#i know its progress i know its progress i know its a Good Thing and im just a baby bc im not out bc i Cant be rn but like hhhhhhhhhhhhhhhhhh

[princessbrunette]

introducing… lord rafe! 🎀

comes with his very own gun and cocaine! pretty girls sold separately . ᥫ᭡ ₊ ⊹ ˑ ִֶ 𓂃

things were different since rafe took the reigns to tannyhill. you hadn’t seen anything like it in real life, only in tv shows and movies. the party house of kildare. a house where rafe was a god and everyone else bowed down. you were the fresh meat, just a girl who got swept up in it all when things began. the older more experienced kook girls had befriended you with a perverted and deranged look in their eye, promising you elite access to tannyhill and rafe’s seemingly endless bank account. you had nowhere else to go, you couldn’t say no.

it had all but progressed into near worship over the few weeks you were staying there. it was a blur of parties by night, and days spent in little to no clothes curled up to the eldest cameron’s side in a pile of other women that massaged him and pet you like a baby kitten. you’d smushed your cheek into his side, still drunk as the sun came up on his porch and asked if he was the king of the castle.

“more like lord of the manor type of shit, you know?” he’d smirked, peering down at you with his sunglasses still perched on his nose. it was from that day it began, all the girls — including yourself addressing rafe as the lord.

“yes, lord.” “yes, my lord.” “anything you want, lord cameron.” the other girls would pur — swanning around him like you were his playboy bunnies, but at the end of each day, if you weren’t his arm candy at a party it would be you speared on his cock — surrounded by the other girls. like mentioned, you were fresh meat. the other girls were happy to be accessories, walking around in bikinis to make the house look good but you — you were his star of the show. his favourite.

he lays against the pillows, sighing out shakily as you sink down on him. maybe the slight tremble was from the line of coke he’d done off your tits, maybe he’d just been craving the hot warm clamp of your cunt. a handful of girls — maybe 6 or 7, surround the two of you on the bed, like watching prey get devoured by its predator. moaning though no one touched them, sliding their hands over you and guiding your hips to ride him. the most established of the bunch appears at your ear, staring down at the way your cunt swallows him and whispers to you “thats it. keep pleasing him. you’re so perfect.” you couldn’t tell if they all wanted what you had, they didn’t show it, nor did they act out in jealousy — it was like it had been an elaborate plan to steal you into their clan all along.

people talked, and maybe you’d been a little reckless — rafe often choosing his moments to fuck you with the balcony doors wide open, giving anyone who passes by a direct view into the master bedroom where he takes you apart. you’d become desensitised, no stranger to asking ‘daddy’ to put a baby in you as other girls wandered in and out the room, sometimes staying to watch the show. it wasn’t often people dared to make commentary on the things they’d heard about the goings-on at tannyhill however — not wanting to lose access to the best parties on the island.

you still remember the way that drunk guy approached you all on the porch towards the end of the night at a party, interrupting rafe in the middle of his elaborate stories with you tucked up to his side, surrounded by some friends and the rest of the usual women.

“awesome party rafe. you gotta let me in on your secret.” he stumbles, and rafe’s eyes flutter in irritation at the interruption.

“yeah, no secret man. just a good place with good people.” he drawls, uncharacteristically humble before going on to continue with his story.

“i gotta ask though, is this some fucked up cult? i heard some crazy shit, bro. its a little weird, you know?” he continues on anyway, and you watch rafe stiffen, smiling disappearing into a tongue pressed to the inside of his cheek.

he pushes up slowly and you slide off his shoulder where you’d been resting, watching the man slowly wander towards the guy as he scratches at his cheek in thought.

you see him untuck something from his waistband as he approaches, and you don’t quite catch what it is — but as rafe looms over the stranger, pressing whatever it is to his lower abdomen and speaking in his ear, you’re guessing from the look on the guys face that it’s a gun.

“get the hell off my property and don’t come around here asking dumb shit again, a’ight?” he drawls out in a fairly quiet tone, but the atmosphere had fallen silent enough to hear a pin drop. the guy scurried away, never to be seen again — rafe saw to that.

you had never felt the urge to challenge rafe cameron, but now you were certain you’d stay submissive to him forever.

#i hate this sm i’m bashing my head against the wall #posting incase anyone wanted to see it . #kinda horror movie vibes ?? #rafe cameron prompt #lord!rafe

[communistkenobi]

Hi, genuine good faith question if you'd like! How is TOS racist? It was my understanding that the OG Series was like, huge for equality in media?

I’m speaking primarily about the content of TOS itself, not its historical impact - I understand it had various historic firsts in terms of having characters of colour in respectable roles, which I’m not dismissing. My experience with the discourse on here surrounding the show is that people front-load these character representations as emblematic of the show’s progressive politics. Which, if we want to go that route, TOS was contemporary to the US civil rights movement, which provides us with a handy measuring stick to see how TOS actually grapples with race, not just the presence of characters of colour themselves. I'm going to be kind of defensive in this explanation, not towards you specifically, but because I have had this conversation with people online many, many, many times, and so any defensiveness on my part is in anticipation of arguments I know will come up as a result of making the basic claim that a show made in America in the 1960s is racist. I'm also going to be copy + pasting from an older post I've made on the subject since it's been a while now since I've watched TOS so some of the details are fuzzy.

Like okay, the premise of TOS is that the Enterprise, as an ambassador of Starfleet/the Federation, is seeking out new alien life to study. The Prime Directive prohibits the Enterprise crew from interfering with the development of any alien culture or people while they do this, so the research they collect needs to be done in an unobtrusive way. I think this is the first point at which people balk at the argument that TOS is racist or has a colonial conception of the world - the Enterprise’s mission is premised on non-interference, and I think when people hear ‘colonial’ as a descriptor they (understandably, obviously) assume it is describing active conquest, genocide, and dispossession. Even setting aside all the times where Kirk does directly interfere with the “development” of a people or culture (usually because they’ve “stagnated” culturally, because a culture "without conflict" cannot evolve or “develop” beyond its current presumed capacity - he is pretty explicitly imposing his own values onto another culture in order to force them to change in a particular way), or the times when the Enterprise is actually looking to extract resources from a given planet or people, I’m not exactly making this claim, or rather, that’s not the only thing I’m describing when calling TOS racist/colonial.

The show's presentation of scientific discovery and inquiry is anthropological - the “object” of analysis is alien/foreign culture, meaning that when the Enterprise crew comes into contact with a new being or person, this person is always read first and foremost through the level of (the Enterprise’s understanding of) culture. Their behaviour, beliefs, dress, way of speaking, appearance, and so on are always reflective of their culture as a whole, and more importantly, that their racial or phenotypic characteristics define the boundaries of their culture. Put another way, culture is interpreted, navigated, and bound racially - the show presents aliens as a Species, but these species are racially homogeneous, flattening race to a natural, biological difference that is always physically apparent and presented through the lens of scientific objectivity, as "species" is a unit of biological taxonomy. Basically species is a shorthand for race. This is the standard of most sci-fi/fantasy genre work, so this is not a sin unique to Star Trek.

Because of this however, Kirk and Co are never really interacting with individuals, they are interacting with components of a (foreign, exotic, fundamentally different) culture, the same way we understand that a biologist can generalize about a species using the example of an individual 'specimen'. And when the Enterprise interacts with these cultures, they very frequently measure them using a universalized scale of development - they have a teleological (which is to say, evolutionary) view of culture, ie, that all cultures go from savage to rational, primitive to advanced, economically simple to economically complex (ie, to capitalist modes of production). And the metrics they are judging these cultures by are fundamentally Western ones, always emphasising to the audience that the final destination of all cultures (that are worthy of advancing beyond their current limited/“primitive” stages) is a culture identical to the Federation, a culture that can itself engage in this anthropological mission to catalogue all life as fitting within a universal set of practices and racial similarities they call “culture.”

This is a western, colonial understanding of culture - racially and spatially homogeneous people comprise the organs of a social totality, ie, a society, which can then be analysed as an “object,” as a “phenomenon,” by the scientists in order to extract information from them to produce and advance state (ie Federation) knowledge. The Enterprise crew are allowed to be individuals, are allowed to be subjects with a capacity for reason, contradiction, emotion, compassion, and even moments of savagery or violence, without those things being assigned to their “race” or “culture” as a whole, but the people they interact with are only components of a whole which are “discovered” by the Enterprise as opportunities to expand and refine the Federation’s body of knowledge.

Spock is actually a good example of what I'm talking about, because he is an exception to this rule - unlike the others in the crew, his behaviour is always read as a symptom of his innate Vulcan-ness, where his human and Vulcan halves war for dominance in his mind and character. Bones (the doctor, one of the main cast) constantly comments on Spock's inability to feel things, that he is callous and unsympathetic, ruled by Vulcan logic to such an extreme that his rationality is a form of irrationality, as his Vulcan blood prohibits him from tempering logic with human emotion and intuition. Now you can argue that Bones is a stand-in for the racists of the world, that Spock proves Bones wrong in that he is able to feel but merely keeps it under wraps, that Vulcans are not biologically incapable of emotion but merely live in a socially repressive culture, but this still engages in the racial logic of the show - Vulcans are a racially-bound species with a single monolithic culture, and Spock's ability to express and feel 'human emotions' is the metric by which he is granted human subjectivity and sympathy.

And on the flip side you have the Klingons - a “race” that is uniformly savage, backward, violent, and dangerous. In the episode Day of the Dove, where Klingons board the Enterprise along with an alien cloud that makes everyone suddenly aggressive and racist (this show is insane lol), the Enterprise crew begins acting violent and racist, but the Klingons don’t change. They aren’t more violent than before (because they already were fundamentally violent and racist), and they don’t become less violent when the cloud eventually leaves (because they are never able to emerge from their violence and savagery as a social condition or external imposition - they simply are that way). Klingons are racially, behaviourally, psychologically, and culturally homogeneous, universally violent and immune to reason, and their racial characteristics are both physical manifestations of this universal violence as well as the origin of it. The writers and creators of TOS are explicitly invoking the orientalist idea of the “Mongolian horde,” representing both the American fear of Soviet global takeover as well as blatantly racist fears about “Asiatics” (a word used in the show, particularly in The Omega Glory where a fear of racialised communist takeover is made explicit) dominating the world.

This is colonial thinking! Like, fundamentally, at its core, this is colonial white supremacist thinking. Now this is not because TOS invents these tropes or is the origin of them, it is not individually responsible for these racial and colonial logics - these conceptions are endemic to Western thought, and I am not expecting a television show to navigate its way outside of this current colonial paradigm of scientific knowledge. I’m also not expecting an average person watching this to pick out all the intricacies of this and link it to the colonial history of Europe or the colonial history of western philosophy/thought. But this base premise of Star Trek is why the show is fundamentally colonial - even if it was the case that the crew never intervened in any alien conflict, never extracted any material resources from other people, this would still be colonial logic and colonial thinking. The show has a fundamentally colonial imagination when it comes to exploration, discovery, and culture.

I think a good place to end is the opening sequence. The show's first line is always "Space! The final frontier." I do not think the word frontier is meant metaphorically or poetically - I think the show is being honest about its conception of space as an infinitely vast, infinitely exotic frontier from which a globally Western civilisation (which the Enterprise is an emblem of) can extract resources, be they material or epistemic

#tos.txt #< have more posts in there also

[n4talia-chaparro]

FINALLY ITS FINISHED---

And uh yeah another au ramble-

"UGH ANOTHER ONE?! Your au is awful can you not--" I CAN'T LOL 😭-

Here's few things I uh idk. Maybe I can Ramble a bit

Not only does Poopypants own an ice cream trunk by himself, but he also owns an ice cream shop I believe. After giving up on his plan of getting rid of laughter he decided to own a shop a few days later and started gaining money from his work. Later on, Edith visits the place since it is Saturday and no staff members are in school due to a lack of faculty and security. And this is where they meet each other lol. However, Poopypants isn't good at comforting people because he never encountered a lunch lady in his job, especially if she's new there. He tried his best to listen and somehow became sorta neutral with her. They remain as friends tho- somehow she can recognize the trunk and visits him when it's free time.

The idea of him being part of the crew feels weird. It was originally supposed to be with Edith, Toilette, Jerry, and any staff, but if he was involved in the 1st parts of the AU, it would be strange and early for him to appear. I know I already said this a lot, but since the AU is so long, it has sequels or similar to the seasons compared to the original. His casual design isn't bad. It's just that it might be hard for him to be involved in something that he isn't part of, but still recognize the school and see how things have changed.

Forgot to mention he has a house em. I tried to use my imagination and wonder what would it look like if he had a house and had a lab somewhere hidden in there. Sometimes he watches the news. Sometimes he idk. Still in progress.

#natty draws #au artwork #natty rambles #au art #cu tbgdotgp au #cu au #tetocu au #professor poopypants #edith the lunch lady #art #my art #digital artwork #digital artist #ibispaint art #ibis paint x #captain underpants au #au

[gremoria411]

*This post will contain spoilers for Mobile Suit Gundam: The Witch From Mercury. Also, I’ll probably ramble more than usual here, since a lot of my points are interconnected*

Alright then. I was planning on doing a big post breakdown on Mobile Suit Gundam: The Witch from Mercury after rewatching it, since I find that my general thoughts on a series typically coalesce around the second viewing. However that probably won’t be for a good while yet, so I figured I’d do a big post now, and I’ll add a few notes if anything jumps out on me on my (eventual) second viewing.

In a nutshell, I found The Witch from Mercury to be really, really good, with an excellent cast and gorgeous action. However, I feel it’s let down by its comparatively low episode count.

And I’d like to stress that that low episode count is basically my only major criticism - I have several smaller ones, but they’re ultimately all extensions of that low episode count.

The Cast.

As above, really good. You’ve got a good selection of characters coming from various strata’s within society - Spacians, Earthians, Mercurians. It’s a good variety of characters and seeing how they interact with each other. They all feel pretty well-rounded as characters honestly.

Like, Suletta’s great, obviously. I feel like you don’t need me to tell you that which is great, because I’m not sure how to put it. I guess I like how emotive she is, how she portrays how she’s feeling so well, but then that might be because we, the audience are close to her as a protagonist (I’d argue that Miorine and Guel could also be counted as protagonists, if you wanted, but Suletta’s the one we spend the most time with). Suletta’s also good because she’s a newcomer to the Asticassia, so not only do we learn things with her but she’s also absolutely primed to upend the status quo there, which she does fantastically. I like the contrast between her doubts and capabilities - she’s not the most social of characters and doubts herself multiple times, but put her in a mobile suit and she is confidence incarnate.

Miorine feels like an extension of Gundam’s “Princess” archetype: your Sayla, your Relena, your Lacus. I really like how proactive she is - we first meet her in the process of attempting to run away from her school, and her arc feels more about her recognising the power she weirds and how to best use it for what she wants, rather than rejecting it outright. She’s in the process of actively cultivating “soft power” (negotiations, word-of-mouth, etc) rather than just having it inherently and -crucially- because the hard power isn’t actually that valuable. Compared to, say, SEED. Lacus has a whole lot of soft power, but it’s Kira and the Freedom that’s the driving force of the plot. Suletta has Hard Power - Aerial, but it’s borrowed power fundamentally, and it’s Miorine’s soft power that ultimately does more good. Actual Diplomacy versus Gunboat Diplomacy, if you will. I also like how Suletta and Miorine’s relationship progresses - they balance out each other - it starts out with Suletta having the power Miorine needs, but as Miorine grows they start relying more on each other. Also their interactions together are really great. They’re compelling because of both who they are in universe - a pilot and a princess, and because of their personalities with each other and how they spur each others development.

I do want to call out Lady Prospera as being amazing. She feels exactly how Char would be as a mother - manipulative and ruthless, but still caring in her own way. I’m given to understand she’s the first female Char Clone in the series, which is neat. Her relationship with Suletta (and Miorine) is just really good. She’s not unpleasant and she’s certainly charming, but she won’t sugarcoat how things are. Miorine knows she’s being manipulated in her interactions with her, but it’s genuinely good advice so she goes along with it, even as she has her own reservations. It’s also rather telling that once Prospera doesn’t need Suletta anymore, she leaves her. While callous and heart-breaking, we know now that Prospera fully believed she was going to die. While this doesn’t exactly forgive her abandoning Suletta, it does cast her interest in Suletta making friends and having relationships outside her in a new light. Prospera wants vengeance for Nadim and the rest of the Vanadis Institute, but she recognises that that is her and Eri’s vengeance, not Suletta’s. And doesn’t that sound similar to Mr Char “I have never once betrayed any one, in my life, ever” Aznable, who just wants his sister to grow up in peace while he avenges their family? It’s a fun relationship dynamic and it’s done well, is what I’m getting at. I also like how unapologetically villainous she is in some of her actions - both the audience and Miorine kinda clock her as a threat immediately, but we can also see why Suletta trusts her so much, even if it’s not the healthiest relationship. I just really like the juxtaposition of her being sweet with Suletta, uncompromising with Miorine, and absolutely brutal with everyone else.

Setting

I find the school setting genuinely fascinating, I don’t have a clever segue so I’m just going to get into it.

Asticassia School of Technology is a school to pilot giant robots. Great, Instantly appealing. However, then you get into all the ways it’s indicative of the wider society. It’s maintained and run by the Benerit Group - a Mega-Corporation that dominates the field of military-use mobile suits, which requires actual military force to be brought to heel and is basically a sovereign nation all its own - it’s rather telling that we never really see any national representatives throughout G-Witch, it’s all about the companies. So it takes this normally aspirational thing “wow, a school to pilot giant robots!” And extrapolates it out to what kind of setting would create that. Giant Robots are used in military applications, so you end up with a facility basically dedicated to the production of child soldiers to serve this military-industrial complex actively profiting from the glaring class inequality present in the setting, as set out in the prologue. And because the characters exist within that system there is no “easy fix”, the story ends with the characters making small progress against those inequalities rather than solving them in one fell swoop because the inequalities are systemic, and you can’t just take out the superweapon and expect everything to work out on its own. The existence of child soldiers is baked into the setting- not as a desperate gamble or as an illustration of the necessities of survival, as in other series. But as an accepted and -crucially- normalised thing. Notably, no-one expresses surprise or horror at Sophie and Norea being pilots - just that they’re a threat and have GUND Format units. We also see several child soldiers in Fold of Dawn in addition to Asticassia itself, so there’s also the angle of generational differences - the children exist in an unfair world built and maintained by the adults, fighting for the causes they are taught to. Many of the Benerit Heirs have unhealthy relationships with their parental figures, typically conflicting over them wanting different things (Guel vs Vim’s expectations, Shaddiq going out from under Sarius and basically everything about the Elan’s). So there’s the angle of the children fighting against the unfair world of adults, tying into the familial relationships in the cast. Which is a theme Gundam’s got a lot out of historically. So the school setting shows to illustrate how Ad Stella is civilised a first glance, but far more beneath the surface, and demonstrates several of the issues inherent in the setting.

I also really love how GUND format is actively debilitating to its pilots and how Suletta, while still a very good pilot, is essentially unbeatable because she has a way around the downsides for most of the series. Because it feels like an examination of “the Gundam is the strongest mobile suit”. G-Witch essentially states that having a stronger or better weapon does not solve these problems, in fact, the various elements of the company all fighting over Aerial gets several people killed, so if anything it feels like a takedown of “Gundam” as a concept (ie This great strong weapon that will win us the war”). It also puts emphasis on themes of dehumanisation - both the Elan’s and Sophie&Norea show that child experimentation, while not exactly common, isn’t unfamiliar ground in Ad Stella, particularly with Elan being replaceable, which again ties into the child soldier angle. I also find it delightfully hypocritical that Benerit, the weapon merchants, have issues with it because of the PR backlash of it killing its pilots, not because of any “moral” reason. It’s a bad look to have a weapon that can harm its user - who’s going to want to pay for that? The militant liquidation of Ochs Earth was essentially a PR stunt to show that Benerit will not make these weapons (not that that stopped Peil). Which is really horrifying to think about, really.

The Space Assembly League, Quiet Zero and the Interplanetary Laser Transmission System (or ITLS, that big gun in the finale) all function as illustrations of the excess of corporate power - a near full-scale war/ large scale destruction is only prevented because of Suletta and Ericht’s intervention. The SAL functions as a regulatory body for the corporations, but while it isn’t exactly lacking in force, it acts far too late to prevent the damage - Benerit has been allowed to run independently for too long, so it’s difficult to pull back even with evidence and force because it’s just so big. Meanwhile, the ITLS was constructed under the guide of a power transmission system, but it’s intended to be fired as a weapon. Furthermore, the destruction it will cause is written off as “Oh, Peil will get the reconstruction contract”, killing hundreds for corporate gain. The fact that it’s Peil specifically is also notable, since they are probably the most ethically bankrupt of the three corporations and were actively involved in the GUND-format technology themselves. But because the corrupt elements of the governing body favour them (and can presumably cut a deal for reconstruction costs), much of their misdeeds would have essentially been swept under the rug. Notably, other than their stock plummeting, we don’t actually see much in the way of consequences for the Peil CEO’s.

Mechanics

A fairly short one here - I’ll admit I’m not crazy about a lot of the mobile suits in Ad Stellar, but I like how each company has a different designer and are different thematically. Jeturk has big, bulky beetle-esque machines - heavily armoured and analogous to Zaku’s and other grunt suits from the series. Peil focuses on mobility - spindly MS with lots of thrusters, and typically deployed with aerial combat in mind. Finally, Grassley tends to lean towards units with exotic systems, such as the Michaelis’ beam bracer and Anti-GUND format and often have monoeyes. It’s a good illustration of the competing philosophies within the group and each one is distinct and easily recognisable (Burion’s utilitarian, I don’t have much more to say on it). It also emphasises what a big shakeup the Gundam’s are, since they look so different, and can put down any of these units with little trouble. I rather wish we saw more of the smaller developers - those units Suletta swatted aside en masse with the Aerial Rebuild, since they seemed to have a greater variety of designs (I particularly liked the little Acguy-looking one - the Hosler II?). Also, really liked the Prodoros used by Dawn of Fold (though that’s likely due to how it moves).

Criticisms

Or rather Criticism. Your typical Gundam series is usually around 40-50 episodes, whereas Mobile Suit Gundam: The Witch from Mercury is a comparatively paltry 25. Now, one series having a lower episode count than another isn’t inherently a point against it - better a short story well told rather than a long story poorly told, and it’s a new show, and (despite my persistent comparisons with other Gundam shows) should be allowed to stand and be judged on its own merits. But it kinda feels like it was meant to be a 40-50 episode series that was cut-down mid-production and fundamentally, it feels like we could’ve gotten more.

The pacing of the second season ratchets up considerably compared to the first, and I would like to stress that Witch From Mercury is a very-well-paced show - every episode has some sort of plot development, but it feels like that’s because it had to be. And every criticism I have of the show feels like it flows from that cut-down episode count.

It kinda feels like Peil Industries was supposed to be a much bigger player in this, and the Pharact doesn’t really do anything after its opening fight.

Peil’s never brought to justice, and Elan 5 just decides to join Earth House’s move on Quiet Zero. Meanwhile, the real Elan Ceres just resigns from Peil, even though he was presumably in on the Enhanced Person stuff too.

Lauda’s whole subplot about him piloting the Schwarzette had very little foreshadowing - I assume they put just enough of it in that they couldn’t cut it entirely (i.e. the Schwarzette), and it was necessary for Guel’s character arc.

Guel taking over Jeturk Heavy Industries didn’t really go anywhere.

Sophie Pulone and Norea Du Noc are really only there to tick gundam’s “Doomed Child Soldiers” box. Also Dawn of Fold just…… still exists after the events of the series?

The fact that Ochs Earth was still a thing kinda didn’t amount to much did it? Prospera just destroys them and their Gundam Lfrith’s. The ones used by Dawn of Fold might have well been older models, scavenged or bought by them.

Chuatury (Chuchu) Panlunch - great character, great design, excellent illustration of the tensions of the setting, but it feels like she was supposed to have a subplot focused on the people supporting her on Earth.

It just feels like they made the first 12 episodes of a 40-50 episode series, with a bunch of setup that’d pay off later, and then they got cut down to 24 episodes and had to cut a lot of stuff to fit. I’d like to stress I think they made a good compromise - most of my criticisms are minor and the Suletta and Miorine are the heart of the series, and they come out very well. But all the same, I’d rather the compromise didn’t need to be made in the first place, so we could’ve seen the “full thing” as it were.

Even my….. restraint on the mobile suits designs can be pinned on this. My favourite designs are typically Monster of the Week and late-season Weirdo’s - the stuff that’s the purview of your charismatic villain or a specialised grunt. But if you’ve got to cut stuff for space and time, then by their very nature, those designs won’t stick around.

I should however mention that I’ve been unable to find any reputable source as to wether The Witch From Mercury did have its episode count cut, before or during production. My criticism is mostly about the series feeling like it should have had more, not that it was actually cut down. It is possible that Bandai wanted to see if the show could make a comparative return on a smaller budget than usual, especially considering most of their recent Gundam output has been adaptations (IE. Shows that already have a proven audience and prior success, and are consequently a lot less financially risky), like Unicorn or Thunderbolt.

All that said, I do think that the emotional core of the show - Suletta and Miorine was excellently done, and I found the action and themes to be similarly well-done. I’m mostly only complaining we didn’t get to see more of the world, since it has so many interesting concepts that feel like they would’ve been interesting to see.

#gundam #ramblings #mobile suit Gundam the witch from mercury #witch from mercury #Gundam g-witch #Gundam the witch from mercury #suletta mercury #miorine rembran

[palestinegenocide]

At Passover, the Jewish community must break up over genocide

Blind Israel support in AIPAC funding appeal sent to Phil Weiss’s mother’s house. April 2024.

It’s a beautiful day in my town and I am going to go out for a walk with full awareness of my blessings. I don’t live in Gaza where the innocent are murdered day in and day out with U.S. weaponry and Joe Biden’s imprimatur (and that of many running dogs such as Jonathan Capehart and David Brooks on PBS News Hour). I don’t live in Israel, where I would have been indoctrinated in a supremacist ideology from a young age, and made to hate and fear Palestinians and to cheer genocide— and where I would have struggled to ever understand myself as a Jew. No, I live in the most privileged country in the world where there are wonderful freedoms for someone of my class.

Tomorrow is Passover so this is a message to my Jewish community. We must break up over Zionism. We must break up over genocide. Too many innocent people (on all sides) have died for this false and bigoted ideology to go on.

The good news is that some in the Jewish community are at last awaking from sleep over this. We will see more and more allies come forward in the Peter Beinart tradition—Jews who once drank the Koolaid – Beinart used to do events for AIPAC, and supported the Iraq war for Marty Peretz — and who have walked a path of independence.

Many of those Jews will come to have solidarity with the victims and the martyrs and the persecuted: the indigenous Palestinian population, driven from their homes to make way for the alleged liberation of the Jewish people.

“In my view, the Zionist narrative, even in its more liberal forms, cultivates an exclusivity and proprietary ethos that too easily slides into ethnonational chauvinism,” Shaul Magid of Indiana University writes in his new book. “

A simple, truer message to Jews was never spoken– by a former liberal Zionist. I urge my community to open its eyes to the grotesque armored thing that is modern Israel, and denounce its actions if only in order to save ourselves. (Because as the great rabbi said, If you are not for yourself who will be.) And yes it’s true: Palestinians who denounce Israel are pleasing their grandparents and parents; and we are not; but as Scott Roth used to say, that is the lamest fucking excuse for a thoughtful person in America.

Yesterday many progressives voted against more bombs for Israel (among others Bowman, Balint, Bush, Carson, Frost, Jayapal, Khanna, Summer Lee, McGovern, Omar, Pingree, Pocan and Pressley); and in a notable break Jamie Raskin voted against. So let us celebrate the memory of his son Tommy a great Jewish idealist and anti-Zionist who left us three years ago.

Zionism is today a danger to Jews. It is destroying free speech in our country (in the name of the Jews). It is destabilizing the Middle East (in the name of the Jews). Israel is wantonly attacking a foreign consulate in a neighboring country (in the name of the Jews). And so this Jewish identity, promulgated by Zionists, will only hurt Jews.

In the Forward last week, Jodi Rudoren, who has carried the water for Israel for years, wrote that Israel must stop killing Palestinians for the sake of “world Jewry.” And in a further heresy, she said, “antisemitism… is not an explanation for everything.”

She means that people are protesting Israel’s actions, not Jews. I believe she sees what I see, People will turn on our community for its blind support for genocide. Because what keeps Israel going in its violations of international law? The blind backing of the Israel lobby, the organized American Jewish community, never called out by the media for such, but everyone knows. As Obama said in 2015, there is only one country against the Iran deal; and today there is one country that wants the genocide to continue (and compels progressive politicians in the U.S. to violate their creed to ship more weapons).

There is another Jewish story. The brave Jewish students who are demonstrating at Columbia. The IfNotNow protesters at Biden rallies. The Jewish presence in the broad antiwar movement in the United States. They are moved by human rights and opposing the endless slaughter of children and women. They are “not hate-filled and bigoted… fringes,” as David Brooks, a longtime Zionist said of the protests on the PBS News Hour.

The Jewish protesters are today the leaders of our religious community. They are bringing an uncomfortable truth to a huddled, fearful, self-involved congregation. They are the heroes of Jewish history. They will save the world, and maybe too the lost Jewish tabernacle in the deserts of militarism.

Happy holidays,

#israel #free gaza #gazaunderattack #israel is a terrorist state #gaza strip #genocide #gaza #free palestine #jerusalem #palestine #jews #jumblr #passover

[toytulini]

listen im ace and im pro kink at pride and whatever, but the way some of yall are wording your posts in response to the backlash against it is uh. really taking me back to the ace shitcourse era.

yall know theres nothing wrong with being a "virgin", right? that its not inherently shameful to have not had sex, to never have sex, even if youre not ace, even if you do want to have sex someday, like, its fine that you haven't had sex?

maybe if your problem is that theyre trying to police your behavior and shame you for expressing your sexuality, you can say that? instead of resorting to "haha stupid virgin gets no bitches" like my god. do you not hear how fucking regressive that attitude is? i know, i know, youre "joking".

get a better joke

#toy txt post #god im going to regret this post im gonna regret it so much i can feel it in my bones #let it flop..........pls #internalize my message let it sink in and understand what i am saying and then let the post flop #i say. knowing the ppl who need to see such a message are the ones who will make me regret this post and regrwt not having #1 million bajillion disclaimers #virgin is in quotes bc its a bullshit made up stupid purity culture concept anyway and quite frankly i hate even seeing the word #disclaimer: the previous sentence is not me saying that it is a slur for asexuals. it is me a single individual saying this specific word #grosses me out to read and see everywhere when its a stupid bullshit binary made up or at least historically largely used #to shame largely women and i dont know why we're still using it in 2023 #and ive just been. seeing such an uptick in this whole like. attitude? lately and like #im ace im minorly sex repulsed. mostly about anything sex at me bad. other adults sex at each other consensually? go wild #i like to think im pretty chill about it. i try to be. i think its fine ig to be like 'my meat is huge i fuck so much so good' #like okay not my thing but good for you. love that for you #but then some of yall have started turning it back around back to. 'haha your meat so small and shriveled you get no bitches' #'haha stupid incel virgin' like okay. didnt realize we all went back to fucking. middle school but okay #god im gonna run out of tine to get ready for my thing writing this stupid post UGH evil #but like idk we've kinda circled back to being like haha being a virgin still is stupid and silly and shameful #and if im quite honest. i do think the acecourse played a part in that bc i felt like we were making good progress in like #hey guys is fine to not have sex ever if you dont want to its fine to not want sex its fine #and then aphobes went fucking rabid on us and splintered and destroyed online communities all over but especially on tumblr #and so many aces went back in the closet we stopped talking about it we stopped spreading awareness and now this stupid goddamn like #and now this stupid bullshit attitude is back where its like funny to call someone a virgin as an insult but like no bro trust me its okay #its okay for me to do it bc im a hot queer person with huge meat instead of a cisstraight frat bro with huge meat #? like you know the issue was the behavior right? not the fact that it was straight dudes saying it? its bc the thing being said was shitty? #you know you can dunk on the puritan bitches trying to police your behavior at pride without getting us as collateral damage right #stop making me read that stupid ugly ass word ur not cool or funny #whatever #if you come on to this post to start shit i will not only block you but as many of your mutuals and followers as i can find. i will scroll #i will block this entire fucking website if i need to do not test me. i am exhausted and the acecourse ate up all my tolerance in 2015.

[humanmorph]

"[high pitched and tinny] Let’s dive in. Let’s dive in. It’s time to dive in. Get ready to [audio distorts and slows] dive. Diiive. Diiiiie…" (The Road to PALISADE 20: City Planning Department)

so that's what i've been working on for the past 2 weeks! i wanted to draw something for this intro ever since i first listened to it (as a companion piece to my other gur drawing, though it of course ended up being way bigger in scale), but it only really gripped me about halfway through PALISADE ep 18. the next morning after that i listened to this narration on repeat for about 45 minutes and then made a big sketch on 4 sheets of paper at my desk at work.

anyways, i haven't listened to the new episode yet but i think i'm probably ready for whatever they're gonna throw at us with the next sortie. i'm gonna believe, against it all, in millennium break. for gur

(i recommend listening along while scrolling! + transcript btw. if anything is hard to read)

#road to palisade #road to palisade spoilers #palisade #fatt #friends at the table #gur sevraq #<- yuore everything btw. #long post #and good god. it sure as fuck is #rosa art #the full file for this? that i had to split up? its 30000 pixel tall. thats 218cm #im so proud of this & it was a ton of fun. ooohhh my free floating panels i love them #i posted about my progress (theres some earlier sketches n lineart too) on cohost to be like well. #maybe i wont talk so fucking much on the actual post but noooo i cant shut up #love that for me.shoutout if you read all this #if you find a typo please. dont even mention it #a fun thing about this is that i almost know the intro by heart now. theres like 3 lines i get stuck on but mostly. its all there #ill link the cohost if i reblog this again. personally i think its interesting stuff but i love to hear myself talk abt shit i make soooo #anyways i have art class tomorrow & should sleep soon : ) but im happy im finally able to show this off. it rules sooo much

[wumbsie]

2022-2020 redraw of the GIRLS!!!!!!!!!!

#u kno its easy to get upset w ur progress and ur own art #i know i do like A LOT #but thats why its so important to keep your old stuff somewhere safe #so that you remember how far youve come! #this is the first thing ive been able to finish in like a month and a half because ive just been in a rut #and im happy with it #and you should be happy with your progress too #i may not be as good as i wish i was #but im happy #and thats what matters #arty smarty #ace attorney #franmaya #maya fey #franziska von karma

[ratguy-nico]

Looook at my babieeeeeeees -im siginng- they are not longer blorbos just rough scketches -not siging-

I post this, one... cause i want to, two cause I forget to mention I need a big round of aplause for @sailoreuterpe who came up with the frincking best ship name of all for my babies

I love how this woman tag damn I wish i could tag like this

I love Galex for them, we finally have a name I LOVE THIS

and with Courtney is even more perfect

I will always envy creative people cause I can't come up with this kind of thing even to save my life :D

#bob's burgers #my art #but also #... #sharing? #whatever im happy #I read this a couple of days ago and totally love it #im making progress in the whole San Valentin Project thing #and I dont know why but I feel like sharing a lot of it with you #dunno #also I hate San Valentin #so yeah #we have a name lets celebrate #names have power #said someone once i guess #sounds good #gene belcher #alex papasian #galex #oh now i notice its similar to gale name #i love this name! #im tempeted to tagget as galexy cause i love that #but seem rude without my courtney girl #still love it

[correcthomestuckquotes]

dead chat xd

?

#like im still here im still active on main but like #this sideblog is dead if thats what you mean #this isnt a chat? #also this comic finished 7 years ago new hs content dried up 5 years ago i get that it was an important part in your life but like #things change time progresses interests wither and die to allow new interests to flourish and bloom #there is no point in dwelling on the rosy glow of the past as its most significant contribution #is that it has shaped you into who you are now #change is a fundamental part of your existence so dont resist it i know it can be scary and new but thats part of the joy #you will find new content to consume your life you will continue living and sharing and learning and growing because well #you are an entity of change! so keep the pieces that formed you close to your heart but never close it #keep finding new things to accept into it. allow yourself to be molded and shaped and changed #itll be okay i promise ill be right here whenever youre scared okay? its okay to be scared but you are going to be so so special #i love you and good luck

[hanzajesthanza]

it kind of bothers me that witcher fans don’t really unite under sapkowski’s name like other fans of fantasy authors do (e.g. “tolkien fans”).

in practically any other fandom of fantasy books, save for the particularly rancid authors known for their disappointing and shameful behavior or views (e.g. jk r*wling), it’s just regular business to say the author’s name. but sapkowski’s name is treated like a dirty word in the witcher fandom, for really no good reason…

it must be asked — what is stopping us from doing so?! why don’t we call ourselves sapkowski fans. it would be much easier than saying “i’m a fan of the witcher, but only the books, i don’t consider the various adaptations canon, etc. etc.” … “half a hundred words, when three are enough!!”

#i was just thinking about this today. can we call ourselves andrzej sapkowski fans beginning now or what #note that i said GOOD reason #meaning that it’s not like sapkowski is a conservative #the witcher books #txt #like sapkowski has done and said stuff that i dont approve of or like #the alcoholism at cons for instance hem hem (though ive also heard that type of behavior was standard) #he’s said a few cringey things about women and lesbians but nothing worse than your typical old guy would #specifically i’m referring to the ‘i dont hate women i - he he he - positively love them!’ which is actually just everybodys granddad lmao #and the ‘i dont know about why my characters are lesbians - though i can be sure im not one’ #that kind of stuff just makes me shake my head and laugh #but its not like he has done heinous shit like some of these authors running around loose out here #i mean i think it’s mitigated in part that he’s a private person with no twitter account #i also disgaree with his points from there is no gold in gray mountains but i also dont know enough abt what hes talking about to understand #understand FULLY at least. i understand some but not all. i think i understand just enough to disagree #but he has expressed a lot of progressive points which also come through in his series #what i mean is: hes not a terrible person. so why do people act like he is #ALSO i think if we united under his name then there would be more inter-series fans #ive always wondered where the fans of the hussite trilogy are (online). is there an online fanbase? #and if we do that then we can get more and better translations hopefully #like theres still no official translations for a ton of his short stories

[stirdrawsandreblaws]

screaming crying coughing up blood every time i have to fucking defend genocide joe bc ppl wanna lie and say he isn't responsible for most of the best domestic policy we've seen in decades

his foreign policy is dogshit, yes, and he should rightly be called on it and primaried out, but we can criticize the shit he's actually done wrong instead of making shit up about him ~not doing anything good~

#thinking about the keystone pipeline shutdown and how fully 2/3 of the people he appointed to legislative systems were women and poc #thinking about student debt forgiveness and rejoining the paris climate accord and unfucking some of the extreme gerrymandering #and improving COVID protections (that were roundly thrown out by corporate america which is its own concern yes but like. he's not a king) #'biden didn't fix' blah blah blah he's not a fucking dictator he can't actually do whatever he wants. the only thing the GOP lets slide #is the aforementioned dogshit foreign policy bc fuck knows every last republican loves bombing the middle east and supporting israel #(remember that the evangelical xtian death cult requires israel for the apocalypse!! that is a very real fucking thing these ppl strive for #(and evangelicals support the GOP for this very fucking reason. you cannot forget this. we are all fighting for all our goddamn lives rn) #stirring up trouble #i hate biden i hate his foreign policy i hate how ok he is with fascism i hate most of his pre-presidential voting record BUT #i will not let that hate blind me to the reality that he is Objectively Miles Ahead Of Any Fucking Republican Alternative #i still want his ass primaried out of the presidential race so hard he physically blacks out upon seeing the polling results tho #and fuck. at least the dem side seems to have a lot of good progressive downballot candidates this time around already.

[ispyspookymansion]

i need to make a zine about navigating the (professional) world as a trasmasc dyke so bad i feel like i could chew all my fingers off

#if i cant talk about the strange isolation and dismemberment of my identity even in progressive spaces due to the general #populace inability to Grasp what im putting down and how i always have to give something up #unless im with someone i really know and trust. i think ill start screaming. #my work is great. my job is good. the company is very inclusive. but everyone there believes im a trans man. #and i dont want to vivisect myself trying to explain #kora.txt #sorry for making posts im avoiding tasks and waiting for my pain meds to kick in #like. i Chose gender at work because id rather be gendered correctly wrt pronouns and my name and stuff that has a more real and active role #in my day to day than lesbianism. but also its not two separate things to me youre getting me wrong!!!!! yk!!

[monards]

i know hoyo is setting up rhine to have good intent and whatever in her trying to 'save' khaneri'ah or whatever; but i REALLY hope they stay with the cruel persona thats been built up for her. because it would be so wonderful to see a character who had good intent in the beginning just get absolutely corrupted; with the inability to ever go back to that prior state purely because of what had happened. also because there is NO way in her turning back after all that shit

#sorry. i dont think theres any good and plausible explanation for rhine to still be a kind or gentle person in general #she can (and SHOULD) have her moments. but it'd make so much more sense (and be much more impactful) for her to be inherently cruel #because look at all the stuff thats happened #i love the indomitable human spirit trope. dont get me wrong. #but rhine has that in the way she WONT stop her research till shes either dead or murdered. she is not gonna be gentle kind and optimistic #she watched all her kids (that she was SHOWN to care for) get very brutally murdered. #had to then go and kill her next creations that she didn't consider perfect (which most certainly fucks a women up. no matter what you say) #made the 'perfect creation' and the way she treated him was obviously a HUGE contrast to how she was before (being gentle and nuturing) #and left him (albeit with what we can guess was good intent) with NO goodbye just #a recommendation letter. a text. and his final mission #she could have good intent #and still care for others #dont get me wrong!!!!!!! #but shes. human??? #humans can be (as much as i hate to say it) a tad selfish when it comes to survival #and being antagonized demonized AND shunned by teyvat and even her own people. having to survive multiple gods wrath #isn't. gonna be good for the human psych #and it isn't gonna be something fixable #look at how furina progressively faltered over a hundered years WHILE being adored #she already started waning in her ethics and morals (as someone immortalized as a human WOULD) #with exposing lyney and all of that when it was VERY clearly the morally wrong thing to do (which her as a human would know) #and being relatively pessimistic and clearly spiralling #(no hate. i love furina with all my heart.) #if thats how FURINA started going #imagine rhine who has nobody (save maybe alice. but i doubt she'd be constant given her spontaneous nature and refusal to sit still) #shit man. even I'D go crazy and be horrible. #its okay and natural to be bitter #and its not as if anybody was there to help #hexenzirkel has a ton of women who survived their own nations falling yes #but not ONE of them (from what we know) has had circumstances any where near rhine's

[grinchwrapsupreme]

being super normal about White calling Billy "a dreamer"after the events of Maybe No Go

#truly alarming amount of tags on this post don't click read more fr #the venture bros #pete white #bily quizboy #billy whalen #idk man the way they balance each other is really interesting #the things they agree on and disagree on are almost arbitrary #'you can't put mouthwash in a cookie' 'trust me' vs 'we should spend 10 mil on a motorcycle instead of housing' 'that's such a cool idea' #billy trying to pep white up about the ball #'this was your dream too' like come on dude when have pete's dreams ever worked out #when have yours #'what are we gonna do now billy?' 'we'll cross that bridge when we come to it' #baby the bridge has never been more present #ALSO white calling billy the dreamer when HE'S the one who pushes so hard for things #billy has dreams that might not be realistic but they give him hope and he works around the way the world works to make things happen #like being a self-taught surgeon and believing in a magic ball #pete has dreams IN SPITE of what is realistic and he will mold reality to be what he wants in order to make it happen #like fixing the quizshow and pretty much everything that happened in invisible hand of fate #and they both have disabilities that affect them in vastly different ways and impact their relationship with realistic goals #like billy's hydrocephalus being presented to the audience as mostly a social issue for him and the hand and eye being marks of trauma #rather than like an actual block for him beyond needing to tune the hand up every now and then #vs white's albinism making him physically unable to be in direct sunlight and making him actively fearful of doing certain things and #being certain places #to be clear i know the actual effects of hydrocephalus as well as the hand and eye but this is based on how the show presents it #like billy took these things about himself into account and went ok these are part of my reality and i will work with them #and pete took his reality and went ok i will cover it up with fake tan and wigs or sunscreen and hats and make reality what i want it to be #and that's what makes them a good team!! that's why they science together well #it's also why they argue so much #accepting reality and playing within its constraints vs hating reality and changing it to suit you #these are the hallmarks of scientific progress

[humanmorph]

Lye „Lyke“ Lychen as a sacrifical altar (to Aterika’Kaal) (but he's also kind of the sacrifice)

my @secret-samol gift for @bronanlynch! for the Aterika’Kaal/Lyke prompt of „what if things had gone differently and Aterika'Kaal was still with Lyke“.

notes on this under the readmore!

AU

In this scenario Lyke would succeed in getting the heart of the Motherbeast in Episode 47 and while Alaway would notice & probably still call out to Aterika’Kaal the way he presumably did in canon, Lyke would be there and get to make a compelling case to Aterika’Kaal the likes of „If you stay with me I am going to feed you. I’ve taken care of you until now, I’ll keep doing that“ (argument supported by the fact he’s currently holding the heart of an incredibly powerful dead god). Aterika’kaal agrees and they barely escape through the Sanctum of the Stone Chorus portal. I think it's fun if Lyke then stays there after the hour described in the move is over, maybe knowing he can't convince Pickman & the others that what he's done is actually good, and fine, there's not even anything to worry about he has this totally handled, But yeah he then sets out from whereever in Sangfielle Aterika'Kaals domain is (Austin did say it was an actual place somewhere), and the rest of the Blackwick Group is left to wonder what the hell happened since Lyke just vanished! Alaway has possibly fucked off too after losing the heart. And them getting fired, the Carnival of Moted Light etc. would still happen (and I guess Chine would succeed at what they were doing since Lyke isn’t there?) and who knows if they’d take any action in finding Lyke after that! All that aside though, Lyke basically offers himself to feed on (through blood and/or energy) and to sustain that he keeps consuming(not literally eating) powerful objects/artifacts/resources and possibly eventually living things (I’d imagine he'd still take work as a „please deal with this weird shit for us“ person and when he has to kill a cursed beast or whatnot... might aswell feed Aterika'Kaal?) (What also plays into that decision, and is part of Lyke justifying this to himself, is that without him, Aterika’Kaal would become too powerful. So he aims to function as kind of a conduit & control the power intake so to speak. I think this probably doesn’t work for very long.) I think this eventually goes bad for him because it’s super taxing on his body and the whole deal kind of flips with Aterika’Kaal feeding/keeping HIM alive. He starts finding bodies in the domain again (alternatively, Aterika'Kaal gets better at hiding them because it knows Lyke doesn't particulary like it when it does that). Lyke probably gets stronger due to this power/magic wise, but also way more fragile (he's constantly anemic!). („I love you. I want us both to eat well.“ - Christopher Citro) („When I write of hunger I am really writing about love and the hunger for it, and warmth and the love of it and it is all one.“ M.K. Fisher) Notes: I put some resources Lyke’s canonically had in-game + some extra stuff in this picture (the arrow is a reference to Marn’s epilogue, the bugs are bugs (with possibly sinister connotations. If you want them to have those, it’s optional) and the fur is from the Ravening Beast). Another detail I came up with I might aswell tell you because otherwise noone might ever know: the ring with the blue stone is a gift from Es. Sketch Notes: 1. Lyke turning his head to kiss a rose / exposing his neck was one of my very first ideas/sketches I made while working on this, and I liked it too much to not include it. 2. This is supposed to be Aterika'Kaal giving Lyke a blood transfusion but it rather looks like it's feeding on him instead...! I like how the relaxed pose turned out. 3. I wanted to draw something smaller in a simpler style to fill the big canvas I was drawing these on (even though now I put them in separate files anyways...). The day I drew this I saw a tweet about a medieval monks sketchbook, so I was still thinking about that. I didn't even plan to color it originally but I ended up getting invested, haha

Inspired mainly by these 3 quotes: „KEITH: I’m a walking- I am a shrine to Aterika’Kaal.“ (Sangfielle 12: The Secret Ledger of Roseroot Hall Pt. 4) „KEITH: There's a version of dealing with Aterika'Kaal that ends with Lyke being satisfied that he rehabilitated a god or at least it looks […] like what he thinks Aterika'Kaal would have been before the YVEs showed up. That's probably his main retirement path, but it also might kill him instead.” (Sangfielle 47: Wax, Iron, and Ichor Pt. 4) „AUSTIN: As you’re fading, the last thing that you do is make this blood sacrifice to Aterika’Kaal. Your own blood.“ (Sangfielle 52: Six Travelers: Lyke)

#secret samol #sangfielle #friends at the table #fatt #rosa art #lye lychen #aterika'kaal #lyke #guy of all time btw this was such a joy to draw and think about #its so funny to me though because i almost put lyke/aterikakaal on my own prompt list but then for whatever reason didnt #and then i saw it on the spreadsheet (2) & was like 'man i hope someone picks them. i want to see this.' BUT IT WAS ME... IM SOMEONE.... #@ those 2 people (one is eliot bronanlynch. i know this) especially: i hope you enjoy!!!!!! @ everyone else you too ok : ) #the notes were in a pdf originally i didnt think id write so much. #i thought about making it bullet points maybe itd look neater on tumblr but i dont. want to... copy&paste it is... #this isnt the first time i painted digitally but it MAY be the first time ive had a good time with it #i used the twitter circle thing for the first and possibly last (until next secsam) time for this so i could post wips. for motivation #it worked : ) #cool to see my actual progress #fun fact about the quotes i added i spent like. a lot of time to look for a better one than the citro quote #because i straight up just do not like the poem its from. i am ripping it out of its context. but it still sounds nice. i folded eventually #the urge to ramble on the the tags........ i will overcome it now and post this #ARGH i forgot tumblr doesnt take transparency on large files well.... it just turns white #well ive made it dark now on the painting it looks better than white but the original was transparent. know this #im posting this kind of late. relatively. i JUST got back from work