I love your art soooo much-it gives me life!! 🥰🥰🥰
I have a question about Milek and Jaskier! Milek says they fought before Jask went missing-what did they fight about? Did Milek say something he shouldn’t have? 👀😢 is there ANGST?
Also does Geralt know Mileks plush friend is called Roach? Because surely that’s a clue that Milek is his…(I love this universe so much)!!🥹❤️❤️❤️
[MASTERPOST] That was the last conversation they had before Milek stormed out - and when he came back, Jaskier was. gone.
The thing is, Jaskier knows what Milek is interested in (and he is not even wrong about that, Milek has an interest in medicine, and helping people, and I think when they met he was Shanis biggest fan) and I think Jaskier is aware that some of the conflict does have its roots in Milek not wanting to leave him, even if they get really heated and ugly in their arguments. Milek shouldn't feel like he has to care for him, or have to protect him and at times I think Jaskier feels quite ashamed, which leads him to being way too unrelenting at times - especially if he thinks he's doing something to protect Milek.
650 notes
·
View notes
Be Careful What You Wish For
Tucker could make fun of him for not reading comics all he wanted, but Danny really did enjoy reading them. He just didn't have much time to after the Accident, with all of the ghost attacks.
He had the time now, he supposed. There were no ghost attacks anymore, not with Vlad "taking care of them".
He was almost scared to find out what the Fruit Loop meant by that.
Danny sighed, staring up at the bare white ceiling of his bedroom. He missed the stars he'd had stuck to the ceiling of his room back home. Because Vlad's mansion wasn't home, was it? It wasn't ever going to be, no matter what.
Again, he began to think of the heroes he'd always admired, the ones that he had always fantasized about when he was younger, as if they would fly out of the comic books and take him and Jazz away, take them to parents that would actually pay attention to them. Now, Danny would take his parents not paying attention to him over them being dead.
Danny sighed, his eyes slipping closed. He wasn't tired, but he wanted to pretend that he was somewhere warm and safe, anywhere but here.
"Man, I wish superheroes were real... I could really use one right now."
Then came a gentle whisper in his ear, one that promised the safety and warmth he was desperate for. "Your wish is my command, little Prince."
Danny jolted upright, but it was too late. One moment, he was sitting in a bed that wasn't his own, could never be, no matter how hard he tried to pretend it was, and the next, he was sitting in a field, cornstalks swaying gently in the warm breeze.
Where... was he?
187 notes
·
View notes
Hey/
Did you see 6 skeletons 1 maid updated?
Thoughts?
I was saving this ask to make a little comic of how that last chapter felt but- lets say it didn't turn out how i wanted. Instead, i just dug out some of my old Maid-chan drawings and stared at them blankly for the next days.
I'm still particularly fixed on this one little page:
Mister Green was my absolute favorite and the only light i saw at the end of her tunnel. He was so kind and sweet, and pretty much the only one that treated her like a person (besides Yellow of course).
When i first read this fic so many years ago i didn't trully realized the dark tone of this story but i still chose the only "healthy" option. I wanted MC to be happy and free, and oh how i wanted him to give her that. I held those drawings of him for years imagining a chapter where they would encounter again and that would drive her to a better ending (either skeletons overcoming their issues and treating her with respect or him taking her away).
But then this final chapter appeared and it was... a thing.
(Kinda spoilers for the babes that haven't read it)
First of all, I FINALLY GOT TO KNOW WHAT HAPPENED AFTER BEACH CHAPTERS OMG I NEEDED THAT
Second of all, it didn't look good at all and it was getting worse as I read. But then good because it was a week alone for her to rest and Sans was eating with her?? But also that whole scene reminded me how bad her situation really was so it actually wasn't good at all.
And then the scene that broke me.
I was aware that I wanted her to flee before, but I never thought she could.
It was oddly satisfying, if not a bit anxiety inducing because of the thought that they would caught her eventually. As always.
But then Asgore, and Orange. And nothing...
I got mad that he found her. Which was a weird feeling since I remember liking him a lot. It felt to me like he ruined her good enough ending. But despite that, it makes sense it was him so I don't complain.
What crushed me though, wasn't that she couldn't say goodbye or that Sans got tired of trying to get her back. It was the fact the Gs didn't even try looking for her. They didn't even got mentioned. What happened there, I wonder. Didn't they like her? Care for her? Mister Green wrote her letters, of course he liked her. But then why...?
Suddenly he looked like a fairytale.
The ending was great, finally lending her the ability to choose. It made absolutely everything worth it and the way it was written made me feel like I do have a say in the matter. And for the first time, i didn't choose the skeletons.
I realized she could find her happy ending alone.
(My live reaction)
168 notes
·
View notes
one of my favorite (/sarcastic but not really cuz its like funny idk) things in fandoms is when people make ocs or self inserts or 'x readers' being shipped with characters, but the oc/sona/reader is literally just another character from the source material.. its like youre shipping the characters but didnt want to admit it, so you made a kinsona and branded it as something else..
and its NEVER subtle, actually its super blatant every time and im always shocked when nobody points it out..
i have seen uncountable saiki k x readers where the description is like:
"saiki meets someone whose thoughts he cant read for the first time, and even though he doesnt trust her at first, she keeps proving that she is kind and has good intentions!" you mean nendo? reader is girl nendo?
"this time, he meets a girl whose thoughts honestly match up with her spoken words almost perfectly for the first time!" hairo. youre shipping saiki with girl hairo.
"saiki meets someone whose thoughts are too fast and jumbled to re-" ITS AKECHI, THATS AKECHI, ITS LITERALLY AKECHI.
"saiki meets someone whose just as immune to teruhashi as he is for the first and only tim-" this is hairo again, awe bae you secretly LOVE haisai ?!?
"saiki sees his old childhood friend for the first time in years after an incident caused them to be apart and then they fall in lov-" WHY DID YOU EVEN WRITE THIS AND NOT CALL IT SAIKECHI.
its even funnier when they say its like that characters little sister, but the way they write it is still literally just the character, like their personality, dialogue, even their relationship, is the same..
not all of them fit this exactly, but the ones that take a boy character and turn them into a girl oc to ship them with a boy, it reminds of how in equestria girls they couldnt make applejack and rarity endgame so they gave them boyfriends who looked IDENTICAL to each other.. thats what youre creating, guys, youre creating heterosexual rarijack.
176 notes
·
View notes
okay very preliminary thoughts on mitski's new album BUT i think there's something with how "laurel hell" felt like a goodbye to the music industry (can't find the source but i remember reading that it was intended to be her last album under her contract) like i'm sorry anthony fantano but if you interpret the back half of "laurel hell" as being generic breakup songs you're missing like 80% of the context. to me TO ME it feels so clearly about her negotiating her relationship with fame, how she can't love her fans the way they love her, and how she feels like she sold her soul to her job, so the only thing to do is step away. but THEN "the land is inhospitable and so are we" was created after mitski decided to renegotiate her contract, specifically because she loved making music enough to deal with the negative aspects of the work. and then all the songs are about the ghost of love she can leave behind, despite the present pain or emptiness, and like. do you see it. do you see it.
359 notes
·
View notes