I feel like many people have a fundamental misconception of what unreliable narrator means. It's simply a narrative vehicle not a character flaw or a sign that the character is a bad person. There are also many different types of unreliable narrators in fiction. Being an unreliable narrator doesn't necessarily mean that the character is 'wrong', it definitely doesn't mean that they're wrong about everything even if some aspects in their story are inaccurate, and only some unreliable narrators actively and consciously lie. Stories that have unreliable narrators also tend to deal with perception and memory and they often don't even have one objective truth, just different versions. It reflects real life where we know human memory is highly unreliable and vague and people can interpret same events very differently
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"IT WAS SUPPOSED TO BE A JOKE" As someone who's been playing TWST since march and stopped going out of my way to be spoilerfree after I got stuck at Overblott!Jamil? That's honestly been one of my favorite things about it - seeing something in fanart or a comment you think is just fans joking, only for it to be canon. "The economy!", "May I also throw a tantrum?", Malleus' gargoyle thing, and... everything about Rook being my top examples.
there's a whole bit in Trey's platinum birthday card where he goes on about how he became increasingly obsessed with mustard for like a week straight until the other students held an intervention. how are you supposed to talk about this. how can you bring up something like Trey's descent into mustard obsession to the point that the other characters are worried for him without it sounding like the most obvious lolrandom "he mentioned it once and now fandom acts like he puts mustard in everything" joke. also, how can I slip this into every Twst post from now on, because I need everyone in the world to know that this is a real canon fact about Trey "I'm just an average normal guy (who sticks my hands into people's mouths and owns 20 toothbrushes and used to eat flowers off the side of the road)" Clover.
for bonus points, 1) the punchline is that he still doesn't even like mustard that much, 2) he's saying all of this to Leona, and 3) Leona is actually kind of invested in Trey's mustard story for some reason, which is the most unbelievable part of all of this to be honest. (then Trey gets distracted by a painting of the Cheshire Cat and Leona takes the opportunity to powerwalk away to freedom before they can start talking about dijon versus spicy brown or whatever and extend this bit even longer)
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Halloween prompts year 2 day 10
Danny groaned, blearily raising his head from the nest of blankets and pillows he had made in his apartment. He had smelled something strange.
Something strong enough to wake him from his sleep. Danny got up and stumbled to the front door, cursing his luck for getting a fever so soon into his interdimentional road trip.
Peering out of his open doorway he saw a little kid shivering in the cold, badly hidden behind two trash cans in the mouth of an alley. Danny didn't think twice. In fact he didn't think at all. It wasn't uncommon for an Omega to smell a child who didn't have the scent of another Omega on them and immediately claim that child as thier own, and seeing as his home dimension had exclusively Omegas...let's just say there's a lot of drama in family court and a lot of laws pertaining to this.
So of course the next thing Danny knows is that the kid was bundled up inside his very soft and comfy makeshift nest before Danny passed out.
For the next week Danny had this mysterious fever and he acted like a parent on autopilot, barely conscious as he instinctually cared for the little boy. He made them food and cut them up into tiny bits to feed his baby and if it was handfoods like pizza rolls or sandwich triangles, Danny would hold him in his arms and rock his back and forth, humming softly as his child ate.
Eventually his heat ended (note that omegas from his world don't have heats, they don't have alphas and so they don't even know what a heat is) and Danny was very surprised he has a child in his house. But he and the baby are very emotionally attached to one another. When Danny asked what the little kids name was (and man this kid was little) the kid stared at him in the way little kids do before muttering the world "Clone" followed by what sounded suspiciously like a serial number.
Danny decided, nah. His kid now. Sucks to be the bioparent cause Danny doesn't wanna share.
Somewhere in the city, the bats were freaking out. They had raided a lab and discovered not only had one of them been cloned, but the clone had escaped and no one knew where it was. Cue panicked parental frenzy.
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You know what I really want from season 7? I want another Buddie blow up like the grocery store.
I want Eddie, whose done a whole lot of healing to yell at Buck that Buck needs to be back in therapy because he died and of course that's going to change him but he doesn't even recognize Buck sometimes anymore because Buck won't let Eddie in.
I want Buck yelling right back that Eddie's moved on with his life since the shooting, why won't he let Buck do the same after the lightning.
I want angry tears and confessions through gritted teeth. I want everything they've swept under the rug and not talked about to come spilling out in Buck's kitchen.
I want Eddie telling Buck with pain dripping from his voice that "I see you, I've always seen you, but now I don't think I know you anymore. You won't let me know you anymore."
I want Eddie leaving Buck's loft after he says it and tells him that he can still see Christopher, but maybe for now the two of them should just be coworkers because Eddie needs time and space before he can be Buck's best friend because he isn't sure he knows him anymore.
I want Eddie crying in his truck after the conversation and Buck crying on his new couch, clear that he doesn't find it comfortable. I want the episode to end on a shot of both of them crying in their own spaces, so clearly alone.
Then I want the next episode to be so clearly uncomfortable between them. They still work together seamlessly, but that's it. They're awkward and tense around each other, they can't even look at each other between calls. I want it to be 10x more awkward than their first couple shifts together. I want looks exchanged between the members of the 118 when Buck and Eddie aren't looking.
And then I want the episode to end with Eddie pacing around his living room, clearly torn and then grabbing his keys only to open the front door to Buck standing on his doorstep looking at Eddie's house key like he isn't sure he's still allowed to use it.
I want Eddie to hold Buck's face like it's something so fucking special and Buck to do the same. I want a kiss that's biting and angry that melts into something soft and tender.
Cut to them in Eddie's bed, the sheets a mess, the comforter on the ground and Buck says something like "You've always seen me, even the ugly bits that I don't want people to see. That's why I'm so scared"
And then Eddie kisses Buck soft and sweet and says something like, "There's nothing about you that's ugly Buck."
The episode ends with them starting round two.
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As much as I adore conlangs, I really like how the Imperial Radch books handle language. The book is entirely in English but you're constantly aware that you're reading a "translation," both of the Radchaai language Breq speaks as default, and also the various other languages she encounters. We don't hear the words but we hear her fretting about terms of address (the beloathed gendering on Nilt) and concepts that do or don't translate (Awn switching out of Radchaai when she needs a language where "citizen," "civilized," and "Radchaai person" aren't all the same word) and noting people's registers and accents. The snatches of lyrics we hear don't scan or rhyme--even, and this is what sells it to me, the real-world songs with English lyrics, which get the same "literal translation" style as everything else--because we aren't hearing the actual words, we're hearing Breq's understanding of what they mean. I think it's a cool way to acknowledge linguistic complexity and some of the difficulties of multilingual/multicultural communication, which of course becomes a larger theme when we get to the plot with the Presgar Translators.
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ok so the thing is, the kiss really was the best way crowley knew to convey his feelings to aziraphale because nina and maggie were right, they do talk but they never say what they mean.
but that doesn’t mean they don’t understand each other, at least to a certain extent.
and crowley knows aziraphale
he knows that he loves books and plays and the stories made by humanity. he watches his angel learn magic the human way and finds out he learned french the human way and knows better than anyone how much he loves human food. he throws a ball to get nina and maggie together because that’s what the humans in jane austen novels would do.
crowley knows that aziraphale romanticizes humanity, loves the drama and the stories and every little thing that makes humans human.
and what could be more human than a desperate kiss asking someone to stay
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