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#i know who is the new manager
pearlcaddy · 1 year
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locklyle week 2023 🍞 firsts
first sight + you had me at hello [insp]
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moooonah · 2 years
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im not being funny but humphrey from ghosts has the most raw fucking story and it seems almost unintentional. like he's literally comic relief with not much screentime but if you think about it too closely doesn't it evoke like. extreme existential horror??
like man was lonely for basically his entire life and then got accidentally decapitated after sacrificing himself for a woman who resented him so she could have a better life, even though he also didn't get the life he wanted. it wasn't even a heroic death lol. then he spent hundreds of years separated from his body alone in death too because nobody ever remembers him... like im fully aware its not meant to be this serious but jesus christ, humphrey's story isn't even a tragedy, it's straight up hell lol
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twd-obsessed-bitch · 2 months
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Thinking about Rick calling Michonne his wife,
And about how he doesn't know he has another son, he kept talking about his wife and his daughter but he doesn't know about his son
I want to scream, TWD universe makes me want to scream
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katvazamo · 5 days
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i think the consensus of the watcher situation is that people would pay a subscription service but seeing the content as it is now they cant justify
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qqueenofhades · 6 months
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Have received final proofs for my second journal article to be published this year. 🥳
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what if You wanted to "post on kofi", but Kofi said "log in"
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genderfluidgothwitch · 5 months
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For those who are unsure of whether or not they really have the "sensitivity to cold" symptom of fibromyalgia, because you think that it's just you not being able to handle colder temperatures like other people, that's one way of putting it. The other way is, when it's winter and the temperatures start dropping, do you feel your pain more intensely? Do you feel like you have more problems with your joints? Is your partner always commenting how cold your fingers and toes are, but it somehow gets more frequent in winter? Those are other ways to consider being sensitive to the cold.
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larytello · 3 months
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I'm just saying, someone should put Tails (Sonic The Hedgehog) and Ryder (Paw Patrol) together in a lab.
You may throw Rocky (also Paw Patrol) in there too. That would be quite the sight. Someone needs to feed them bc they'll totally forget to eat so busy they'll be working together.
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trainingdummyrabbit · 2 months
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"not to ocpost-" please oc post (as long as you're ok with it) i would love to learn more about holly and chun-run!! (as long as you're ok with it!!)
! oh its absolutely ok, i love being enabled ^w^ kjfngdkjf um um. this is another Entire Thing(tm) that requires Exposition(tm) so um hope youre ready to read More Paragraphs !
the short answer is
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the long answer is: i went 'hey i have two* ruina-era ocs, what if i put them next to each other for fun? haha they'd hate each other ^w^' ... 'Oh God They'd HATE Each Other.' so uh, the exposition.
Holly! You've Never Met Her Before. certainly not. ttttechnically. out of narrative, Holly was originally a branch of what Cocoa's character would have been when I was first developing her. in narrative, Holly is what would have happened if they'd never been picked up by LCorp. she's... an entirely different person, basically.
in essence, if you thought the other one was unstable, Oh Boy(tm). Holly is what happens when the city Actually gets the chance to sink its claws in. it's just this time, she was far, Far less quiet about it. girlies who completely fucking failed their stat check Again. there's only so much 'keep your head down and take it' you can really handle before you're just about ready to tear a bitch apart, and well. Well! anyway.
Holly is another angle of the Human/Monster/Object tangle, in where Cocoa's development hinges on the equivalent of trying to balance several spinning plates and Fucking Up Miserably, Holly has started hurling plates directly into the audience with intent. if you will.
humans are always talking some hot shit about how high and mighty they are, the "value" that comes with just being Human, and yet their entire lives are a horrible, animalistic dance of clawing each other to shreds while hiding behind ideas and roles they themselves put into play, like it's some stupid game. that harm is just an intrinsic part of the human nature. she can't fucking stand it.
essentially, she's an odd argument between the Human and Monster corners of the tangle. not only hates the binds that the city places on them of obligation, but also the ties of human emotion-- namely guilt and connection. that endless dance. she wants nothing more than to shed these ideals completely-- unfortunately, she still intrinsically and unconsciously clings onto them, afraid to let go. a human trying to claw its way out of humanity. it doesn't matter what it takes-- she's not letting this city take her first.
...and then there's Chun-Run.
we just don't know where chun-run came from. but she sure Is, and she's Immediately going to make it a Huge Fucking Problem. being aligned with the musicians of bremen, she has.. very normal views about art, and what it means to be Alive. she's the closest thing to a human time bomb i can think of, probably.
she doesn't have much of a character... honestly kind of intentionally? her entire being is solely rooted in the present, the What Is and the What Will Be. she strives to feel what the pianist's performance invoked that day-- through any means necessary. whatever happens to Her, to anything around her-- none of it matters. first and foremost, she is a conduit. it's all secondary to that singular experience.
horrifying. painful, disgusting. striking, poignant, pungent. it makes her sick to think about, but some part of her wishes she was closer to truly Feel it. its repulsive– but she Needs to hear it again. to witness, to experience. what is it– what was it? to grasp onto an ephemeral feeling she physically cannot understand– frustrating, frustrating. but she Needs to. to make the soul sing, cry out in reverence... to call it a Song is almost insulting.
so you have the worlds most unstable walking contradiction with absolutely no outlet and an unidentified fucking thing intent on wringing some undefineable meaning from the soul through physical violence.
so like, moth meet flame.
chun-run is pretty much Instantly infatuated with holly-- but for the Entire Wrong Reasons. it's pretty much "Yeah I Could Make Her Worse." all the way down, but expressed entirely through Murder. yknow, girl things. and holly, of course, fucking hates this are you for real right now??? shut the fuck up about reaching Art through Violence there is something WRONG WITH YOU. chun is entirely convinced that she's what will harmonize closest to that sound she's chasing-- that dissatisfaction, desire, rage... it's so painfully close. and yet she refuses to acknowledge that spark! refuses to engage entirely! is it not the nature of the soul to sing? so sing girl, sing.
girlies who are trying to claw their way back to stability and girlies who want nothing more than to burn to ashes in a beautiful blaze of Being. in conclusion:
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b4kuch1n · 8 months
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dip pen ink comm batch 4 complete! for Ezechiel, @ohwwhuv, and Leo :]
#bakuspecial#commission art#the grayscale for these were done on a train with my laptop track pad fksdjhf it was! manageable! but not desirable condition#that was before I got my new current tablet too... thank you my old huion. you served me well. Im so sorry I chipped ur paint to shit#ngl the texture on the new one's better off the bat. the grip's better and it has good kinetic feedback#too bad abt the touch buttons tho... I was confident I could make use of them but alas#things need actual feelable buttons again please I can Not tell where anything is when Im drawing and cant look at the tablet#my eyes are on the screen!! Im bad at gauging distance!!! please give me buttons I can find in the dark. please#even the old huion which has actual buttons I still couldnt use them. bc theyre not raised#theyre flat to the tablet's surface. you know what I shouldve tacked raised stickers on them I was stupid there#well! the more u learn. the more u learn#I'm happy with the current tablet tho!! buttons stuff aside it's nice to draw on. and thats what important. wrists dont hurt no more#almost said ''I miss the wacom eraser end" I don't. not really. every time I used that thang I was like wow you are so imprecise and blunt#litcherally why would you want basically a mappable stylus end but it's 50 times the size of a normal nib and you cant see where ur drawing#especially on a screen tablet. the dynamic there makes absolutely no sense#I can really do the same thing now by mapping one of the stylus buttons to swap foreground color to transparency#anyways. this has been my testimonies on tablets. in the tags of a dip pen ink post lmao#well! this is a late post I shouldve posted this before art fight. thank u again to that anon who reminded me#have a good day lads! we can answer emails together. hands in professional hands
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typicalopposite · 4 months
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Y’all ever write your whole story in your head while you’re doing something where you can’t physically write (like driving; what I was doing in this scenario) and it sucks because the story turned out sooo good but you have a really bad memory so once you’re able to actually physically write you don’t remember the head-written story 🥴
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moonflowerus · 8 months
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Happy birthday, Yeo Hwanwoong!
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psychedelic-ink · 3 months
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man living with toxic relatives really is the worst, you come home and you just deal with more bullshit when you should be relaxing
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nat-seal-well · 3 months
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It might be time for me to look for something new
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jq37 · 4 months
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Please let us know if you solve this mystery!
OK! It’s the end of the year so let me compile everything I was able to come up with (with the help of everyone I dragged into this–you know who you are and thank you and I’m sorry). 
To anyone who’s just seeing this and doesn’t have context, in November, right before the movie Wish came out, I made a longish post questioning who Allison Moore was (which, incidentally, is the first post that comes up when you Google “Allison Moore Disney”).
The reason I was curious about who this random writer is is because she’s credited as one of the co-writers of Wish, Disney’s 100th Anniversary Feature Film BUT she has no obvious experience writing for animation, children, or fantasy when everyone else on the main team has credits on stuff like Frozen and Encanto. I thought it was bizarre that there would be someone so green on a project so big so I went digging. 
Here’s what I learned:
(1) Moore wasn’t originally announced as being attached to the project. Chris Buck, Jennifer Lee, and Fawn Veersunthorn were all mentioned when the project was officially announced in Sept 2022 (for example). Moore was not. And you’d think they’d mention the *co-writer*, right? You don’t start to see her name until a year later in Sept 2023 when the trailer dropped (for example). So it seems like she was brought onto the project later. Of course, this could just be a normal quirk of the industry or something I’m misinterpreting, but I think it’s worth mentioning. 
(2) Moore seems to have a lot more credits in stage writing than she does in screenwriting. I wasn’t able to 100% confirm it until recently (I’ll get to that in a second) but she’s written a bunch of plays and it seems like this is where she has most of her bona fides. 
“Allison is the recipient of two Jerome Fellowships, two McKnight Advancement Grants and the Bush Artist Fellowship.”
That sounds fancy. But it still doesn’t say “Top Choice for Disney Anniversary Movie” to me. That’s not a statement on writing quality. I haven’t read/seen any of her plays. It’s about the subject matter. Look at some of these synopses:
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None of that really screams Disney. Which isn’t to say people can’t have range. George Miller wrote all the Mad Maxes but also Babe and both Happy Feet. But if I was hiring someone for a really big project, I wouldn’t want that project to be their first attempt at expanding into that genre. 
(3) This isn’t actually inherently important but she was on an episode of Nailed it. That’s where this picture comes from:
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She won the first round and the game ended in a three way tie for the first time in the show’s history. 
The only reason this is noteworthy in the larger scale of things is that, until very recently, this was one of only two places online you could see Allison Moore talking. The other is this very short interview on the red carpet during the premiere. 
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There’s nothing in that interview that explains anything. It’s mainly her talking about how it was fun working on the movie and how good the movie is. 
Honestly, good for her for not being Extremely Online, but it really felt like I could get a bit of a handle on everyone else who’d worked on this project in a high profile way but not her. Which is part of why I started down this rabbit hole to begin with. There was nothing to show where she might have had a connection or an interest or anything that would connect the dots. 
For reference, Fawn (who was one of the Directors and story writers) has the kind of resume that I was expecting Moore to have when I initially Googled her:
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Smaller jobs on other kids/animated movies (Hop, The Lorax, Despicable Me 2), some storyboard or art work on other Disney stuff (Frozen, Moana, Zootopia, Ralph), and then a big break (Raya and Wish). Based on my understanding of the industry (and I know a fair bit because it’s one I’m interested in professionally) that’s a very typical track to get to the writing side of animation.  
A couple of people speculated that Moore got onto the project in a mentorship capacity. Now, I’m a Black woman who writes fiction professionally when I’m not on this hellsite (affectionate) with the rest of y’all. That means I have firsthand experience with what mentorship looks like in writing–both official Diversity and Inclusion type mentorship and more organic “Let me take you under my wing” type mentorship. I have *never* seen anyone get a job this high profile at the jump just due to mentorship alone. Going from zero to Disney’s 100th anniversary is kinda insane. This wasn’t some B project or something. It was a Big Deal Project. And this is Disney so they could have hired basically anyone they wanted. So you have to assume this was an active decision someone made and not just a thing that happened for lack of options. But in all my searching, Moore wasn’t mentioned except to just say she wrote the screenplay with Jennifer Lee. It was just the baking show and the Youtube clip.
Until today.
(4) I’m going to preface this by saying this doesn’t actually answer the question in a big AHA! way, but it is the only interview I’ve seen about Wish from Moore besides the red carpet clip.
On December 15th, Moore gave this interview with the San Antonio Current.
I stumbled across it while searching for a different piece of information and eagerly clicked to see what she had to say after three weeks of silence after the movie dropped on November 22.
Here are some highlights:
-In high school she was a theater kid and thought she wanted to pursue acting. 
-I college she did playwriting and eventually she got her MFA from Iowa (which has a weirdly great MFA program btw, and also, this interview is how I confirmed she was the playwright Allison).
-When she started on the theater track at her college, she told them she was a playwright so she could study that too even though she’d never written a play before. So it sounds like Wish isn’t the first time she’s just jumped into a new thing without experience. You have to respect the hustle.
But this is the most important line in the interview because it’s like, an answer and a non-answer all in one. She’s asked, “How did you go from writing plays to writing for TV and film?”
And her answer is, “I had a whole career writing for theater, and then when my son was born, I realized I needed to make more money, so I started pitching for TV. I worked in television for about a decade. In the midst of working in TV, I continued playwriting. That's how I got on the radar at Disney.”
Which kind of sidesteps the most intriguing part of the question? Like, first of all, it’s not 100% clear if she means her playwriting or her TV writing caught Disney’s attention. I’m guessing playwriting, but I could be wrong. Secondly, who is “Disney” in this situation? A Disney recruiter? A Disney director? Did Jennifer Lee see a production of Slasher: A Horrifying comedy while passing through Texas and think, “Her. I want her to be my co-writer on this children’s film.” And what did she do to impress them so much that they right away put her on the the *Anniversary Project*? Like, I know I keep harping on this but I can’t stress enough how big of a deal this is. It’s hard enough to write for just your average sitcom or little movie. To just jump on something this big is baffling. I obviously don’t expect Disney to be justifying their every hiring decision publicly but, usually, when someone is doing something like this, it’s very obvious why they were chosen and, even with this sliver of explanation, it’s still frustratingly opaque. And with the strange post hoc timing of the interview (seriously, doesn’t promotion usually happen PRE movie release?) It almost reads like an interview that exists because someone realized the lack of any online presence was weird. 
(5) When she was a kid, Allison Moore had a crush on Fox Robin Hood. That’s not at all important to the mystery, that’s just information she volunteered during the interview and that I’m now sharing with you. So when you search her name now, the top results are me wondering who she is, her IMDB, and her talking about how she liked Fox Robin Hood's little hat. Which isn't a LOT of information, but it’s more than we had before and that’s something.  
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theflyingfeeling · 4 months
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...💌
#not-very-seriously contemplating making a fitalk sideblog#just so i could ramble on about my fic ideas like the lunatic i am without bothering anyone#because istg i come up with at least 3 new ideas a day and more if necessary#but i'm too self-conscious to do that on my main blog too often because i always manage to convince myself no one actually cares#and that the only few people who do seem to care only care because they want to be supportive#and/or think it's cute i'm so passionate about the fics/pairing or whatever#and there's nothing wrong with that and i'm thankful of course!#but it sort of makes me feel like a child being praised by adults ya know? 😭#and idk maybe i just feel like this because i used to share a hyperfixation OTP with a friend#and i'd come up with new fic ideas/headcanons for our OTP on a daily basis#until the friend admitted they weren't even that into the pairing#they just found it adorable to see how enthusiastic i was thinking of stories of them :)#which made me feel like such an idiot lol silly me thought they were as into it as i was#like. i get the need to infodump about hyperfixations to a friend even if the friend is not into the hyperfixation#especially if you don't know anyone else to whom you could talk about it#but i don't need that personally. i'd rather talk about my hyperfixations to someone who actually wants to hear it#and not just because they think i'm being adorable or they want to support me#i can very well keep it all to myself or just idk talk to myself?? lol#so yeahhhh i kinda don't want to make myself feel like a clown like that again 🤡#i do realise i think about fic ideas an unhealthy amount probably lol#but then again isn't that what actual published authors do all the flipping time?! the only difference is that i'm not getting paid for it😤#this wasn't supposed to become a rant lol the words just started flooding#anywayyyyy who wants to hear about my royalty!aleksi / ballet dancer!olli fic idea with side roommates-with-benefits olli/joonas?#additional tags include 'helping the other put on make-up' and 'anal fingering'. if you even care#(pls don't actually ask it's ridiculous)
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