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#i know it has a movie adaptation but it’s not the same
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The Current event makes me smile since it kind of confirms a headcanon I had that the Great Seven have animated movies based on them. Makes me wonder about the plot of the movies
Disney should get on the Twisted Wonderland AU Animated Remakes. What is Ursula was a good witch, what if Scar was right to take the throne and did he take it from Mufasa? (Or whoever is the stand in for him)
The Evil/Beautiful Queen...actually GOOD?
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Yeah, it makes sense! Since the Great Seven are historical figures and the stuff of legends, surely there would be popular media made in their image. It’s like how the Disney fairy tales borrow from stories in the public domain or how there are historical retellings and reinventions (Hamilton, anyone?).
I believe TWST has mentioned films based on their own stories and history before too, but purely in the animated sense rather than live action. In book 3, Ace and one of the Atlantica Museum guards talk about an animated movie based on the tale of the mermaid princess and her prince; this movie is said to have come out ~30 years ago, which corresponds with Disney’s animated The Little Mermaid. Ace compliments the movie’s soundtrack too way to stroke your own ego, Disney/j.
(Side note: I don’t have the link for it anymore since it’s such an old post, but another anon once suggested to me that people probably also write fanfics of Neige and Vil since they’re celebrities… Think like “My mom sold me to One Direction?!” Wattpad kinds of fics, but replace One Direction with Vil or something.)
It’s… interesting this event specifically has Vil promoting a live action adaption of an in-universe animated film about the Beautiful Queen—an animated film which was the first full-color animated movie AND it originally released close to 90 years ago. The live action is even slated to come out “NEXT YEAR”. They’re not being subtle here with TWST’s references to their own version of the irl Disney Snow White (the live action is coming out in 2025, the OG is also almost 90 years old, etc.). I wonder if the EN server will actually get Tapis Rouge around the time of the irl release of Disney’s live action Snow White as part of a promotional campaign? 😂
I know some books under Disney publishing try to show alternate tellings or show the villains in a more sympathetic light, but I don’t know that they would ever commit to fully animating a film like that. It definitely would not happen in the style of traditional animation, Disney no longer seems well-equipped to handle that task 😔 I feel like it would also be pretty niche or might not get overwhelming positive reception with recent audience calls for “true bad guys” instead of twist or sympathetic villains (though I’m not sure what percentage of people watching Disney actually have this opinion).
I do wonder how those “AU” films would work though…? It wouldn’t be as simple as suddenly turning the G7 into “good guys”. The scenario and other characters would also have to drastically change. TWST doesn’t necessarily make the original “good guys” “bad” in a world where the villains are historical figures; we still hear plenty of positive or neutral stories about the achievements of the mermaid princess and other Disney heroes.
There are also times when the same story diverges into multiple separate stories that seemingly have no connection to one another. For example, there is a story where a princess marries a street rat (clearly referencing Aladdin) and they live happily ever after in spite of the difference in their social statuses. However, there simultaneously exists a story in which the Sorcerer of the Sands saves a princess from being deceived by a fake prince (also referencing Aladdin). The same goes for the mermaid princess (Ariel)—there is both a story referring to a “mermaid princess” who married a human prince and also a different story (clearly still pulled from the same film) about a mermaid who made a deal with the Sea Witch to find true love but broke her contract in the end.
Very cool idea, just not sure where it would lead or it it’s feasible or worth it monetarily for Disney.
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mozart-the-meerkitten · 3 months
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Watching people freak out over the Percy Jackson tv show and talk about what they liked/didn't like and what the writers kept and left out of the show is really giving me perspective on what a rabid and insane Wingfeather Saga fan I am because they sound like me whenever I start talking about it. All of them. The good, the bad and the ugly, I am all of these reactions and more. I am insane, totally obsessed, hyperfixated, and overly paranoid. Possibly deranged.
On the other hand, listening to all these people rant and rave (in good and bad ways) about the show is making me feel much more normal about my Wingfeather obsession. xD
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blujayonthewing · 6 months
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given that my two favorite christmas movies are both adaptations of A Christmas Carol one of these years I should really sit down and read the book and then watch as many A Christmas Carols as I can, which will make me deeply insufferable but otherwise accomplish nothing
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ipwarn · 27 days
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The reviews for the last couple of new Broadway shows (notably The Notebook and Water For Elephants) have been surprisingly brutal.
I guess these reviewers aren't down for the angsty romance feels.
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musical-chick-13 · 2 years
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The existence of this Rosaline movie makes me so MAD, because SHE WAS NEVER IN A RELATIONSHIP WITH ROMEO. SHE TOOK A VOW OF CHASTITY, AND SAID THAT SHE WAS JUST GONNA NOT BE IN LOVE.
SHE. REJECTED. HIM.
SHE WAS NEVER INTERESTED IN BEING WITH HIM AT ALL.
And then they just...make a whole movie from her supposed perspective (which is loosely based on a book which...hoo boy we’ll get to that in a second), where the premise is that she’s jealous and wants to break him and Juliet up? That she’s so in love that she has to win him over again? (Also, how do they justify her knowing that they’re together? The entire point is that no one knows Romeo and Juliet are in love?? I know this is an adaptation, but Jesus Christ.)
WHY DID YOU PICK THIS CHARACTER. TO HAVE THIS STORY WITH. THE WHOLE POINT OF HER CHARACTER IS THAT SHE CHOOSES NOT TO BE WITH HIM. THAT’S WHAT OPENS THE DOOR TO HIM MEETING JULIET. IF ROSALINE IS DEEPLY INTO ROMEO, THE ENTIRE PLAY DOESN’T WORK.
Are we saying that she was just “““playing hard to get”””? That she was toying with his heart for fun? That when she told him no, she really meant “yes”?? I THOUGHT WE LEFT THAT BEHIND OVER THE COURSE OF THE LAST DECADE, I THOUGHT WE DECIDED THAT WAS BAD???!!?
Don’t even get me started on the book this is based on, where that general premise is that Rosaline is just an Innocent Average Girl, and her cousin who is Beautiful™ and vOLaTiLeLY uNsTAbLe and cRaZy comes and “takes” her poor unsuspecting boyfriend who is completely blameless for his own terrible behavior away from her while being called a “slut” the whole time. (I doubt much of this carried over into the actual movie, because that’s being billed as an ironic rom-com, and I highly doubt ANYONE would try to make that genre work while keeping this premise 100% intact.)
WHY WOULD YOU EXPAND THIS CHARACTER LIKE THIS. WHY. WE STUDY THIS PLAY IN SCHOOL AS AN EXAMPLE OF LITERARY STRUCTURE AND POETIC LANGUAGE AND FORESHADOWING AND HOW TO WRITE A TRAGIC NARRATIVE AND FOR WHAT. FOR PEOPLE TO NOT TAKE AWAY ANY OF THE INTENDED MEANING FROM THIS PLAY???!?!?!? I AM SCREAMING SO HARD I WILL BREAK THE EARTH’S CRUST UNTIL I AM SUBSUMED INTO HELL.
If you’re going to adapt something, you’ve gotta make it clear that you have some significant understanding of the original work. Retellings are fine! They can even have different functions or deconstruct tropes or be unexpectedly edgy! But it’s 1000% obvious when you don’t have any knowledge or engagement with the source material, and that is a problem. It’s ignorant, it’s lazy, and everyone involved deserves better.
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tomwambsmilk · 1 year
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“The book was better” “the movie was better” actually film and written literature are two entirely different mediums of storytelling that require radically different approaches, and so the exact same story will be a wildly different experience in each medium. A good adaptation will make substantial changes to the source material in order to better fit the medium of film. The vast majority of “faithful” film adaptations are objectively mediocre movies because they capture the letter of the story at the cost of its spirit. Because of this it’s largely pointless to compare books to their movie adaptations, because inevitably when people do so they either judge the book against the film experience or the film against the book, rather than considering each an independent work of art that should be evaluated on its own merits
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hm. adaptations can be good without being true to the source material to ANY degree
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arcadequeerz · 2 years
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also hi. idk if its cringe,but i am actually v excited for the mario movie
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Honestly, what is it that makes Barbie movies so fruity?
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di-glossia · 1 year
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Got to see Dear Evan Hansen live tonight for the first time and the chokehold this musical has on me.
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smallest-moon · 9 months
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re watched wendigoons video explaining the whole fnaf story and now im burdened with feelings :(
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eiledon · 1 year
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I remember bawling my eyes out the first time I experienced the Last of Us story. I didn’t expect the show to get that same emotional reaction from me again. I love how it expands on the original to get us even closer to the characters.
And it’s kind of imperative that they do that. We all know Sarah is going to die. So by forcing us to get to know her better, it makes what we already know just as painful, if not more so.
I’m so glad I actually decided to give this series a chance. Video game movies and shows have a bad wrap, but thanks to Detective Pikachu, things are really looking up for this stuff. I feel like these projects are now helmed by people who actually care, and not just as cash grabs.
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abnerkrill · 1 year
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fantastic rebuttal to "writers don't deserve better pay because the stuff they write is terrible/unoriginal", full thread here
(to explain, the "Unknown" under his name is from a add-on bot detector; it usually can assign a percentage likelihood that a user is a human being and not a bot, but I think the blue check system disrupted the add-on so it says "Unknown" underneath his name now.)
[image id under the read more:
May 7, 2023 tweet thread from Tom Vaughan @/storyandplot
With #WGAStrong rightfully in the spotlight this week, I've seen some less-than-sympathetic comments focusing on the lack of originality in our projects. This is a fair criticism of the system, but not the writers. A quick history of how we got here (thread emoji)
The first thing to understand is that Hollywood has NOT run out of new ideas. The studio’s preference for I.P. has nothing to do with regurgitating ideas and everything to do with MARKETING.
The late 60s-70s is generally considered the artistic high of the studio system. Ironically, many contribute this to corporations buying up the studios! The corporations knew they had no idea how to run a movie studio, so... they put creative people in charge.
This is how you got the run of so many great films the studios would never make today. They also took bigger chances on young, promising talent (the first "film school generation" of filmmakers.)
But with the success of JAWS and STAR WARS, the corporations demanded more of those kinds of hits. The creative folks insisted such things were unpredictable, and the business folks said let's make them less so.
(Sidenote: This was also the same time a completely different phenomenon was happening. A/C was becoming the norm for theatres, making summer movie-going much more attractive.)
Over the next decade, more and more MBAs and marketing people gained influence in the studio system. Being business folks, huge hits were not a creative problem as much as a product/marketing problem.
The 80s is when the “high concept” became pre-eminent because it narrowed a sales pitch to one sentence, a trailer, and a poster. This made everyone a marketing agent for a movie because everyone could explain what it was about!
In the 90s, marketing became just as important as the film itself (reflected in their respective budgets) when Hollywood discovered they could profit from fifty years of pre-existing awareness for old TV shows and movies.
This allowed the marketing department to move away from pitching a movie and convincing you to go see it (lower success rate), to simple “audience awareness” and building anticipation. (higher success rate.)
The audience knew what THE FLINSTONES the movie was. They just needed to know the casting and when it opened. No one needed to have the remake of GODZILLA explained to them. They just needed to know when it opened.
The marketing department prefers AWARNESS over SELLING because awareness is something you can throw money at. Selling is harder, and it’s less predictable. This is why franchises are so valuable.
Whenever someone says, “That’s something I can sell!” It’s usually something that can sell itself. What they mean is, "I just have to let people know about this!"
Hollywoods's reliance on property the audience is already familiar with is 100% because... the audience is already familiar with it. It is easier to market the product and this increases its chances of success.
This focus on I.P. has become so pervasive, many, including executives themselves, have forgotten WHY it's valuable. They'll option an unknown comic BECAUSE it's I.P., forgetting that it's unknown and lacks the main asset of I.P.
Writers do love writing on an I.P. that means something to them. Every Star Wars fan who became a filmmaker would love to work in that universe. But we do not love it more than our own original work. We would always rather work on that.
So when you see another remake, or reboot, or adaptation, and think, "Can't they come up with something new?"
Remember, the answer is yes. Yes, we can. And we want to. You can blame the market or the marketing, but either way, the widespread production of truly original content is just not the studio business model we're in right now. #WGAStrong
end ID.]
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clambuoyance · 9 months
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[Lovesquare Au]
Part 0 || Next >>
I watched the mlb movie and caught up w the show so I got au brainrot again 💀 My first post was more silly and had smaller snippets but somehow I got carried away and ended up drawing a lot more than the first time around. I’ll post it in parts tho so I don’t overload one post 🙏
In short, Tim -> likes Conner…but is fond of Superboy? Kon -> likes Robin, but has gotten to know Tim a lot better.
And the timeline/world for this au is a big mishmash of 90s comics/ROTS movie/TT03/2000s comics and headcanons, so in summary for backstory for this post especially:
Superboy - during Superman’s death, he was created at Cadmus (w funding from Lex) and told he was Superman’s clone, even if he is a lot younger and different. Like the comics/my headcanon, he is fascinated by the celebrity life and Lex who promised him he’d be as great as Superman, assigned him Rex Leech who would be his personal agent/pr manager/etc. Lex was kind of like…his funder and sponsor that promoted him as the guy that would give new hope in Supermans absence.
Flash forward to Superman’s return, he decides to go on a world tour/become disillusioned with celebrity life until Clark comes and takes him to the farm and suggests he lives as Conner Kent to get away from the likes of people like Lex and Rex lol. So he’s not connected to them by contract anymore but he will do things out of obligation (like being a bodyguard at a party)
In this au, Lex doesn’t know Conner is Superboy either, and he hasn’t told Kon to what extent he was involved in Kon’s creation (yet…) but he’s hinted at it before
Tim - in this au, he’s also been operating as Robin for a longer time but is recently dealing with also becoming Tim Drake-Wayne and preparing to become the possible successor to Bruce Wayne’s company so that’s why he’s at this fancy party 🤷🏻‍♀️🤷🏻‍♀️🤷🏻‍♀️ I haven’t quite decided how much of his backstory to adapt to this au specifically but he becomes Robin in a similar way as his debut with becoming Robin bc he sees that Batman is lost without one and Batman needs a Robin. By the time this au starts he’s gone to different schools and I guess is going to a new one where Conner is also attending? Also his parents are now dead in this 😔 and he’s very secretive compared to Superboy and is the one that attaches more weight to a secret identity
they somehow go to the same school idk don’t worry about it i throw logic out the window in this regard for my silly lovesquare shenanigans 🫡 the World building isn’t the main focus it’s just a backdrop to their dynamic anyways . Here. Take my cringe.
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widevibratobitch · 1 year
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my toxic trait is that i would unironically like to see Timothee Chalamet play Aramis in some new Three Musketeers adaptation.
#ok it doesnt NEED to be Chalamet but i genuinely dont know any other currently active young dark haired Pretty White Boy(tm) actor#he's the only one i could think of lol but that's not the point#look#all im saying is#a bitch gets desperate when not a single one amongst the hundreds of three musketeers movies or shows#makes an effort to make their Aramis look at least remotely like his description in the books#im tired of old aramis. im tired of blond aramis (the soviet musical gets a pass because igor starygin is literally the most aramis ever#and i love him mwah you're perfect babygirl)#when oh when will my black haired black eyed beatiful femboy twink aramis return from the war#why dont people responsible for casting in those adaptations understand that the dynamic between the characters is not the same#if you make Aramis too old#it's literally all about the Thing d'Artagnan and Aramis have going on! and it wont work if you avjgraegrugfdifgufifgdih#please for the love of god i dont ask for too much do i#literally just two things. 1 - cast a femboy aramis. 2 - dont make the boys into some morally pristine heroes#please i wanna see them be horrible assholes with questionable morals i wanna see them do problematic bullshit#anyway im getting worked up again cause im rereading it all and just ahhhhh god i love those books dumas i am kissing you on the mouth#the three musketeers#les trois mousquetaires#anyway i wish i could speak russian because sadly the 20 years after version of the soviet musical has no english subtitles#but from what i piece together from my Polish Knowledge - lots of dialogues there are taken pretty much word for word from the books.#and i will never shut up about starygin's aramis he's even more perfect in those 20 years after movies than in the og show#and he's already perfect ther#anyway. this. i just wanna scream from the rooftops about the three musketeers rn i can feel the hyperfixation returning and i welcome it#with open arms#i know i mainly talk about aramis but i genuinely love all of those characters so much#and i need to scream about it
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intoxicated-chan · 11 months
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Late Night Moments with Miguel O’Hara
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✿ฺ Paring ➳❥ Miguel O’Hara x GN!Reader
✿ฺ Summary ➳❥ It was normal for Miguel to return home late, you weren’t surprised by his usual entrance through your bedroom window. But what you did enjoy when he came home late is the little routine the two of you have.
✿ฺ (A/n) ➳❥ This is a mixture of a fic and headcanons of mine. Miguel is plaguing my mind, I’ve already got two stories in the works. Anyways, I hope you enjoy it! And requests will be open soon!
✿ฺ Word Count ➳❥ 533
✿ฺ Content Warnings ➳❥ Gender neutral reader, heavy fluff, light blood, injuries, bruises, mentions of violence…
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It starts with a few taps on your window, the taps play in a certain pattern so you know who it is. A few seconds later, the window slides open and in comes Miguel dressed in his Spider-Man costume. He enters with a huff as he closes the window and makes sure it’s locked.
Next, he welcomes you with a tight hug, holding you for a few minutes before you ask if he’d like to get cleaned up. It’s always a hot shower when he comes home, soothing his muscles from the hours of fighting and swinging around.
You can see the bruises and cuts on his skin but it always made him happy when you kissed every single one of them, it made him feel better about himself which is why he enjoyed your touch so much.
Depending on the day (or night), if Miguel had an awful night, then instead of a shower, it’ll be a hot bath. You leaned back as he layed in your arms. He used to think taking baths were childish but he now enjoys them. It’s your favorite because you get to pamper him, especially washing his hair.
Then came drying off. He’d usually leave his hair dripping wet but sometimes he lets you towel dry his hair, maybe style it. Then changing clothes.
Then came his wounds. Bandaging them up as carefully as possible so you don’t cause Miguel more pain. You then kiss all of them again when you finish, “All done!” You smile.
Next, it’s either staying up even later or going straight to bed. If he’s feeling hungry then he’d make food for the two of you, if he doesn’t feel tired then it’s a movie night.
But in the end they always end the same. Holding each other tightly. Basically the face-to-face embrace.
He always needs to know that you’re with him. There were nights where he awoke without you there, he immediately panics. Which is why if you need to use the bathroom, you’re gonna have to wake him up to tell him where you’re going.
Movie nights are interesting. He likes picking out horror movies so he can feel you holding onto him for safety. He says he hates rom coms but he loves them deep down. Then there’s comedy movies when he or you needs a laugh.
Nights where he decides to cook, he likes to share food from his heritage and it always makes him smile when you’re willing to learn how to make it.
But one thing he hates is that if he has work that still needs to be done, he tries to finish as quickly as possible but he’s not gonna lie, there are some nights where he forgets to take care of himself.
That’s when you come in, having Lyla remind him to drink water, coming into his home office to bring him some food and maybe cuddle on his lap for a few minutes before getting back to work.
But this time, when he’s finished, he goes straight to you. Too tired to even change his clothes, he immediately falls asleep.
It is nights like these where Miguel finally feels at peace.
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© 2033 Intoxicated-Chan, I do not allow my work to be copied, translated, modified, adapted, or put on any other platform without permission.
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