might as well throw in some pingxie thoughts while i’m at it
i have. many things to say about pingxie. but on the subject of reducing relationships to one dimensional tropes specifically, it does them just as much of a disservice.
my favorite variation of pingxie is in the books (very shocking i know, although that’s technically the original them and not a variation), and by comparison to what’s shown in the dramas (which are fun and self-indulgent don’t get me wrong), the books are the slowest of slow burns. never forget we see everything in them from wu xie’s pov exclusively (at least the main entries), so we can only infer xiaoge’s own growth and development from what wu xie sees of it, but it very much exists.
wu xie has a complicated opinion of xiaoge in the earlier books, mostly because he doesn’t quite know what to make of this man who looks younger than he is and completely blows him off on their first meeting (blows everyone off in fact) much to his displeasure, which leads to the initially derogatory nickname ‘menyouping’, and yet is also vastly competent and knowledgeable. he’s cold and indifferent, yet wu xie feels safe around him and trusts him more than he likely should from the get go, mostly because wu xie’s good at reading people’s intentions and character on an instinctive level he doesn’t always manage to rationalize early on. he’s fascinated and would like to know him better, but also finds him deeply unfathomable, even incomprehensible.
and then you have xiaoge, who it merits saying, is repeatedly described as largely indifferent to most things (and he genuinely is), doing what he deems necessary but otherwise not bothering to involve himself with other people or social niceties. this is a man who spends his time off to the side sleeping or contemplating the sky, and yet in the space of four books he goes from not giving two shts about wu xie (or more than he would the average person) to voluntarily interacting with him, siding with him in quiet ways, helping him through unspoken little acts all the way up until a turning point wherein he first tries to keep his distance from wu xie en route to tamutuo in an effort to keep him from getting further involved than he already is in dangerous things he has no concept of, except by then he’s shown enough uncharacteristic interest in wu xie that wu xie notices he's being cold and distant. this all culminates in the infamous moment where xiaoge eventually lets himself act on thoughts he’s likely never fully analyzed himself, let alone shared with another person, leading to the “if i disappeared no one would notice” moment.
and from there all the way until post ten years later and into things like yucun biji, the reality is that pingxie were never the serious immortal and the dorky clumsy mortal boy he adopts, nor are they the vulnerable strong one and the eventual protector, or any other trope variation really. pingxie are two people who at the start stand on opposite sides of a line neither of them were ever meant to cross, and to all intents and purposes should never have met for how very different the worlds they come from are. they’re people that circumstance threw together who chose to stay together, and keep choosing each other. they don’t need each other to exist, and could have gone their separate ways had they wanted to, but the importance of their relationship lies in that they stay together by active choice, and that in doing so, they meet in the middle.
wu xie matures and comes to understand a number of things through hardship while xiaoge is behind the gate that untether him just enough from the world that xiaoge isn’t quite so unfathomable anymore, while xiaoge comes down from his imposed pedestal just enough that he tethers himself to wu xie (and pangzi) and learns to live rather than exist
neither of them became a different person for the other, and the core of their relationship (and the beauty of it) is in the harmony and understanding they eventually achieve. reducing all of that to archetypes is honestly a little tragic
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🔥 for kaz? Like it could be a general take about his character or a headcanon or something. or 🔥 about any of the crows in general
I feel like my more deep-cut opinions about Kaz are less unpopular and more just like. not as common? Like, beyond the "stop treating his cane like an accessory and acting like he's a sociopath" I guess the only one I can think of is that I feel like we don't talk enough about how curiosity and the need to figure out how things work is like. Kaz's most foundational trait. Maybe it's just because I know a few people like that in real life, so I can see how it runs under all the more obvious things about him, but I feel like it doesn't get emphasized or acknowledged nearly enough. Like if you asked someone what his most prominent personality trait is, most people wouldn't say that, which feels like an oversight to me.
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it is weird being an aromantic asexual who is incidentally attractive. like. i just came back from a concert with my friends who have known me for years and know that about me. some of the very few real-life friends who know that about me actually and i only told them relatively recently. regardless. the only reason i had bothered to bring it up w them is that they had seen me in SO many situations that telling them “i’m asexual” was if anything just clarification. just confirmation, like, don’t worry. it’s not an inability to attach to others or whatever. if you can’t tell. like they’d seen me be pursued by quite a few people in our time as friends and at some point it seems like a curious thing if i only ever seem to feel negatively about anyone who’s attracted to me, ever, no matter who it is. and they were understanding and i knew they’d be. yeah.
we were talking on the way back about bucket list concerts we’d still like to see. we saw stromae which was a really big one of mine (my fucking boy btw, i had an amazing time). i mentioned that i don’t have very many, as i’m rarely the person to be like “yeah, let’s go to a concert” unless i have people i know i wanna go with. like i’ve been meaning to see the jonas brothers w my sister and sisters-in-law ever since they came back because it’d be a fun thing for us since we always listen to them together.
but i would genuinely love to see super junior someday, like just for myself, wherever whenever if i was just able to get transportation (i don’t drive). i’ve loved suju for years but i got really back into them in 2020 in the pandemic as a sort of nostalgia comfort thing (but also the music they’ve put out in recent years is like, literally the best in their discography, they just keep getting better w age). and i had to go on this tangent to explain it, right?
in the first months of the pandemic, there was something weird happening to people psychologically. some kind of end-of-the-world loneliness. i mentioned that i had like 5 or 6 different people in my DMs at the time interested in me. not all of them men. and the friend who was driving said “you know, diana, if this were literally anyone else talking, i would think that this is some enormous humblebrag—”
and i like. didn’t even think about it that way. i was just trying to make my point that i had a serious thought in 2020 of like, when the world opened back up, just doing one (1) seriously manipulative thing in my life and convince one of those men who was thirsting for me to buy me tickets to super junior and go with me. it was hypothetical. this hasn’t happened and all but certainly will not. i would not feel good taking advantage of someone’s feelings like that.
but i had to go on a tangent even before that because i was like. oh my goodness. i didn’t even realize that was a humblebrag. i’m sorry. i’m just telling a story.
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"oh hey a real person followed me, I should look at their blog"
soon
"...perhaps I should listen to Eskew."
oh boy you caught my blog after an exciting weekend lmao
I absolutely recommend eskew! I don't have a lot of coherent thoughts, since I got into it over a very physically and mentally draining summer job and have yet to relisten, but it left an impression for sure. I will say what there is of an overarching narrative felt a bit jolty to me in places, for lack of a better term— I think you get the vibe of a show that’s figuring itself out somewhat as it goes, however the ideas are very interesting and I could make a long list of moments that really really affected me. my recent posts probably give a good sense of what I liked most abt it; david ward is just. endlessly interesting as a character imo. the writing’s good— there's a kind of.. ironically humorous edge to a lot of my favourite episodes, something I’d have to relisten to properly articulate. there's a tic of referring to one-off characters by a title instead of a name— the correspondence editor, the architect, the witness— that scratches something in my brain. in contrast with the slimy fleshiness of much of the horror, the sound design is just nice, actually— the rain never stops in eskew and the tone of the narration stays pretty level no matter what’s being described. there are only two narrators and I found both of their voices pleasant enough to close my eyes to on the subway after a long day. very solid show
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THEY AREN'T THE FEARS ANYMORE!! THEY'RE DESIRES
(SPOILERS for TMA, and all of TMAGP episodes so far)
Okay, here me out
Tmagp1: Darla wants to hear Arthur's voice again. She even says: "I just couldn’t face the thought of the rest of my life never hearing him again, I had to try" and later on she even says: "But I had to know, so I went to the cemetery."
Tmagp1: RedCanary wants to know about the Magnus Institute. They want to know why it's listed under 'cleared' when there's no evidence of it. Hence why they go and explore it.
Tmagp2: Daria wants that absolute perfection. She wants to change who she is and get out of that dark place. When she talks about the thing that she felt was missing, she says, "... and that’s when I decide I need a tattoo. I had a couple already – just little things on my shin and my wrist – but I decided I needed something big. Something that really changed my look." She also mentions when talking about Ink5oul that "they just kept pressing me about my life, about why I wanted the ink" instead of asking what design she wanted. And when she got the tattoo she describes herself as now being, "Someone I wanted to know more about." Afterwards she even says how "For the first time ever [she] wanted to attempt a self-portrait. Something real and physical, [she] wanted to feel the brushes in my hands and the oil on [her] fingertips." I think a lot of her statement is about her desire and impulsive need for that perfection and that wholeness that she has been aspiring to for her whole life.
Tmagp3: Samuel wants to stay hidden. He wants and he "need[s] to get up, get out of here for treatment." He wants to get better and most of his delirious thoughts are the things that he wants, or feels like he needs. E.g. "I so much want to see it [the sun] again. This night seems endless. I want to be warm again. I am terribly afraid. Thank god for Maddie. I need to treat her better."; "I just need to rest."; "I need to be careful or we’ll drift apart." And then obviously as the narrative continues, Samuel wants to grow and 'put down roots'.
Tmagp4: The narrator wants to be revered and accepted into the Royal Court Orchestra of the Palatinate. He wants to show off and impress. The violin "was a creature with needs and purpose of its own. The needs were simple enough. Blood. Flesh." It has these needs and desires.
So far, I'm interpreting it to be that everything so far can be interpreted as a desire of sorts, varying in the strength and intensity of it. Obviously, fear is still a big part of it all, because if you want something so badly, aren't you afraid of it being stolen from you? Of it being out of your grasp? Of it being unachievable or impossible in some capacity? Of it being a lie?
Even Sam wants to find out more. He wants to know the why and the reason for things. Gwen wants Lena's job. Collin wants to fix all these bugs and keep Freddie running. Alice wants to just get on with it because she found out that wanting to know the 'why' of things is dangerous.
I think that somehow when the Web took all the Fears into a different universe, they morphed into something else. Or they changed to fit what was the most prevalent thing in that universe, because after all, everyone wants something, even if it's something small and inconsequential. Life and aspects of it has always been characterised by that desire for something. Like people wanting food, shelter, safety, love, warmth, happiness, etc. And I think since the Web was so intwined with Jon and Martin, it absorbed some of their emotions when it found its way into this new world, because after all Jon and Martin wanted to stop Jonah/Elias, to stop the apocalypse, to destroy the Panopticon, to be safe, and they wanted each other. I think the wanting and fear of things are really entwined in it all, though this could be absolute bullshit haha
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