"you're pretty," sirius says lazily, his fingers tangled in remus' curls; he doesn't know how to respond to that.
he doesn't think he's pretty. his nose is too big and crooked, his eyebrows are too thick, his face is uneven; his mouth and eyes are too big for his face, he has acne scars and of course, the ones he hates. he never was pretty, not even as a child, and he never wished to be. he considered beauty subjective, but it was a truth that he wasn't beautiful.
however, when he's with sirius, he can't help but feel so. he's with sirius, who makes everything seem so beautiful; sirius, who's as imperfect as he is. neither of them is perfect; and maybe that was important, maybe that was what made them who they were, that they saw the beauty in what they considered ugly, that they loved the "unlovable".
they're sitting on the floor of the ruins of the castle in remus' hometown, sirius' back pressed against the wall, remus' head in his lap. he looks up and he meets grey eyes and a straight nose, and he smiles. he sits up; they're at approximately the same level now, and amber blends into silver, and that, that, the place where remus ends and sirius begins and the place where neither knows who exactly is who, that is beautiful.
"you're pretty, too, sirius." he needn't have said that; it was one of those all-known truths, the ones written in books, the one that stars know, too.
sirius hums, and kisses him. he's beautiful; they both are.
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I ignore about 95% of the conversations surrounding Arya having killed people because, outside of Arya stans, people refuse to include the context of the very violent circumstances she experiences + her trauma which influences her actions. She wasn't destined to be a killer and her being forced on the run, having to survive during a war (at times on her own), having to witness countless people being tortured and murdered, being enslaved as a prisoner of war, having to witness the deaths of her family, etc. are all hugely important factors. Not to mention the times when her life is literally on the line and she has to make tough decisions to ensure her survival. The only time her trauma is acknowledged is when people are using it to prove she's "too far gone", otherwise it's essays on how she hasn't suffered that much. It's so boring how people ignore well-developed characters just to reduce them to one or two aspects of their story. And this treatment is only for certain characters; let someone mention Sansa being part of the plot to poison Sweetrobin and all of a sudden, people can understand being forced to make questionable decisions under difficult circumstances.
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ARMS 🤯🫠
Falling off the chair just like Lando 😮💨😮💨😮💨 incredibly attractive 😩😩😩😩
NOOO NOT THE CRICKET VIDEO 😭😭😭😭 it was what made me start simping for his arms in the first place… it really opened up my eyes to something so wonderful 🤭🤭
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i WANNA SEE HENREY AND NICO FIGHT WHOSE WINNIN
No doubt abt it, Nico is wiping the floor with Henry. It's not even close - it's ugly, it's unsightly, Henry cries. All around a great time for all of Henry's opps
On the flipside, not a great time for you, as guess who comes running to get cleaned up and cry to 🙄
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