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#i know! clever right
mebis-art-dump · 2 months
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There's a critical lack of maggot Godseeker in the fandom
(unmasked Godseeker speculation woooo)
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For reference:
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reiverreturns · 3 months
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there's something about Payback's "soooo...." and change of topic in the bar scene that's so dad-coded to me. that's a man with a 'get along' shirt and a fanny pack full of cheerios in the back seat of his car. peak character writing no notes.
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utilitycaster · 5 days
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Anyway returning to Lore Stuff but: feels really likely The Crush was due to Ludinus's attempt to contact Ruidus in the late 500s, which is what led to the fall of Molaesmyr. I wonder if he even realized until centuries later, since I don't think he was able to communicate with Ruidus until he started working with Ruidusborn which feels comparatively recent. Imagine unwittingly setting into motion a natural disaster that permitted the final stages of complete imperial takeover on an entirely different celestial body and then finding out 200-odd years later that this is extremely beneficial to your lifelong dreams.
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mistressaccost · 10 months
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Donna Tartt “The Spirit and Writing in a Secular World” in The Novel, Spirituality and Modern Culture
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ennaih · 3 months
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Every Film I Watch In 2023:
259. Doctor Sleep (2019)
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fromtheseventhhell · 5 months
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Notice how the "looks don't matter" crowd never say anything about Stansas who compile every moment she's called beautiful and salivate over it, even though a lot of said moments are coming from predators? Notice how they never talk about Arya being bullied for her looks or characters making judgments based on looks as a negative? Notice how they never talk about people in fandom thinking of characters as less important for being ugly? No, they only ever come out when it's time to misinterpret Arya and claim her stans are obsessed with looks for pointing out what's in the books
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boygirltreehouse · 17 hours
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unfortunately thinking hard abt how Bruce meets duke at three vastly different times in his life and how he watched the innocence and cheer leave him as he got older and more jaded only for his spirit to blaze with hope when he matures into the signal
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columboscreens · 7 months
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ride-a-dromedary · 6 months
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I have no base for this, but Halsin seems like the type who would settle in the middle of the group with fruits (that he likely foraged) and little wooden bowl in tow and just start cutting them unprompted and offering them to everyone else.
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noknowshame · 1 year
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god 2.2 is such a good flint episode. getting flirted with by thomas via quotes about partnership then cutting immediately to him alone in a corner staring at silver. using his legitimate heart-wrenching remorse about gates as a tool in his scheme to get back the captaincy. Hennessy's response to the bar fight clearly establishing he's had an ongoing history of getting way too attached to people. the "good luck with... whatever this is" (amused). the "if you're trying to impress me, it isn't working" (oh no. affectionate). orchestrating a scenario that ends with him sinking an entire ship and loosing several of his own men, the total death-count probably in the higher dozens, just so he could get back in charge in as little time as possible. the "so what do they fear?" (loudly implied "me"). being so sexily competent that everyone does what he says even though they wanted to kill him two days ago. the way it's presented that he learned the ~power of optimism~ <3 :) from thomas and is now using that optimism to Commit Great Violence (very funny). and of course, most importantly, flint's brand new kickass coat
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melrosing · 3 months
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I’m not gonna say Saltburn is a masterpiece or without failings or even that deep and you’re so entitled to criticise it and even hate it but I’m gonna say this is all getting a bit of the ole Tear Down the Thing the Woman Made We Don’t Want Her to Get a Big Head bc I’m sorry but the film is just not nearly bad enough to justify how mad it’s made y’all
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daisyachain · 4 months
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There are works which are not [genre] but works made that have read a lot of [genre]. YJ is not an anime but it is a cartoon that has watched a lot of anime. MTMTE is not a comedy but it is a space opera that has watched a lot of sitcoms. I’d like to learn the term for a work that is deep in conversation with a genre without belonging to that genre even as a hybrid. Specifically works that address, lampshade, satirize, employ genre signposts without obeying genre conventions.
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marsupials-of-mars · 5 months
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So, I don't think Stede wanted to kill Ned. Ed told him not to, and he did, but I don't think he wanted to.
I know it's been said that both sides still don't fully understand why the other would want them or the kind of life they have. They both think they have to change to be worthy, no matter what they are directly told by the other. It's a fundamental part of their identity that they hate their prior lives.
Think of the first scene of the season, a rugged bearded pirate stede killing his romantic rival in cold blood, an act of utter devotion and unbridled passion, and Ed loves it.
This part of his identity extends to how he expresses himself romantically. I'm not saying that he can't just be eager, like in the second kiss and the sex, especially because he's finally freeing himself from repression of his sexuality. But think about the context.
He wants to show Ed he cares. Ed has defended him with force. He sees Ed being berated and tortured, and he can finally do something about it. Ed tells him not to do it, but Ed is only saying that to spare his fragile mind. Ed would kill Ned in a second, and now Stede is a real pirate, and he is going to show Ed that he can pull his weight, protect his love, use his mean voice, be a proper captain.
So, afterwards, we have Ed, who didn't want Stede to kill Ned for not only Stede's sake, but for his own. Because he's even more sick of the brutality now than ever, he was finally a little settled with a boyfriend who can take things slow with him, and help him appreciate beauty. But he won't say that, because stede made his choice, and he's here to comfort him, because he must be having a horrible time, with how he's handled killing in the past.
But we also have Stede, who catches him entirely off guard. Because he sees the killing of Ned as a GRAND ROMANTIC GESTURE. The shedding of the self to become something new and worthy, not just for Ed, but because he said he wanted to be a pirate, and he'll never go back on that again. So he assumes, after this grand gesture, that this is the perfect moment for their first time. Because it's so romantic! And he even goes in with gusto, how sexy!
He's completely blindsided by Ed saying it was a mistake. Because if he went to the lengths of killing a man in cold blood to make absolute certain that he would do anything for this love to work, then Ed saying it was a mistake means that there's no hope of it ever not being a mistake.
And Ed watches Stede change like this, trying to be happy for him because it's not his place to tell him not to be a pirate after everything. And obviously Stede was spooked by the idea of starting new, plain lives, enough that he refused theirs and left his own twice.
And he watches, knowing that he's taught him this way and played a huge role in hardening him, making him lose so much of the softness and beauty that he fell in love with.
Because he can't help but defile beautiful things.
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fidgetspringer · 5 days
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Today we learned not to trust ice bridges.
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seawitchkaraoke · 1 year
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no y’all don’t get it, the reason Jenna doesn’t connect the dots and figures out that Leverage is secretly being her guardian angels is that the dots connect to make an absolutely ridiculous picture!
Like! She’s very smart and very willing to throw herself into risky situations to do what she thinks is right and I love her, but no matter how clever you are “a bunch of super thieves/vigilantes are also trying to take this guy down and are now secretly helping me by making a bunch of random but not that incredibly unlikely shit happen” is just. like. c’mon. if you say you’d figure that out while in a ridiculously stressful situation in which you constantly put yourself at risk of worst case getting raped and best case losing your job and possibly getting sued, you’re lying.
Yeah the team’s cons are obvious to us! bc we know them! but normal ppl don’t connect “venue shut down bc food poisoning” and “randomly found a singer at a completely different venue” and “there was a fire alarm” bc all those things can in fact happen, for them all to happen in quick succession is random and lucky but it’s not “omg someone is spying on me and??? giving me?????? things i need?”
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Geela's reference/concept art!
Translation notes under the cut.
I'm really not sure about the "Is she the Minister of Animals!?" caption. The sequence of characters there appear to be "さま大臣動物!?" The first two characters (さま) are the sama- honorific, indicating it's referencing someone of higher status. The last two characters (動物) mean "animal." The middle ones, however, are kinda weird. "大" can be read as "large," or possibly "university," and "臣" means "retainer or attendant." So, taken at face value, this would read something like, "Sir/Ma'am, [are you/am I/is this] the retainer of large animals?!"
However, for what I'm guessing were grammatical reasons, no automatic translator would translate it that way no matter how much I fiddled with things; and would always default back to just spitting the Japanese words back out. However, if two of the characters are switched around (臣大 becoming 大臣), every automatic translator was suddenly able to interpret it, and I could successfully find the characters as words in a dictionary--but it was translated as "Minister of animals" instead of "retainer of large animals." So it would have read more like, "[Are you/am I/is she] the Minister of Animals?!"
Given the sama- prefix and the way the sentence is formed (as well as the fact that "Minister" is the big title we see used in Hyzante), I decided to go with the "minister" translation, but I'm making the assumption that there was a little bit of a typo there. There's a pretty good chance that this is just a grammatically-shorthanded version of "Ma'am, are you the retainer of large animals?!" Or, as always, it's possible there's a completely different potential meaning that I missed.
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