#i just realized all but one of these books has at least one queer character

[jalluzas-ferney]

Cole wasnt “changed” to be gay. He never was STRAIGHT in the first place.

and hell- whi says he’s strictly gay now? Cole could like girls as well for all we know 🤷‍♀️ uk like, be a Bi king or smth.

The thing is, just like people are used to seeing characters from books as white as a default until stated otherwise, just because they’re so used to it, this happens with straightness as well.

People are will BEG and SWEAR that a character is straight just because they were never outright stated to be otherwise. And emphasis on “outright stated” because even when there is coding, hinting or just blatant portrayal of it, people will still deny that that certain character is queer because it’s not like they canonically turned to the camera and told the audience that “I AM NOT STRAIGHT.”

But to them, even if the character rarely showed any interest in the opposite gender or ever really talked ab their attraction, the character is just automatically straight. It’s just inherent. Of course they’re straight.

And you know what? Even if the character does, who said Bi people don’t exist? I have a lot of Bi friends and a family member that either are bi or are dating a bi person, and their attraction towards the opposite gender has never invalidated their attraction towards the same if gender non-conforming.

And even then, a lot of gay men or lesbians have struggled with comp-het in the past, reuniting them in having tried to date or even marry people from the opposite gender only to then realize they never truly were straight, and were just compulsively trying to conform or believe that they are straight because again, straightness has always been seen as the status quo. As the normal thing to be. The default.

And this isn’t me saying that “the writers were writing Cole as a dude with comp-het this whole time” or smth because I don’t know that. And while I could theorize that I don’t think the writers really were thinking about implementing compulsive heterosexuality into this silly Lego show.

But just like I can’t assure that Cole canonically has suffered from comp-het or that he is gay and not Bi or hell he could be asexual or smth while being gay WHO KNOWS-but just like we can’t exactly assure that he is exactly one of those labels, people cannot come here and act like Cole was ever REALLY canonically straight. Hell. You could even say None of the characters of the show are STRAIGHT because who said they were? You can def interpret them as straight! But why do people insist on acting as if portraying Cole as having a male character a romantic interest as them CHANGING him as if he really ever WAS straight?

No one acts that when a character is straight that it was a huge betrayal or smth because the character was “OBVIOUSLY” gay by default. No. People just see it as normal and move on because that has always been the status quo.

Because this is a heteronormative society as much as people try to act as if making a character gay is “appealing to the world and the general public” as if straight people are suddenly oppressed. Hetero friends of mine or my family will always automatically assume I’m straight because that’s the norm to them. People will always assume someone it het or cis unless outright stated otherwise.

And if you can’t tell what’s wrong with that…

…

And you know what? Get all pissed off about it. Complain. Make petition for “saving your boy Cole” (save him from what exactly? It’s not like Christianity exists in Ninjago so yall can scratch hell out of the list at least) the season was made. The character of Geo was made. The scenes where Geo fantasized about Cole being awesome and handsome were made. Scenes where Cole and geo talk about needing each other were made. Scenes where geo and Cole hold hands and look at each other all lovey dovey were made. None of that bigoted complaining is going to change that. Theyre not going back and deleting those scenes and they’re not suddenly gonna write Geo and Cole in completely different way from what they were written before. Womp. WOMP.

#ninjago #ninjago dragons rising #lego ninjago #savemyboycole #cole #ninjago cole #cole Ninjago #dragons rising #ninjago dr #gay rights #gay #comp-het #comphet #queer #queer representation #queer rep in media #geo Ninjago #Ninjago geo #geo

[buckttommy]

Imho henren just doesn’t spark for me. They just kinda bore me and it’s okay to admit you don’t like every queer ship a show gives you.

You're right, it is 100% okay to not like every queer ship you are given. This is actually something I'm really passionate about, because it's deeply similar to the idea of recommending a piece of media based on the fact that it has queer rep and not based on what other value the media has. Both accepting a ship because it's queer and recommending a piece of media based on its queer components come with an inherent, Capitalistic demand to disregard quality in favor of quantity (i.e. "Yeah, that book is mostly porn, but at least it's got gay men in it!" or "That show is trash, but at least the queer couple is kind of cute.") So to that end I say, you are absolutely right. If Henren doesn't spark for you, it doesn't spark. There's nothing wrong with that.

The problem arises when people erase the fact that complex, meticulously crafted, realistic, healthy, and beautiful queer characters have existed on this show from the very beginning. Michael's storyline alone — a gay man who stepped into his identity later in life, despite already being married with children — was so deeply moving and impactful on its own, as was watching him develop a genuine relationship with Bobby, his ex-wife's husband. We never get stories like that on television. Someone is always left out. Someone is always hurt. Queerness is always seen as a permanent betrayal where no one gets to move on from that pain. But 9-1-1 gave us a story where these people became a unique and cohesive family, and that matters.

Henren doesn't spark for you, but the weight and significance of their existence is undeniable. For one, neither of these women are stereotyped and sexualized. Karen is the "femme" in the relationship but she's never put into clothes or situations designed to appeal to the male gaze. She is a mother, she is a wife, and she acts like one. For another, Queerness is not the sole focus of their arcs and is considered just a part of their lives like anything else. They have careers, they have a family, and yes, the cheating storyline in Season 1 reeks heavily of Ryan Murphy's homophobic ideology, but the way they chose to grow past it cannot be overstated. Stories where we get to not just live, or not just love, or not just be messy, but where we can do and be all three cannot be overstated.

So, yes, I get upset when people ignore the existence of these characters and these stories for the sake of Buck. I love Buck so deeply and, as a bisexual person who knows what it is like to realize, step into, and subsequently settle into that identity, I'm excited to see where his story takes him. But he's not the only queer character on the show, nor has he ever been, and whether you yourself are queer or not, I think we can all agree why speaking out against that particular false narrative is so important.

#jack answers mail #tv: 911

[yubnubforhire]

I’ve seen a lot of people decry criticism of the rwrb movie as simply either homophobic or anti-cringe, with the statement ‘let queer people have our cringe rom-coms’ a common defense. This idea is flawed for many reasons, not least of which being that this movie is like… barely queer. Sure it’s about a queer couple, but that’s about where it stops.

First off there’s the blatant bi erasure, with no discussion of Nora’s sexuality, no June/Nora/Pez, the word bisexual only being used once or twice in the whole movie, etc. Second off is the complete lack of queer education or community: where is Alex learning about the gay lib movement and feeling like he understands something new, deep within himself? Where is Henry talking about his role amongst the erased queer figures of the past? Where are the crowds supporting both of them, in the US and the UK? (the scene at buckingham where you don’t even see the crowd felt so cheap) Where was Amy’s role as queer elder and protector? Where was Luna, and Alex’s realization as to why he looked up to him so much and why his betrayal hurt so bad? Where was Alex realizing he and Liam had actually ‘had a thing’ when they were younger, and reconnecting with him as someone who can fully be himself? Where was all the support when they got outed? Where the fuck was Catherine? Where were Bea and Catherine fighting for them during the confrontation at buckingham? Movie!firstprince feel so isolated and without community, which is just SO not the world CMQ created in the book.

More broadly, the movie just felt so shallow. I completely understand the need for adaptation and translation to a new medium, but so many of the things they changed either lower the stakes or remove them entirely. Bea is a non-character, with no depth or backstory. Nora only exists to tell Alex to fuck Henry. Pez gets all of one line in the entire movie. June does not exist, which should completely change things because Alex does not act like the only/eldest child of the POTUS. We never really see the emails and a lot of them are adapted to onscreen dialogue, so what exactly was leaked? Why are they called the Waterloo letters? No one watching the movie alone will know. Who leaked them? I figure the movie implies it was Miguel, but then why have Richards be a character at all? CMQ was making a point with the Richards/Luna story, and the movie having a new side character as the “villain” is just… so disappointing. We don’t see any of the scenes of Henry acknowledging how fucked up the monarchy is (other than a few throwaway jokes), the comparison to the Empire, any of the Bea storyline, or him trying to avoid military service and renounce his royal inheritance, so the one line towards the end when movie!Henry has an outburst about the monarchy being antiquated is just completely unearned and comes out of nowhere.

They kept the line where Oscar tells Alex that ‘sometimes you just have to jump and hope it’s not a cliff’ but it’s now completely devoid of the context— that line is about Oscar telling Alex he doesn’t regret getting together with Ellen, no matter how it ended. It doesn’t work the same if Oscar and Ellen are still happily married! (Justice for Leo also tbh)

In the confrontation at Buckingham, the king (don’t get me started on the things they changed to avoid comparisons to queen liz) still suggests to Henry that they should claim the leaks are deepfakes and deny it, but Alex already gave the live televised speech in the movie timeline! It’s out already! The entire scene with the king honestly just does not work if Alex has already made the speech. Also side note, there’s absolutely no way in turbohell that Alex would make that speech without talking to Henry first.

There’s so much more I could talk about, from more script shenanigans to the Pip of it all, but this is honestly already way too long. All I want to say now is that it’s obviously everyone’s prerogative to like a movie or not, and nothing anyone else says should change the way you personally feel about a piece of art. That does not mean, however, that any criticism of said art is incorrect or unwarranted. You can like something and still acknowledge its flaws. And no, cringiness is not this movie’s main flaw.

#red white and royal blue #rwrb movie #don’t like don’t read #seriously! #you’re entitled to love this movie and watch it dozens of times #but it’s not immune from criticism #I really wanted to love this movie #but there are just some books that do not and will never work as movies #everything was so rushed #on top of everything else #there was no space to breathe and fall for these characters #rwrb #red white and royal blue movie #rwrb spoilers

[ladyloveandjustice]

My Favorite New Manga and Graphic Novels I Read in 2023

It's time to take a look at the comics and manga I read this year! I read  a whopping 78 manga and graphic novels in all. Here's a link to my Goodreads year in books (the manga is at the beginning, the novels start with Siren Queen) and my storygraph wrap up.

I also read 36 novels! If you want to see my favorites, check out my reviews here!

And finally, I've got the continuing manga series I've enjoyed this year here, so check that post out too!

The Magic Fish by Trung Le Nguyen

This is a tale about a first-generation Vietnamese-American boy struggling with coming out to his mother. He connects with his mother through fairytales-- she uses them to express her journey as an immigrant, and he uses them to explore his queerness and identity as a Vietnamese kid growing up in America. It's an absolutely gorgeous book full of Trung Le Nguyen's signature stunning art. The fantastical, ethereal fairy tales are weaved beautifully into the lives of the characters. The book explores how fairy tales can form connection, can express culture, can tap deeply into something real and true, and can offer tragedy and catharsis. The protagonist uses fairy tales to write his own story, and the ending is lovely and moving.

Exit Stage Left: The Snagglepuss Chronicles by Mark Russell and Mike Feehan

You may know Mark Russell from his darker, socially aware re-imagining of the Flintstones, which made quite a splash on Tumblr with this post. Well, I had pleasure of meeting him at a local convention, and I finally got his comic re-imagining of Snagglepuss, also of Hanna-Barbera. He re-imagines the titular pink puma as a closeted gay playwright in the 50's dealing with McCarthyism. It's as wild as it sounds,but also really digs into the politics of the time, the struggle of standing against oppression and how art fights through suppression and censorship. It's tragic, hopeful, poignant and full of historical references. I enjoyed it ! Definitely be cautious if you're deeply disturbed by homophobia and suicide.

The Summer Hikaru Died by Mokumokuren

A story about a teenage boy, Yoshiki, who realizes that his best friend and crush Hikaru has died and been replaced by a strange eldritch being who is imitating him. But, missing his loved one and desperate to cling to any piece of him, Yoshiki decides to keep on having a relationship with this mysterious entity. This book's horror is visceral and sublime, especially the bizarre, creepy, beautiful body horror involving the being who replaced Hikaru. It's an exploration of anxieties involving grief, relationships, and sexuality that hits just right, and the atmosphere layered with dread is top notch. I love me some messed up relationships and unknowable queer monsters, and this book delivers.

Chainsaw Man, Look Back and Goodbye Eri by Tatsuki Fujimoto

Chainsaw Man needs no introduction, but I did end up really enjoying the story of the doggy-devil boy hunting other devils. It got so tragic and intense at the end, with lots of great surreal horror imagery and darkly funny moments. I'm impressed it went so hard, though the random powers that kept piling up made what was happening hard to follow at times, especially in fights. I'm also enjoying the current weird arc starring a class-A disaster girl and the demon sharing her body.

Look Back

I really do enjoy how Fuijimoto writes messy pre-teen/teenage girls. They ring so true. The manga follows the fraught friendship between two girls as they create manga, exploring the struggle of art mixing with real relationships, and how someone keeps creating after tragedy. It's a little hard to follow at times (especially since I have to differentiate the leads based on hairstyle), but it's a good read.

Goodbye Eri

Probably my least favorite of the three, but it's a fun read- a weird ride that examines the thin line between fiction and reality in art and makes good use of Fujimoto's cinephile background and signature gaslight gatekeep girlboss characters.

Is Love the Answer? by Uta Isaki

The story follows a teenage girl, Chika, who has always struggled with not being attracted to anyone. When Chika enters college, she meets queer people all across the spectrum of asexuality, and starts exploring her own identity. As an ace, this is the best story about asexuality that I've read. It was a nuanced look at asexuality and queerness and all the variations. Chika's journey and how she found her community was moving and poignant. It's a honest, moving look at relationships and identity, and how complicated and hard to define both of those things can be. I loved the moments of Chika imagining herself as an alien to explore and cope, and how she bonded with people through magical girl shows and other geekery. My favorite new manga of the year, it really connected with me!

The Girl that Can’t Get a Girlfriend by Mieri Hiranishi

Oh girl, I've been there. This is a fun autobiographical comic about a butch4butch lesbian's struggles finding a partner in a word that favors butch/femme, and it's just an honest look at the messiness of loneliness and relationships. I also appreciate that crushing on Haruka in Sailor Moon and becoming a HaruMichi stan was the beginning the author's queer awakening because uh...same! She has taste, and is truly relatable.

Qualia the Purple: The Complete Manga Collection by Hisamitsu Ueo and Shirou Tsunashima

See my review of the light novel here for my general thoughts on the story, since it's adapted pretty faithfully. I do think the manga is overall the best experience though, because the illustrations break up the detailed explanations of quantum mechanics a bit, and it includes a bit of extra content that fleshes things out, especially withthe ending.

The Single Life: 60 year old lesbian who is single and living alone by Akiko Morishima

Just like it says on the tin, this focuses on a 60-year-old single lesbian. And definitely the shortest thing on here, since only one 30 page chapter is out.  It's a grounded story about a woman looking back on her journey to finding her identity, touching on sexism in the workplace and other challenges. It paints a portrait of a proudly gay elder who's still perfectly content being single and feels fulfilled by the life she had rather than regretting past relationships. I definitely want to see more.

Daemons of the Shadow Realm by Hiromu Arakawa

Arakawa's latest, the story is about a boy who lives in a small village with his little sister is imprisoned and has to carry out a mysterious duty...but then the village is attacked, supernatural daemons awaken, and everything he knows might be wrong. I'm enjoying this fun romp so far! It delivers an really nice plot twist right out the gate (and an excellent subversion of the usual shonen "must-protect-my-saintly-sister" narratives). It boasts Arakawa's usual fun cast and interesting world (and cool ladies). There's some slight tone and pacing issues in the first part- there's so much time spent explaining mechanics the lead doesn't really get to react to his life turning upside down. But it starts smoothing out by the second volume. I'm excited to see what's next!

Superman: Space Age by Mark Russell and Michael Allred

This is a retelling of Superman set throughout the late fifties to early eighties that has Superman interact with the political and social upheaval of the time and question his own role in things. It explored the Superman mythos through a lot of cool new angles, and has a good Lois (why yes she would break Watergate) which is how I always measure a Superman adaptation. My one complaint is, while I liked some of the things it did with Batman, the ending with the Joker was pretty weak. The ending of the overall comic will also be bizarre for anyone not uses to how weird comics can get, but I think I dug it.

#DRCL by Shin'ichi Sakamoto

A manga retelling of Dracula that focuses on Mina as the protagonist and imagines the characters at an English prep school. It adds a lot of  diversity to the characters  and has exquisite, evocative art. I'm curious where it will go and what it  intends to do with all it's changes (especially Lucy), because right now it's mostly vibes and creepiness and the direction isn't clear.

#year in comics #manga #yuri #the summer hikaru died #the magic fish #chainsaw man #superman #daemons of the shadow realm #drcl midnight children #is love the answer? #superman: space age #goodbye eri #snagglepuss #my reviews #drcl #the girl who can't get a girlfriend #the single life #trung le nguyen #qualia the purple #tatsuki fujimoto #hiromu arakawa

[razzek]

Reading Pern fic and realizing that it's always queen riders or future queen rider Mary Sue type characters who here all dragons and I am now desperate for a green rider with the ability. I know in canon it's rare and has to do with bloodlines and is a women only talent that's maybe twice in a generation. We got Lessa and Ariana (? the gal in Renegades who has such a bad time she avoids dragons) and maaaaybe Moreta (it's been a long time since I read that one). But if it's going to crop up in fanfic and RP constantly, I want to see someone that everybody pins all these expectations onto and they end up riding green to the dismay of all but them. (I love greens, second best dragons to me, only topped by blues which seem to be the only dragon an ace person can ride, but the culture around them and the way their riders are treated is fascinating.) If the green rider in question was a trans man maybe no problems there or nothing would change (though that's a story I'd be interested to read in general, a trans man in canon Pern society riding green, which had to have happened at least twice in their 2k year history). But if you had someone who was being brought up and expected to ride gold and she gets a "crappy" green, the political fallout alone would be fascinating.

Man I wish I had the stamina to write longer fics. I have so many ideas for Pern stuff (most of them horrible; I am somewhat disappointed that purity culture in fandom spaces has kept people from exploring and digging down into the real canon implications that were always present in the books; I understand not wanting to do that on a personal level, but it's disappointing that a lot of writers will avoid it solely for fear of purity assholes coming after them). If Anne herself was allowed to write really shitty attempts at confronting some of this stuff (looking at you, Skies of Pern, ugh) why aren't fans allowed to tackle it honestly and better instead of just pretending it doesn't happen? But on the flip side, where's the exploration of queerness in it’s entirety from fan writers? I've seen trans women green riders and of course lots of gay men, but where my ace blue riders and lesbians and trans men and so many others be at? Aaaanyway....

This became a tangent. tleadr: it's been like 60 years of fanfic and I'm bored of the same old runaway rich girl who hears all dragons becoming a queen rider stories. XD Nothing against that sort of self indulgence, everyone gets to write that kind of wish fulfillment. :) I'm just bored and I wanna read something new but don't have the energy to write it, alas.

#dragonriders of pern #pern #razz rambles #been on a pern kick again for like the past three years #and nobody knows because I just never talk about it XD #tried to join an rp and everyone was super nice #but it's just too much work socially and on a tech level for me #rps are great but I'm a fic writer more than an rper alas

[utilitycaster]

A few recent books I've read and disliked led me to this conclusion but it feels like there's been this switch over time with queer stories. It used to be that queer relationships (or queerness in general) had to be Show Don't Tell because, well, you could not make them textual! So you get, for example, shows like Legend of Korra, or Xena: Warrior Princess, where you have women who are clearly devoted to each other to a degree that goes beyond mere friendship, and a ton of effort and care is put into that depiction because they can't actually be shown in an explicitly stated relationship. And as a result, these relationships, while they never receive confirmation in the show, are rich and complex.

Now not only is it much easier to make explicitly queer stories outside of niche areas; it's even popular (and, cynically, a marketing tactic). The problem is I've run into a bunch of stories that are marketed very clearly as A Queer Story that forget to like...be a story, or show me why these characters should be in a relationship. It's All Tell No Show: I'm told that the characters are gay and are in a relationship, but no work is done to actually explain why I should care about this beyond "well they are gay and in a gay relationship."

I'm not going to rehash what I discussed here, but Baru Cormorant is an example of those books where I'm given no real reason to care. The protagonist is a lesbian but the prose reads like a phone book. On the other hand, while Starless has a queer disabled woman as a one of the two protagonists, it also provides her with traits other than "queer, disabled, woman, important" and grants her a rich interiority (even though the story is told entirely from the first person point of view of the other protagonist.)

And the thing about the good examples in that link (Starless, Teixcalaan): they show and tell. It's both explicit that these are queer stories with a canon romantic relationship, but the little moments that make up the tapestry of a relationship are given the time that moments in a subtextual - or frankly, even a queerbaiting work are. That's the real tragedy; for queerbaiting to work, you have to actually make the relationship compelling enough for people follow it until you pull the rug out from under them; whereas you can slap a cold fish kiss on a cold fish queer relationship and technically you are Better because it was Explicit Representation even though everything about it was poorly constructed. I would rather have an lazy and shoddy explicit relationship than queerbait just on principle; but honestly I'd rather have a good story that does neither.

One of my more cynical interpretations of this is that writers are either intentionally or inadvertently taking advantage of the legacy of the Show Don't Tell era of queer coding to place the burden of those small moments on the audience. They know that people looking for queer relationships in fiction are used to having to dig for moments and subtext; but instead of providing that subtext, they set up the clunky text and assume the subtext to support it will emerge from the fandom. Or perhaps, more generously, especially for younger queer writers, they are just so used to having to provide that work themselves that they forget they are doing the writing and are able to (and should) layer subtext and text together and weave something actually good.

Either way, it's this that's led to the "Lesbian necromancers in space, need I say more"* era of recommendations, taglines, and writing, in which explicit representation is, if not plentiful, at least available; but a worrying amount of it forgets to actually write realized characters or a relationship with chemistry or a plot that makes sense.

I should also note: there's obviously a TON of straight romances and books that range from mediocre to abominable. I am under no circumstances arguing that "gayboring" media shouldn't exist. But while I don't think queer stories should be held to a higher standard, I don't think I should be obligated to settle for a lower standard either simply because it's gay. I know it's fraught, in that we're at risk of publishers and producers taking away the message "people hate this because it's gay" rather than "people hate this because it's poorly developed," but like...at the very least, could we recommend things in terms of "this is a great book that has a wonderful queer romance" and "this show is gay but it is also deeply mediocre, and if it weren't gay I wouldn't recommend it at all; do what you will with this information."

*I should note: I happen to like The Locked Tomb (of Lesbian Necromancers in Space fame) a lot! I know it's not for everyone; I know it can feel very gimmicky at times. But no matter how you feel, that tagline is DIRE and does a miserable job of representing the books. Like, that premise could suck, actually (and plenty of people find it does) if you're not sold on the mere fact that it's got lesbians, necromancy, or space in it. Worth noting that neither Starless nor the Teixcalaan books were heavily marketed as Queer Romance Fantasy/SF even though both very much are, which does further make me think this is a case of people writing good books that are queer, vs. people writing books with the intention to be on some New Queer SF list or, god forbid, Booktok.

#long post #the book i read this week (light from uncommon stars) was also like. really hit or miss #the locus review of it is spot on. like. i think one of the characters' stories is fantastic but i think it's afraid to have any bite. #also this was out of scope for this post but like. i have recommended terra ignota before #and like. it is saying THE MOST about Gender since Le Guin or Butler imo. but it's NOT marketed as queer at all #and part of that is that it's really not capable to read it as a romance (certainly not a happy one) despite there being queer pairs in it

[gay-disabled-characters-showdown]

LGBTQ+ Disabled Characters Showdown Round 1, Wave 1, Poll 8

A character being totally canon LGBTQ+ and disabled was not required to be in this competition. Please check qualifications and propaganda before asking why a character is included.

Check out the other polls in this wave here.

Renarin Kholin- The Stormlight Archive

Qualifications:

Renarin is canonically autistic and gay (or at least MLM).

He's canonically autistic + has epilepsy, and he's been confirmed to be gay and have a crush on a male character (which will.be explored more in future books)

Canonically gay as confirmed by word-of-god; canonically autistic and has anxiety.

Renarin is canonically autistic and gay.

Propaganda:

Renarin is one of few characters in epic fantasy literature who's canonically neurodivergent or queer - it's rare enough to just see one of those things! He is also the best, just all around. He is so reckless and has such a strong moral compass: like he ran to help fight a giant crab monster with no weapons, no armor, and no training; he jumped into a 4vs1 duel to help his brother, with no armor, no training, and a sword that deals him psychic damage anytime he holds it.

He's autistic and gay; disability is a big part of his story; he's so much of an outcast that he was the first person to join his world's extra-marginalized order of sinister-but-not-evil magic users; and while he's quiet and self-contained, he's full to the brim with suppressed rage. Sidelined second son and quasi-cursed prophet. I fully believe he can take this tournament by storm.

Renarin is autistic, epileptic, and queer as the day is long. As a kid, he struggled to win his dad's approval due to his inability to fight as well as his abled brother -- but these days his dad's wised up and realized that Renarin actually kicks ass. When Renarin gets magic powers, he isn't "cured"; he's still epileptic, he's still autistic, and he still has a crush on the strapping young alien lad in his squad. Not only does he break down class barriers by hanging out with ex-slave humans (he's the prince of a major kingdom), he breaks racial barriers by dating an alien who's entire race was, until recently, enslaved by humans. Overall, he's a complete badass who is getting more confident, more appreciated, and more gay with every book in the series.

Loam Arnault-Entropic Float

Qualifications:

she canonically has arthritis and chronic fatigue, and is canonically bisexual and omnigender (using all pronouns)

They're chronically disabled (dont remember their condition :() omnigender, and pan!

i don’t remember what it is (or if that’s even said) but his disability gives her trouble walking some days and on others makes it so they can’t get out of bed. bisexual &nonbinary omnigender!

Canonically disabled, nonbinary omnigender and bisexual

Propaganda:

listen. i love him. oh my god i love aer. their disability and queerness are both central to the narrative. due to it being disabled, she is not taken seriously where he comes from. xe has given up on insisting on its gender being respected - every time thon tries, its taken as a sign he is having a bad day symptoms wise, which in turn is taken as though she has never grown up past being eight years old. through the game proper, it hides hir disability most of the time. to ask for help is to let someone know. and throughout their entire life, everyone who knew has treated him as stupid - perhaps not always, but everyone has. this is why she doesnt really want to get out of the anomaly; this is the first time fae has had friends who dont know, and therefore dont have "a reason" to infantilize it. star hides everything behind a chipper demeanour. well, that demeanour isnt entirely a lie; she is really silly and pleasant - one of my favourite things he says in the entire game is "isnt blue super bad for computers? like blue balls of death or something?". upon being asked "where do you come from that computers have balls?", they respond "well, how do they reproduce if they dont?" in conclusion. Loam my beloved.

silly guy... oh he's a lil bit fucked up actually

:3

I’m disabled and queer and Loam makes me feel so seen. He’s an incredible character, I love her dearly, I need everyone to understand how incredible they are.

The qualifications and propaganda correspond, @prinxe-with-no-crown is the first submitter @mythologeekwriter is the fourth and there were two others.

#polls #poll #disabled characters #lgbtq characters #disability #lgbtq #lgbtq dcs round 1 #lgbtq dcs wave 1 #renarin kholin #the stormlight archive #loam arnault #entropic float

[astrum-aetherium]

Do you think Henry and Camilla were actually in love?

the question of all questions has finally found its way into my inbox. i don't know how long this will be, but just know that i could write a novel-length essay supporting my opinion. here's a shortened version.

i've spent a long time entertaining this thought, specifically as someone who is undeniably (and evidently) attracted to henry in more ways than one. when i initially read the book for the first time in 2019, i obviously picked up on the clues donna tartt scarcely dispersed throughout the length of the novel (with the glass shard scene posing a final confirmation of her intentions for the two characters), and i must say, out of my naive and obnoxiously teenaged simplicity of perception, i did accept their (strangely established) love and even root for it; especially during henry's last scene — the actual, outspoken confession and the secret whisper — and camilla's consecutive rejection of richard's proposal with the claim she still loved henry.

however, i have matured now, read the book a few more times, and found reason to change my viewpoint completely. no, i no longer believe they were in love per se — let me elaborate. before i do, however, i have to put a TW for incest on here. it is unavoidable when talking of henry and camilla. therefore, beware. lots of mentions of incest-related trauma and the consequences thereof.

the realization that i disbelieve in their love being romantic struck me upon my first reread, because i somehow suppressed the actual outrage of camilla and charles' incestual relationship. of course, i remembered them to be romantically involved with one another, but having read the book anew at a slightly older age, i started comprehending the sheer extent of the trauma that may originate from something like that. there is an undeniable possibility of it having started as a form of abuse instead of something purely consensual (which incest very, very rarely is), and that has led me to believe that camilla, at least in future years to come, would no longer be attracted to men both romantically as well as sexually. this may very well be a response to her trauma.

here, of course, it can be argued that it was all consensual and would thus not result in trauma, but i wholeheartedly disagree with that. incest, being taboo and socially unacceptable for very plausible reasons, would generate trauma regardless of the degree of willingness the participating parties portray. that is, of course, given the parties are aware of the taboo aspect of it in the first place, which charles and camilla obviously were. however much i believe it did not, in fact, start as something consensual (once again — it very rarely does), i understand where one might be coming from with claims that it did, as this is all fiction and we simply have no possibility of knowing for sure.

to cut this tangent short — i believe camilla would develop into a lesbian based on her incest-related trauma and would therefore simply mistake her "love" for henry for devotion to his authoritative and mystifying charms and leadership skills. she would believe to be in love with him because she would simply be unaware of her sexuality just yet, given she was still participating in incestuous activity with her twin brother, and would instead seek solace in the company of another man who she does not have a familial bond with. after all, even she and francis had a small little thing (a kiss from what i can remember), and he himself is openly queer.

as for henry, this is where things get a little more complex. i sort of deride his attraction to camilla, however real it may have been, as she is, after all, the only girl in their circle. of course, i keep thinking, of course everyone will be going after her. that poor thing — not even safe from her own brother.

from henry's point of view, i think he just projected the conventionally instilled idea of finding a partner to settle down onto the first intelligent woman he came across who matched his quite specific interests. and this is not to say that camilla cannot be loved for any other reason, but i simply, honestly and truthfully, find it hard to believe that henry would ever genuinely love someone. i know that we all like to believe that he has a soft side, but i more often than not don't. he does, after all, portray antisocial and even psychopathic tendencies. and people suffering from personality disorders like that are unlikely to ever perceive authentic emotions. i think his supposed love for camilla is a result of a conventional belief being applied to encountering someone who is so similar to you interest-wise that you initially feel like they are the one. he may have felt subconsciously "forced" to find a life partner, as that is the traditional standard for humanity that even his deviant mindset cannot undo.

this is what i honestly think. trauma-induced, misinterpreted, misplaced feelings for an authoritative figure juxtaposed with a misapplied, subconscious manifestation of a conventional belief. perhaps platonic love, but certainly not romantic; strong — yes, may as well, but not romantic or, for that matter, sexual (once again, due to trauma).

i do hope this communicates my position on the matter well. thank you for asking. i enjoyed gathering my thoughts and phrasing them in conclusive sentences at last.

#astrum asks #henry winter #camilla macaulay #the secret history #donna tartt #dark academia #henry and camilla #camilla and charles #trauma trauma on top of trauma #lesbian camilla believers where are you #she would not want to be in the same room with a man ever again I'm sorry #i take this aspect of tsh very seriously because it IS serious

[olderthannetfic]

https://olderthannetfic.tumblr.com/post/735990124795543552/some-of-the-cringiest-writing-in-a-novel-i-read#notes Re: first commenter. No, actually, but it's weird that it happened twice. (Not gonna mention I've read books with a similar issues, but these books were the first ones where all of the values felt so condensed and clashing when it happened.)

Latter commenter though buckle up this is long, so that you actually get the full picture: The main character, who in this story is part of the majority, is herself is shown to have very progressive values almost from the start, and is aware of the racism experienced by others and also the sexism and queerphobia and ableism that exists in the setting. She herself has been a victim of sexism, is questioning her queer identity and deals with having to hide her ND condition. It's not just shown that she has awareness of this, she knows that what these things are and that being racist, sexist, queerphobic and ableist is bigoted and wrong. She's even shown multiple times standing up against racism/sexism/queerphobia/ableism. It's clear she understands these concepts and why they're wrong. Even at a point confronting her own family about their racism towards a different character for being of a mixed background. But then suddenly there's this one part where she does a complete 180 and does the exact thing she condemned throughout the book(s) without fanfare towards exactly one singular character and his ethnic background. It clashes extremely with how she acted the entire way throughout with other characters of minority ethnicities, or other marginalized people. And no, she never reflects on her weird view on this one guy, nor does it ever change. Nothing about this guy even justifies it either, he's just a guy. The books just keep up her view of him as a "civilized barbarian" for the entire run. I also got the impression that the ethnicity seemed to be based on a real ethnicity while reading. If the book was at least self-aware, or she reflected on why she thinks the people of that ethnicity being "beastly" and "barbaric" and why she views him as the one specific exception with actual good reason beyond "he doesn't behave like a wild animal". The only person of that ethnic group whom she considers to be civilized, it could have maybe fit with her growing and realizing that even she still has things to learn. But it never happens. It's a big flaw in the books that her values never grow, her values are almost completely the same from the start until the end. Vague description, but there's a scene where she fights to save a slave girl who's part of a minority from being publicly abused. She saves the girl and tells her nobodies worth is determined by their birth. Then a few chapters later, she's turning right around gaping open mouthed at the "civilized barbarian" guy for being able to read. Read. Not doing biochemistry or knowing rocket science, something that could be impressive if someone does it casually, no, the guy's just able to read in his spare time. That part had a heavy undertone of viewing that ethnicity as inherently inferior and less intellectually capable. That is the issue. Not that the author is a marginalized person writing a #problematic character. That's actually honestly interesting, and engaging. Reccs in the comments, thanks. The "problem" is the author wrote a character who's incredibly staunchly progressive and also frequently shows the character acting in a way that is very in-line with these values, but then decided that the fetishism of this one ethnicity as "barbaric and exotic", and telling us how this one guy is basically a noble and civilized savage who can read! was more important than keeping her character consistent in her values -which were clearly written and shown throughout the story- while not reflecting on this specific flaw in her worldview. I read the books specifically because the author mentioned that she'd "show you how it's done" stating her main character would tackle racism/sexism/queerphobia/ableism in the books and fight against them. To give it to the author, the main characters isn't completely on the nose, but in some parts it does feel like a lecture.

--

Well, we can't judge for ourselves without reading whatever this is, but I do find that authors who are very vocal about ~showing you how it's done~ are often not the ones who are actually best at that.

Also, for this or any other topic, an author should beware of being too self-aggrandizing: if you promise nothing, people will be pleasantly surprised and praise you. If you say you're better than others, they'll go in looking for an excuse to shoot you down. Doesn't matter whether it's anti-racism or writing skill: we tend to find it annoying when people blow their own horn too hard.

[pluckyredhead]

My Favorite Comics of 2023

Sometimes I think I should review all the comics I read as I read them. Then I realize I read like...40 comics a month and decide to not do that. But I figured I could at least round up my favorite books of 2023!

So as not to bury the lede...

My Favorite Comic of 2023: Green Arrow

Was there ever any question? All I have ever wanted for like 20 years at this point is Arrowfamily shenanigans, and this book has been all about reassembling the gang and letting them romp through the DC universe. This is an Ollie who is overflowing with love and bad ideas, and that's perfect. Every character and relationship has gotten a chance to shine so far, and I can't wait until they bring the girls in. I especially love how clear it is that Roy is Williamson and Izaakse's favorite. ME TOO, GUYS, ME TOO. The fact that this is now an ongoing instead of a limited series is the best gift DC could have given me.

The rest of my faves...

Alan Scott: The Green Lantern: I did not expect to be as moved by this book as I am. The overall plot is a bit hard to follow, but that's not really the point of the comic. What blows me away every issue is how unflinching and occasionally brutal the book is in its portrayal of 1940s-era homophobia, including Alan's internalized self-hatred, and yet how simultaneously incredibly kind the book is. The love and validation, especially in #2 and #3, is so generous and beautiful. Also, it's the best and most beautiful I've ever see Cian Tormey's art look - he gives everything such a hazy, heartbreaking softness here. Please read this book.

Batman/Superman: World's Finest: This continues to be one of the most enjoyable books DC is putting out right now. Mora is one of those artists, like Doc Shaner, who draws the DC universe exactly 100% the way it looks in my hindbrain, and Waid is absolutely in his sweet spot of classic heroes, Silver Age lore, and extremely comic book-y adventure. Plus, Tamra Bonvillain is doing that thing she does with colors that taps directly into the happiness center of my brain - they are so rich and sunny and joyful.

Birds of Prey: I love everything Kelly Thompson writes and I'm so glad we finally have her at DC. She is the absolute perfect writer for this book, too - she gives such good superheroine. The banter! The action! The way she mixes and matches her cast in such fun combinations! Leonardo Romero's layouts are so kinetic and fun, and Jordie Bellaire's colors, YOU GUYS, JORDIE BELLAIRE'S FUNKY SEVENTIES COLORS! I can hear the soundtrack of this book. Love love love.

The Flash: To be clear, I mean the Jeremy Adams run that ended earlier this year with #800. I will forever be salty that DC canceled this delightful book, which was all of the action and humor and heart and love of continuity that I crave in comics, in favor of the so far completely mid Spurrier series. RIP Adams run, you were too good for this world.

Fire & Ice: Welcome to Smallville: This book got off to a slightly slow start, in my opinion, but every issue just gets better and better. It is so funny, and I want Natacha Bustos to design every outfit I ever wear for the rest of my life. Plus, Tamra Bonvillain is doing the color thing here, too! I want to live in her world.

Poison Ivy: I trust G. Willow Wilson with my life. This is such a good, complex, nuanced take on Ivy. (Also messy and poly and queer.) I have no idea where this story is going but I'm on this ride 'til the end.

And finally...

Favorite Backlist Title: Starman (1994): You guys. YOU GUYS. I mainlined all 80 issues of this series this year at an absolutely blistering pace because I did not want to stop reading it for even a single second. It's everything I love about comics: truly serialized storytelling with a huge cast and lots of intertwining subplots, tons of twists and foreshadowing that pay off in immensely satisfying ways, a deep dive into continuity that's still accessible to people who know almost nothing about Starman (me), a love letter to a fictionopolis, and one funky little dude trying his best at the center of it. I am BEGGING you to read Starman. Please.

#comics #meta

[facetsofthecloset]

i'm sure it's been said but i feel like both Raxtus and Ronodin can be argued as "the only gay kid in the family and consequently shunned/rejected" and it's like. so weird bc Mull is so Mormon he'd probably rather eat his shorts than even acknowledge the possible existence of gays but

i mean. Raxtus literally has a fairy form. he's a fairy dragon.

Ronodin was just emo lol

and they both get so thoroughly rejected and sidelined by their families their whole lives and it turns Raxtus into an awkward but basically decent guy who runs back to the approval of his family once he's performed masculinity/violence enough to be accepted, only to then realize that he's basically just being used and still not fully trusted/accepted and having to betray them to save his real friends

(who sadly are probably actually homophobic but that's ok bc they're not dragon-phobic so that works out for him)

while Ronodin's like "fuck it. chaos and murder then!" and can you really blame him? he spent his entire life trying to conform to the "right" (in this case, Light) way of life, started spending time with the outgroup and learned to question things, then was told he was "too corrupt" to remain in his home

like. the symbolism is right there.

it's so funny, because sure Raxtus isn't a bad guy, but Ronodin definitely is and he pretty much gets sent to a type of hell at the end of Dragonwatch

and while Raxtus gets kind of a happy ending, like, him becoming an effective killer in a war and being accepted by his dad for being Good At Murder in the first Fablehaven series is presented as a happy ending. if Celebrant didn't wind up being the main villain for Dragonwatch, that probably would've been the end of it! gay kid learns how to soldier and is finally accepted by his homophobic family bc he's finally aggressive enough for them to love him

(i mean i have MANY issues with Celebrant being the main villain later and the reasons he's framed as bad but like. that's a separate rant lol)

the queer reading is right there. but also it's very bad and you can tell completely unintentional. or at the very least highly repressed. idk man i don't look into Mull as a personal individual bc i doubt i'll like what i see and i don't care that much but Dragonwatch was SO MUCH MORE MORMON than Fablehaven already was and it's so weird, seeing the fingerprints of it all over.

i feel like he either has a new editor or he's been doing this for long enough and sold enough books that he has the clout to veto changes made by editors or SOMETHING, bc i feel like? he's gotten worse?? and more unfiltered?? that or something happened and he's like. even more religious than before or something idk

like fablehaven was just kinda generic/bland fantasy with some fun ideas for magic items/powers/one sentence character premises, with just a hint of sus Mormon ideology, and then Dragonwatch just went. Full Mormon.

but then there's somehow even more weirdly queer shit. like. he's repressing so hard he's approaching queer from the other side??

idk man i wish this deeply mediocre man's writing wasn't a formative piece of middle school reading, leading to me still giving more of a shit than i really should over questionable children's literature now

#i mean it seems like his wife may or may not have divorced him between the series's so maybe that had something to do with it #i didn't look too deeply into it i just kinda guessed from his about the author blurbs wording changes #also wtf was up with the weird borderline piss/humiliation kink thing in the latest candy shop war book? #like. that was. that was not funny at all if it was meant to be comedic. like the execution was SO BOTCHED if so #and if it wasn't??? it was just????? UNCOMFY??? #sorry i'm tired and kind of delirious and for whatever reason this man's writing's squandered potential still haunts me #like genuinely if i ever publish original fiction there's a good chance it'll be fanfic of this with the serial numbers filed off #like 'MINE I'LL DO IT /RIGHT/ OK GIMME' #fablehaven #dragonwatch #i know ronodin is overrated and like. yeah he's not really a sexyman to me but he IS still compelling as a character #i think he's funny i wanna be his therapist #like stereotypical him lying down on a chaise longue thing #but also i reserve the right to make fun of him so like. not a very ethical therapist lol #get it all out queer boy let's get you to a gay club and find some fairies who WILL accept you #just cool it with the murder and the manipulation a bit y'know

[stormblessed95]

Hi, sorry if it's late, but can I ask for your persoal top favorite queer books and (maybe) your top fav fanfiction (from any fandom but your all time fav)? Thanks so much.....

Also why do you think mlm or wlw romance is more interesting than mlw (het) romance?

Feel free if you want to ignore the last ask, thanks for your blog....

Why do I personally enjoy gay romances to het ones? Preference and taste probably. I also tend to enjoy the angst, longing, tropes, passion, etc in the way its written more than I do in the ways those things are written between a straight couple. And that's not to say I don't enjoy straight romances either! I have plently of het ships I love too, and a few good romances that aren't gay 😂 I just have a preference, and that's okay! As for recommendations!! I have a LOTS! If you want to tell me about what YOU like to read, I can give even better recs. But for in general, some of my favorites...

I have posts about QUITE A FEW here already that you can check out (please do)!:

^ you'll find queer characters in most of the lists of recs honestly at least somewhere. BUT I do have posts specific for Sapphic, Achillian and Ace recs there. So start there!

I'll also throw in that I'm recently quite obsessed with fantasy Sapphics with swords in my books lately! So books like "The Jasmine Throne." "This is How You Lose The Time War." "Priory of the Orange Tree." "Gideon the Ninth." "Girls of Paper and Fire" and "Legends and Lattes."

Come back for me if you want more!

And some of my favorite fics (of various fandoms! Exciting!) In no particular order, I'll link a few for you!

That Isn't Nothing by Taekookschanbaek

(I KNOW OKAY, in my defense I didn't realize the authors name until AFTER I read and loved the fic lmfao but it IS SO good, I promise lol)

Fandom: All For The Game

Ship: Andrew x Neil

Summary: "A look into the lives of pro exy players Andrew Minyard and Neil Josten. The world says they hate each other, but when Andrew gets transferred to Neil's team, their teammates begin seeing something else between them."

In Which Neil is a PR Nightmare by CoverYourEyes

Fandom: All For The Game

Ship: Andrew x Neil

Summary: "Eve was not the best person in the world. Sometimes she didn’t hold the elevator open when she saw people rushing to catch it from the other side of the lobby. Cutting the line at Starbucks was a semi-regular action. But Eve did not deserve to be Neil fucking Josten's publicist.

**********

Or, the one where Neil does what he wants, picks fights with reporters, discovers Twitter, breaks the internet, and really shouldn't be allowed out of his house. Andrew does nothing to discourage him."

The Men In Apartment 22B by jjmash

Fandom: All For The Game

Ship: Andrew x Neil

Summary: "Andrew and Neil's new neighbors are extremely confused about the two mysterious men in 22B. Are they dating? Are they in the mafia? Are they rival assassins who've fallen in love? As always, the truth is stranger than fiction."

Blame It On My Youth by youreyestheyglow

(Locked fic, you need an account. This fic is THICK but it's by far one of the best Andriel fics I've ever read or just in general. SO GOOD and so emotional and so sweet and so cute)

Fandom: All For The Game

Ship: Andrew x Neil

Summary: "10 years after the end of The King's Men, Andrew and Neil have decided to foster a kid. They have low expectations for themselves--they're not exactly ideal parenting material--but at the very least, the kid will be safe with them. But neither Andrew nor Neil do temporary very well.

Full disclosure: highly character-driven, minimally plot-driven."

(Wangxian and MDZS IS my newest hyperfixation and I love the juniors dynamics fics so much lol)

The One-Body Problem by metisket

Fandom: MDZS

Ship: Wei Ying x Lan Zhan

Summary: "The good news is that Lan Jingyi has found a mentor, friend, and constant companion through the difficulties in life.

The bad news is that that’s because he’s been accidentally possessed by the Yiling Patriarch."

Operation Old Men by Chiharu

Fandom: MDZS

Ship: Wei Ying x Lan Zhan

Summary: "An ill-fated parent teacher conference reunites Jin Ling's wayward uncle with Sizhui's father. AKA: A matchmaking disaster as told by Jin Ling, Sizhui, and Jingyi."

And Time Is But A Paper Moon by Sami

Fandom: MDZS

Ship: Wei Ying x Lan Zhan

Summary: ""Zewu-Jun. You once told me about a house surrounded by gentians, where you visited once a month, and how Lan Zhan still waited there, even when the door no longer opened."

Xichen feels light-headed. He feels shocked, and angry. He has never told anyone such a thing, but Lan Zhan is giving Xichen a look of utter betrayal.

"You told him?" Lan Zhan whispers. "When?"

Wei Wuxian takes Lan Zhan's hand. "About twenty years from now."

*******

Wei Wuxian starts again from the beginning."

(the first time) he kissed a boy by buzzcut__season

Fandom: Sk8 The Infinity

Ship: Langa x Reki

Summary: "Reki is insecure about his lack of kissing experience. Langa just wants to help him feel like he's good enough, even if teaching Reki to kiss means breaking his own heart."

The Gambler by MooeyDooey

Fandom: Sk8 The Infinity

Ship: Joe x Cherry

Summary: "Joe and Cherry run into a problem. Conspiracy theories have started to surface in some fan forums of "S" that the two of them are secretly dating one another.

Both of them agree that the idea is absurd, but can't agree on which one of them would be the better boyfriend if they actually were dating. So they decide to have a competition, to see who can be the better romantic partner when pitted up against one another."

The One Where Nico Has 30 Boyfriends by a_million_stars

Fandom: PJO

Ship: Will x Nico

Summary: "“Seriously? Me and Lester?” Nico looked ready to kill him. “If you keep speaking to me I think I’m going to throw up.”

Or, a new friend from college desperately tries to figure out who Nico's secret boyfriend is. He messes up. A lot. If only Nico didn't have so many weirdly close friends from high school."

Burgundy (not Maroon) by Eggplant_Crusader

Fandom: Wednesday

Ship: Wednesday x Enid

Summary: "They're driving each other insane. It can't last. One of these days, one of them will surely kill the other. Enid wants to avoid that. Wednesday can't wait."

Like Everything Glows by Annie_Vi

(One of the only people I'll read RPS fics from. Everything this woman writes is gold, this is my favorite though, and the first i read of hers)

Fandom: BTS

Ship: Jimin x Jungkook

Summary: "Jeon Jeongguk watches the sun rise and set on the water every day without wondering what may lie far beneath the surface. One nighttime walk along the beach upheaves his entire life, sending his human morals into a tailspin as he questions what his beliefs really are."

(I need more shows with good wlw ships that have good fics too!! If anyone has any good recs, send them my way!! Also there are so many good fics I've read that i realized i never bookmarked and now i cant remember what they are. Lesson learned. Bookmark everything! Thanks for the ask!!)

#storm recommendations #fic recs #andriel #wangxian #renga #matchablossom #Solangelo #jikook #wenclair

[amageish]

So, I have more Illyana thoughts... I apologize for rambling again, but this is apparently how my brain works now...

The next episode of X-Men '97 is Motendo / Lifedeath Part 1, an episode I have been eagerly anticipating since the reveal of this key art related to it.

There she is! There's Magik! It's my girl!

Now, it is possible she's just in the art because Morph transformed into her in Episode 3. The fact Storm is in her original '92 design and not her punk attire makes me think this art is not literally reflective of the episode's contents... but if Magik is in it, I am curious what role she may take in it... Let's baselessly speculate! Spoilers for the two comic book storylines we know this episode is drawing from after the cut.

So this episode will be adapting parts of Lifedeath, the iconic Forge/Storm romance arc, and the Abscissa arc with Jubilee. This makes me think this episode is likely to be a three-pronged exploration of what mutants do to gain social status in a world that hates and fears them.

Storm and Forge's arc is about Forge reconsidering his job working with the American government and realizing how has literally created the tools used to oppress his fellow mutants. Storm, meanwhile, has chosen to embrace counter-culturalism openly through her new punk identity, not really caring what the white male flatscan majority thinks about her anymore; Forge's perspective is challenged by her as they begin their romance.

Jubilee's arc is about her encountering a future version of herself who is a slave to Mojo in the Mojoverse and taking actions to ensure that future never comes to pass.

Sunspot's arc in '97 has been about him hiding his mutant gifts, afraid that his parents will not accept him as a mutant. He also self-identified as "one of the good ones" in the first episode. Lot of model minority stuff going on here, as well as some allegorical queer closeted stuff going on here. I am guessing this is the episode where he decides to join the X-Men and come out properly.

With all that in mind... What is Illyana going to be up to, if she is indeed in this episode?

My guess is she would be a foil to Sunspot, as someone who has made it through the emotional journey he is in the middle of. She not only has a mutant gift she is scared about, but she has a literal demonic side. If she has learned to accept herself for who she is and to embrace her demonic powers as a way of protecting herself and those she loves, then maybe Sunspot can do the same with his powers.

This would be casually implying all of Magik's character growth happened off-screen, but this show has a lot of protagonists already and I don't know if they'd have time to delve into the lore of Limbo - and it also may be difficult to do that in a show that is still, nominally at least, for kids...

If they wanted to be really bold, Illyana could also be in a queer relationship that is a foil to the Jubilee/Sunspot relationship - making the "We're hiding this from my parents as I don't want them to know I am a mutant" queer allegory a little more obvious by showing Illyana in a loving queer relationship of which her brother approves. With the episode inspired by the Pryde of the X-Men arcade game, I think it'd be a good place for Pryde to appear if they wanted to make Katyana canon... but Illyana/Dani or Illyana/Xuan also feel possible to me... or, hell, they've said non-mutant characters will cameo like they did in the original cartoon, so maybe they could do Illyana/Nico Minoru or Illyana/Leah. I'd like Illyana/Pryde the most, but honestly I will take anything that makes Sapphik Magik canon.

ANYWAY. That's my unsolicited Magik thoughts for the day. I am trying to keep my expectations low - I think it's very possible that Morph appearance is all we get - but I do think there's ways to get some really good Magik content in only a few minutes of screentime given what appears to be the theme of the next episode...

#illyana rasputin #katyana #x men 97 spoilers #x men '97 spoilers

[traegorn]

I need to stop doing this to myself.

(A Rant Where Trae Has Written Too Many Books This Month)

So since most of you started following me because of Witchcraft or podcast stuff, I realize a lot of you don't know how much fiction writing I do.

Primarily what I've published are comics. The big one is UnCONventional (which ran from December of 2009 to December of 2019), but I also did a steampunk comic called The Chronicles of Crosarth (which I put on hiatus in like 2018 intending to come back to... but I haven't, and I make no guarantee that I will even though over 650 of the 800 planned pages are done). Crosarth is... fine? The art isn't great in either of these, but UnCONventional carries itself with the humor.

But that's all old stuff. You may be like "Trae, what have you been producing for the last four years," and the answer is "not a lot." I got major creative block with the pandemic. Peregrine Lake, the "Northwoods Gothic" comic I was supposed to launch in 2020 (which has some characters from UnCONventional in it) didn't materialize when I said it would. What storytelling energy I had went into Stormwood & Associates and The Meatgrinder (my two actual play podcasts), but that was it.

And then 2023 happened, and the juices started flowing again.

Peregrine Lake is moving forward -- but with me just doing the writing. My urge to draw has not returned, but my urge to write has. A friend of mine, Ethan Flanagan, is drawing it, and I've written the first year of comics. It likely won't launch any time soon (the artist I'm working with is busy as hell so we want to get a shit-ton of the comic done before we launch it -- we have like the first month and a half of the comic ready?). But yeah -- it's happening. I hoping for Spring, but we'll see.

The other thing though is that I've started writing, like, novels. I've always had like twenty ideas in my head, so I figured I'd give it a shot. I decided to start with the idea I cared the least about (in case I fucked it up): A queer urban fantasy story.

In the last month and a half I've written complete drafts of two different novels in this setting, and am halfway through another one... and have another one outlined.

I, uh, had some ideas.

If you're asking yourself "Hey Trae -- what the fuck? That's a lot" you need to know a few things that aren't obvious. At one point in college, in 72 hours, I produced over 40 pages of text between three research papers. All were for 300 level courses, and I may have disassociated while writing them because I frankly don't remember most of it. But, like, they were decent papers.

One of those papers is in Google Scholar.

Anyway, yeah. I haven't been sleeping great because I've been obsessively writing, but you might ask "Why didn't you just write one and get it ready to publish?" That's a great question. Because I wrote a book, and when I was 3/4 of the way through it I realized something very important: This book would make a great sequel to a book I haven't written. I've been writing book two in a series where I haven't written book one yet.

Well fuck.

So I finished that draft, and I went and wrote book one. Now that book? That book I'm getting ready to publish. I expect to have it out in January. Part of my editing process involves setting what I think is a completed, good, revised draft down for a couple of weeks and then returning to it with fresh eyes. We're in that waiting period right now.

But I still had a bunch of energy.

So the first thing I did was a revising draft on book two (the one I wrote first), but I finished that. And had more energy. And more stories in this setting kept popping up.

So I started a third book. And I'm halfway through the first draft of that book. But then I realized yesterday... shit, this isn't book three.

This is book four.

I need stuff to happen before we get to this story.

So now I've outlined the actual book three, and am working on literally both of these books at once (I'll take a break for Christmas and then go do a final edit on Book One).

And... I'm just like... why am I like this?

I need to stop myself for a few days and get more sleep.

#writing

[queerxqueen]

Stranger Things is a very big and popular show right now all over the world. Do you really expect them to write Byler and canonizing it over the favored straight ship in the show after 3 seasons? I am not asking this as a shipper. But as a viewer. I have no problem with Byler. I just cannot realistically see Byler happening all things considered.

also, from another anon: How likely do you think that byler might become Canon? Cuz there's a.lot of people threatening to boycott the show if it "TuRnS GAy"?

Short answer: Yes, I actually do expect them to make Byler canon, lol.

Long answer??? Let's get into it.

Why Byler Can Be Canon

For this post, I'm not gonna bother talking about why it should be canon or all the ways it would make sense. Instead, I'm going to talk about the signs that it can be canon, and why expecting Byler isn't as farfetched as certain homophobic Redditors seem to believe.

The Rise of Queer Media

Queer representation is on the rise. I'm not just talking about Heartstopper, gay rom-coms, and more queer media in general, I'm talking about queer representation in beloved series. Have all of you been brainwashed by Marvel and Star Wars and Disney franchises? Because outside of that, queer characters are popping up more and more. The Thirteenth Doctor is sapphic; Star Trek has queer couples; the new adaptations of It realized the queer subtext of the book and previous adaptations, even if it could have been done... better. The point is, queer representation is quite literally the best it's ever been.

And no one knows what people watch better than Netflix. We talk so much about the general audience but we don't actually know who they are--between the loudly vocal shippers on Tumblr and the vocal homophobes on Reddit, it's hard to see through the internet what people actually think. But Netflix? They have oodles of data of who's watched Stranger Things (and how many times) versus who's watched any number of shows with queer characters. And I genuinely feel that the overall trends would show that the general public at the very least tolerates queer characters on the screen.

Building Themes, Subverting Tropes, and Defying Expectations

The fact that they're main characters several seasons into the show make Certain People sure that they wouldn't switch things up. But Stranger Things is uniquely set up to do that in a way that makes sense and has impact. The characters are young and still figuring out their sexualities, and Mike growing up and realizing what his feelings mean would fit in with the themes of coming of age as well as themes of non-conformity. Additionally, Stranger Things has woven in enough hints toward it throughout the seasons that it truly isn't coming out of nowhere, and if it were canon, viewers could rewatch and notice all the things us Bylers have been screaming about.

Beyond that, Stranger Things has always been about subverting tropes and making you think deeper, with the Duffer Bros repeatedly saying that little details have meaning. Mike confessing his love to Eleven, Will getting rejected, it's all so predictable and unnecessary and uninteresting. For a show that is constantly challenging people to look deeper and which often flips expectations on their head, making Byler canon would honestly make more sense for the show that Stranger Things is.

This is not to mention that the show has always centered around a team of nerds and self-proclaimed "freaks and weirdos" who are canonically bullied and outcast. Is it so hard to believe that people with that background could be queer?

Last, Stranger Things has done one excellent queer coming out scene with Robin and it's not hard to believe they could do it again. Their excellent treatment of Robin is honestly overlooked as evidence that they will do good for Will and for Byler.

"The Favored Straight Ship"

Finally, there's this idea that they would never break up "the favored straight ship." Why do people think that, exactly? There's certainly no evidence in Stranger Things' canon that would support it.

Because they did break up Mileven in season 3, and showed that they were better apart. They never shy away from breaking up other couples for new ones, either, showing people dating around rather than having one person the whole time. (Because again, they're young, it's coming-of-age stuff, come on.) But think of how they introduced Bob for Joyce in place of Jopper, broke up Stancy for Jancy and might be breaking up Jancy for Stancy, broke up Lumax, even if temporary.

Mileven is only "favored" because it's been served to people on a silver platter. Stranger Things has now spent two seasons showing why Mileven isn't actually good for each other romantically, and four seasons developing Mike and Will's importance to each other.

Again, the vocal part of the internet is not representative of the average viewer of Stranger Things, and I think the majority of people might be surprised, but wouldn't be pissed, and might even rewatch with a new perspective. Not to mention the nearly 20,000 people on Tumblr now following the Byler tag who will be thrilled.

TLDR: If anyone was going to do it, Stranger Things would do it. It's a show that subverts expectations and makes viewers look deeper.

#byler #stranger things #stranger things 4 #byler analysis #antimileven #answered #anon

[gayboss-too-close-to-the-sun]

In defense of trashy ya dystopias

Okay, I’ll admit it: Hunger Games is an excellent book. It is powerful and well crafted, and deserves to be an eternal classic. I’m not sure any of the ya dystopias that followed it were quite so good, and I understand why they get mocked so often. Still, I think they deserve a better rep than they get.

Now, I understand that some ya dystopias are really, really bad. The only literary criticism that would call them good art would be a reader response based method that just says “well, some people like them so they must be good!” I don’t think that’s exactly how art works, but to an extent, that’s true. If a book inspired someone, encouraged them to read, and broadened their view of the world, who are we to say that it’s not worth reading? No matter how terrible a book is, it can at least make someone a bit more passionate about reading, and that’s value enough.*

First, I have to talk about Divergent. It makes me sad how many people hate that series. There are some valid criticisms, but most of it doesn’t make sense to me. People accuse Tris of being flat and basic, saying she’s an overpowered Mary Sue of a blank slate. That in particular confuses me. Tris isn’t dull and underdeveloped, she’s depressed. She’s reactive because she doesn’t care enough to be proactive. She’s numb, which comes across as her being unemotional. Now, we can debate whether that makes her a bad choice as a main character, but I won’t stand for her being painted as a bad character.

I was horribly depressed when I read Divergent. Watching Tris made all the difference in my life. I related to her when she threw a chair from the roof and watched it shatter on the concrete below, wishing she could follow it. I would have followed her to her death when she convinced herself that dying for her friends was noble sacrifice, not suicide, not the easy way out. I nearly cried when she realized at the last moment that she didn’t want to die, that she had to choose to keep going. I watched her build her life back up, even through the misery, pain and loss. I watched her find happiness, and I broke down when she gave it all up to protect someone else, someone who was trying to throw away his life out of guilt and grief. She sacrificed everything she had to give him a chance to fight through it and become someone better. She would have done the same for me. I needed to keep going, to honor that sacrifice and follow in her lead. Tris taught me to fight, and I am so grateful.

The Maze Runner was one of my favorite series. My longest completed story I’ve written was a trilogy of (unfortunately very straight) TMR fanfiction. I know it’s pretty garden variety dystopia, but it was very meaningful to me.

I think part of what made it special was having a male protagonist. Most ya dystopias are centered on teen girls, the intended audience, and while TMR could have used more diversity of gender in the cast, it was nice to see myself in the main character (although I like to believe I’m not that stupid). Thomas is also a very competent MC, which is always appreciated, and it feels earned more than Gary Stu-ed.

TMR has, despite not having any canonical evidence, a lot of gay ships in the fandom, probably because the boys all have a ton of chemistry and there are no girls (pretty much). I was deep in denial (see my straight fanfic), but TMR still gave my budding queerness a place to grow. While insisting that being gay was wrong and my homosexual crushes were Not Gay, I still managed to have very strong feelings on which Maze Runner ships are correct (Newt X Alby and Thomas X Minho, Newtmas shippers fight me). Being represented, even if I didn’t know it at the time, was so important to me.

Lastly, TMR taught me bravery. It taught me that even if things are just going to get worse, you have to try and make it out. I look at the world around me, and it’s not hard to imagine the Flare, or WICKED gaining power. Us kids have been handed the burden of fixing the world, and I need all the courage I can get. Like I say in my fanfic (the AWWWB series on Wattpad, first book called Good Grief), ��Maybe the universe is just cruel. But… if we don’t know what’s outside of the Maze, then we’d better hold on to the fact that it’s just as likely to be a good place as a bad one.” We have to keep hoping that something better is coming eventually, even if it never does. We have to keep fighting.

I don’t have any others in mind right now, but I want to hear about other books (dystopian or not) that made more of a difference than they’re given credit for. Seriously, I want y’all to defend Twilight, to champion the Matched series. Tell me how they changed your life.

*note: books that spread harmful messages are different than poorly written books, but that’s a whole conversation by itself, so we’re going to be idealists in this post and pretend that’s not an element while acknowledging that in the real world it’s a true and harmful thing

#dystopia #ya books #divergent #veronica roth #the maze runner #tmr #james dashner #thg #the hunger games