading old ground here #still cathartic though

[cross-d-a]

if you're doing those characters then please give me more amazing takes on princess mute 🥺💕

OMG IM SO LATE ANSWERING THIS BUT HERE I FINALLY AM

Also omgg thank you SOSOSO much for asking me about Princess Mute?? THE LOVE OF MY LIFE??? You know me so well, vish!! I love and adore you so much!! Thank you for giving me the chance to blabber on about the woman I love!! ⁽⁽٩(๑˃̶͈̀ ᗨ ˂̶͈́)۶⁾⁾

ALSO! I’m gonna do my best to like- not spoil all my plans for whispers, haha

The rest is under the cut bc I just have a lot of FEELINGS~ about our resident zombie girl 

❤⃛ヾ(๑❛ ▿ ◠๑ )

How I feel about this character

OH BOY OK I JUST??? LOVE HER??? A LOT???? I wasn’t expecting to get quite so immediately and intensely attached to her?? But from the second I heard about her in the legend I was just gone. Completely done for. I’m generally a sucker for mythology, and there’s just SO MUCH that’s fascinating about the tale behind the Princess Mute and the South Sea King? 

Even though Princess Mute is so central to the myth, the South Sea King is deemed as the most important? I mean- duh it is his tomb, but Princess Mute is the catalyst? None of this would have happened without her? She’s main character material and yet she isn’t the main character of her own story?? She has practically no agency? It’s so? Fucking? Fascinating?? And there is so fucking much left unanswered? The myth says she turns into a goddamn monster?? Is this- figuratively? Or literally? Is she a monster for breaking gender norms and committing the ultimate taboo by killing the Emperor??? Like- holy FUCK? Like- LOOK at this pic from Ershu’s Expensive Powerpoint:

and a close-up for good measure:

(note the HORNS/HELMET?? the LIGHTNING STRIKE!!! 👀👀👀 how she’s dressed as a SOLDIER?? that SPEAR??? also she’s depicted as much bigger than the emperor!! which, of course, means she’s more important!!!!)

and, HELLO!! She’s called the PRINCESS MUTE. She is only known/named in association to someone else. Her name has been erased from history. It isn’t important to anyone. Which is so fucking ironic. She’s Princess Mute. Her voice has been stripped from her, just like her agency. This tale is the Mute Emperor’s and not her own. Her suffering means nothing to anyone. Her life means nothing other than for the Emperor to desire and the South Sea King to mourn over (and WOW!! ISN’T THIS JUST!! SO perfectly encapsulating Nanpai Sanshu’s female characters and their relevance to the story/male characters)

(so what is her goddamn name???? I mean, I know what I’ve named her, but sorry dudes. Again. I don’t wanna spoil too much :) )

also, WHY is the South Sea King covering her eyes when she’s sent off to sea in the origami boat?

What actually happens to her after this? The body we see of the South Sea King has long white hair so I assume he died pretty old? So why does she look so goddamn young? 

And- the million dollar question here (WHICH I HAVE A LOT OF HEADCANONS FOR BUT I DON’T WANNA SPOIL WHISPERS): What happened to her after she killed the Emperor????

ALSO!! WHY IS SHE HOLDING A DINGLAN RULER WHEN SANSHU FINDS HER IN THAT FIRST EXPEDITION?? (internet says it’s a “special ruler used for making shrines, carving wood statues and making tablets of gods. Later used in measurement of architectural scale; measuring instrument for the netherworld, wishes best for tomb owner) did she design her own father’s tomb?? is there more to her becoming a leather figurine than filial loyalty/sacrifice?? 

Why does she have a tattoo?? I go a bit into this in my fic, but from my understanding it was unusual for people (women especially!) to have tattoos during this time! (this is just from my research! if I am wrong please correct me!) 

For anyone who hasn’t read whispers, there were a a few tribes (minorities!) during this time who tattooed themselves (and to this day, they continue this tradition :) ). The Li were often attacked by invaders who assaulted the women and sold them as slaves. The women ended up tattooing their faces and bodies to make them less appealing, and it ended up becoming a tradition. When a girl came of age she’d get tattooed. Then we’ve got the Dai, who (from what I understand!) got tattoos of animals with characteristics they wished to embody, such as to show their virility and strength! So they’d tattoo tigers and dragons, etc.

So why does Princess Mute have one? Who gave it to her? WHAT ACTUALLY IS IT!!!!!! (eternal frustration that we never see a clear shot of the whole thing!!) It kinda looks like a heavily stylized fish? With some waves. But I am unsure! But it would make sense, considering the ongoing theme of snakes and fish throughout dmbj.

Also, her scars seem very strange. Like- if someone skinned her (YIKES!) then- her scars don’t really seem like they’re a result of skinning (double yikes!!). You’d think that for a woman who was the daughter of the King, they’d take more care to preserve her face?? So why does it seem like someone has done their utter best to ruin it? Did the Emperor do it himself? Did her father? Or did someone else do it?? Did she do it herself????

Also, I just wanna cut the bullshit with the creepy hand clam thing. A hand clam isn’t gonna wrap their fingers around Wu Xie’s hand to stop him from blowing himself up. Like. I get that it’s the censorship. I get it. But- you can’t tell me it wasn’t actually the Princess Mute who saved him. I just?? This moment is so powerful? It literally knocked the breath from my chest.

Princess Mute’s story is just so fascinating and tragic and I am just a mess over how she isn’t in control of her own story? She never is. Except for when she kills the Emperor. (AND when she saves Wu Xie) And I think that’s fucking telling. 

Of course, it felt like they had more of a storyline planned for her which never happened, but I’ll get more into that later.

Basically, I just have SO MANY QUESTIONS!!!

It’s like- I dunno. Seeing a gorgeous woman flip an obnoxious man over her shoulder and slam him to the ground without breaking a sweat and watching her walk away with stars in your eyes. You barely know anything about her but you’re already half in love and you just want to know more.

I’m super Gay for her, if you couldn’t already tell.

Honestly, she just perfectly represents all the female characters and their treatment in dmbj with all the extra PIZAZZ of the mysterious supernatural/mythological elements. She just makes me go feral and I adore her with my entire heart.

All the people I ship romantically with this character

NUMBER ONE I SHIP HER WITH MY CUTE AND PERFECT GF XIAO BAI!!!!!!!!

They are my two favourite (okay and my wife Su Nan!) female characters in dmbj. I think their stories parallel each other pretty beautifully? They’re both women in a powerful position, though with limited agency. They both defy gender norms and accomplish things (I’m counting killing the Emperor as Accomplishing Something) in a very male-dominated world. And- okay. I know the Princess Mute is technically dead. But she also?? is someone still doing stuff?? and pushing along the storyline?? as a zombie?? So I’m just gonna say that both of them aren’t truly killed off for the Man Pain like all the other female dmbj characters (except for Xiu Xiu, and I guess Chuchu but ChuChu’s situation is kinda....Iffy. At best.)

Also both of them are linked pretty heavily with Wu Xie? They both have an interesting relationship with him. And Princess Mute leads Wu Xie to Xiao Bai!!!

And okay this is spoiling a bit of whispers, BUT!!! Warehouse 11 was built atop the South Sea King’s temple. Isn’t that fucking important??? I stand by my headcanon that Xiao Bai is a Warehouse kid (descended from the Founders) and so she grew up there. And like- ignoring censorship bc I can AND because Reboot leaves a lot of supernatural stuff up in the air anyway- wouldn’t growing up atop an insanely powerful temple do something to you? Wouldn’t it affect you in some way?? There’s just!!! SO much potential between Princess Mute and Xiao Bai!! Plus!! I think it’d be great for Xiao Bai to form a relationship with another woman. She needs some female solidarity in her life.

And- well. I just ship Princess Mute with all the dmbj women, really. Princess Mute has two hands, why can she use them both?? I’ve got a couple Princess Mute modern au’s going and in one of them she just- sweeps A’Ning and Su Nan off their feet :)

I really can’t ship Princess Mute with any male characters, I think. There’s just- so much underlying trauma surrounding her agency and how she’s been used by the men in her life. Also, I like wlw & mlm solidarity. Let Princess Mute and Wu Xie wallow over their Stupid Crushes. Or Princess Mute & Xiao Ge. I’m not picky.

My non-romantic OTP for this character

Purely bc of my own au, I am very much invested in Princess Mute & Li Cu (& spirit snake). As I mentioned before, there’s a running theme of loss of agency in their own lives and suffering the consequences of others’ actions. Plus, there’s a lot of supernatural happenings surrounding the both of them. Why wouldn’t they find a connection?

And, obviously, I adore Princess Mute & Wu Xie. Princess Mute saved Wu Xie and then Wu Xie was promptly obsessed (can’t say I blame him). They had such an interesting relationship in Reboot that was just- so fucking tragically dropped. 

My unpopular opinion about this character

SHE SHOULD BE MORE POPULAR!!!!!!!!!! She is so goddamn fascinating and gorgeous and I just!! Want!! Everyone to adore her as much as I do!!!!!!!! At least I feel a bit accomplished for swinging some readers over to her side in whispers!! That’s something!!! 

I’ve got like- a million au ideas with her. I’m going to be the creator of the content I wish to read!!!!!

One thing I wish would happen / had happened with this character in canon.

I WISH SHE COULD HAVE GOTTEN A SATISFACTORILY COMPLETED STORYLINE!!!!!!!!!!!!!!

She just gets completely dropped after she leads Wu Xie to Warehouse 11. So once more, she is a plot device and not. And actual. Person. Her importance is tied irrevocably to the male leads. Her agency is not her own. Wu Xie cares so much about her, and okay, he’s trying to figure out a mystery and we all know how he gets when he’s trying to puzzle out a mystery-- but you can’t tell me he just- stops caring after he encounters Warehouse 11??? What happens to her after that?? Does she rot away in a box in Wushanju?? Does Ershu take her back?? I’m just?? WHAT????

I want to know her side of the story and not what everyone else has said. I want her to actually properly communicate with Wu Xie. I want her saving the day again and I want her being fucking badass and I want her and Xiao Ge being soft together and I want her and Xiao Bai to bond fall in love and I want everyone to just- fall in love with her? And care about her? And I want to to find herself caring about these fucking idiots too???? Can you imagine her and Liu Sang bonding over shitty fathers and lack of agency and Trauma?? Can you imagine Princess Mute getting her life back and the freckles returning to her slowly darkening skin and her being silly with Hei-ye bc he keeps shoving increasingly ridiculous sunglasses at her. And can you imagine her trying on jeans for the first time and picking out a cute bomber jacket and shoving a baseball cap on her head and dipping her feet back in the sea and befriending shibie bc she’s just?? that?? cool?? while Iron Triangle is off on the side fretting like she isn’t befriending some very dangerous creatures but it’s okay bc she’s a dangerous creature too and she understands fear and desire and hunger. 

I want her returning to Thunder City. I want her getting closure. I want her story to get closure. Period.

And I know it didn’t happen bc censorship and Nanpai Sanshu and just- a host of Other Things. But I want it, and she deserves it.

--

AAAHH VISH!!!! Thank you so much for letting me yell about Princess Mute!! Sorry I couldn’t go more in depth with headcanons but!! Like I said, I don’t want to completely spoil you for whispers, so I’ll keep those close to my chest for now 

٩(*ゝڡゝ๑)۶♥

#dmbj #the lost tomb reboot #princess mute #dmbj meta #sorta?? #tltr #Wu xie #Xiao bai #cross talks #reunion: the sound of the providence #bai haotian #ask game

[definitely-not-an-alb]

Also, and I’ll shut up then, I dislike this reccing culture by the authors’ and characters’ demographics and nothing else so much, but especially in science fiction. Listen. I get it in dramas and romance and such. THUG being written by an American Black Woman is relevant af to THUG. The gays being gay in Charité is relevant to the series about Nazis being homophobic. Sometimes, it’s going to be relevant to Sci Fi, too. Like fuck yeah Octavia Butler being Black is relevant to most of her work. Except Bloodchild is also choke full of stuff about gender and trans-ness imo.

But quiet frankly, I (primarily) pick my genre fiction on theme and quality of execution, and I recc on theme, because that’s the thing I’m going to take away from it. If the demographics are relevant (eg, this is transhumanist sci fi with a trans disabled mc!), add it, but, like, include the theme/subject maybe? It’s wlw! cool. what is it about. It’s wlw in space! yes but what is it about. it’s wlw necromancers! So is it about ... death? life? grief? bodies and our relation to them? transhumanist themes? what happens to grief in a world where people can come back? something entirely different? From what I can tell until now, it’s about religion. should I read it because of the world building? because of the characterisations? because of the plot?

Like, I can’t recc anyone anything anymore because I’ll describe the actual book (’So they have these machines that download peoples memories and then transfer them to a new person, kind of like Trill but not, I don’t want to spoiler it, but the author does some very interesting things about personhood and self with that! Adn I’d love to discuss that with you if you read it, too’) and they won’t even listen to me until I say ‘also it’s wlw’, even tho it’s completely irrelevant to the book. Literally I cannot explain how much this book is exactly the thing everyone’s always on about about ‘casual’ representation, except for how it ties into the IMAGOs and advanced medicine creating ... interesting af implications about gender and sexuality (do people perceive themselves as gendered in a world where roles of mother and father become detached and fluid, where women don’t ‘have’ babies anymore, etc? What does this do to concepts of family? How does having a bunch of people and their memories and feelings in your brain affect your sexuality and love life?). And idk, often I get the vibe they kinda. Forget all the themes and warnings I told them before? And, personally more annoying, I can’t find anything to read, because I genuinely do not give a shit who the mc is snogging if it’s not a) about specifically that thematically or b) a romance or c) at that point, probably, both.

And also, again, often themes double as warnings, and I’m tired of walking into shit blind-sided. Not knowing what it’s about might upset or trigger me, but it also makes reading/watching/listening less enjoyable, because idk wtf I’m supposed to be looking for! Is this a horror movie? Do I have to watch the background for ominous shapes? Is this tech thematically relevant, a plot device or just set dressing? Are we on a desert planet because the story expects me to know Dune? Is it about Iraq? Am I supposed to ignore the fucking desert because it’s just Romance In Space anyways?

And maybe this is a very mean opinion, but if your speculative fiction has nothing going for it except the romance, it’s bad and also not speculative fiction. Like that’s a romance novel with a sci fi or fantasy setting right there, and those are great, but if you market that as Sci Fi (with romance) you’re just trying to crawl from one ghettoized genre into another one and also congrats, you’re the Nicholas Sparks of Sci Fi. Except none of these books ever are! They have great things going for them! It’s a fucking disservice and insult to the book and the author to recc them exclusively by who’s putting their lips on whom and what skin colour and mental and physical state they have while doing it!

‘well but people just want to read books about people like them for once, alb. you have to understand alb. it’s for social justice, alb. you’re being regressive by insisting speculative fiction by marginalized authors and/or about marginalized characters should be read on the merits of it’s speculative elements, alb.’

:/

#vent #okay to reblog vent

[zukkatrash]

im pretty sure nobody wants this content but:

aged up, no bending atla x fallout 4 crossover!!!

(spoilers for some atla and fo4 stuff obviously, and in sukis part i rant abt the ending where ur against the brotherhood, so major spoilers for that too)

lets start with katara

katara is a minuteman, no lets be real shes the goddamn general, preston took one look at her and immediately knew she'd protect the people of the commonwealth with all she had

elder maxon is actually scared of her, which is why he refuses to let her on the prydwen so none of his underlings see him fold under her stare

shes probably the first minuteman that hancock like actually truly respects bc he knows shes 100% abt the ppl and goodneighbors motto is literally "of the people for the people"

katara is a probably a bit conflicted about him at first bc u know hes a bit ruthless for her taste, but she can see his heart's in the right place

she definitely helped marcy long with her grief and turned her anger into smth productive, aka marcy is now probably a high ranking minuteman

sokka

def a railroad agent (i read alchemy, sue me)

him and tinker tom are the best buddies and yes sokka got convinced to drink his weird serum thing, stop bringing it up!!

god just the crazy inventions those two would cook up, they'd probs scare the shit out of the institute

on topic of the institute, theres probably like at least one abduction attempt from them a month but hes not only smart but a badass too

hes also one of the only people dr. amari is actually nice to and will routinely rescue him from irmas relentless flirting

he definitely fanboys with kent collony over the shroud

i feel like deacon would drive him mad, because on one hand he gets the secrecy and that he doesn't want anyone to get too close but also deacs, my man u cant shut everyone out with ur lies

okay now im thinking abt them bonding over their dead gfs and am sad

when he meets nick he has to hold back soooo hard to not ask invasive questions, bc nick is basically a walking insight into the institute, but hes alao a person who sokka respects and really doesn't wanna be an ass to

toph

also with the railroad(but shes a heavy ofc), probably mostly bc shed get more action there

sokka and tinker tom def made her some really cool gadget à la seismic sense so shes still a BEAST

she can also hear a raider ambush/lurking wildlife before anyone else and if shes not with anyone who needs to avoid that kinda stuff she pulls out her trusty missile launcher and makes quick work of her enemies

probably participates in cage matches at the combat zone and raiders shit their pants when they see her

toph is either dating glory or cait or both, cant decide, just badass wlw

or maybe fahrenheit 🤔, i mean the only refrence of tophs type we have is that she mightve had a crush on sokka who is not only strong but smart and u cant tell me fahr isnt smart, she might only have like 5 lines but at least one of them is abt chess which is a common shorthand for intelligence and she is undoubtedly a badass so yes toph and fahr! never thought id think of those two as a ship but here we are haha

zuko

is the silver shroud, you can't change my mind he's a righteous theatre kid ofc he's the shroud

suki

also a minute man, probably kataras second in command

shes the one training the minutemen at the castle

danse tried so desperately to recruit her but suki is too smart to fall for the bos' bullshit

probably plays into his whole spiel tho to get an inside look at the bos and takes them down from the inside

and not by blowing the ship up wtf there are kids on the prydwen what the fuck why cant u get them out beforehand??? why is that the only option to get the bos out of the commonwealth???? they steal poor farmers crops ffs i want them gone! WITHOUT killing innocent children that are being indoctrinated what the fuck

aang

im actually having a really hard time to imagine aang in fo4 bc u know its a biiit violent for a pacifist monk but i really dont wanna just make him a farmer or some boring shit, its just that stuff usually needs killing in some way in fo4

okay nvm i can def picture him on the island mediating that whole conflict between arcadia, the children of the atom and far harbor

oh god aang finding out how dima kept the 'peace' would be a brutal fucking scene, i dont wanna spoil too much if possible but aang would def feel really betrayed by dima

i can see aang arriving at the island and really trying to make everyone understand that dima only wants arcadia to be safe and left alone and i have no idea how he would actually deal with dima once the truth comes out but fuuck, bending or not aang def entered the avatar state there

but just to be clear he still protects arcadia, just bc its built by smn who thinks the ends justify the means doesnt mean that synths dont deserve to live in fucking peace for once

also aang would absolutely adore erikson and his puppies ^^

but back to the commonwealth

aang would for sureee advocate against the mind wipes the railroad makes and try to find other ways to help synths

he probs cannot deal with desdemonia saying that erasing the synths memory and identity is the only way to keep them safe, aang knows what loss means and he wont stand for it

and i can see him do a lot of the actual building in the settlements and helping all those small communities to flourish

now for the crack, as in i dont think this is in character but i thought of it so now yall have to read abt it:

the fire nation is in nuka world, also there is no overboss per se bc except for like 3 lines we know nothing of colter

ozai leads the operators, but also kinda everyone, so basically the overboss

post breakdown, pre redemption azula leads the disciples

zhao leads the pack bc like mason hes an animal and i hate him ^^

gage is dead bc unfortunately ozai isnt dumb, altho ozai was dumb enough to underestimate zuko when he literally told him his plan to join the gaang, but then again gage didnt like colter bc he didnt get shit done and unfortunately ozai does get shit done so gage is probably delighted :(

if anyone actually read this and wants to add on pleaseee do!!!

#atla #avatar #avatar the last airbender #fallout 4 #fo4 #katara #sokka #toph #zuko #suki #aang #atla x fo4 #crossover #dumb thoughts #i wrote almost all of this either high or at 3 am so please feel free to disagree with me haha #also if anyone does end up reblogging this ill probs dm u like right away bc u like two of my fave franchises enough to understand this pos

[lemongogo]

kirishima!! (for the ask game)

BABY BOY !! BABY BOY THANK YOU

favorite thing about them: EVERYTHING ABSOLUTELY EVERYTHING i love how kirishima is the epitome of manliness ! and i love how manliness, to him, is all about emotion, sticking true to yourself and your convictions, living life without regret, etc. he’s such a subversive character imo because while he can be incredibly stubborn and rough, he can also be super sensitive, well-mannered, and outgoing. the duality.....he has the range. 

he has such a loud heart and i think it really shows in the way that he treats himself and others. he cares SO MUCH about everyone ! about fat, about tsuyu, about bakugou, tamaki, etc. ! and it hurts my heart that he doesnt feel like he’s good enough. his origin, while fairly common in his deep rooted sense of insecurity, is rly relatable and i like to see myself in him. sounds silly but he gives me strength ! 

least favorite thing about them: what does this say idk how to read

favorite line: im trying so hard not to quote all of volume 15 and 16 but, “i’ve confronted plenty of scary stuff so far...but there’s one thing that scares me more than anything...and that’s going back to how i used to be! that’s why i never want to regret anything ever again!”

i would quote the whole “what is chivalry to you” thing but i think those were all crimson riot’s words. i still apply them to him though !

OH and the quote where he says “i’ve got a long way to go” after mina asks if hes okay i JUST AAAAAAAH im going to cry in s4

brOTP: mina and kaminari fr fr

OTP: kiribaku and kirideku !!!!! 

nOTP: mlm hc so none of the 1 a or b girls !

random headcanon: im not good w/ headcanon stuff so im gonna talk about stuff i like, such as his hair. i love when he wears his it down. i rly appreciate horikoshi’s drawing of him styling his hair, and it makes me think about him dyeing it !! i want to see him w his roots growing in !! i also love his headbands aa!! he’s gotta know how to do so many cool styles and shit. him and mina go wild playing w everyones hair, braiding it, etc. during sleepover nights. true wlw / mlm solidarity folks

unpopular opinion: kirishima was too easily sidelined in the joint training arc and i really miss him. i want him back , and i want him to fight this big battle where he’s proud of how far he’s come. feels like a lot of his story revolves around his insecurities and as a result leads to him losing more than he wins and i just ! i want him to come out on top ! smash his fists together and yell in victory !

song i associate with them: elyisum by bears den bc its my song so therefore its his song too (or light on by maggie rogers)

favorite picture of them: lmaoo you aint gettin out of here with just one pic

+ him and tamaki at the festival (cant find the pic :( ) and literally every picture to ever exist of him. ive watched that hr long kirishima compilation and ill do it again

#kirishima #bnha #i love him so much ;----; #ask game #long post #AH #Anonymous #asktag

[fleetofshippyships-archive]

Fanfic Author Meme

Tagged by @diligent-thunder and @rockmarina​ =)

Okay, so I’m me, and I talked way too much, so I’m putting this under a cut to save your dashes. You’re welcome 😘

Please do not reblog this post.

Author Name: 

Fleetofshippyships + Knowyourincantations + Legendaryroar

Fandoms You Write For: 

(in order of decreasing # of fics) Harry Potter, Voltron, Merlin, Yuri on Ice, Star Trek, Star Wars and then a few one-offs that aren’t really worth mentioning.

Where You Post: 

AO3 primarily, Tumblr, trying to post more on Pillowfort, I also post on a couple of sites for knowyourincantations

Most Popular One-Shot: 

Fleetofshippyships: Potter’s Insatiable Cock (Drarry, Explicit (duh XD), 20k (viewable only for logged-in AO3 users)).

Knowyourincantations: A Decent Start to Things (Pansmione, Teen, 7k)

Legendaryroar: Finding Time for Rest (Sheith (Voltron), Teen, 3k)

Most Popular Multi-Chapter Story: 

RestraintNone of my old multi-chapter fics are available to read at this time and I don’t really write multi-chapter fics anymore.

If oneshot/drabble collections or two-shots count, then:

Fleetofshippyships: Vanilla and Sweet Spices (Drarry, Explicit, 2 chapters, 20k)

and this really doesn’t count, but technically it has multiple ‘chapters’ soooooooooo

Legendaryroar: Kinktober 2018 (Multiple ships (Voltron), Explicit (duh), 31 ‘chapters’, 26k)

Favourite Story You Wrote: 

I don’t think I ever have a static favourite, I’ve just written too many things, I too quickly move on to the next (and frequently forget some of my own fics exist XD), but recently I re-read In Pursuit of Red Wine (Dreville, Teen, 29k) and really enjoyed that again, and I am really attached to it cos it was my first longish rarepair fic, kind of proving to myself that I can write longer rarepair stuff. 

I also recently re-read Unburdened (Merthur (BBC Merlin), Explicit, 2k) and really enjoyed that too, had a total disconnect from having written it since it’s been so long, so I was able to read it without self-judging, and oh boy that was nice. 

I’m also quite proud of Healing What’s Left (Parkgrass, Teen, 2k) for some reason, I dunno, maybe the dark political backdrop of the fic, or maybe just cos it’s the first time I’ve written Daphne as the main character and I’m happy with the result and now have some headcanons about her rather than her being an unknown blank character to me. 

I also binge read a lot of my Voltron stuff recently and had big feels over that so....I also specifically enjoyed re-reading The Perks of Skincare (Klance (Voltron), Explicit, 3k) again cos I dunno, I like how I wrote Lance XD and also the Sheith fic I linked earlier is a fav for sure. Shiro/Rest is the ultimate OTP.

It really depends how soon after I write something or when I go back to re-read it as to what my fav is at any given time (or people commenting on it and hyping me up for it again).

Story You Were Nervous to Post: 

Everything. But most recently I was terrified out of my mind before posting: 

Friday Night by the Fire (Harry/Neville, Teen, 583 words) because I have a lot of fears about screwing up trying to write ace characters and somehow not even making that a focal point of the drabble made it even more terrifying,  No More Waiting (TianShan (19 Days), Teen, 2k) because it was a new fandom to write in, Harry Potter and the Maudlin Merman series (Drarry, Teen+ Mature, 3k +6k) due to my feelings of inadequacy because it would be better as long fic but I struggle too much with writing these days to write long fics and can only manage short things. I’d rather write this as a long fic, but then I’d never finish it so connected oneshots are the best I can do right now, but I still feel it’s not good enough and have a meltdown whenever I post one. And speaking of which, I’ve been sitting on the next one for months and should probably just fucking post it already.

Actually, most recently: Minding One’s Limits (Cho/Ginny, G rated, 1.5k), because I gave Cho a disability modeled off my fibromyalgia and wrote a scenario similar to something I’d dealt with myself, it was incredibly uncomfortable to write in the first place, and then terrifying to post, even though it’s so short. But in the end I’m proud I finally wrote about it a bit? I dunno, might take me a while to work up the nerve again though XD (also was my first time writing that ship, so there was a lot of nervousness over that too)

Oh, and I was a super ball of anxiety posting  Kinktober 2018 (Multiple ships, Explicit, 31 ‘chapters’, 26k) because for almost all of those it was the first time I was writing those kinks (and some were kind of squicks for me but I wanted to see if I could write them anyway cos I’m dumb like that) and in a lot of cases those ships were completely new for me to write too, in addition to trying to write and post 1 a day, so...yeah. Also that was my first time writing tentacle and human/werewolf smut so...yeah. I was an absolute mess that month and not in a fun way. But I’m still really glad I did it, it was fun =D

In summary, I’m always an anxious mess posting anything, but most especially if it’s something I’ve not written before or is personal to me XD

How Do You Choose Your Titles: 

Most of the time I’m staring down the empty title field in AO3 cursing like a fucking sailor when I choose titles XD Sometimes it’s a line/theme/feeling from the fic. Sometimes it’s totally random and just comes to me. Sometimes I just grasp the first thing that I can no matter how stupid it sounds cos it’s been three days and I still don’t have a title and I’m over it and ready to post before I lose my nerve.

And tbh, it’s only getting harder to think of titles as my number of fics increases, and I’ve now started thinking of the perfect titles only to realise I already have a published fic by that title so....TITLES CAN DIE A FIERY DEATH

Sometimes, not so much anymore, it would turn out that I would give a wip doc a name just so I’d know what it was, sometimes as a joke with whoever was reading it and cheerleading while I wrote it, and then I would refer to it by that and think of it as that so much that when it came time to actually give the fic a title, it was too late and I could not think past that stupid file name, and that’s how Potter’s Insatiable Cock happened, and how I very nearly called a Merthur fic Arthur’s Wanking Tower (saved that one at the last moment thank god cos the tone of that fic is actually really serious and emotional and wtf was I even thinking with that file name and actually I linked to that fic above XD it ended up being called Unburdened). 

Potter’s Insatiable Cock slipped through cos it’s actually relevant to the fic content and I could live with it.

But needless to say, I don’t give my wip docs joke names anymore XD

Do You Outline: 

Only if I never want to actually write the idea...once I outline, it’s over. I can’t write to a detailed plan. It stifles me. I’ll always get stuck having to try and think ahead to the plan, and then I lose the flow and nothing works because I’m a pantser/intuitive/instinctive writer not a planner. Sometimes I jot down ideas but in like, the vaguest of ways, usually more focused on emotional development than actual scenes or events or anything because then I won’t be able to write it (and I rarely stick to those vague ideas anyway). 

I can really only write when I’m staring down a blank doc with no idea where it’s going and discover it as I go (which is why writing is so fun for me). I can only finish a fic if I don’t think too hard about what’s going to happen next and just let it happen as I write. 

This of course means that editing is a fucking bitch when I finish anything, beginnings often get totally re-written, but if I plan, it just doesn't happen at all, so I’ll take the extra editing if it means I manage to write something.

I do have a lot of detailed plotty fic idea outlines...and I mourn them cos I’m never going to write them now, but they’re so goooooooooood XD

Complete: 

Online (across all 3 accounts): 381 (incl. my hidden drarry fics as they are technically online just hidden, not incl. individual oneshots/drabbles in collection ‘fics’, of which there are ridiculously many). Offline: 20 (I have the worst habit of just sitting on completed fics and I really need to stop)

In-Progress: 

Too many to name, last time I counted it was ~60 but that wasn’t even including my vld wips so...I don’t actually know. I hoard wips and just switch up what I work on all the time depending on mood/interest levels/effort required. 

Current main focuses are a 50k+ plotty Drarry (*fingerscrossed* cos this is my first time seriously attempting something long (will probably reach 80k at least) in a very long time and I put it down for a few months and thought that was it but then I picked it up again recently, yay!), and re-writing some hidden fics I can’t put them back up in the quality they’re in, I just can’t guys, they’re awful.

I’ve been thinking a lot about working on the longish 8th year Pansmione fic I started for the wlw big bang before I had to pull out of cos stupid life stuff. I might pick that up again for a bit too, couldn’t be more different from the Drarry one so it’d make a nice focus break =)

Coming Soon/Not Yet Started: 

I don’t even plan fics I’m writing, I sure don’t plan ahead to stuff I haven’t even started XD The only think I can think of for this category would be me re-writing my hidden long Drarry fics.

Oh, and there will be a Merthur oneshot coming (hopefully) soon, because @april-thelightfury115​ won my custom fic giveaway with a merthur idea. Just waiting for my brain to cooperate so I can start that and not suck XD but I’m so fucking excited to write some Merthur again, you have no idea.

Oh, and lots more Sapphic September drabbles coming too, I’m way behind and only just posted day 11 cos this month is literal hell for me, but I am still planning on finishing the prompt list, no matter how long it takes, but no plan for those, not even which ships, I just sit down with the next prompt and a blank doc and see what happens.

Do You Accept Prompts: 

Yes, I love writing to prompts, I’m take them via google form here, but I’m in such a bad space with my health I’ve been really struggling with writing lately, managed to do a bit of editing (fuck knows how), but writing new stuff is so hard, so there’s a long wait while I wait for my fibro fog to ease off to the point I can write new stuff with more regularity (and less stupid errors I have to edit out later).

Upcoming Story You Are Most Excited to Write: 

Again, I so don’t plan. But I really want to be making more progress on the long plotty drarry wip I’m trying to write. I’m still not sure I’ll have the guts to post it even if I do finish it, given its subject matter (it would make a great careers or consent fest fic tbh), but damn I’m really excited by it. Not sure I can maintain it being plotty and not revert to focusing on the relationship (which is easier for me), but I can only try and see what happens. (trying to write a non-relationship plot without planning is a nightmare but I don’t have a choice if I want to write it at all XD)

I’m also now excited for my longish pansmione wip too actually, just because it’s already longer than my Dreville long-ish fic and it’s exciting and scary to do longer rarepair stuff. I’m way out of my comfort zone with the fic itself, but I dunno, I re-read some recently and fell in love with it all over again, like, flustered lesbian-awakening, disaster for Pansy (but sure she still hates her) Hermione? YES PLEASE! and also, I am guilty of not writing female characters as much as I should because, well, canonically, they don’t have much depth and I’m very meh about them, but in this there’s a huge focus on them because they’re all determined to band together for 8th year and Hermione is making friends with them (Parvati is like, dragging her along all the time XD) where she once dismissed them so it’s scary but exciting =D I’m getting more practice with all the sapphic I do over on knowyourincantations, so I feel more confident working on this wip now =D

I’m also kind of excited about re-writing my old long fics, because they’re all 3 years old now, and my writing tastes (and skill, yikes) have totally changed, so it’s like I’m writing the story again but how I would write it now while maintaining the overall same plot, so it’s really interesting, like discovering the story all over again. Like in one (Making Malfoy Blush) I’ve gone as far as introducing a new side character to replace another’s parts because I no longer feel those parts are in character for them. It’s super terrifying, but it’s fun at the same time =) it’ll take me forever to do these though, so I dunno about ‘upcoming’ really, I only chip away every now and then when I’m unable to write new stuff but am still coherent enough to do something.

Eh, it is what it is, I can’t write like I used to, hence me being inactive more than active these days, but I’m trying to work within my new limitations instead of getting frustrated with them and just giving up entirely =)

---

Now, who to tag....I think anyone I would tag has already done it, and if not..I blame the fog if I’m forgetting someone obvious, if you wanna do it just say I tagged you so I can be nosy and take a look =)

Again, please do not reblog this post

#* #tag meme #tag game #about me #hope i don't regret linking to my other ao3 accounts #but i'm at the point if I get more bullshit like before i'll just abandon fandom entirely rather than shift to one of my other accounts #they served that purpose well when I needed it but the reasons for having to do it are not a problem anymore #so i'm tentatively linking to them for anyone who wants to read my other works #and hoping no one is mean about it #and please don't reblog this post in case I have to delete it to cut the link

[fae-fucker]

Review: The Songbird’s Refrain

by Jillian Maria

When a mysterious show arrives in town, seventeen-year-old Elizabeth Brighton is both intrigued and unsettled. But none of the acts capture her attention quite like the blue-eyed woman. Locked in a birdcage and covered in feathers, the anguish in her voice sounds just a little too real to be an act—because it isn’t. The show’s owner, a sadistic witch known only as the Mistress, is holding her captive. And she’s chosen Elizabeth as her next victim. After watching the blue-eyed woman die, Elizabeth is placed under the same curse. She clings to what little hope she can find in the words of a fortune teller and in her own strange dreams. The more she learns, the more she suspects that the Mistress isn’t as invulnerable as she appears. But time is against her, and every feather that sprouts brings her closer to meeting the blue-eyed woman’s fate. Can Elizabeth unlock the secret to flying free, or will the Mistress’s curse kill her and cage its next victim?

Full disclosure without the fancy wording: Jillian straight up gave me a free copy of this book, and I’ve followed the development of this novel since pretty early on because it sounded like it was My Jam. Spoilers: it was, but that doesn’t mean I won’t be honest with my opinions! With that said: Jillian, don’t read this. And also, holy shit congrats on writing a book, we stan!! <3 But seriously, don’t.

This review contains vague character spoilers to serve as examples. No names are mentioned.

The Writing

Having read a couple of early versions of the first chapters of this book, I can’t express enough how amazing it is to read it in its final form, how far it has come from the days when an early draft was posted on a tumblr page which the author coded herself. That’s not to say the early versions of it were bad, but I don’t want to undermine and deny how far it has come and how polished it is.

As you all know, I’m not a huge fan of overly flowery prose because it often takes me out of the experience, and luckily, I can’t remember a single time I thought something was overwritten or took me out of the story. 

The writing is evocative without being flashy and Elizabeth has a clear, wonderful voice that feels fresh and easy and intimate at once. The dialogue feels natural and I’m honestly impressed with how characters rarely swear despite being in terrible situations, and how it never felt like a copout or like the author was censoring herself for the YA age range. 

Probably a weird thing to point out, but my characters swear constantly and I have no idea how to stop them from doing that without making it very silly, so props to the author for succeeding where I would definitely fail. 

The Characters

Oh my what a smörgåsbord of fun people! I won’t dwell too much on this section because the mystery is very much tied deeply into the characters themselves, and I don’t want to spoil things before the book is even out.

Elizabeth is a bean. She’s self-aware and relatable without losing her own individuality in the process. I hated seeing her suffer but loved watching her grow stronger through it. She has standards and opinions yet she doubts herself on nearly every step and all I wanted to do was to reach through the pages and give her a slap and go GIRL, YOU A STAR. She’s what a YA protagonist should be, in my humble onion. My only complaint would probably be that she’s a bit too self-aware for a reglier teenager, but it makes sense for the story and the premise and the growth she goes through, so I don’t think it’s something that ruins her in any capacity. Maybe she’s just way more clever than I was at 17, lmao. 

The Mistress. What can I say without saying too much? Man, what a villain! Like, damn! Yes! Gurl! Yes! Terrifying! I hate her absolute guts! Every time she was in a scene I wanted to crawl under a blanket and bring Elizabeth with me to protecc her. This woman’s aesthetic and evil-ness rivals a Disney villain, and like, not in a bad way, but in the best way. The panache with which she does all her evil shit is just *chef kiss* I wanted to do violence to this woman but I knew if I’d existed in this story she’d absolutely destroy me if I looked at her wrong, and I think that’s what my ideal villain archetype is. The Mistress is deliciously, stylishly evil. You read the book half because you want Elizabeth to win, and half because you want, nay, NEED to see the Mistress lose. Some might say they need a villain to be more complex or whatever, but I’m firmly in the “evil people exist and evil antagonists are fun to write if you do it properly” camp, and here it’s done properly, IMHO. The Mistress doesn’t need a sad backstory or a complex motivation to be an effective, intimidating, and interesting antagonist. 

I also really liked Madame Selene. At first I found her to be kind of cliché as a mystical fortune teller, but there’s actually a very interesting spin on that trope in her character, and I found her to be endlessly interesting as a result of it. I can’t say much more without further spoilers, but let’s just say there’s a reason she’s all cryptic and weird and refuses to speak plainly. My biggest gripe is that she didn’t get as much screentime as I wanted. I just need more of Madame Selene.

I honestly can’t say I found any of the other side characters to be lacking (even Bridget, whomst I need to strangle, was fun to hate), but I will say that my favorites were definitely one of the couples. The older one especially.

I will also repeat that I love Elizabeth. Very much. I love Elizabeth twice. Ahem.

Anyway, special mention should be made that the cast is quite diverse despite being fairly small. I didn’t expect anything less from Jillian, of course, but I just wanted to point it out for those who had doubts. 

The Negatives and the Mehgatives

Because oh yes, it ain’t a review by Eff if they don’t complain about shit.

Now, some of these are things that aren’t necessarily bad, but others did feel like they were in the way of making this book as good as it could be. I usually split my reviews further up into “worldbuilding” and “plot”, but since I don’t feel like I have enough to say about those to justify their own sections, I’ve decided to just throw them in here. 

The worldbuilding is sparse, and that’s fine for this genre and this specific story. It plays out (mostly) in the reglier world with sort of reglier people, so I wasn’t expecting Tolkien levels of depth going in (in fact I find Tolkien levels of depth to not be necessary more than half the time but that’s another discussion). I got glimpses of some very interesting things that I’d very much like to see more of, but it feels more like stuff that would fit an “extended universe” sort of series and the lack of more supernatural/unique elements felt fine and didn’t really bother me.

Now to the less than good stuff. As much as I enjoyed the progression of the plot and Elizabeth’s character, and the steady flow of hints and developments felt elegant, I did feel like the mystery was a little bit predictable, and the foreshadowing a bit on the nose, especially in the very beginning. (Elizabeth’s shoulder scar was mentioned probably half a dozen times more than necessary.)

For example (mild spoilers, skip to next paragraph if you want to avoid), there’s a section where a character is taken away and Elizabeth hears them scream. After that, she keeps mentioning how that character is definitely, 100% dead, there’s no way they survived, they’re totally a corpse now, someone dig a hole and find a coffin. I thought it made sense for Elizabeth to feel fear and grief and assume the worst, so I’m not as bothered by it as I would’ve been in a worse book, but it did feel a bit like she was trying to convince the reader more than like she was mourning.

The foreshadowing being on the nose and the mystery being predictable are sort of intertwined, and I think it’s probably the book’s biggest flaw? That said, if you don’t consider yourself super savvy with writing and storytelling techniques, you might not pick up on this stuff at all. I also liked the plot despite finding it predictable, so if you’re not really interested in a super complex mystery but are interested in a good story, you’ll probably find this intriguing enough. 

The second biggest flaw of the book is the ending, in my opinion. It felt a bit rushed, and I would’ve liked to see side characters tied up as neatly as the plot itself. Not ... in a sexy way, yikes. I mean their arcs and stuff. There’s one in particular I felt was lacking, where I would’ve wanted to see more of a reaction and conclusion to something terrible that happened before. The character in question was pretty important during the whole middle of the book, and in the end they’re just sort of glossed over and exit the narrative, literally. The ending is supposed to be sort of open, I think, so I can respect that, but it could’ve been open while still feeling complete, ya know?

And the romance ... Well, let’s move on to the next bit, shall we? 

The Gay

Full disclosure: I’m straight. Well, that’s the word I use, and some might disagree with it because I’m nonbinary and say my attraction to men would make me “queer”. But that’s the word I use for my general thing, not my sexuality specifically.

ANYWAY. This is all fluff that I’m using to ease you into the real point: I’m, like, not into reading wlw romance. Or mlm romance. At all? I’m not against it by any means, go wild my dudes, and I hate 90% of all “straight” romances because straight people largely can’t write love for shit.

I’m saying this because I think there’s a lot of fellow straighties out there thinking they’ll be made “uncomfortable” by the gays or that it’ll make them question their sexuality and stuff. And 1) lmao cowards 2) I get it, it feels “”””weird”””” and you don’t relate but like 3) stop being a lil bitch and open your mind.

If you’re a straighty and you’re curious about this book but think that the lady-kissing is spookie, I’m here to inform you that yeah, romantic love between women is heavily, and I mean heavily, tied into the main plot. But it’s not really a book about homosexuality or homophobia. It feels natural, and normal, and is never made out to be a Thing, except when Elizabeth speculates about her parents’ reactions to her coming out. It’s not a book about TEH GAYS specifically, it’s a book about love, that just happens to be between women. If you can accept that and go into it with an open mind, like I did because I am Very Woke, I think you’ll find a new appreciation and perspective for romances that aren’t straight.

Now, back to the actual book. The romance in TSR is frustrating to me because one of them is amazing, so amazing that even I, a filthy man-lover, found it melting my heart. It’s lovely, it’s beautifully written, it’s got a gorgeous aesthetic and an excellent pairing with plenty of warm and fluffy chemistry without shying away from their sexuality. I loved this relationship and I wish there was a book just about these two ladies. It’s honestly #romancegoals. 

The second one is ... not that. It felt sort of rushed and like it was constantly trying to justify itself. It wasn’t instalove, but it also sort of was? I can’t explain it without spoiling so you’ll have to read it for yourself. It could have something to do with the fact that the other couple are teenagers and the previous one are adults so their relationship felt more mature and established, but both get roughly the same amount of screen time and I’m quite frankly baffled by how differently they’re handled.

Given how dark and honest and real most of this book was (despite the magic stuff), it felt really jarring to have the second romance be so empty.

To its credit, I was very much rooting for the teen couple. I even imagined how they’d meet up and fight the villain together. If their ending had been just a little bit more open (as opposed to the general ending, which I wanted to be less open lol) and their romance not quite as definitively sealed, I think I would’ve loved it too, because it would’ve fit better with the tone of the rest of the storytelling.

As it stands, I think the different romantic relationships shown in this book are interesting and show off different dynamics and are a good starting point for important conversations baby wlw (and other romantically inclided peeps tbh) might want to have. Yes, even -- and possibly especially -- the abusive ones. 

This story has a lot to say about love and I think it’s important stuff people need to hear nowadays, especially YA audiences.

The Conclusion

If you’re looking for a paranormal YA mystery with a bit of gore thrown in, complete with a lesbian protag and a diverse cast, self-contained and tasty like a very small hamburger, The Songbird’s Refrain is well worth your time. 

It’s got a great romance, an excellent protagonist, an unsettling atmosphere, a fun villain, and a genuinely touching story dealing with important subjects like healthy love, abusive relationships, and self-worth.

If you’re not a fan of one aspect of this book but the rest seems appealing, I think you should go for it and maybe realize as you’re reading that it doesn’t matter that much because the rest of the package deal is excellent.

#book review #book recs #the songbird's refrain

[starfxckersinc]

can i get some gay classics recommendations?

I don’t particularly read like, LGBT books bc I kinda just read whatever I end up with, but I do watch tons of LGBT films so I’ll hit u with that.

1. My Own Private Idaho, a brilliant film, one of my favorites. The main character is a gay man(I intend to give u the specific orientations of the main characters in case u want some specific representation) and deals with themes of abuse, abandonment, mental illness, unrequited love, homelessness, etc.

2. Brokeback Mountain- The “gay cowboy movie”, the two main characters are gay men trying to uphold a relationship in(I believe?) 50’s rural America. broke my heart mountain

3. Pink Narcissus- One of those art films with no plot. I saw a terrible copy while half asleep & on meds and it still blew my mind with how beautiful it was. the main character is a cute twink and I kin him.

4. Velvet Goldmine- My favorite movie of all time, there really is no main character but all of them are LGBT. It has huge bisexual representation, it’s beautiful beautiful beautiful, it’s partially based on the lives of David Bowie, Lou Reed, and Iggy Pop. Half the script is Oscar Wilde quotes.

5. Kill Your Darlings- A pretty innacurate but fun none the less movie about the beat poets(Kerouac, Ginsberg, Burroughs) centering mainly on Ginsberg. Everybody is fucking gay. I love it.

6. Shortbus- Directed by John Cameron Mitchell and uh, filled with porn, I haven’t seen the whole thing but I respect it so much bc it’s campy and everyone’s homo and it’s a ride. Literally.

7. Liquid Sky- Canon bisexual characters, plays seriously with gender, will make u feel so valid as a genderqueer person, weird plot, GREAT clothes, I love Anne Carlisle.

8. The Runaways(2010), a biopic abt the all girl band The Runaways. Bc the characters are teens and it kinda deals w them dealing w repressed bisexuality I think it’s really important for teen girls to watch. It meant a lot to me.

9. Trainspotting/Trainspotting 2: Neither Of these r explicitly gay but Renton is coded bisexual and he & Sick Boy are practically married by the end of the 2nd one so. Really makes u wanna shave ur head.

10. Desert Hearts- Adorable lesbian movie abt two gays in the desert. Really sweet, really poignant, Cay is SO cute, and I loved the whole thing.

11. Women In Revolt- Two of the main characters are bi, Candy is straight.....? Maybe they’re all bi. I have no idea. Not v important. It’s an Andy Warhol movie & the three main characters r played by trans women(Candy Darling, Holly Woodlawn, Jackie Curtis), all three of whom have ended up being pretty major in LGBT history. Aside from that they’re just really cool girls, especially Candy, who’s my favorite of course. This movie is hilarious and fun and the ending is stellar and I think a very good representation of accidental brilliance.

12. Some Of My Best Friends Are...- Candy is in this one too and gives, no doubt, one of the most moving performances I’ve seen in any film ever. It’s centered around a gay club at New Years(I think? May be Christmas, it’s been a while since I’ve seen it) and it’s just. She’s the best part but all of it is fascinating. Major trigger warning for trans violence though.

13. Aimee and Jaguar- Absolutely fucking heartbreaking but one of the most compelling wlw films I’ve ever seen in my life. Takes place in Nazi Germany- A relationship between a Nazi sergeants wife and a Jewish woman. You can imagine how it ends.

14. Fried Green Tomatoes- I FUCKING LOVE THIS MOVIE AND THE BOOK IS EVEN BETTER. Bisexual/Lesbian relationship, not explicit in the film but explicit in the novel. However you can still tell they’re gay in the film so, not that bad. Takes place in 1920’s Alabama so there’s a lot of racial stuff to sit through obviously. I don’t know if you’re in the mood to deal with that, so.

15. The Color Purple- This movie messed me up for two whole days, I read the book and it didn’t affect me half as much. It’s beautiful. A lesbian relationship between two black women in the South in I believe the 1910’s, though the relationship isn’t even as important as what’s going on in the foreground. The ending is happy though and that’s a change. It just tears you up but it has the decency to fix itself, I only ever saw it once a year ago but I’m desperate to see it again.

16. Hedwig and the Angry Inch- this movie saved my life when I was 14 and has such a fascinating story regarding gender, it’s kind of short but it’s packed with JAMS(it’s a musical) and Hedwig Robinson is my real mom. I don’t wanna spoil anything but yeah, trans rock diva from Germany tells her tale, just watch it.

17. Wilde- Biographical film abt Oscar Wilde. Watch it. Inhale it.

18. Orlando- I read the book for this one too but I prefer the movie!! More cool nb gender shit!! I love it!! Watch it!! Tilda Swinton kisses some Russian chick and it’s wild!! Best thing ever. Roll with it.

19. Two Of Us- Ok so I know it’s not cool to like The Beatles rn but uh, if you do like them, this is a film about John Lennon and Paul McCartney that speculates on a visit between them after the Beatles broke up. It’s. So gay. Paul makes John cry by telling him he’s beautiful. John kisses him in an elevator as a “”””joke””””. I LOVED it when I was 14 and I recently rewatched it, very entertaining.

#aberdeen spoken word

[thespacebetweenworlds]

idk if you’ll care about this but your thing about the whole “fiction is just fiction” and “fiction doesn’t affect reality” argument is actually not true at all because let’s just say for example: having lgbt, poc, disability rep in books or media isn’t all that important because it doesn’t affect reality.... when it does? it makes a HUGE impact on people. but yes I see where you’re coming from and as a person who hates incest with a passion, I don’t think u guys deserve these threats AT ALL.

Thank you for not thinking I should die a violent death. And thank you for this ask! I love being asked things. And to respond to your point, that fiction does affect reality, with the example of how representation is pretty awesome: that’s a freaking good point you have there, that I agree with - partially.

This Essay is titled: Fiction and Reality and How the everloving Fuck do they interact and what by nathan wesninski’s underpants does that have to do with fandom discourse?

So, beyond the read more you’ll have a compilation of my thoughts on it (that didn’t take several hours to write and edit). I’ll talk about:

1. Definition Of Fiction, Definition Of Reality

2. (How) Does Fiction Affect Reality?

3. Representation In Fiction

4. Who Judges Fanfic?

5. ”this content is problematic,” says you. ”please don’t mention power dynamics,” replies I

6. Censorship

7. A Brief History Of Why Fanfic Is Awesome

8. Links to stuff that might interest you

I’m just gonna. Quickly do that part in radioactive with the deep breath.

To start this, I want to clarify that in the response I made to transneiljosten’s post, I never explicitly said “fiction doesn’t affect reality” or “fiction is just fiction.”

What I did say is this: “Incest in fiction is just that: incest in fiction. It’s. not. real.” And: “I believe everyone should be allowed to write/create what they want - as long as it doesn’t hurt people in real life.”

But yes, the phrases “fiction is just fiction” and “fiction is not reality” have been used often when discussing freedom to write fanfic and when defending content another might call immoral. Not many people have elaborated beyond that, and to be fair - it’s a super big fucking field of study with so many subjective ways to look at it that it’s difficult to put into words.

But I’m gonna go and explain what people mean with those two phrases anyway.

Disclaimer: Remember how I called this a super big fucking field of study? I am no linguist and I have not studied literature. All my knowledge comes from years in fandom and internet research of the topics I personally found interesting. I may be wrong about things I say here, and I am always learning, so feel free to message me. I try my best to discuss controversial topics thoughtfully, respectfully, considerately and carefully, but I am only human and do not know everything. You are welcome to join the discussion.

1. Definition Of Fiction, Definition Of Reality

Going to https://en.oxforddictionaries.com/ to properly look this up:

Reality: The state of things as they actually exist, as opposed to an idealistic or notional idea of them.

Fiction: Literature in the form of prose, especially novels, that describes imaginary events and people.

So I say I don’t study literature (I really don’t) but just a few weeks ago I was in a lecture on the absolute basics of literature science, where I learned this dope sentence:

Die Wirklichkeit in der Kunst ist nur eine auf die außerkünstlerische Wirklichkeit verweisende Wirklichkeit.

Which is German, yes I know. Basically we have the starting point that literature is art, so it’s: "the reality in art is only a reality that refers to the reality outside of art" or, in other words, fiction is only ever fiction and not reality, no matter how close they may seem to be.

In summary, what we can say for sure: Fiction does not equal Reality. They are not the same. Fiction exists because Reality exists.

2. (How) Does Fiction Affect Reality?

Reality affects fiction. But does Fiction affect Reality?

Allow me to quote tumblr user shinelikethunder, who put it very nicely:

“Fiction affects people. And people affect reality.”

Tumblr user muchymozzarella made an important addition (and the blog is really pretty) so to read the post, klick on this link: https://muchymozzarella.tumblr.com/post/167137950299/fiction-is-not-responsible-for-reality

If you read the above post, further reading that might interest you are texts by Immanuel Kant and Arthur Schopenhauer on Free Will. But that wouldn’t be fandom anymore, so like, find philosophy books in your local library and talk to you friends about it.

3. Representation In Fiction

But let’s come back to your question, dear anon: “... the whole “fiction is just fiction” and “fiction doesn’t affect reality” argument is actually not true at all because let’s just say for example: having lgbt, poc, disability rep in books or media isn’t all that important because it doesn’t affect reality.... when it does? it makes a HUGE impact on people.”

You have a great point. Representation in books matters. (If you rec me some nice wlw books I’ll love you forever, there are not enough.)

I am, however, gonna quote my friend of mine, who says it better than I ever could:

“There is a difference between media affecting behaviour and representation in media. Like, violent video games don't actually make you violent. Watching gay cinema isn't going to turn you to the lgbt side unless there was already a disposition there.

People read and write immorality constantly, and even when it's shone in a good light it's usually expected that we as human beings know right from wrong, know fiction from reality. Humanity has explored the happy shiny purity of the universe and the horrific grittiness since... Well probably forever, for a variety of reasons. And in recent years the way we consume media has intensified drastically. Our consumption is interactive, our interaction is globally influenced and sometimes that is good, but we've also given ourselves the right to witch-hunt without a lot of information, or because things don't go as you planned. Real people are always more important than fictional people.

Stand up for representation. Stand up for good representation. But if you're smart enough to understand morality in reality, that isn't going to suddenly go away if you read some incest fics... And hey if you do suddenly want to kiss your brother, that's something for you to deal with and it isn't fan fiction's fault.”

Representation in books matters. Why does it matter? Because the real world is so much more diverse than popular media might make you think. Fight against the patriarchy, not against random people on the internet.

4. Who Judges Fanfic?

Fanfic is written by fans. It’s also written for fans, but more than that, it’s written by fans. I’m not gonna say only teenage girls write fanfiction, because that’s not true. Fans write fanfiction. And everyone can be a fan.

Ozhawkauthor said:

“You are not paying for fanworks content, and you have no rights to it other than to choose to consume it, or not consume it. If you do choose to consume it, do not then attack the creator if it wasn’t to your taste. That’s the height of bad manners.

Be courteous in fandom. It makes the whole experience better for all of us.”

So why are “antis” suddenly here, declaring this ship and those characters off limits and to be hated on?

Specifically, what the fuck are fans that attack or judge other fans on?

To quote shinelikethunder (again): “Fiction needn’t be educational and fiction doesn’t always have clear-cut endorsements of who’s in the right. But the discussion that happens around fiction can include both.”

But to answer the question above: Who Judges Fanfic? Not. You.

5. ”this content is problematic,” says you. ”please don’t mention power dynamics,” replies I

Hypothetical situation:

I write a fanfic. My protagonist is Riko Moriyama, who is, in canon, a sadistic asshole that is so morally black that his own brother, Ichirou, who is also morally black, kills him in the end. It doesn’t matter what I write, or who I ship him with, in this hypothetical situation.

You appear, you read the fic or you don’t read the fic. You say: “This content is problematic.”

I quiver. I know you don’t like Riko Moriyama. I know you don’t approve of my shipping choice. “Please don’t mention power dynamics,” I reply.

“This relationship is toxic,” you say. “There are unhealthy power dynamics at play.”

And like, fuck, I know? I wrote it.

Obviously. Obviously I could reply with that ancient, age old phrase “Don’t Like Don’t Read.”

But I already made a similar post about that.

6. Censorship

I’m writing this post to fight against censorship in fandom. (The day I am typing this up on was the day I went to a demonstration against articles 11 and 17, earlier 13, in the copyright reform in the EU, and to protest for a free internet.)

Censorship.

What does that even mean? The Oxford English Dictionary says:

Censorship: The suppression or prohibition of any parts of books, films, news, etc. that are considered obscene, politically unacceptable, or a threat to security.

Here’s the wikipedia article.

In my opinion, every person, regardless of whether or not they call themselves “anti” who tells someone else that their fanfic is disgusting and wrong and should be deleted, based on subjective ideas of moral, is trying to enforce censorship. So don’t. Don’t do that.

“But,” you might say. “Riko is not a good person.”

And you know what? You’re absolutely right. He’s not. Neither is any of the Foxes.

And this is why none of the antis make sense. In one post, they condemn Roland - a perfectly normal minor character, and in the next post they call Andrew Minyard their soft angel child. Y’all. Not to hate on Andrew Minyard, but he literally drugged Neil? Even though he’s so big on consent, he drugged Neil?

So by saying this and that are problematic and should not be written and the people who do write it should be blocked, you’re kinda hypocritical. Because the All For The Game trilogy is one fucked up piece of media by itself.

And have you ever read a book?

Most books have characters that aren’t completely morally white or morally black, events that aren’t always sunshine, butterflies and rainbows.

And you know what else? That’s a good thing. Because the world isn’t like that either. And more often than not literature addresses topics critically.

Remember The Hunger Games? Exactly.

7. A Brief History Of Why Fanfic Is Awesome

In the beginnings of fanfic and fandom as we know it, slash was illegal in the USA. Fanfiction.net was made in like 1998, and during the first few years when fanfic got more attention with the rise of the internet, restrictions were made.

Much like tumblr in december 2018, except worse, fanfiction.net purged explicit content. Livejournal, the journaling platform where lots of fandom stuff happened before tumblr, is known for strikethrough, a big, unannounced deletion of fannish content. Because of those purges and restrictions, ao3 was originally made. I’m not trying to paint ao3 as the heroes that saved fandom, well I kinda am, and they are doing great things so that fanfiction can exist and remain accessible.

I think fiction is not just fiction. But fiction is just fiction in the sense that it doesn’t have any direct influence on the real world. We are all allowed to write whatever we want.

Disclaimer: We are all allowed to write whatever we want, except when we call for violence towards others in real life. Further disclaimer: Calling for violence towards others is illegal. Hate speech is illegal. Violent threats are illegal. Promotion of self-harm is illegal. Death threats are illegal.

To come back to fandom: Shipping or not shipping something has nothing to do with morals. Hating on people who ship “unhealthy power dynamics/problematic ships” does not give you the moral high ground. It makes you an asshole. For the love of Riko’s stinky socks, use the blocking feature.

My friend iknowwhoyouaredamianos said: “Hating people irl, lashing out against them, that's the real cruelty. That's so much worse than writing about something fictional.”

If you hate on real people, there is no trigger warning. You can’t don’t-like-don’t-read hate. It will affect that person’s life negatively, whether you intend to do so or not. Don’t be assholes, dears.

Thank you to my friend, and to iknowwhoyouaredamianos for letting me quote you and joining the discussion; and to foxsoulcourt for so many reasons.

Who knew that writing over 2000 words on fandom would be fun?

Dear anon, I hope I answered your question.

I’m gonna conclude this post with the Three Laws of Fandom:

I. Don’t Like; Don’t Read.

II. Your Kink Is Not My Kink.

III. Ship And Let Ship.

8. Links To Stuff That Might Be Of Interest

If you read all of the above and still feel like you don’t understand, have this awesome post by destinationtoast: How to not like fictional things (and not be a dick about it)

Podcasts on fandom culture by fansplaining:

Episode 84: Purity Culture

Episode 85: Age and Fandom

Episode 86: The Money Question

Episode 87: What we discourse about when we discourse about the discourse

Fandom positivity posts I reblogged (because y’all need it):

short post on staying positive in fandom

when discourse gets too stressful

important advice especially for those of you younger than 15 (but also older)

Tumblr user freedom-of-fanfic is writing lots of essays on lots of fandom things, here are some those more or less directly relate to this:

On criticising: Free to write whatever, free to criticise whatever?

A post on Fiction & Reality that answers a question very similar to the one I answered,

and Why fanworks are such a convenient social scrapegoat (kinda a socioeconomical discussion of USA-centric fandom)

There is also a very extensive FAQ by freedom-of-fanfic, with lots of very important writings on fandom culture on tumblr.

Unrelated, but if you’re interested in more of fandom, fanfic, and statistics of both:

http://destinationtoast.tumblr.com/stats

Interesting stuff on Fanlore: Purity Culture in Fandom, AO3 & Censorship, The Advantages of Fan Fiction as an Art Form.

An article on the free speech debate in fandom

Dreamwidth’s Diversity Statement, and Ao3’s Diversity Statement

A cool (and unrelated) thing: Femslash can save the world if we let it

Happy reading, and I hope you learned something.

[transette]

(This post might be a bit long as it's pretty much a autobiography of my journey)

In honor of coming out to myself on this day one year ago, I thought it would be appropriate to say how I got here.

So it was on this day a year ago that I was poking around tumblr, and ran across some other trans girls blogs (I can't remember whose it was) and started reading their story and thought "oh my god, I have those same thoughts and feelings as her! This explains so much!", which is why I want to write down my story, so some other completely oblivious person may read this and have the same reaction. So with that in mind here are all the signs that I completely missed, or suppressed for many years.

Literally my oldest clear memory is that of me being at my best friend's house playing dress up and wanting to wear the girliest thing she had and thinking how unfair it was that guy's stuff is so boring. Throughout all of elementary school I could best be described as nonbinary (or at least gender nonconforming) as I definitely did not like being described as a boy, but not a girl either. Whenever I went clothes shopping I never liked trying on boys clothes, just did not feel completely right (something which up until now I still felt)(also none of this was totally not a hint, right?). I loved playing with my cars and trains just as much as my mom's old barbies.

Then middle school came, without a doubt where all my problems and suppressed feelings come from. Up until this point I was fine and happy to be who I was, whatever that was. Almost immediately I had to hide who I was as my interests were seen as "little kidish", and I had to start acting like a boy, and liking boy stuff or else I would get made fun of, which still happened anyways. The worst part of it, and when I felt it most was gym class. I never really liked my guy equipment, I always thought it looked weird, and girls equipment was just better (most certainly not another major, obvious hint). I would always go to the bathroom to change so I did not have to be around the "other guys", because again I did not like my body. While everyone else wore shorts, I always wore long pants (and still do just from habbit) as I hated my dark leg hair because it wasn't light or nonexistent like all the girl's legs were. Middle school seemed to drag on forever with me just hiding more and more of myself each day, and trying, and failing to fit in as "one of the guys".

By the first year of high school I was painfully aware of how different I was from every one, and as such had almost no friends (I could count them all on one hand). I took some special classes that year, which made me feel better, as I was at least part of a select few who got to spend a semester at the local science center learning tones of stuff. The next year I had to take gym again as I had to skip it the year before to take the special classes, and in that class I met someone who I would consider one of my best friends to this day (who happens to have been and is in a wlw relationship) . I knew about the LGBTQ+ community by this point (and had been to a few parades by now), but at this point I had never seen a wlw relationship with anyone I knew, only straight relationships, but when I saw their relationship I was like "oh I like women like women like women" (there is a difference that I can tell between the two of how they treat each other I feel). Fast forward a year, and I get involved in a sewing competition. Myself and my best friend were both part of a club (technology student association) which had a "fashion design" competition and I thought that I should do it as I liked sewing and my mom was a costume designer, and somehow I roped my friend into it too. The challenge was to make a period correct 18th century (1700s) costume. Because it was a period piece we had to do a lot of research, and the more and more I saw the dresses of the era, the more and more I wanted one for me, but alas as I was a "guy" I had to wear the more drab men's clothes (and for those who were wondering we did get 7th in the nation for it, the only reason we did not get first, even though ours was the most accurate, is because we did not bribe the judges).

Fast forward yet again, but now to freshman year of college, this is when the cracks started to form in my shell of denial and repression. Between doing a major which was the "right" choice for me (mechanical engineering), and being surrounded by very straight, mainly white conservative guys all day, I felt terrible, I felt like a shell of a person just doing what was "right". I tried to seek help from a therapist at school, but his solution to why I was doing so bad in class (especially since I was a a and high b student in high school), and why I just hated me, was I did not study enough. This just made me feel worse as I felt like I was a freak and a failure. I had no friends, hated the city I was in, hated my major, and hated me, I just wanted to go home. After the year was over I dropped out and decided to take a year off from full time school (still took a class at another school though as I thought I might go back). I found a new therapist, who did not think that me not studying enough was the root of all my problems, and started working through myself. I still felt off like there was a piece of my puzzle that was missing. Around this time I started going on here more frequently, and reading up more on the whole LGBTQ community, you know to be a better supporter and all. I became more exposed to the trans community, but was still in complete denial, I was like "good for them for figuring themselves out, but could never do that". Finally on this fateful day a year ago I realized that what I had been experiencing for years was the wanting to become a woman, and now I had a word for it. I realized that I was transgender. A day or two later I created this blog, and the rest is recorded here.

I may do another reflection later on the rest of my journey, but I don't know when.

If you have any questions about my journey, or want any help to help you on yours, feel free to message me, and I'll do my best to help.

#me #my journey #transisbeautiful #girlslikeus #outwithnicole #coming out #a ghost with many names