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#i love this girl so much and she doesn't get nearly enough credit
fandomxpreferences · 1 year
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Two Lines, Two Idiots Chapter One: Knock, Knock. You Knocked Me Up
Series Masterlist
Pairing: Twin Brother JJ! x Maybank! Reader, rafe Cameron! x maybank!reader (all over 18)
TW:unplanned pregnancy, angst, violence, drugs, I think thats it
Summary: You should have listened better in health class.
Word Count:1.4k
A/N: New series alert! Love that for me
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There are a lot of worst-case scenarios that you're prepared for. It comes with the territory of being a Maybank. You tend to overthink and plan for things to go sideways. But this? This is nowhere close to being on that list. 
Not only are you staring down at two pink lines, but the father is quite possibly the last person on the planet you thought you would do this with. Perhaps he should be the first person you think about, but the only man on your mind is JJ.
He's going to be livid; it's bad enough his twin sister is knocked up. Who you got knocked up by is flat-out traitorous. He doesn't even know you've been seeing somebody, which is hurtful in its own right.
You excused your secret by convincing yourself there's nothing to tell; it's nothing serious. A friends with benefits situation, nothing more. At least it was.
Now, you don't know what it's going to be. You know for certain he's not ready to have a kid, and most definitely not with you.
You toss the test in the trash and wipe your eyes, deciding it's best to keep this to yourself until you know what you want to do. You aren't sure how far along you are, but if you had to guess you'd say about eight weeks.
Usually, you're careful, but one night in the Twinkie you threw caution to the wind, and now you're paying the price. 
You rejoin JJ, Sarah, and Kie by the hot tub, scrunching up your nose at the pungent scent of marijuana. You figure you probably shouldn't be around it anymore, but you can't really come out and say that. Instead, you try to keep your distance and breathe in as much fresh air as possible. 
Pope and John B are off doing something for Heyward and you're glad. JJ knows you well, but being your brother clouds his sight sometimes. John B on the other hand is your best friend and would know something is up immediately. 
You politely refuse when your brother tries to hand you the joint and he frowns. 
"Since when do you refuse getting high?"
You momentarily panic before smoothing out your features and recovering. 
"Just don't feel well."
It's a lame excuse and JJ rolls his eyes. 
"Well, weed will help. Here."
He pushes it toward you again and you lurch back, nearly tumbling off the edge of the tub in the process. 
"What are you pregnant or something? Just take a hit so he'll leave you alone."
Kie laughs as she says it, but falls silent when she notices the way your eyes widen slightly. So much for keeping it a secret.
Sarah seems to notice as well, shock covering her features as her eyes dart to your stomach. 
"Wait.."
Your mouth gapes as you try to come up with a lie, but your mind goes blank and you know there's no way out of this. 
Based on JJ's lack of reaction, you know he wasn't listening and you silently plead with the girls not to push it. They're too far gone, their minds hazy and reeling at the newfound information. 
"Y/N, are you pregnant?"
This seems to catch your brother's attention, and his head whips to look at you. 
His eyebrows furrow as he mistakes your panicked expression for one of confusion and he turns to face the girls. 
"Come on, Sarah. Give her some credit. My sister is stupid but she isn't dumb. Right, sis?"
He's looking at you again, and you can't help the tears that burn your waterline. 
"I-um.."
You watch as realization washes over him, his high dissipating as the secret is revealed.
"Oh my god. By who?!"
He's one octave below yelling, and you shush him harshly. 
"He doesn't know yet, okay? Just don't tell anyone, especially John B."
They all share a look at your request, the wheels turning as they all come to the same conclusion. John B is the father. 
JJ wants to press for more information, but the tears slipping down your cheeks stop him in his tracks. He pulls you into him, whispering sweet reassurances in your ear as he thinks about how he's going to beat the shit out of his best friend. 
In a sick joke from the universe, you hear the Twinkie pull up and aggressively dry your face. John B is laughing as he approaches, but his expression falls when he sees your swollen eyes. 
"What's going on?" 
His voice is laced with genuine concern, and it makes your stomach turn. You feel terrible keeping this from him, you're just not ready to face it yet. 
He ignores the way Sarah and Kie avoid eye contact, and does his best not to ask what the fuck JJ's problem is as he stares daggers at the side of his face. His attention is solely on you, a gentle hand coming up to cup your cheek. 
"What's wrong, sunshine?" 
You almost wince at the sweet nickname he reserves just for you, and despite your efforts to cover it up, he notices anyway. Hurt flashes in his eyes and he drops his hand, unsure what the sudden change in attitude is.
You've never once shied away from him, and he wracks his brain trying to figure out what he did wrong. He doesn't get the chance, watching as you stand abruptly and head inside. 
You stop suddenly and turn to face him.
"Can I borrow the Twinkie?"
He hands you the keys without hesitation, deciding it's best not to push his luck with questions. They all watch as you stalk off toward the van, and as soon as you're out of sight, JJ's hand is ripping him backward. 
He barely registers the violent movement before a fist is colliding with his cheek. He stumbles back and stares at JJ in shock.
"What the fuck was that for?!"
JJ is about to swing again when Kie pulls him back.
"J, don't."
John B is rubbing his face, still recovering from the blow, as his wild eyes dart between his three friends. 
"What the fuck is going on?!"
This only seems to anger JJ more and he lunges forward, barely restrained by Sarah and Kie. 
"My sister? Really, John B?"
His voice cracks from the sheer volume of his scream and John B takes a step back. 
"What about her?"
He's genuinely never been more lost than he is at this moment. Between your tears and JJ's rage, he's clueless.
"You got her fucking pregnant!"
John B's face contorts as he processes the statement and Sarah shoves JJ back. 
"JJ! That's not your place to tell him!"
John B runs a hand through his hair, only half the information sinking in. 
"Sunshine is pregnant?" 
JJ growls and takes a step forward, Pope now assisting in holding him back.
"Don't fucking call her that."
It takes a minute for him to catch up, but when he does, John B scowls. 
"Wait, did you say I got her pregnant?"
JJ laughs humorlessly, unamused by his friend's act of innocence. 
"Yeah, dickhead."
John B takes a step forward with his hands out, and JJ falters at the honesty in his friend's eyes. 
"JJ, man listen to me. I swear on my life, I have never even looked at her that way, let alone slept with her. She's like a sister. So unless she's the virgin Mary, it's not mine."
Everyone looks at each other as JJ goes lax, and they loosen their hold. 
"Then who's the father? If two plus two is four, and four plus four is eight, then what the fuck is this? The math isn't mathing."
Meanwhile, you're sweating bullets as your heart pounds in your chest. You weren't planning on doing this so soon, but with JJ knowing, it won't be long until he figures it out. 
You take a deep breath, doing your best not to puke as you turn into the long driveway. You pray no one else is home; the last thing you need is more people's opinions right now. 
Your legs tremble beneath you as they carry you to the front door and you take a deep breath as you knock twice. Your knees are seconds from giving out when the door swings open to reveal those blue eyes and that cocky smirk. 
"Back for more?"
His face drops when he sees the state you're in, and he ushers you inside. 
"What's wrong? Did someone hurt you? I'll kill them." 
You cut off his rambling with a featherlight grip on his forearm and he turns to face you. 
"No one hurt me, Rafe. Can we talk?"
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pluckyredhead · 4 months
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so what did you not like about worlds finest teen titans? There were a lot of dropped plot threads and bits I expected Waid to develop more (Roy and Ollie conflict, Roy, Garth and Wally never resolved their sleepover argument, Karen's reaction at the con to nearly being unmasked, Wally's parents, ect) and also the queerbaiting with garth (and his eyes changing colour halfway through???) was annoying. I thought it was cute overall but maybe I'm not familiar enough with some of the characters?
I held on to this ask because I was going to reread the miniseries to answer you more accurately, and then I decided to not put myself through that, so...hopefully my memory is accurate lol.
(I should note before I get into it that none of my quibbles are with Emanuela Lupacchino's art. She's a treasure and we're thrilled that she's here.)
But yeah, you've put the nail on the head with a lot of it. It was just terribly paced, like Waid didn't know how many issues he had or something. Aside from all the dropped threads you mentioned, it felt like the main bad guys were...pretty much hastily introduced, or at least assembled, in #5? There didn't seem to be any kind of...well, point to this miniseries. There was no theme. There was nothing Waid was trying to say, as far as I could tell, except "Fuck Roy Harper." (Oh, we'll get to that.) It wasn't an origin story for the team. It wasn't about adolescence or coming of age or learning who you are, except maybe a little bit for Garth. It was just...there.
And I want to be clear here: Mark Waid is one of my favorite comic book writers of all time. When he hits, he hits. The regular World's Finest book and his Shazam are wonderful. I just think this wasn't the right match of writer/characters, because he didn't handle these very well. Taking them one by one:
Dick: DC is fully in their "Dick the unbearable Mary Sue" era and this book is no exception. If I never see another comic where a whole team of experienced superheroes with major league powers and training stands around like incompetent jackasses until a Bat comes along and tells them what to do, it'll be too soon. I'm here to read about an ensemble book where everyone is a three-dimensional character, not The World's Most Perfect Boy and his loser sidekicks. Not only is it unfair to everyone else in the cast, it's doing a disservice to Dick, who is a much more interesting character than this book (or Tom Taylor, ahem) gives him credit for.
(There's also something very weird and inconsistent Waid is doing across his books with Dick - WF, WFTT, and BvR - where sometimes he's throwing a tantrum because he doesn't get to be a circus star with everyone looking at him all the time, and sometimes he's screaming at Roy for filming them, and both feel utterly arbitrary to me as well as contradictory.)
Donna: Donna's characterization in this was just...bizarre. I was a little worried about how Waid would handle her, since he has a tendency to turn more quote unquote "wholesome" female characters into the Mom Friend (see: his Champions run, where he tries to get away with it by having Kamala announce that she's not going to be the Mom Friend because she's the only girl on the team...and then immediately becoming the Mom Friend), and Donna's already very much a Mom Friend, and I didn't know what Mom Friend Squared would look like. But instead he went for this...Manic Pixie Nightmare Girl approach? Where she's really into bungee jumping and monster trucks? I'm not offended by it, it's just so utterly random. This isn't who Donna is? It's never been who she is? Baffling.
I am offended (I mean, mildly, but still) by the fact that she and Garth are shoehorned together in this. He's the only boy on the team she's never been romantically linked to, even in dreams/hallucinations/whatever, so completing the set feels very much like Donna's only narrative worth is in being a love interest, which...gross.
Garth: Garth probably got the best treatment of the bunch, to be honest. He was in character as the shy little weirdo he was in the Silver Age and in pretty much every flashback we've ever seen. He's smart and perceptive and bad at saying what he wants and generous towards those who have hurt him, all of which is very Garth. I have no complaints about him except the weird queerbaiting, and I'm not blaming Waid for that because from what I understand, solicits are written by editorial working off of a pitch, potentially before the comic is even written, so who knows what happened there? It might have been a stupid joke that didn't land, it might have been a story that was pitched and then a higher up vetoed it, it might have been a story Waid was going to write and then changed his mind. I'm not going to say it's his fault when I have no idea if that's true. Otherwise, I think he handled Garth well.
Wally: Wally was another one where I was just like ??? the whole time. He didn't feel like Wally, he felt like Bart. But, like, fanon's innocent child version of Bart and not the actual canon character, who has a lot more backbone. Why is he hero worshipping Dick like that? Why is he so docile? What was up with that weird line where Dick's like "you're the youngest?" Yes, historically Dick had already dropped out of college while Wally was still in high school, but otherwise they've always been portrayed as the same age. And if it's a reference to debut year, Donna's the youngest. It's such a random throwaway line dumped in at the very end for...why? Confusing me personally?
The worst, though, was whatever the hell was going on with Wally's parents. Wally's parents are not an idyllic suburban couple! They are not the Kents! Rudy West is only not classified as a supervillain because he doesn't have a costume! Even if he hadn't tried to kill Mary, sold the Earth out to alien robots, faked his own death, or run a deadly labor camp for children at this point in the timeline, he definitely hit Wally and, uh, poisoned Wally's Little League coach. I don't think Mary is as bad as some of fandom does, but she's certainly a difficult person. Wally was desperately unhappy at home as a child, which is why he latched on so hard to Barry and Iris. And Waid knows this, because he wrote a lot of that canon. If it's a retcon, it's such a strange, pointless one that makes all of them a lot less interesting. Just baffling.
Karen: I think it was a very smart choice to add Karen to the founding roster and make the team slightly more gender-balanced and not all-white. It's kind of a wasted choice, though, when she's so aggressively sidelined. All she does in this book is hang around with Mal and the support staff. She isn't looped into any of the major emotional conflicts - Garth and Donna, Dick and Roy, Roy and Wally and Garth. She's not treated as a headliner in the same way the others are, and that really sucks.
Roy: Hoo boy.
When Waid was announced as the writer of Batman vs. Robin, I was worried, because I had a feeling he didn't like Damian. I couldn't put my finger on why, it was just a feeling I had. And boy howdy, was I proved right! Damian is treated like shit in that book.
I had the same feeling with this book and Roy, and...let's just say I'm two for two, okay?
Here's the thing. I'm okay with Roy being written as kind of shitty, especially during his period of his life. Teen Titans: Year One writes him as an utter fuckboy, and I love that comic. The Mal and Karen issue of The Other History of the DC Universe retells the Bronze Age Titans era from their perspective, and it pulls absolutely no punches regarding Roy being, well, kind of an asshole...and it's right to do so, because it's drawing very directly from those 1970s comics, and he was often awful in those.
But Waid writes him as a generic 80s movie villain. He's a human popped collar. He's a stereotype of a bully. My problem isn't that I need him to never do anything wrong, it's that nothing in this book is specific to Roy, his history, or his established personality.
For instance, all of his bragging about how much money he has? He comes off like a kid who was born into wealth and has never known anything else, but that isn't true. He was at best middle class before Ollie, probably more likely working class given the economic situation on most reservations - but there's no indication that he's responding specifically to that shift in circumstances. He's just, like, Draco Malfoy with arrows. Also, Dick has a nearly identical history but none of the same issues. He even says "Roy and I have the same background but he sucks." Why is one of them a perfect angel untouched by filthy lucre, and the other is Bradley Uppercrust III?
And then there's the subplot with Ollie neglecting Roy, which fizzled out to a real wet fart of a resolution. But honestly, at no point did I know where Waid was going with that, because...well, if you know Roy's history, you know Ollie neglecting him is what leads directly to Roy getting into drugs. And like...first of all, the timeline here is off, because historically Ollie didn't ditch Roy until after he lost his money, and he still has it here. (How interesting would it have been to have Roy pretending he was still rich in addition to pretending Ollie was around?) But also, this comic ends on an "and now everything is fine!" note, but it isn't! It really, really isn't. So Ollie showing up at the end and being like "I'm here for you, buddy" doesn't ring true, because he is demonstrably not in this very comic, and we also know he won't be in the future. And Roy getting what he wants doesn't feel like a satisfying resolution either because we don't actually get to see changed behavior from him, and again, we know this won't last. (Again, TT:YO handles this dynamic very well, where we see that Ollie is an affectionate but negligent guardian who Roy is learning some very bad habits from.)
And to top it off, constantly contrasting Terrible Roy to Virtuous Dick and simultaneously pretending that Ollie was at this point a responsible guardian has the (I hope unintentional) effect of implying that Roy will eventually become an addict because he's just a bad and weak person, instead of a struggling teen who needed support and didn't get it. I would have actually preferred a story that hinted at the beginning of Roy's addiction and how he hides it from the Titans, because we've never had that story told in comics, but I don't think Waid's the one to write it. Instead we get a conflict that's out of character for Roy, a resolution that doesn't feel at all earned, and the looming threat of Roy's immediate future which Waid refuses to address.
In conclusion, this book was a mess, and you should all read Teen Titans: Year One instead.
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nervousgardenerkid · 2 years
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I wish I knew you wanted me.
a/n: okay i honestly didn't think it was gonna be this long,,,,so i had to split it into two parts LMAO part two will probably(?) be up tomorrow? or on tuesday :D enjoy this steve angst mwah mwah! credit to gif owner!
read part two here!
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There was one thing that was clear in Steve Harrington’s crazy upside-down life.
He doesn't get the girl. He never does. He didn't get Nancy, he didn't get the girl he went on a day with last week, and he most definitely, didn't get you. He watched with a glare as you and….you and…okay Steve doesn't even remember his name, he just doesn't know if he chooses to forget it on purpose or if he's gotten in one too many unsuccessful fights.
“Jesus dude,” Robin mumbled as she came back with a small stack of tapes in her arms. “You know, if you stare a little harder a laser may magically appear and vaporize him.”
“You think so?” he mumbled while glaring a little harder as she suggested.
“No, you dingus!”
He let out a sigh and finally looked away from your giggling figure while running his hands through his hair.
“I just don't get what she sees in him!”
“Maybe it's the fact that he, oh I don't know confessed to her, unlike someone I know.”
Steves let out a sigh and tried to fight the urge to look over at you but failed. You were wrapped in the arms of…whatever his name is, smiling while trying to choose a movie.
“For the last time Robin she didn’t feel that way about me, and she sure as hell doesn't now.”
Robin rolled her eyes and clutched a tape in her hands trying so hard not to throw it at him. She can't let the intrusive thoughts win, not today at least.
“My god it's a good thing you're good-looking cause clearly your brain refuses to work.”
Steve turned to her with a smirk and ran a hand through his hair.
“You think I'm good-looking?”
“I think you're an idiot.”
“Fuck you.”
Robin didn't have time to register the fact that you were coming up to the counter before she launched the tape at Steve only to let out a groan as he caught it with no trouble.
“You guys are kinda cute together,” a deep voice said
You let out a snort only to cover it up with a cough.
“Oh, we're not-”
“It's all platonic with a capital P over here Mason.”
Mason! That was his name…ew. Steve thought while he stepped forward ready to take Pretty In Pink out of your pretty hands.
“Hi, Steve,” you said with a smile.
It took everything in him to not fall to his knees and finally confess everything he's been feeling for nearly a year. Who knew saving the world multiple times together could cause so many emotions to bloom? His thoughts were cut short when he felt a foot step on his not so lightly. He curses whoever pissed off Robin today cause he's the one who has to deal with her temper.
“Hey Y/N, just pretty in pink for today?”
You opened your mouth but Mason cut you off.
“Yeah, just that stupid movie for today.”
You rolled your eyes and pushed Mason away from you.
“It's not a stupid movie! I saw it at the theatres with Steve and it was really good!”
Mason let out a snort and stuffed his hands in the pockets of his jacket.
“Well since you both love it so much then maybe you can watch it with him.” he sneered out.
you let out a sigh and turned to look at him while mumbling “Mason cmon, we were having such a good day-”
“Actually I'd love to watch it with them,” Steve said while standing a little straighter than before. Robin let out a quiet “oh boy” before making herself comfortable against the counter.
Mason scoffed and stepped around you that way he was face to face with Steve. “You know, if I didn't know any better, I’d think king steve is trying to get a date with my girl.”
Steve swallowed hard trying not to say what he wanted to say. Maybe he was asking you on a date despite you having a boyfriend. Hell, maybe he could treat you better. No, scratch that, he could definitely treat you better than Mason could. His thoughts were cut short when you let out an awkward chuckle.
“Okay Mason that's enough,-”
“No, I don't get why you hang out with this loser. He's a high school has been and he doesn't have anything going for him besides this lame-ass job! Doesn't he babysit on the weekends or something?”
Robin let out a scoff and stood by Steve.
“The hell are you talking about with this whole high school has been? What exactly are you doing with your life?”
Mason let out a scoff and said something to Robin that caused bickering between them. Steve tuned them out and looked down at his hands. He knew he didn't like Mason but now he really doesn't like him, although he did make a couple of points. In Steve’s eyes, he didn't have much going for him. Every day was the same. Wake up, go to work, take robin home, pick up Dustin, Mike, and Lucas to take them to the arcade, then he goes home to repeat everything the next day. Oh god, he is a loser. He blinks rapidly trying to push down the negative thoughts and emotions that are stirring inside him.
Don't cry, Steve. Whatever you do, don't cry in front of the girl of your dreams and her stupid, mean ugly- his thoughts are cut off when he hears a loud smack echo throughout the store.
“We're fucking done,” you said with venom replacing the usual sweet tone you have.
“Are you seriously-”
“Yes! Yes, I'm seriously dumping your ass in Family Video in front of my best friends! Get the hell away from me!”
“Have fun walking home then!” Mason shouted as he stormed out of family video.
The tension in the air was thick as Robin cleared her throat.
“Steve you should totally take Y/N home.”
Steve turned his head towards her his mouth slightly opened as he mumbled out a small “huh?”
Robin kicked his shin and tilted her head towards you. “Y/N. Home. Take. Her.”
“Oh. Oh! Y-yeah I can totally take you home!” Steve rushed out while fumbling around for his keys.
“But what about robin-”
Robin waved her hand and insisted Nancy would pick her up cause she needed to rant about Jonathan to someone. Steve nodded his head and jumped over the counter ready to walk out the door with you until Robin said something.
“Hey Y/N?”
You nodded your head at her signaling for her to continue. She put a hand over her heart and glanced at Steve before looking back at you.
“I love you.”
You tilted your head to the side and furrowed your eyebrows. “Thanks Robs…I love you too.”
Robin let out a sigh of relief and chuckled.
“Wow, that just…it feels nice to get off of my chest.” she locked eyes with Steve and cleared her throat “It’s almost freeing in a way! Like, oh I don't know like someone could say it and fix so many problems!”
Steve rolled his eyes as he got the not-so-subtle message from a robin. He flipped her the bird and sent her a sweet smile.
“Robin…did you hit your head today?”
Robin’s jaw dropped and put her hand near her heart. “I just told you I loved you and that's all you have to say?”
“I said I loved you too-”
“Well!” Steve chuckled out “we better get going bye robin I owe you one!” Steve said while he guided you out the door.
“Idiots,” she mumbled. “They're both idiots.”
The ride back to your house was silent. You and Steve we're both too caught up in your thoughts, what if you thought he was a loser and that's why you never liked him? Why the hell did robin randomly say she loved you?
“Hey, so I'm sorry-”
“Steve I'm sorry-”
You both stopped talking and let out small laughs.
“You first,” you said while turning towards him.
He nodded his head putting the car in park once he reached your driveway and let out a sigh. “Um, sorry,” he started “about you and Jason-”
“Mason.”
“Whatever the fuck his name is.”
You rolled your eyes with a smile on your face and grabbed his hand. He tried to ignore the warmth that danced along his face as he turned the other way praying that you didn't see.
“Don't worry about him. I'm sorry about all the stuff he said about you.”
A dry chuckle escaped his lips, he shrugged his shoulders.
“‘S fine. He kinda had a point.”
“Steve no-”
He shook his head as he let go of your hand and anxiously chewed on his fingernails. “It's like everyone was right about me ya know? I-I don't have anything going for me, and my closest friends are a group of high school children. I love them, I do but,” he puts his hands in the air trying to find the right words. “I see everyone I use to know find something for themselves. They found their dream career, and they find the perfect college to attend,” he locks eyes with you. “They find that perfect person who always makes them smile. The person who can make everything seem fine even when the world goes to shit. The person who makes the feel, fuck my mind is blanking.” he mumbles while snapping his fingers trying to find the right words.
"Makes them feel whole,” you whisper.
“Yes! That's the word! God, you're so smart.”
“Have you found that person?” you asked. You find yourself silently praying he says no, and if he says no you pray that he opens his god damn eyes and finally sees you. He nods his head and your heart drops as you see a smile make its way on his face.
“Yeah, yeah I have.”
You nod your head and sniffle while letting out a shaky laugh. “Cool. I mean, that's good. Um, I think I'm gonna head inside now. Pretty sure my parents are wondering where I am.”
Steve feels his shoulders drop and he clears his throat.
“Yeah. Yeah of course. I'll um, see you around?”
You nod your head and mumble “thanks for the ride.” while slipping out of the car and walking into your home. Steve stares at the front door and blinks multiple times. Every bone in his body is aching to run after you. His arms are dying to wrap themselves around you, and his lips crave leaving small kisses on your delicate skin. He wants to run to you, he wants you to be his but for some reason, he can't bring himself to get out of the car. The fear of rejection is much too strong and overpowering every other emotion he's feeling.
He reverses out of your driveway and makes his way home with a heavy heart, mumbling how stupid he was for even thinking he had a chance. He knew robin would kill him for not confessing how he felt but he has a bad habit of biting his tongue in situations like this.
If only he knew how you wished that he wanted you.
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burst-of-iridescent · 2 months
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atla live action thoughts: episodes 7 & 8
SPOILERS AHEAD
tw: opinions
things i liked:
i keep forgetting to say this but i love the stylization of the opening credits it looks so elegant
northern water tribe looks beautiful. the spirit oasis is stunning, this show almost never fails to deliver on visuals
i fucking KNEW they were going to end the season with azula producing lightning for the first time and it looks great i won't lie. can't wait for her blue fire
the pakku v katara fight is not bad actually, though it obviously doesn't hold a candle to the original. glad they kept the ice discs moment in because that was iconic and it does have a nice set-up of her learning it from the earthbenders
i do like that they allow aang to interact with different avatars and that they all give him different perspectives. it highlights the differences in their personalities and how the role of the avatar had to be adapted to the times they lived in
i can't remember exactly what it was but aang's line about how this isn't his world or his time went hard
"i underestimated zhao" "funny i figured that out as i was swimming away from the burning wreckage of my boat" i live for sassy zuko
good decision to take out pakku only deciding to teach katara because she was kanna's granddaughter. that reeked of exceptionalism and never sat right with me, so i appreciate that she at least proves herself and also that she includes the other women in the tribe when pushing him to let them fight
yugoda getting to yell at pakku for being a misogynistic idiot is exactly what she deserves, you tell him queen
KOIZILLA!!
seeing the fall of omashu to azula was an addition that made a lot of sense, and sets up the return to omashu episode in the next season nicely
things i disliked:
yue's wig was atrocious. can't believe i'm saying this but the shyamalan movie did it better. amber midthunder deserved so much better
the misogyny arc was a godforsaken mess. the northern water tribe is still sexist... but no one seems to be sexist except for pakku?? chief arnook seems to be grooming yue to take over as chief, the other male waterbenders are impressed by katara and respect her right away, yue seems to have a lot of autonomy, hahn is respectful and kind, and then pakku himself changes his mind on women fighting pretty much within one day. so what was the point of including it at all?
this show has completely nuked katara's rage. she would not be calmly announcing that she's fighting pakku as though it was a calculated decision because it very much wasn't! it was her sense of righteousness and outrage over injustice taking over and it hurts me deeply that they removed that because it's so important to who she is! i needed to see a LOT more power and fury in her in this scene but instead it felt extremely lukewarm
KATARA AND AANG NEVER. FUCKING. LEARN. WATERBENDING. for a show that marketed itself so heavily with the tagline "master your element" there isn't a lot of mastering going on here?? i'm sorry i don't buy at ALL that katara would be able to become a master with One waterbending scroll and watching some earthbenders. i know she's a prodigy but no one can be THAT prodigious. and it really makes her fight with zuko and subsequently being called master katara fall flat because i don't think i've been shown enough to justify that
also hate that my girl got knocked out halfway through the zutara fight because of the moon wtaf let her kick zuko's ass
a moment of silence for "aren't you a big girl now" and "you rise with the moon, i rise with the sun" you will always be famous
despite knowing the avatar needs to learn waterbending, pakku and arnook just?? walk away?? when they find out he hasn't??? SOMEONE TEACH THIS POOR BOY AN ELEMENT OTHER THAN AIR. ANY ELEMENT, I'M BEGGING
real quick, who had "momo saves a random little girl from falling rock only to be nearly killed and saved by yue and sokka in the spirit oasis" on their live action bingo? no one, that's who, BECAUSE THAT'S FUCKING BONKERS. people are dying all around them but sokka and yue decide this is the time to fuck off to save a lemur?? please be so fr
iroh telling zuko to remember his breath of fire when this show has not once established (at least, iirc) that power in firebending comes from the breath is... something. heavily dislike how little focus was given to the intricacies of learning bending in this series
HATE that they removed zhao dying because of koizilla and gave it to iroh instead. that was such a great moment of karmic justice for zhao and really highlighted how he brought about his own downfall through his pride and arrogance. i know they tried to show zuko's compassion by having him spare zhao and walk away (as a callback to the agni kai i'm guessing) but zuko risking himself to save the life of the man who tried to kill him in the original just hit SO much harder.
the pacing of the north pole arc in general was FAR too rushed. at least in the original animation we got the sense that they'd spent weeks there, but in the show it feels like it's been a couple of days MAX. there had to be much more time to build up the threat of the fire nation and the yue/sokka relationship
the sense of time passing was a problem i anticipated the show would have from the start because 8 episodes just feels shorter than 20, but i wish they'd at least done some montages or something to make it seem like time was passing between episodes. as it is, it felt like every episode picked up right after the previous and so the whole season felt like it happened within a week or two. which is a shame because it weakens the epic scale of their journey in having to cross the entire world
overall rating: 6/10. unfortunately i think these episodes were the weakest of the series both in quality of writing and entertainment value, but still fun to watch for the most part
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reemonna · 3 months
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Question: How do you think some of the different assassins would react to an S/O who keeps adopting animals? Not just stray cats and dogs, but like... Wolves and mountain lions and birds and such
(Note: there are some other assassins I didn't include because I haven't played their games/parts yet (Eivor from Valhalla for example), so I don't really know a lot about their personalities, I hope that's okay with you)
Assassins reactions to when you adopt animals
Altaïr
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He's not fond of animals or birds other than eagle, he thinks they're nothing but a distraction
He doesn't approve the idea but he would when realises how much they would make you happy
Secretly grateful for them keeping you company and safe while he's away on missions
Ezio
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Doesn't like the idea very much, and he is a bit jealous you spend more time with the animal than him
"Why would you want to adopt a cat when I'm here?"
As time passes he will form a nice bond with them, he even asks Leonardo to design them a small sized assassin robe
Connor/Ratonhnhaké:ton
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He's into the idea, he himself used to tame nearly every sort of animal, including wolves and bears
He will take care of them with you, considering them a child of yours both
He could spend his whole day patting stray friendly animals, let alone yours
Aveline
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When you show her the new animal you just adopted, she carries them and look them in the eye for a moment cautiously, then smiles widely and hugs them
She would love it if you both can adopt different kinds and species of animals at the same time
Expect a lot of 'pspspspspsps'
Edward
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He dislikes them at first, but soon enough he would hang out with them everywhere
He even takes them with him in his naval journeys
"Ay las! Look at our little cap'n sailing the jackdaw with me! Aren't they lovely?"
Arno
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A little worried, 'cause not all of them are friendly and tamable
It's sufficient for him to adopt a small kitten and put them in one of his pockets
You will sometimes find them laying on top of him while they're both sleeping peacefully
Jacob
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You would always find him debating with the animal -a cat, dog, parrot or a hamster- the whole time like a child
"Why're you looking at me like that? Are you looking for a fight, you little bollocks?"
He could actually get a little sentimental and spend some quality time with them, confessing some secrets to them as if they were a friend of his
Evie
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Is in neutral state, she thinks it's okay as long as you focus on your missions and don't get distracted
But she herself gets distracted sometimes by taking care of them
Before the whole adoption matter, if you speak your mind, telling her you're thinking about raising an animal -a cat for an example-, she'll initiate bringing a black cat home one day, telling you she found them in a dumpster and that they're a part of the family now
Basim
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He approves right away whether it's a cat, a dog, a bird, or even a panther, taking them with him in some of his missions
He spoils them with a lot of treats that you start to wonder whose idea was it to adopt them
Before going on a mission that requires him to be alone, he'll pat them, saying to them things like: "I will be gone for a while, would you be a good girl/boy and take care of our darling for me?"
(credits of Altaïr's photo belong to Sliderv2 on YouTube)
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hauntedandmurdered · 3 months
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Sansa/Petyr (GOT)
To get this straight, I do not ship them as Littlefinger's love for Sansa is hella toxic, but I admire Sansa growing from a child to a fearless warrior who is equal to the man who tricked her ever since she was a little girl that was left with nothing. Still, they share this weird dynamic one can't deny. Maybe in another world, things would be different.
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I'm obsessed with Sansa's character arc. She's been through so much, she practically went through hell and back, and all that she survived left a huge impact on her essence. She's a gem. A genius. I feel like she doesn't get nearly enough credit for her wit.
"I know what you want."
– "Do you?"
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emoticonheart · 8 months
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Anon who sent in the frat party scenario: While all the guys try (and fail) to outburp her, the shy girl is still getting bombarded with praise for that crazy belch and might even be getting flirted with a little so she decided to drink a bit more to calm her nerves. Unfortunately she doesn't quite realize that she picked a soda until she finishes the whole thing and locks herself in the bathroom to try and muffle the burp she can feel making it's way from her stomach up her throat and out of her mouth.
It doesn't work of course, the resulting eructation enough to nearly shake the door of it's hinges and completely stop the music all over the house.
...
nonnie. i'm at a loss for words. this is... this is sheer perfection. i haven't been able to stop thinking about this from the moment i read it.
i need to write this. i already have a million different wips but i need to write this. is there a way you'd like me to give you credit for this idea when i get around to writing and posting it? this is ofc not me trying to pressure you into giving yourself a name (i love all my named anons, but i love my unnamed anons just as much, and i only want you to name yourself because you want to) so i can just credit you as an anon on my blog if that's what you'd prefer. let me know what you'd like because i want to give you credit for this heaven sent idea!!
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grey-sides · 2 years
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don’t feel like you have to, but i would love to read your take on obsessive/overprotecting steve?
Hi, anon! Sorry for the delay I have been distracted lately by *gestures at the world.* I appreciate your patience and hope this satisfies the itch of what you were looking for!
Billy is responsible for Munson and Henderson. While they distract the fucking bat things, Billy has to keep watch with a goddamn flame thrower of all things. Because even just a couple months out of the hospital and just now getting back to lifting anywhere near what he used to, he’s still more muscle than Henderson or Munson.
And Steve is a hero. Has to be the hero, so Billy gets to stay behind. With Eddie and Dustin who are animated and excited about what is absolutely going to be an unmitigated disaster. But Billy’s beaten death once, flipped it off and walked backwards into life. So he’s feeling confident.
“Don’t try to be a hero, okay? Or do anything stupid,” Steve says, looking between all three of them seriously. Like his big brown eyes could be anything other than adorable.
“We’re not heroes,” Eddie laughs, gesturing to him and Dustin. Sometimes he acts like he can’t even see Billy, like if he acknowledges him too much, Billy might try and bite his head off.
Steve rolls his eyes, turns to Billy, grabs for his wrist. The others don’t know. Except Buckley. They all just think that Billy’s here because he’s made up with Steve and he needs to help protect his little sister who hasn’t gotten over her guilt of his death. She won’t take credit for his resurrection by the hands of some very skilled paramedics and surgeons.
“Don’t try to be a hero,” he repeats, squeezing Billy’s wrist while he searches his eyes.
Billy gives him a half smile, meets him dead on. “You heard Munson, our heroing days are over.” He winks and licks over his teeth, steps back, but catches the tips of Steve’s fingers as he goes.
They have to get the trailer set up first and it looks similar to the one Billy now shares with Susan and Max. He lets the dorks set up the cage in the front, and goes to close the vents in the house with his own roll of chicken wire. Billy knows they wouldn’t think of that on their own, they’re too preoccupied with following the explicit rules of the plan.
The Plan, devised by Wheeler and spoken so authoritatively, Billy was certain Steve was going to cum right in his pants. She's a genius, Steve would say, smartest girl he's ever known. Billy tends to just roll his eyes, ask Steve how she can be so smart when she left the best thing this town has to offer. The plan that puts Billy over here where Steve can't see him.
Steve's doing a great job of it, pretending that he doesn't care that he can't keep eyes on Billy the entire time. But Billy knows better, knows this is killing Steve to be apart. The last time he left Billy alone, he got possessed and turned into a monster's personal recruiter. Billy knows that there wasn't anything Steve could do except also get taken by the same monster.
He finishes rolling the chicken wire over the two vents in the trailer and goes to look for more entry points. His senses have sharpened after being in the hospital and nearly dying. He's gotten better at looking over his shoulder, but that also makes him jumpier and he knows it contributes to Steve's over-protectiveness. Like if he can watch Billy's back enough, Billy won't have to.
It's endearing and also deeply annoying. He loves Steve, but the guy does not need to mother-hen Billy nearly as much as he does.
When he's relatively certain the trailer is going to be as safe as it can be for being in the underworld, Billy joins the other two out in front. They look to be finished too, full of nervous energy and grins. At least Munson is planning on playing something bearable on the roof.
Billy gives Henderson a leg up and when he offers it to Munson, the guy just gives him a look. Fine by Billy, he can figure his own way up. Billy heaves himself onto the roof and settles down on the end opposite Henderson, the fucking bat-things are already getting curious. Just fucking peachy.
"They don't like heat, so just be ready," Dustin warns while Eddie gets himself set up.
"I remember," Billy mutters because his elbow still doesn't bend quite right. He's had sunburns before or spent a little too long in the shower, but never like it was with the Mindflayer. That was a whole other level of fucked up.
Munson strums the first cord and Dustin grins, this is just a game to these fuckers. Steve may love the kid and tolerate Munson, but none of this is a game. People died by Billy's hands and he thinks he's forever going to be bitter about how the others have just gotten to walk away unscathed.
Billy watches the bat things start to circle round, Henderson has a count going for when Eddie needs to wrap things up and they need to get off the roof. Shockingly, it seems like Wheeler's little plan might actually work. Except. Just like when Steve got dragged down to Hell through the lake, the flying fucks also apparently love Billy's throat.
One moment, he's on the roof, listening to the guitar solo and clutching the feed of his flamethrower, and the next he's being lifted into the air, breath choked off. Billy drops the feed, though the backpack doesn't fall so he can get his hands around the tentacle on his neck. He's gasping for air, the ground is dizzying below him and he has no idea how high up he is.
He hears a shout from below, a fierce below and he's plummeting back down, curling his legs to his chest so he doesn't hit the roof too hard. It still knocks the breath out of him, but he can breathe again, chest heaving as he works to get his bearings.
The guitar has stopped and he can feel Munson's hands on his face, patting his cheeks and muttering to himself. There's shouting around him and what sounds like a thunderstorm or a monsoon, like a million raindrops hitting the ground all at once.
"Billy!" That's Steve and he's back way earlier than expected. Munson's hands leave his face to be replaced by Steve's, dragging down his cheeks to his neck. Billy's gonna have another nasty scar to add to his collection. "Billy, shit, can you talk?"
He wheezes and coughs, but manages to get out a, "Guess we match." His fingertips find the still healing mark around Steve's neck and he tries to crack a small smile. He starts coughing again, but it's enough to make Steve grin.
"Sorry, I shouldn't have left you, I should have sent Eddie or something instead," he mutters, hauling Billy into sitting so he can drag air into his lungs again. Steve puts a hand on his back while he watches Billy.
He can hear Dustin asking why they're back so quickly and Nancy does her best to explain how Eleven astral-projected here. Apparently, the thunderous raindrops were actually all the bats falling to the ground and dying. And also, apparently, Steve executed an insane jump off the roof with his axe to sever the tail of the bat that had grabbed Billy. Because he's a dumbass.
"Could have gotten yourself killed doing that," he mutters, rubbing at his neck.
"Yeah well, I told someone not to try and be a hero," Steve replies, getting to his feet to haul Billy up too. He takes the flamethrower off Billy's back and sets it on the roof again, they probably need to get out of here soon, but Steve keeps looking at him like he's more hurt than he actually is. "I'm sorry."
"Only thing you have to be sorry for is leaving me with the Dorky Duo," Billy mutters with a wry smile. He turns to Steve and wraps his arms around his waist, resting his head on Steve's shoulder. "I can handle myself."
"I know you can," Steve lies, wrapping his arms around Billy too. It doesn't matter now who sees, Steve literally jumping off the roof to save him was probably a clue enough.
"I mean it, Harrington," Billy warns, tucking his nose against Steve's neck. He smells like warmth and comfort and fucking pond water and they all need showers.
Wheeler is the one, as always, to get them all into line. She ships them out of this hellhole through the same way they came in, with Steve coming last because he's The Hero. Apparently, the girl who helped break him out of Vecna's hold in the first place is going to come and close this thing up for good.
Billy really doesn't care what has to happen, all he cares about is shoving the flamethrower at Wheeler to deal with and climbing into Steve's car. He leans back in the passenger seat and lets the others argue about what needs to happen. Hopefully the government wackos these people know will show up to clear Munson's name, but it's not Billy's job.
While they talk, Steve leans against Billy's door so it can't be opened. Billy closes his eyes and let's Steve watch his six.
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acr3ss-the-cosmos · 5 months
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H.uohuo (and Tail) thoughts and HCs!
She greatly respects both Hanya and Xueyi, as they were the ones who helped ease Huohuo into her new role as a spiritfarer in the Ten-Lords Commission. They taught her so many things, and she'll be forever grateful that they came into her life, to the point that Huohuo views them almost like family.
Speaking of her family, despite how differently they started to treat her after Tail was sealed onto her, Huohuo still loves both her mother and father very much, and misses them and her sister dearly. She starts to get weepy whenever they are brought up, however. Even though it's been decades since the day they sent her to the Ten-Lords Commission, the memories still sting.
Although he can still speak rather harshly to Huohuo, Tail does show care towards her, as seen in Huohuo's illusory maze where he is indignant towards how her mother and classmates treated her. The best way I can describe his relationship towards her is a sort of 'tough love' type situation, although he's not nearly as mean to her as he was when he was first sealed to the girl's tail. Huohuo doesn't let him push her around so easily.
Can I just say I absolutely love how despite her knowing that Cirrus was probably tricking her when they told her where Tail was she still went anyway because the very thought of never seeing him again was unbearable?? because. yeah ;; This girl holds so much care inside her QvQ
Another thing.... like yeah this girl is smart. She knows so, so much about heliobus behavior and what to look for when someone is being possessed by one. Huohuo unfortunately does not give herself enough credit because she still believes her fear surrounding them is a detriment to her work as a judge.
Her favorite flower is the Sacred Lotus! She loves how pretty they look in the koi ponds dotted around the Luofu.
Huohuo also has a fondness for desserts, especially Tuskpir Wraps.
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skaterboyfriend · 2 years
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stardew headcanons - twin peaks edition
HELLO all! with the little amount of free time i have, i've been binging twin peaks - a very quirky show about an fbi agent coming into a small, otherwise very normal and humble town, and quickly realizing just what lurks under the surface... being the city girl i am, i've always longed for what it would be like to live in such a rural town, getting to know the townsfolk, falling in love with the small things it provides... and solving murders of course! anyway, naturally i'm going to want to compare it to stardew valley... see below!
note: name credit to @angelsdelicate because her name headcanons are literally top tier! <3
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THE TOWNSFOLK
*the sheriff, shane jackson, a man who's got his heart in the right place but he himself finds that easy to forget, leads the valley's sheriff department, along with its deputies: deputy samson carmichael, lovable but rather simple-minded and deputy sebastian hawthorne, quick and quiet. and don't forget about miss penelope routier, the lovely secretary that deputy carmichael seems to be head over heels for, and mr. demetrius darnell, the local scientist that helps with forensics and autopsies. the team usually deals with the mundane lost pets and cheating spouses- imagine their surprise upon the telephone call from the local fisherman, willy lyons, about a body floating in the lake...
*the stardrop saloon, owned by augustus chandra, is always lively and bustling with folks in and out. they are known county-wide for their homely diner-style meals and strong black coffee, along with their lovely waitresses: emily calvin, a young woman with the brightest smile in town, and jodi laurent, older than her counterpart but with just as enough pep. jodi's husband, kent richards, currently is awaiting his parole hearing, hoping to be able to make it back to the valley after his year in prison- jodi wishing desperately he doesn't get it.
*and with every small town, there's always an ultra-rich tycoon waiting for the next buck- the valley's very own mr. pierre rosenburg, with the wife, caroline, and the daughter, young abigail. mrs. rosenburg barely recognizes her husband anymore and doesn't bother with the shady deals he does in the dark- but abigail is determined to take him down, doing her own sleuthing on what her father really is up to when he leaves for his many business trips.
*the local high school is rather small and underfunded, but the students there feel loved and closely knit. everyone knows everyone else. among the few hundred, there's the expected valedictorian, maru darnell, with her outstanding academic record and eager commitment to do great, alexander mullner, the football team's star quarterback who seems to love getting in trouble with girls, and abigail rosenburg, the beautiful and cunning daughter of local businessman mr. pierre rosenburg.
*there's the small hospital, led by doctor harvey mccarthy MD and helped by many nurses, such as mrs. pamela wilson RN. the two have their own baggage- dr. mccarthy having abruptly moved here after nearly a decade of work in a city across the country, unwilling to state why, and nurse wilson battling an addiction to alcohol, wanting to get better for her estranged daughter...
*there's young miss haley o'henry, who dropped out of high school in senior year to marry trucker clint o'henry, unfortunate enough to get coerced by his seemingly empty promises to provide for her, leaving out how he in the end just wanted a maid he didn't have to pay for. while he's out making 'deliveries' [which she highly suspects isn't the case], she lets alex mullner come over to give her the attention she desires so much - not even trying to think about the consequences if clint ever found out. she dreams of alex saving her from her mistake of a marriage.
*some other oddballs in the town include linus wickerson, a quiet man who seems to live in the forest, only coming out to the saloon every once in a while for a hot cocoa, mrs. leah white, a shut-in artist who refuses to leave her home after the unexpected death of her wife, and elliott mariposa, the valley's paper editor- eccentric and keen to many of the town's residents' secrets.
*sheriff jackson knew things were becoming far too much for small-town cops like him and his team. and with that, a new person popped into town, dressed professionally with a clean haircut and fancy shoes - an air of deductive intellect to them... they shook hands with the team, deputies hawthorne and carmichael sharing a suspicious look upon the newest addition to the department, and with a smile, said: let's get started! [insert your farmer here!]
THE RELATIONSHIPS
*penny and sam had a few flings throughout the time they've worked together- penny thinks he's rather handsome in his uniform and sam loves her sparkling green eyes- however, the two both don't know what to do with themselves when they are alone, sam being rather shy and penny believing men need to step up and make the first move. eventually penny realizes sam just might not be very mature and she sees the writer elliott, who gives an air of extreme maturity and haughtiness that rather turns off penny, but she's trying to send a hint to sam to fight for her, so she continues to see him despite not being in tune with her. sebastian catches on to this office romance, stopping sam in the hallway- what are you doing? fight for her! and staring down elliott whenever he has the chance!
*kent had been involved in an accident, sending him in for 2 years, with parole. jodi never truly loved him, having married him out of spite to her rather controlling parents and running off with him in hopes he'd take her to better place. instead, he got caught drunk driving and sent to prison, leaving her a waitress barely making ends meet for herself. the only thing that keeps her motivated to live another day is caroline- with her husband out so often, the two came together lamenting their lives, having expected it to be so different when they were younger. the two would share a bottle of wine on weekends while her daughter at a friend's and husband out of town on some business trip- one night things had escalated with the two finding themselves in the same bed, not wanting to get up and stay in each other's arms! the two make plans of leaving their husbands but that's all they are- plans for another life.
*clint wasn't always this unshaven, hot-headed, greasy trucker- he had money and loved to spend it on shiny things- a fancy corvette, slick boots, a leather jacket- upon seeing how laid-back and free haley was, he simply thought it'd be easy to get her under his roof with his expensive car and wads of cash, to fold his laundry, wash the dishes... when she saw him for what he really was, she began to hate herself for getting caught up with such a deadbeat- cutting off her parents, dropping out of class, halting her entire life for this man that she couldn't stand to look at. he'd be so nasty to her the days he was home, the days he wasn't providng some relief to haley. she'd have alex come over, meeting him through clint no less- alex'd help clint with local deliveries- and would dream of how he'd be a far better husband to her, a far better lover!
*pierre had been a hotshot in his prime years, thinking he still is something women swoon over in his late-forties. his lack of self-awareness allowed for his ego to be inflated through the purchasing of a certain gentlemen's club up north- he chases after its young women employees, using up their young girlish charms as vitality to keep himself afloat... without their sweet words, suggestive touches, and nights where he can feel young again, he'd be bored- as simple as that!
AND THE MURDER
the town's sheriff department received a phone call one morning on february 24th, a body being found washed up ashore by the local fishermen, willy talking to sheriff jackson with a quivering voice. the boys take a trip to the pier, deputy carmichael sobbing as he takes photos of the young woman's body- nothing like this had ever happen in this small town. overcome with sadness, shane makes the call to the parents of miss delilah lalune [my farmer], the victim, to their unparalleled grief. the whole town mourned her together, her absence having an impact upon every nook and cranny of the town. her closest friends made it their mission to find what really happened to her- they knew she was in some sort of trouble but never in their wildest dreams thought it'd turn out like this and that and that and this- questioning suspects and analyzing clues- unearthing the story, it getting even deeper and deeper, with more dark and perverse parts of society coming out to the light...
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myhauntedwords · 3 years
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unloved pt. i
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not my gif credit to owner !!!
summary: scarlett pays less attention to you for nearly 6 months and you run away (you're 16-17) mom! scarlett
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you were sitting in the make up trailer, waiting for your mother to finish getting her makeup done. she was shooting the black widow movie so she was excessively busy.
in the time being and even before filming, you feel as if she had been distant. anytime you try to ask her if she wanted to go shopping, watch a movie or even play a game she would say something along the line off "sorry sweetheart i can't right now. maybe later." it hurt and it was starting to get to you.
you tried hanging out with your mom for at least 5 months with no success. honestly you were close to giving up. if she didn't want to hang then she doesn't wanna hang out. it's that simple. no means no. cliche.
during the time, you hung out with your aunt florence who you loved just like she was a mother. you guys went to the mall and did as much as you would with your mom. she even told you to keep trying and if she said no she would talk to her.
you walked to your moms trailer and knocked on the door "come in" you hear her say.
you walk in and stand nervously "hey mom can we hang out after you're done shooting today? if you say no, that's fine i guess"
"baby i have to do other things. i'm sorry"
"it's fine. bye mom"
you were so sick of this what other things did she have to do that was so important. whatever it was it had to be more important than you. you've had enough. you stayed with florence until your mom left her trailer.
you go to your moms trailer and take all of your stuff out. you leave her a note saying you're taking a walk. once you feel like it's safe to leave, you walk until you find somewhere to rest. you luckily found a snack store similar to the 7/11 back in new york. you get a slushie and a bag of chips.
scarlett's pov
i had just finished shooting some scenes and i go back to my trailer. when i get back, none of y/n's belongings are here. it's like she just left.
i sat there with tears in my eyes. she felt alone so she left, and it's my fault. i should've spent time with her but i just didn't. wonderful parenting scarlett i thought. i need help finding her. she's 16 without adult supervision. i pick my phone and call her. it goes straight to voicemail. i panicked. i went to florence's trailer to ask her for help. "florence, y/n ran off somewhere and i can't get in contact with her,"
"what do you mean she ran off?" she asked slightly panicked
"she just left without telling anyone. she grabbed all her stuff and left," i say.
"well take off for the rest of the day and try and find her"
"ok" with that i left florence's trailer, grab all my belongings and tell everyone i'm taking off for the rest of the day. i need to find my baby girl.
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herinsectreflection · 3 years
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I want to talk about this scene, from Bargaining when Willow kills the fawn. You might guess from my icon that I am a big fan of this scene. It's pretty short but it sets the stage for Willow's arc throughout S6 excellently.
It opens with her in this gorgeous riverside greenery, dressed in pure white, the very picture of fairytale innocence, bathed in bright sunlight. It's such an unusual shot for the show, which almost exclusively either has shots inside or at night (for obvious reasons of being a vampire show), and that immediately makes it quite memorable. Especially as the rest of the episode is almost entirely set at night, filled with demon bikers, dismemberment, fire, broken down towers and digging out of graves. It's like this little meditative moment of peace in between all that.
Or, it would be if it didn't include a teensy little animal sacrifice.
WILLOW: Adonai, Helomi, Pine. Adonai, Helomi, Pine. The gods do command thee from thy majesty. O Mappa Laman, Adonai, Helomi.
Willow says her words and summons forth a young fawn from the trees. The fawn is another symbol of innocence, like Willow's white dress. As she reaches out and and touches the animal gently, we're reminded of the soft innocent Willow of S1, who shied away from any conflict and seemed incapable of ever hurting a fly. She's like a disney princess, sitting in the woods singing to woodland animals. Only Snow White never stabbed Bambi in the heart.
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The entire plot of the previous season revolved around the blood sacrifice of a child. This is what Glory was trying to achieve, and it's what Buffy has to stop. Buffy gives her life in order to stop it. And now, Willow recreates the same event, performing the blood sacrifice what is specifically an animal child. She steps into the role that the previous season's Big Bad performed, and so tells us that this season, she is stepping into the role of Big Bad. The fawn fills the role of Dawn - the situations rhyme as well as the names do.
Fun fact - the words that Willow uses are taken from The Book of Ceremonial Magic, a 1910 book that compiled various grimoires. In this passage, describing an invocation to request something from God, Adonai/Helomi/Pine are the names of angels - specifically the angels of the East, who appear in human form dressed in lily white according to this passage - another link to Willow's costume here. The invocation seems to involve requesting these angels to appear to the caster in an intelligible form.
ADONAI, HELOMI, PINE, Whom you obey, do invoke, conjure and entreat thee, N., that thou wilt appear forthwith. By the virtue and power of the same God I do command thee from thine order or place of abode to come unto me and skew thyself plainly here before me in thine own proper shape and glory, speaking in a voice intelligible to mine understanding.
In this case, Willow is symbolically killing an actual angel of heaven, which is probably pretty high up on the villainy scale. Just drives home the fundamental Wrongness of this scene. It's also good to remember that the idea of killing one to save other(s) is a theme returned to again and again throughout the show, and the first major example of that theme in action is a certain Angel.
(Credit to this user on BuffyBoards for finding the source of these words.)
So the fawn is Dawn, and the fawn is an angel. But most importantly of all - the fawn is Buffy. Willow, in her attempts to bring Buffy back to life, first has to kill "Buffy".
WILLOW: Come forward, Blessed one. Know your calling.
The fawn is described as having a "calling" that it must "know", just as Buffy has a calling of her own, which over the course of many seasons she learns to know and accept (and eventually revolutionise and reject). It is also described as "Blessed", which in some definitions is taken to mean "one who is with God in heaven". Buffy at this point is literally in heaven (or at least some kind of heaven dimension, the theology is gratefully vague). The structure of the phrase "Blessed one" also reminds of the more relevant phrase - "Chosen One", which again would be Buffy. The spell ingredient, which we know is the fawn's blood, is called "vino de madre" - wine of the mother, implying a feminine source of power, just like The Slayer.
WILLOW: Accept our humble gratitude for your offering. In death ... you give life. May you find wings to the kingdom. In death, you give life. You might say that death... is your gift... yeah, so this really drives it home for me. Using death to give life is literally what Buffy has just done. It was core to her arc last season. And finally the "wings to the kingdom" line again plays into that heaven imagery. S6 loves this kind of imagery for Buffy, even giving her angel wings in one of the most delightfully on-the-nose shots in the show.
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Buffy gave her life to give Dawn one, and with it gave a warning about the struggles of life - "The hardest thing in this world is to live in it.". This is sad but lovely advice that Buffy herself must now spend S6 gradually learning to understand herself. She learns how to deal with the crushing despair of day-to-day existence. Willow, as the Big Bad of this season, doesn't understand this advice at all. For years now, Willow has used magic as a short-cut to avoid actually dealing with her emotions (see Lover's Walk, Something Blue, Tough Love). This goes into overdrive in S6, and it starts with her desperation to bring Buffy back to avoid really dealing with the reality of her death.
In fact it goes beyond magic - Willow is also the one who uses her tech knowledge to bring the Buffybot back online. She uses all her skills to desperately fill in the hole that Buffy has left behind. This is what Willow does, magic or no. And it's sympathetic - my heart breaks every time she talks about fearing where Buffy might have ended up - but it's not totally rational or healthy either. The main problem is that Willow, in doing this, is ignoring Buffy's final words, and misunderstanding the central theme.
As said earlier, by performing this blood sacrifice of a child, Willow is betraying the memory of Buffy, who died to stop one. (Symbolically of course. Morally there are light years between killing an animal and killing a teenager). Buffy gave her life to stop a blood sacrifice, and so Willow reverses the process - causing a blood sacrifice to give Buffy her life. And she betrays Buffy's final words with her refusal to accept the pain of life and live with it. And finally, she betrays Buffy spiritually.
Remember that Willow is Buffy's metaphorical Spirit, as shown in Primeval. It is a special kind of betrayal that Buffy's Spirit breaks her spiritually in this season. She literally rips her soul out of eternal bliss and contentment, causing an existential break within her. She beseeches the fawn/Buffy to find "wings to the kingdom", but in doing so robs Buffy of her wings.
Buffy suffers brutal depression this season, and describes it many times as feeling dead inside. This kind of emotional deadness is caused directly by her ressurection (though severely exacerbated by her unresolved trauma, grief over Joyce, and generally just living under capitalism). Willow has tried to give death to bring life, but because the action is a betrayal of Buffy on many levels, the act is tainted, and perverted, like a wish on a monkey's paw. She literally kills metaphorical Buffy, and so metaphorically kills literal Buffy. Buffy has life, but said life is causing a kind of death within her.
And what does Willow get for all this? Her pain isn't fixed by all this. She just gets blood on her hands (and later on her face). It sets off a chain of events that will end with far more blood on Willow's hands. She dips a toe into a darkness, but because she doesn't understand fully the emotions that have taken her there, she can't exert any control over it. She doesn't learn a lesson here that she shouldn't try to shape the world to deal with her emotions. Instead, she learns that she has power over life and death.
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Willow is clearly deeply shaken by this, but it's not nearly enough to make her change her path. She ignores the very obvious foreshadowing here - her hands literally coated in blood - and carries on anyway. She takes the wrong lessons from this moment, which she clearly demonstrates in her argument with Giles in Flooded, where she ignores his anger over how she's warped the rules of nature, and instead focuses on how awesome she is ("The magicks I used are very powerful. I'm very powerful. And maybe it's not such a good idea for you to piss me off.")
This is a small scene, but it sets up so much for Willow. It shows how far she has come from the meek girl of S1. And it shows a glimpse of the future, how she has far to go but is now on a path to become the villain she is at the end of S6. She starts it by killing metaphorical Buffy in order to save her, and will end it by trying to kill actual Buffy in order to emotionally "save" her. At every point she can justify the blood on her hands as serving some greater purpose - but the blood is still there.
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zafirosreverie · 3 years
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How they react to you wanting a kid (KH's Characters)
(Gifs taken from google, credits to their owners)
Agatha Harkness
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Agatha would be surprised by the sudden confession. She would look at you for a moment to make sure she had heard you right, but when she notices the sparkle in your eyes, she knows you mean it.
She would laugh and wrap her arms around your waist, drawing you to her and kissing your forehead.
"We can do something about it" she would wink, making you laugh.
She loved that she made you happy with that little promise. But deep down, it was an empty promise, because the witch didn't really believe that she would be a good mother. And she kept that conversation forgotten, until she saw you holding one of Wanda's babies.
There, she decided to give it a try and the more time you spent with Tommy and Billy, the more she thought that maybe a child of your own wasn't a bad idea.
Olivia Octavius
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Olivia would immediately laugh at the idea of having a little human around. You were scientists! And she had a pretty dangerous alter ego, who would think it would be a good idea to let her be around children? Let alone have one of her own.
But when you didn’t laugh, the woman would realize how serious you were about it. She would try to put the idea out of your head, because it wasn't even biologically possible for you two to have children to begin with!
But as time passed, Olivia could see how much her refusal had hurt you. One day, she saw you playing with the son of one of the Alchemax workers, you looked so happy and the way you patiently explained everything to him, made her heart jump.
She would talk to you that night and she would tell you that she was willing to try. You were scientists! Surely you can come up with something! Also, with your two minds combined, your little octopus would be invincible!
Ursula Gernsback
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You took her by surprise, honestly. One moment you were smiling and talking tirelessly about your walk in the park, and the next you would be terribly quiet, making her look at you concerned.
When you shyly asked if she had ever considered children for the two of you, she would honestly say no. As you babbled an apology and an attempt to explain how much you would like to have a child with her, the woman would look at you in confusion.
"How?" she would ask "I know my programming was mainly oriented to the shop, the guns and the pins, but even I know a little basic human biology...two women can't have children Y/N, and I'm not even human".
You would blink and sigh before spending the next hour explaining to her the different methods of conception, and more importantly, the adoption processes.
Ursula wouldn't be entirely convinced, but she would let you drag her to an orphanage. At least it seemed like you were happy surrounded by little humans. Well, she liked to see you happy and if she had learnt to take care of you, she would learn to take care of a little human as well.
Carla Dunkler
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Carla thought you were joking, at first. It wasn't until she heard you talking to Amy, while you were holding one of Kiki's twins, that she knew you were serious.
While you were lying on bed, Carla would look at you and ask you about it, surprising you that she was the one to bring it up again. You would shyly explain to her that you had always wanted to have children of your own and that you would love to enlarge the Dunkler family.
"We already have a child" she would laugh softly "And it hurt a lot to push him out of my vagina"
"And look at the incredible work you have done with him" you would smile
Carla would tell you it wasn't exactly the words she would use, but it warmed her heart how much you loved Jackson as if he was your own son…He was, now that she thought about it. And you weren't trying to replace him or anything, you just wanted a little sibling for him.
After a few days of thinking about it, and after a long night of drinking with Amy and Kiki, Carla would decide that maybe one more member in the family wouldn't hurt. She just prayed that it would be a girl and that she wouldn't like baseball.
Eve Fletcher
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Eve never thought you would ever ask her that. And neither were you, if you were completely honest. It had taken you a lot to get the older woman to agree to go on a date with you and a lot more for her to officially agree to be your girlfriend. So you had put the children and family talk aside.
Until that moment. You wanted a child, you had always known that since you were little, and you loved Eve with all your heart. It made sense to you and seemed simple in theory, but actually saying it out loud and putting it on the table was a different story.
Eve listened to you patiently, at first with a smile (as she always did when you talked to her, god, you didn't deserve her) but she became serious as you talked. When you finished, you sat next to her while she thought.
Eve really didn't think it was a good idea. She was too old to have a baby at home, but she didn't want to take away your dream of being a mom either. The thing was, she didn't think she would make a good mother.
"Look at my son" she would tell you "he doesn't even remember that I exist"
You would take her in your arms and assure her that she would be an excellent mother, because she already was. It wasn't her fault that her son was ungrateful. Still, you told her it was just an idea, you didn't have to make a decision at the time.
Eve would think about it some more, and at the end of the day, the idea of ​​having a baby in her arms again, of being a mother with someone who truly loved her, was enough for her.
Jennifer Barkley
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Jennifer nearly choked on the coffee she was drinking when you dropped the bomb. You had to run to her side and tap her back to help her breathe. You thanked god the coffee wasn't that hot or she would have hurt herself.
However, you felt an emptiness in your stomach when she recovered and stared at you. You knew that look, it was the one she gave you when you had misbehaved or said something out of place. It meant that she was upset with you.
"No" she told you firmly "None of those demons will enter my house and that is final"
You didn't talk about it again. She didn’t miss the sad  look on your face when you passed through the park or how quiet you suddenly turned to her. But Jen was a strong woman and she wouldn’t bow to anything or anyone, especially when it came to children.
Yes, she felt a little guilty for being so blunt with you and not even trying to really talk about it, but at some point you would get over it. She would make sure of that.
- - - - - - - - - - - - - - - - - - 
KH’s tags: @midnight-lestrange​ @emilyprentissslut​ @mochiadria​
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naokow · 3 years
Text
Get Free
 summary:  I want to get off, but I keep riding the ride, I never really noticed that I had to decide, to play someone's game, or live my own life.
warnings: angst, manipulating behaviour from eren, female reader (i’m sorry i didn’t make the reader genderless), cursing, smoking, drinking. let me know if i should add something else.
word count: 2.8k
A/N: so let me know if it sucked, pls, thank you. also, English is not my first language, so there can be mistakes pls tell me where my dumb ass was wrong
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The hand on the waist was the final nail in the coffin for you.
How dare he dance with another girl. How dare he smile at her, how dare he ignore you and act like you weren't there, too.
"This is just pitiful," Marleen snorted, finishing half of her drink in a sip as she watched the same scene unfolding in the living room, those two uncaring of everyone else, like they were throwing it in your face.
You hummed, not really in the mood for taunts and half assed advices. "Which part?"
Marleen finished her drink and threw the cup over her shoulder, over the improvised bar the frat boys did last year with wood panels and boxes. It landed in the kitchen, someone yelling at the brunette as it nearly missed him.
 "You. Honestly, for the last time, you need to—"
Frowning, you tensed and turned to glare at her, only to stop staring at the dance floor. "Honestly, Marleen, for the last time, I'm not fucking Jean to get over Eren."
She raised her hands in mock surrender, taking the half empty bottle of beer from your loosened grasp. "Doesn't have to be Jean, pal."
Groaning, throwing your head back dramatically, you couldn't find it in yourself to debate this subject, again.
Not that it mattered. Not like it was supposed to be a fun night at a frat house. Not like you made a fuss about it, dressed in your best leather pants and top, tattoos on display.
Not like you actually tried a bolder look with the cat like eyeliner and actually put on lip gloss, because you knew Eren liked those, said once your lips were pretty like that, coated with too much cherry glitter—
No, it didn't matter, not even as you sat there, feeling stupid as you pulled at your snake bites, wondering if you should get drunk or just go back to your dorm and complain to Annie.
But the blonde was at the party, too, somewhere among the crowd and probably sulking just as you, if you were to guess after seeing Armin with some junior chick an hour ago.
Marleen pushed herself away from the counter, losing her balance as she fell from the chair, but you saw it coming. Rolling your eyes, you caught her arm and steadied her.
Marleen grinned as you let her go, and seized your bicep, squeezing it three times, like a grandmother would with her grandchildren's cheeks.
"God, I love your muscles."
You loved them, too, but often found yourself wondering if Eren would pick you if you looked different, like the pretty, thin brunette wrapped around him on the dance floor.
God, how much can someone dance?
"Anyway," Marleen sighed, fake annoyance and all that, "Someone has to fuck Jean."
You snorted, "Poor you, volunteering like that for society."
She waved you off, pushing your now empty beer bottle into your chest as she left your side with her arms in the air, waving franatically to catch Jean's attention from his seat on the couch, where Connie was trying to explain something with his fingers.
Putting the bottle behind you on the counter, you tried to stop yourself from looking at him. What good did it do to—
He was gripping her waist, his large hands, clad in rings you got for his last birthday, covering her exposed skin. Her arms were in his hair as he bent to say something in her ear—
No, you noticed, he was kissing her neck and she was grinning sideways at Eren.
Scoffing, you tugged at one of the pierces in your nose. You should know better by now, Marleen once chided after cleaning your face off, ruined make up almost dried on your cheeks.
He knows, Annie scolded from beside you two in the small public bathroom after Eren ruined karaoke night and brought his new girlfriend.
He knows you love him and doesn't care. So do yourself a favour and move on.
Yeah, you watch Eren laugh at something the girl said, move on from the crush you had on him since you were sixteen and his hair was still short and he was crying over his parents' divorce.
Sure, move on and forget all the times you helped him, picked the pieces and put him first. Like he did, all those years going down the drain ever since the school year started and he barely acknowledged you.
"You look like shit," someone took the seat next to you, and you sighed before accepting the offered red solo cup.
"Feel like it, too," you looked at Levi snorting as he sipped on his beer. He looked like he just got out of bed.
Right, you scowled at yourself. You've been so busy preparing to let Eren walk all over you, that you forgot that Levi lived in the frat house that hosted the party.
Hange was talking Erwin's ears off, but he smiled and waved at you from where he stood close to the oven, once you looked over your shoulder to inspect who was there. Hange imitated his gesture without turning to see who, exactly, they were saluting.
Levi ignored them altogether, hair disheveled from his twitching fingers. He probably had a nap, you guessed, from the simple black shirt and jeans. Most likely got dragged down from his room by Zeke, or someone.
You knew him well enough, since he bumped into you almost one year ago, in the parking lot where you were smoking, asking for a lighter. Sure, he ignored your bad mood since you walked over to class when Eren forgot to pick you up.
It was just one time.
It wasn't until many months later that he picked a habit of ditching you and your plans together.
Levi was older by two years, and so were his friends, but they took you under their wing almost immediately.
They were protective of you, especially Hange, but no one came close to Levi anytime Eren made you cry or upset you with anything.
Like now, as he glared at the place where you already knew Eren was having fun with the girl. But you chose to look at Levi, chin in the palm of your hand.
Finally, he turned to take you in, his eyes catching onto the fact that you wore the rings and choker he got for you over the last year, then the many earrings Hange and Erwin got you anytime you wanted another pierce.
"Well, you sure look worse than me," you smirked, but Levi frowned at your attempt.
"He did it again?"
You couldn't find it in yourself to get mad at his words, "He just forgot, is all."
Levi snorted, "He should get checked for that Alzheimer he's been sporting for the last months."
You hit his arm, barely touching him, and huffed. "Play nice."
To his credit, he left it at that and let the noise of the party fall over you, both nursing your drinks.
You pondered going to Hange to ask if you could crash over the night with them, knowing Marleen was busy and Annie probably left by now.
"Want to dance?"
Well, then.
Your eyebrows almost reached your hairline as your eyes found Levi's, "Huh?"
He didn't shrug, or rolled his eyes, simply putting down his bottle and staring at you. You didn't want to look over at the dance floor, or be near that sexual tension, but—
But Levi was trying, and you knew how much he despised the parties, or having to interact, or, God Almighty forbid, dance.
And he was asking if you wanted to, because he knew you liked the song that was playing before you even realized what song it was or that you've been moving your head along with the beat for the last minute.
But Eren was th—
You jumped from the bar stool, "Sure."
You were taller than Levi by some good inches, but that didn't bother him. It never did, not even when you made fun of it at game nights or that one time at the carnival when he was the only one to join you in the big rides.
It didn't bother him, not even now, as you let him put his hands on your bare waist and slightly gaze up at you.
Hands around his neck, you let your chin rest near his ear, "You dance like someone's grandpa."
You could only assume he scoffed as he moved his arms around and pushed you closer to his chest.
"That's how you're grandpa danced?"
You shrugged and let him move your hips to the beat, fingers lost in his hair. "Wouldn't know. He died before I was out, kicking and screaming for the last time in my life at my mom."
Levi shook his head at your words, used to your humour and thankful you couldn't see his smile as he put his forehead on your bare shoulder.
You found yourself forgetting about Eren for a while as Levi danced with you and touched your skin, fingers grazing sometimes over your back or spine.
Then he was lost to your mind altogether when Levi caught your eye and you tried to make sense of the look he was giving you.
Marleen said something about his stares, when you couldn't see him watching.
You wet your lips, and he watched your tongue swipe over the pierces. "What, Ackerman?"
He shrugged, "You hate lip glosses."
It was barely there after all the drinks, but the thin, shiny coat with that stupid glitter was noticable enough for Levi to glare at.
And you did, you did hate lip glosses when Levi's arms were around you like that and his hands didn't shy away at the feeling of your muscles like Eren once did, because, damn, what chick wants those abs?
"'m stupid, I know," you mumbled, head titled close to his ear, but he turned to look at you, not even dancing anymore as his mouth was so damn close to yours.
"Want me to buy you another lipstick? What was it, again? R—"
You laughed, and Levi smelt the juice and whiskey on your breath. "Red, yeah. Still don't know how you found that shade, it was so nice, and I finished it too fast."
Levi smirked a little, "Told you, it's a secret. How else am I gonna surprise you?"
You felt him around you, too real, too much, it consumed you, steadily, as his eyes wondered around on your features.
"You surprise me anyway, Ackerman."
He wet his lips, then frowned, having to remind himself you weren't there for him, that you were in that position only because you were hurting again and because he was stupid and reckless and—
"Take it off, please?"
Levi searched your eyes, "What?"
"The gloss crap. Take it off, please."
Levi's breath hitched. "Are you sure?"
You looked down at his lips, "Help me a little, Levi."
Damn you. Damn you and your beautiful face, that irresistible body and that personality and the fact that it made him fall hard. So hard he couldn't deny you, even if it hurt him.
Because you were still hang on Eren, waiting and suffering, uselessly prolonging the inevitable everyone knew its end, but you. 
But now you were in his arms and looking at him like he put the stars that formed those constellations you adored so much, on the sky.
Damn you, da—
He would never admit it hurt to press your lips to yours, to feel that cherry lip gloss first, then the punch as he probed at your mouth to get rid of that crap as you so nicely asked him to.
He hardly noticed how the pierces felt against his tongue, all lost to his mind as he gripped your hips tighter.
He would never admit it bothered him how your fingers played with his hair as you moved your face down and kissed him too roughly for his taste.
But it brought some satisfaction to glance over your shoulder at the shocked, angered Eren, his dance partner forgotten as he stared at his hands on your skin.
Good, it felt good. Even when Levi knew you would regret it the next day and go back to sulking over Eren.
But you brought his mouth back to yours and kept his face in your hands and made him ignore how much it hurt while he bruised your lips with too many kisses.
Levi tried to convince himself that things would finally be better, that it was the right move and he wasn't just a rebound. Maybe, if he kept telling himself that, he would believe it, too.
Even as you pecked his lips once, twice, stopped to gulp down breaths of air, like you just surfaced from water, like you've been drowning and finally, finally, you were free now.
But you stayed close, foreheads pressed against each other's while some stupid disco song started playing and Connie's excited yells surpassed even the stereo system.
You opened your mouth, and Levi wondered if he should be the first to say sorry.
"This is nice."
Flinching, you furrowed your brow and turned to look at Hange. They grinned, inches away from your face. Levi scoffed, and took one, two, fuck it—
He almost jumped away from you, putting space, almost making a statement. He glared at Hange.
"Is this our new secret handshake? I have to tell Erwin," they didn't wait, and you sighed as Hange bounced away to annoy Erwin for the millionth time that night.
You clicked your tongue, Hange forgot to tell you why they interrupted... Whatever that was with Levi, who was now rubbing his face in what you knew was annoyance.
Wetting your lips, and feeling no trace of cherry, made you feel worse than before.
"Right, I'm—"
Levi scoffed, hands back into his pockets as he already moved to walk past you. "Don't. I'm sure Jean would like to continue this."
You wondered why his words stung that much, because you were supposed to feel better after kissing someone. Because it was supposed to make you feel something else than sadness and constant self hatred.
Because—
Eren was making his way towards you, and Levi was already lost in the crowd before you could try to mend things. And say what, exactly? Nothing made sense anymore, your thoughts scattered all over the place because—
"What was that about?"
He was asking you, talking to you, and it didn't feel as good as you thought it would. Neither could bother to step aside, talk somewhere private, people still drinking and dancing around.
But why would Eren go somewhere private with you? It wasn't right. Nothing was feeling right as he glared down at you, at your swollen lips and flushed cheeks, that even the low light of the Christmas lights hanged around the walls couldn't hide.
"What?"
Sure, you were broken. Mind blank and fingers twitching to hold onto something.
Eren frowned, "What was that about, with Ackerman?"
You blinked at him. "I'm sorry?"
It wasn't the apology you almost shot at Levi earlier. You sounded too confused and shocked, even for you.
But nothing made sense and Eren was now fuming.
"Listen—"
And you were all years for him, straining yourself to hear him over the music and the crowd that pushed your bodies closer. All because you were used to this, dropping all doubts and latching onto Eren. Honestly, you couldn’t remember the last time he was that close to you, couldn’t comprehend the harsh reality. 
He was there because it bothered him to lose his play toy, and you were too blind to see it, or anything else beside his eyes as he talked. Blinking, you allowed Eren to take you to the kitchen, something about another drink. 
Levi was lost to you as Eren put his arm around your shoulders, barely keeping it there as he started talking about his classes and something his colleagues. You granted him your attention, all of it, never half hearted like he was with you most of the time.
Try all the time.
Because you were better, always so caring and welcoming for Eren to just pick and take whenever he pleased. But he was your friend, you cared too much about him to just let him go or ignore his needs. And he even left that pretty girl to talk with you. Surely, that must count as something. 
“Where’s your lip gloss, hm?” Eren inquired, watching you over the rim of his cup as you blinked, head titled to actually think about what he asked. Then,
“Oh, sorry. must’ve worn off,” you struggled to articulate the words, barely thinking them through, feeling small, almost lost under his stare for a moment. Eren smiled down at you, almost cynically, as he put his cup down and took your hand in his. 
“Want to dance?”
You nodded, faster than before, with—
It didn’t matter, not in that moment.
Assuring him it was alright, because every little thing was alright to you as long as it was Eren and his hand was taking yours, even if the hold was loose, barely there, like he was seconds away from letting it go.
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thefairyletters · 3 years
Text
Naruto in Hero Academy
Which Naruto characters would replace the MHA characters more accurately in MHA AU?
Here is what I think:
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Naruto Uzumaki ➡ Mirio Togata
Naruto is a lot of things but nervous and shy isn't one of them. Izuku may be the protagonist of MHA but Naruto is like Izuku only in terms of his desire to protect everything that breathes, oblivious towards the blatant interest of opposite sex and their determination to succeed.
Mirio, on the other hand, is optimistic and shares same sentiment towards helping others. He, like Naruto, is not the brightest student and can be dumb and goofy. He is also a jokester of sorts and makes fool of himself like Naruto. Both of them are very hardworking and train themselves to master hardest techniques.
Naruto's quirk: Pressure control
Sakura Haruno ➡ Kyoka Jirou, Ochako Uraraka
Jirou is cool, smart, level-headed and quite aggressive. Sakura is book smart, is dry when she wants to be, isn't afraid to put people in their places when they show disobedience or act silly, and has leadership qualities. Both are self-conscious of their looks and bodies and have aversion to horror settings.
Ochako and Sakura are both strong willed, both work hard to be useful to their friends and don't want to left behind. Both are competitive, friendly and kind. Both become shy in front of their love interest. Ochako wants to become a good hero to support her parents and help people, Sakura worked to truly become a shinobi to stand beside her teammates. Ochako cares deeply for Deku, regardless of her feelings for him, like Sakura towards Naruto.
Sakura's quirk: Super strength
Sasuke Uchiha ➡ Shouto Todoroki, Katsuki Bakugou
Both Shouto and Sasuke are cool, quiet, impassive and blunt. They are top students of their class and are popular for their pretty-boy looks and their powers. They both are from influential families and have a strained relationship with their father and older brother who is a villain. They both are intelligent and top of their classes.
Katsuki and Sasuke are arrogant, tend to look down on others and desire to be on the top. They tend to snap at their rivals and often lose their cool in their presence. Both secretly cherish and care for their friends, but are really bad ar outwardly expressing them. They are antisocial and prefer to train over socialising.
Sasuke's quirk: Electricity
Shikamaru Nara ➡ Shinsou Hitoshi
Both are straightforward and clever enough to be one step ahead of the rest. Both are antisocial yet have many friends who are absolute sunshiand are manipulative when they want to be. Both have their mentor's quirks passed onto them – smoking and love for cats.
Shikamaru's quirk: Shadow control
Rock Lee ➡ Eijirou Kirishima
Both are overly enthusiastic about manly things and youth, have optimistic personalities and are insensitive to what people says about them. They care and believe in their friend – Neji/Bakugo – no matter how they shun him away.
Lee's quirk: Speed
Hinata Hyuga ➡ Tamaki Amajiki, Eri
Both are extremely shy in social settings, show outward signs of social anxiety when it gets best of them, doesn't believe in their strengths and look up to Naruto/Mirio.
Eri and Hinata, both are timid and naive. Like Eri, Hinata is accepting of her father's opinion of her and doesn't stand up for herself. While not psychologically traumatised like Eri, Hinata has her social.
Hinata's quirk: X-Ray vision
Shino Aburame ➡ Fumikage Tokoyami
Both are odd ones in their groups, blunt to a fault and have distinctive way of speaking. They are both underestimated and are powerful in their own rights. Tokoyami has his bird and Shino has his bugs to assist him.
Shino's quirk: Insect control
Neji Hyuga ➡ Seiji Shishikura
Both are proud, dignified individuals and are strong believers of their opinions about who can/cannot become heroes/shinobis. Both are arrogant about their abilities and tend to be very cruel to others at times, but that's where their similarities end.
Neji's quirk: Deflection shield
Konan ➡ Asui Tsuyu
Both are not afraid to speak their minds and are very stoic individuals who rarely show emotions. While both are blunt and to the point, they also are compassionate and care for their friends deeply. They are also very supportive and reliable individuals which makes them great partners.
Konan's quirk: Telekinesis
Nagato Uzumaki ➡ Tomura Shigaraki
They both have been manipulated by Sensei/Madara. They both wanted to ruin Shinobi villages/Heros of the world for what they were manipulated into believing a greater cause. They both hide their true identity from the rest of their allies, behind hands and reanimated body. Both, as a child, were kind, compassionate and desired to help others.
Nagato's quirk: Resurrection
Itachi Uchiha ➡ Dabi/Touya Todoroki
Personality-wise, both are similar in some ways – aloof, confident, smart, stoic and cautious. Both often taunt their brothers by pulling on their abilities and weaknesses, however, their intentions couldn't be more different. If Itachi had been a true villain with no martyr tendencies, only rightly placed anger, then he could be considered as true Dabi of Naruto universe.
Itachi's quirk: Hallucinations
Kakashi Hatake ➡ Eraserhead/Shota Aizawa
Both find their wards troublesome and causes trouble to them as much as they could, but they both secretly love them to death. Both have protective steaks in them and always turn 180 on their enemies who dare to pose threat to their kids. Both have distinctive – Aizawa usuallu has his sleeping bag with him and Kakashi always have his porn with him.
Kakashi's quirk: Copy
Hashirama Senju➡ All Might/Yagi Toshinori
Both are revered as idols and are considered the strongest heroes. Hashirama established the idea of 'will of fire' and All Might is considered the 'symbol of peace', which is an idea of goodwill. Both are jubilant individuals, brimming with positivity and strength. They are always shown smiling and have inspiring personalities that are well-liked by others. Hashirama, like Yagi, have serious streak in him which is in contrast to his normal, cheerful attitude.
Hashirama's quirk: Earth control
Anko Mitarashi ➡ Midnight/Nemuri Kayama
Both have similar appearances – purple hair, spiky hair and curvaceous figure – and dress provocatively. They both are quite sadistic and enjoy unsettling others like its their personal hobby. Both are impulsive, stubborn, playful, but also intelligent and resourceful individuals.
Anko's quirk: Elasticity
Madara Uchiha ➡ All for one/Sensei
Need I say? The boss villains whose powers rival the likes of Hashirama and All Might. Madara is better person than Sensei of course, but both are terrifying, manipulative, have animosity against Hashirama/All Might and can be considered the Symbol of Evil. Both are power-hungry, ruthless and manipulative. Despite their merciless nature, they also seem to love their younger brother.
Madara's quirk: Gravity control
Tsunade Senju ➡ Healing girl/Chiyo Shuzenji
Both are old women. Like Chiyo, Tsunade is kind and compassionate, but also harsh and chiding towards crazy and reckless people. They are both expert doctors.
Tsunade's quirk: Healing
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I had so much fun comparing the characters of my two favourite fandoms for this post. As far as abilities goes, I am happy with this list. I think Fire Control is the most overused ability ever. Gravity manipulation is my favourite ability; if you can increase and decrease the gravity then you are nearly the strongest person. Madara is that. It's insane how strong he is in Naruto, I didn't give him all that credit here.
Thank you for reading!
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dross-the-fish · 2 years
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Totally Underwhelming Eclipse of the Half-Hearted
Because I am not done talking about Dance of the Vampires.
If you want to see what I had to say about act 1 here are the links to my other posts
Now, the good news is that this second act is probably the better half of the musical. It's less consistently bad and a little closer to the European version, there are even a scant hand full of things that work.
But the bad stuff is really bad.
After Crawford sings the midnight serenade to Sarah we cut right to Total Eclipse of the Heart.
The problems in this number aren't anything we haven't seen before, I mean Crawford has been an unwelcome presence for most of act one, the choreography is shit, and the set, if you can call it that, is pretty pathetic, (fucking bleachers!) but I want to talk about a few things I haven't really gone into detail about yet.
The music. For the most part the music is generally the same, although it does sound like someone took Tanz and shrunk it. The orchestra and choir really lack the epic quality of the European version, but whatever, it's close enough. I'll give credit to Mandy Gonzales, she sounds great. In fact she sounds so good here that it just serves to highlight how awful Michael Crawford is.
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Then you get to the lyrics.
The lyrics are a huge problem with this adaptation because in a lot of key songs, they weren't actually adapted. What we got in the final product isn't a translation of Michael Kunze's lyrics, rather it's a copy/paste of the existing lyrics (with some minor tweaks) from Jim Steinman's songs.
It's easy to say this was done out of laziness but given what I know and recently have learned of Jim Steinman I'd say it's very likely he didn't want his lyrics compromised. He has a reputation for being a massive ego and I'd be lying if I said I couldn't see the telltale Jim fingerprints all over the final product. I may expand on that later, but before I deviate too much from my initial point.
The lyrics.
Because they are cut and pasted from existing songs they no longer sound like the voices of the characters. They sound like the voice of Jim Steinman. In Total Eclipse Von Krolock sounds lovesick rather than predatory and Sarah sounds like a world weary old soul who's been burned before and is afraid to love again.... instead of... you know... and 18 year old girl who's never left her father's inn. This is even more egregious in Starker Als Wir Sind/Braver Than We Are because so much of the English version's lyrics are vague biblical metaphors that don't actually make much sense coming from a character like Sarah.
Example in Braver Than We Are Sarah sings "How can we fly like an angel in the sacred air?" At first that kind of sounds pretty, but in the context of the moment it doesn't really fit. It has almost nothing to do with what Sarah is doing or feeling and it's just empty imagery.
This is a fairly consistent shortcoming of Jim Steinman's songwriting. Style over substance plagues a lot of his songs. Even his best songs sometimes have weird lyrics that sound cool but don't actually mean anything.
Amazingly that doesn't hurt his music nearly as much as it should. All three Bat out of Hell albums are pretty strong, so much so that I'd be hard pressed to pick a favorite between them.
In the context of a musical, however, it's a different story.
Let's take a look at the Tanz version to do a comparison.
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The lyrics here illustrate a Sarah that is giving into temptation but feels shades of regret. Even as much as she wants what's being offered she knows there's no going back. Superficially it doesn't seem that different in theme from the English version but the lyrics do a better job of revealing Sarah's thought process.
Speaking of temptation let's touch on that for a sec, temptation and resisting it vs giving in is a huge theme of this musical. Draußen ist Freiheit and especially Das Gebet are all about temptation. How it pulls us, how the thing that finally breaks our resolve must be stronger than we are. Sarah is tempted by a voice that calls to her and offers her something dark, sensual, and forbidden. A fall from grace that will damn her forever but grant her her wildest dreams. Really the overarching theme of temptation needs its own post because there are so many layers, so I'll save it for after I've finished my breakdown of the full play.
We spend all of Draußen, Starker, and Das Gebet watching Sarah teeter on the edge and Finsternis is where she finally falls. There is a LOT of emotion here. The lyrics beautifully illustrate what she's feeling and how Von Krolock continues to suck her in by offering her her dreams.
In other words less this
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and more this...
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hell even this would have been preferable...
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... you know I'm starting to see a pattern with young girls name Sarah and mystical older men in uncomfortably tight pants.
So why doesn't Tanz suffer from the same problem's with lyrics?
Probably because Steinman doesn't speak German and so had little say over how his songs got adapted into the German language.
The lyricist for Tanz is Michael Kunze, known for his work on Elisabeth and Rebecca and Kunze is honestly a wonderful lyricist. He does an excellent job giving each character a consistent voice while giving the lyrics depth and nuance. Which might not have saved the Broadway version, but it would definitely have helped.
Speaking of lacking depth and nuance....the next scene is the one where Von Krolock greets Alfred and Abronsius at the gate of his...
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.... completely empty stage.
Hang on to your butts folks. It's gonna get real ugly.
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