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#i just really love how she looks in this panel

invisibl3museum · 3 days

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I will be elaborating on MY interpretation of this panel again, because I have been receiving comments not understanding how I believe this is about fem!Shuro having a crush on Laios.

This said, you are allowed to have YOUR interpretation of it, there is nothing wrong with that, but don’t come here being hateful just because you don’t like it.

The context is that the mirror Laios is looking in shows you how things would have turned out if *insert some condition here*.

In this case, Laios asked how things would have gone with their party if Shuro was a girl.

In the original timeline, Shuro fell in love with Falin, which according to Chilchuk is one of the things that doomed their party. There was ought to be conflict with Shuro being in love with Falin and Falin not reciprocating

In my interpretation of this timeline, fem!Shuro fell in love with Laios but… Shuro is still Shuro so he is… basically embarrassed and maybe grossed out that it was Laios the one that stole her heart.

So yes, she is crying and blushing.

Marcille seems to be in shock like saying “really? You like THAT guy?” Because through the whole show everyone explicitly thinks of Laios as a weirdo basically-

Falin, being Laios’ sister is showing concern for her friend liking this man that is only obsessed with monsters like “oh no…”

Laios saying that this whole scenario just would make the situation worse than it already is (issues regarding Shuro loving falin) makes sense with this interpretation.

Again, you are allowed to see things differently, but at least to me this interpretation makes sense in context.

#dunmeshi #laios dungeon meshi #laios touden #laios #dm #shuro dungeon meshi #shuro #delicious in dungeon #laios x shuro

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possamble · 22 hours

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What are your headcanons about Marcille's mom if you have any? It's interesting that what drew Donato to her was cause she lived the history he studied, or that was said somewhere at least. She must've had an interesting life.

so this was going to be just a normal answer but then I realized I have a Lot of Things To Say. so here goes, a compilation of what we know for a fact from the canon, what I've extrapolated from the visual cues and details, and my theories based on all of that.

Things we know for a fact about Marcille's mother because they were explicitly stated in the manga and supplemental materials:

She was a court mage for a Tall-man kingdom at the southern part of the Northern Continent

Donato, a court historian, fell in love with her because she had lived through the history he was studying, and he courted her for 17 years (age 15 to 32) before getting married

She was a cheerful person who rarely showed extreme emotion and took things as they came

She always cooked a huge meal for Marcille on her birthdays

She remarried a gnome after Donato's death and a short distance away from Marcille's childhood home

Pipi, Marcille's pet bird, was actually older than Marcille and originally belonged to her mother (bird died at 62)

She was extremely heartbroken when Donato died and ultimately ended up instilling a deep fear of mortality in Marcille with her words

the only time she showed extreme emotion in front of her family was when Donato could no longer eat his favourite dish near the end of his life.

She scolded Marcille for being cruel to ants (implying she can have a stern side when needed)

Things that are explicitly shown but mostly through visual cues

She has a very distinctive style of dress always involving a ribbon choker (mirroring Marcille's habit of always wearing a matching choker with any of her outfits that don't cover her neck)

She was almost stereotypically good at housekeeping and traditionally "wifely" things (very frequently depicted wearing an apron or doing some domestic chore when not at work, seems to have been an avid cook).

She knits? (also, note the affectionate smile as she's looking at Donato and Marcille reading a book together in the full panel)

She was as excited for Marcille's milestones as Donato was.

She didn't tell Marcille much about elven food

(there are a couple things that this panel in particular implies:

She lived a good deal of her life (if not being born and raised) in a mainly elven country in the West, implied by her knowing enough of an elven region's cuisine to prefer Tall-man food over it

seems to have a pretty carefree and casual demeanour overall, if this is how she replied to Marcille asking her about it (sounds like she never gave her culinary preferences that much thought to begin with)

slightly related to number 2, it seems like she and Marcille had a fairly casual parent-child dynamic (especially in comparison to the Toudens' memory of their father)

(local elf tastes Italian food once and never goes back))

However, she seems a lot more... serious in most of the other times we see her? Almost like the very stereotypical archetype of a graceful elf.

Subsequent conclusions about her personality:

Usually pretty carefree and cheerful at home, has been a loving and attentive parent throughout Marcille's childhood (while not being so doting that she didn't discipline Marcille).

Slightly more conjectural theories on her personality:

Had a much more graceful and professional personality at work, which would explain the more serious portraits we see of her.

Given that both she and Donato had positions at the royal court, it seems a little odd that she'd go out of her way to do all the housework herself, so maybe she just enjoyed doing it?

Now taping all the evidence together and toeing the line between analysis and fanfiction:

It's clear that she loved Donato very much and was utterly devastated by losing him. But there's one thing that really stuck out to me in what little we see of her:

Doesn't she seem... angry? The way she's gritting her teeth, clutching the tablecloth, and how this is the first and only time we see her eyes opened that wide. In the following panel, you see her being quiet and dejected after her initial outburst. She's still crying very intensely, but her brows are furrowed, and she's not really responding to Donato's affection in her body language.

We're not told the details of how she felt about losing Donato other than that it upset her. But this, to me, implies that she was angry and resented that he was aging, that the end of his life was approaching. An "it's not fair" type of preemptive grief. And if this was the first and last time she cried like this in front of her family, she was either very good at coping in private... or very bad at letting herself feel unpleasant emotions until they become unavoidable and end up overwhelming her.

It's not too remarkable a detail on the surface. It's even reminiscent of what the audience has seen of Marcille. But... when it comes to the big picture, you'd think an elf who voluntarily chose to marry a tall-man and have a half-elf child would have been better prepared for this.

It kind of recontextualizes her cheerfulness to me.

"I'm sure everything's gonna be okay!" (or some variation thereof, depending on what translation you have).

And this is stated to contrast her extreme grief when finally confronting Donato's failing body and eventual death. But I'm wondering if... maybe this optimism was why she was so upset. What if she went into all of it thinking "everything's gonna be okay"? What if she was a little young by elven standards, and just followed her heart thinking that her own resilience would get her through anything?

Of course, only to get completely overwhelmed when she actually loses Donato. She turns into a completely different person. And that's heartbreaking on its own-- but what the audience sees is the effect it had on Marcille. Can you imagine being her, watching your invincible and upbeat mother suddenly lose all the light in her eyes in one go?

I've already made a huge post about how I think Marcille models her "work persona" off her mother, but another thing that stuck with me as I was looking for more details in the manga was this:

copy pasting from the other post i made about it lmao it's like... the second she resigns herself to lifelong pain and terror, there's another portrait of her mother facing her like this. with their heads bowed, in mirrored body language of resignation and despair and sorrow. Except it's posed like Marcille is still looking at her mother but her mother is looking away.

It took me a second to realize, but I think that it's a visual metaphor for the fact that Marcille's mother was the only long-lived role model she had-- and she failed to model healthy grief for her daughter. I don't say this as an accusation or to disparage her as a character, but just as a matter of fact. In her, Marcille was seeing herself older and losing a short-lived spouse or loved one of her own, and all she saw was hopelessness.

But her mother didn't mean to instill hopelessness and terror in her. She wasn't really thinking of how it would truly affect Marcille at all (at least, that's how I'm interpreting her looking down and away from Marcille in the metaphor), she was just sad. And she, in her own way, was trying to protect her daughter and help her prepare for future losses.

What she meant was "loss is inevitable, and you have to learn how to be in pain but live on anyway." What Marcille heard was "loss is inevitable, and you will be scared and hurt for the rest of your life."

Again. Marcille's mother doesn't feature explicitly in the story the way her father does -- but in so many ways, her shadow, her silhouette, her reflection is always hanging over Marcille.

All that to say... headcanon-wise (everything from here on is 100% without evidence lmao), I'd like to think that she matured and realized that she failed Marcille. I imagine her being regretful about it, wanting a chance to fix it but never finding a way to insert herself back into Marcille's life when Marcille is so so so busy becoming the most accomplished mage possible. I imagine her being herself again, now, so many years after her loss and after remarrying -- but with her cheerfulness tempered with a lot more wisdom and the pain of having gone through loss like that. I think the second Marcille actually tells her what happened in the dungeon, she'd want to go running to her daughter again -- if Marcille tells her the full truth instead of just being embarrassed she let things get that far. (oh, the tragedy of her wanting to be more like her mother and an accomplished adult who doesn't need to be babied... being embarrassed to actually tell her mother how much she fucked up...)

There's also the tension of her having remarried -- I know that there's at least a little bit of resentment that Marcille harbours about that, because she's childish like that at heart even if she makes an effort not to externalize it. I think that her mother would be aware of that, potentially adding to her sense of guilt and apprehension at trying to reappear/intrude on Marcille's life. I honestly don't think Marcille has met her stepfather -- or even considers him a stepfather rather than "mama's new husband" and kind of a total stranger. I think she and her mother actively don't talk about it in their correspondence, like an elephant in the room.

but, ultimately, I think her mother is on her side no matter what. Ancient magic? Dark necromancy? Sure, she'll feel guilty and like she was partially responsible for setting Marcille down such a painful path, but she wouldn't care. that's her daughter!! she would've moved back west and been petitioning for her at the court, buying a house right next to the Canaries barracks and visiting her every day that she wasn't on a mission. And if her husband had opinions on Marcille becoming a "dark arts user," he either gets over it or it's divorce with him. Yes, she might have had her optimism completely humbled by losing Donato like that -- but she's still headstrong and self-assured and she doesn't care what people think of her. It's her way or the highway and she's always going to be in Marcille's corner.

(She also needs a name lol. I went with Juno, just to be cute about "Marcille"s closest real life equivalent being Marcella, which is the female version of Marcellus, which in turn is a diminutive of Marcus, which was derived from Mars. Absolutely in love with Marcille potentially being named after Ares/Mars the fucking god of war btw)

#asks #she could easily be interpreted as distant or neglectful after Donato's death too #with how little involvement she has in Marcille's life/the fact that Marcille doesn't even mention her when talking about her life prospect #and that's fair! I will argue to hell and back that she was a loving parent when Donato was alive #but there's nothing that suggests she remained a loving parent afterwards #I just think that like... parental relationships are so complicated in dungeon meshi #you cannot deny that the toudens' mother loved them dearly but that she failed them both miserably as a parent #and i think it'd be more compelling if Marcille's mother was a little like that too #not a totally and easily dismissable deadbeat #but someone who truly loves her daughter but was only human herself and couldn't be what Marcille needed at a crucial moment #and regrets it deeply #and that the distance between them is mutually self-imposed by complicated feelings of guilt and fear #and a little resentment from Marcille's side that she hasn't really properly processed #I don't know if I'll ever get around to writing it but i had this idea where Marcille does finally spill the beans to her mom and she just #immediately arrives in Melini #and its awkward for a bit but they do finally have a heart to heart and air it all out #and marcille starts freaking out that her marriage is rocky rn bc her new husband wants her to distance herself from marcille #on account of the crimes and all #marcille's like no you can't blow up your marriage for me and her mother just shuts that shit down #'you didn't choose to be born. i was the one who made that choice for you'#'i brought you into this world and i'll be damned if i don't take responsibility for that the entire way'#'you are entitled to *nothing less* than my unconditional love.'#and obviously that's not a sentiment that's exactly healthy as a universal statement about parenthood #but i think its what her mother would believe and what marcille needs to hear #and dungeon meshi does such a fantastic job at just... letting imperfect things just *be* without having to justify it immediately #it expects the audience to do their own critical thinking #and know that its not trying to make sweeping universal statements in every instance #marcilleposting #marcille donato

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lesbiankordian · 1 year

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Quick ramble about Armin's eyes

(spoilers for the manga)

Armin and his eyes are the literal reason why Eren first realized he wasn't free and thus wanted to go beyond the walls. They're the symbol of the ocean and the unexplored world waiting for them (not just for EMA, but the whole humanity - remember the conversation Levi eavesdropped on before the Return to Shiganshina arc? They were talking about Armin's dream, and Levi remembered it when making the decision who to save) on the other side of the walls.

Armin assures Eren it's going to be okay - they hold eye contact

Eren helps Armin after he was chosen and reminds him of his dream, the ocean - they hold eye contact, emphasis on Armin's eyes in the panels. (Here it's interesting that we also got a panel just for Eren's expression. The fact that his memories and knowledge about past, present and future blur together and how stressed he looked might mean he knew it wasn't going to be any of these things - flaming water or snowfields - but hatred, yet he still wanted Armin to feel better. (If his memories didn't blur before he kissed Historia I apologize, I haven't thought about aot in a long time). Eremin for the win!

The fact that on the vol 33 cover, where he's trying to kill Eren, his eyed are hidden, breaks my heart. In fact, he's the only character, except for Eren, whose face we can see - but his hair cover half of it. You really can see his determination and how his (and Eren's and the others') worldview has changed (tho later it comes back to this curiosity of his (to some extent)).

#i love armin arlert my baby #tbh I wanted to write 'important panel' or 'emphasis on Armin's expression' everytime but then I thought it might be bc I'm biased #but I do think Armin's expression and how he looks at Eren are absolutely important #ESP THE ONE BEFORE HE'S ABOUT TO SACRIFICE HIMSELF GAHHHHH #i haven't thought about snk in a while and it's not going to change except for the occasional thoughts about Historia and Armin my beloveds #but just know one day I'll drop a 10 page essay on Historia's character bc she really is one of the most interesting characterd I've known #so yeah I love armin I love Armin's eyes #armin arlert #attack on titan #shingeki no kyojin #aot spoilers #aot #snk #eremin #eren yeager #eren aot #armin #aot analysis

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dracaelus · 10 days

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"i hate when a villainous character gets popular enough to become a hero and writers try and retcon their histories so they never fucked up in the first place" "#magneto" sorry but may i ask if theres a particular example? i'm trying to catch up on the modern comics and i have been bracing myself for seeing this sort of thing cause. you know. nuance is dead lmao

So, I've only recently started to read magneto's comics, and I'm reading mostly some old stuff, so my knowledge is limited, and I can't say if it's a recurring problem in recent comics (I mean, I hope is not, but Idk)

When I tagged magneto on that post I was thinking specifically about the first issue of Magneto's 2023 run, which had been released recently:

Now, I can see the reasoning behind this - magneto was a really one dimensional villain when he first appeared and it is a bit weird to read the Uncanny X-men #01 when you consider his later characterization. And marvel loves trying to give an explanation for everything...

Honestly, now that I finished reading the comic, and thought a bit more about it, I think it was a honest attempt. The comic does acknowledge that his later actions as magneto were not simply an act, that he did let himself get carried away by his rage. Tho still, this explanation does feel a bit hard to believe and makes you go damn man, your logic is weird af and it's so silly. I don't think they were trying to justify his later actions so much as they were trying to explain his first appearance

... without making him look too bad. Because Magneto (1993) already did that, showing magneto's descent into:

But still, I don't mind that much what they did in magneto (2023). I think both explanations are fine when you keep in mind that marvel really wanted to keep the uncanny x-men #01 as canon. As a dc fan I find it hard to understand why... But I appreciate their loyalty. Between the two, I still much prefer the 1993 version bc it has more nuance, and i'm not averse to the idea that magneto had some really low moments and had to go through some personal growth over the years. I'm not whimsical enough to truly like the sillier version, as much as they tried to make it look less silly and more believable.

#i did like magneto 2023 as a comic tho #i'm a simple person seeing magneto holding his younger self in his arms in the last issue made me emotional #also he was cute af buying christmas stuff for the kids on the first issue #tho i was dissapointed to not see him celebratinh hanukkah at the end i think it would have fitted the arc #also is it just me or the kids seem a lot younger than they originally did on their new mutants run?#i'm not sure how old they're supposed to be #in magneto 2023 i would say they look 12-14 at most but they look older in the new mutants #one thing i really didn't like in magneto 2023 was that they implied that magda died with anya #i love the version where she runs away horrified after he uses his powers to kill the man who stoped him from saving anya #i think it makes her more nuanced #you don't know if she was terrified by his powers or the killing or both #hate that they made her an generic death wife #men*****#drac panels #asks #magneto #max eisenhardt #erik lensherr #magneto (2023)#magneto (1993)

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ambrosiagourmet · 2 months

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I want to talk about why I think this is the one of the most important Falin panels:

So, Falin is really nice, right? It's one of the first things we really learn about her. She's kind even to the monsters of the dungeon - choosing to ward the party rather than fight spirits and cause them needless harm.

In the above early flashback in chapter 11, we see Marcille fawning over Falin's kindness, calling her an angel. Namari calls her soft-hearted. We see Falin choose not to fight even when a zombie attacks - instead she resolves the confrontation with a hug. After the flashback, the first thing Senshi says is that Falin "sounds like quite the person," which Marcille strongly affirms.

At this point in the story, all we have seen of Falin are these impressions; she is a healer, an angel, a caretaker with an infinite well of kindness towards everyone she meets - both friend and foe.

And honestly, that remains most of what we have to go by to understand her. The only times we get to see Falin on the page, alive and just herself, are in the opening and closing pages of the story and in the brief period of time after she is resurrected.

Nonetheless, we do have some more details to work with. For one, there is the scene that The Panel is from - a short memory in chapter 75, when Marcille flashes back to while she's dying. In that scene, Falin prepares to teleport them all out, and says that she's sorry "if there is a person at [their] destination." And that's when we get The Panel.

If you teleport someone or something into another person, the person teleported into is likely to be, at minimum, severely injured. They could die.

We can see a lovely little horrifying example of exactly why in one of the Daydream Hour doodles:

So, hmm. That's not... that's not SUPER nice. Certainly not displaying the same "kindness to all, friend and foe included" we saw represented earlier. On a basic level, this adds some nuance to Falin's kindness. We see it break a little, when pushed to the limit. We see her chose to protect the people she loves above all else.

Which makes sense! As Laios says when the Winged Lion accuses him of similarly being motivated more by his friends' safety than everyone else in the dungeon, "...most people, aside from virtuous do-gooders, would feel the same way."

So, we can take The Panel as simply showing a moment of weakness for Falin. A time when she was pushed to her limits, and that "most people" selfish side of her shone through.

However... I think there's a little more going on with Falin than just her being an angel 99% of the time, except just that once. I love The Panel because I think it helps us understand that Falin isn't just motivated by kindness - she also has a desire to avoid seeing people in pain.

Isn't that the same thing?

No, no it very much is not.

Let's look at a short comic from the Falin section of the Adventurer's Bible, because I think it illustrates this point perfectly. The group is complaining about how much Marcille's healing hurts, and comparing it to Falin's, which "doesn't hurt a bit." Marcille retorts with the following:

Now, the punchline of this comic is that, despite Marcille's sentimental assertion that she's "thinking of [them]" by letting her healing magic hurt, they all still prefer to be healed by Falin.

But hey, this wouldn't be the first time that Dungeon Meshi hides a very real character beat or insight in a gag, so let's think about this somewhat seriously.

If Marcille is right (and she knows a fair bit about magic, so we can assume that she has at least somewhat of a point), then what Falin is doing isn't kind. I suppose if someone specifically requested to not feel the pain, it could be kind, but that's not really what happened here. She is the one who felt badly about the others being in pain, and she is the one who decided, without telling them or giving them a choice in the matter, to take away that pain.

Both Marcille and Falin are healing the party, but Marcille is doing it in a way that accomplishes the task in the most straight forward way, without any additional interference. Falin is going out of her way to perform the healing in a way she is more comfortable with. A way that avoids pain.

Going back the The Panel, I don't think its a coincidence that the only time we see Falin (well, non-chimera Falin) willing to do something that could hurt someone is when any potential pain will be far away from her. If she got someone hurt or killed by teleporting the party to the surface? Not only would it be far out of her sight, but she'd be dead before she had to deal with any consequences of that action.

Falin is not a confrontational person. She doesn't push when Marcille won't tell her the truth about the resurrection, and she comforts Laios about her own death - both of those things happening in the only full chapter she is alive and conscious in the whole story.

We also know that she considered accepting Shuro's proposal, despite not having any special feelings towards him, and that Falin never explained to Marcille that she wanted them to share a meal together. When she brought Marcille various foods at the academy, she just accepted Marcille's confused rejection and gave up.

And lastly, we know that she is still in contact with her parents, despite the neglect and abuse she suffered at their hands. Although the way someone chooses to handle contact with abusive or bad family is a complicated topic, which I don't want to overly simplify, I do I think this fact gets at the heart of how she handles conflict.

So many people that Falin loves have hurt her. There are understandable hurts, like Laios leaving the village, or Marcille not understanding the food. And there are bigger, far less justifiable hurts - like her parents neglecting her throughout her childhood, and sending her away to be alone at the magic academy.

It doesn't seem like Falin has ever confronted any of it directly.

And the unhealthy aspects of this kind of avoidance of pain and confrontation is one of the things that the story of Dungeon Meshi is all about. We see Laios grapple with it before he goes to kill Falin, and we see Marcille acknowledge it at the end of the story, when she tells Laios that she has come to terms with Falin's death:

Eating is a part of life. Consuming other living things is a part of life. It isn't really possible to avoid that pain - you can only hide from the truth of it. You have to be selfish everyday. You have to eat - to choose to live. To choose to take up space.

And this is something Falin embraces, too. She comes back to life, after all.

We see her choose to come back to life.

And how does she make that choice? She eats. She consumes, and then she is asked a question by the manifestation of hunger itself:

Do you want to eat more?

There is a double meaning in the Winged Lion's final words on the next page.

When I first read this, I took it as him saying: life is cruel. You will suffer. You will feel more pain.

But perhaps, especially for Falin, this also means: you are choosing a path where you must cause pain. Where you must consume. Where you must take, and must be selfish. Because eating is the special privilege of the living, and it is their burden, too. In order to stay alive, she will need to keep eating.

And she chooses that. Chooses to be selfish. It's why her resurrection scene is so important, and it's why The Panel is so important. Because Falin coming back isn't the ultimate reward for all of the party's hard work.

It's her choice. Just like it was her choice that started everything in the first place. But this time, she doesn't choose to accept causing pain for the sake of Marcille and Laios. She does it for her own sake.

#dungeon meshi #delicious in dungeon #falin touden #dunmeshi analysis #I love it when dungeon meshi says. the trauma was real and it changed you #and the way you are because of it isn’t anything to be ashamed of #but you have to keep living. you have to chose to keep living.#and you can #dungeon meshi spoilers

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yumeka-sxf · 4 months

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In addition to Yor's epiphany scene, this scene was the other one I was most looking forward to in season 2 - a scene that, in my opinion, is one of the most Twiyor-ish scenes in the series so far 💖

Why is it so significant? Because there was no reason for Twilight to put on any Loid Forger acting in that moment. He wasn't conversing with nor being scrutinized by anyone. So why would he give that soft smile followed by such affectionate, comforting words as "お疲れ様/otsukaresama"? (this can be translated in many ways, but generally it's something you say to thank someone for their hard work).

The answer is because it's something he truly felt...he understood the sacrifice Yor made for Anya's happiness and genuinely appreciated it (if only he knew the sacrifice she made on the larger scale, lol). While he's a bit perturbed at first since some onlookers were snickering at him, it didn't take long for him to soften and then graciously carry his queen and princess the girls back to the ship 😭

But Twilight overall was really soft in this episode and I loved it~ From his blush upon seeing Yor to the several times he gave that same soft smile when talking with/looking at her...I think Anya was right when she called him out on the ship about missing his wife 😅

I liked how the anime conveyed his shock when noticing her bruised face...what must have been his thought at that moment? 👀

The scenes of the family activities translated better in animated form in my opinion. While they were each only a single panel in the manga, they lasted a few seconds each in the anime, plus the addition of the insert song helped the with the comfy, wholesome vibe~ Also the part where Yor inadvertently chucks Anya across the ocean is still hilarious.

Loid's dorky skip at the beginning of the episode translated very well in animated form too 😅

The ending of this chapter in the manga always felt a bit rushed to me...it quickly jumps from the aforementioned scene of them returning to the ship, to suddenly being home, reuniting with Bond and Franky, having a meal together, then Twilight meeting Sylvia, all within a few panels. Even though I wish the anime added more than just some additional scenes of the ship leaving the island, I felt it flowed much better in the anime since, just like the family activities, each scene in the ending lasted a second or two instead of being a single illustration.

But I love how this chapter/episode ends, with Yor, Anya, and Bond napping while Anya draws about her family vacation. This seems to take place the next day or maybe later the same day they got home, so makes sense they'd still be tired from the trip!

By the way, the manga has this additional scene showing that Olka and company are safe. Weird that the anime didn't stick it in at some point.

Also, the anime team didn't have to go so hard with this episode's key visual but they did...and I love it 😍 Might actually be my favorite of the key visuals so far!

I was very happy to see the "surrounded by liars" panel finally animated! This is such a funny scene and a great way to fully wrap up the cruise arc.

I also burst out laughing at Yuri's locker 🤣

Damian is surprisingly laid back in this episode. I think the reason is because Anya's antics aren't directly involving him. He tends to go total tsundere only when she's actually talking to him, lol.

The new scene of Yor getting the keychains for her coworkers was a nice addition! Guess it's canon that Yor and Anya didn't sleep for the entire trip back, lol. Glad they got to spend family time on the ship too! (though I wish we could have seen Yor's reaction waking up in Loid's bottom bunk bed, haha. He must have brought her to his room since he wouldn't know where her room is. Unless she woke up before he even put her in a bed, in which case she would have been super embarrassed knowing he was carrying her around in public 😆)

Looks like next week the anime will be changing the order of things a bit and giving us the Becky home-wrecking and Fiona chapters (the latter of which seems to have some anime original content?) The Becky chapter is one of my favorite stand-alone chapters...I'm already dying of laugher thinking about it 😂

#spy family #spy x family #sxf #spyxfamily #loid forger #yor forger #anya forger #twiyor #sxf anime #becky blackbell #yuri briar

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whateversawesome · 5 months

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Some Theories about Anya's Name

Who would have thought a short chapter would bring so much information and discussion? But then again, we're talking about Anya, agent of chaos (according to her papa).

After that chapter, there's plenty of theories flying around, so I decided to make this post to compile, explain and expand these theories 😉

Ready?

Anya is an acronym: This one is pretty clear has been a popular general theory. It means that the letters of her name stand for something else. What exactly? We don't know yet, but it probably has to do with Project Apple and the infamous lab Anya was created.

Anya...Ania...OstANIA: If you live near small children, you probably know that when they are learning how to talk, they do it by picking up words adults say and many times they say those words wrong. While discussing with some friends, I imagined those scientists constantly saying the word Ostania in front of that little girl. Maybe baby Anya thought that was her name because she heard the word OstANIA all the time, but she couldn't say it right.

Anya, the foreign princess: This one is very simple. It means that her name was spelled differently in her country of origin. This theory is vague, but I do believe a third country could be involved in all this mess. Also, it would make sense for Anya to be hiding in Ostania, if she was born and kept captive in a different country.

Anya...A N/A: This one is one of the most interesting theories! A N/A would mean something like "Non-applicable". You probably think this doesn't say much, but it really does. In the first few chapters of the story we learned that Anya was adopted and returned 4 times. Instead of a child, she was returned as if she was a piece of clothing. Even though it's been barely mentioned, we've also learned that people that participated in Project Apple didn't treat the subjects nicely (see how they treated Bond). Those people called Anya "subject 007". They didn't even give her a name. If we think about it, Anya is very "non-applicable". She was created in a lab, she has a strange power, so she's not like the other kids, she's been adopted and returned 4 times...

The A N/A and Anya being treated like an object instead of a human being fits the Spy x Family premise of the story, which is: Humans like Twilight, Yor, and Anya are used as weapons instead of being treated like humans. The story is about them regaining their humanity through love and family.

So even if A N/A says nothing about Anya, it says a lot about the story.

Look at this little girl. This illustration was heartbreaking. Do you know when it takes place? It's right before he meets Twilight. We see that it's the same filthy orphanage Twilight visited on chapter 1 and this is not Anya's first orphanage, so that means this illustration happened after she was returned again. The way she's facing the door, her body language, the way she holds Mr. Chimera by the hand is so sad. Here she is, once again, in a place she doesn't want to be, where nobody will take care of her...alone 😭

Enough of that or we'll end up crying...🤧

Some other things to take into consideration about her name:

Mr. Chimera: Since this is a visual story, that panel of Mr. Chimera tells us that this plushie is involved in Anya's name. If you've read certain fic, you know where I stand on that. In this case, I think that yes, the person who helped Anya escape gave Mr. Chimera to her. However, I don't think it was exactly that character (you know who). It probably was someone else, maybe even a new character we don't know yet. It could also be a scientist who took pity on Anya or disagreed with the use of children as lab rats, and helped her escape. We don't know yet.

Twilight: One of the most beautiful panels on that short chapter was seeing Anya's eyes lit up when her papa told her the correct spelling of her name. Did you see it? Those were the eyes of someone who had just learned something new about herself and by doing this, Twilight made her even more human.

One more thing...I've seen speculations about the next arc of the manga being about Anya's past because of this short mission. In my opinion...I don't think it'll happen yet. Why? If it was the case, this would have been a longer chapter and the actual beginning of the arc.

I believe Anya's past will be one of the last things we learn, because there's plenty of things to resolve and a lot of information we don't have. Stories are like puzzles; this chapter was an important piece, but we're not working on that part yet.

#spy x family #spy x family manga #spy x family meta #spy x family theory #anya forger #sxf #twiyor #loid forger #yor forger

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luveline · 2 years

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Hiii I literally love you and your writing especially your Eddie writing!!! Anywaysss, could I request a shy!reader where they and Eddie are dating but they kinda kept it on the down low but reader was having a bad day and was being all clingy and like everyone found out and the hellfire club was just like 😮

hi i love u ty for ur request! hope this okay ♥️ shy!fem!reader | 1k words

You know you shouldn’t go to his club. It’s not fair of you. Hellfire is one of his sacred nerd rituals. As soon as he sees you like this he’ll put it on pause, and you also know – one of the only things you do know about Dungeons and Dragons — that stopping in the middle of a game interrupts the flow.

Still. You’re feeling a little selfish and a lot strung out. Today has sucked and all you’ve done is wish he was there to make you feel better, so you walk down the hallway to the club room and stand at the door, trying to summon the courage to open it.

On the other side, Mike Wheeler catches a flash of your clothes through the small glass panel and frowns. He jabs Dustin Henderson hard in the side, earning a, “What the fuck, dude?” that Mike quickly shushes.

“There’s a girl outside,” he says.

Girls are… uncommon, at Hellfire.

Dustin leans forward to look around Mike’s torso and forgets to whisper. “Is she crying?”

Eddie looks up, annoyed at being interrupted by the newbies and about to delve into a speech on respecting your dungeon master when his gaze slides past them. He spots your torso, your hands pulled up to your chest, and he knows it’s you. From the curve of your arm alone.

He’s half standing when you knock.

The rest of the group gawp as he stands. Usually, Eddie would either ignore whoever it is or have someone else answer, and his sudden willingness is downright shocking.

He cracks the door open. He’s barely had time to take in your tear stained cheeks when you’re whispering apologies. “I’m really sorry,” you say quickly, pulling the sleeves of your soft cardigan down over your hands. “I needed to see you.”

“What happened?” he asks, trying for hushed like you but missing the mark.

Mike and Dustin make incredulous faces at each other, eyes squinted in confusion.

“Who the fuck is that?” Mike asks.

Lucas Sinclair grins from across the table. “Who do you think?”

“You know her?” Dustin questions. He sounds pissed to have been kept out of the loop.

“Nope,” Lucas says, elbows sliding over the crinkling paper of his character sheet as he pulls in his chair. “I’ve never seen her before in my life. But that’s definitely his girlfriend.”

A handful of laughs from around the table. “Yeah, right,” Gareth says.

Lucas leans in even closer, practically conspiratorial as he points to Eddie’s dirty-white sneakers. “Look, see how close they’re standing?” When nobody looks convinced, Lucas glares. “I know what I’m talking about!”

He really does. The toes of your shoes are a hair's-width from Eddie’s, face to the ground as you scrub your wet cheeks. Telling him about your bad day has made it somehow feel better and worse, and your breathing comes shallow.

“I’m sorry,” you say again. “I know you’re playing your- um, your game.”

Eddie glances over his shoulder. The large majority of the group whip their faces back to their sheets, caught. He shoots a scowl at them all, though any annoyance slips away when he turns back to you. You look so sad.

Eddie doesn’t really think about it. He steps out into the hall and lets the door close behind him, arms wrapping around you placatingly. “Hey, it’s okay.”

“It’s been a really shitty day,” you say hoarsely.

“I know,” he murmurs, rubbing your back. Your shoulders tremble under his palm. “You should’ve found me earlier.”

“I didn’t want to ruin your game.”

“You haven’t. They’re on break,” he promises.

It’s a total lie but he couldn't care less about the campaign, not when you’ve come unraveled. You nod into his chest and worm your shaking hand around his waist, squeezing so tightly it aches. His head tucks over yours like it was made to and he wills some stillness into you, perturbed by your shuddering. He hates when you get like this. You're so wound up you can’t calm yourself down.

Inside the club room, there’s a riot of whispering, some quieter than others.

Lucas sits back in his chair smugly. “Dude, you have a girlfriend. You shouldn’t be so surprised,” he says to Mike.

Mike peers through the glass door with a mild disgust. “Me and my girlfriend don’t do that.”

“That is not true.”

“We don’t-“

“No, they really don’t,” Dustin agrees. “They’re too busy trying to swallow each other.

Anyone who’d been listening starts to laugh, worse when Mike’s cheeks flare red and he flips them all the bird. The laughter quickly dies when the door opens and Eddie returns, his sad maybe-girlfriend trailing behind him.

“Someone get a chair for Y/N,” is all he says.

You look like you might burst into flames on the spot. Everyone’s eyes are on you. You hate it.

“Thank you,” you say, though you aren’t sure who you’re thanking as somebody passes you a chair. Eddie sits back in his ‘throne’ and you sit beside him, cheeks dry but eyes still red and face downtrodden.

Eddie leans back and rolls his eyes at the silence. “She’s my assistant for today's session,” he says concisely, before any of them think they have the right to ask.

Eddie can’t hold your hand and you don’t think you could survive it in front of so many people, but when the game starts back up and everyone is distracted he pushes his foot behind your calf and pulls your leg toward him. There’s a smile on his face as he orchestrates the next dungeon, his pen scratching down notes you don’t understand.

He rips a page from his notebook and passes it to you covertly.

You take it and let it lie against your thighs. When you read it, you struggle to suppress a giddy smile.

Prettiest assistant ever. Think she'll let me take her out tonight?

He likes his chances.

#eddie munson fanfic #eddie munson x reader #eddie munson x reader imagine #eddie munson blurb #eddie munson drabble #eddie munson x reader blurb #eddie munson x y/n #eddie munson #stranger things fic #stranger things x reader #stranger things #stranger things 4 #eddie munson x you #eddie munson x reader fluff #eddie munson oneshot

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dilemmaontwolegs · 8 months

Text

Bee Stings and Butterfly Kisses || SV5

Pairing: Sebastian Vettel x wife!reader Summary: Your husband takes nesting to a whole new level with the paradise he’s found to start his family. Warnings: established relationship, pregnant!reader, fluffiness WC: 1.4k

The property Sebastian had chosen to raise his children upon was everything you could have dreamt of and more. There were rolling meadows full of fragrant flowers, forests of conifers and evergreens, and even a lake with an abundance of trout. The house he had designed was built using recycled material and was sustainable to run with the dozens of solar panels on the roof. He had truly future proofed everything to live a life as environmentally friendly as possible.

“Did you know honey is the only food that doesn’t spoil if you store it properly?” Sebastian barely looked up from the old set of drawers he was upcycling into an apiary. “There were pots of honey found in ancient tombs in Egypt, around 3000 years old.”

“I still don't see why we need bees at our home.”

“Because, my love,” he said as he placed his hammer down and pulled you into his arms, “this is our future we are building. Without bees there’s no pollination, with no pollination there’s no flowers, or fruit and vegetables.” His hand splayed across your swollen belly, feeling his son’s kicks against his palm with a smile. “It’s our responsibility to protect our future.”

The outdoor sofa where you were reading was a current favourite place of yours. It was tranquil and warm and allowed you to get off your feet for a little bit while your husband pottered around in the garden. With only a few weeks to your due date everything ached from your neck to your ankles so you kicked your feet up and listened to the birdsong.

The hiss of pain was one you had come to know well recently and it only took a minute for Seb to appear at the edge of the garden, the metal gate squeaking on its rusted hinge. He cupped one hand over his cheek, one eye closed with a wince as he ascended the stairs to the deck.

“You wouldn’t get stung if you used the smoke, love,” you softly reminded him as he took a seat and pulled his hand away. “Oh dear, that’s a big one.”

“We don’t know the long term effect the smoke has on them, it could be poisoning them,” he said as he turned his head so you could use your nails to pull the stinger out without squeezing more toxin into his cheek. “They will recognise me soon and realise I’m not going to hurt them.”

“If you say so.” You loved your husband but you weren’t so sold on the trust building exercise he found himself in. More often than not after going to check the beehive you found yourself in this position, grateful he wasn’t allergic. “How is your queen doing?”

His lips pulled up into a smile and he sat down on the edge of the seat, pulling your feet onto his lap and massaging your swollen ankles. “You tell me, my sweet, how are you doing?”

Emotions swelled in your chest and you cursed as he laughed, leaning closer to wipe away the tear that escaped. “Damn these hormones. You should really stop being so nice so my poor tear ducts can have a break. Can’t you just be a jerk?” His laugh grew and with it the kicks increased. “Yes, yes, daddy’s laughing at me.”

“I would never laugh at your mother,” he chuckled, lifting your shirt to press his lips to your belly. Stretch marks littered the skin and you dared not to think about the other changes that you couldn’t see below the swell, but he still made you feel beautiful. “Everything she is going through is my fault.”

“That’s right,” you agreed with a smile. “Daddy spent a lot of time romancing and seducing me, and now here you are.”

Seb looked up, his long hair hanging in naturally soft waves around his face. “How could I not? You were the most beautiful woman I had ever seen. I could hardly concentrate on the race after seeing you.”

“It couldn't have affected you too much,” you said as you tucked his hair behind his ear, “you still won.”

“I had to make a good impression somehow, since I could barely speak a word when we were introduced,” he admitted as he looked out over the garden he tendered.

You followed his gaze knowing he was going to be a great father considering the care he gave to the garden, and you. “It was your eyes I fell for anyway, they looked sweet and kind.”

The rows of plants were just flowering and you traced them to see the little bursts of yellows that all too soon would become bright red ripe tomatoes. Next were the beans, too many varieties to count, all climbing the trellis Seb had made from the wood of fallen trees in the forest. Further beyond were your favourites, the bushes that were brimming with berries of every flavour. Each morning you would amble your way to them with Seb and a bowl, pointing out the juiciest looking berries for him to pick for your smoothie.

Patting his good cheek, you shuffled to sit up and swing your legs off the couch.

“Where are you going?”

With a groan you pulled yourself to your feet and rubbed the straining skin at your sides. “To get some ice to stop that swelling,” you said as you pointed to his face. “You need to be able to see properly if you are thinking about getting back in a race car this weekend.”

“I can get it, you rest.” He followed you into the house even after catching the roll of your eyes and watched you struggle to bend down to reach the ice tray at the bottom of the freezer. Unable to stop himself, his hands caught your waist and straightened you up before he grabbed the tray. “I don’t want you hurting yourself,” he said with a kiss to your temple.

“I said the same thing, but you still went and got stung.”

“But that’s because I have you to kiss me better.”

You smiled at the softness in his tone and gave him the gentlest of kisses to his swollen cheek, barely the touch of a butterfly's wing. “There, is that better?”

“Yes, I don’t even need this anymore,” he said as he turned to put the tray away until you stopped him with an amused look.

“Nurburgring,” you reminded him, grabbing a tea towel to wrap the ice cubes in.

He had been excited since he got the call from Christian Horner to drive the historic track, and in a car modified to run on eco-friendly fuel no less. He was not going to do anything to miss the opportunity to return to the racetrack, even though he enjoyed retirement and the quiet life he had built in the rural settlement. So, he quietly accepted the ice pack and carefully pressed it to his cheek.

“It’s a dangerous track, Seb,” you murmured as you took over holding it, cradling his other cheek with your palm. “Please be safe and come home in one piece.”

His hands came to rest on your stomach, nearly covering it all as he splayed his fingers apart. “Of course, my love. And you need to stay in one piece until I get home.”

You giggled and felt the strong kick responding to his voice. “I have a feeling your son will take his time. Would you resort to one of those dreadful planes if he decides to come early?”

His lips twitched in amusement, used to your jibing over the consciousness of his carbon footprint. “I could probably drive home faster, with a few speeding tickets along the way, but I might be able to lower myself to boarding a plane for him.”

“Ah, that’s a father’s love,” you giggled. “He doesn’t even know what a sacrifice that would be.”

Sebastian lowered the ice pack so he could dip his head and kiss you. “There’s nothing I wouldn’t do for the two of you.”

“Except get rid of the bees.”

His lips curled against yours in a smile you felt. “Except that.”

#sebastian vettel x reader #sebastian vettel x you #Sebastian Vettel fanfic #sebastian vettel imagine #f1 x y/n #f1 fanfic #f1 imagine

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celestie0 · 14 days

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choso x reader | punk rock au [18+]

in another life ch.1 cupid's arrow

ᰔ pairing. punk rock au - bass player! choso x reader (f)

ᰔ summary. you and choso were lovers in college when him and his rock band were just nobodies with nothing but a dream, but when his band strikes a deal with an up-and-coming record label in tokyo, you make the tough decision to break up with him since you couldn’t go with him to the city. flash forward seven years, his band is the biggest rock band in the world, n you move from the countryside to tokyo with your fiancé nanami to start your new life together. but in the heart of the city, home to many, there’s one person there that still has the power to turn your whole life upside down. and when you run into him again after all those years, feelings you didn’t know were still haunting you come crashing back all at once, and you’re not sure what it is you want from your life anymore.

ᰔ warnings/tags. 18+, fluff, angst, smut, punk rock au, partying, drinking/alcohol, weed usage, cigarette usage, romance, slow burn, friends to lovers, second chance romance, time skips, love triangle, bad boy choso, slight age gap (five yrs), longterm pining, jealousy, messy decisions, you know the drill

ᰔ chapter. 1/x (probably 6)

ᰔ words. 10.2k

a/n. hellooooo aaa welcome to my new choso fic :'') i'm so excited for this one! i'm just laughing at how i cannot just stick to a oneshot idea and somehow end up planning out a fullblown series instead hahah. but anyways, i hope you enjoy! thank you to everyone that wanted to be on the taglist, i'm really looking forward to diving into this story. see you at the bottom!!

alsooo my m00tie @sykosugu and i decided to post for our fics at the same time hehe she has a really spicy suguru x reader fic called 'on the run' that i highly recommend so go check that out as well if you're interestedd <33

nav. ch1 :: ch2 (pending)

“and there was something about you that now, i can’t remember. it’s the same damn thing that made my heart surrender.”

present day. summer.

“We’re gonna miss you so, so, so much, love,” Mai groans, pulling you in towards her for a hug and you reciprocate with fondness.

Another pair of arms wraps around you, grip much tighter and you protest through a difficult breath. “Do you really have to go?” Nobara asks.

You tap on the skin of her arm, urging her to ease her hold in this group hug, and she finally relents and the three of you pull apart from one another. There’s a slight gasp from your lips as you breathe in fresh summer air. “I do, Nobie, I’m sorry. Nanami said it’s the final decision.”

You’re standing on hot concrete in front of a little countryside cottage that you’ve called home for years, but will soon just be a memory. You know which light switches illuminate corners of the rooms, and which creaking wood panels on the floor to avoid when looking for a midnight snack. It’s where you spent years studying for finals, arguing with your mom, learning how to care for Ms. Roxie, and it’s where you fell in love. More than once.

Your parents gave the house to you and Nanami once the two of you became engaged, but that blessing was soon to be given away, as Nanami received news six months ago that he was being promoted and relocated to Tokyo. Now, you have two bags in your hands, your purse slung around your shoulder, and a suitcase filled to the brim with the life you’ve tried to stuff in it. Your taxi driver has the other suitcase, because there were some things you couldn’t leave behind after all, and he’s putting it in the trunk right now.

“Nanami is so rude to take you from us,” Mai sighs, “but at least you’ll be one of those cool city girls now. So scary. I heard trends change faster there than the leaves on Rowan tree during spring.”

Nobara lets out a gasp that’s only half exaggerated. “No way! It can’t be!”

The taxi driver calls after you with a quick question, to which you answer back with a shout from where you stood. A quick glance at your watch tells you it’s time to get moving, as you’ll be taking a connecting train once you reach Tokyo that you need to be on time for. And then he’ll be there. Nanami will be waiting for you there, to lead you into the life that he’s started to make for the two of you.

“I’ll call so very often,” you promise the two of them, “and I will miss you two so very often as well.” Tears prickle in your eyes, and it seems to be contagious as they shimmer in Nobara and Mai’s eyes as well. Another group hug takes place between the three of you, harsh sun beating down with birds chirping in the distance as you try to take in the last few moments you’ve been granted of this place. “Take care of Roxie for us,” you say through a sniffle, “to you, it may seem like you’re only the bearer of food for her, but I promise that little kitty will love you two like no other.”

They both nod at you as you pull away, and you swipe at a tear that rolls down your cheek as you roll your suitcase down the pebbled walkway of your now past home.

The taxi driver helps hoist your suitcase into the trunk and places your other two bags into the back seat. You take a seat at the front with him, clicking the passenger seatbelt, and you roll down the window to wave bye with blown kisses as the taxi driver pulls away from the rocky mud road with crunching under the wheels. You watch Mai and Nobara and your home in the side view mirror until they’re no longer visible, but their voices of farewell linger in the air for a moment more.

“Alright, ma’am, bound for Tokyo!” your taxi driver chirps, his rough-looking hands opening and closing a few times to stretch out the joints of his fingers before tightly gripping onto the steering wheel again.

“Yes, Tokyo,” you murmur softly, gaze set out the window of the familiar street shops and stretches of patchy trees you know you’ll miss once you’re in the city.

“What’s your name?” the man asks, a thick country accent rolling off his tongue, with a sweetness like honey.

You turn your head to look at him more closely. The hair of his eyebrows is bushy, somewhat unkempt, and he has thick lines across his cheeks and forehead that can only mean that he’s lived a lot of life.

You tell him your name and he nods slowly as the two of you stop at a through road, a few school children hurrying past before he turns right onto the main road. “That’s a nice name. Which one of your parents gave it to ya?”

“Um. Both of them?”

He lets out a noise of acknowledgement, and doesn’t ask a further question. You smooth out the fabric of your long skirt with a hand, then toy with the band of your simple watch. Just when you think a comfortable silence has fallen between the two of you, and you think you have the luxury of losing yourself in your thoughts with sights beyond the polished glass window, the man speaks up again.

“Alright then, miss, tell me a story.”

You raise an eyebrow at him. “Pardon?”

“We’re gonna be spendin’ three hours in this car together, darlin’. It’s either I talk your ear off or you talk mine off,” he says, broad shoulders rolling backwards once as he gets comfortable in his driving position.

“Uh…do we need to talk at all?”

He glances over at you for a moment. The car wheels grind over rocks on gravel road near an agricultural field, and his fingers flex once again on the wheel. “You younger generations are so stuck in your own worlds. Entertain some conversation with the poor old taxi driver, will ya?”

You sigh, folding your hands in your nap neatly. “Alright. I don’t really have many stories to tell, though.”

“A young lady like you, packin’ up her whole life to move to a big city? I beg to differ,” he counters.

His words have you tucking your bottom lip under your teeth, a few blinks of your eyelids to process his observation of you. Your mind searches for stories to tell. Maybe that moment last week when you watched a momma duck waddle across a bridge with all seven of her baby ducklings. Or maybe you could tell him about that time you drove your car into a ditch the night of the comet festival and you swear you saw a UFO in the sky. The story you’ve been telling a lot lately, though, was the one of how Nanami proposed.

But then there’s a different story that comes to mind. With hazy images of blinding stage lights in dim venues, cigarette smoke wafting through the air, sounds of bass and drums and cheers. Smell of dry grass, the feeling of your back against a blanket, heart beating fast underneath the stars in front of a twinkling lake. And forever in your memory, the patterns of his inked skin.

“You got a boyfriend?” the man asks, suddenly.

“Are…are you hitting on me?” you ask awkwardly.

“Oh, no, ma’am,” he shakes his head, lifting his left hand up from the steering wheel and turning the back of it to face you. A silver ring adorning his fourth finger shimmers from the reflected sunlight through the window. “Happily married. Been with my missus for 22 years.”

A small smile makes its way onto your face as you relax into your seat a little, feeling calmer. “Oh, I see. I’m sorry for assuming. And I have a fiancé, actually.”

“Oh?” he chirps, stealing a quick glance at your left hand that was still folded neatly underneath your right one in your lap. “How come I’m not seein’ a ring?”

You tug at the small chain around your neck, a chill felt as diamond stone and cold metal drags against the skin of your sternum before you pull out your own promise of marriage, dangling it in front of your chest for him to steal another glance at. “I wear it around my neck. I’m a pottery teacher, so I usually take it off when showing my students any demos. I figured if I kept taking it off like that, I might lose it, so I just wear it around my neck now.”

“That’s interesting,” he comments, “It’s a real nice ring, that’s for sure! Tell me about this man you’re marryin.”

Your heart aches at the thought of Nanami. It’s been six months since you’ve seen him, since he relocated to Tokyo first, and you’ve missed him every day since. You were in the middle of the academic year at the elementary school you taught at, so they asked you to stay back, but Nanami had already accepted the promotion, thus the two of you made the decision that he would move to Tokyo first to get situated and you’d soon follow in the summer. It was a lot of stress to handle as just one person; searching for apartments on top of managing the heightened expectations from his boss from his new role, but he did it all without a complaint. Because he loves you, and that’s who Nanami was. Someone who would move mountains for you. He’s worked hard to make a place for you in Tokyo, one to call home.

“He really loves me,” you say to the man, softly.

“And you love him?”

“So much.”

“Was he your first love?”

Your breath catches in your throat from his question, a small chill running down your spine. The silence that settles could’ve lasted two seconds or two centuries, and you never would’ve known.

You lick your lips before answering. “No, he wasn’t.”

“Hmm…” the man hums. Bumpy roads are now smooth as he turns onto properly laid roads, the exit from your town onto intercity roads. “I can tell.”

“You can tell?” you ask, skeptic in your tone as you tilt your head at him.

“I can tell from your voice that there was someone else before. Someone who meant a whole lot to you, but he went away for some reason,” he says.

You’re not sure why there’s a lump in your throat from his words, a heavy thing with so much substance that it threatens to weigh your heart as well. Your eyes study the side of his face. “You’re getting all of that from my voice?”

The man’s expression is blank as if it were tabula rasa, something so different from the way you’ve felt for so long now, like your heart has been torn in two. There was something so tempting about it; the luxury of a clean slate. Of a new beginning. A fresh start. And it’s hard not to imagine how you would’ve painted things differently.

“Tell me about him,” the man says, the story he was looking for having been found. “Your first love.”

“He…” you start, shocked that you’re actually answering, but it’s like an invitation you can’t resist, “he was my first boyfriend…my first serious boyfriend. I met him the summer after high school. During a summer like this one.”

seven years ago. summer.

chapter 1. cupid’s arrow.

“C’mon, faster!” Mai exclaims, her hand wrapped around your wrist to tug you across the dim streets of downtown.

“Just— wait— Mai, please, slow down,” you’re stumbling after her, feet failing to keep up, and you almost crash right into her when she comes to a sudden halt on the sidewalk.

“This is it,” she says, staring up at the sporadically blinking neon lights of what appears to be a small venue, black marquee letters that spell out Backseat Serenade Tonight @ 10pm stand out to you in a way that feels haunting. “We’re so late, let’s head inside.”

Mai drags you inside, and the security guy is less than thrilled by the commotion as he stands in front of closed double doors. You can feel the bass of music vibrating the walls, accompanied by loud shrill screams and chants coming from inside, and the red velvet flooring underneath your feet fuel you with static as you two approach the man dressed in full black.

Mai fumbles with her purse to pull out her phone, and the man scans the barcoded tickets on her screen before giving the two of you wristbands to wear and then he opens the door for the two of you.

The inside of the venue is small but packed, minimal lighting save for moving lights that illuminate the band on stage, but it’s even harder to see anything over the heads of people with their hands up in the air. Mai’s grip on your forearm is tight as she roughly weaves the two of you through the crowd, determined in her gait but you feel the need to apologize to the people she’s shoving in the process. You’re surprised at how fast the two of you make it to the front barricades, thanks to Mai’s nimbleness alone, and your eyes raise to the scene onstage through wafting smoke through the air.

“Alright, alright, alright,” one of the band members chimes right as the final instrumentals of the song begin to fade. His hair is a pale silver under dusty lighting, pushed up from out of his face by a black headband snapped to his forehead, and his eyes are distinctly blue. He has an electric guitar hanging from his neck by a thick black strap. He raises both of his hands up into the air, waving them down a few times to calm down the crowd, and there are scattered hushes surrounding you and Mai. “This is our last song, and we just want to thank you all so much for coming out tonight! This crowd’s the best we’ve ever had!”

The people cheer in response as a light and relaxed melody begins to tune together from the instrumentals on stage. You hear Mai groan beside you. “What the fuck?! We missed the entire set?!”

Your hands curl around the cold metal of the barricade dividers and your eyes sweep across the stage. There’s a man in the far back with short black hair, bouncing his leg up and down as he’s seated behind a drum set, fidgeting with wooden sticks in his hands, and you’re puzzled by the fact that he’s wearing a very poorly fitted suit onstage. Off to the right, a man with pink hair is messing with the headphones snapped to his ears in front of an electric keyboard, spread fingers pressing down on chords, and you can vaguely see the black nail polish at the tips of his fingers. A woman with mid length blonde hair and pink highlights stands at the front, her hand wrapped around the mic resting on top of the stand. She’s laughing, tipping her head back at something else the electric guitar player says over the mic, but you’ve drowned out the words because your eyes finally land on what’s directly in front of you.

With an almost bored expression on his face, a man stands with a matte black bass guitar hung from his neck as he has one foot up on the top of a subwoofer located flush to the edge of the stage. His hair is raven black, longer at the nape of his neck with shorter layers scattered, and tendrils fall over his face. There’s a glint to his polished black shoes off of where you’re standing, and he’s wearing tight black jeans that cling to the thick and lean muscles of his calves and thighs, with a leather belt fastened around the circumference of his hips. The shirt that’s tucked into his jeans is just as tight to his skin, and a small gasp leaves your lips when you take in the sight of his arms covered in intricate patterns of ink. His right arm is practically covered from the wrist all the way up to the cut of his short sleeve, likely beyond, and his left arm has ink traveling up to his forearm only, like he’s still working on mapping it all out. You watch the way his biceps flex as he bends his arms, bringing his hands up to his face to push his hair back, and your heart is keeping fast rhythm with the music.

“Cho!” the woman at the front speaks into the mic, turning her head to look at this man who you’re sure is the most beautiful man you’ve ever seen. “You’ve hardly said a single word tonight, baby. Not that that’s unusual though. Why don’t you say a few words before we kick off the last song?”

A bunch of whoos!! and ahhhs!!! and yesss!!! scatter throughout the crowd in the form of cheers and you watch the man furrow his brows together, a scowl forming on his face. There’s a band of black underneath his eyes that runs across the bridge of his nose, with perpendicular lines resembling arrows running down his cheeks. Dark purple eyes that match the dark shadows around them glint under flickering stage lighting as he takes his foot off the speaker and walks a few steps backwards to position himself at his stationed mic.

“Fine,” he says, and you’re watching the way his lips barely brush against the mic as he speaks, “This is our last song. It’s called Lost Cause. Enjoy. Or don’t. It’s up to you. Who the fuck am I to tell you what to do.”

There’s only a slight beat of silence from the crowd before they’re cheering again, while his band members just stare at him stunned. The white-haired electric guitarist yells into his mic something like “THAT’S IT?!” before the drum player cuts him off with three taps of his sticks in the air, and then the song commences from them on practiced reflex.

The energy from the crowd is loud in the last few minutes of the show, smoke rising in the air from the machines spread across the raised stage, and you can’t tear your eyes away from the bass player. You rest your forearms on the cold metal in front of you, the sight of Mai jumping up and down in your periphery as she headbangs and shakes her hair.

The bass player’s eyes start to scan the venue within what seems to be the final chorus of the song, chin tipping up and fingers continuing to strum as he assesses the back of the crowd first, then gaze darting throughout the center, before he begins to study the front barricade. You watch his every movement, mapping the trail of his sight, and your heart skips a beat when those dark eyes finally fall on yours.

His eyes briefly flicker to your left, to continue his study of the crowd, but it’s as if his brain just registered something with a delay, and he quickly moves his gaze back to you in a double take. His eyes widen, bored expression quickly turned into one of surprise with a glint to his pupils, and you swear you’ve been struck by an arrow to your heart.

“Yaaaay! Thank you everyone!” the woman at the front exclaims, pulling her mic from the stand to walk around to make work of the crowd. The white-haired man approaches the edge of the stage with a pleased grin on his face, high-fiving all of the outstretched arms, and the man at the keyboard simply waves a few times before incessantly tuning buttons on his headphones. Drum boy hasn’t stopped playing some sort of loud rhythm as an encore. Your sight is set back onto the bass player, and he’s looking off somewhere else now. Somewhere backstage.

“Hey!” the white-haired man exclaims once he’s made it in front of the two of you. “Mai! You made it!”

She reaches out to grab his forearm, tugging down harshly so he’s stumbling and dropping one knee to the stage floor, kneeling. “Of course I was gonna make it! Thanks for the tickets,” she’s yelling over loud ambient cheers and music, “this is my friend y/n, by the way. Oh, and this is Gojo, he’s the guy I was telling you about.”

You nod at him, and try to accept his outstretched hand when someone bumps you from behind and your hand is in favor of stabilizing yourself over the divider instead.

You can barely hear the laugh from Gojo’s position on the raised stage. “Just meet us backstage! We can chat for a bit with proper introductions and all.”

As the crowd begins to dissipate with people moving through the sets of double doors out back, Gojo hops off stage to take you and Mai through a side door that leads into a hallway that lines the back of the stage. You look up into the high ceilings with metal structural poles banding between the walls, and the dim yellow lighting in small bulbs bolted to the walls like a runway remind you of movie theater exit routes.

“So, what’d you guys think of the show?” Gojo asks, his arms raised up and hands interlocked behind his neck in a casual-not-so-casual way as he sends the two of you a lazy look over his shoulder.

“Well, we only made it for one song since miss barista over here was running late from her shift,” she sighs, whacking your arm once with the back of her hand. You glance down and realize you didn’t even have the time to take your frilled and wrinkled apron off. “But, from what we did get to hear, AMAZING! AWESOME! SPECTACULAR!”

Gojo is grinning wide as he turns around to face the two of you, continuing to walk but backwards as he slaps the raised hand that Mai had in the air for him. “I’m so glad, I felt the pressure to please was high since I’ve been hyping up our shows to you for so long.”

“We’ve only known each other for like two weeks.”

“I know. But PSYCH 210 lecture at the ass crack of dawn really brings two people together, y’know.”

Mai and Gojo continue to laugh and talk about random things college-related, and there’s a stirring feeling in your chest that you’re surrounded by people older and much more well-lived than you. You’ve just graduated high school, barely a few months ago, but Mai was a few years older than you, so any time she tries to introduce you to her college friends, you feel the need to perform or be someone that you’re not so they’ll like you, despite the fact that you’re aware of the fallacy in that. And tonight, that responsibility feels much more daunting for some reason.

There are voices heard further down the hall, and as you approach, you notice the drum guy, keyboard guy, and devilishly handsome bass guy are all loitering around in that area, along with a few other people they seemed to have invited backstage.

Gojo walks up to them, grabbing onto the bass man’s hand firmly before patting him on the back, then slings his arms around the other two. “This is Higurama,” he says, rubbing the top of the black-haired guy’s head with the knuckles of his fist, “he does drums for us. And this is Sukuna,” he says, about to repeat the same gesture to the top of his head but his wrist is grabbed and twisted, “ow, fuck, fuck, fuck– sorry.” Sukuna lets go of his wrist, scowl dissipating into sadistic amusement, and Gojo’s holding his wrist, now slightly red from the burn, with a pout on his face. “He does the keyboard. And all the techno sounds. And some other stuff I’ve frankly no fucking clue about.”

The two of them acknowledge you and Mai, along with the few other people who Gojo seems to know as well, and then Gojo’s approaching the bass player again before resting his elbow up on his shoulder, leaning his weight onto him and the man just crosses his arms across his chest, sending Gojo a side-eye. “Mai, I think you two have met before, but this is Choso. Choso Kamo, our bass player. Best bass player I’ve ever known to be honest. Be careful though, he might bite you.”

Choso scowls, rolling his shoulder back once to get rid of Gojo’s resting elbow. His eyes are on yours, boring into you deep, and when he darts his tongue out briefly to wet his bottom lip, you finally notice the silver lip ring near the corner of his mouth. “Hi. Nice to meet you,” he says, hand outstretched and you shake it with a mention of your name to him. The skin on his fingers feel rough from play, a small sacrifice to pay for the talent he’s harnessed over the years from plucking at strings. His eyes sweep down you once. “Why are you dressed like Strawberry Shortcake?”

“I–” you start, glancing down at your attire and feeling the heat pool in your cheeks, “I just got off a work shift. I work at a cafe.”

“Oh,” he responds, and you notice his hand is still holding onto yours, Your eyes trail the patterns on his skin, visible in more detail up close, and you find yourself lost in every line and swirl and scale and skull and cross, the only thing breaking you out of your trance being Mai’s jab of her elbow to your ribcage.

You gasp, snatching your hand away from Choso, and when you look up at his face, there’s a hint of amusement on it.

“Babes, he was asking you a question,” Mai says, looking between you and the man in front of you.

“Huh?” you ask, suddenly flustered and you swipe your palm down your work apron to wipe the sweat that begins to perspire at your palm from the lingering heat of his hand.

“I was asking if you liked the show,” Choso says, tilting his head to the side and now he’s allowing his eyes to travel all across you in any way he wants.

“I loved it,” you respond, almost breathlessly, “it was great. I mean– we only saw, like, one song. But still, really amazing.”

“Only one song?” Choso asks, his eyebrow raising, “that’s a shame. You’ve gotta come to more shows then.”

Before you can respond, there’s a feminine voice heard down the hallway, sounding an awful lot like the one echoing off the speakers inside the concert venue, and then the blond woman who was the lead singer of the band skips right up to the group formulating in this hallway before wrapping her arms around Choso’s neck and pulling him down towards her in a kiss.

You’re standing there stunned, eyes immediately averting from the scene of the two of them in front of you, but in the corner of your eye you can see his arm wrap around her waist briefly before he pulls her away from him, and the release of her lips from his makes a sound that for some reason creates a pit in your stomach.

“Cho, baby, I just had an insane conversation,” she says, still practically hanging from his neck as she stands on tiptoes, “with this record label guy. He’s apparently hot shit in Tokyo, and he wants to offer us this city gig ‘cause he thinks we’re a potential sign-on, and–”

Choso’s hand reaches to the back of his neck, gripping around her wrist to pull it apart from her other one, and then her arms fall to her sides and her heels flatten to the ground as she blinks up at him. “That’s cool, Sana, but can we talk about that later?”

Gojo’s arms cross his chest as he leans forward, glaring at the woman. “Yeah. And as a band, not just with your lover.”

Sana rolls her eyes and scoffs, placing curled hands low on her hips. “He’s not my lover, bitch. Unless he’s my lover like you’re lovers with a blunt on a sunday– sucked off in a car ‘cause you’ve got nothing better to do.”

“That’s offensive to both of us,” Gojo grumbles but Choso just sighs, unbothered, as he rubs at the back of his neck. He makes eye contact with you again, and his expression sobers as though he forgot for a second that you were still standing there.

Sana turns to you and Mai. “Hi, I’m Sana, nice to meet you guys. Sorry, I thought you two were some of our other friends, otherwise I wouldn’t have kissed Cho in front of you. I hate PDA, trust me.”

Mai lets out an awkward laugh as she shakes her hand, and you almost don’t want to shake her hand, but you do just to be polite.

“You didn’t hate PDA that one time I was about to bag the girl I’d been talking to for weeks and you decided to grind your sorry excuse of an ass right up against me in front of her,” Gojo grumbles.

She waves a dismissive hand in the air. “Whatever, she thought you were gay anyways. Would’ve done yourself a favor if you actually grabbed my ass.”

She ignores the insulted gesture Gojo makes, cutting off whatever words he was about to spew with words of her own. “What are you girls doing after this? We’re having a post-show party, you two should come.” She glances at you. “Uh, love, I’d ditch the apron though. Unless it’s, like, some sort of fetish for you.”

You’re defeated as your arms cross your torso to grip the hem of your apron and pull it up over your head, shaking your head a bit to allow your hair to fall back into place, and then you fold the frilly article of clothing neatly before hanging it over your arm. “It’s not,” you sigh, too exhausted to be subject to the title of your occupation anymore. A small flicker of your eyes to Choso tells you he’s staring at you.

Sana shrugs. “So you pretty ladies wanna come?”

Mai shakes her head. “No, sorry, my baby here,” she says, wrapping her arm around yours tightly, “just graduated high school recently, so she’s too young for a party. I’ve got a responsibility to look after her. And throwing her into a room full of sleazy drunk punk college dudes is the opposite of looking after her.”

Sukuna comes around, leaning his arm against the wall, smirk on his face, as he eyes you like you’re something to steal. “Just graduated high school? So you just turned eighteen, sweetheart?”

Mai glares daggers at him. “Get the fuck away from her, Super Senior. You’re icky. Also, case in point proven.”

Sana whacks the back of Sukuna’s head, and he all but growls at her. “Stop being creepy,” she reprimands him before turning to Mai again. “No, I swear, it’s not like that. It’s chill, minimal alcohol. No drugs. Just a small get-together with a few of our fellow friends, and friends of fellow friends, from the music scene.” She leans against Choso’s arm, wide eyes looking up at him, but he doesn’t lean into her. “Right, Cho? No scary guys for her to worry about?”

His eyes narrow at you, raking down your figure again, and his chest moves a little faster with his breath. “I’m against it. It’s no place for an eighteen-year-old. You’re a fucking idiot for trying to invite a girl who just recently graduated from highschool to a house party. She’s practically a kid.”

Your heart sinks from his words, and you feel juvenile standing in front of him, in a way that makes you angry and embarrassed at the same time, and you can’t bite back the words in time, “Whatever, at least I haven’t been on crack since the day I was born like you probably were.”

Almost all heads in this small hallway snap to you, if they weren’t already there before, wide eyes blinking before Gojo bursts out into a laugh, which dominoes into Mai’s laughter, and you barely register the way Sana looks you up and down once before forcing a smile. Choso’s surprised expression turns into a disgruntled one as he crosses his arms across his chest, and you can’t help but watch the stretch of his inked skin over his muscles as they flex.

“I’ve never done crack, shortcake, and your lame insult only proves my point on your immaturity,” he scowls, leaning his upper body forward towards you, and his gaze briefly drops to your lips.

Sana comes in between the two of you, pressing herself up against him to get him away, and he takes an involuntary step back and now he’s scowling at her too. She turns around to face you, and there’s that forced smile again. “Uh, y’know what, sweets? Cho is sooo totally right, no place at all for a—I’m sorry, how old did you say you were?”

“Eighteen,” you say with a slight grit to your teeth.

“Oh! Yeah, no place for you, sorry,” she says, with a small jut of her bottom lip to signal a pout.

You roll your eyes at her, then glance past her at Choso who’s looking at you like he’s still got a few retaliating words for you on his tongue, but then he’s dropping his gaze to the neckline of your shirt, eyeing the shape of your breasts, even dipping further down your legs and you let out a scoff.

“You sure enjoy checking me out for someone you think is practically a kid,” you spit back.

He’s not angry this time, the corner of his mouth simply tipping up slightly into a smirk. “I meant you’re too young to drink, but you’re old enough to fuck, so spare me the attitude.”

Your cheeks flush at his comment, nonetheless made in front of a group of people who were practically strangers to you, and you’re about to give him a piece of your mind when Mai grabs your forearm and Gojo places himself between you and jerkface.

“Woah! Look at the time,” Gojo chirps, glancing at his wrist that was absent of any time-telling device but he rolls with it anyway, “should probably head out now, since the venue’s closing soon. Y’know, grab our stuff.”

Mai nods her head at you in response to his words, sending a single glare Choso’s way before exchanging some pleasantries with Gojo and then dragging you down the hallway with her towards the exit.

“Hey–” you begin to complain, her grip on you starting to hurt, and you eventually yank your arm away from her before she opens the backdoor exit. “Let’s go to that party.”

Mai sighs, leaning her back against the door and crosses her arms. “No way. Your mom wanted me to get you home before midnight,” she says as she glances at the time on her phone, “and it’s close to midnight.”

You roll your eyes. “I’m an adult now, I don’t have to adhere to a midnight curfew, like I’m fucking Cindarella.”

Mai raises an eyebrow at you from the profanity, recognizing the fact that it’s something you just forced into your vocabulary in a way that doesn’t suit you. “I already said no.”

“Take me or else I’m going to tell your mom about the nipple piercings you got last week.”

Mai hisses a sharp breath through her teeth. “You’re a bitch.”

“Take me,” you deadpan.

She tilts her head back so that it hits the metal of the door, and then she’s pushing her back against it to open it, the rush of cold wind from outside brushing past the two of you as she steps into the night and you follow her. “Oh my god, fine. But only for a little bit, and let’s get the lie straight right now–you had explosive diarrhea at the concert so I couldn’t take you home right away since you were incapacitated in the restrooms.”

“What? Why do I have to be the one with explosive diarrhea?” you ask, frown on your face but there’s a skip to your step as you follow her down the street to where she very poorly parallel parked and you open the passenger side door. She doesn’t bother answering you as she settles into the driver’s seat and her car roars to life with a few struggling turns of the key in ignition.

“No drinking,” Mai says, voice strict with eyes locked on yours, and it’s the last thing she says before she starts driving.

The house is just a few miles from the venue location, and Mai seems to have been there before since she turns the navigation off once she turns onto a street that has her driving switch to from perusal to more casual.

Gojo is the one to greet you two at the door with wide eyes and a drink in his hand. You notice he’s changed out of his stage attire into something more casual, and likely in a rush too since his hair is disheveled, and you figured that you and Mai barely got here after they did. The surprised look on his face is quick to turn into a pleased one at the sight of the two of you. “Oh sweet you two actually came,” he comments, waving a hand for you two to come inside, “figured Kamo would’ve scared you off.”

You roll your eyes, “where is that jerk? I still have a few choice words for him.”

“Babes, let it go,” Mai sighs, “Not worth your time.”

“I concur,” Gojo says, “but, if you really want, he’s upstairs putting some of my stuff he borrowed for tonight’s show back into my room. You can…” he glances down at you once, “uh. Cuss him to death? Or whatever you can manage, I guess. But just don’t fuck on my bed, please. That’s my only rule.”

“Why do you sound like that’s a rule you’ve had to make often?” Mai scoffs, amused, while your cheeks feel hot.

Gojo slumps his shoulders in some type of comical defeat. “I don’t wanna talk about it…” he mumbles, voice trailing off and turning on his heel to walk away while Mai follows him off with more follow-up questions he doesn’t seem receptive to answering.

Your eyes glance over to the staircase, studying for a moment as loud party music fills your ears before making your way over and up the steps. As you head down the hallway leading into bedrooms, the floorboards creak until your sneakers even over soft carpet, and you hear soft sounds of clattering off to the left. There’s a door that’s half ajar leading into a warmly lit room, and you deftly peek your head through the opening.

Choso stands near the foot of the bed inside a messy room, black boxes and cases and wires surrounding him as he fumbles with unplugging some sort of audio station pad from another piece of hardware. His hand grips tightly around the thick black rubber coating of the wire, and you watch the flex of his knuckles that tense the veins running up his arm, sleeve of the shirt he’s worn all night stretching to accommodate the roll of muscle at his upper arm. With a solid yank, the chord releases itself before the wire whacks him straight in the face and he grumbles a fuck under his breath and he rubs the skin of his cheek, to which you can’t help but let out a small laugh at the sight of.

His furrowed and frustrated expression turns into surprise as his eyes flicker to the entrance of the room. He stands up straight, and then there’s that bored expression again. “Oh. Shortcake. I thought I said you’ve got no business being here.”

“Yeah, about that, I’m waiting for you to apologize to me,” you say, leaning sideways against the doorframe as you cross your arms over your chest.

He sighs, eyes moving away from yours to busy himself with the jungle of equipment he’s practically drowning in, as if he couldn’t be bothered by your presence right now. “Apologize for what?”

You make your way inside the room, foot pushing aside anything sprawled on the floor that’s in your way so you can continue to approach him, and you stop just when you’re just a step away. His gaze is still set to the ground as he’s crouched over slightly, but it shifts from the speaker he was toying with to the shape of your shoes instead.

“Apologize to me for being so crass,” you say, “after we had just met.”

He slowly straightens his spine, and you’re a little shocked to find the height that he has on you. His expression is curious, eyes narrowing slightly like he has you all figured out already, and it pisses you off. “Crass is such a prissy word to use, princess. Try ‘apologize to me for being a massive dick’ or something, and I’ll start to take you more seriously.”

“Why are you so rude?” you ask, anger building up inside of you all of a sudden. “I’ve barely met you, I don’t see how I could’ve upset you in any way. Yet you’ve already insulted me in multiple ways tonight, and it’s not a cool look for you. Trust me.”

“You’re the one that basically called me a crackhead,” he counters, but there’s no real offense behind it.

“Yeah, because you called me a kid,” you say, face tightening even further with anger, “even though I’m an adult.”

He sighs, closing his eyes in irritation, and tilts his head up to look at the ceiling briefly as his mouth hangs slightly open, all as if he’s running thin of the capacity to deal with this conversation, and then he looks back down at you again. “Shortcake, I didn’t call you a kid ‘cause of your age. I called you a kid ‘cause you’re just so–” he starts, eyes traveling down your body paired with a vague gesture of his hand towards all of you, and you find yourself shifting on your feet to stand a little more poised, “you just seem so innocent and clueless and, uh, forgive me, naive.”

“You’re the clueless one here if you still think negging a girl will get you anywhere with her,” you say, hands clenched in fists at your side now.

There’s a hint of a smirk on his face as he tilts his head at you, some of his dark hair falling over his forehead from the motion and a few strands weave with his eyelashes. “I’m not trying to get anywhere with you here, sweetheart, unless you’re wanting that,” he says, voice almost purred at the end as he steps over a guitar case on the floor to get closer to you.

You’re unable to make eye contact with him when he’s close and you can smell the earthy notes of his cologne, mixed with another scent that seems more distinctly him that makes your head spin. Your gaze takes in the sight of his forearm, the one with scattered tattoos trailing up his arm but not yet fully inked in. You wonder what he’s saving the space for, and what he’s willing to let in.

When your gaze flickers up to his face again, you’re a little surprised to see his expression is softer. He suddenly holds his forearm up in front of you. Your eyes signal confusion to him, but he just keeps his arm up the same.

“You’ve been ogling my tattoos since we met,” he says, voice low, “if you’re curious, then just have a closer look.”

Your breath picks up in speed, and you hesitate for a moment but it’s true. You were curious. Your hands shakily hold onto his forearm to keep it still as you study the ink on his skin. You twist his arm as much as his joint allows, and he lets you handle him in any way you want, and you swear the snake tattooed on his skin moves as if it were alive. A dark blossoming rose with highlights of burgundy red catches your eye near his elbow, and you brush the back of your hand against it. Your fingers accidentally find his pulse at his wrist, and you find his heart is beating fast.

You run a flat palm up his arm, the skin to skin contact feeling intimate, and your fingers stop when they tuck under the fabric of his sleeve. You feel the warmth and curve of his bicep, lightly wrapping your hand around it, and you blush at the sight of how small your hand looks on him.

“What does this one mean?” you ask, not meaning for it to come out as a whisper, but you feel like his answer is meant to be kept a secret. Your thumb swipes over small roman numerals permanently etched into him over muscle.

“It’s my dad’s military tag,” he responds, voice quiet like yours.

You tear your gaze away from his skin to look up at him, and you realize he’s closed enough distance between the two of you to where his face is just inches away. From the moment you looked up, his eyes have been on your lips, and his brow furrows as if he’s fighting some voice in his head that’s testing this harmony between the two of you in this moment.

You swear he’s about to kiss you, since there could be no other explanation for the way he was looking at you, but instead he clears his throat and his face is first to distance from you before he pulls his arm back as well, and then a small step backwards. “Sorry,” he says, and he almost sounds awkward. It startles you, because it’s the first time he doesn’t sound cool or calm or collected.

“That-” you start, “...wait, what are you sorry for?”

His eyes widen, and you see the heaviness under them for a moment, “uhh…I’m actually not too sure.”

Your head feels clear now that he’s not close enough to breathe in, and you blink a few times as your annoyance from earlier resurfaces amidst the lingering energy he just broke between you two. “Start with ‘I’m sorry for calling you a kid, and then also just now calling you naive and clueless,’” you say, foot tapping impatiently, “and then, in front of all your bandmates, mocking the fact I’m not old enough to drink, and shamelessly traveling your eyes over me, and then–” your breath catches slightly as the words fail to leave your tongue, cheeks feeling hot, “and then saying–” you try again, but the thought only falls flat, and he’s taking a step closer to you again.

“And then saying that you’re old enough to fuck?” he asks, finishing your sentence for you, but there’s no remorse in his tone at all.

His hand suddenly finds the small of your back and he pushes gently so you take a stumbled step towards him, like he needed to have you close to him again. His lips brush against the top of your head, and the sensation sends a hot feeling through your chest. “Choso,” you reprimand him.

“Fuck,” he exhales, like in cynical disbelief, “my name sounds so sweet coming from you.”

It makes no sense, but you grip his shirt at his chest just to make contact with him, and you brave yourself to look up at him, wondering if he can see the hint of worry in your eyes, because he already feels like something you can’t resist.

His eyes are dark now, different from the tenderness in them before, and he’s freely studying the features of your face. “I don’t want to fuck you, Shortcake, if that’s what you’re worried about. You’re a little too good for me to do something like that.”

His words say one thing while his eyes say another, his arm wrapping around your waist to keep you close, and you’re astonished at how little he cares about the clear contradiction in his words from the way he holds you. His gaze slowly travels down from your eyes to your lips.

“What about–” you start, heart beating fast in your chest as you see the glimmer of the silver ring pierced through his lip. You bite back the words.

But he reads your mind, because his head dips down towards yours and he captures your lips in his, slow and sweet at first before pressing more firmly, more decisively with both hands flying to hold your waist. A moan muffles in your throat at the sensation of his bare fingers coyly traveling under the hem of your shirt, and you can’t help but slide your arms up over his shoulders, locking them behind his neck to pull him down closer to you, and he sighs in response as he presses your hips flush against him. The chill metal of his lip ring has the plush of your bottom lip tingling cold, and when his tongue swipes across to warm it for you, your mouth opens with ease. You taste spearmint on his tongue, and his lips curve against yours in what feels like an amused smile, large hands now slid so far up your shirt that his fingers reach the band of your bra.

“Hey, Cho, do you know where–”

The trill of a feminine voice in the air cuts through harshly, and he pulls his lips from yours but not without a moment of reluctance. You two turn your head to the door, and you see Sana standing there, eyes wide and blinking as she takes in the sight of the two of you standing in what feels like a guilty proximity from how her eyes silently curse you.

You can only manage an awkward laugh, fist shoving against Choso’s shoulder but his hands are still placed firmly on the curve over your lower back, dangerously close to the plush of your ass, and your hips are practically pinned to him while you do all you can to lean your upper body away. “Oh–sorry, this…is not what it looks like–”

“I…” Sana starts, and you can see the hurt in her expression, but she quickly corrects it, “Oh! Ah, was just lookin’ for Cho here,” she says, making her way into the room, and a harsh shove of your fist against Choso’s chest finally has him relenting to let you go. Your posture immediately stiffens when she approaches Choso’s side, and she playfully pushes his arm but the effort is weak. “Kissing girls in Satoru’s room is seriously not a good idea, Cho. That freak probably has cameras in here to make sure people don’t bump uglies in his room again after that New Year’s party.”

Choso gives her a pointed look, like he wasn’t caught up on that drama, but you’re just standing there with your eyes flicking between the familiarity of the two people standing in front of you. Why wasn’t Sana jealous? She was looking at you ten seconds ago like she was a whole lot of jealous.

“What are you looking for?” Choso asks her, and she holds her red plastic solo cup with her drink in it out for him to hold as she crouches down to the floor to sift through the equipment now surrounding the three of you.

“My lucky mic,” she says, “Gojo said it’d be here.” There’s a hint of something in her voice, something that mirrors betrayal if you’re perceptive enough.

You watch Choso lick his lips once, eyes darting to you, before he’s crouching down too to help her look. “For something that allegedly means a lot to you, you sure do a shit job at looking out for it,” he comments with a sigh before pulling out a black case from under three other ones and handing it to her. “It’s here.”

“I’m–” you say, taking a step back and almost tripping over a guitar case, “I’m, um, going to head downstairs. Mai is probably looking for me.”

Choso raises an eyebrow at you from where he’s still crouched down next to Sana, and he’s about to speak when Sana cuts him off.

“Okay. Bye,” she says, still rummaging through things mindlessly even though she had already been given what she was looking for.

Choso makes a move to stand up, like he wants to see you out the door, but Sana’s hand grabs him by his forearm, eyes still not meeting his, and there’s a beat of confusion in his eyes as he studies the side of her face. But you know what sort of look she probably has in her eyes right now, and you know only because you’re also a girl, and all girls know what it’s like when a guy you love doesn’t want you in the way that you want him. All you can do at this moment is feel sorry for her.

The atmosphere in the room begins to suffocate, and you head out of the door in a rush.

present day. summer.

“He kissed ya the day he met ya? Hmph! That wouldn’t fly with me,” the man seated beside you says, his grip on the steering wheel tightening as he shifts slightly in his seat to puff his chest out.

“Hmm,” you hum as you look out the window wistfully, memories that you had locked up for so many years opened like a pandora box that fills your chest with warmth but has your fingers trembling with anxiety because you know how it all ends. “You wouldn’t…let a man kiss you on the first day he met you?”

The driver humors you with a hearty laugh from his chest, at least. “Not talkin’ about it that way, darlin’. I’m talkin’ about my daughters. I’ve got two girls of my own. A man should keep his hands to himself the first time he meets a lady. At least that’s what I’ve taught ‘em.”

There’s a small smile that tugs at your lips at his words, the love he has for his daughters heard clearly through his strict tone. You left out a lot of the details that probably would’ve angered him on your behalf even more, so the fact he still ended up getting worked up about it has you a little amused and reflective at the same time. “How old are your daughters?” you ask, tucking strands of your hair behind your ear, watching the wind-rustled plains of grass that you two have been driving by for a while now.

“They’re a little younger than you,” he comments, his expression now a bit more serious, “one just graduated from college, she’s startin’ more school in the city soon, and the other’s still in highschool. She’s turning sixteen next week.”

“Ah, sixteen,” you muse, “that’s a confusing age.”

“You got that right,” he gruffs, “the other day, she called me on my way home from work to bring some drink called a boba. Fifty-two years of life and I never even knew there was a damn thing called a boba! Why would anyone want swirlin’ stuff in their drink?! Anyways, the shop got her order wrong, and when I brought it home, she refused to drink it, called me the worst dad ever, then stormed upstairs to slam the door on her room. I turn to my wife, and she’s shakin’ her head at me like I’m the one that did something wrong!”

You laugh, then press your lips into a smile. “I’d have to agree with her on that,” you joke, and he lets out another disgruntled noise that has you laughing again.

“Yeah, yeah, I’ve lived with my wife and those two girls for over two decades,” he sighs. “I’m used to it by now. All three are equally pains in my ass, but I wouldn’t have it any other way.”

Your smile drops a little as you look at him more contemplatively. There’s a glimmer in his eyes as he speaks, and you realize it’s familiar, but the answer of where you’ve seen it before fails to arrive.

“My youngest,” he starts again, “she’s been listenin’ to really loud music lately.” He presses one of the buttons underneath the AC vents, static noises coming to life before he changes the output to bluetooth. “My wife says it’s some sort of phase, but I’m not likin’ the music. Always sounding tempered and inappropriate.” He plays a song from his phone paired to the car, speakers flowing with music, and a chill runs down your spine the moment the first few notes fill your ears. A song so painfully familiar, so connected to your soul it’s as if your heart still keeps time with it to this day.

“See what I’m talkin’ about?” the man says, “Lots of words about skin and cigarettes.” With a shake of his head, he lowers the volume. “She’s obsessed with this band, it’s probably a band similar to your old lover’s from the sound of it. She’s got posters of ‘em up on the wall, and she took the picture of us on our first fishing trip together out of the picture frame on her desk and replaced it with this man. This silly-lookin’ white-haired man that always looks like he’s just pretending he knows how to play a guitar. Hmph! She keeps saying ‘dad, I wanna go to their concert!’ There’s no way in hell I’m allowing that.”

You stare down at your lap, brow furrowed from the realization flashing through your head, and your thumb nervously passes over the skin of your other hand. In your periphery, you see him glance over at you once, and he sighs before stopping the music and speaking up again.

“It’s fine,” he says, “my youngest got her sister into the same band, and she likes one of the other ones. Plays bass. He’s too rough-lookin’ for my daughter. Arms covered in tattoos, he’s even got some on his face! She keeps dreamin’ about havin’ him for a boyfriend, but if she brought that home, there’s no way I’d approve. I’d scare him off with my rifle.”

Your heart is beating fast in your chest, and you realize what a small world it is. Or, you realize just how big Choso’s world must be now. So much bigger than he or any of the other members of his band could’ve ever imagined. For once in a lifetime, so rare and pure, are dreams that are fully realized.

“Gosh,” you respond when you realize you’ve been lost in your own revelations for too long, “that’s an…extreme response. You sound like my father, though.”

“Hm,” he responds, “I’m sure. Did your father approve of this lover of yours? The one that’s makin’ moves on you so fast and too soon?”

You lean back in your seat with your head hitting the headrest. It’s been years since you’ve felt like you’re being lectured or reprimanded for anything, but the feeling comes back to you at this moment as if no time had passed at all. No matter how old you get, you’ll never forget how humbling the feeling was when you thought you knew everything at eighteen, just to look back and realize you didn’t have a single clue.

You sigh. “No. He didn’t approve. Far from it.”

seven years ago. autumn.

chapter 2. the juvenile & the delinquent.

[to be continued]

a/n. eeeeeppp thank you very much for reading n supporting my new fic!! i hope you enjoyed :') still a lot more to uncover n unpack hahah i'm so nervous to start a new fic but i'm also very excited!!! i love choso sm but i also love nanami so this is gonna be interesting to write. also TYSM to everyone that wanted to be on taglist for this omg your support means the world to meeee. love you all sm.

taglist: @joemama-2 @sweetpo1son @lilluna12 @polarbvnny @4y3sh4 @sedona-the-l0bster @horisdope @ilovenana88 @thexmistress @atsushirolll @flvrrg0d @strawnanamilk @nighttwingg @indieotterxoxo @pirana10 @bakuhoethotski @tvdumarvelhpsimp @lavender-hvze @whereflowerswenttodie @alwaysfreakingout @kaitoluver @3xv5s @wrenabbadon @erwinslut @winsga18 @ynishalee @yungbloode

love u all so much!!

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