Ever just have a screaming fit about ptsdee (and nightman cometh, and missing out on childhood so you go see a robot’s boobs) and Charlie/Dennis feeling connected over suffering ‘real trauma’ the others haven’t, but also absolutely never admitting What Happened?
LITERALLY EVERDAY CONSTANTLY THEY HAUNT MEEEE.
PTSDee is one of my favorite episodes because I just absolutely love episodes that explore the gang’s trauma through absurd hijinks (dee’s self esteem issues n mac n frank daddy issues exploration r also favorites of mine) but charlie & dennis’ connection is just soo special and i love the way it’s portrayed. they’re such different people but the way they can see through each other’s denial and bullshit to recognize the specific ways that each of them was hurt KILLS me. they can only truly comprehend and try to process That Thing That Never Happened through projecting onto each other it’s so tragic. Real Recognizes Real and such… the charden worms in my brain r wriggling so fast rn AUGH
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a comparison of themes
a brief comparison of the shared/juxtaposed themes between the works "the stranger" by albert camus, "no longer human" by osamu dazai, and "notes from the underground" by fyodor dostoevsky
(will try to keep this spoiler-free as possible!)
opening notes:
themes:
alienation, apathy and envy, misanthropy and understanding others, pride versus conformity
main characters
meursault from "the stranger"
yozo from "no longer human"
underground man from "notes from the underground"
premise
meursault is a man who lives in french algeria. his initial characterization is established when his mother dies, and he doesn't care much. later on, he happens to commit a crime, and we are shown his detached nature throughout the legal/penal process
yozo deems himself "disqualified as a human being" while examining his life; he finds himself unable to understand other people and is frightened by their strange emotions and behaviors while he spirals in and out of addiction and depression
the underground man is a spiteful loner who drives away the people around him and favors his own fantasies over his real life; he chooses to indulge in his romanticized, emotionally charged perspective, which in turn causes him more pain
alienation:
-- all three main characters are shown to be outcasts, unable to participate "properly" in society. in a narrative sense, all three end up "punished" by society for being different (either literally or as they perceive)
-- all three characters try to form romantic relationships, only to be thwarted at some point (note: meursault was arguably most successful). in each case, their prospective partners were interested, only to leave them under circumstances that all arguablely stemmed from the protagonist's actions.
apathy:
-- meursault is apathetic towards his uncaring nature in-of-itself. he is not bothered by his apparent loneliness and callousness, nor how other people perceive him. in fact, he barely sees himself as different, unlike our other two protagonists
-- meanwhile, the underground man tries hard to appear "cool" and unaffected by what he sees as slights upon his honor, but he ends up raging anyway; he envies the status, wealth, and social connections that other people have and emulates those in his fantasies
-- on the other hand, yozo is painfully affected by everything around him and overthinks every action both he and other people make. he determines himself as thoroughly unable to be human
misanthropy and understanding others:
-- the underground man and yozo find themselves disturbed and perplexed by other's actions. both distrust others, believing society to be maliciously out to get them. they're ultimately hindered by this self-consciousness.
-- yozo tried hard to "fit in" to the expectations around him, only to deviate more as he cracked under pressure
-- the underground man tried a few times to be sociable but ultimately gave up and declared himself a member of the "underground", retreating into his own world
-- opposing this is meursault, who is seen as the frightening, perplexing being by other people due to his apparent lack of emotion by the end of the book. however, before the climatic incident of the novel, he was seen as an ordinary, albeit bland, man who just goes through his life. he never tried "too hard" to fit in, even though through his narration, we can tell that he was already apathetic, to begin with. the incident merely called everyone's attention to him
pride versus conformity:
-- ultimately, all three men chose pride, consciously or not. they refused (or were not able) to become molded to society's standards, and all chose the "wrong" path in the end, even though they tried to live "normally" at some point
-- they stayed true to their nature (as outlined above) to the end of their respective novels. each novel resolved with a respective resignation/acceptance of their fates
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OK tumblr I need your help with something.
We volunteer in a library today, loved it, and are now very seriously considering changing our major to become a librarian.
Our current major is communication studies, aiming to get into an HR position, then later on go back to school for sociology and psycology.
My question to you, librarians of tumblr, do you think it's worth it?
I feel like it bears saying that we're autistic, plural, and queer; interact well with people but could be wayy better
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my official take on the moon/qibli/winter love triangle is that winterwatcher is a much grander, epic romance, and moonbli is a much more level, sweet-and-simple romance, but ultimately i think it was a better decision to have the latter be the canon romance in a series primarily marketed towards children and teens than fall into the "bad boy" romance trope, and instead romanticize the earnest, genuine, sweet relationship
obviously there's way more nuance to this involving internalized/unconscious bias, and winter doesn't even REALLY fit into the "bad boy" archetype, but purely based on genre conventions, the gruff, rude, brooding, tortured hero VERY often falls into that category, and at the ages of 7-14 most of us were very LIKELY to be romanticizing that archetype, which again is very often treated as interchangeable with the "abusive bad boy" trope, and while i might have a few gripes with the writing of moonbli and i ENJOY winterwatcher a whole lot, i DO appreciate the more gentle, "safe" romance being treated as the ideal, rather than the tense and angst-filled nature of the alternative
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i am very weak for a specific kind of din-centric romance that i’ve yet to see anywhere (probably because it would be tedious to write). i want din to have an Arthurian romance where his Creed and his besk’ad are not obstacles for his partner to vault over into his arms, but part of him, more of him to love. i want din to have a romance where they will love him whether or not they ever get to see his face, or touch his skin, because when din said the helmet is my true face he meant it, and when his paramour said they loved all of him, they meant that, too. the Creed is his blood and the besk’ad his skin and his heart the steady tattoo blasterfire and his soul is the manda and to love a true mandalorian is to love them because of the old ways, not in spite of them. din may walk the galaxy’s gray meridian but his faith in the Creed is absolute. to love him you have to love him for that faith, too.
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honestly have black women even got black male attention on tv? its been mostly ls/nbw, while black women in media were often one dimensionally regarded in the same 4 old controlling images within ‘black’ targeted media & outside ‘black marketed media’ i rmbr growing up all the black sitcoms thatd dog out the black girls that were darker, bigger, anything other than light & slimthick. like both the characters & the rl actresses who played them! girl dramas w/ ls mcs w/ ds charas in the periphery with no interiority or any sort of character arc who could be replaced interchangably. maybe im fixating on semantics like i always do but w/ blade 1998 if dr jenson was a lsw or a nbw she wouldve been unambiguously blade’s love interest but bc dr jenson is a bw its treated like subtext…. and thats why it was my gay awakening.
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