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#i just want a good ending ok
gael-garcia · 5 months
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Vanessa Redgrave's on Palestine, her Oscars speech, and The Palestinian (1977)
Links:
this interview
1978 Best Supporting Actress (Julia) win and speech
The Palestinian (1977)
and here she is in 2008 NYC Ethical Culture speaking for Palestine
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monochromeblend · 6 months
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fluorescent shrimp
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puppyeared · 8 months
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fake ep idea + doodles
#i was thinking abt how funny it would be if there was a shiftythrifting blog equivalent in lmk. and half the stuff on there is#submitted by wukong. so i thought a yard sale ep would be funny lol#basically the hoard becomes problem one way or another and wukong figures the best way to get rid of his junk is thru ebay#somehow ends up selling world ending artifacts to random megapolis citizens so mk mei and redson have to scramble to find em#purposely meant to mirror the weekly shenanigans s1-2 style eps that are really goofy (dumpling ep noodles ep etc)#but it gets darker and darker because MK is not fucking ok after that whole thing with the scroll and some unchecked identity crisis#for me id want him to kind of. freak tf out because they have to find MULTIPLE chaos inducing items that could end the world while trying t#be sillygoofy and funny about it. so hes trying to mask his panic with “ohhh guys its just like the good ol days ^_^ remember that ^_^”#ESPECIALLY after that whole thing with the ink scroll. also mei doesnt buy any of it and is worried for him the whole time#as for the B plot it could be monkey king also trying to be very relaxed abt selling 4000 years worth of stuff and tang getting all huffy#like “these are priceless artifacts that could help us learn so much about the past!! wtf man!!!”#and maybe it reveals smth like wukong not wanting to hold on anymore bc his past weighs him down. and theyre all reminders#i think azure mentioned that wukong is sentimental (idk if that was genuine or lying to mk) so that could be touched on to#so basically. the theme would be some sort of conversation abt nostalgia. i think. im not a writer so its very fuzzy in my head#if anyone wants to add on or include their own spin on it feel free. also included undercut redson as a treat somewhere in there#myart#lego monkie kid#monkie kid#lmk red son#lmk mei#lmk MK#lmk xiaotian#lmk xiaojiao#lmk sun wukong#lmk swk#doodles#lmk tang#lmk pigsy#lmk traffic light trio#yard sale ep
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ultimateyakazoo · 11 months
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chapter 1 trial
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kitamars · 7 months
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enmi gintoki…………… orz
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thormanick · 1 year
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…Headcanon that the next time Kaveh gets in trouble in desert (where he is on a research trip with Alhaitham) and is lost/separated from his companion, the three desert foxes come to his help out of nowhere and lead him back to Alhaitham.
When they are back and Alhaitham listens to Kaveh telling him about how the foxes helped him, one of the aforementioned foxes intensely stares Alhaitham dead in the eyes. Alhaitham stares back at it, and after a few moments barely noticeably nods.
For the sake of his (exhausted after a whole day in the desert) sanity Kaveh asks no questions. Alhaitham acts like nothing happened. The foxes return to the desert the next day when they depart.
A silent “We entrust the good human to you. Please, take care of him,” remains a small secret between the desert and the scribe (as well as a request he will gladly see to).
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tillman · 2 months
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The writing in part 1 of jojos specifically really gets to me because dio is such a fascinating villain for a story with such heavy themes of nature vs nurture and humanity and what not but also they do the “you disagree with this mans morals. He puts dogs into furnaces” bit and constantly go “he was born evil hes the devil its in his Blood” its so fucking funny. I dont know im genuinely obsessed with how poorly it fumbles its very few themes. And I know thats not the point. But its just a hysterical reading to me.
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genericpuff · 6 months
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And with that, 2000 years of history and 10+ years of an animated adaption later, Attack on Titan is over.
I wasn't planning on making an essay post about this but like all of my essay posts, it got crazy out of hand, so here we are. I have a lot to say on it and the more I wrote, the more I realized exactly what the Attack on Titan finale was about. It's cathartic. It's also kind of a big shitpost but not for the reasons you might think.
Spoilers for the Attack on Titan finale ahead! CW: DISCUSSION OF WAR AND GENOCIDE AHEAD!
Now for anyone who knows what I'm about to talk about (and anyone who follows my stuff here), I'm sure you're wondering , what side do I fall on in regards to Attack on Titan's ending? Am I about to talk shit about it? It's very divisive and somewhat inconclusive. It followed the exact ending in the manga which, while expected, was still disappointing to many who had hoped the anime would take some other path.
But I have to ask, could there have been any other way?
Eren committed mass genocide, bordering on extinction of the entire human race. There was no way that he was gonna come out of it redeemed or as a hero, and he knew it. He went straight up Walter White core here and like Walter White, he is not a hero.
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The fact that the Marlayans have been constantly going to war with other countries using Eldians as their personal soldiers goes to show that for countries that seek out conquest, there's no target too small or insignificant that can't be marked as an "enemy", and we see that reflected in Eren as well, in his pursuing of "freedom", an ever-moving goalpost that can never truly be satisfied.
The Jaegerists were hellbent on creating a new empire on the bloodshed of Marley - 'an eye for an eye', so to speak.
Nothing was ever going to truly satisfy either 'side' in the conflict of humanity vs. Eldians because such conflicts' origins have been obfuscated in hundreds of years of history, propaganda, and generational trauma that has repeated itself for so long that many don't even know what they're fighting for anymore, aside from one thing - that they don't want to suffer, that they shouldn't have to suffer for the actions of their ancestors, that they want peace and happiness but don't know where to start with taking the first step.
I think people are disappointed in this ending because, let's face it, it's anime, and it's an anime adaption that took years to finish. We always want to see some kind of vindication from stories like these, but I think in having vindication, it ultimately removes the point altogether of what's being said.
As much as we may try to fight it, try to deny it, the course of human history travels in a circle. Conflict will always arise. History is written by the victors, and those victors will be seen as heroes by whichever side they're fighting for regardless of what heinous acts they may have committed to justify their salvation. And after all of that conflict, regardless of the result - time goes on, and new conflicts arise.
But I don't think that means we have to succumb to grief and suffering and that's a point that I'm seeing missed in a lot of the discussion around the finale. There's a very powerful scene between Armin and Zeke, in which Armin talks about how he was born to run up the hill with Mikasa and Eren. He recognizes fully that if his life isn't meant to be long, he can still cherish those small moments that he thinks back on fondly, the moments that defined his life with the people he cared about.
And that's really all life is. Small moments and experiences that stick with us until the end. The very act of being born in and of itself is a cosmic miracle that gives us the chance to experience things that bring us joy and stay with us forever - however short or long that 'forever' may be. We take these small moments for granted when we're comfortable, but we look for them the most when we're suffering.
If I can relate all this to another piece of media that says the same thing - albeit with a much brighter ending - FF XIV: Endwalker also asks a similar question to Attack on Titan - is the only meaning in life to suffer and die? Of course, by its end, we learn that while death and suffering is an inevitable part of life - not something that should be avoided - it shouldn't persuade us to give in to fear and despair as a constant state of being. And I think Attack on Titan goes for a very similar approach, albeit slightly more as a cautionary tale - a nihilistic reminder that ultimately, the losses and victories we find in our current point of history are still just that, a single point, a blip that will be forgotten until it's ultimately repeated, and there's no escaping that.
It cautions us that freedom cannot exist without constant vigilance for war and conflict. It cautions us that our values and core beliefs for attaining freedom, love and happiness can be twisted into a weapon to cause harm, vindication gained at the cost of another. It cautions us that when left in the wrong hands, power can and will be abused by the ignorant while propagandizing itself as "the greater good".
So why not just find the joy that we can? The friendships, the little moments, the things that bring us happiness even if only temporary. Conflict is inevitable, suffering is inevitable, but that doesn't mean life isn't worth living. "Happiness" is not a tangible end point - it's the side effect of living a meaningful life that's true to yourself.
Attack on Titan is over. Some will argue the ending was the only way, others will argue that there could have been another way and that the anime adaption had the chance to change it but still didn't for reasons beyond their comprehension.
But isn't that the whole point? We'll argue. We'll bargain. Many of the arguments made will reinforce our own beliefs further rather than sway us. Many of us will insist there had to be another way, just as Armin insisted that this couldn't have been the only way, that humanity must have had another option. Meanwhile, many of us will acknowledge that at the end of the day, this is the story Isayama wanted to tell, and regardless of whether or not it makes him an idiot toying with his audience and admitting defeat by lampshading it in the penultimate scene of Eren admitting to his own idiocy, this was the power given to him and he used it in the best way he knew how.
Much like in any conflict, there's one thing that unites both sides - the human need for joy, connection, and freedom.
We might not agree on how Attack on Titan ended, but we can agree that it was a hell of a ride, and I hope we can all agree that it was worth riding, even if it wasn't satisfying for everyone in the end. It brought many people together regardless of their backgrounds, experiences, and differences, and connected them through something they all loved for over ten years. And despite how big a part of our lives it was, life will still go on, and we'll move on to other things to watch, enjoy, and argue over. Isayama will move on to whatever awaits him next, knowing fully well that his choice was his own, that he created the series he wanted to create regardless of how people feel about it. We'll all look for our own forms of joy and happiness as life moves on around us, as conflicts come and go.
Isn't that really what freedom is at the end of the day?
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qs-art · 1 year
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oh whats that?--BOOM its a redraw baby (sorta)
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lavenderjewels · 5 months
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This fight was a gift to me personally for making a surprisingly sweet and ridiculous fight somehow work between a half-naked comedian side character and arguably one of the most reprehensible people in jjk
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technicalthinker · 5 months
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I feel like debating who Loki was talking to when he said "For You" in the last episode, is missing the point of the scene. And people referring to it as "cowardly" and a "no-homo" moment is just?? Baffling to me tbh because like;
First of all, it is obviously intended to be to both of them? If they only wanted to make it about Sylvie, Mobius wouldn't be there. If they only wanted to make it about Mobius, Sylvie wouldn't be there. If they wanted to make it about everyone they would've just framed it more equally, he does do it for all his friends ("for all of us"), but they have that scene to highlight these two specific relationships. The framing is quite clear, they have him take a last look at all of his friends before going down the stairs, but Mobius and Sylvie runs after him to have a final significant moment.
Which absolutely makes sense and is consistent with the show we have seen so far, s1 and s2 combined, which is what I love about it. And it was to be honest a surprise! Going into this season, I had little hope for Loki/Mobius interactions, just didn't want to expect too much since S1 had a lot of their connection, but that could've been it. I was shocked when s2ep1 was full to the brim with Loki and Mobius scenes? And then they kept reinforcing every week that they care about each other, is a funny duo to watch, and are important to one another.
And despite this, I expected the rug to at some point be pulled, especially compared to Loki's relationship to Sylvie. No matter people's personal viewing on the show, she is still cited as a love interest by showrunners and is just portrayed as that by the narrative a lot of the time. Sidelining that, even in s2 when the romantic hints are more vague, she's still a very important person in Loki's life. She played a central part of the plot and Loki's own character development of understanding himself.
So to me, I was surprised seeing Mobius and Sylvie side by side in the end. Both being framed as The important people in Loki's life. Then, however you wanna see in what ways they are important is up to you, but they are the people he keeps coming back to for advice and self-reflection. You can frame it as "oh it should've been only been Mobius and they added Sylvie to downplay it", which, I just disagree with (If they wanted to go for explicitly canon Lokius they needed to set that up even more earlier in the season but that's a post for another day). Sylvie is still like, a constant in the narrative and driving force of s1, even if s2 changes things around a bit, and imo it would be inconsistent if she just vanished here. I guess I am used to media that downplays a meaningful dynamic between two dudes in more aggressive ways, which they absolutely could've done, and would've taken me out of the story to be honest... but they didn't, Mobius and Sylvie got to be side by side in the end and that imo validated the Loki/Mobius dynamic way more than downplays it.
TLDR; The "For you" was for both Mobius and Sylvie because why would you frame it that way otherwise, and having them side by side like that validates Lokius way more than downplays it in a "no-homo" way considering the full context of the show.
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cog-go-boom · 2 months
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i guess while were on it: met chip revvington? another manager with some real baggage (and not in a pun way)
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[[OOC:]] cake belongs to @whatwishesare! this also counts as a gift for you ^^
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moomeecore · 3 months
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ppl reviewing anti lawn books on goodreads and going "this is preachy" yeah its about a political movement what do you want. are they supposed to NOT advocate for their beliefs
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stories where you think they're going to be a tragedy right up until the end and then they're not are soooo sexy *glances over to see if the Arcane writers are listening*
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ask-the-bone-boys · 22 days
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"THANK YOU, THANK YOU! OH, YOU'RE ALL TOO KIND."
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"I AM DREADFULLY SORRY THAT I COULDN'T RESPOND TO YOU ALL INDIVIDUALLY, BUT IT WARMS MY HEART THAT YOU COULD SHARE SUCH SENTIMENTS WITH ME NONETHELESS."
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"ALL THIS PASSION... IT'S PRACTICALLY RADIATING THROUGH THE SCREEN! I COULD ONLY HOPE TO RETURN IT SOME DAY, HOWEVER UNLIKELY THAT MAY BE."
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"IT'S QUITE NICE TO SEE THAT SOME PEOPLE AROUND HERE ARE FINALLY GETTING SOME SENSE."
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hoffmanstits-enjoyer · 7 months
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Spiralshipping; but William's hand's holding for dear life to the fabric of Zeke's shirt and twisting, tugging as gentle as the moment will allow, his cheek pressed so softly against Zeke's despite the pain of all their open bruises and his partner can feel the hot swelling of broken skin, the air between them thick with the coppery stench of blood that he's not even sure can be traced back to two separate individuals, having smeared it across the white of his own split raw knuckles— the way it feels so terrifyingly easier to bury his face to William's neck and let himself be touched, comforted, than to face the harsh reality of his shaky foundations being brought to the ground in a span of days, it feels like corruption deeper than any of those fuckers could've ever fallen to and like someone finally gives a shit, feels that rage bubbling in his gut and climbing up his throat like acid.
Spiralshipping; and William's beaten body that had minutes ago been shoved down to its knees now feels much more solid, even as Zeke's ears tune in to the shaky, loud, breathing— his partner's steady, stronger than he felt before but anyone's bigger than Zeke now.
Spiralshipping: Zeke's exhausted against William, who's cornered and pressed to the wall and doesn't voice a single damn protest, fingers digging into the meat of Zeke's shoulder and forearm held tight to the width of his back, he welcomes his weight naturally and a million thoughts range from the heaviness of William's ruined childhood to how tantalizing it is, the idea of pinning him down and knowing he'll let him. Because Zeke's special.
Spiralshipping: you think [this guy] sent you the boxes because you’re the lead detective on the case, or because you’re you?
Spiralshipping: weak palms spread over cold metal running sluggish, like the splatter of red around them, finding rest in William's hips, the burn in his lungs ceasing as seconds, minutes pass and Zeke stops feeling much of anything but the sticky-sweet pleasure of dizzying intimacy. William holds him like it's always been Zeke's life on the line. Partners, what a load of bullshit.
Spiralshipping. Zeke thinks he gets it now. It doesn't make this any less fucking twisted though.
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