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#i love how these parallels just happen organically
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Character Flaws vs Writing Flaws:
While catching up on some of the stuff people have commented/sent to me, I noticed someone mention how Katsuki being a bully is a flaw of his and that not every character needs to be a good person.
First of all, when did I ever say that a character has to be morally correct to be a good character? Some of my favorite characters are villains who’ve done worse things than Katsuki.
So what’s the difference between them and Katsuki?
Well, the villains have a reason for existing. Joker is meant to serve as a parallel to Batman, challenging his morals while also showing what an unhinged Batman could look like.
On a much lesser scale, despite his extremely limited screen time, Moonfish’s bloodlust, lack of sanity, and cannibalism serve two purposes in MHA: to showcase Fumikage’s power and to give the readers an example of what the heroes of this world have to deal with.
Katsuki’s flaws are meant to show the flaws of a world that values raw power over morals, but he fails at this. The reason why? His flaws are never allowed to be flaws.
Katsuki’s aggressive and hostile nature should have him struggling to make friends, yet he has the two pillars of 1-A, that being Ejiro and Denkias described by Hori, immediately befriend him with no issues. His inability to empathize with others should have people wanting to steer away from him, but his instead 1-A loves him, Eri loves him despite being the last person who would, and anyone who doesn’t love him is seen as being in the wrong.
Katsuki is meant to be a big fish in a little pond, someone whose ego isn’t challenged until a certain point, and the Battle Trials were meant to show this. While yes, Katsuki has a mini-breakdown over the fact that he’s no longer in a class of people with weaker quirks, he has no issue claiming a spot as a Top Dog and he still continues to demean the people around him.
Katsuki’s aggressiveness is meant to be both a flaw and an asset. His aggressive nature is what motivates him to defeat the villain, but it’s supposed to cause him to have a one track mind when it comes to hero work. Rescue, teamwork, all of that is ignored by him to fight the big bad. His ego caused everyone to have a tougher time during the USJ, but is that ever touched upon? Nope. It’s just ignored. When Katsuki saved Kyouka, there was no buildup to it. It just happens. We never see him struggle with teamwork because everyone else follows him like a lost puppy.
Meanwhile, Izuku is meant to be Katsuki’s parallel in this department. He’s meant to showcase why too much selflessness isn’t good while also showing that a hero is more than just their raw power. Problem is, Izuku gets completely shat on no matter what he does. He goes after a villain to protect U.A? Gets criticized. Does his best to work with Katsuki? Gets blamed despite it solely being an issue on Katsuki’s end. Does everything perfectly? Nope, still not enough. Compared to Izuku, who always seems to be in the wrong, Katsuki’s placed as this paragon of heroic virtues despite the fact both characters are supposed to be two halves of a whole. They’re supposed to learn from one another. Problem is, Katsuki’s flaws are always ignored while Izuku’s positive traits are demeaned.
Finally, Katsuki being a bully is supposed to serve as a starting point for his character. He’s meant to grow and develop as a human being. Again, he doesn’t, or at least he doesn’t do so in an organic way. He never suffers consequences for his behavior, he’s constantly propped up and coddled instead of criticized, and he’s given some heroic moments despite there being no buildup to them. In the span of a month he goes from nearly killing Izuku to risking his life for him. Where the hell did that come from? Honestly, I wouldn’t care if Katsuki being a bully is his sole purpose for existing, but he’s meant to be more than that. This is supposed to be a well developed and fully fleshed out character who grows from his selfishness and is meant to show that anyone can be a hero, no matter their starting point. But when the development is crap and he hardly changes outside of some OOC moments, then his flaws cease to be flaws that he’s meant to overcome. Instead MHA treats it as him being quirky and misunderstood.
In conclusion, you just can’t present something as a character flaw and expect it to serve as an excuse as to why a character exhibits said flaw. You have to think of the following: what purpose does this flaw serve? Is it meant to be used to teach a lesson? Does it set something in motion, whether it be the development of this character, another character, or does the flaw cause the character’s downfall? The only thing Katsuki’s flaws does right is that they set up Izuku’s story, which again would be fine if that’s Katsuki’s purpose, but it’s not. Him being a bully isn’t something that he overcomes in a natural way. His redemption story is the equivalent of filling things out of a checklist without being fleshed out. Every time he screws up, it’s never treated as a screw-up. Oh he failed the hero license exam? Well so did Shoto so he’s not unique there, and the proctors still suck his dick even while he’s “failing”. Him being the reason for 13’s injuries? Never brought up.
Katsuki’s flaws don’t piss me off because they are flaws, but because the writing of his character IS so deeply flawed despite being a centralized character in the story.
Oh, and as always, someone can dislike a character for whatever reason they might have. If people don’t like Katsuki because he’s a bully, then they have every right to. What I wrote is a response as to why I think Katsuki’s a shit character and how it’s not because of his flaws themselves, but how Hori goes about writing these flaws.
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mulderscully · 2 years
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every night after work i take an edible and rewatch wwdits fx (ive probably watched it ten+ times this month) but a point i noticed last night as i finished s3 and immediately restarted s1 is how what nandor has been waiting for to decide to turn guillermo is guillermo genuinely threatening to kill him and almost DOING IT. i think the reason the other times he asked never worked was because before nandor turns him he needs to know that guillermo is genuinely already a ruthless Killer (which he already was anyway) before becoming a vampire which is really cool and interesting tbh! and i love that nandor says "i have been WAITING for this." like he WANTS to turn him, he just needed that moment to happen and i'm really excited to see how they deal with the aftermath of that in s4.
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girlbossblackbeard · 8 months
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THOUGHTS AND LAYERS
i spent literally an hour analyzing this trailer at 0.5 speed. this post is long af and these thoughts are in no particular order and are poorly organized:
-there's a big storm (which I think was already confirmed), and ed gets swept overboard by a bucket on a rope:
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he then crawls up out of the water onto the beach
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then goes into the forest, creates a hut, has a journey of healing and self-discovery, meets hornigold (or his ghost??)
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and kills him thus killing the part of himself that he hated the most (his violence) as a parallel to stede finally getting rid of nigel's ghost by accepting and believing in himself
-in the stede/ed split screen, the stede shot is from the first ep of s2 right after stede finds the marooned crew at the end of ep 10 in s1 (you can tell bc his hair and clothes are still clean, there's no gay bandana around his neck, and that's his lil dinghy buttons is rowing)
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-they go to shore and wind up at the merchants shop where "susan" overhears they're tracking down blackbeard
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and she invites stede's crew onto her ship, cue the outfit change in the BTS photos:
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-the way stede makes that little swishy turn in the red coat -
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makes me think this may be first time he's been in fine clothes since his "death" and i hope we get a moment of him reflecting on how he gave up everything for ed only to have him hate him :( but then obviously realizing that ed is worth it and he'd do it all again in a heartbeat if it meant getting a chance at spending the rest of his life with him
-izzy and stede team up, and izzy is clearly training either himself or stede on the revenge (?)
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soooooo many questions: what caused him to leave ed and join stede's crew? is he fighting with ed and is training to take him out or is he just done having his love be unrequited so he leaves and just so happens to stumble into stede? is izzy thinking that if he can't cut out the longing he has for ed he has to kill him instead so the pain will go away? what, pray tell, the fuck is going on in here on this day
-wee john in the mermaid costume (and olu in a bunny or donkey costume?):
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a fuckery? or just a weird acid trip? OR IS IT THE TALENT SHOW THEY NEVER GOT TO HAVE??
-ed really does force everyone on his crew to wear war paint
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-all the tally marks scratched into the walls - is that the number of days since stede bonnet broke ed's heart?
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-ed in the forest in PEARL NECKLACE HELLOW????????
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-the tear in ed's eye as he moves the cake toppers closer together which he also painted to make the lady look more like him he literlaly is in love wiht stede so bad wht the FUCJ
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-ed's crew is murdering SO MANY PEOPLE at the wedding wtf (pic not included bc scary)
-delusional moment but i hope anne bonny on stede's lap is looking at calico jack off screen
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-stede and ed are running towards each other on the black sand beach (thank you @sluterastede for pointing this out to me wtf!!!!!!)
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which evolves my theory that ed in the forest goes through his healing journey and realizes he wants to openly love stede again but then the navy attack and stede just so happens to have found ed at the same time and they're fighting to get to each other and taking out everyone in their way (what if that was okracoke lmao)
-the swede and spanish jackie hooking up in the trailer
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makes me think the bts shot of ed and jackie is them looking at stede and the swede, and ed being SO in love with stede obvi but jackie is watching the swede do some weirdly hot shit so she's gotta have him (what if they got married and he became her umpteenth husband in a drunken vegas-like shotgun wedding where she wakes up the next day to realize what has happened lmao)
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-also this pic is DEF from the reunited/make up era bc ed's half-up hair, no makeup, soft eyes, and buttons' clothing. i am weeping
-stede in pain - is it an injury or a tattoo? or torture as @sluterastede posits?? he looks down at his lower body before screaming so maybe he knows what's about to happen to him??
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-ed in the forest wearing the pearl necklace (see above), ed saying "fuck you stede bonnet" wearing the pearl necklace (see below)
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does he pick it up at the wedding??? (theory credit to @sluterastede!!!! can u tell we watched the trailer together 400 times) i can't tell if he's wearing it in the one wide shot of him in that scene:
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but regardless of when he acquires it, does he take it bc he remembers stede said he wears fine things well???? and he starts to believe he may deserve them??
-side note about a LACK of something: ed isn't wearing the cravat at all in the trailer near as i can tell, and he's not wearing the pearl necklace when throwing knives at the wall (at least from what I can see, which is not much) which leads me to believe that scene is in the earlier part of the season
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-lastly, the most important song lyrics from the trailer (the beautiful ones by prince):
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and that's my dissertation on the ofmd season 2 teaser trailer thank you
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sortaawkward · 3 months
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I have read the PJO series many, many, many times over my life, and so objectively I knew the ways in which Percy and Luke were two sides of the same coin- even Percy himself recognized how easy it could have been for him to have ended up in Luke's place. But, I just watched an animatic on TikTok that kind of blew the lid off of it for me. The funny thing though? After watching the video, my first thought wasn't about Percy and Luke; my first thought after it looped was wow, I never realized how paralleled the lives of May Castellan and Sally Jackson are.
It doesn't require much delving into fandom content to come across any one of the myriad posts touching on Percy's "mama's boy" title because he is one- plain and simple. However, this particular TikTok had granted the title to Luke freaking Castellan- something I had never seen, or perhaps never cognized, before. Naturally it got me thinking: how would Percy react if May's fate had happened to Sally, instead?
Sally Jackson has true-sight; it's what led to her meeting Poseidon in the first place. And much like Hermes wanting to stay around/with May- Poseidon, too, wanted to keep Sally around. He went as far as offering to build her a castle on the sea floor for her to live in so he could come visit her.
I've struggled with Luke's anger towards Hermes about May's fate for a long time. I struggled because, while I knew that some of it was simply the irrationality of human emotions and the fact that Luke was a child, I couldn't get over the fact that Luke so blatantly chose to overlook the fact that Hermes was against May's attempt to take on the Oracle's spirit. Now, however, if we look at it from the perspective of "if it were Percy and Sally" I can understand that Percy would blame his father because by simply existing and being in her life he condemned her to this fate.
Perhaps Luke did know/understand that Hermes had tried to talk May out of her plan to become the oracle. Perhaps Luke just didn't care; what if his issue was with the existence of Hermes and the rest of the gods and the simple existence of their world? If the world of the gods and demigods and CHB had never come into contact with his mother's world- if the world of Olympus had never existed at all, then May Castellan would have been totally fine.
This might be nothing, or maybe everybody has already come to this realization and I'm just arriving late to the party. May Castellan was also born with the gift of prophecy whereas Sally was not- so it's not even like an exact parallel. I had just never looked at Luke under the scope of a boy who loved his mother the same way that Percy loves Sally, and it kind of blew my mind. Anywho, if anyone reads this sorry for subjecting you to my stream-of-consciousness; I just needed a sounding board (to write it out) in order to organize my thoughts.
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nuka · 2 months
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I love the season 2 that we got SO MUCH. It just boldly went into a whole new direction, with a whole new tone to the series, and it worked so well! And they could’ve stumbled so badly with that budget and episode cut, but they didn’t.
With those cuts, it would’ve been sensible to remove a lot of characters from the show without much explanation. Instead we got a whole strange storyline of Buttons turning into a bird which gets tied to Ed’s journey of change. We got a whole episode of Mary and Anne’s fucked up relationship. We got Archie with her snake cult stories and polycule storyline. We got Zheng’s storyline with her crew and Auntie and Olu. We got Ned Low and Prince Ricky as antagonists. To me, it never felt like anything was taken away from us with season 2. Somehow, we just got more of everything.
Everyone poured so much love and effort and care into making this show. Every little thing, from creating merman Stede piece by piece, to Rhys doing the underwater scenes despite almost drowning in the past, to the improv the cast came up with for the scenes, to Samba spending his days on set just to shoot BTS for us all, to Kristian taking the time to organize WJWs, to how they all treated each other on set. I am in fucking awe of them.
I love everything about the Calypso's Birthday episode except that Ed and Stede did not get to dance. I was so furious when Ned Low attacked just as they were heading to the dancefloor! I calmed myself by thinking, “We'll see them dance in season 3, it’s going to parallel this scene but they’ll actually get to dance and no one attacks them." And then the show got cancelled.
I think the dance would’ve been such a nice, peaceful moment between Ed and Stede, because they’ve been through so much and they didn’t really get to just be with each other in season 2. So yeah that’s the only thing I really mourn about that episode.
And I’m sad that so many scenes with minor characters had to be cut, but Ed and Stede’s story was the main focus and they had to make some tough choices with the rest of the story. Almost everything that I don’t like about season 2 would’ve been fixed if they only had more time to include more moments with the crew and to flesh out the new characters, and if the story had a bit of space to breathe at times.
This is also why I believe in the potential of season 3 so much. They made this kind of magic with a 40% budget cut and 2 episodes less. They could make fucking miracles happen if they were given season 3 with a bigger budget and more episodes.
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matan4il · 1 year
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Buddie 613 meta
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We now know that the man who risked himself to get Buck out of the line of fire during the shooting arc is Jeshan, which means ‘clear’ (if you’re interested, you can find more name meanings for 911 characters here). So let me just giggle for a second about the fact that 911 had once again reunited Buddie with a character who can be referred to as Captain Clear Me(h)ta. Coincidence? IDK. But I have to admit, it kinda made me reflect back and feel nostalgic. When I first started watching the show, I had no intention of writing meta for 911, but after going ballistic when 309 aired, I knew I would HAVE to use the s3 hiatus to write down all my thoughts about everything Buddie related so far. That’s what I did, I wrote and shared my baby, my first round of Buddie meta. That’s where it was supposed to end, but then people asked and encouraged me to write meta for the eps in 3b as they would air, too. I figured I could try, and that’s how my Buddie weekly meta posts were born. At the time, there was no one else writing proper weekly meta (I don’t mean a summary/review of the ep, or meta posts that stand on their own, but proper analysis on Buck, Eddie and those who matter to them, organized and serialized for each ep as it aired). And now, I’ve been writing them for almost 3.5 seasons. And I feel like they’ve inspired others to do the same. TBH, I can’t actually remember seeing weekly meta posts in other fandoms (maybe they exist and I just haven’t come across them, IDK). So I got all emotional, thinking about how these posts may be love notes to Buddie and the show, but most of all they’re a love letter to the wonderful people who have been supportive and encouraging, who’ve been reblogging the posts, who’ve been commenting on them and telling me that what I do makes a difference for them. Thank you so much, these posts wouldn’t exist without you. You have a much bigger impact on the fandom than you might have realized! So if Captain Mehta is indeed a nod to the meta, it’s a loving, appreciative nod that belongs to all of you. ~~
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When Chim shows up to escort Hen to work, he ends up sitting down for a talk with Denny instead, and I really enjoyed this scene, it was lovely, but it also once again emphasized the difference between the firefam kids’ relationship with their parents’ colleagues and the r/s Buck and Chris have. Chim talks to Hen’s son when he happens to come across the kid, but he only sits down for a proper conversation because Denny implies Hen and Karen are up to something intimate, and Chim shouldn’t interrupt them just yet. Consider how different that is to how Buck intentionally looks to spend time with and dedicated to Chris! And then Chim is impressed by how smart Denny is. It’s cute, but it also reveals just how little they interact that this comes as a surprise to Chim. It’s so different to the intimate familiarity of a parent, which is what we know Buck has with Chris (and that Chris has with Buck, which can even be seen in the kid’s teasing, for example regarding the snoring in 414). ~~
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You might have seen that, when the promo came out, I momentarily lost my sanity and posted this. I just couldn’t get over the fact that they actually had Eddie correct the chief on the duration of Buck’s death. It was such a spouse thing to do. It was a declaration about the anguish that each single second represented, when Eddie couldn’t breathe because Buck wasn’t. It was a confession of sorts, on how Eddie felt as he desperately NEEDED his husband to live (I’m not even joking when I ascribe him this title, Eddie said with his whole chest, “THAT IS MY IDIOT HUSBAND THAT I HAD TO WATCH DIE FOR THREE MINUTES AND SEVENTEEN SECONDS AND I WILL NEVER FORGET ANY OF THOSE SECONDS, NOR LET ANYONE ELSE DO THAT”). It was a glimpse into how time must have moved differently for him as each second etched itself forever into Eddie’s mind. And yes, it’s a clear parallel to 413, when we witness time slowing down for Eddie. And I mentioned in my post that in both scenarios, Buck is just out of his reach, so close, but simply not close enough. In one case, this forced Eddie to believe he must now accept his own death. In the other, he couldn’t accept the possibility that Buck would die, so he just fought harder, and if he couldn’t save Buck with one course of action, he tried another, Eddie just had to keep going, 'coz the idea of those three minutes and seventeen seconds turning into an eternity? Unacceptable. ~~
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But notice in my unhinged post from that day, I used the word ‘counting.’ Eddie counted the seconds, and this is revealed to us at a poker game where Buck is counting the cards. I already noticed that when we saw the promo, but this connection was reinforced in the ep itself when Chief Williams vocalized what Buck was doing. The thing about counting is that it’s reserved for what matters, what’s crucial. Buck is counting the cards in order to win, and he wants to win because it matters to Eddie. Buck wasn’t the one who initiated the search for a poker game where he could use his newfound skills, Eddie was the one to take that initiative. And he could bring Buck along without telling him where they’re going (I would normally scream for a whole separate paragraph just about Eddie telling Buck to dress nice and there being no need for any further explanation or prompting, but we were so well fed, I’ll have to scream about it into my fist for just one sentence) 'coz Eddie was so sure his husband would go along with whatever crazy scheme he’d come up with. And he was right, even though Buck didn’t think it would end well, he still went along with what his husband wanted. Please let me reiterate: Buck’s counting cards because Eddie is so important to him, and Eddie was counting the seconds because Buck’s his vital sign. ~~
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Another thing to keep in mind about the poker game is that the only other time we’ve seen Buck playing poker was in 312. In that ep, Eddie was off to meet Christopher’s school teachers (leading to his eventual lackluster r/s with Ana), so having a free evening, Buck spends it with Maddie, Chim and Josh (and is told he unequivocally sucks at Poker). Jokes were made about setting Josh and Buck up, and it was implied whatever Buck’s sexuality was, that was not the reason why Maddie abstained from making the match. What I find interesting is seeing how far our boys have come! In that ep, they were operating separately, and it led them down the wrong paths.
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In this ep, Buck and Eddie were inseparable both as a couple (even sharing the winnings from Buck’s new talent, because what don’t these two share? And I was particularly chewing glass when Chief Williams asks Buck how he wanted HIS winnings, but instead of answering her, he looks at his husband. THEY ARE SO FREAKING MARRIED), and as a family unit with Chris (which is maybe a good moment to point out that all of the romantic couples were paired off in 613, and so were Buddie! Now, one could argue that Buck and Eddie were paired off because, well... who else is left for them to hang out with? But 312 is a reminder that when the show wants to, it can push the main cast and minor characters into the same orbit, so it still didn’t HAVE to pair Buck and Eddie off here. It chose to. On top of that, by showing them with Chris as well, 911 reminded us they’re far more bonded than just two best bros hanging out together ‘coz none of their other friends are single). In short, during 312, Buck lost and Eddie was about to be lost on a detour in his romantic journey. In 613, they ARE a family, they work as one throughout the ep, not just in parts of it, and they’re both winning. ~~
Something that gets to me is that when I first shared the BTS pic of Buddie at the poker game, it was clear that Eddie was just bursting with self confidence. He looked like he would be the star of that game. But when we got the promo, we discovered that it was actually going to be Buck who would shine that night. So what makes me slightly froth at the mouth is that all of that sexy confidence we picked up on in the photo? It was real. We weren’t wrong. It just wasn’t confidence that Eddie had in himself, it’s confidence he has in Buck. All of his swagger? Is a reflection of how much he believes and enjoys seeing his husband be a star. I am gonna need 3-6 working weeks at least to recover from knowing this. ~~
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Speaking of things that destroyed me forever, everything about the Buckley-Diaz family in this ep falls into that category. I mean, not only did we once again have incredibly domestic scenes, we had one that was very reminiscent of the lasagna one in 601 (Eddie with Chris at the table, Buck fussing around them only to join in once he brings along something to be consumed), reinforcing that this is THEIR NORM, we also had Eddie and Chris being so cute and supportive when it comes to Buck’s new ability (Chris calls him a superhero, Eddie goes along with it, and when Buck’s upset he didn’t get a better superpower, naming some he would have liked to have, Eddie comforts him by saying those other options sound horrible). 
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And then to top it all off, we had Buck and Chris cooking together. Bobby’s been explicitly acknowledged as basically being Buck’s dad by both of them, and we know Bobby’s been teaching Buck how to cook. Now we get Buck doing the same with Chris, clearly marking them as father and son, especially since this is done with just the two of them, this special time that’s allocated just to their bond together. Eddie is not needed as a middleman. I know that this isn’t news, but every single time the show reinforces this truth, that Buck is Christopher’s other dad, that their bond is that deep, I gain 10 years, so I have to mention it. ~~
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For 613, I made my weekly gifset about Buck and answers, but I’d actually like to elaborate on what you see there. In 602, at the happiness center call, we see Buck looking to Lev in search for his own answers on what his happiness looks like. When he still can’t find any, he turns to Hen, because she always has them. Along this season, that’s been his theme. He’s trying to figure out what he wants in order to be happy, which is connected to the couch theme we’ve all been screaming about since 601 (and especially after he fell asleep on Eddie’s in 612). In 613, Buck suddenly finds that he’s the guy with the answers and he likes it. But has he really got them? Buck says these words to Eddie and Chris, and in addition to that, while he utters them, he’s literally captured in the same frame together with Eddie. But it’s also essential that we heard why Chris can’t just be given the answers. It’s in order to learn, Eddie tells him. That’s exactly what Buck has to do, he has to find his answers in order to learn from the search process. He’s not just there yet, but the framing of the whole scene coupled with the ongoing couch theme is very loud. ~~
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What gets me maybe most of all in a whole ep of REALLY GOOD BUDDIE CONTENT, is the way the whole thing wraps up. The storyline on Buck’s new abilities doesn’t end with any commentary on those or on his recovery process. His last scene in this ep is the one with Chris. It follows directly the one with Hen and Karen, a scene which reminds us that we’re never surprised at either woman spending solo time with and caring about Denny, even though neither is biologically related to him, because they ARE BOTH his parents. In the same way, it’s only natural that we see Buck spending alone time with Chris, without Eddie around. It is so meaningful that the last shot of Buck in this ep is not about his story line at all, and neither his abilities, nor having died for several minutes is the point. Instead, the last, and therefore most significant shot of Buck in this very Buddie domestic ep, is him smiling at their son. I feel like that says everything about his trajectory.
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~~ Thank you so much for reading and for any reblog, like, comment or supportive tag! Also, HUGE thank you to @whosoldherout​. On top of real life stuff, she makes her own amazing gifs AND helps make these posts so much better. She’s the one with the real superpowers!
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mewguca · 10 months
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I was thinking about how people should talk more about the parallels between hunter and moon
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This is a rather self-indulgent piece...I find it very comforting to be able to express my emotions through a media I love like this...that's probably my favorite thing about art. Being able to express something...being able to connect emotionally with the viewer...is really nice
textless versions and a long rambling under the cut
Hunter is often viewed as a very strong and agile slugcat...they are the "hard mode" after all. Hunter probably has a lot of physical prowess. But, with the rot...they become weaker. At its worst, they struggle to do basic movements...until they eventually die. Of course, in my version of events...Hunter's rot is cured, but it still leaves lasting side-effects. Their scars go beyond simple battle wounds...there's a sort of pervasive sickliness throughout their whole body. Treatment helps, of course...but
You know how that is, right...? You have to keep getting treatments. You have to work for your recovery. And you have to work to prevent your body from getting weaker again...Or y'know, that's how it is if you've ever had any reoccurring or chronic health issues. It's...a struggle I feel like doesn't get expressed very often...so I wanted to express it through my version of Hunter.
Even though Moon isn't anywhere near as organic, I feel like she can relate to similar struggles. She used to be like a god...a powerful supercomputer who could do just about anything! But...she couldn't bring herself to do the one thing that'd preserve her own wellbeing. She delays and delays on forcing Pebbles to stop with her administrative powers until it is far too late...
Maybe she thought she could handle it. That everything would be fine if she just waited for Pebbles to understand...or waited for him to stop. If she just kept sending messages, eventually he would listen.
But he didn't. Things didn't get better. And by the time she finally took action against it, it was too late...her forced communications did nothing but make her brother furious with her...because she "ruined everything." She could only accept her imminent collapse...
When she woke up again, she had only a few neurons left to run on. Her umbilical was broken, her overseers were out of her control, and even the roof over her head was incomplete.
She couldn't do most of the things she used to. She could hardly move. She could hardly even think. She could barely remember who or what she used to be...and she didn't have great ability to remember the present, either.
It must have been really painful...but she keeps doing what she can anyways. She reads the pearls you bring her. She tells you about the items you bring. She gives you information as best as she can. She is kind and hospitable. She encourages you. She could be so bitter and depressed...so resentful and cruel...but she isn't. I'm sure she has plenty of bitterness and resentment, plenty of hopelessness and great sadness, plenty of suffering...
But when she sees the little slugcat, she's still kind to it. She is grateful for what she has. She is happy to see you. And she keeps on living.
She's so strong...she is a huge inspiration for me.
So, I think if anyone could relate to Hunter's struggle...Moon is probably the closest. I think people should talk about their relationship more...after all, Hunter is her "little savior." I think they would be wonderfully close. They could support each other in their struggles to keep living, even if their bodies fight against them. I also think their friendship is just cute! Great potential for angst, for fluff, for comfort...idk. everything, really. It would be wonderful for them to reunite when they're both in better shape...as creatives, we can make a versions of events where that happens. It's really wonderful to me...for a work of art to inspire others to create art because of it.
This game means a lot to me...and it means a lot to me that it resonates so much with other people as well. So, thank you...
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absolutebl · 5 months
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This Week in BL - I'm finding rankings difficult, there's a lot of middle of the pack action and some serious top contenders
Organized, in each category, by ones I'm enjoying most at the top.
Dec 2023 Wk 1
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Ongoing Series - Thai
Last Twilight (Fri YT) ep 5 of 12 -  I love how they’re slowly revealing bits of their past to each other. It parallels the slow burn of them falling in love with each other. Knowledge + understanding = affection. I cried during the part with his doubles partner, of course I did. As has been mentioned many times in this blog, I am a sap. Also I’m realizing that there is something particularly clever about this show: Because Day is blind, there must be a ton of physical touch. And physical touch is something that Thai BL does really well. 
(I gotta say, while I ADORE JimmySea in these roles, a small part of me wonders how JoongDunk would have handled these parts.)
The Sign (Sat YT) ep 3 of 10 - Phaya is SO DAMN SMITTEN. It’s great. Have I mentioned recently how glad I am Billy got this role? This was the: “it’s not a date” date ep. 
I gotta say these 2 BLs are neck and neck favorites right now.
Cherry Magic (Sat YouTube) ep 1 of 12 - Uh oh. I like it a lot. I think I was always going to because I have a soft spot for TayNew on screen. It is such funny to watch Tay play such a stiff character. I like it. This is very fast paced for a Thai BL I wonder where they’ll take it with this speed, are they’ll following the manga more closely? 
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My Dear Gangster Oppa (Thurs iQIYI) ep 7 of 8 - Wait, no. Wahl you’re such a problem. The pacing of this is very KBL. I’m not mad about it but it feels odd in Thai. Still enjoying this one the most as my "early in the week" offering.
For Him (Thurs iQIYI) ep 2 of 10 - The booty call flirting is next level with these two. Like Bed Friends but with less pain. I love that Nail is such needy evil wild child - the story gets all its tension from that.
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Baby boy gives off so many danger signals I wouldn't tap that with a 10 ft… pole. Him is a braver queer than I. I do like how the high heat is being used to drive the story. It stands in stark contrast to Playboyy. Which is using high heat to drive, well... piles apparently.
Twins the series (Fri GaGa) ep 6 of 10 - I'm enjoying it again, the main couple is getting more BLish. 
Bake Me Please (Mon Gaga) ep 3 of 6 - Shin and Peach flirting is very cute. Although they got into that sack swiftly. Guy leaving was contrived and reactions overwrought but okay babies. 
Absolute Zero (Weds iQIYI) ep 11 of 12 - Now I'm mostly just confused.
Which timeline are we in?
Do they know each other in this one's past or not?
Have they met yet?
Who has which memories of what?
I feel like I’ve been through a lot for the show.
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I’m not saying the reunion scene in the theater was worth it, but it was a really spectacular reunion scene. I’m terrified that there’s one more episode. I wish it had ended here.
Cooking Crush (Sun YT) 2 of 12 - I’m just not that into it. 
Pit Babe (Fri iQIYI) ep 4 of 14 - A new ship has been set afloat, we are now Team #WayKim / #KimWay and if you're not with us, you're against us. Trash watch happening here.
Middleman’s Love (Fri YT & iQIYI ep 5 of 8 - oh look, it’s everybody’s favorite big brother!
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That was a kind (and kind of lovely) coming out sequence. KingUea being the worst best Gay Advice Dads is awesome. Mai is SO SWEET. And we end on some good old miscommunication / misinterpretation, so that Jade can behave in an even more unhinged manner next ep. Our brief respite from absurdity has ended. 
My Universe (Sun iQIYI) Fake Love ep 16 of 24 - They cute fake bf but it’s oddly unappealing. I mean most us queers have slept with each others exes, that’s swimming in a small pool, for ya. In my experience, only hets get butt hurt about it. (Hets never use enoug lube, they butt hurt about everything.) So the whole drama just felt confusing to me. Or maybe that's just my experience with swimming in lube? 4/10 whatever... not recommended
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Playboyy (Thurs Gaga) 4 of 14 eps - I’m seriously considering dropping this. 
Ongoing Series - Not Thai
VIP Only (Taiwan Fri Gaga) ep 4 of 10 - They cute. Are aquariums now gay? That’s not the definition of fish that I grew up with. 
Sahara-sensei to Toki-kun (Japan Fri Gaga) ep 2 of 8 - I'm suffering from terrible second lead syndrome. Glasses guy is new Best Boy. Also, Rise is trying to earn the Namgoong Award for Best Wingman. 
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It Finished But...
SHADOW (Thai Gaga) 14 eps - completed it's run. Reports are:
It's pretty good horror but not BL. Ending is unresolved.
Given that info and this review here, it's not for me. DNF
It's Airing But...
Behind the Shadows (Korea movie) - a historical I'm interested in (if it's BL) but have no idea how to find.
The Whisperer (Sun ????) 10 eps - Thai horror BL that ALSO involves cheating (what joy is mine). I don't think even the perfect single dimple can motivate me to watch. Word is... it's terrible.
7 Days Before Valentine (Weds WeTV) 10 eps - Giving me Luminous Solution vibes. I'm waiting to binge if it's safe.
Beyond The Star (Weds iQIYI) 8 eps - House of Stars meets Boyband. I was NOT impressed with ep 1. Been told I shouldn't bother.
What Did You Eat Yesterday Season 2 AKA Kinou Nani Tabeta? Season 2 (Japan Gaga) 10 eps - I find this series more fun to binge, so I'm waiting until after it completes its run next week.
Next Week Looks Like This
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12/14 Dear Kitakyushu (Thai/Japan movie) in theaters in country only, I know nothing about distribution.
Still coming:
12/23 Dead Friend Forever (Thai horror) iQIYI
Original 2023 forthcoming BL master post (see comments, some are inaccurate, NOT KEPT UPDATED). With the end of the year upon us I'll do an "announced for 2023 but never happened list" soon.
THIS WEEK’S BEST MOMENTS
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Of course I loved all the little language moments. I am here for the kinkification of phi.
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That request for a shirt was v sexy phi+na. Thank you Jimmy.
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Last Twilight bringing the pronoun and particle game to play hard.
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It was a nice kiss. (Absolute Zero)
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This as a perfunctory flirting kiss, I anticipate we still have The Kiss to come.
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I love that Phaya's personality seems to be spin doctor, just accuse the boy of doing that you are already doing to him (or want him to do to you).
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Boyfriend shirts!
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And a meta reference.
The Sign is basically made for me.
(Last week)
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dianadragonfly · 2 months
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So, I was thinking about different fandoms and the fics that I love. What makes a good, satisfying fan fic? I realize it has 100% to do with the canon.
Take BBC Sherlock. I struggle so much with AUs where their beginnings are different. Sherlock is an astronaut, assigned to work with scientist John. (This is an example, not a dig at any specific fic). I can't. I can't. I realize BBC Sherlock is also an AU from Doyle, but BBC Sherlock and John are so fucking tied to "A Study In Pink" and John handing his phone to Sherlock that everything else seems false. Fun premise, but not the Sherlock and John I know.
A satisfying Johnlock fan fic needs to change the ending of the BBC canon. To think of these two men, who love each other so much, just continuing their parallel existences, never becoming anything more than crime-fighting buds, is just. . . it doesn't fit. It doesn't fit the show. It doesn't fit the characters Moffit and Gatiss created, even if they decided to not make it happen (as a special 'fuck you' to their fans). It's heartbreaking.
My favorite fics are fixits -- many of them deal with the aftermath of Euros and Mary, or some do "canon intercepts" and deal with Seasons 3 and 4 differently. Still, anything but John and Sherlock raising Rosie together as partners/lovers/husbands in 221B with Mrs. Hudson downstairs feels like a lie. (Some canon intercepts write out Rosie completely.)
If I had to write sequels to BBC canon, I'd pick "Drawn to Stars" by @totallysilvergirl or "Never Turn Your Back on the Sea” by @discordantwords . There's a thousand other ones, but those ring the most true to me.
"Heartstopper" fics don't have a lot of room to mess with the ending. Anything other than Charlie and Nick happily growing old together is so far out of canon and out of character that it doesn't even seem like it's worth exploring. There are a handful of ones that have one character or the other dying, but mostly, we understand right away that Charlie and Nick are endgame. We are 100% aligned with canon and creator on this.
Anything that isn't true to this ending rings as false as anything that isn't true to Sherlock's beginning. Fun to read, but not our characters.
With Nick and Charlie being so young in canon, their beginnings are so much malleable. Sherlock and John are tied to that lab. Nick and Charlie? not so much. They meet in grammar school. They meet in University. They meet after a hot hookup at a club in their 20s. They meet after broken marriages to Imogen and Ben. They meet during Nick's rugby career or as fellow teachers. They meet at gyms, at animal rescues, at psychiatric hospitals. They are single parents, University professors, rock star drummers, hot shot authors and academics. Their beginning isn't fixed. But the end always is.
I have so many favorites but I just re-read "Lavender Fields" and I think it's a perfect Nick and Charlie meeting up in their 30s fics. There's a ton of University fics too.
I haven't read nearly as many fics from other fandoms, so I don't know their quirks. I'm finding that fandoms that don't have a m/m pairing are hard to find a lot of fics for. (That's a whole 'nother post). But other m/m fandoms seem to have canon-compliant extra scenes. (Wanna see Achilles and Patroclus get freaky in a tent somewhere? Here ya go. That being said, there's one about Achilles waiting for Patroclus in the Underworld that breaks. my. damn. heart.)
Anyways, I need to do a serious look-through of other fandoms to see how this plays out.
I should add the links here to the fics I mention, just because.
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gynnnicsworld · 7 months
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For you, what is the season in which you knew that sterek were a real thing? For me it was throughout S3A. Or at least there was something really important going on between them...
I mean, I've been a shipper of them since the first meeting but where I definitely took sterek as my banner was during S3A.
I really love the theme of parallels between Stiles and Jennifer because it basically confirms sterek for us. And there's so much to explore there, I really don't understand why 3A doesn't get enough recognition.
3B is probably everyone's favorite season, I'm pretty sure of that, or a favorite, but 3A needs to be thoroughly analyzed 👁️
The thing is that in 3A there are so many themes that we can explore, like the absurdly obvious parallels between Jennifer and Stiles😩.I'll never really be able to get over the fact that they used the whole Stiles/Derek dynamic with Jennifer/Derek, and that Jennifer seemed to fear Stiles?
Because it's really interesting how Jennifer avoided being around Stiles or prevented Stiles and Derek from being in the same place when she was there.I think there were only two times when Stiles and Derek were in the same room when she was there, the first during Boyd's death and she stayed away, while Stiles went to give his support to Derek and Jennifer was just "shocked"... And the other time was when Derek chose to believe Stiles over her.
I have to organize my thoughts but I really want to talk about this, because I have the energy right now. So sorry if this is a bit messy 😔
Okay, it's pretty much a fact that Jennifer was using this nervous, clumsy demeanor, and she was actually imitating Stiles' entire personality with Derek. But why? Because Jennifer's goal was to bewitch Derek, to have him somehow at her mercy and control, and to do that she had to get under Derek's skin.
And let's get something straight, even if Derek didn't know it and wasn't yet aware of the fact that Stiles is his anchor, Stiles was already under Derek's skin (for whatever reason). So Jennifer had to follow this line, Stiles was already something important to Derek and if she wants to get closer to Derek the best way to do it is to give him something that he is familiar with and something he's already comfortable with and somehow has his guard down.
And what is that? (In case it's not clear; Stiles) she presented herself to Derek with this behavior that he was already familiar with. even the part of the Stls/Drk relationship where they are both always arguing or fighting or Derek is intimidating to Stiles, even that Jennifer imitated. (if you don't believe me you can go see for yourself, from the first meeting between Jennifer and Derek there was this dynamic like the one Drk/stils have)
Okay moving on, the personality theft that Jennifer did to Stiles wasn't enough (haha) so similar parallel events also happened, remember that time where Derek went to Stiles for help? I mean the one in the car, where Derek told Stiles he was going to rip out his throat? Something similar happens between Jennifer and Derek. [Except the throat part, we all know that's something unique and special between Derek and Stiles 😌 that not even a curse can imitate.]
Okay, more things happen, but Jennifer actually already put Derek under some kind of spell, that makes him do whatever she says, like she made him not inform Scott that he was still alive... Why do I mention this? Because this fucking matters, let's say things between them keep moving forward, etc. And Derek is increasingly under her control, or well under her spell, until the day Stiles and Scott tell him that Jennifer is the darach...
And I really want us to think about this, because I don't remember it ever happening that Derek breaks his spell...or well something happens...Which I personally take as the reason why Jennifer didn't want Derek and Stiles to be in the same place while she is, because Stiles is the one who was able to break the influence that she has on Derek.
Let's remember this moment where Stiles asks her where his dad is , and Stiles has his eyes full of tears and revealing sadness, worry and vulnerability. And Jennifer mocks him by saying how the hell would she know that, it's not like she can go out and murder people on her lunch break (or something like that). And she tells Derek that he can't believe them.
Then we have this shot of Derek looking at Scott and Stiles, but it's obvious who Derek has his gaze focused on...And Boom! Right there Derek believes Stiles (and Scott).
And Jennifer stops pretending, etc etc.
For me that was the moment where any influence Jennifer may have had on Derek ended and she knew it.
I really love that season because basically all Jennifer did until the end was play a personality type like Stiles, and Derek fell for that 😩...I can only say that whatever Derek felt for Stiles, it was already tremendously strong.
Well I lost my train of thought, so I'll end here, but please share your thoughts and opinions with me here 🤍 Stiles and Derek really liked each other too much and the fools didn't even realize 😭
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jabberwockprince · 2 months
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SPINA VENATORES A small organization of mercenaries working for Manus Vindictae, tasked with erasing people from history as a way to call upon the "Storm". Their targets' names, families, influence and connections to this world will be dragged into oblivion.
Individual profiles and some more info/ramblings under the cut <3
The whole point of Spina Venatores is to be a parallel to Vertin's own independent group of Arcanists - the same way St. Pavlov's Foundation has her, Manus Vindictae has Venison and Spina. They're the mouth and teeth of Manus.
But whereas Vertin aims to create a safe, neutral space for Arcanists to thrive without human influence despite being tied to the Foundation, Venison is aiming to create a paradise for those they care about and no one else due to the heavy influence Arcana and Manus have on them.
Spinas Venatores is, at its core, a cult that was allowed to grow thanks to Venison's codependent and obsessive mindset - with them as the leader, all the troublesome and rebellious members of Manus Vindictae (that are much too powerful to get rid of or who are still clinging on to their former lives) will simply be assimilated into Spina or pressured to comply with Manus Vindictae as a whole. The third secret option is dying <3.
They also serve as a narrative device to remind everyone of the fact that, no matter how hard one may try, there's no way EVERYONE can be saved from the "Storm" - all five main members are related in some way or another to Arcanists that Vertin has met, they're people that weren't lucky enough to be taken in, who found themselves in the right time and place for Manus Vindictae to take advantage of their vulnerable state.
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R1999 also portrays a LOT of oppression from various minorities that overlap with each other in very interesting ways, so I also wanted them to tackle similar things that mean so much to me - they're problematic queers is what I'm trying to say lmfao
The thing they share is that all of them are delusional to a degree, and that they're constantly haunted and defined by their relationships to others. The loss and discovery of the self through another, Ship of Theseus, cannibalism, body horror, being transgender as a really visceral and intimate experience, an obsession for love in all of its forms etc etc.
I don't have the FULL scope of their backstories, but I do know who they're tied to!
Venison was Pavia's coworker in a constant, obsessive loop of wanting to kill and save each other. Mutton was part of Schneider's mafia and romantically involved with one of her oldest sisters. Chevon was a regular visitor in Necrologist's museum and a friend of hers, she later went on to exhibit his many, many tombstones. Poultry is the "Lilian" mentioned in Darley Clatter's Stories. And Veal is a mystery even to me </3
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Their uniforms are meant to look outrageous and outlandish, entirely out of place with the setting and their respective eras/times, inspired by fantasy - just BARELY reminiscent of Manus Vindictae by virtue of using a similar palette, as a way to drive that feeling of not belonging and delusion even harder.
Whereas everyone else is dealing with very real issues, all members of Spina Venatores live pretty much in their own heads (similar to Forget Me Not and how Manus Vindictae causes their recruits to become... YEAH.....THOSE MONSTERS....)
Venison gets the BIG COAT and the biggest silhouette because they're responsible for pretty much 80% of what happens within Spina Venatores! Veal gets the more simple design to allude to their whole unassuming, shapeshifter/Doppelganger thing.
They all have ribcage/bone motifs in one way or another, most of their jewels are meant to look like rosaries, they wear the Manus Vindictae silver cross and Arcana's blue color more often than regular members of Manus. Also! Hands!! Love the fuckin hands!! DID YOU GUYS SEE DIGGERS' MANUS VINDICTAE SKIN???? YEAH.
The naming convention being. types of different meats. is entirely because of Venison, you can ALSO blame that entirely on them <3
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lilyginnyblackv2 · 1 year
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“Two Heterosexual Men”- Buddy Daddies - Episode 8 - SPOILERS!
Saw someone on r/anime describe Kazuki and Rei like this in the comments on a post. Like, I’ll give them the benefit of the doubt that they made that comment before Episode 8 dropped. But, if they didn’t, I’m seriously just sitting her thinking how? The subtext this episode was astronomical:
First we have the parallel of Yuzuko (who is slightly older) finding Kazuki (who is slightly younger) at his lowest point and Kazuki (who is slightly older) finding Rei (who is slightly younger) at his lowest point:
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Both of these meetings took place around “flowers” that have ties to romantic love. Hydrangeas mean “true geniune love” and Mistletoe (the name of Kyu’s cafe) is associated with kissing under.
Then we have the fact that Rei states he found something to protect, mirroring the man that was essentially his teacher, whose person he wanted to protect was a woman that was heavily assumed to be his wife:
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Yes, of course, Miri is present there too. And Miri is a factor (she is part of his family), but the parallels being drawn here are to the significant other.
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Just like how we were meant to also make a connection to Satoru losing his significant other to a hit like Kazuki did (even if Yuzuko’s death was an unintended result, it doesn’t change the fact that it happened).
That’s why we are meant to feel so scared for Kazuki, because he is being paralleled to all of these other significant others who were killed due to their connections to a hitman for a spouse/partner.
Add in Rei’s fierce desire to keep Kazuki out of his father’s and the organization’s business, along with Rei stating that Kazuki didn’t mean much to him at first, but then Kazuki basically wormed his way into Rei’s heart because of how he cared for him. And, of course, there is plenty on Kazuki’s side towards Rei too, like Episode 7 where he makes the deliberate choice to move forward with his new family and to continue to stay with not only Miri, but Rei too. Rei is just as important to him. 
Both Kazuki and Rei fear that the other has abandoned them and they don’t like it.
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And, like, I’m not saying people have to view their relationship romantically, I still view it as queerplatonic and likely always will, but when people are like “They are just two HERTEROSEXUAL men” it is them trying to throw out and deny any queer reading of the relationship dynamic between Kazuki and Rei.
Even though all of the parallels and subtext (that is practically text at this point) is literally right there.
Like, the series can hardly be any clearer about this at this point.
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kindestegg · 1 year
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Collector, Hunter and Caleb: On cycles of violence
Baby titans. Flapjack. Evelyn. What do they all have in common?
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If you guessed "they were key components in making a character question what they've been told and pursue a new life, kickstarting major events", you're correct!
Hi, I'm Romeo the local Collector obsessed TOH fan!! And I REALLY need to talk about how Collector's backstory parallels Hunter's and Caleb's. Like I REALLY REALLY do.
Just as a quick disclaimer, if you're still feeling lost on Collector's backstory, I made a quick write up of my analysis for it here.
Now, if you're up to speed, we can start talking about the parallels. You see, I feel Collector's backstory is so fascinating because it really solidifies one of the recurring themes of The Owl House: cycles of violence.
Specifically, I want to talk about cycles of violence that aren't easily changed or broken. Societal ones, ones that worm themselves into the very norms of conduct that inform a certain people's behavior.
For Caleb, that was being a witch hunter, something that not only do we know was part of the local culture of Gravesfield back when he and Philip came to it, but that also apparently by Philip's memories, was even something he looked forward to.
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I'm not going to get into how this ties into historical, real life witch hunting, because I feel it's hardly appropriate I, as someone who's not that well versed on such history, go into it in a theory post about a Disney cartoon.
But even in this fantasy world, the fact of that matter is that this witch hunting was enacting a system of organized violence. Children were brought up since early on to act out witch hunts, to understand witches were enemies and should be hunted. The othering of witches, the insistence of them as monstrous and inhuman. All this must have led to the witch hunting culture of Gravesfield.
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And Caleb and Philip were deep in it.
Now, we know how the story goes. Both brothers go to the demon realm, meet a witch. Caleb gives it all an earnest chance, resolves himself to learn about how witches really are, and humanizes them, even possibly falling in love with a witch, who we now know as Evelyn. Philip despises it all from the start, refuses to ever see the place as anything but damned and monstrous.
From this, Caleb and Philip become symbols of opposing forces: That of change, a break in the status quo, a shining light of questioning why things are and calling for peace VS That of tradition, the desperate want to keep the cycle going, inability to envision anything different than has ever been, to question the old teachings.
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Each fought for what they believed in. But Caleb lost and the cycle continued, evolved.
In the real world it is much of the same. Change happens gradually, but even when it does, the cycle does not break easily, it evolves into something else.
Philip's hunt turns to the entirety of the Boiling Isles. He creates the Coven System, to get rid of all witches, yes, but also to keep them easier to control, predictable. He becomes Emperor, and now there is a new system of control, a new cycle of violence.
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The Emperor's Coven is suspiciously the only one allowed to use all kinds of magic, a way to assert this authority as well as making recruiting Coven Scouts easier. Witches who do not conform to the system are captured and petrified en masse, the Coven Scouts ensure all witches and demons must fall in line, or else. The parallels to our world and state forces used to control the population is not something that goes unnoticed.
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Hunter is part of the Emperor's Coven, too. He's placed as the Golden Guard, the most important symbol of the Emperor's Coven, a substitute for Lilith once she reforms. As such, Hunter too starts out by enforcing a system of violence, just as Caleb did before.
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The cycle even more glaringly becomes a cycle now, as Belos literally keeps making grimwalkers and restarting the cycle of the golden guard. Belos enforces the cycle of violence, and hopes this "new Caleb" will do it too, and every time he attempts to break it, Belos breaks him first. In a way, there are two cycles of violence at play: that of which is systemically mantained over the Isles, and that of which Belos mantains over Hunter and every other grimwalker he's made.
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Hunter, of course, eventually defects as well. He meets Luz, Flapjack, and then Willow and Gus and when he knows it, he's got a whole lot of people he cares about and that care about him. And he becomes a little less willing to carry out the system of violence he was placed in every day. Until he defects for good.
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So the cycle breaks once more, but this time, Belos doesn't catch up to him, at least not yet. In the present, Hunter is still surrounded by friends and a loving mother figure. He was part of breaking the cycle, of at least helping stop the Day of Unity. Change is starting.
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So where does Collector fit into all of this? Well I'd first like to address the elephant in the room. For a character whose backstory also involves breaking cycles of violence he sure was aiding in one, by giving Belos the draining spell and encouraging the creation of the coven system. But that's just another aspect of cycles of violence.
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Because cycles of violence don't just imply systemic violence or even violence perpetrated through constant abuse. But also, the cyclical nature of violence. The ability that someone who has grown up with violence normalized and has had violence done unto them can then channel that into violence towards others.
Now, before I am misinterpreted, I'd like to make some things clear: One, I am not of the simple opinion that "abused people turn into abusers", that is an ugly myth. Two, I have been a victim of abuse myself, and am a psychology graduate. I feel confident speaking with authority about this subject. Third, there is a difference between the psychological concept of generational trauma and internalized violence and the idea that being abused will turn someone violent.
What I am implying here is that Collector's behavior of dismissing both the violence done unto the grimwalkers, as well as towards the victims of the draining spell is something that he has learned and internalized as normal due to his life experiences.
Recall if you will that Collector is a member of an alien species that has a high disregard for life. In the same breath that they will say they preserve creatures to study them, they will also attempt to destroy all that opposes them. Collector grew up with this violence being seen as normal. He was brought to meet the titan trappers and taught to wear the titan skulls, following in his family's footsteps.
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But... just like Caleb and Hunter before them, they saw a different path they could take when it came to the titans. A way to approach them without violence. They gained an interest for titans, just like Hunter with wild magic, just like Caleb with the demon realm.
Once left alone to do so, they approached the titans, specifically young ones, close to their age. They played and maybe even learned some of their favorite games for the first time there.
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They also became horribly traumatized.
Both Caleb and Hunter have suffered greatly as a consequence for their defiance. No system of violence lets itself be broken peacefully. Caleb had his life taken, so did all the grimwalkers. Hunter, while having escaped with a good support system, lost Flapjack.
For Collector, that came in the form of having to watch all the remaining titans he had so happily introduced himself to play with get killed off by his own family. We do not know the full logic of how or why his family did this, but we know it was brutal and we know the end result: King's egg alone and Collector in the disc, imprisoned for centuries.
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Collector is a child, and if there was still any doubt in any fan's mind of this, For the Future stomped it out for good. Collector was a child when he had to watch his family kill off his new friends. He was a child when King's Father, likely in the middle of these attacks and motivated by it, sealed him away. He remained in stasis for centuries during this imprisonment.
I can only imagine that would really mess up any kid up. And through that, I think we can begin to understand what the mindset was for Collector when he took Philip up on his offer.
I've seen people be surprised by how friendly and childlike Collector acted in this latest episode when compared to his previous appearances in season 2, and I think we need to remember that Collector was in a much different condition back then. He had lost everything he cared about, got stuck in a prison for centuries with no one to talk to and no hope of anyone ever finding him, and when someone did find him, it was Philip fucking Wittebane.
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And something I think most of us have already clocked about Philip is that he prefers the people he collaborates with to be vulnerable. Someone he can easily control, usually through their emotions and attachments.
We see this in Elsewhere and Elsewhen with his tendency to praise and lead Lilith and Luz on to get what he wants, knowing they need something out of this and are desperate.
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We see this with Lilith, whom he uses the guilt of her sister being cursed to make her follow his every command and not question his rules.
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We see this with every grimwalker including Hunter as they're told he was the one who "saved them and took them in".
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We see this with Luz and how he leads her thoughts around in Hollow Mind to twist it in how she helped him unwittingly before.
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And though his relationship with Kikimora and her schemes is more of an odd one, with him mostly paying her no mind, Follies at the Coven Day Parade at the very least touched on the fact her mental health at the Emperor's Coven is not doing well. She's also desperate for something and being led around by Belos' promises, even if that thing she's desperate for is... power. But er, we love an evil girlboss.
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Look, what I'm trying to say is that Philip saw a child that had been horribly traumatized from seeing his friends die and then getting stuck in fantasy perpetual prison for centuries with no enrichment, no one to talk to, just eternal loneliness and sadness and he absolutely took advantage of it.
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He used every single part of Collector's broken psyche to his advantage, including possibly withholding his freedom to interact with the outside world through the disc, shutting him up and cutting his vision whenever he might have wanted to.
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And Collector, having grown up in an environment that encouraged killing everything in your way if necessary, having nothing else to lose because everything he could have cared about not killing was to his knowledge gone...
Absolutely took him up on the offer. And so, the cycle of violence is mantained, the one who had to witness such violence, unable to stop it, now carries out the same type of violence against others. Out of anger, maybe, but mostly out of desperation. For Collector, there's nothing left to do but do what Belos says, otherwise it's back to loneliness and darkness. And if Belos says "kill every last witch and demon in the Boiling Isles", he'll get that.
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Collector's glee in this is not something that can be excused, however. It must be examined through the lens of understanding this is a bad thing, that this is a case study in how children internalize violence and learn to be not only compliant to it, but also even revel in it. He's gone from victim to perpetrator. Not because of any of the abuse or trauma he faced, but because of his environment creating the perfect conditions for it.
But that's when our heroes come in. The cycle of violence did not complete itself. The draining spell was stopped. And the way it was stopped is also incredibly powerful in its symbolism.
Because it was King who went out of his way to contact Collector and who freed him. King, a titan, the last of a species that was at war with the collectors, now extended a hand for our Collector to be free. Despite everything indicating that they should not find each other, should not be together, they came together to stop the Day of Unity.
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In the Day of Unity being stopped by the Collector, so another cycle of violence is broken: that of titans and collectors being at odds with each other. In them is represented the hope for the future: two children who are free of the anger their species would hold for one another, now united in their wish for a better future.
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When King decides Collector shouldn't be imprisoned again and insists to Lilith and Eda that they let him talk to them peacefully, that's him taking a step to break the cycle of violence. When King says "it didn't work" he's not just talking about the fact Collector could go free. He's talking about the fact imprisoning Collector was a violence done unto him that only brought about more danger and more violence, did not teach him anything, and doing so again could risk worse things to come.
When he says "it's worth a shot if no more people get hurt" he includes everyone in that equation. He includes Collector. And that's breaking the cycle of violence.
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In a way, you could say if Belos and Collector's arcs as villains are both about stopping cycles of violence in different ways.
With Belos, he has spiraled down so deeply he has become the cycle itself, eating everything in the way and infecting everything, unable to live on without creating more violence onto others, and so he must be stopped by force if necessary. In this, The Owl House doesn't shy away from the fact that in the real world, sometimes you need to fight back, you cannot resolve everything peacefully, and breaking the cycle will involve hurting someone before they hurt more people.
But with Collector, another side is shown, one that reminds us that we must have nuance, and sometimes, we will be faced with the difficult reality that those doing violence unto others are also people who are hurting, who are lonely, who are sad. Specially children who have grown in environments where violence and prejudice was normalized. Sometimes children will be violent, will be bigoted, will repeat every little horrible thing the adults in their lives taught them. But they're still children. And they still deserve a chance to learn and a chance to grow.
It's about recognizing the difference between a young person who genuinely wants to learn and hasn't had the opportunity to, and someone who is not interested in this. Collector's backstory tells us he does have an interest in being good, he just needs the opportunity.
Collector isn't an easy character to approach like Hunter or Caleb. They do not have the benefit of starting off the narrative dead and buried, leaving the audience to assume mostly good things out of his deviation. Neither do they have Hunter's rebellious teenage bravado that allows him to show his defiance to Belos or his tragic fate of being a grimwalker binding him. They just are an alien child with immense power who tried once to deviate from the norm and then got the worst luck of the entire universe after them, and procceeded to become bitter and angry and absolutely sadistic afterwards.
But there's still good in them. And just like Caleb and Hunter, their efforts to break the cycle of violence they were raised in, as well as the efforts to denounce their fellow collectors will not go unnoticed.
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avelera · 11 months
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Some slightly more coherent thoughts about Spider-Man: Across the Spider-Verse (ATSV) now that I've had a little time to process and long to return to the theater to see it again and again and again:
1 ) Go see it. Holy shit, go see it. Re-watch Spider-Man: Into the Spider-Verse (ITSV) before you go if you have the chance but you don't have to, they recap it well enough and I promise anyway, the first thing you're gonna do when you get home after is turn ITSV on and then scream a bunch because it is all so tightly connected from the very beginning.
2 ) ITSV is a masterpiece. ATSV is more of a masterpiece in the same way that 11 is bigger than 10. They took everything in ITSV, which is a perfect 10/10 and made it 11/10 for this film. I shit you not. It cannot be otherwise expressed with words. Everything is just bigger, faster, bolder, more.
Ok, now getting into some of the more spoiler-y thoughts:
3 ) Loved me those themes of connection and loneliness. When you go back to ITSV, you see it's right there from the start. All of the version of Spider-Man are lonely. They are tired. They're isolated and unsupported and they are all suffering. Miles makes their lives better. They make Miles' life better. This becomes such a huge, huge theme in ATSV as Miles literally breaks the canon, he is the ultimate fix-it fanfic character, every Spider-Man he interacts with gets some element of their tragic backstory fixed. Peter B. reunites with MJ and has a child that brings joy back into his life. Gwen gets a friend again. Pavitr doesn't have to watch his girlfriend's father die. They are no longer doomed by the narrative.
4) Another post commented on how tired Peni looks when we finally see her, but she's not the only one. All of the Spider-People in the Spider-Verse look tired and it is, in fact I'd argue, Miguel's fault. He appealed to their sense of martyrdom to put together an organization that helps people and saves the world(s). BUT he made "maintaining the canon" an aspect of this (a wonderful meta commentary on Miles himself, btw, and all the comic book nerds who want to rehash the same story over and over instead of transforming it into something new and hopeful). Because they had all suffered so much, it followed logically for all the Spider-People that all of their parallel universe selves must also suffer.
This is the crab bucket mentality. Miguel dragged all the Spider-People into the crab bucket with him. He taught them learned helplessness. They're all tired and worn down because they have to keep reliving their own trauma by standing by and making sure these awful things that happened to them continue to happen, over and over. It's the mirror too for any marginalized community where the past generation believes the next one must suffer as they did. But it's exhausting for them to see the misery and do nothing. That's why they're all so tired. It makes sense to them that to be Spider-People, the next generation must suffer as they did but they are also, all of them, heroes and so it wears them down to watch this happen over and over. Miles brings back their energy and joy and their hope by refusing to be doomed by the narrative.
It's wonderful fanfic but it's also fantastic storytelling and it works on so many layers of the story, Doylist and Watsonian, all the way down.
5 ) THIS is a tightly knit story. Every. Single. Element. Ties back to the central story, the central themes. Every line either reveals plot, character, setting, or themes. It is so, so tight as a writer I was gaping. In necessary, if brief, moments of exposition they make sure to keep the screen busy and moving. There's no time for boredom. It is literally so fast that even as someone with ADHD I was sometimes overwhelmed as much as riveted. The few scenes that slowed down to simply fast movie pace felt achingly slow as a result and I bet you they were maybe 30 seconds long.
6 ) I AM. SO HYPED. FOR THE ENDING AND THE SEQUEL IT SETS UP? The perfect dark mirror story, not rushed but simply introduced so we can see that the final boss for Miles is himself. Unless they subvert that expectation, which they might! But it is so ominous to see Prowler Miles, it makes so much sense, it is perfect and deep and rich. Literally every time you think, "Maybe they'll rehash old material?" they don't they just keep introducing cool new characters and concepts and themes it's mindblowing.
7 ) They never leave you with one thread. Miles is going to face himself and fight to save his dad from the Spot and fight Miguel, presumably, in the next one. No single line only does one thing. No frame does one thing. And yet everything ties back to the core story of Miles and the Spider-People both on the Watsonian and Doylist level. I want to study every frame under a microscope. It's insane.
8 ) THE ART IT'S JUST. I'm not an artist so I'll leave it at this but THE ART.
9 ) I love Pavitr and Hobie. So much. I gasped when we saw Pavitr's world.
10 ) The Spot's animation was insane just insane and I think he's foreshadowed in the ITSV and it blew my mind on the re-watch.
I need to see it again. I could talk about any single element for hours. But I just can't stop thinking about the mastery embodied in this film. I know a sequel to a superhero movie that's animated will never win Best Picture but I do not exaggerate when I say that in itself might be an indictment of Best Picture. This film deserves Best Picture. It is the best movie I've seen in an unfathomably long time including ITSV.
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nancywheeeler · 10 months
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‘Eddie Munson should have died at the hands of the government instead of the Upside Down’ please expound on this your ideas are intriguing to me and I wish to subscribe to your newsletter.
okay, i am finally gonna release from the vault a text post i had drafted months ago about how reductive and bland i find eddie munson's "heroism" arc.
from a characterization standpoint, i totally understand why eddie declares himself a coward for running after witnessing chrissy (and later, patrick) die. his image of himself as a proud outcast willing to brandish a middle finger at societal norms, bolstered by playing a "satanic" game about misfits coming together to bravely face great evils, is completely shattered. however, from our viewpoint as an audience, eddie does what just about any of us would have done after watching someone die in a horrific, unexplainable manner and not knowing if what happened to them is about to happen to us.
...except the show then does this weird thing where it agrees with eddie's warped, guilty view of his actions. eddie is a coward for running. he should have...what? stayed, again not knowing if he would be killed next, tried to explain everything to hawkins pd, and gotten arrested? (which would have derailed the rest of the hawkins plot because, unless dustin & company staged a jailbreak, eddie then would have been in custody during fred and patrick's murders.) the plot demands he run, but to wring any sort of emotional catharsis out of his death, the writers want us to think "look! he's redeemed himself! this time he ran into the danger!" it equates self-preservation with selfishness and cowardice, which certainly isn't a new thing in media but it's boring and doesn't reflect reality.
and when you parallel eddie's death with billy's (and what i imagine steve's death would have been had they gone through with killing him in season one), it paints this uncomfortable picture that redemption can only be found through extreme self-sacrifice and ultimately death. boring! very boring! and again, why are we redeeming a character who doesn't need redemption?
i appreciate (and really like actually!) that the narrative dooms eddie from the beginning. there wouldn't have been a satisfying way to write him out of a triple homicide rap had he lived. that being said, i would have loved to see eddie survive the upside down, get arrested for the murders, and, while our intrepid heroes are expecting owens and his shadowy government contacts to swoop in, be killed by those same shadowy government contacts as a cover-up.
because that is all owens has been doing for the past three seasons: covering things up to save a fringe organization's ass. it's just been convenient for our gang that the cover-ups align with their interests, too, to the point they are over-reliant on owens stepping in with forged birth certificates and mall fires. only, in season four's case, eddie is the most convenient cover story. with owens left for dead in a bunker in the middle of the desert, what loyalty does the rest of this strange government operation have to the gang and to eddie that they would exert any additional effort concocting a more outlandish story than the easy one the town of hawkins has already bought into?
it would have been a great way to add additional stakes going into season five because the gang would have had absolutely no one to rely on or trust but themselves. no more clean-up crew to plant fake stories and file the paperwork. the government has never actually been on their side. it's hawkins against the upside down and the world, baby.
wow, this is so long and i am so sorry. i still have a lot of feelings about this apparently, even after all this time.
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bigfan-fanfic · 8 months
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Convalesce (Batdad x Bruce Wayne x Bucky Barnes)
Requested by anonymous for  I love the idea of Bruce/batdad/Bucky and Steve/superdad/Clark. Please write a headcanon about their relationship if you’re ok with it
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There's something just delightful of the way Bucky has begun to show affection.
And in its own strange way, it's a parallel of how Bruce has begun to grow freer with his own love.
When the Winter Soldier fled Vienna, it was the Justice League that was tasked with finding him - after all, they're a much more trusted organization than the Avengers, and it was their way of working to prevent the Accords from going through - if they were able to do better than the Avengers, they could continue to operate and keep metahumans safe and their privacy intact.
So with Batman on the case, it was soon evident that James Buchanan Barnes was being framed.
So with the Justice League helping to deprogram him, it was a relatively painless process to free him from Hydra control.
You offered your own house as a place for Bucky to convalesce and to keep out of the public eye - Wayne Manor was pretty secluded, even during gala season.
Bruce wasn't as happy about it, but with the potential of the Accords hanging over his head, he allowed for it. It was insisted upon that Captain America assume a new title, as the Justice League was already a sanctioned UN organization, and they did not wish to play favorites.
So Steve Rogers, simply going by the Captain now, joined the Justice League and was allowed to come visit Bucky at Wayne Manor.
Bucky never intended upon engaging in courtship with the Waynes, it was simply something that happened. He helped the Bats train down in the cave, and in daily life, acted as a personal bodyguard to Batdad.
But slowly, he came to deeply respect both Waynes and their children.
You kissed Bruce when he returned from patrol, like usual, and Bruce nudged his chin in Bucky's direction.
Bucky was watching you two curiously. You gave Bruce a little nod, and he moved over towards Bucky.
You approached as well, and Bucky froze for a moment, until you put your hands along his waist.
Bucky gasped, but Bruce moved behind him and lightly rubbed his shoulders.
From that moment on, Bucky joined the two of you, kept close and involved.
Bucky helps Bruce come to terms with a lot of things - his time as a tool and weapon makes him firmly against putting the Robins to use in the field, and he now has the courage to say something about it.
While Bucky gets to heal from his trauma and start to cope in a healthy way, Bruce gets a new perspective to look at his life from and start considering life outside of Batman.
And you meanwhile, have a bit more support that you didn't before - Bucky's a lot more outspoken about his opinions on Batman than you are most of the time.
Bucky understands you, and he doesn't let him being a third in the relationship allow Bruce to push off any responsibility. He's willing to say the things you've had to let go by.
Bucky is also sympathetic, deeply, to your whole family. He's happy to help out all of them with whatever they need.
But most of all, he loves the two of you.
And just like how Bruce was brought out of his shell, so too has Bucky begun to take initiative. Giving kisses, holding hands. Coming with you both to bed without needing to be asked (and occasionally bodily taking Bruce when he gets caught up with Batman work)
Because, as he confesses to you one night, when Bruce lies asleep between you, holding you as his head rests on Bucky's chest, this is where he feels he really belongs.
And he will live it out to the fullest, and help you both any way he can.
And this, he knows, is what love is.
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