Mizu's spectacles, and the levels of her disguise
In drafting some more Blue Eye Samurai meta posts, I find myself writing out the comparisons between what Mizu can and cannot hide about herself, and how that affects how she moves through the world.
Like, I get the jokes about Mizu's glasses, if only color contacts had existed back then, etc. etc., and I think (hope) that most viewers don't take the glasses jokes seriously, as in "I don't care about the suspension of disbelief because BES is a cartoon." But I wanted to write these thoughts out anyway without burying them in a text post about something else.
I think the points I'm going to lay out here are viewed very differently by different people, so please feel free to add to this post, reply, or put your thoughts in the tags!
Not only do Mizu's glasses not actually help her that much, there's surely more to Mizu's mixed race appearance than just the color of her eyes.
In my view, this was pointed out in episode 1:
I'm willing to bet most of us were expecting young Taigen to say "blue eyes," not "ROUND eyes."
Obviously this is still about Mizu's eyes, but not even spectacles can hide their shape.
I don't think the show is obligated to point out everything about Mizu's face that isn't quite as Japanese as the people around her expect. Though the creators have said that they specifically designed Mizu - and her clothes - to read both as "white" and as "Japanese," as well as both male and female. I think there's more about Mizu's features that read as "white" than just her eyes.
This is where my own headcanons start entering the picture, but it's my impression that people can just tell that Mizu looks different, whether or not they can put a finger on exactly how.
There's the little girl who looks at Mizu and then hides on the way into Kyoto:
When there's more to your face you'd like to cover up than just your eyes, big hats are a big help!
By the way, most of these examples have to come from the first half of the season, since by the second half, either Mizu is too preoccupied with fighting henchmen, or everyone Mizu is facing knows who she is already, and she therefore has no reason to hide her mixed race identity.
It's worth mentioning that the mere fact that Mizu has to hide multiple aspects of her identity - her mixed race and her sex - results in her having to choose clothes that really, really cover her up, which doesn't win her any favors either:
(Zatoichi reference, anyone?)
If it were as easy as, for example, tying her glasses to her head and wa-lah, nobody would ever know she was half-white - then (1) Mizu would've just done that long ago, and (2) Mizu wouldn't be so on guard and on tenterhooks 100% of the time the way she's depicted in the show, even when her glasses are on.
Her spectacles sure don't help her in the brothel, which is full of observant women who are trying to seduce her, meaning they get good long looks at her:
Mizu never takes her glasses off, but they still send a woman to her who has light eyes, thinking that must be what will interest a blue-eyed man:
No wonder Mizu gets mad after this, lol
So Mizu never takes her spectacles off in the brothel, it's dimly lit inside, and the women can still tell that she has blue eyes. I'm getting the sense that Mizu putting on her spectacles isn't a guarantee that people suddenly can't tell that she looks different.
And yet no one spots that she's female.
Mizu can hide her breasts, can wear her hair in the right style, can hide what's between her legs, can walk and talk and behave like a man - and she's been doing it for almost her entire life, to the point that not only is she very good at it, but the threat of being found out as female is deadly, but isn't presented in the show as omnipresent.
Let me explain.
She threatens Ringo for nearly saying the word "girl" out loud, because while she's constantly ostracized for being mixed race, being a woman traveling without a chaperone, carrying a sword, and disguised as a man will get her killed or flogged or arrested or some combination of these things.
But in addition, it's been drilled into her since she was a child that if she is discovered as female, the combination of her being mixed race and female will identify her as someone extremely specific, someone known to some bad people, and she will be killed:
I think of it as Mizu thinking to herself, "Being found out as mixed race means I'm treated badly. Being found out as mixed race and a woman means I'm dead."
Mizu's hair is cut as a child. But she isn't made to wear a big hat, or cover her eyes somehow, or anything like that. Because hiding her sex is a more successful endeavor than hiding her race.
Ringo finds out she's female by accident, but once Mizu accepts the fact that he won't rat her out, she relaxes pretty early on in the season. Because the threat of being found out as female is mitigated pretty much 99.9%, since Mizu has gotten so good at being a man. And also, because most of the time, people see what they want to see. Even if Mizu's face makes her stand out as "not 100% Japanese," no one in the world of BES looks at Mizu's clothes, her bearing, her sword, hears her voice, and will ever in a million years conclude that she is a woman, because expectations around gender roles in the Edo period were so rigid and so widely enforced.
One detail that proved this to me is after the Four Fangs fight:
Ringo takes off Mizu's clothes so he can stitch her up, then leaves her clothes off even after he's done. He doesn't even throw her cloak over her as a blanket or anything. There's a little a straw (pallet?) as a divider there on the left, but anyone could just peek around it and see Mizu and her chest bindings. (I think it's mostly there as a windbreaker.)
And Taigen is right there, but he doesn't give a shit:
Opinions probably vary hugely on this, but my impression is that because the show doesn't make any kind of deal about Taigen being in the room with Mizu here, my guess is that Mizu isn't in any danger of Taigen thinking she's female. Even when I watched the show for the first time, I assumed that Taigen had seen Mizu out of her clothes here, and that he thought nothing of it.
Eat your heart out, Li Shang (Mulan 1998). I actually do think that this scene is a direct and purposeful side-eye to that movie, lol
There's obviously some nuance to how "severe" being mixed race is compared to how "severe" being a woman is for Mizu:
After all, Swordfather can't bear to listen to Mizu confess to being a woman.
So a Japanese man can go wherever he wants, whenever he wants in BES. A Japanese woman has limited options: marriage, religion, or a brothel. A mixed-race man is an eyesore in this story. A mixed-race woman is a death sentence.
May as well eliminate the female aspect, and do what you can about the mixed-race aspect. Because that's just realistic.
Meaning Mizu can avoid the strictures Edo society places on women. But she can't avoid the repercussions that come with being mixed race. And I truly don't think that it's just because "there's no brown contacts yet."
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I've seen some people say: “Trent shouldn’t have been gay, he should have just supported Colin anyway.” And it's such a weird (and bad) take.
Had Trent been straight we wouldn’t have gotten the scenes we did. Colin could have opened up and told Trent how he felt, but Trent wouldn’t have understood, he could have been supportive. But he wouldn’t understand where Colin is coming from. But because Trent is also gay he knows what it’s like being in the closet, living with fear and dread. Living with thoughts like “if I tell the people I love about my sexuality, will they hate me?”. You can’t get that from a straight ally, no matter how supportive and well meaning they are. Because they don't know what it's like. We need straight allies, we need all the straight allies we can get. But what Colin needs RIGHT NOW is someone who, while not a professional athlete, is involved in the world of football. Knows about homophobic fans, knows that there are a culture of toxic masculinity and homophobia in the clubs. That is why it’s important that Trent himself is gay.
Colin almost got runover by a cyclist in his desperate attempt to run away from Trent at the gay bar. But the relief when he understands what Trent is saying "I must have a good reason for that, mustn't I?" is so clear. Trent is also queer, Trent is safe, I can let Trent in.
And I think some people might read that line as "I haven't outed you because I'm gay too, but if I had been straight I would have" which isn't what Trent means, Trent is using that phrase to be subtle, to let Colin come to his own conclusion, because Colin is stressed out, he's scared. By letting Colin think for himself it gives Colin an opportunity to calm down (which is also why Trent holds his hands out as if calming a frightened animal, he also makes himself slightly smaller by bending his knees and leaning forward slightly). And he does, he realises what Trent is saying and he calms down. It's also an added layer of security it's not just, "I haven't outed you" it's "I haven't outed you because I am also queer". A straight person saying that they haven't outed you doesn't hold as much weight as a queer person saying it. Because you know that the queer person knows how important it is to be safe and to come out on your own terms wheras a straight person, especially an eager well meaning ally might try and encourage you to come out because "hey, it's gonna be fine", even when that's not the support you need at the moment (there are ofc exceptions, both when it comes to straight people and queer people).
But because Trent is also gay, Colin now has someone in his corner at work, who knows him, knows his secret. Who also carried that secret himself once. We’ll most likely get straight allies in the other players and the leaders at Richmond.
So no, Trent shouldn’t have been straight. Because that is not the support Colin needed at that moment. He needed queer solidarity.
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You know when you think about it, like, yes, Crocodile was theoretically weak as shit when he got his ass handed to him by Baby Luffy in Alabasta. His sudden power-up in Marineford and current bounty feel kind of out of place for him, right. Like if he lost to Baby Luffy, then surely this man can't be that stronk, right
But of course, to be fair, by the time the two fought Crocodile had been sitting on his ass for over a decade in the middle of Paradise, never having to lift as much as a finger to completely overpower the weak haki-less pirates that would pass by Alabasta every now and then. It is an entirely fair argument that Crocodile was just straight up rusty and Luffy just gave him the first workout he's had in a decade (which he was not prepared for, at all)
(Also Crocodile was overconfident, it's entirely possible had wasted a lot of energy toying with Luffy, and by the time he started to take things seriously he was already starting to get worn down. So like, he lost to hubris, his own overconfidence)
But also, considder this
The only person we know Crocodile's ever lost to (besides Luffy) was Whitebeard. And more specifically, Whitebeard, when he was young and spry and not dying of Old Man Disease. Crocodile lost to Whitebeard when he was arguably at his strongest.
So theoretically speaking, Crocodile's power level doesn't have to be tied down to his defeat to Pre-Gear Luffy, rather, we know his power level just doesn't reach Primebeard Levels. It's a scale
Regardless of wherever Croc might actually land on that scale specifically, Primebeard is just beyond Crocodile's max.
Or at least was, when Croc was in his early 20s. He did spend over a decade lazing around, but he's also had a full timeskip to workout and get swole again, so who the fuck knows, maybe current Croc COULD sweep not just WB but also Primebeard
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arthur/eithne: "why are you talking like we'll never see each other again?"
Eithne took a deep breath before speaking again.
"That's not what I meant to imply," Eithne answered slowly. "I just..." she paused. She'd had this conversation again and again over the past weeks but she had known with him it would be different-- with him her heart would hurt in a different way than it had when she'd seen the despair on her sisters' faces.
"You will always be welcome, of course, at Malconaire. My husband-to-be and I would be honored to host you and your family as our first guests after our wedding."
"Your husband-to-be?"
"I'm marrying Cassimir."
Arthur was rendered speechless and Eithne was ashamed at her next action: she fled into the garden, unable to stand the silence. He was following her within seconds.
"Why? What does he have over you to convince you to do such a thing?" Arthur demanded, grabbing Eithne's arm to stop her as she made a beeline for the chicken pen. Eithne whipped around to face him.
"Nothing. This is my own decision," Eithne answered sternly. Arthur seemed unconvinced.
"I won't let this happen. He doesn't deserve you."
"There are reasons I just cannot explain. You have to believe me-- I am doing what is best for myself. My family. My home."
"So he does hold something over you!"
"No, you're not listening--"
"I'll challenge him. For your honor," Arthur proclaimed. Eithne wrenched her arm out of his grasp.
"You will do no such thing!"
"You cannot tell me what I will and will not do-- I am your prince!" Arthur snapped suddenly, almost without thought. The words hung in the air between them and you could see the regret on his face as he realized what he had said. Something ended in that moment-- they'd been balancing on a precarious edge for months now and with that one sentence, they'd slipped into the abyss below.
"Eithne..."
"My most sincere apologies, Your Imperial Highness," Eithne answered, taking a few steps backwards from Arthur. She looked up and met his eyes-- he was silently pleading with her but she knew this was how it had to be.
"I am due to be in the village this afternoon," Eithne continued, trying to keep her voice even. "My step mother and step sister should be home by now-- I am sure they will be more than happy to receive you for tea should you wish to have some refreshments before your trip home."
"Eithne, please," Arthur was walking towards her, arm outstretched. She shook her head and he stopped. "Eithne..."
"Good afternoon, Your Imperial Highness," Eithne sank into a deep curtsey before turning and fleeing through the garden gate before he could see the emotion flooding her face.
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I didn't see anything about it, but I wanted to ask, how did your move go, how have you adjusted, and how are YOU doing?
hey, thanks for asking!
It's been good. i realized i never mentioned it, but it wasn't a big move. we just kinda shifted literally the entire house around. not the hardest of moves, but it was still difficult with the arrangement and process we had, though everything's worked out really well. we're adding more people to the household, which is why we did it in the first place, so this rearrangement was for the best interest of everyone. sorry if i caused concern and made it seem like something bigger than it was, i just kinda forgot to specify that it wasn't a move move. that's my bad ^^"
i do feel the need to finally and actually specify that now 1) because i should've done it anyway and 2) because i plan to ACTUALLY move out soon and i dont want to cause confusion and/or more concern about that
everything's been very good though, and we are very excited. in terms of the move, I'm doing great! there's been issues, but family's just like that, and with everyone having shifted, it was bound to happen, but we're pretty chill now :]
again, thank you for asking! it means a lot that my little crabbies are interested in me, too (*^▽^)/★*☆♪
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