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jokeroutsubs · 9 months

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Joker Out between dreams and reality (Val 202: Music 202) - Part 1: Bojan and Jan

Today, 3.08.2023, Slovenian national radio station Val 202 broadcasted a recent interview with Joker Out members Bojan Cvjetićanin and Jan Peteh. Below is the translation of the interview, which you can listen in the audio file above, or on this direct link.

Interviewer: Joker Out, the five-man band that sent Slovenia into a frenzy and is well on their way to sending Europe into a frenzy too. After their Eurovision performance in Liverpool, a lot of doors opened to Bojan, Kris, Jan, Nace and Jure. And Joker Out are stepping through all of them with decisive steps. Massive crowds at their concerts at home and abroad, concerts until the end of the year in Serbia, Croatia, Poland, Scandinavia that sold out in minutes, and crowds of dedicated fans around the world who seem to know all the lyrics by heart, even though Slovenian is far from familiar to them. I talked about all that with Bojan Cvjetićanin and Jan Peteh, two of the founding members of Joker Out. To start with, I asked them whether they’re living their dreams.

Jan: Fortunately, we're living more than our dreams, we’re living our lives. Bur what’s happening right now was still a dream not so long ago, yeah.

Bojan: I passed the Museum of Modern Art yesterday and saw that they currently have an exhibition called “Don’t dream your dreams”, so… it’s better to live them.

How are you absorbing everything that’s happening right now? A Slovenian band that’s, let’s say, more “midstream”, has never managed to do what you’re doing right now. Are you watching that with excitement, wonder, maybe even fear?

Bojan: Yeah, it all definitely caught us a little unawares. It’s true that everything that’s happening now was absolutely our aspiration when we decided that we wanted to go to Eurovision this year. And what we secretly and not-so-secretly wanted really came true. But I’d say that you cannot be prepared for all that to really happen. It’s truly crazy to follow these moments when we announce a concert abroad in some city, often in cities we’ve never even been to, and before we can even all post “juhuhu”, it’s sometimes already sold out, so… I mean, damn.

Jan: Never in my life could I have imagined that I’d see a full venue in Glasgow or London sing our songs in Slovenian, so moments like that are definitely the highlight of every week and month. But then there’s a big contrast when you come from that somewhat surrealistic experience into the quiet of your own home, and you’re at home for a few hours. Because you don’t know if this is real life or just a dream, or if you’re shifting between them. So it’s unusual, but… I’m enjoying it immensely.

Jan has pointed out that even abroad, fans sing Joker Out songs in Slovenian. After one of their recent concerts in the UK, I saw a comment on social media that went something like this: “I didn’t understand a word, but that was the best concert in my life.”

Jan: That’s what Bojan says at the start of every concert, “prepare to not understand a word for the next hour and a half.” But people are screaming, enjoying themselves. And some even pretend to understand the songs, even though they probably don’t.

Bojan: Well, that’s the main point of music, right? Music is special exactly because you don’t have to understand it, you just have to feel it. But it is weird for us because we’re not used to this happening with Slovenian language. Especially because… really from the moment we started making music, everyone was telling us that first of all, with Slovenian you can’t even make it in Slovenia, second of all, absolutely no way you could make it in the Balkans, and we’re not even going to talk about breaking into other foreign countries.

Bojan says that even with the upcoming songs, and hence with the new third album, they will not forget their mother tongue. Especially because they recognise you can achieve a lot even if you don't sing exclusively in English. Their ambition to tell an even bigger story, to expand to larger venues and to have a new, larger fan base is turning things around.

Bojan: As you mentioned in the beginning, we are a mainstream band. In mainstream music it is always a good idea to include the masses and make your music easily accessible to them. We have witnessed an initial push of interest after Eurovision, with some fans genuinely drawn to us as musicians. They're really, really committed to learning the material, because they want to come to the gigs and enjoy themselves. They're taking it to the max and that's phenomenal. And it's also our aspiration to grow. After all, writing songs in different languages is, by definition, a kind of musical experiment.

Kris (in the background): And a challenge.

Bojan: Yes, absolutely a challenge. We're not setting off to write the third album as an English only album, of course. We've decided that we want to do a multilingual album, it will absolutely include Slovene, Serbian and English, and hopefully include some Spanish and French language as well. That is something we want to play with.

Not only Slovenian and English, the other languages represent a challenge as well, say Joker Out. Speaking of the third album, it's already, let's say, marinating, in the making. Joker Out is also a band that has not suffered the so-called curse of the second album. It was, dare I say it, was even better than the debut. Are you concerned about the possible third album curse?

Jan: Our Demons have obviously defeated the curse of the second album. As for the progress of the third album, we recently had our first really creative rehearsals since December, when we were working on Carpe Diem in Hamburg. From then on, we've accumulated so much creative potential, that it simply poured out of us during those few rehearsals. Now each time we get to our rehearsal space, our need to create becomes so intense that I think if we keep this up, we won't have to worry about the demons of the third album either.

As Jan points out, they are not lacking in creative inspiration. Bojan agrees, adding that in recent months they have often been 'emotionally shocked'. This means that emotions have boiled up and things that they were not used to before have been happening, which made it difficult to process certain situations. Last week, Joker Out parted ways with one of the members of their core team, who found himself under an avalanche of criticism, especially on social media, for inappropriate behaviour. The news of the termination of the collaboration was followed by many thanks from fans that the band members had not only heard the message, but had also taken action about it.

Bojan: Yes. We have really had a very, very complex situation that we have always hoped would never happen to us, but as we said in the statement, we hope and believe that it will never happen again. What has happened was that one of our team members has created an unpleasant atmosphere with our fans, with our listeners, in a repetitive, how shall I say... Pattern. He often chose the wrong words, and this in turn led to many feeling, I would say, unpleasant, uncomfortable. Both at our concerts and on social media. And that is something that is absolutely unacceptable for us. We have always tried to put 1000% positive energy out at our concerts and share it with people, and the people also gave that energy back to us, so any disruption of that process is, as I said, unacceptable to us. And we absolutely had to say goodbye to this member.

The singer of Joker Out says it was the right decision and the band stands by it, adding that they have learned a lot from this experience. If nothing else, they have realized the true power of social media. They have learnt that it can bring a lot of good things, but there are also a lot of bad things that you can't be prepared for.

Bojan: I have to say that, yes, I've withdrawn from social media now, because I want to make this album under positive influences, not negative influences, and really, on social media I feel like I'm trapped in a world that I don't really want to be trapped in. So, yeah, for example, let's say two days ago, I was really negatively shocked, or affected by a moment when... We had a concert in Ptuj, which was a really specific experience, because I was having a panic attack on stage for an hour and a half, and I was just thinking about whether or not I was going to faint or not. I don't know why, whether it was the air, whether it was too much coffee, or what happened, but it really wasn't a pleasant concert for me, so within 20 minutes after the show I was rushing home, right. But on Twitter there was this post, some girl who said that I... that some security guard or somebody on my behalf invited her backstage after the concert. Which, whoever was there, including the organiser, knows wasn't even remotely true, because as soon as I got out of the shower, hands shaking, I got into the van and went home, sitting next to Nace, bag in hand, so as not to throw up right there in the car. So, there are some things we are not prepared for. There are dimensions that are a whole new world for us.

In the second part of the interview with Joker Out on "Val 202" (name of the radio station, "Wave 202"), we're sticking to departures and leaving. Joker Out is a group where two band members were replaced in the past seven years. The drummer Matic was replaced with Jure and the bassist Martin with Nace. That's why I am interested in how replacements influence the group or rather the ahmosphere in the group. A music group has to breathe as one. Jan says that each member brings a different energy to the team. He's convinced that one half of the first album and the whole second album would have sounded totally different if the drummer Jure hadn't joined them.

Jan: At this point, I'm simply happy that it happened, and it goes for Nace as well. Because now, I can hardly imagine two better persons for this band or better friends.

Jure (in the background): Awww!

Bojan: The fact is, members leaving a band is definitely a very difficult thing. We've had five members in the band since its creation. And as Jan said, when the energy changes, the balance that was there gets disrupted. Now there are only two possible scenarios. One is that the new energy is less suitable for the collective and the whole balance is brought down. Or that it is more positive and elevates the whole thing. I believe the universe helped us somehow; in both cases the energies that joined us, pushed us into new realms of creativity, positivity, literally everything in a very short time. So, I know that everything happened here just the way it had to happen. Even if you ask Martin, who just left the band, because he wanted to pursue another path in his life. You can ask him now, I know, because I live with him, because we are roommates. He is the luckiest man because, in the same short time that we have started branching out in new directions, his personal spheres have taken off in the best possible way, and he is, as we say, kicking ass. We can say that by 2023, everything that went on has happened as it should have.

Everything happened like it was supposed to happen, says Bojan. Also in Liverpool on the Eurovision stage. Barely three months later, Joker Out are living the life they could have only dreamed about. Masses of fans, sold out concerts and a feeling that only the sky is the limit. Is the current success partly or solely due to Eurovision, that's our next topic.

Bojan: It's absolutely not just a consequence of what happened in Liverpool because that was just one big catalyst for everything that we've been doing as a band since the beginning. (It also has to do with) how we dealt with Liverpool. Because what is happening today, as I said, was planned. We didn't know to what extent it was going to be realized, but it was a plan. Liverpool has made a difference for us in a way that no other night in this world can make because it has literally brought us, in one night, bizarre numbers of new audiences that we could not have imagined before. So, in one sense, yes, that is what Eurovision did for us; we cannot deny it. But on the other hand, it was us who did it.

Jan: In harmony, Eurovision and Joker Out, hand in hand.

Bojan: Together forever Joker Out, hand in hand.

Jan: *singing* # Together forever #

Together forever. Behind the group Joker Out is 7 years of creating. For the very end, a question, where do they see themselves in 7 years.

Jan: Now I've had a couple of people ask me recently how do you handle it when there's so much going on. To me, it seems like a primary school experience, where every year, the new grade is a little bit harder, but you're also evolving from the previous years. So, if we were thrown from zero to where we are now, we wouldn't even know where to begin. We have quite a bit of experience behind us now. It's a very steep road, exponentially growing, mathematically speaking, and I'm glad that we are at a point where nobody is confining us to a certain determined path that we should follow, but it's all up to our own volition. Whatever we decide to do, we will do, and I think that we can be very happy about this kind of artistic freedom. So, I'm also very excited and eagerly awaiting to see where this will take us.

Bojan: Here, Jure is suggesting that in 7 years we'll be doing Wembley. There was an idea that we should book Wembley now for the year 2030 and we release the tickets today. It would be the first concert in the world, where the tickets would be sold 7 years in advance. Then we'll wait and see what happens. If something will happen, it'll happen; if not ... it will get canceled due to illness.

All: (laughter)

Translation cr: @kurooscoffee, @beeoftheanxieties, drumbeat, +2 anonymous jokeroutsubs members

#joker out #jokeroutsubs #bojan cvjeticanin #jan peteh #martin jurkovic #nace jordan #jure macek #kris gustin #please let us know if you notice any inaccuracies or mistranslations #we really tried to do our best while at the same time getting this done asap bc of its topicality

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bowserpunk-vevo · 1 month

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Croatia in eurovision psa/lh

i need europe to know something about Croatia's eurovision entry. and i mean it, this is... quite rather important. well if you wanna understand the song that is, idk maybe it wont be as important to you, i dont know you

so if you heard it, you may have noticed that its a song encouraging dancing and is all happy and hyper and whatnot. the song is actually very sad and melancholic and sombering if you live in a culture like ours. he is singing about going to a big city, leaving his family and everything he ever knew and loved behind. he literally uses the phrase "my anxiety attacks". over here, most people stay in their family home for generations. my grandmother still "worships" the home her father was born in. the villages and towns are small here, pretty much your whole life is just as small, and to suddenly go so far far away from such a closely-bound family/town to a big city where life is completly different and cold... its a big scary things. he talks about the city boys and hopes they also know his family's dance, he calls them advanced, and is hopeful the noise will be calming... its scary, and its a thing that happens very very often. Croatian people are moving away more and more. and not just to a big croatian city (the the capital is very popular as well), but to places like Germany, Ireland, or Sweeden and Norway. i personally have family or people i know who made a life far away and we dont even know how they are by now. its a big decision, but its in search for a better life (we literally have addventisments begging people to stay in their city/town or even in Croatia itself). he says he's leaving with the first light, and asks his family not to cry, but to dance... and together they'll have one last one, as a last goodbye.

i just really want everyone listening to the song to know that its not just a dance song, a party song... its a song of great turmoil and remedying it with a family dance. i feel by understanding more of the song, you'd see it with more respect.

and im not just pulling this outta my ass, those are the themes we have here, and if you watch the official music video of the song... it ends with him sitting by a pier waiting for his boat, sitting on his bag with his head in his hands, all alone, not a soul in sight. as the sky is cloudy and dark, somber music playing along. much different atmosphere from the rest of the video, and song in general.

#mr. koopa original #eurovision 2024 #esc 2024 #eurovision croatia #esc croatia #eurovision song contest #eurovision 2024 croatia #esc 2024 croatia #baby lasagna

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doyoulikethissong-poll · 2 months

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Sorry if this has been asked before, but what's your process for selecting songs to create polls for? I have an extremely wide music interest range, but I feel like even I would have massive blindspots for a lot of stuff, just because of the sheer amount of music that's available, difficulties with search engines, and the user-reinforcing nature of algorithms on most sites.

So far, I'm extremely impressed. One particularly-niche artist I love has appeared on here before, which absolutely made my day. If there's a random-selection tool you're using, perhaps selecting from a massive, community-built database of song listings, then I'd be very interested in knowing about it. If not, then once again I'm really impressed by the range you've been finding so far, just based on genres alone.

Hope you're having a great one!

asfkjfdhr i just really love music? :'D it's my autistic trait, I think.

I have siblings who are up to 20 years older than me so I grew up with their music as well as my parents' music while the other kids my age had never listened to that stuff but i made them, i got to listen to music from "the other side of the world" through foreign family members, I was pretty much glued to MTV, and Eurovision can be quite a good source as well. And then there's the movie soundtracks....!!!! and there were a few anime years as well with all that music, too. It all have been a great way to expand the interest range without even being aware of it, i think? There have been some fantastic new discoveries to me amongst the submitted songs but i've also been lazy and chosen submissions that's already been in my mp3 collection. I am slow with working my way through the submitted songs but there's gonna be more of them, I promise!

idk i just thought this whole music hoarding thing was normal when growing up and then I realized it wasn't and I guess I've finally found a use for it now lmao 😂

The process of picking songs pretty much goes like "I love this one! And this! I don't love this but it's cool and different so in it goes! But I love this! And this! And thi- no wait that is too similar, I'll hold it for a while. And this! Oh and a submitted one! And this!"

That said there's only one song i've actively searched out and it was by googling "2024 number one" for something brand new from this year.

Which artist of yours was it that was posted? :D

Thank you so much, and I hope you have a great day too!! 💖💖💖

#other

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euroquision · 2 months

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No, Iceland is not up to "dirty political tricks" and neither is Bashar Murad

Hey lovely people, spirits, souls, and ghouls of Tumblr! To those of you who don't follow me on TikTok, there's a video I made just yesterday concerning Iceland (the lil Eurovision Country that Could!), Israel, a certain Irish TikTok-er with impressively horrible media literacy, and our dearest friend Bashar Murad. If you're not on TikTok, that's wonderful and dear god you don't need to subject yourself to that app. Instead, I wanted to make a post that explains what's going on, what's being said, and why one (1) Palestinian is not responsible for the aforementioned "dirty" political tricks.

If you're following Eurovision or just Bashar Murad himself, consider giving this a read.

So let's begin! First: who's calling Bashar Murad/Iceland "dirty"? Where am I getting that word from and why is it in quotes? That's because: it IS a quote! Buck wild, I know. This is a quote from the TikTok account AllThingsAdam.ie, run by the Irish Eurovision...fan? Podcast-haver? Idk, I'm not saying "journalist" because if I wanted to have a laugh, I would just watch the Unicorn edit I made a couple months ago. Did I share that here yet? Just in case, here it is:

Never fails to make me smile. Great edit, Me! Anyway, back on topic: Adam McCallig is a person with a TikTok account that has half a million followers, he has a podcast where he's interviewed Eurovision and NF artists, so he's definitely a "known figure" to a certain point. I can't sit here and say he's some random troll, y'know? So, in a TikTok that has since been deleted from his page, he accuses Iceland of being up to "dirty political Eurovision 2024 tricks." I created a TikTok where I briefly show this video, and here's a link to that! You can watch that for my condensed version of everything I'm talking about here, but this Tumblr post is for those who like reading what I have to say in longer form. Here's that video:

Since Adam's video is now "gone," I will do my best and summarize what he stated with whatever journalistic integrity I have. First: you hear him open the video with the word "dirty." So no one can say I'm putting words in his mouth -- no no, these are lifted from the source material, honey. Next, he goes on to claim that Bashar "has no connection to Iceland whatsoever." As much as Adam wants this to be true, it just...isn't?? Like, let's ignore Bashar's longtime collaborations with HATARI. Instead, let's look at him literally performing on the Songvakeppnin stage in the 2020 NF season:

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Additionally, the claim "Bashar has no connection to Iceland" rings very hollow not only when we know this claim is false, but it's not one Adam brings up about the many artists trying to represent a country other than their own in the 2024 NF season. Adam says he "knows that countries can let artists from whatever country represent them," but he hasn't made any videos about Marcus & Martinus (Norwegian) competing in Sweden's National Final. Tali (Israeli-born) is representing Luxembourg this year, and MEGARA (Spanish) are representing San Marino. "Foreign" artists representing any country in ESC is FAR from new, and if it were a punishable offense, Celine Dion would just have to settle for being Canadian.

However, as soon as Bashar Murad takes the stage and the colors of the Palestinian flag are visible, Adam is ready to take to TikTok and say "dirty political tricks" are at play -- before deleting it later, like I mentioned. In fact, not only did he delete it! Mere hours before writing this post, I used my second TT account to peep his page and he posted a video saying "One of these four songs should represent Iceland in Eurovision!" and showed snippets of four songs competing in the Icelandic NF Grand Finale, which takes place on Saturday the 2nd of March. However: there aren't four songs competing to win for Iceland. There's five. Which four did he show? The fours songs that AREN'T Bashar Murad. And yet, he's the one being dirty in all this? Adam, sweetie, the dirty call is coming from inside the dirty house.

Now, you might wonder if Adam has kept this kind of energy when talking about Israel's Eurovision participation, which at time of writing is still very much up in the air. But thing is: he doesn't. At least, not really. Adam has posted a video condemning the alleged song that Israel is trying to submit to Eurovision titled "October Rain." I won't go too deep into that -- please follow @/IsraelBreaksRules on Twitter for more details on this!! But basically, what Adam is attempting to do is play some sort of "political centrist" take on Eurovision, while simultaneously trying to say "Keep politics OUT of Eurovision!!" And at the end of his deleted video, Adam claimed that while "what happened in Gaza is terrible," Iceland is just as guilty for playing political tricks as Israel might be, and Bashar Murad's participation is just as bad.

Two things wrong with that statement, Adam. One: It's not what "happened" in Gaza. It's not past tense. It's on-going. It hasn't stopped. That's actually -- believe it or not -- WHY WE'RE STILL HERE. And two: JUST AS BAD?? REALLY??

If you watched my TikTok response that I shared the link to, you'll have seen the evidence I shared. But I wanna share them again just so you all can clearly see how the "political tricks" at play this year are not on the part of Iceland, nor would they be "just as bad." Where do we begin? Maybe we could begin with the fact that "Wild West," Bashar's song, has been spammed with negative reviews by anti-Palestinian ESC fans. This is mathematically observable when you notice "Wild West" has roughly THREE TIMES as many reviews as the other Icelandic NF songs on EurovisionWorld.com. You can check them out here and see the numbers yourself.

But it doesn't stop at bad reviews. Israeli ESC fans have begun a campaign to mass vote against Bashar, specifically for Hera Bjork, one of the four other competitors in Iceland's final on Saturday. This is really funny to me though because if Bashar doesn't win, it should totally be Sigga Ozk, right? GO TIFFANY!!! Anyway, I digress. A link to an article covering this voting campaign can be found here!

Not only is Bashar facing backlash, hate, and organized efforts AGAINST his participation, Israel is funneling money and resources into Facebook ads that look like this, claiming to shape the narrative:

...as well as filming "comedy" "sketches" like this "song" called...

*deep existential sigh* "Jews Pua" Link to that video here, if you can stand three minutes of awful propaganda containing just the right combination of shitty, easy rhymes and enough pinkwashing to put "Cops at Pride!" to shame. All of this should make it VERY clear to anyone observing this situation as a whole that the political tricks at play are NOT being done equally from everyone involved. Dare I boldly say: this shit is INCREDIBLY ONE-SIDED and we need to remind ourselves of the awful reality that is Israel's access to the money, ability, and audience of their "dirty political tricks" more so than Bashar Murad or Iceland ever could.

Lastly, let's just acknowledge the racism-shaped elephant in the room. Now, I as a white American am not here to play "Racism Police." That will never be the case. What I am about to say applies to the greater conversation, and it's not just an "Adam" problem. It's a problem we see happen when one (1) Palestinian decides to exist and write a song, and the way the world has been built around us conditions us to see that and scream "dirty political trickery afoot!!" Truly, ask yourself is this is "equal" in any way shape or form, as Adam posited. Adam and people like him will treat Iceland and Israel as equal, but that doesn't automatically make them "equal."

We are living in a world where Israel is currently being sued for genocide. That is not an exaggeration, it's just something we can all see and talk about. Israel is a country that has the money, platform, and bias of the most powerful countries of the world to not be held to the same standards of responsibility for the horrible things they're doing, nor is my own country being properly held accountable for PAYING for these things they're doing. Race is something used as a tool to identify oppressed peoples not just because it's discriminatory, but it tells people who aren't part of that group that people like Bashar Murad are simply political just by existing. Nowhere does Adam mention that Bashar and his song "Wild West" are about his journey as an artist having to leave his home and travel thousands of miles to the global "west" to even have a chance of representing Iceland (not Palestine, not Gaza, just Iceland) in Eurovision while the country responsible for the death of his people are facing MUCH less scrutiny from the Eurovision powers that be, let alone Irish TikTok accounts with re: shitty media literacy skills.

My final message to you is this: if you're someone paying attention to Eurovision and you maybe feel confused or overwhelmed by Israel, Iceland, Bashar, etc. etc. etc., here's what I want to tell you:

This is not an equal game. Iceland/Bashar are nowhere near on the same level as Israel and the money/access they have to GLOBAL levels of propaganda. Israel, in fact, verbally confirms how they want to use Eurovision to "shape the narrative" which is far dirtier, far more political than just the song "Wild West." Moreover, thinking that treating Eurovision as apolitical or that EVERYONE deserves the SAME level of EQUAL scrutiny only helps Israel at the end of the day. The things they've done, are doing, and hope to do are representative of tens of thousands of people they've killed in the last few months alone. Would you genuinely look at Bashar Murad trying to represent Iceland and say "Yep, these two things are the same"? My hope is that you wouldn't, but people like Adam clearly do.

Don't be like Adam. Don't play this weak-ass centrism card that ultimately helps no one and just makes it easier for people to shift blame, suspicion, or anger towards Bashar Murad. This is not the fight being had right now, and don't let it waste your time. Focus on what and who matters, which is obviously: the country doing genocide and wants us all to be chill with that.

PS. As a personal recommendation, "Wild West" and "Into the Atmosphere" are my two favs to win for Iceland, so def go gives those a stream. And while you're at it, let Bashar himself take you on a visual journey that might help you understand his message a bit better.

Much love you all. Thank you for being here. EuroQuision out.

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#eurovision #es #eurovision 2024 #esc 2024 #bashar murad #free palestine #free gaza #iceland #songvakeppnin 2024 #israel #euroquision #tiktok #twitter #Youtube

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korvessa · 10 months

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Käärijä and Bojan meeting -timeline (Part. 1)

So, I wanted to make a timeline about the eurovision preparties because I’ve been way too frustrated when people say that this is the first time that Käärijä and Bojan met:

When it is NOT!

So because it’s raining outside and I’m bored, I present to you: Käärijä and Bojan preparties timeline (part 1)

Preparties were held in:

Barcelona (23.3.2023)

Warsaw (1.4.2023)

Tel-aviv (3.4.2023)

Madrid (7.-8.4.2023)

Amsterdam (15.4.2023)

London (16.4.2023).

Joker Out participated in every pre-party, Käärijä participated in Madrid, Amsterdam and London.

1. Before Preparties, sometime in march:

Bojan trying his best to learn cha cha cha (from Joker out’s instagram).

2. Barcelona 23.3.

Nothing particular here expect this cute moment from Joker out interview when they were asked to sing their favorite part of their song:

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Also watch Carpe Diem series ch. 3 from Joker Out youtube channel <3

3. Warsaw 1.4.

Again, nothing special, Käärijä in Finland doing gigs and losing his boleros, Joker out in Poland, Bojan very sick.

They were vibing to cha cha cha tho:

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Really, you have to watch chapter 4 & 5 from Carpe Diem series. It’s on youtube. Here is the link.

4. Tel-aviv 3.4.

Bojan still sick, Käärijä still in Finland.

This time they danced to cha cha cha in party buss, there’s video somewhere in the internet.

5. Madrid 7.-8.4.

Now we are talking. The first party where Käärijä was also present.

Madrid pre-party was two-day party and they met in the first day, April 7th. I’m pretty confident that Käärijä had no idea until this party who Joker Out (or Bojan) was because he was pretty busy doing gigs back in Finland (and he also kind of admitted that he hasn’t listened all of the Eurovision songs at this point). At that point he had said that his favorites were Germany and Austria or any other song he had listened in this video.

On the contrary, Joker out had been very vocal about Käärijä in their twitter (and in their interviews):

This was tweeted right after Käärijä won the UMK, in febuary 25th

Käärijä-pe Diem was later mentioned again by Bojan in his and Käärijä’s instagram live in May

Anyway, back to Madrid...

April 7th: The meeting

here is link to the video of Käärijä being very lost and kind of nervous because it is his first time meeting everyone (also you can see joker out behind him)

(Very loose translation: He is saying that the people there are really nice and that he is slowly getting better in english. He says that everybody is taking pictures together but not with him. Then he zooms to the mediapeople (they are waiting to go to do the interviews).

HERE is the first meeting (that we know of), everybody knows this video:

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“wtf Bojan”

Cute photo of Käärijä and Joker out:

and this one from Käärijäs Instagram story:

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After that, it was time to go to meet the media. Here is Joker out waiting for their interview. Käärijä is there in the backround and it seems that Bojan was pretty distracted by him (he kept glancing him like three times, bro you just met him chill out):

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from this livestream

This is the end of part one, see you in the second one. If you dare.

#Käärijä #Kaarija #bojan cvjeticanin #Joker out #Esc #esc 2023 #eurovision 2023 #käärijän #kaarijan #prepartyes #madrid preparty #Käärijan #idk i was bored #Youtube #Vimeo

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corrodedbisexual · 1 year

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@steviesbicrisis your Steddie Eurovision brainrot never left my brain, so now I'm thinking about Eddie going for the ultimate love confession by learning Stefano's song (Duolingo lessons paid off somewhat, he's got the pronunciation down at least and the lyrics can be memorized). He rearranges it into a beautiful metal power ballad, rents a studio, and they record the cover overnight (bless his bandmades for indulging his insanity when they could be out partying like the rest of the Eurovision crowd, but they end up having fun with it, too). Eddie uploads the song to their Spotify before he can chicken out and goes to bed to scream into his pillow.

Steve wakes up to about a hundred notifications of people texting him and tagging him in posts about Corroded Coffin's new cover track. He listens to it several times making sounds absolutely unbecoming of a grown man that he is, and kicking his feet, and texting Robin in all caps and heart emojis because he's absolutely GONE for that low gravelly voice singing HIS song. (Robin, who's currently in the US, texts him back a picture of her bedside clock showing 4AM, with a deadpan emoji. But then also "go get your man dingus" and an eggplant emoji.)

Later that day Eddie attends Steve's concert at a club, hoping to blend in with the crowd, but Steve notices him just as he's about to close with his Eurovision number, grins wide and says, "I think there's someone in the audience who might help me put a twist on this one. Hey Australia, get your ass on stage."

Before Eddie's brain even catches up with what's happening, there are lights on him, the crowd recognize him and all cheer and whoop and whistle; news travels lightning fast in the village, so all the Eurovision fans present have heard his cover already and are thrilled about what they're about to witness. Eddie's being pushed forward, his feet helplessly dragging him towards the stage, and there's an electric guitar shoved into his arms by someone.

It's only thanks to years of experience and muscle memory that Eddie manages to tune the guitar while his brain short circuits about being right next to this gorgeous man, hair a mess, neck all sweaty and shiny from the stage lights. And then he's playing, Steve's band follow his lead, and Steve sings the verses himself but pulls Eddie in for the choruses. They are both singing into the same mic, pressed together back to back, Steve's face and LIPS so fucking close the entire time, their cheeks almost touching, making Eddie buzz from more than just stage adrenaline.

The whole audience joins in on what was supposed to be the final chorus, Steve and Eddie turned around now to almost face each other; Steve throws an arm around his shoulders and grins so wide and dazzling as he sings, eyes moving between the crowd and Eddie, and Eddie can't stop grinning back at him; holy fuck, the man is so beautiful like this, Eddie never wants this to end. He repeats the chorus tune on the guitar over and over, changing up the rhythm to go faster and faster on what was initially a slow ballad, matching his own accelerating heartbeat. Steve's grin is absolutely brilliant as he matches Eddie's pace perfectly in this little improv, despite the lyrics going so fast now Eddie would never be able to do that, but Steve practically breaks into a rap by the end of it and he's ON FIRE. The crowd is going wild, everyone jumping up and down and just high pitch screaming when the lyrics get too fast for them to follow, too.

Eddie ends it with a quick improv guitar solo, Steve's eyes on him the entire time, wide and shining as he not quite headbangs, but keeps nodding to the rhythm. Then, with the final chord still ringing out, Steve leans into the mic to sing the chorus one last time a capella, slow and soft. The club immediately goes quiet as everyone listens, mesmerized, and so does Eddie. God, this man has a beautiful voice.

Steve's eyes are closed for the most of it, but they open on the final line and land on Eddie as he sings it, and Eddie remembers the translation of it. "Would you let me love you like it's our last night on this planet?" He is so gone, gone, GONE. When the set ends, and they both bow to the audience whose cheers are near deafening, it's only the fact that every single person has their phones out to record the performance that stops Eddie from kissing the guy right there on that stage.

Steve drags him backstage and slams him into a wall the moment they're out of sight, and it's kinda funny how they are making out like horny teenagers before they even had a single conversation, but after all, music speaks louder than any words.

#i also have thoughts about Eddie being absolutely embarrassing during voting #screaming and jumping up and down with an Italian flag he sneaked into the green room every time Stefano gets 12 points #steddie #fanfic #eurovision #steddie fic #misha-bawlins fanfic

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gshina · 11 months

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When I think about the difference between Finland and Sweden in Eurovision, it has always been clearly different for me.

Sweden knows how to be that factory-like perfect machine that creates songs. I myself have never liked Swedish representatives that much, I disliked Måns Zelmerlöw’s as well both Loreen’s songs with the simply reason - its boring. In the last decade I can name only two Swedish songs that I have liked which are Frans’s If I Were Sorry (2016) and Benjamin Ingrosso’s Dance You Off (2018). I've been of the opinion for a long time that swedish songs are the same, it’s the same perfectly sound pop machine song what you can hear every day on radio. it's like playing the same old record over and over and always the jury eat the same old smelly cheese and it's not fair. The problem with that is that it encourages countries to send in non-offensive pop music in order to appeal to the professional jury, most of which will be very mediocre and boring to watch. If the people didn't get a vote, we wouldn't see entries like Finland or Croatia. Those kinds of performances are what people watch Eurovision for! Nobody (should not) wants to see a non-offensive pop music contest. We want originality! We want fun! Eurovision is about the fun, this is not The Voice or Idols.

When I think about Finland, the success has been variable, but what I'm proud of is how at least Finland doesn't send the same old garbage every year. We have taken risks, risks which certainly not every one of them has been my favorite but I think that daring to take risks is one of the most appreciated quality what you can have. The last night Finland had one of the most unique songs ever and now I am not afraid to say how I feel I have been cheated. And before anyone has time to comment that "Finns are just bitter when Sweden took the victory in front of their noses" this is about much bigger than national cheating.

Käärijä's popularity among the international Eurovision nations has been extraordinary. During the five-day week polls, comment fields and reaction videos were filled with green emojis, Finnish flags and Cha Cha Cha shouts. The reactions of the live audience at the finals were also incredible. During Käärijä's performance, the large audience wildly sang along. The greatest moment, however, was when the impatient audience got tired of Sweden's growing neck in the town hall votes and burst into shouts of protest.

Three minutes later, in the midst of all this ecstasy, the rug was pulled from under our feet. The situation was simply awkward that all felt wrong in every blood cell of me. This can't go like this. The public had made Käärijä a phenomenon. The audience cheered Käärijä in a way that has not been seen before in the history of Eurovision but the professional jury made all of that look like nothing.

There are five music professionals in the jury of each country. So 185 councilors have been given the same power as hundreds of millions of viewers at home. council whose task was originally to prevent favoritism from neighbors? Nevertheless, year after year, it is precisely the "professional jury" who, by chance consider their own border neighbors and language partners the best of all. How is this fair?

The audience was just entertained by Käärijä. So much so that viewers wanted to use their own money to show their support for their favourite. Who is the show even made for if the audience doesn't get to choose their winner?

My not-so-unpopular opinion is that jury votes must be abandoned or at least reduced in weight. The Finnish Uuden Musiikin Kilpailu has already taken a great step in this regard, when in the finals of the competition, the public votes had a weight of 75 percent and the international juries only 25 percent. By renewing the voting system, the power would be given to those for whom the program is made to those who listen to Eurovision songs.

Today, Sunday, Finnish flags fly in Finland, of course, in honor of Mother's Day. But in my heart, the blue cross flags have been hoisted equally for Finland's victory.

Because that's who we are. Real winners.

In bitter disappointment I'm hovering right now and I'll be hovering for a very long time my mind also brushes with thoughts like how I would like to deny yesterday's results, abolish the jury vote praying so hard something shady happened with the jury votes and the result will be declared invalid oh and a bit also ban Sweden too, but especially the juries.

unfortunately I have to bring it up as well how we all know that Eurovision voting is also a bit shady..? It's Abba's anniversary next year? Doesn't seem suspicious at all. To win twice and bring back the trophy on an important year? yeah it does seem fishy. A lesser known artist catapulted into stardom? Loreen been internationally known for years. A country getting a chance to host after never/rarely doing so before? Sweden’s had it 6 times already. An underdog taking the crown by being an audience pleaser? She was the bookies’ favourite from the start. Eurovision being one of the biggest, most exciting things they’ve ever done? She’s done it all before.

None of these things are personally Loreen’s fault, and I actually feel bad for her that this win will be remembered as one that the public clearly wanted to give to someone else and being hated by so many people now and most won't even remember that she won. But it does all feel extra slimy and calculated on Sweden’s part, especially given the 50th anniversary of ABBA’s Waterloo just happening to be next year. It all feels very hollow and it will become pointless to argue.

I think that at this point it has become clear to everyone that I am from Finland myself yes and I really love my home country. My intention is not to bash Loreen this was not her fault nor to take away opportunities from any country. Sweden is my dear neighbor despite all this, but I hope that everyone understands the disappointment and even anger that I feel right now. I want to get justice that belongs to my country and was decided by the public and audience. For my country but also justice for every country that gets discriminated just because the jury think they know ”better” than the audience who is supporting, dancing, cheering, breathing and loving Eurovision air more than anyone else. Power belongs to the audience.

#finland #eurovision #käärijä #eurovision song contest #eurovision song contest 2023 #sweden #loreen

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drugsforaddicts · 3 months

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Omg yes!! Beautiful art for a beautiful story, thank you ❤️ Private landing is another fav of mine, so if you have time/inspiration maybe something from the newest chapter (8)? 🥰

I'm sorry I had to speed up with this one, but this part just punches me in the face the perfect 👌 way:

"Jere really thought he would be content with Bojan’s friendship.

But now, listening to Bojan belting those lyrics at him, singing his heart out, he’s not so sure.

Luodinkestävää sydäntä ei oo vielä keksittykään Turha pelätä laukausta sillä yksinäisyys saman reiän nakertaa

And with that, Jere thinks this experiment of being friends with Bojan has truly run its course."

Thank you @frikatilhi for all the feels 💛

#And sorry Tilhi this is not as good as the other ones!#Just run out of hours today :(#käärijä #bojan cvjetićanin #fic art #fanart #my art #bojere #bojere propaganda

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beauty-and-passion · 11 months

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Eurovision 2023: more about the true winner because I said so

Hey, guess who is not over Eurovision 2023 yet.

It’s me, I am who.

I have never been so invested and still so obsessed over this year’s Eurovision. I mean, I am always hit by the post-depressive phase of Eurovision, but that lasts a couple days - during which I usually go through all the beautiful moments and listen to all the songs on repeat - then I’m back to my regular schedule of stupidly long analyses and fanfictions.

(By the way, sorry for all the Americans who follow me and have no idea of what I’m talking about or what happened in this year’s Eurovision. Just bear with me, I will come back to posting Sanders Sides stuff. Just not today)

This year... well, this year was truly something. And if the last year and the one before I was like “aww, what beautiful moments, I miss seeing these people having fun”, now it’s all mushed into one ball of feelings. I look at those artists having fun with the eyes of someone who saw how things went down. I look at them celebrating the true winner after the finale and I have this strange mix of nostalgia and heaviness.

I am not mad anymore for the result. Or better: I am and I will always be because 200 people stepped over the will of millions. But what this loss caused is just so fascinating and so unique, I want to keep exploring it - and maybe talking a little bit more about the true winner of Eurovision 2023 will help me process my feelings too.

Or I just will satisfy my need to ramble more about this incredible Finnish man, either way.

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The sheer power of charisma

When you watch the entirety of Käärijä’s journey on this Youtube channel (and I suggest you do it, because it gives you a lot of food for thought), you notice a lot of interesting details.

From the moment he won the national competition and knew he had to go to Eurovision, Käärijä knew his only rival would’ve been Loreen. He said right from the start that it would’ve ended up with a confrontation between Sweden and Finland. He liked other songs and thought they could’ve been good opponents - but it’s pretty clear he knew the only one who could’ve opposed him was Sweden.

And he knew that Loreen was good. Even though I do not like her songs, even I have to admit she has good vocals. Sure, the vocals are the only thing I understand because she mumbles the rest of the song, but the vocals aren’t bad.

Käärijä knew she was the favorite to win. He praised her performance and called her “queen”, so he has been the first one to recognize her as a worthy opponent. He wasn’t so naive to think “I can easily beat her”.

However, he had some tricks up his sleeves. He knew his song was perfect for Eurovision, he basically designed it for that. He knew his performance would’ve got people’s attention. And he knew he had a lot of charisma.

You can say anything you want about him, but you cannot deny this man is charismatic. And this is a lot interesting, because charisma doesn’t have an exact definition and it’s not the same for everyone. And yet, we can all recognize and identify it as “charisma” when we see it.

The definition Wikipedia offers is that charisma is “a personal quality of presence or charm that compels its subjects”. And it’s undeniable that Käärijä has it. He has that genuine, simple honesty we see in childrens only and this activates our protective instincts, because we feel the need to protect him too. He is funny and makes us smile and everyone loves to smile and have fun. He is simple and humble and that makes him look more approachable and friendly than a superstar.

And his presence on stage is very, very good. He’s eye-catching and he knew it very well. He was the flashiest and the most interesting to look at - both because of his clothes and his appearance. Just compare him to the Cyprus guy: I don’t even remember the Cyprus guy’s face, but I doubt I will ever forget that iconic neon green bolero.

And I am sure he knew that very well. He knew the public would’ve loved him. He knew he would’ve gotten a lot of points because of the public. He knew he would’ve connected with them and not with the jury.

And so it was. The numbers are clear: he was and still is the public’s favorite. His result is the second highest in history right after Kalush Orchestra’s. The entire arena sang with him. During the voting portion, they kept calling his name. Everyone called him “winner”. As the Estonian singer Alika told him: “you had the public when they announced Loreen won”.

And by knowing that, I can understand why he was so bummed. He literally had everything: the perfect song, the charisma, public’s support. And I am pretty sure that, if the public gave more points to Loreen, he would’ve accepted his defeat easier.

But it wasn’t like that: he got more points than her in both the semifinal and the final. He has always been the public’s winner, right from the start. And even if he would've gotten the theoretical maximum of public votes from Europe (432), he still would've ended up behind Sweden.

Losing because 222 people gave your opponent an unbeatable lead isn’t something easy to digest. I mean, it’s been days and I haven’t digested it yet! And I am definitely not a singer, nor I did take part in the competition. However, I voted for him and, well, I am quite pissed that my money got wasted because of a stupid unfair system. The EBU should really refund everyone who tried to vote, considering there was no way to defeat the sheer power of the jury.

So, well, the competition ended with the public’s favorite losing the piece of glass. I will get over it, everyone will get over it. Käärijä himself will get over it - now he’s still rightfully sad about it, but as he said, life goes on.

And he will soon realize that losing the competition turned him into something more than a simple winner.

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The birth of a legend

If Käärijä won, he would’ve been just the winner of Eurovision 2023. People would’ve loved him like they love Kalush Orchestra or Maneskin. Everyone would’ve been happy, a little bit of post-Eurovision depression as always and we would’ve forgotten it.

But losing had an even bigger impact, because Käärijä didn’t step down to second place, but over the first place. Being so spectacularly wronged in front of the world made him ascend to the status of legend and the public went crazy for him. Cha Cha Cha reached the top of Spotify's top 50 global, people from all European countries called him “the true winner” and I’ve seen more than one American, who knew nothing about Eurovision, watch his performance and protest for the result as well.

Even Tumblr was affected by this: the tag Eurovision trended for 3 days after its ending and, after it stopped trending, Käärijä kept doing it for days. And he’s still doing it, so good job people, let’s keep the party going on for a little longer: we all deserve it, after all. You know, as a little FUCK YOU to the jury.

What about Youtube? His grand final performance reached ca. 9 mln views in three days and if you check the comment section, is full of people calling him the true winner as well.

Heck, the Eurovision channel made a video specifically about his journey, like the usually do for winners only (in fact, they did one for Loreen. And Käärijä’s video got more views than Loreen’s in one single day).

And all over Europe people are still protesting and asking for the voting system to change. The Norway delegation asked it first and I fully support them, because they are constantly robbed by the jury. I liked Duncan Lawrence’s Arcade in 2019, but KEiiNO was a completely different level. (And if you loved KEiiNO too, please check their Youtube channel because they have made a lot of other songs and OH MY GOSH THEY ARE ALL GREAT)

Käärijä united Europe with his music and his energy and I understand why Finnish people are so proud of him: there are very few artists who are able to connect people so well. And he did it by using his mother tongue, not English! That’s an even bigger win imho, because it proves that if you have a great song, a strong performance and incredible charisma, people will appreciate you and go past the language barrier without any problem.

That’s why humankind loves music, after all: because it doesn’t need to be understood word by word, to reach people’s hearts.

______________________

The hero’s journey

There are many reasons why people fell in love with this funky green man and they all differ: someone loves his bubbly personality, others were touched by his genuinity, others just fell on the ground laughing and who doesn’t love someone that makes you laugh? And yes, there are some who are just horny for him and you are valid too, because he’s a good-looking man.

However, I think that the main reason why so many people got so invested, it’s because he had the perfect hero’s journey.

He already had a story perfect for a movie, even before starting Eurovision: when he was younger, he was diagnosed with colitis ulcerosa and the disease almost took his life (this post has an interview with all details). But because of that experience, he realized life is short and he should’ve pursued what he truly wanted - i.e. singing. I mean, this alone is perfect material for a movie already.

But now he got another story, and it’s even more like a movie: the story of the young man no one knew, who left his city in his small country, to reach the big European stage. A man with a funny spirit, who connected with everyone despite his broken English - and he wonderfully improved it along the way. Just look at how much more confident he became! Truly a masterful example of how we should just talk and make mistakes, in order to get better in another language.

So we followed the adventures of this funny man and of the friends he made along the way. We had fun and cried for the beauty of his friendship with Bojan (he literally called Käärijä “my new brother” and a small part of my heart that was broken got immediately healed). We got involved in his climbing to the top, we saw him face the behemoth that was opposing him and hoped for him to overcome it.

And he got the tragic conclusion of a hero’s journey: a hero who won and yet still lost.

People love this shit. We have always loved the story of the little one against the unbeatable enemy, the nobody who got the recognition he deserves, the kind heart defeated by the corrupt system. Those are all things that touch people and all aspects of the hero’s journey. And people naturally hope for a happy ending, so if we get a sad, bad or unfair one instead, we tend to feel even more empathetic towards the protagonist. And if your protagonist is as lovable as he is, the feeling is 100x stronger.

I really don’t know if the national juries expected this to happen, when they knew who the public’s favourite was and yet decided to award a different artist. But by doing that, they became the perfect enemy to close Käärijä’s journey and build a legend.

So, well, thanks for sucking so much. You built the legend you didn’t want to.

And yes, Käärijä’s enemy IS NOT Loreen. Loreen did her thing, she didn’t bribe the judges to give her votes. The problem is the jury’s power. So, for all the people who are still harrassing her: please stop hating this woman, she just did what other artists did too.

And since we’re talking about her, please stop saying shit like “She shouldn’t have participated!” too, because this is both very stupid (everyone is allowed to participate in Eurovision) and very disrespectful towards Käärijä himself. It’s a bit like saying that sure, he was good, but, like, you know, not enough good.

And this is totally wrong because this man has been able to defeat Loreen twice, both during the semifinal and the final (at least according to the votes that matter). So stop undermining his ability: he is a good artist. Actually, an artist so good only Loreen was able to compete against him.

And if you still think it’s right to hate Loreen for whatever reason, then I would like to bring this to your attention:

The king literally proposed to Loreen. And, considering how accurate was his foresight about the whole competition, I think it’s time we start to think about when it will happen and how many children they will have.

So if you are still harassing her: stop protesting for the piece of glass and ask her when will they get married, instead. We need to know.

Also, wouldn’t that be an even more perfect ending for Käärijä’s hero’s journey? Not only the great evil (aka the jury) will be defeated, but he will marry the only woman strong enough to oppose him. 100/10 I want a movie now.

And yes, I know Käärijä also proposed to Bojan and they are fathers of a baby sea lion. But what’s the problem? Doesn’t Käärijä have two hands? With one hand can hold Bojan, with the other Loreen, duh.

(Then he will probably need another hand for Selena from Austria, because I think she developed a little crush on him but hey, that’s the life of a hero I guess.)

______________________

Have you listened to his other songs yet?

I just want to confirm they are bops and you should listen to them immediately. Also, do not forget his concert on Saturday that will be available worldwide. Let’s show love to the king.

And yes, that means another post will come out. I mean, there are still so many things we need to know! I want to see the photos of that mural people are doing for him in Vantaa, I want to see the music collaboration between him and Bojan, I want to see them visiting little Edgar at the zoo. And I can’t wait to hear about his future European tour, because he has to do one. And maybe that will fully convey him how big his impact has been indeed.

As people told him in the after party, he conquered the world. Now he just needs to see it for himself.

#eurovision #eurovision 2023 #esc #esc 2023 #finland #jere from vantaa will go very far #good job finland #everyone loves you #and you don't even have to spend money to host the show #also you will be forever linked to the legend #just like ukraine #and that's another huge privilege #käärijä

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footballerimaginess · 11 months

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Eurovision

Eurovision fic, hope you all enjoyed watching it last night as I loved watching it. So I hope you enjoy this fic because it has been ages since I’ve wrote a fic this long. Feedback is welcome! Word Count: 1,573 Liverpool were getting ready to host this year’s eurovision for Ukraine as they couldn’t host. You had been the biggest eurovision fan for years, you would sit and listen to the music before the show came out so you’d get a feel for the songs. But with the contest only being yards away, you were just so excited.

As you rushed home from work, feeling like you had been at work for what felt like an eternity. Putting your key in the door, you immediately heard laughing. “fuck sake” you muttered as you closed the door behind you, trying not to slam it. “Oh hi, do you erm have a home or is this where you live now?” you sassily remarked as you saw the boys yet again, in the same position as they were when you arrived home from work the previous day. “Hi babe, how has your day been? thanks for asking” Trent cockily replied. “HA-fucking ha. but seriously do you live here now? I have seen you more this week than I’ve ever seen you” you laughed as you kissed Trent’s lips. “No but we can move in if you are that desperate babe, only have to ask” Harvey smirked as you rolled your eyes at him as you kicked off your shoes. “So why are you not coming on Saturday?” Harvey asked his fellow team mate. “Couldn’t be asked mate, not my thing” Trent muttered as you turned to face him. “What is happening Saturday?” you asked him as this was the first you was hearing about something happening on Saturday. “We got invited to see the Eurovision, did he not tell you?” Curtis replied as you eyes widened as you turned to face Trent, moving your head so fast almost giving yourself whiplash. “Wait a minute, you didn’t tell me you were invited? what is wrong with you ”you rolled your eyes as Trent shrugged, not entirely bothered. “Can we still go?” you asked, hoping he’d get the hint that you desperately wanted to go. “I mean we can go if you really want to, but I don’t want to” Trent shrugged once again as you pouted, using sad eyes at him. “Urgh, don’t look at me like that” you sighed. “Fine” he huffed again as he crossed his arms across his chest firmly. “Yay thank you” you blushed as you left a kiss on his cheek. “Good job I love you isn’t it” he laughed as you smiled sweetly at him as you got up. “Well you didn’t even tell me about you even being invited, so I am still mad at you” you glared at him as the boys let out little laugh. “I’ll leave you to do whatever you were doing, see ya boys” you waved before kissing them before you left the room. - Eurovision day had arrived, you were absolutely buzzing and couldn’t wait to get to Liverpool Arena. “How do I look?” you asked as you showed off your glittery outfit. “Cute” he smiled, barely lifting his eyes from his phone. “Oh okay, guess ya phone is more important” you rolled your eyes as you added some more lip gloss. “Sorry” he put his phone down to look straight at you. “You look absolutely beautiful, right are you ready?” he asked as he put his phone in his pocket as he took your hand gently. “Yep, I’m just so excited” you squealed as you got into the car on the way to the venue. There were so many people walking around, it was so busy with everyone in such bright colours which was so amazing to see. “Oh my god, so many people” you gasped as you walked into the venue and were taken to your seats as you got into the box which was already filled with Liverpool players. Greeting them all, feeling nervous as there was lots of new people you’d never met before. But you felt a hand on your shoulder as Trent pulled you in for a cuddle. You took your seats to get ready as the show was about to start, as Trent poured your wine out as you sipped on it. “Ahh I am so excited” you squealed with Emilia as you posed for a photo with her. “Poe Poe Poe Poe” you shouted as you jumped up and down on the spot. “Nah that song is so catchy, did you like it?” you managed to get out through breaths as you were far too out of breath to be shouting. “No” you rolled your eyes as Emilia jumped up and down. “Edgar Allen Allen” you screamed again and again. “Oh he is so adorable” you and Saffie cooed as she came to join the group as you leaned on the bars with excitement. “God you three are awful” Kostas remarked, making you turn around sharply as you watched as Kostas ran off sharpish. “Shut it you, Greece aren’t in it anyway” you sneakily remarked as he clutched his chest sarcastically. “That fucking hurt me, you know what” he sassily walked off as he stuck his middle finger up at the three of you. You were now swaying as much as you could as the songs weren’t as great now, but when Cyprus came on the screen you all gasped loudly. “We need to go to Cyprus if they are all that fucking fit” Saffie burst out as the boys immediately turned around as he watched the screen. “Excuse me, we are here?” you laughed as you shrugged. “And? what’s the point you are making?” you laughed as Trent put his hands on his hips as he watched on. “I am allowed to say he is fit, great song too” you smirked. “Cheeky one you are” he gently tapped your cheek as you blew him a kiss. “God I need a sit down, I am exhausted already. This night is so fun” you smirked as you sat down on the chair. “Oh my god- wait I have heard this song on TikTok, this is so good” you squealed as you ran back to the “When the stars align then I'll be there“ you screamed out loud. “No that song is awful” you cringed as you sipped your wine as you were now having a lull in the show, so you and the girls filmed some TikTok’s. “Oh he is so fit too” you cooed at the Italian singer. “Babeeee” Trent sighed “Oh come on, you are fit too baby” you flirted with him as you kissed him on the lips. “Good job I love you babe” Trent smirked as he started to enjoy the music even though it wasn’t his sort of music he still had a smile on his face as he wrapped his arms around your waist. The rest of the night was fantastic, you and the girls were jumping up and down so much drinking your wine. Trying your best not to get too pissed. “I am so happy I got to experience this with you, I know it’s not your thing and you are all moody. But I appreciate you saying yes just for me because I have had so much fun tonight” you turned to cuddle into Trent as he put his hands on your shoulders as he kissed your forehead gently as you took in the smell of his aftershave. “I did enjoy it, I just don’t show it. But I had the best time with you” he kissed your lips as your lips turned into a smile. “Cha Cha Cha Cha” you sung into Trent’s lips. “You are going to be singing that all week now aren’t you” he laughed as you were interrupted by the roaring sound of the United Kingdom’s act coming on.�� “Instead I wrote a song 'Bout how you did me wrong I could've cried at home“ you screamed out as if you were going through a breakup yourself. “You’d write a song about me if I dumped you wouldn’t you?” he questioned.

“No never, I’d just take everything as mine” you shrugged. “Hmm, good thing I won’t dump you anytime soon unless you keep singing in my ear I will be” he smirked as he kissed you again. “You two are so clingy, so cute” the boys remarked. “Awww” you laughed as you separated from one another as you felt shy now as eyes were on you. There was now an interval as all the acts sang, you were starving after all that singing and dancing you were doing. “The voting will take so long, I may have to have a nap” you laughed as you took some cute photos with Trent to remember this amazing moment. The show resumed with a honour to Liverpool with Eurovision legends singing songs that were from Liverpool. “You’ll never walk aloneeeeeee” you swayed as you sang your heart out despite you sounding horrendous. “yeah never sing again” you gasped at Trent’s remark. “SWEDEN” you screamed as Sweden won the Eurovision. “I am proud that I predicted that would happen, anyway. I am starving still” you laughed as you said goodbye to all the girls. “Thank you for the best evening, I need the longest sleep I am so tired now” you let out a yawn. “That is okay, I am so glad you enjoyed it” you nodded as he took your hand as you left the venue.

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