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#i know the murderer quote is used constantly
samodivaa · 11 months
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Deny the truth,set my world on fire (Part 2)
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Bucky Barnes x Reader (Winter Soldier x Reader)
Part 1⋆*・゚:⋆*・ Part 3 ⋆*・゚:⋆* Part 4⋆*・゚:⋆* He knew that she was having an affair...she denies, but the love marks on her body are still there. She can't tell him the truth, it will break him - the Winter Soldier is indeed inside of him, fucking her at night and Bucky doesn't remember. ✧⋄⋆⋅⋆⋄✧⋄⋆⋅⋆⋄✧⋄⋆⋅⋆⋄✧⋄⋆⋅⋆⋄✧ Warnings - heavy angst ,stalking, attempted murder SMUT - non consensual, dom!Soldat, rough!Soldat, choking, knife kink, blood kink, Russian roulette ,degrading in Russian, harsh slapping, hair pulling, fuck toy!reader. Words - 4000
Bucky is non stop destroying what is left of his heart by constantly thinking about things that have broken him recently. He roots in alcohol, in misery, barely alive in his silent way. Sometimes he gets so drunk that he could hear y/n’s voice calling him at the door as she is coming home with groceries – sick with love. Their shared apartment will never be complete again, because part of his heart is elsewhere. He needs to feel at home in something, but this is the price he pays for the richness of loving and trusting. In this world he didn’t know what the color of love is – yet he is still deeply stained by hers, but maybe there is no love on earth for him, expect the one he imagined. His body felt the sadness that his soul couldn’t fully register. „Love is a sacrament that should be taken kneeling — Oscar Wilde“ one of her favorite quotes. How long will his ruined being still burn?
Bucky is falling apart – the deeply sealed stitches of the nightmares, began to tear apart, not letting him sleep peacefully. He grasps the extend of the loneliness and desertion that he is exposed to. For the first time in forever, there is a complete absence of emotional understating from her – his heart is heavy like an anchor, holding him still in the mist of the storms in his soul. And pain knows a way into every crevice – slowly gaping a hole into the abyss of Winter. Seasons change with the scenery of his emotions and the sky is a hazy shade of winter, there will soon be patch of snow on the ground, shallowing him whole. His heart begins to ache when he hears a knock on his door. It taints the very air he breathes with streams of hope. The greed of love, reeks of desperation as he runs to the door to open it.
„Sam?“ Bucky says, his eyes confess the fatigue of his living. He lets out a breath, before putting on a smile and forcing a laugh „What brought you here?“   „I came to check up on you, you are not picking up your phone…again“ His eyebrows raise slightly in surprise as he stares, not knowing how to respond. "Y/n told me...what happened" Bucky sighs and leans against the door frame. Eyes filled with pure acrimony - puffiness under the eyes. He stands hesitant, his soul floating with embarrassment. “Really? She did? Does all of New York know, now? Because it really feels like it“ Bucky says, his voice calm but the anger stands in his words like a flame. He furrows his brows, not only in anger, but in confusion too. Why did she talk with Sam about it? Why does he know more? “You know why she left…?” he questions with urgency, taking a deep breath before chewing on his bottom lip nervously. „Yeah…she told me.“ Sam answers, keeping his voice low. His eyes spoke so many unspoken words, begging Sam not to press on the matter, his face forming into a slight frown and his eyes narrowing for a split second. He’s clearly not happy about her decision of talking with Sam behind his back. „So, um…when do we start with the case of the missing CIA agent? I saw the files you send me yesterday“ Bucky needs to change the subject, a source of a painful reminder to Sam to be more cautious around him. „There is no need for you to come, I can deal with it alone…and the CIA will provide assistance, too“ „The CIA? Isn’t Y/n coming with us…?“ Bucky gulps, twisting the words into what he really wants to know.
„She…she won’t work with us anymore, she decided to join the CIA“ „What? Under whose command?“ It was awkward as they both stared at each other in, sitting engulfed in suffocating silence for a minute before Sam decided to answer. „Walker“ He bites the inside of his cheek, his head whips from side to side with nothing, but pure horror. Sam was simply waiting for Bucky to explore , whereas Bucky was trying to figure out and just process what had just heard. Hiding shaky hands in their pockets, hiding any evidence of his distress. His chest heaving with ragged breaths, trying to hold back his tears. When a man learns to feel love, he must also bear the risk of feeling hate.
„This…“ his words get catch up in his throat before he forces them out „The nerve-“ Bucky thinks to himself, before letting out a deep sigh and shaking his head in disbelief. „We are her team. What the hell is she thinking?“  he shakes his head, clearly frustrated. „They don’t even get along-“ he trails off at the end realizing that it was a cover up for their affair, it all made sense now. „-well…I guess that just…saves me from another discussion. If she‘s with Walker now, then she…has chosen her side. I…I just need some time to process this…“ „It is okay, Bucky…you need a break“ even when life has forgotten him once again, Sam is there – holding his hand, not letting him fall. „No, Sam I can’t leave you alone in this“ „Bucky, listen to me…if I need you I swear I will call, okay?“ ✧⋄⋆⋅⋆⋄✧⋄⋆⋅⋆⋄✧⋄⋆⋅⋆⋄✧⋄⋆⋅⋆⋄✧
Bucky’s eyes have finally glazed over, something snaps in him as he closes the door. His lip trembles, and he bites it in hopes of stopping the tears that begin to build. He wanted to let go of the pain even though it was the last thing that feels alive from her. Love, he’d seen and experienced in his own way - a powerful emotion. It brought them together, gave them a reason to fight, and a purpose outside themselves. Love made him stronger and more capable of facing the challenges of a difficult extended life. ✧⋄⋆⋅⋆⋄✧⋄⋆⋅⋆⋄✧⋄⋆⋅⋆⋄✧⋄⋆⋅⋆⋄✧
„Good job today, y/n, wanna grab a coffee and discuss more?“ Walker was so cooky when she called him, sensing that something between you and Bucky happened. He wasted no time In seducing you, he was devoted to earning your love. „Yeah I-“ The moment y/n laid your eyes on him, she knew. As if time pauses itself, her brain is in a total blur when she spots him coming closer to them, one hand stiffed in his jacket, the left holding a gun and that is what divulges it. It was a joy to be hidden in the crowd and a disaster to be found. Bucky put all of his energy into protecting himself, developing a terrifying survival strategy. The Soldat’s behaviors, classified as psychiatric problems – obsessions, compulsions – his most destructive behavior, started unwillingly as a strategy for self-protection of his true self. Winter’s love for her flesh is a like a flower flooded with blood – opening new wounds, making them a garden of a reminder for his sadistic ways. Y/n pivot on her heels, decision resolute – to get closer to him, hugging him. „Hey Bucky, oh my gosh! Thank-k you for bringing my revolver back!“ this was the only idea she had. Her immediate reaction is to hide her face in his chest after giving him a hug, but he prevents her from doing so as he uses his other hand to cup her chin and steer her gaze back onto his. Y/n’s brain malfunctions before putting a hand on the gun as his grip loosens, allowing her to retrieve it in her pocket of her sweetheart. A disgusting public display of affection and ownership the Soldier never showed before. „Do you want me to shot him?“ She is happy that he says something that resembles Bucky as she turns her back to him, facing John. An enlarged hand grasps hers, and she stops in her tracks, back still towards him. He’s nonchalant when he speaks, his grip on the small hand loosens when she turns her full attention back on him, but he still keeps ahold on y/n’s hand in case she dares to look at John. „Sorry, John maybe next time…“ Pursing her lips as she replies, not removing her gaze from the empty blue eyes. What abuses has she endured on her heart from him –  secret.
Walker’s dimpled smile is on display, meant for y/n only, but she is occupied and he spins around to head to the coffee shop alone. ✧⋄⋆⋅⋆⋄✧⋄⋆⋅⋆⋄✧⋄⋆⋅⋆⋄✧⋄⋆⋅⋆⋄✧ Despite thinking that she has the strength, the will to do it, it starts to dawn on her that maybe she didn’t. She couldn’t fight him off, he requires her body once again. She is caught in a tide of lust and control – haunting the world inside of her. She is alone and if she wants to please him, she might as well do it honest, adorned in blood and bruises, all pain inflicted upon this body must keep his from the world, from Bucky, from her Bucky. In agony, in love, in worry – she is there for both of them. Metal fingers find the crest of her waist, his other hand skating slowly down the skin, from the chin to her neck, squeezing slightly. His erection crowds in her leg, rolling his hips into hers, the metal hand on her waist clamps tighter leaving the first marks of his assault. He starts flooding her with tiny kisses as she wraps her arms around his neck, pulling him closer. That unexpected movement makes him groan. „Ты мне нужен сегодня ночью...“ (I really need you tonight...) he whispers, his breath tickling her ear. In between kisses, he adds - the shell of a man speaking to you „Ты не можешь убежать от меня“ (You can’t run away from me) „Так вот, я бежать не хочу.“ (I don’t want to run) Soldat was stunned to hear her speak Russian. His fingers came up to trace her jawline, the cold metal leaving tingles on her smooth skin. Something in him changed - her grief like a migraine, she is the only scapegoat from his wretched humanity. Shall she grieve ? Shall she hope? Metal fingers danced through her hair, pulling it into a makeshift ponytail as the human hand started choking her slightly. „Пошли домой“ (Lets go home) „Ужасно хочу тебя трахнуть прямо сейчас“ (I really want to fuck you right now) he argues weakly, still struggling to control his breath.
Y/n’s stomach does a flip. She blinks for a few moments, trying to neutralize the look of worry that is sure is scrawled across her angel face. ✧⋄⋆⋅⋆⋄✧⋄⋆⋅⋆⋄✧⋄⋆⋅⋆⋄✧⋄⋆⋅⋆⋄✧ Emotionally, she wanted to stay in hopes that Bucky comes back soon. Intellectually, she wanted to leave – but she has to punish herself so that after the she drinks of winter, spring will bloom. It was the first time that the Soldier came at daylight - her heart is sick of being in chains, but she is the savior as the winter takes one more cherry tree from the depths of her soul. He watched her for weeks, making sure no one touches his precious flower and here it is, the dark thing, the dark thing he has longed for months – at his mercy. He towering over her as he closes the distance between you. She lets out a deep sigh when he pulls away, eyes softening. “Can I?” She asks quietly and puts her long nails on his neck, drawing circles with fingers as red lines starts to form. The Soldat couldn’t speak, he just nods, moving his head to the side in order to give her flesh to explore. He growls shamelessly at her butterfly kisses across his neck, gliding her tongue along his earlobe, biting down gently to earn a groan. She's gentle, soft. Of course she smells of roses, but there's a bit of perfume as well while he smells of whiskey and misery.  She slaps the soldier harshly across the face, making his head turn to the other side - now her tongue is sucking and licking there and his arms squeeze her waist, pressing himself to her warmth. Y/n gives him a proper kiss for the first time.  Short, and just on the lips. It was meant for Bucky.
He had enough, Soldat grabs a fistful of her hair with one hand, pushing her down roughly to her knees. His calloused fingers graze over her chin, making her look up at him. She peers up at him meeting the blue eyes through dark lashes. Already her mouth is open, tongue hanging out, wordlessly pleading for him – anything. His dick twitches in his jeans. He slowly stuffs human fingers into her mouth, groaning as her lips fall around them, sucking like it is his dick. Y/n whimpers at the low timbre of his voice as he pulls her back by the hair, just to enjoy the sight before adding a third finger. She can only imagine what he must have planned for tonight. She immediately freezes up when his fingers leave – peering up at him from the floor while promptly undoing his belt, shallow gasp escapes her lips, wanting nothing more than to wrap her lips around his cock, its been a long time. Y/n catches her final deep breaths as she licks every single finger of her hands before putting them around his base. She gives the tip a modest, teasing lick before running her tongue around it is a talent of hers – both Bucky and Winter love it – wiftly swallowing every inch of him down her throat. Suddenly she feels his strong hand again, whirling around her hair more and pressing her down to his public region. She gags at the sudden intrusion, gurgling sounds fill the room and y/n eyes water, fucking her mouth with no mercy. His fiery blue eyes were almost widened from shock as he stares back at her, trying to steady his shaky breaths. He groans through gritted teeth as he forces her to take him further into her mouth. Quiet hums sent vibrations up through his cock causing shudders to crawl down his thighs. Soldat’s body shakes with pleasure as he forces his way into her mouth. Tears run down, mixing with the drool that's splashed around. His eyes roll back in pleasure - just playing around with his flower, while she stays all quiet and docile. Right now, she is shameless, she is still listening to the melody of his sounds - grunting and trying not to be too loud as he barely holds it. Her mouth tights as he hits the back of her throat over and over again while digging her nails in his tights to let him know that it is too much. Y/n attempts to breathe, but it results in more gagging noises and he locks her in that position – enjoying every tear that drops on her cheeks. He leans his head back and when she sucks on the tip, circling her delicate tongue around it as she restrains him in a vacuum-sealed, holding it in her mouth. He blacks out when he comes, the body tenses hard and then liquids rush into her mouth. He feels his knees buckle slightly at the sensation with an even heavier groan escaping his lips. Soldat withdrawals from her mouth slowly as she licks her lips to assure there is nothing left behind, he smirks looking down and decides to pull her back up by her hair. He throws her onto the bed, sighing and undoing his pants, removing them completely. He feels so high with this much adrenalin, with this much power and freedom. The knife is already in his hand, cutting through clothes. The marks on her body are his greatest mastery, Soldat’ smile lingers at the thought of leaving them all over. He trails the tip of it down to the edge of her panties, gulping slowly – with so much time and freedom he is unsure of his choice of action. He is still over the underwear, playing with the knife, seeing how deep the fabric can dip, tracing the folds he can reach, feeling how utterly soaked she is with precise precision of the blade.
The knife slices them as he lets out a whimper which causes her to twitch with fear, staring up at her incubus. Soldat presses the cool blade to her throat, a small line of blood starts to form. She cries out – a masochistic mixture of euphoria and pain. The knife is removed from her neck and replaced by his vibranian arm. He squeezes until he is satisfied with the angel eyes full of tears, she loves the way he is choking her…almost to death. He growls as he touches his dick with his hand, slowly forces his length into her, a throaty groan escaping his lips. They share a sickness that doesn't need fixing at all…flatline the heart, discard the brain - change her into whatever you feel like, she is not going anywhere.
He closes his eyes, lost in the moment – his own knife is pressed against his throat – she presses and the red pearls falls on her face and neck and that. It stings and Soldat whimpers about the pain, twitching inside her. He smirks, leaning down to her ear…leaning into the knife as more blood starts to flow. He growls lowly into her ear, sending a shiver down her spine, grunting with every merciless thrust that lurches her body with it, his hot breath - intoxicating.
„Из-за тебя я отлично чувствую этот нож….ласковый цветочек“ (Because of you, the touch of the knife fees good…tender flower) „Поцелуй меня“ (Kiss me) Before she can register what’s happening, she drops the knife to the side of her head and kisses him. His hand collides with her cheek, stinging and bringing more tears, biting her shoulder as his thrusts get rougher, the unwanted orgasm too close to be postponed any longer. His cock is throbbing, shooting load after load of warm, sticky cum. Even after cumming, he can't bring myself to stop the assault - planning an overdose on orgasms tonight. Y/n whines at the lost of the feeling of his body, but he flips her over like a drag doll, onto her stomach and she instinctively raises her ass into the air, waiting for him. He gathers both her wetness and cum with his two vibranium fingers, forcing their way inside of her hole with a brutal pace as his other hand shoves her back down into the mattress. Y/n let her eyes flutter shut when he brushed over the clit, hips jolting up and craving for more fingers. He groans into her skin at her reaction, leaving a trail of teeth makes on the back on her neck. The feeling of delight was unfortunately short-lived, however – he doesn’t plan on her cumming tonight. He is still jealous of her interactions with John for the past weeks, he planned on killing him before she stopped him. He turns her around, on her back as he soon fasted her pussy, his lips latches onto the clit, circling it with his warm, wet tongue. She writhes in pleasure beneath him at the duo sensation of his metal fingers moving inside and his mouth on the clit….but everything stops. Again. Again. Again. „Please, please…Bucky…“ she murmurs, she misses every part of him. „У меня ничего не осталось от моего другого я“ (Now I have nothing of my other self) „Здесь только мы с тобой“ (Only you and me here) Y/n looks down at him, the Soldier looking back from between her legs, not seeing his wide grin. He doesn’t like it when y/n mentions Bucky, but he is too dizzy from the pleasure, not punishing her for now, only giving a warning in Russian. He gives the clit one last abrupt lick before flopping down in the middle of the bed, slapping his thighs and commanding her to sit "Ride me" She hovering above his cock, sliding in one motion. She moans shamelessly as she finds a suitable rhythm, her hands firmly planting onto his neck and he mirrors her act, squeezing her tightly at her neck. As he is closer to the edge his sadist mind deprives her of any oxygen, her struggles to stay conscious and that slowly drives him over the edge - his throaty moans fill the room as he slams deep for the final time. Y/’s body is writhing, but his hand around her neck keeps her in place, knowing there’s no use in trying to fight him off.
As the grip around her neck looses she opens her mouth to take deep breaths. He takes advantage of this by spitting into it.
„Как ты, дорогая“ (How are you, darling?)
Soldat slaps her cheek, urging her to respond, but her head is so foggy with pleasure that the reaction is delayed.
„Я в порядке“ (I am fine)
„Грязная шалава“ (Dirty bitch)
He glared at her intensely and when his brain had fully calmed down, he flips her over onto her back so that he was on top. He wastes no time in pinning both her small arms above her head, hurling both over her legs over his shoulders as he starts slamming back inside. Closing her eyes, trembling with fear. There is a little cold kiss on her forehead and when he opens her eyes – her own revolver. He shows y/n the single round before placing it back, spinning the cylinder – Russian roulette. They stand together set in stone, hearts open wide - flames of afterlife getting closer. He counts to three and pulls the trigger. Her whole body tenses up, eyes closed. The Soldier exhales slowly, watching her eyes full of tears, shallowed by fear. „Your turn“
But the concept of it seems less gruesome then reality. The time seemingly stopped for a moment. Every time she blinked it presented itself. Memories. Regrets. Love. Fear.
The revolver feels impossibly heavy in her unsteady hands. Soldat takes a deep inhale through the nose as he eyes close. Index finger rests on the trigger. Click. Her soul is in a constant struggle between her need for Bucky, fear of losing him, and a desire to executes the Soldier herself. She was never really insane except upon occasions when Soldat played too much with her heart. His cold laugh alone drives her to tears, his pulsing cock starts pounding into her again – y/n is trapped in a nightmare, breathing just a little, calling it life. She wants a version of herself that isn’t neck-deep absorbed in this filth. „Bring him back…“ she is prepared to be devastated, but there was a need to confess. A misfit, people wanted to lock him in, but there she is – satisfying both of the Winter Soldier’s and Bucky’s needs…oh yeah, will Bucky remember when he comes back? ✧⋄⋆⋅⋆⋄✧⋄⋆⋅⋆⋄✧⋄⋆⋅⋆⋄✧⋄⋆⋅⋆⋄✧
When she wakes up, he is gone. Y/n decides to look at herself in the mirror – there is a huge bruise on her neck as If she is stripped of beauty. She laughs, then she cries, choking on tears – haunted down by the Soldier even though she tries to stay away. Sometimes love is a slow burn that keeps you warm, and sometimes it's a bonfire that can't be contained…she is so worried about Bucky, the love in her heart demanding for his presence. Without him, she is nothing but a faint noise. She has to call him, to make sure that he is back after weeks wasted by stalking her as the Soldier. „Doll…why are you calling?“ The line goes dead. ✧⋄⋆⋅⋆⋄✧⋄⋆⋅⋆⋄✧⋄⋆⋅⋆⋄✧⋄⋆⋅⋆⋄✧ ✭TAG LIST ✭ @smplymrvl @i-want-to-be-hit-by-a-car @msoldier @marvelxlevram @lovelywritinglady ✧⋄⋆⋅⋆⋄✧⋄⋆⋅⋆⋄✧⋄⋆⋅⋆⋄✧⋄⋆⋅⋆⋄✧ "Fine, I'll do it myself." - me writing fics about daddy Soldat THIS IS WHAT I AM HERE FOR - THE WINTER SOLDIER LMAO BARKING RN
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chakkll · 8 months
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Gorgeous
Fred Weasley x gender neutral!reader
Synopsis: You and one of the two most popular students in school have always had a bit of a rocky relationship; the two of you constantly either pulling pranks or insulting each other (all in good fun, of course). However, little does Fred know, you’ve been crushing on him. Hard.
Inspiration: “Gorgeous” by Taylor Swift
Word Count: 1.8k
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“Oh, come on!”
You groan, now completely soaked after simply exiting the bathroom because of a certain Weasley—or, as you like to call him, Weasel. Dripping wet, you have no choice other than to walk right back into the bathroom and quickly think up a solution to your immense discomfort.
You can feel water ooze out of your socks every time you take a step, and it only fills up your shoe just to be soaked back up by your socks. You hastily hurry into a stall, close it behind you and take off your socks and shoes.
Getting that out of the way, you turn around and ring out your socks into the toilet. You can hear a faint giggling from outside the stall.
“That Weasley boy got you again, didn’t he?”
A rather high pitched voice whom you’ve spoken to many times pipes up from above you. You resist the urge to roll your eyes. “Myrtle, not now.” You sigh as you angrily ring out your socks, and your obvious annoyance only makes the ghost giggle even more.
“Such a mean boy, constantly playing pranks on an innocent student,” Myrtle pauses, and you can hear a small squeak come from her. “Reminds me of my whole existence!” Myrtle lets out a small sob.
Not having the energy to comfort the now sobbing ghost, you just sigh once again and continue to ring out your socks until water finally stops coming out.
“Myrtle, I’d comfort you, but I’m kind of soaked and late for potions,” You softly call out, but receive no response. “Must’ve gone to a different bathroom.” You mutter and step out of the stall.
“So annoying, constantly playing ‘harmless’ pranks,” You use air quotes when saying harmless as you whip out your wand. “Doesn’t that idiot know when to stop? Snape will have my head for being late!” You grumble as you perform a quick drying charm (“exaresco!”) on yourself and, soon after, your socks and shoes. Slipping them back on, you quickly do the same to your bag that had the same unfortunate fate as you, lug it over your shoulder, and run out the bathroom.
“That Weasel, making everything so unnecessarily difficult! Can’t he just give it a rest?” You mutter as you make the long trip to the dungeons.
Mumbling incoherent plans to murder Fred, you soon make it to the classroom. “Why can’t he be like Ron? Or Ginny?” You cautiously approach the door, quieting down. Every inch of you screaming to just skip the class because of how late you are, you slowly push the door open, only to see Snape sitting at his desk, staring at you with great disapproval evident on his face.
“Ah, (L/N), nice of you to stop by.” Snape sneers, his hands folded on the table in front of him.
You force an apologetic smile onto your face, feeling the whole room’s attention on you. “I apologize for being tardy, Professor. You see, as I was exiting the lavatory, a pail of water was poured onto me.” Since you sit with the twins, so knowing the Weasel is quietly watching you give your story to Snape—most likely with a smirk—only manages to piss you off even more.
Snape’s disapproving stare doesn’t let up. He only purses his thin lips, though it’s a little hard to tell under his crooked nose. “Ten points from (your house).”
You slowly nod. “Sorry again, Professor.” He ignores you. You take this as the go-ahead to sit down. Everyone’s attention is back on their own potions as you approach the table you normally sit at. However, instead of there being two redheads, there’s only one.
Silently sitting down in your stool, you quietly take out your potions book. “No George today?” You coolly flip through your textbook as Fred looks to you.
“Nope, he’s in the Hospital Wing.”
Your brows furrow in confusion and worry. “The Hospital Wing? Why?”
“Testing one of our newer products; long story short, it didn’t end well for George.”
“Ah.” You nod as you flip to the same page Fred has his textbook opened to. After a few moments of awkward silence, you can feel Fred’s gaze on you again as you read through the ingredients for your assignment; a Laughing Potion.
“What’s got your pants in a bunch?” You can hear him smirking as you start to chop the alihotsy leaves.
Rolling your eyes, your chopping starts to become a little more aggressive. “Why, nothing, Weasel.”
“Aw, really? Nothing at all?” He continuously stares at the side of your face with a teasing smirk. “So you aren’t mad at me?”
“How could I ever be mad at the worst Weasley?” You set the chopped alihotsy leaves to the side as you start to heat your cauldron.
“Aw, that’s mean, (Y/N).” You glance up to Fred’s face, seeing him pout like a four-year-old. You resist the urge to smile at the cute expression, going back to laying out your ingredients.
When Fred realizes that you’re ignoring him, he lets out a dramatic sigh and rests his head on the table. “(Y/N),” He softly calls.
After being met with only the sound of students hysterically laughing into their cauldrons, Fred frowns. “(Y/N).”
You feel a soft tap on your right shoulder—Fred is sitting on your left—so you look up, only to see Angelina Johnson smiling bashfully at you. “Hey, (Y/N), can I ask for a little help?” And the two of you get into a fruitful discussion about how many Puffskein hairs you should put in the cauldron at a time. This only makes Fred’s frown deepen.
Soon enough, Snape orders Angelina back up to her table and for Fred to focus—you snicker quietly when he whacks Fred over the head with his book—and you go back go your potion, pouring in clear spring water.
Fred has been calling you for the past few minutes, and each time you act like he doesn’t exist.
“(Y/N), look, I’m sorry if my prank upset you,” Fred’s usual teasing tone is long gone, replaced with a soft and apologetic one. “I didn’t think it would have made you late; I’m sorry.”
Staring into your cauldron with wide, surprised eyes, you look over to Fred. He’s awkwardly smiling at you, his cheeks tinted pink. After staring at each other for a few seconds, you sigh softly.
“Damn it.” You curse quietly and look away from Fred. When he hears your reaction, his brows furrow in confusion.
“It’s fine. Just… don’t do it again.” You murmur just loud enough for Fred to hear, and he brightens instantly.
“Oh, good! I thought you were gonna say I looked stupid.” He chuckles bashfully and you silently curse again.
“No, you looked cute, dummy,” You think to yourself, feeling your cheeks warm. “And don’t chuckle like that—it’s too damn sexy.”
You quietly cover your face as you turn back to your cauldron and continue to brew your Laughing Potion.
Throughout the rest of the period, you and Fred joke around with each other—every once in a while you flirt, but you brush it off, thinking he’s just teasing—until you two have to laugh into your potions.
“And it has to be genuine hysterical laughter. You can’t force it.” You remind Fred as he just shrugs.
“I can make you laugh any day, this should be a piece of cake.” You roll your eyes at his confidence, but soon enough, the Weasley has you crying in laughter because of his idiotic pickup lines, and it soon turns into a pickup line battle.
This makes Fred start to laugh uncontrollably as well, and you two barely remember that you have to be laughing at your potions; not just near them. So, you redirect your laughter to the unfinished potions.
Even though you’ve laughed enough, you two continue with the battle.
“Hey, hey, I’m not trying to get in your pants, I just want to invest in them.” Fred cackles loudly when you manage to get it out, and his laughter makes you laugh more.
“I’m learning about important dates in history; you wanna be one of them?” Fred’s line makes you wheeze, and you two are laughing so hard it actually hurts.
Soon, Fred falls off his stool laughing. “Oh Merlin, are you okay?” You choke out, wiping tears from your eyes.
Fred’s laughter momentarily stops as he looks you dead in the eye. Your laughter dies down, expecting him to say that he’s actually hurt.
“Ugh, you see this? Now I need to visit Madame Pomfrey too, all because I fell for you.”
You two hold a dead stare, but it doesn’t last long, because soon you two are hysterically laughing again. After a few seconds, you find yourself fallen on the floor with Fred.
Snape comes over and whacks you both over the head when he realizes you aren’t working on your potions, and the two of you soon get back onto your stools. Quietly throwing jokes at each other, you both somehow manage to finish the potion just before class finished.
After you pack up and hand Snape your vial of Laughing Potion, you two exit potions together, still giggling about the class.
“That was so terrible, why did we laugh at those stupid lines so much?” You snort softly as you two make your way to the Great Hall for lunch.
“Hey, you’re still laughing.” Fred grins at you mischievously and you only playfully shove his shoulder in return.
“Hey, seriously though,” You look up, only to see Fred’s expression completely serious.
“Stop doing complete emotional 180s.” You think to yourself as you wait for the boy to continue.
“I really am sorry about the prank earlier.” Fred apologizes once again, and you can tell how genuine he’s being by just one glance at his face.
You only wave a dismissive hand. “It’s fine, don’t worry about it.”
“No, I’m really sorry.” You can feel your cheeks heating up. Why? You don’t know.
“But, I think I might know a way to make it up to you.” Fred’s genuine expression is replaced with a slightly teasing, slightly flirty one.
You tilt your head in confusion, silently urging him to continue. Fred grins.
“Let me take you out on a date, and like I said earlier, it’ll be one for the history books.”
You stare at him, your eyes widening in confusion and disbelief. “…Huh?”
“Let me take you out. The Hogsmeade trip is tomorrow, we can go to the Three Broomsticks, Zonko’s, Honeydukes. Whatever you want. Just let me take you on a date.” You can tell that Fred is nervous despite his confident front.
When you realize how serious he is, you can’t help but laugh in disbelief. “You… you’re interested in me?”
Fred nods bashfully. “Thought it was obvious, with the pranks ‘n all.”
You shake your head softly, chuckling to yourself. “…Sure. Take me out.”
Fred brightens. “You won’t regret this.”
“Yeah, I hope so.” You sarcastically reply, only making Fred laugh.
“Meet in the courtyard?”
You nod, the two of you grinning like idiots at each other.
“Great. See you tomorrow, gorgeous.”
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richardlawson · 2 months
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The End
After a few years away from that particular couch, I started seeing a new therapist at the end of last year. It had been long enough, I sagely determined, after I was felled by a series of really nasty panic attacks—one happened while I was doing a Q&A on stage with some filmmakers. They didn't notice, nor did the audience, nor (most importantly) the publicists. But it was happening. Me contemplating running off stage, into the Soho afternoon. It was a terrible feeling, and eventually feeling terrible starts to be a drag, so I found, after a fair amount of searching, someone new.
He is in his late 50s and has a kind, open comportment. He's much more giving and lean-in-and-nod than my last therapist, a sort of prim and watchful gay guy who retired to Florida. I like this new gay guy, I think. Or, I am warming to him. At first, I thought his platitudes and constant quoting of various people were corny. But I have resisted such sentiment for so long, and lack of sentiment hasn't cured me, so maybe I should try the earnest stuff. He has me meditating for one minute a day. The panic attacks went away.
For a little while, anyway. They've been creeping back, when I least expect them, and when I most do. I am afraid of what I am afraid of, I hate what I hate, I feel increasingly indifferent to what I love. Winter hardens care. Do I like movies anymore? Do I like a play, seen on some chilly Saturday afternoon? Maybe it's just seasonal. Or it's media malaise in a time of such austerity. They're trying to lay off the best people while the worst people watch, safe as houses. They're trying to take the whole thing apart and replace it with nothing. I have worked in my business for 16 years, well over a third of my life, and for the first time it now feels truly dire and terminal and like I need to start making other plans for what to do with the rest of my time here in the waking, working world.
Something I talk about a lot with my therapist is inertia—I use the word constantly. Why can't I just, why can't I just, why can't I just. I know something's in me, latent under my lazy skin, but it never makes its way to the surface. At least not yet.
Which causes panic, this stasis. I am scared of the drugs that might help, and am resistant to other concrete life changes that might make this better. (I like a glass of wine too much; I'm a fan of my vape.) I have tried avoiding things, I have tried not avoiding things.
I guess it's not circumstance, really. I have panic attacks when I'm home at night, Andrew asleep in the other room, me watching some murder show or YouTube video (same thing) and suddenly a feeling hits me, the conviction that a blood clot or some other lurking thing is making its way up my body and that this is my sorry, lonely little nighttime end. Here it is, the moment when I'm carried off, when I disappear, when I slip away into nothing.
My parents just finished a cruise, a lifelong wish fulfilled, in South America, hooking around Cape Horn and then exploring the fjords and inlets of Chile. All the reports were good. They had the best time. I had worried about my mom itching for her work email, about my dad being newly 90 years old and maybe feeling exhausted by all the activity. But it seems they managed well. They saw Patagonian cities, they saw mountains rising out of the sea, they saw the shy, retreating edges of glaciers, so quiet and demure in their dying. My mom sent us pictures and I thought most about the glaciers, those last cracking murmurs of a time before. When I was in Alaska for a wedding, years ago now, we went to a park of some kind and the visitor's center that was once built over a glacier then stood cantilevered over dry land. The ice had crept much farther up the mountain, winking goodbye.
How awful. And yet, in the depths of my hypocrisy, I relish an unseasonably warm day. Whatever lifts me out of winter, I guess. Whatever can drag me out of the feeling that everything is indeed going to ruin—a career, a life, a liver, a future. My best friend moved out of my neighborhood recently, which is sad. But it also affords us the opportunity to explore new territory, to find backyard bars with good deals where we can huddle in forgiving late-winter winds and make uneasy escape plans, where we consider what parachutes could ever be made of.
It's not always enough, of course. I too often have nights, far too late, when I go pacing around the living room, circling the coffee table in a weird sort of marching step in my underwear, shaking my hands to get the dread to go away. My new therapist has urged me to find what centers me. To think of all that is known and steady.
I try to gather myself and remember the people I have, arrayed across the planet. Andrew, in restless sleep down the hall. My sister in her Los Angeles canyon, surrounded by trees. I walk the room, knees high and somehow defiant, chest straining with worry. And I see my parents, on a boat at the tip of the world, dreaming of lost things.
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theangelwithawand · 10 months
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Good Omens Incorrect Quotes 5
Still not mine.
Crowley as Aziraphale: *gets set on fire and screams in agony*
Crowley as Aziraphale: Nah, I’m just kidding. Fire does nothing to me.
Crowley: I'm a firm believer in "if you're going to fail, you might as well fail spectacularly."
Warlock, T-posing in the doorway: Greetings, Nanny.
Crowley, not looking up from their coffee: Good morning, problem child.
Aziraphale: Please say words of encouragement to me so I don’t murder someone right now.
Crowley: There are no books in prison.
Aziraphale: *sighs* Thank you.
Aziraphale: Jesus Saves.
Crowley: Passes to Moses, SCOOOOOORE!
Crowley: Well, if you're not at least a little bit gay for your friends, then what kind of friend are you?
Crowley: If you don't stop talking, I'm going to jump out of that window.
Aziraphale: ...We're on the ground floor.
Crowley: I know but I want a dramatic exit.
Aziraphale: I made this friendship bracelet for you.
Crowley: You know, I’m not really a jewelry person.
Aziraphale: You don’t have to wear…
Crowley: No, I’m gonna wear it forever. Back off.
Crowley: So jellyshish-
Aziraphale, laughing: JELLYSHISH!?
Crowley: You know what I meant!
Crowley: What's gone wrong, Aziraphale?
Aziraphale: Hey! That’s one heck of a thing to say to a person. Just because I’m calling doesn’t mean there’s a crisis.
Crowley: That’s technically true, I suppose. Why are you calling?
Aziraphale: Well... There’s a crisis.
Crowley, hungover: Please tell me I'm imagining that I claimed I was king of the ducks.
Aziraphale: I would, but then I would be lying to the King of All Ducks.
Aziraphale: Crowley? What are you doing here?
Crowley, wearing a hawaiian shirt, sunglasses and holding a gatorade: My best.
Newt: I’m here for the cult stuff.
Shadwell: How did you find us?
Newt: I saw your ad on craigslist.
Aziraphale: I am in charge of this disaster!
Crowley: I have a name, you know.
Crowley, wiping tears from their eyes: If you love someone, set them free. If they come back, it’s meant to be…
Aziraphale: I’m literally just going to the store.
Crowley: I have issues.
Gabriel: Finally, you admit it! The first step to redemption is accept-
Crowley: With you.
Crowley: *on the phone with Anathema* I can’t talk right now, I’m doing hot girl shit.
Anathema: You’re pulling Oreos apart and saving off the frosting to make a mega Oreo, aren’t you.
Crowley: Maybe.
Crowley: Now, the recipe calls for 2 shots of vodka.
Crowley: *upends the bottle*
Aziraphale: Sorry, I'm late to the party. I've been doing things.
Crowley, entering in an unbuttoned shirt: I got caught up doing things too.
Anathema: Wow, Aziraphale was late too! What a coincidence!
Aziraphale: You spent all our money on THIS??
Crowley, putting tiny raincoats on ducklings: They live outside. They need this.
Crowley: Where are you going?
Aziraphale: To get MYSELF a gift cause somebody didn't get me one!
Crowley: I told you I did! Its coming here on Friday!
Anathema, knowing full well that Crowley got Aziraphale an engagement ring: *eating popcorn*
Crowley: The only thing keeping me from running away and hiding from society for the rest of my life is spite. I could disappear forever, but there are some bitches whose downfalls I have yet to witness, and I wanna be around when that happens.
Aziraphale: You’re drunk.
Crowley: Correction: drinking. Present tense. Grammar, Aziraphale.
Aziraphale: Do you see yourself as a glass half-full or glass half-empty kind of person?
Anathema: Half-full, definitely.
Anathema: Half-full and constantly rising.
Anathema: Soon the water will escape its container and consume us all.
Crowley: Okay, but what if we went to dinner not as friends this time?
Aziraphale: AS ENEMIES?!
Crowley:
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thisdayhappensonce · 5 months
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another idea that i take immense issue with in the hunger games community is that “peeta played the games better than katniss did” - essentially saying that he knew how to play the capitol and the audience but katniss didn’t.
there is a number of evidence to counter this. the first point the people who believe this like to make is that “peeta came up with the love concept”, and while this is true it’s only true to an extent. peeta did come up with the idea of telling the audience that he loved katniss, to gain their sympathy and favour for sponsorships, but not the ploy that happens in the games where katniss falls greatly in love with him too - in the audience’s eyes. we know this because and the end of the first book, peeta and katniss have a conversation where peeta seems to realise, to quote president snow in catching fire “the extent of her indifference” to him (though of course she’s not indifferent, just not fully in love with him at this point).
there’s also the moment post the 74th hunger games, when katniss and haymitch are secretly discussing how to justify the berry incident and haymitch tells her that “her only defence can be she was so madly in love she wasn’t responsible for her actions.” katniss responds asking if he had told peeta of the situation, to which haymitch says, “don’t have to. he’s already there” (thg, pgs. 417-418). what this explains to us is that peeta doesn’t actually need instruction on ‘the love ploy’ as he is actually in love with her. this is also backed up by the fact katniss was instructed with the sponsor items in the game wheres peeta isnt.
in terms of how katniss played the capitol and the audience, there’s great evidence to her proficiency in it, too. foremost is of course the berry incident, which she came up with knowing its meaning and its danger. it is an act done in anger at the captiol, at their murder of innocent children, at their manipulation to get the two people in the arena closest to eachother emotionally to be the last to standing, to have the greatest possible ending regardless of how it felt for the tributes. katniss realises “yes, they have to have a victor” (thg, pg. 402) so she makes them have two or none.
not to mention, throughout the entire 74th hunger games, katniss is constantly thinking of how the audience will view her actions. when peeta passes with the career pack, she “needs to look one step ahead of the game” despite the fact she is confused and angry, so she “gives [the cameras] a knowing smile” and thinks “there, let them figure out what that means”. (thg, pg. 191)
there’s also the moment where she calls out peeta’s name when she finds out they could both win together, the entirety of their time in the cave, the kissing and almost their whole relationship was a great con to get them both home, and was lead by peeta’s love, yes, but also katniss’ ability to play the capitol’s hearts.
there’s so much more i can discuss about the first and the other books bc i’ve mainly talked about book 1 but this is getting super long LOL. my point is not that peeta couldn’t play the games, or that katniss was better than him at it because i dont believe either of those things. it’s that i want people to stop acting like peeta was the greater voice of the revolution, was better at playing an audience and speaking. he certainly was excellent at it, especially in catching fire when he is aware of his need to act for the capitol (after the district 11 shooting and through to the end of the quarter quell), but katniss was too. that’s all!! sorry for the essay.
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pet-genius · 6 months
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"No one deserves to be praised for kindness if he does not have the strength to be bad" - La Rochefoucauld
And is that not just "Snape to a T," as @dementedlollipop had put it while I was contemplating making a meta?
I think I can relate to the concept of goodness vs. greatness in HP that I've been toying with for actual years. The distinction first comes up in Ollivander's shop, IIRC, where Ollivander remarks that Voldemort did things that were "terrible" but "great", which makes Harry uncomfortable. But of course it does, because Ollivander is literally calling his parents' murderer "great". And that word keeps coming up: "You could be great, you know," the Sorting Hat whispers to Harry.
What if Harry's praiseworthiness is not in ending up in Gryffindor, but in choosing his idea of goodness (which was naive, as he was only 11 and his only source of intel was Hagrid)?
Dobby has always known of Harry's greatness, but not of his goodness, because the too things are not the same. The main "lesson" of COS is that our choices make us who we are, but how many 11 year olds are offered the choice? How many children ended up in Slytherin because no one had warned them about that House, because they had no personal stake in where they would be? Harry is not only a Gryffindor but someone who might as well not have been, hence his goodness. Harry constantly grapples with the knowledge that he is actually not special and has no outstanding power, and Dumbledore constantly has to remind him - the power of love. The power of choice. Picture young Snape, torn between the two, with Lily representing an idea of goodness that is increasingly foreign to him as she aligns herself with people he has good reason to despise. On his other shoulder, greatness - as he conceives it - whispers. It might be telling him something like... "There is no good or bad. Only power and those too weak to seek it." Or even something like... "our choices make us who we are. Do you choose to stay weak or come under my wings and learn how to be strong?"
He has every power to be bad, because his tragic life made that path the easier one. At some point, it might have looked like the only option. Certainly Dumbledore would not have humored a young Snape who had never been corrupted to start with, by the way. What glory or greatness could the Order offer him?
Funnily enough, his biggest criticism of James is that he was "mediocre" and "arrogant," neither of which translates directly to a "violent bully" in my eyes. I don't want to make another post about James, but I do think it says a lot about what Snape valued - at least at the time when James had been alive, when Snape probably verbalized his criticisms.
"Ought implies can", Kant tells us, meaning (as I read it) that moral duty arises only when the possibility exists. But we don't deserve praise for merely doing as we ought. Snape deserves praise just as much as deserves condemnation, because his story has always been that of choice between viable options. The option to be good must have seemed less viable when he was a short-sighted and traumatized teenager, but he always had it. Greatness, and goodness, praiseworthiness... belong to the adult we met, the petty and vindictive and still-traumatized and still embittered man who - even after killing Dumbledore, when capitalizing on his strength to be bad could not be easier - still chose the struggle. It feels like a good point to end the meta, except that I read it and I feel ridiculously self-important and like I barely skimmed the surface. I guess the quote in the title just really encapsulates why Snape is so endlessly fascinating, on top of just being, ultimately - good.
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unhonestlymirror · 8 months
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We honestly don’t mock “realists” enough for getting absolutely everything wrong about reality - especially regarding russia’s war.
I’m no academic, but we can all spot a grift as blatant as “realism”.
Realists say they just describe the world as it is - shaped by “great powers” - yet are constantly angry that the world isn’t how they’d like it to be - and that people in smaller nations actually have agency too. In a desperate attempt to prove their analysis, they’ll cheer on and collude with a so-called “great power” in the hope it can destroy international law and the rules-based order of co-operating sovereign states that is so inconvenient to their analysis.
Hence they still publish pure delusions like this, written as if it’s Ukraine that’s invading russia (at the West’s behest) and has the luxury of giving up the war. It throws out every Kremlin line in a weak attempt to discourage resistance to russia’s genocide.
Articles by realists encouraging a deal with russia that would reward its aggression always suddenly increase exponentially when russia needs to pause Ukraine’s momentum. It’s so predictable.
The obscured face on the cover of this article is an accidental reflection of how they prefer others unseen.
The article focuses in on analysing Ukraine’s counteroffensive by summarising every critical western report over recent months, alongside analysis from western realists. Out of the many people who provide their analysis in this article, there are ZERO Ukrainians asked for their perspective. Only one anonymous Ukrainian official and a tweet from Zelenskyy are quickly referenced to support her narrative.
The article has ZERO consideration for the reality of Ukrainians under russian occupation who face mass murder, mass repression, mass deportation, torture, sexual abuse and the elimination of their culture and nationhood. Lynch’s main argument means that Ukraine should settle for this - yet addressing this reality never crosses her mind.
Out of thousands of words, there is one reference to “many atrocities” from someone’s quote but in a paragraph with vaguely conspiratorial analysis of the media controlling the narrative. “Scepticism” has been “suppressed” says Lynch.
Lynch is using carefully worded atrocity denialism.
And we see through it all. We remember how bad all their past predictions were - from their mockery of people concerned about the invasion to their expectation of a swift victory for russia. Instead, we see the hubris of a “great power” and the agency of Ukrainians determined to fight for their own future.
Ironically, realists just can’t compete with reality.
I don’t think these realists are as dumb as they pretend to be. They could structure a proper argument and write a half decent article if they wanted to. They know an article analysing Ukraine should have Ukrainian perspectives (especially when using their bodies for the click bait cover). They know it would be more credible to at least address the “counter argument” about what happens when a genocidal invader is unopposed.
They choose not to because realism is - let’s get real about this - just an ideology focused on denying agency to people deemed not to live in “great powers”.
Reality is so disappointing to them.
I forgot to add that Lynch’s article characterises the nature of the war as merely “primal for both Russia and Ukraine”.
What does that even mean? It’s an odd description that serves no purpose except to portray false equivalence between those who chose to wage a war of aggression and those defending themselves from genocide. She knows exactly what she is doing.
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nobody-nexus · 5 months
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More TADC Incorrect Quotes
(Warning some may be nsfw) Contains Ragapom as well because why not
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Jax, to the Squad: The real secret to immortality? Not dying. You want to be immortal? Okay, that’s easy. Just don’t die. That’s it. Refuse to die. There you go Pomni: But how- Jax, ignoring them: “But how”, you may ask. Well, easy. Just don’t do it. Refuse to. Say “no thanks”
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Pomni: That was so hot, Ragatha Ragatha: I literally called the person who just flirted with you a degenerate dog and told them I hope they get dragged through the streets. Pomni: I'm so in love with you.
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Ragatha: Hey, Zooble, where are you going? Zooble: Well, it depends. When I die, probably hell Zooble: But right now I’m going to McDonald’s
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Jax: What kinds of sounds annoy you? Kinger: Are we talking real sounds or imaginary ones? Jax, now interested: Lets say imaginary Kinger: Spiders wearing flip flops
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Pomni: I would do anything for money. later Pomni, covered in blood: THE STATEMENT STILL STANDS!
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Zooble: I just watched Pomni jump off of a spinning chair. Luckily, they weren't hurt that badly. But the whole time, Jax was screaming for help, which caused Ragatha to run in to help Pomni. Just note that all of this happened in the span of six minutes
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Bubble: Bye Caine! Bye Pomni! Bye Gangle! Bye Jax! Bye Caine! Kinger: You said ‘bye Caine’ twice- Bubble: I like Caine.
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Caine: Okay happy circus members! If you were a fruit, what would you be and why? Zooble: I'd be a tomato because no one accepts me as part of the group. Caine: ... Zooble: ... Caine: OKAY HAPPY CIRCUS MEMBERS-
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Pomni: Love is weakness and an evolutionary mistake Zooble: You are literally making a Valentine’s day card for Ragatha Pomni, pointing their hot glue gun towards Zooble: You’re on thin f#&king ice.
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Jax: If I die, my funeral will be the biggest party ever and you're all invited Pomni: "If"? Zooble: Great, the only party I'm ever invited to, and he might not even die
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Caine: Jax, my old friend! Jax: I think you tried to kill me at some point Caine: That was obviously just my way of getting to know you
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Gangle: Do you see yourself as a glass half-full or glass half-empty kind of person? Kinger: Half-full, definitely! Kinger: Half-full and constantly rising. Kinger: Soon the water will escape its container and consume us all.
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Ragatha: I’m proud to identify as morosexual. I’m attracted to dumba$$es and dumba$$es exclusively. Someone asked me what the Spanish word for "tortilla" was once, and now I dream of kissing them under the moonlight. Pomni: What kind of animal is the Pink Panther? Ragatha, already taking off her clothes: God, Pomni, you’re so f#%king stupid.
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Ragatha: Truth or dare? Zooble: Truth Ragatha: How many hours have you slept this week? Zooble: Zooble: Dare Ragatha: Go to sleep. Zooble: I don't like this game.
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Jax, texting Zooble: Any plans for tonight? Zooble: No Jax: Loser
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Caine: You three, explain right now! Pomni: It was Jax Ragatha: It was Jax Zooble: It was Jax Jax: Jax: …fuck.
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Caine, holding an antique bottle: Is this whiskey or perfume? Bubble: grabs and chugs the entire bottle Bubble: Bubble: It's perfume :D
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Ragatha: Kinger… Kinger: Oh no, 'Kinger' in B flat Kinger: You're disappointed
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Pomni stumbles into the hall of dorms, absolutely drunk, takes off her hat, and stands in Ragatha’s bedroom. Ragatha: Babe, are you.. coming to bed? Pomni: No thank you, I’m sure you’re lovely but I have a girlfriend. Pomni: Lies on the ground and falls asleep Ragatha: …
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Caine: If you put 'violently' in front of anything to describe your action, it becomes funnier Caine: Violently practices Kinger: Violently studies Ragatha: Violently sleeps Gangle: Violently shoots pictures Zooble: Violently boxes Pomni: Violently murders people. Ragatha: Violently worries about the previous statement
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Jax, knocking on the door: Gangle, open up! Gangle: It all started when I was a kid. Jax: Wha- OPEN THE F#%KING DOOR
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Jax: You need to be more careful, dollface Ragatha, who was dragged into Jax's issue: Careful? CAREFUL?! I'LL CAREFULLY WRAP MY HANDS AROUND YOUR THROAT-
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Thump noise Pomni, from the other room: What happened?! Jax: Gangle’s shirt fell Pomni: Why was it loud? Jax: It had them inside
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Kinger: Hi, who's this? Jax changed all of my contacts to mythical creatures Gangle: What's mine? Kinger: Dwarf Gangle: THEY'RE SO MEAN, I'M NOT THAT SHORT! Kinger: Oh, hey Gangle Gangle: F#%K!
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Zooble: If we’re in trouble, just throw Ragatha at the problem, and hope for the best
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*Gangle teaching Zooble to drive and taking Jax along for the ride* Gangle: That's a pothole. To the left! Zooble: Take it back now y'all *Drives into pothole* Jax, sticking their face into the front over the center console: Cha Cha real smooth. Zooble: I don't think that's how the song goes. Gangle, crying and gripping the handle: Please just take me home. Zooble: Country Roads. Jax: To the place. Zooble and Jax in unison: I Belong! Gangle, crying harder: What the f#%k?
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Jax: You know, there’s only one person in this world who can tell you what you are Ragatha: Yourself! Jax: No. Jax: Me
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Jax: "What are you into?" is such a broad question, like do I reply with a TV series or choking?
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Pomni: Good night Ragatha: Sleep tight! Caine: Don't let the bedbugs crawl up to your ear and whisper threatening things that make you question yourself! Jax: Great, now Ragatha's crying
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Gangle: Tomorrow's garbage day Jax: I can't believe they made a whole day dedicated to you
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Pomni: My mom is calling… hi mom! Ragatha: Come on guys, stop. They’re trying to talk to their mom. Jax: loud fake sexual noises Caine: EVERYONE SHUT THE FUCK UP! Zooble: is asleep Kinger: gets really close to the phone Tell her I said hi.
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Jax: What did Ragatha do this time? Zooble: More like WHO did Ragatha do this time?
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Ragatha: Dom or sub? Pomni: I guess Domino's, since I don't go to Subway that much. Don't see why you'd put them in the same category though
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Zooble: Who would you kill out of the four of us, Ragatha? Ragatha: Jax, easily. Jax, laughing: What the f#%k, girl Ragatha: Well, Pomni would be too easy. They’d probably be into it. Pomni, now standing in the doorway: What the f#$k, Ragatha!?
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Pomni: Guys, I didn’t memorize my lines! Caine: Just use your lack of common sense! Everyone knows the characters in plays are dumb! During the play Gangle: Hey! You finally made it! Did you get the donuts? Pomni: W-what’re donuts?
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Happy Undertale 8th Anniversary, I tried writing a oneshot but it wasn't working, so here, take this offering of incorrect quotes instead, and may it appease the beast for another year.
~~~
Frisk, at Alphy's window: I thought I'd find you here! Chara, corporeal: WE COULD HAVE USED THE DOOR!!!
Undyne, the night Papyrus came to her house at midnight: I hate you. Papyrus, holding up a surprisingly well-drawn picture: WELL, ACCORDING TO THIS PICTURE I DREW OF US HOLDING HANDS, THAT IS NOT TRUE!
Undyne: Alphys is off at an appointment, so while she's gone, I’m going to cut the sleeves off all of my shirts. Papyrus: Why? Undyne: She's like 90% of my impulse control.
Frisk: Undyne, when’s your birthday? Undyne: Why? So you can look up my natal chart? So you can figure out my weaknesses? So you can destroy me? Frisk: ...So I know when to wish you a happy birthday.
Fallen Human Perseverance: Don't joke about murder. I was murdered once and it offends me.
Asgore: I type how I think. Toriel: Odd that you type at all then.
Asriel: *is hugging Frisk* Chara: Hey! It's my turn to hug Frisk! Kris, kicking down the door: What do you mean, "yOuR tUrN"? We agreed now is my time slot! Asriel: No, It's still my turn! Frisk, suffocating: Guys, I love you, but just because I'm the smallest doesn't mean you can be hugging me constantly! Chara: But we need the moral support! Asriel: And you're small! Which is cute! Kris: If I don't hug you right now I think the depression will kick in and my body will stop functioning. Frisk: Well- I, I guess.
Sans: Last week, Papyrus tried to flush a live lobster down the toilet "because it worked for Nemo".
Frisk: Why are you like this?? Flowey: I used too much "No More Tears" shampoo as a kid and I haven't felt a single emotion since.
Papyrus: WHEN I DIE, I WANT SANS TO LOWER ME INTO MY GRAVE SO HE CAN LET ME DOWN ONE LAST TIME.
Alphys: I never tell people off the bat that I'm gay. I wait. I wait until they say something homophobic and then I laugh and am like "you know I'm gay right?" and watch the look of terror on their face. Mettaton: Mettaton: I like you.
Asriel: Can we go to a haunted house? Chara: What's wrong with the one we live in? Asriel: Wh-what? Chara: Good-night, Asriel.
Frisk: How’s practice going? Flowey: Terrible. I want to stab everybody there. Frisk: Okay, just don’t get any blood on your petals. Flowey: …you shouldn’t be condoning this. Frisk: Don’t tell me how to live my life.
Frisk: What if mayonnaise came in cans? Asriel: Well, that would suck because you can't microwave metal. Chara: Good morning to everyone except these two people.
Toriel: Yes, I'm adopting seven ghosts and you cowards can't tell me no!
Frisk: I don’t think the therapist is supposed to say ‘wow’ that many times during their first session with a client, but here we are.
Mettaton: I've never encountered a problem that can't be solved by an spontaneous musical number.
Frisk, to Toriel: If you see Chara, give them this message *makes a neutral face* They'll know what it means. *later* Toriel: Oh, and Frisk said to give you a message. *makes a neutral face* Chara: Oh no. The neutral face of displeasure.
Frisk: Sometimes I wonder if I’m hearing voices. Frisk: Then I remember that’s the last bit of sanity I have trying to get me to fall asleep at a reasonable time.
Napstablook: Why did you guys dress up as each other for Halloween? Mettaton: Maddy is the scariest thing I could think of! Mad Mew Mew: Mettaton told me I should pick the dumbest costume possible.
Toriel: What's worse than a heartbreak? Alphys: Stepping on a cat's tail and not being able to explain that you're sorry.
Muffet: Would you like something to drink? *Opens fridge* We have water, milk, juice, spiders, Dr. Pepper- Frisk: Spiders? Muffet: Spiders it is then. Frisk: No, that wasn’t- *But she was already pouring them a brimming glass of spiders…*
Papyrus: WHAT ARE YOUR ADJECTIVES??? Undyne: …You mean my pronouns? Papyrus: NO, I KNOW WHAT YOUR PRONOUNS ARE!!! WHAT ARE YOUR ADJECTIVES??? Undyne: …I dunno. What are yours? Papyrus: NOISY AND WORKAHOLIC!!! Undyne: I’ve never had something go from making no sense to making complete sense so quickly.
Monster Kid: I have one brain cell and it bounces around in my skull like a windows screen saver. Monster Kid: When it hits a corner perfect, I’m allowed one good idea.
Toriel: I'm cold. Sans: here, take my hoodie, pal. *meanwhile* Alphys: I'm cold. Undyne: *sets the whole city on fire*
Alphys: So, what's for dinner? Undyne, staring at the spaghetti, and the house, that she and Frisk burnt down: Regret.
Chara: Don’t trust everything you see on the internet. Frisk: Pfft. What possible nonsense could come from the internet? Oh. Did you know that the Earth is actually flat? Chara, taking away Frisk's phone: Yeah, that enough for you.
deltarune special: Noelle: Goshdarn it, the printer broke while printing out Rudy's birthday invitations. Carol: Well, what are they supposed to say? Noelle: "Rudy's birthday". Carol: So, what do they say instead? Noelle: "Rudy's bi". Carol: Carol: Works out either way.
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lemon-natalia · 4 days
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Harrow the Ninth Reaction - Chapter 20
ok the image of Ianthe just … rolling Harrow away down the corridor is hilarious
wow not even the Emperor is that bothered about his Lyctors trying to murder eachother??
i mean, given what she did to Cytherea, i don’t think i can blame Ortus for being suspicious that Harrow is dangerous, but trying to constantly brutally murder her seems a bit overboard
also the Emperor seems very insistent about Harrow learning how to use a rapier
wait so it was Anastasia, the previous Ninth Lyctor that created the Locked Tomb. and the Emperor’s statement that he buried a monster … the Body doesn’t seem particularly monstrous to me, but looks can be decieving, just because Harrow’s in love with her doesn’t mean she’s not dangerous
now he’s quoting Edgar Allan Poe’s Annabel Lee? this guy knows an awful lot of (our) modern poetry. and the question of who A.L. was immediately after the Annabel Lee poem is interesting given they’re the same initials
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giuliettacapuleti · 4 months
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Szabó P. Szilveszter is the only person allowed to play Maxim De Winter, everyone else go home.
Quotes from various interviews:
"Maxim is a very interesting character because on the one hand he is oppressed by his past and his memories, and on the other hand, when he travels to Monte-Carlo, he meets happiness again after a long time: he meets a girl whom we call "I". When it turns out that he can lose her, he is overcome with a convulsive attachment that he has not discovered in himself for a long time…he is emotionally unstable and vulnerable. But he still chains "I" to himself, and actually falls into his own trap from here: he takes the girl and takes her back to his roots, to Manderley. He trusts that her purity and cheerfulness will cleanse his house of the sins, sufferings and secrets of the past."
"This role is the focus of everything I've ever played. Max is very much like me, he follows old principles and demands. It's up to you to decide if he's a real killer or if he just couldn't tolerate certain things anymore. A man who lives in a closed world, Manderley. He holds on for a while, then puts an end to it, and a mysterious murder ensues. A lot is concentrated in this role. Max is just as choleric as I am, but I never make the role like I am, nor the other way around. The two meet on a third track."
"He carries the tragic misdemeanor that happens before the play begins for the rest of his life. No one presumes that he is guilty of anything, that there is murder in his name, no one knows of the burden of it. Then suddenly something happens that you don't expect, that brings new feelings to the surface, and that destroys this beautifully constructed bastion of repression. That not only he loves, but he is also loved is for Maxim de Winter himself a purgatory. Although the key motif of the play is love that is all-giving and conquering, the story is not that romantic. Despite a seemingly happy, exonerating ending, the question remains open whether, despite the strong sense of belonging, Man and woman, Max and “I” will find each other again the next day, whether they can work through what happened. To whom does the viewer side, to whom does he give justice? Is Max's or Rebecca's mirror the more distorted? And in this strange system of relationships, where is the self and Where is Mrs Danvers? This piece demands a completely different kind of acting from the usual one, because in the constantly changing perspective it is necessary to remain authentic at every moment."
“Max is also a bit charming, a bit worldly, there's a little bit of him who likes it hot (I mean his mischief), and maybe a little hypocritical, because we eventually find out he's basically a little boy inside…What I love about him is the elegance, the charm, the ease, of course, with a tremendous amount of work behind his back. That's what's weird to me. If I'd played Romeo, he probably wouldn't be. For there is in Romeo… a wide-open-hearted, all-amazed naive, and then he will become a man. Max is turning from a man to a boy.”
He also said Max has mommy issues, but unfortunately I can't find that interview right now.
Note: This was translated from Hungarian, I tried to do the best I could given that I don't speak it and had to use online translators.
Links to interviews: 1 2 3
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tiredtief · 6 months
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I know a lot of people are gonna say I shouldn't be bitter about other global events getting more awareness than Armenia because every issue should be talked about and some people just don't know/have fatigue, and I'm not shaming anyone for not knowing and not constantly talking about every issue, but it's really hard to not get irritated with posts talking about Armenia struggle to break 100 notes and get inundated with nasty replies while seemingly every other issue gets thousands by comparison and is never treated with the same gingerness as this one. Especially when the exact same narrative that is being pushed about decolonization and genocide and political meddling is so strongly supported for some countries but treated as a somehow controversial and difficult area for Armenia. It's not. Armenians were starved, murdered, and driven from their ancestral homeland while relics of Armenian history and culture were systematically destroyed to erase their presence and pretend Azerbaijan has claim to the land. Azerbaijan is aided in the destruction and genocide of Armenians by Israel. This is a 1:1 description of what happened in 1915 during the first Armenian Genocide, an event that literally inspired and is quoted by Hitler for the Holocaust.
Please don't forget about us.
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mattyalwayssmokesweed · 11 months
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People who call Arya a murderer for killing people fail to understand that whenever she had kill, had been out of necessity and/or justice over others that had been wronged.
Like her or hate her, she doesn’t do it out of pettiness or because she’s bloodthirsty. When Jaqen H'ghar offers her three kills —out of everyone in the world— the first person she choses is Chiswyck, who raped Layna (who mind you was only a 13 years-old brewer's daughter, not someone “important” or even someone Arya knew personally). Arya could have killed Gregor Clegane, Cersei, Tywin who I know she later thinks of, Joffrey, or even Roose Bolton —to keep her identity hidden— and yet the first thing she does with that god-like power is to get revenge over a common girl who she knew would never have the opportunity to get revenge herself.
I fully believe George put in that part both to show the true efficiency of the Faceless Men and to demonstrate everything Arya does is out of necessity or to avenge others; that even if she’s an 11 years-old little girl lost in a country at war, surrounded by dangerous people and the threat of what could happen if someone found out her true gender and name looming over her, she’s still kind. She even gave water to people she knew were not worthy of kindness several times, mainly because she knew it was the right thing to do. She sees someone suffering and she helps them, even if she judges them for their actions.
And, to further prove it, the main issue she has with the Faceless Men and what I think is going to lead to her downfall with them is their arbitrarily way of choosing their victims. It doesn’t matter if they’re good or bad, the price had been paid by someone and so the person must die. Arya hates it. In the chapter The Ugly Little Girl, when she uses the face of a girl whose father, and I quote, “beat her so often and so brutally that she was never truly free of pain or fear until she came to us”, she asks if the man was killed, and when she’s told he wasn’t, she thinks “You should have killed him”
She watched her father get murdered, was close to being reunited with her mother but couldn’t because she was killed, and saw the beheaded body of her older brother being paraded around by his allies with the head of his direwolf mockingly attached to his body. She has every right to be angry, to be pissed off, to be mean, to understand there’s no true kindness in the world, but instead she remains good.
Arya is an anti-hero. She kills people, but never good people. She has her own agenda, sure, but she also avenge others— she’s not a killer because she enjoys it; she’s mature enough to understand the danger she’s constantly in and to know she needs to do it to keep herself alive and to help others. She’s way too complex to be considered and called a murderer. She’s so much more than that.
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richmond-rex · 2 months
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Hi there
So I follow the Tudor Trio and Nicola Tallis, Matthew Lewis and Nathan Amin were doing a debate today on the Princes in the Tower with the quote on quote new evidence that has been revealed from Philippa Langley.
I still firmly believe Richard III killed the Princes and find many of Matthew Lewis' arguments bizarre. I'm not sure why he thinks the Princes weren't a threat to Richard but were to Henry VII. If the Princes weren't a threat to Richard then why would they have been a threat to Henry VII? I can't understand why Richard would ever let them escape England of his own free Will. There is almost no chance they could have escaped without him knowing about it.
Also he claimed that Henry VII sent Elizabeth Woodville to Bermondsey Abbey and that she was supporting the Lambert Simnel Rebellion. Is there any truth to that? Thanks!
Hi, sorry for taking so long to reply! Lewis' arguments are so incredibly ridiculous — they largely rest on accepting at face value people's signatures and on the claim that Maximilian and Margaret of York were too blue-blooded to ever lie for political ends: essentially, he claims lying was for peasants. And yes, the princes would absolutely be a threat to Richard III as he found out as soon as he left London after his coronation — there happened a rebellion made by former Edwardian servants that aimed to free the princes from the Tower, very possibly to restore them to the throne. The princes had been raised all their lives to regard the English throne as their birthright — you're telling me they would grow up abroad and would neve try a restoration aided by one of England's political enemies such as France?
The ricardian claim that Richard III sent them to Burgundy is incredibly ridiculous to me as well: even if they stayed with Richard's sister, she wasn't the one ruling Burgundy — Maximilian of Austria, the husband of Margaret's deceased daughter-in-law, was. How could Richard be sure Maximilian wouldn't take the princes the minute Richard did something that went against Maximilian's interests and use them to either blackmail him or depose him so Maximilian could have his own English king? Burgundy had displayed lancastrian loyalties not so long ago in the past and the political game in Europe changed constantly.
It would have been absolutely STUPID of Richard III to deliver the strongest weapon anyone could use against him to a foreign power. Let's also mention that Maximilian at the time was struggling with controlling his own children, the actual Burgundian heirs, because some Flemish cities had rebelled against him and had his heir (Philip of Burgundy) in their power and were up in arms against his regency. From June 1483 to July 1485 Maximilian couldn't have control of his own son. You're telling me Richard would have sent the biggest assets anyone could use against him to that unstable scenario?
The truth is that Ricardians like Matthew Lewis benefit from the fact that people study/know about the Wars of the Roses from an impossibly anglocentric lens, ignoring that the conflict was also the outcome of the multiple iterations of power play between Western European powers: 'the Wars of the Roses were an extended episode in a European conflict, not just a murderous private dispute'. It really is inconceivable, when it comes down to logic, how Richard was one step ahead of everyone during the mounting off to his takeover of the throne (bamboozling and imprisoning the Woodvilles, executing and imprisoning Edward V's strongest supporters such as Hastings) but would commit such a basic political error as sending other claimants to his own crown to a foreign power.
As to Elizabeth Woodville going to Bermondsey Abbey as a way of punishment for her supporting a rebellion against Henry VII, it makes little sense as well. Henry VII carried on with the marriage negotiations with Scotland that involved Elizabeth and two of her daughters until James III's death in 1488. Again, it would make little sense for Henry VII to have found out Elizabeth was conspiring against him but keep wanting to send her north as an ally to Scotland, a country that could easily make war on him and create problems. Why would he deliver an enemy into the hands of another possible enemy, if Elizabeth truly conspired against him? Again, it's the lack of perspective into Europe and international politics that jump out in Lewis' logic.
Do my words make sense to you? I truly cannot comprehend how Lewis can say the stuff he says and no one really contradicts him in his logic.
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bonefall · 9 months
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Oooh, can you talk about the meta reason you rewrote the blizzard holly relationship and blackstar's backstory?
HOKAY
But I'm gonna preface this one; I hate Blackfoot's Reckoning. I think it's one of the most "solid" written books in the series and I still fucking hate it. I talk about authoritarianism on this blog a lot, and I think BFR was the one time that the series actually tried to textually address what they'd put on the page.
So TW for fascism, including discussion of an incredibly unfortunate quote from the book that is either an accidental or purposeful invocation of the Nuremberg Defense.
Blackfoot's Reckoning is a book that's supposed to delve into Blackfoot's backstory, what made him the cat he was during TPB. Throughout the book they're questioning, "what made him act the way he did?" And trying to drive home that Blackfoot needs to learn from his mistakes so that he doesn't repeat them
But, at the same time, they cling to their slimy Good and Evil dichotomy. So the book decides that Blackstar wasn't an Evil cat, no, he was just a Good Mislead Boy Who Loved His Clan. He's constantly lied to, mislead, people are murdered and he's duped into believing whoever gets framed, suppressing critical thought about his actions. They're trying to both write a "reckoning," but also make his motivations more sympathetic.
So in between questions of, "Is Blackstar really a Bad Boy?" and happy rewards for Blackstar when he goes through a memory, they've decided to shove in replays of Blackstar's most gruesome moments but this time he frowns :( and feels Guilty when he does them. In the eyes of the writers, if you feel sad doing hate crimes, that means there's a goodness inside of you actually.
And just like Clear Sky, all Blackstar "needed" was divine intervention. You can simply retcon in a "reckoning," even if it was never in the main series for the 10+ years the character was alive and active.
But it's not enough that Blackstar himself was getting a stupid retcondemption. No, see, they have to remind you that he was following evil people. The dichotomy inherently crunches away the nuance-- Good and Evil are inherent qualities. Tigerstar and Brokenstar are Evil People. Blackstar asks, "If I was following Evil People, what does that make me?"
The narrative concludes, "A Good Person, but mislead."
And because they can't have nuance with their Good and Evil dichotomy (or couldn't at the time), they failed to address the authoritarianism spectacularly. Think I'm reaching?
They literally wrote the Nuremberg Defense into their book. I'm not doing hyperbole, Blackstar word-for-word thinks the Nuremberg Defense, "I Was Just Following Orders," but then they bury it in a barrage of scenes showing he's Actually A Nice Guy who is Sad to do Bad Things. Either they attempted and failed to do something more meaningful with this book, OR they are so fucking stupid they accidentally included the famous Nazi officer legal defense for a character who DOES A HATE CRIME for a racist dictator.
What was IN TPB was a Blackstar who supported a massacre and expulsion against another group, was complicit in the use of child soldiers, and rehearsed a public execution for a mixed-race character. Like it or not, this is a really heavy subject... and what they decided to do was downplay every one of his actions, because he was good deep down.
And I just find that disgusting. This was ABSOLUTELY the wrong conclusion. They can't show Blackstar ACTUALLY being bigoted. They can't delve into REAL hate, or the idea that maybe he LIKED the power he had over people. Those are Evil People Things. He has to "know," deep down, that what he's doing is wrong.
He cannot have a real change, in spite of the title of the shitty book being Blackfoot's "RECKONING," because he is not bad to begin with.
So, Hollyflower and Blizzardwing.
To recap for everyone who didn't read BFR; Hollyflower is raising her three kits alone because Blizzardwing cheated on Featherstorm with her. Black only learns that he is an accident because he stayed up late one night and overheard an argument. By day, he gets bullied by Clawpaw specifically that he might be mixed-Clan and has to seethe over the truth he knows.
it's dumb. I'm sorry. This is dumb and boring, which is even worse
The war criminal was bullied as a child and that's why he did bad things :( He was good all along he was just sad :( shut up shut up shut up
The "bad environment" he was raised into was... having a single mom and being suspected of maybe being half-clan, but then learning that he isn't half-clan, and being indignant that he can't just share the information he knows about because it would make things complicated or something idk
None of this particularly contributes to his mindset as an adult because he does not HAVE a unique mindset as an adult.
He was just nebulously Sad and followed whatever strongman leader came along, constantly being tricked and bamboozled by outright lies.
"Omg WindClan killed Raggedstar >:0 ??? Oughhhhh that butters my biscuits... was it wrong that Brokenstar sent my baby nephew to battle? No, nevermind that thought that makes me uncomfortable :("
He never has any particular bigotries that were exploited, he was just tricked and mislead the entire time, while also being sad, because God Forbid Blackstar ever have been an 'evil cat'
He gets THANKED by his dead parents for keeping the secret??????????????????? girl ok.....
as usual the bully itself never really gets addressed
It was cheap and easy to just make Blackfoot's backstory the same shitty 'bullying' they write for most villains. This bullying is how he ends up bonding with Brokenkit, a villainous 5-year-old who says, "other cats don't matter" because he's eeeeeevil.
They're supposed to have a commonality connection, Blackstar who is Good Deep Down and Brokenstar who is Evil Deep Down, and that is supposed to serve as the reason why Blackstar willingly blinds himself to the incredibly obviously evil things that his superiors do.
His flaw isn't that he had bad intentions, it's that he didn't think.
FUCK that. FUCK this book. FUCK the Erins for trying to say that there are fundamentally good and bad people. That with the death of Tigerstar, of Brokenstar, of whoever, the society gets to return to 'peace' because now there's no Evil Tyrant to lead everyone astray.
The Erin's depictions of hard childhoods are sauceless. Dry, unbuttered, burnt bread. You want to see a BAD home environment? I'll SHOW you a bad home environment, not just a single teenager being rude. You wanna see the sorts of conditions that prime young people to joining radical causes for a sense of belonging? I'll GIVE you those conditions. Let's TALK about what bounces around in the head of people who aid and abet tyrants.
It's not this dumb ass sadboy shit I'll tell you that much
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1moreff-creator · 4 months
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Happy Birthday Nico Hakobyan!
Meow meow! (Our favorite cat person's birthday has arrived!)
Mrow. (As always, small character analysis + fun facts + songs!)
CW Transphobia, bullying, blackmail, death threats, murder attempt
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-Nico is the Ultimate Pet Therapist! This is because, as they've explicitly stated, they like interacting with animals more than humans. They feel as though there are many unwritten rules of human conversation they don't fully understand, while animals are a lot simpler by comparison. Mood.
-Their secret may also play into why they prefer interaction with animals. It was "No one accepted you for your identity. You were constantly mocked by your family, your peers, and everyone else." Basically, people made fun of them because they're non-binary, to the point apparently they threw rocks and mud at them :(
-Speaking of secrets, the quote on Mai's page associated to them is "Everyone confided in her." Presumably they came out to Mai out of their own will, instead of being essentially outed by David (which is one of the many morally wrong things with David's whole "sharing secrets" operation, but this ain't about him).
-And speaking of secret quotes, the one on Nico's page's source code is "Why should I own up for the mistakes that someone else made?" A bit vague, and one which will probably only make sense with future context. Although, it may actually be referencing something we already saw.
-Time to talk about The Gym Incident.
-Ace got Nico's secret at the start of CH2, and because of his own set of issues, he decided to use this power over Nico to bully them relentlessly. Now, Nico also got Ace's secret, but for one reason or another never brought it up. Possibly because they had a "better" idea for how to stop the bullying: in the heat of the moment, Nico threatened to kill Ace. I mean, killing the guy is a lot simpler than the blackmail equivalent of mutually assured destruction, and we know how Nico feels about complicated social rules and norms.
-Thankfully Hu stepped in before things escalated further, although her method might have been, uh, flawed. Giving her friend the benefit of the doubt, she blamed Ace for everything and slapped him. Which, yes, Ace was horrible to Nico. But the death threat should probably be addressed, shouldn't it? Or should they "not be forced to apologize for someone else's mistake?"
-One thing led to another, and Nico tried to kill Ace in the gym.
-To be fair, the whole situation is still surrounded in speculation, but they have admitted to it. To be clear, I don't actually think this is the situation their secret quote refers to, since they did say "I shouldn't have done that" in the trial, so they presumably feel enough remorse to feel like maybe they should apologize, even if Ace is far from blameless. Or maybe I'm wrong and this is the situation the quote refers to, who knows.
-Additionally, they never denied stealing Rose's turpentine to pull this off, so it's very possible they did.
-Oh, yeah! Nico and Rose and friends :D (or at least they were before the turpentine thing). They shared an FTE, which only had a 0,4% chance of happening apparently :O
-It's a very sweet one, where they vibe for a few minutes without talking, then call each other cats, and talk about their issues with communicating their feelings. It's revealed Nico has a pet cat named Tractor (because he meows very loudly), which is pretty old, and that they miss other cats they knew before the killing game. Also, when Rose brings up she's scared of what she knows because of her memory, Nico drops this while thinking of the killing game:
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Nico [thought]: Everyone here probably is afraid of themselves and what they might end up doing.
Foreshadowing is a narrative device-
-Their numeral in the the David MV is VIII (8), which is "even if I try to think, IDK!!!". Explained at 1:58:22 in this video, though it's not too complex.
-According to Color Theory they get light blue, with the words "cry, cry, idk!!!" I don't think I need to explain why this applies to Nico, who might actually have more crying sprites than the rest of the cast combined (I don't think that's true, but you get the idea). Mood.
-Their birthday, December 19th, lands on National Hard Candy Day, National Harry (yes the name) Day, National Oatmeal Muffin Day, and National Emo Day, among others. At this point I'm no longer surprised by these things.
Fun facts!
-They like cat-themed things and dislike bathtubs. Cat behavior.
-Like most of the cast, they're American, right-handed, their sexuality is unconfirmed and their hair color is natural.
-They don't have a favorite color, as they are not interested in such things, but their least favorite is white. They find it unsettling.
-Nico cuts their own hair, as stated in their FTE.
-Their favorite ice cream flavor is "the flavor." No elaboration. Mood.
-They smell like a kitty-cat.
-Their favorite food is unprocessed and natural food.
Songs!
(I was really tempted to give them some of Muu's songs from Milgram, but whether or not they work depends on what their secret quote actually means so :p)
+The Chattering Lack of Common Sense by Ghost & Pals
+Scapeg∞at by Ghost & Pals
+God-ish by PinnochioP
+Karma by CreepP, CircusP
+Nobody Makes Sense by PinnochioP
+Monster by KIRA (listen evil Nico lives rent free in my head ok?)
+The Spider and the Kitsune-Like Lion by MASA Works Design (So about the evil Nico thing-)
+And Happy Birthday! Sung by kitties of course.
(Wow I did not have a lot for them rip)
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