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#i just. hm
katierosefun · 10 months
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not to sound like a broken record, but every once in a while i just remember that beyond evil really said that a strained relationship between a parent and child does not necessarily have to be straightforward, in that han joo won clearly despises his father (you sent me away, you’re the reason my mom’s dead, you were never interested in who i was until it was relevant to your career) and yet joo won still has a room in his father’s house (even though you locked me out without a warning) and they still eat dinner (even though you shoo me away when i tried to approach you) and joo won even still gives his father a dozen chances to prove that he’s not an awful person (just tell me the truth, just tell me the truth, and i promise i’ll help you) and even in the finale, you see a bit of that anger and disappointment and pain in joo won’s face and hm something about beyond evil saying that the relationships between parents and child are complex in that no matter how many times a parent kicks at their child, there will always be a tiny, tiny part of the child that still wonders if there’s even a sliver of a chance of a functional relationship--
and you see a bit of that in jeong je and his relationship with his mom too, in that his mother almost obsessively looks after him. she hovers over him, keeping track of his medication and sending him away to hospitals (is it out of love or self-preservation or shame? or maybe it’s all of those things at the same time), and she decides that she’ll protect her son first and foremost, but then the second it’s convenient for her, she tells him that she’ll throw him away. (she doesn’t want to be called “mom” anymore. maybe it’s true that she was only a mom, but isn’t that what every kid wants from a parent. for their parent to be their parent first.) and yet, despite that monstrous moment, do hae won still has a whole breakdown when she realizes that jeong je might truly kill himself, and there’s something pathetic about that (if you truly cared about your child, you would have known the kind of hell you were putting them through) and yet a little tragic too (how come it had to take you that long to realize your child was in hell).
and you see some strains of that with dong sik and jae yi, in that both of them had such beautiful relationships with their parents, and yet there’s something in both their relationships that broke that down. for jae yi, she loves her mother but there’s a small part of her that resents her for suddenly going missing--as soon as you come back home, i’m going to walk out of this shop and never come back. and yet she loves her mother, even with all that resentment and hurt and confusion within her, even before she learns of the truth. (she’s the one who runs over to the morgue every time a new body’s found. she’s the one pestering morticians and prosecutors about where her mother might be. she does this every year, even though she’s angry, deep down she’s angry.)
and then with dong sik, who has so many fond memories of his parents--you see that grief and sadness on his face when he talks about how just overnight, his father was no longer his best friend. dong sik left so quickly after the accusations against him because how could he stay, when his own parents either can’t look at him in the eye or look right through him? and there’s some bitterness there too--and even more bitterness when dong sik visits his mom, scoffing at the idea of being a good son (because he’s not a good son, he’s the son who ran away from home the second he thought he no longer had a home, he cleans his mom’s hands a little too roughly because he doesn’t do that often anymore). of course, dong sik loves his parents, of course, dong sik loves his mom, because he still talks to her (even if she can’t understand him), but there’s that grief underlying it all too. his mom isn’t herself anymore, and dong sik might not get that back, and maybe he’s bitter more at himself than he is at his parents, but at least there’s something there for him to hold onto, at least at the end of it all. and maybe that’s kind of all that someone can do when they haven’t always had the easiest relationship with a parent--the good parts are good, but the bad parts are bad, and maybe that’s as much as anyone gets.
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prettyblondguys · 8 months
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Opinion on Ross Lynch ?
Yes
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Hes. Hhh. Look at his FUCKING SMILE OH MY GOD.
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unstablecryptid · 9 months
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ahaha… rawr… aha (this is my worst one yet i think. sorry.)
I don't even have a reaction picture for this one dawg
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najeeharris · 2 years
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I love nfl top 100 bc every year I look forward to it and every year I get let down
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andatsea · 11 days
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Sleep not, dream not.
--
Twitter / Shop / INPRNT / Patreon
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so in an attempt to actually use positive thinking, anytime i fuck up and my brain reacts as if ive cause a minor apocalyptic event, i compare my fuck up to the 4 minute fuck up committed by the crew of the uss william d porter.
and only today, as i was having to explain what happened to my mom when i was explaining the whole comparison thing, did i realise that most people dont know about it and ive decided that needs to change because its objectively hilarious.
...which is a weird thing to say about an event that occured on a warship in 1943, specifically november 14th.
see the uss william d porter was a fletcher-class destroyer but you dont need to know what that means, just that she had guns that went bang bang and that she was escorting another ship, the uss iowa, to cairo.
while they were on their way there, they performed some gun trials like testing the anti-aircraft guns or the torpedos. and while they were running a torpedo drill, the crew of the porter managed to fire a live torpedo straight at the iowa which you know, in terms of a list of things to do while escorting a ship, shooting a torpedo at them is not on that list.
especially if the president of the united states is on board.
yeah so fdr was on board and the gun trials were actually his idea, and part of the trials was that they were conducted under radio silence.
and that means the crew of the porter couldnt just call the iowa to be like "move out the way, we accidentally shot a torpedo at you."
but they did have signal lamps and you know, the signalman on board was trained to signal this exact kind of message.
...and uh never mind, the signalman did manage to successfully tell the iowa that a torpedo was coming toward them but wasnt as successful when it came to the direction the torpedo was coming from.
not all hope is lost though because the signalman could still use the signal lamp to correct his previous mistake and-, never mind, he announced that the porter was reversing, which she wasnt.
yeah so at catastrophic mistake number 3, they broke radio silence to warn the iowa and she managed to turn out of the way just in time which meant no one got hurt. and even though the inquiry into the incident led to chief torpedoman (fantastic job title btw) lawton dawson being sentences to hard labour, fdr intervened and waved away his sentence, saying it was all an accident.
but yeah, so thats my new measure for "how much did i really fuck up?" and when i compared accidentally picking up a pencil case without a tag on it in wilko, turns out it was a very minor fuck-up. yes, the cashier had to ask another worker to grab a duplicate so they could scan the barcode, but i didnt nearly kill the president during wartime via accidental friendly fire
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shadowtraveled · 1 month
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"mithrun is the only real monsterfucker in dungeon meshi" is objectively the funniest bit you can get out of his everything, but in all seriousness i think his attraction to his love interest is deliberately overstated—and that makes sense, because romantic jealousy is a classic and digestible motive, which is explicitly what kabru was aiming for in condensing mithrun's backstory, and also because until chapter 94, mithrun wasn't willing to admit to the true nature of his desires.
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but because romantic envy is both classic and digestible, it probably isn’t a unique enough or complicated enough desire to tempt a demon’s appetite. mithrun’s wish, as far as we can figure from kabru’s reduced retelling, was to have a life in which he had never become one of the canaries, and that carries like 3857 implications and desires within it. that’s delicious. his love interest acts as sort of a red herring to his motivation for making it, though. (side note: i'm saying "love interest" here because, keeping in mind that i barely speak japanese on a good day anymore, "想い人" is something i'd usually take as just kind of an old-fashioned and romantic way to refer to a lover, but in context i wonder if both the connotation of yearning and the vagueness are intentional, and i think this phrasing gets those aspects of it more effectively. anyway.)
mithrun considered his love interest to be untrustworthy. there was a minute where i thought that comment might be about a similar-looking elf (yugin, one of his squad members), but comparing the two…
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the "sketchy" arrow is definitely referring to the elf we know as his love interest—the bangs go toward her right, she only has the one forehead ornament, and, most notably, her ears aren't notched.
every time she’s given a full-body depiction in his dungeon, she’s drawn as a chimera, with the body of a snake from the waist down. (side note: the “what if a dungeon has chimeras before reaching level 4?”/“then the dungeon lord is unstable” exchange just being mithrun grilling his past self alive is so funny. he’s so. but anyway) there are a couple things about this.
first, the snake part of the chimera appears to be modeled after some species of coral snake mimic
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which, in the biology-for-fun manga, i… doubt is a coincidence, especially with the added context of the “untrustworthy” comment. the dungeon’s conjured illusion of mithrun’s love interest was a harmless copycat of a venomous original. for whatever reason, he felt this person was a threat and made up a "safe" version of her to be in a relationship with, and while it’s definitely possible to be attracted to or even love someone you find to be toxic and/or intimidating, when you take that into consideration alongside the configuration of her body, you get some interesting implications.
which brings us to our second point: if we assume that mithrun was not in fact fucking a snake, then sexual attraction, at least, was so far removed from his idea of a relationship with this person that he did not even bother to keep her dungeon copy human enough to maintain the illusion of the option of a sexual relationship. this is somewhat echoed in the depictions of their interactions, which also imply a frankly unexpected romantic distance. she kisses his cheek and he doesn't seem to react; she's at the edge of a narrow bed with only one set of pillows, on top of his blankets while he's underneath them.
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the kiss is particularly interesting because it seems to contrast the text. kabru's narration tells us this was everything mithrun could have asked for, but mithrun is there looking unreadable to pensive, likely because this is right before the panel that makes it clear things in the dungeon are beginning to go wrong.
walking through this backwards for a minute, we have the physical barrier of his bedding and the spatial separation inherent in a bed made for one person, the emotional barrier of his mounting anxiety getting in the way of his ability to enjoy the affection he sought, and... the snake, which historically carries the connotation of temptation, yes, but also mistrust, barring physical intimacy. okay. ok. if a dungeon reflects the mentality of its lord, all of this might suggest that mithrun was not able to have any real desire for a relationship with this person. his unwillingness to be vulnerable or let another person in was insurmountable. but in that case, why was she such a focal point that she remained to the end, after his dungeon had stopped creating iterations of his friends to come and visit him? why would he get so upset over her meeting with his brother that he became lord of a dungeon about it?
well. mithrun's brother was also interested in her, probably genuinely. and mithrun had to win.
you have an older brother who your parents completely ignore, probably in part because he is chronically ill/disabled and almost definitely in part because he received a ton of recessive traits that resulted in rumors that he was an illegitimate child. you are aware, most likely because those same parents fucking told you, that you actually are an illegitimate child. but they keep you around because you had the good fortune of looking just like your mother. what can that possibly teach you but that you, like your brother, are disposable?
it's utterly unsurprising that mithrun, under these circumstances, developed a pathological need to be better than everyone around him. people don't keep you otherwise. i'd argue this is also why he says he looked down on everyone he knew while milsiril claims his dungeon reeked of feelings of inferiority—he sought out people's worst traits and prioritized them in his mind to protect his already extremely fragile sense of self-worth, and all the while he tried to be as likable and high-performing as he possibly could be. his parents disposed of him anyway, but even then he tried to keep up the performance. he was kind to everyone. he never once lost to a dungeon.
when he saw his "love interest" meeting up with his brother, what he saw was himself being replaced by a person his parents had always treated as worthless, and if that was what they thought of the child they'd kept, what value could anyone possibly see in the bastard they'd given away to die? mithrun and kabru tell the story like he wanted to win this unnamed elf's heart, but it was never about being with her. it was about cementing his worth, proving that he didn't deserve to be thrown away.
and so it's particularly cruel that his demon discarded him, too. but maybe it's also particularly gentle that, in the end, there was someone who refused to even consider giving up on him.
kui laid it out in three panels better than i could hope to.
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yeah. it's love. you wanted to be loved, even when the only way you were able to understand it was through the desire to be wanted, and you wanted that so badly that the idea of being consumed felt like the promise of finally mattering to someone.
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zkyeline · 1 year
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Just wanna draw them all getting the Flapjack tattoos :’)
Edit: now with accompanying comic!
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infernal-lamb · 3 months
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Searching your eyes for the saint is an act of futility
something that's just been on my mind recently!
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turtleblogatlast · 3 months
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It’s a good thing that the boys had cute little button eyes when they were babies, because imagine if they had big ol eyes instead, like
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suiheisen · 2 months
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happy year of the dragon from this guy…
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fanficmemes · 1 year
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I really do adore the kind of character who would rather make everything worse than even try to fix the problem. Yeah man, fuck communicating with your friends, blow the place to hell!!!
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wispscribbles · 5 months
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“How copy?”
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maulfucker · 9 months
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rewatching tcw is so sad they keep killing the clones :(
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keferon · 2 months
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The official cat boy of tf fandom haha
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